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• walkerart.org
A twist on contemporary art New exhibits at the Walker Art Center call for pensive thought MEGAN KADLEC
news editor
When most students think of an art museum, they picture large, white-walled rooms with paintings they don’t understand. What they don’t think of are interactive exhibits, intense movies and sculptures you can play with. The latter is not the latest contemporary art gallery in New York or Paris; it is the Walker Art Center, located on
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the northern edge of Minneapolis. Featuring contemporary pieces from many of today’s great artists, the Walker is the ideal backdrop for a stimulating artistic experience. Over the past few months, the Walker has installed many new exhibits sure to catch the attention of art enthusiasts, or simply those individuals craving a new experience. Cleaning house, rewarding
troublemakers and inviting crashers, John Waters is the Walker’s very own “Absentee Landlord.” His new exhibit, which spans three of the Walker’s eight main galleries, was designed to challenge beliefs about modern art. Waters muses, “Getting along is the enemy of contemporary art, isn’t it?” In an attempt to blur the lines between what art is and isn’t to different people,
Waters has created an exhibit where an abstract sculpture can sit next to a classic painting, where a wall can hold works from both Mike Kelley and Cameron Jamie. Essentially, Waters was hired to mess with the Walker, make an otherwise boring, cohesive gallery of pieces with similar style into a gallery where different mediums and styles can habitat peacefully, and in this case, beautifully.
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“Exposed: Voyeurism, Surveillance and the Camera” is an exhibition dedicated to displaying photography as an invasive act. Since the permanent photograph was first developed in 1827, the camera has been used to capture images, regardless of whether or not the subject was aware a photograph was being taken. With the invention of the portable camera, stalking and surveillance became acces-
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