OVOID AND PULSE
A CHAPBOOK
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CO NT EN TS : on catenary curve 5
: fi g u r e f u g u e in a most beautiful equation
: the poem that took the place of elephant trunks
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: h o l y o d e t o fi t s o f e i g h t 17
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: the fundamentals report
: t h e l a w o f fi v e
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: d i p t y c h - n i n e fi s h
: ovoid 11
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: thank you
: s i x fi b s , s i x l o v e s 13
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: O N C AT E N A R Y CURVE l o n g e x tin c t silp h iu m s ea s o n e d th e h ea r t sh a p e d l ove r ’s co in a g e , - tr a d e fo r tr a d e - h o n e y fo r h o n e y, th e h ea r t of a h u m a n is sh a p e d o n c a te n a r y cu r ve . . . s e e d l e s s in th e m a dn e s s of l ove , s e e d l e s s in in te r l o cke d m e t a l ch a in e t te . - p ow e r fo r p ow e r - b l o o d fo r b l o o d , n a tu re ’s p e r fe c t s cu lptu re h a n g s fe te o n c a te n a r y cu r ve . . . e q uilib r iu m sp u n in u n co n s tr a in e d hi ve b l ow s sp i d e r silk s f ro m b r a n ch e s in a s w e r ve , - ch a m b e r s a n d ch a m b e r s - a tr i a a n d ve n tr i a m u s cl e h o n e yco m b e d a rchi te c tu re o n c a te n a r y cu r ve . . . w il d su n hi ve ce n te re d o n a co m b, a f r a g il e sh e ll p rote c t s th e e g g sh a p e d d o m e . - g o l d l ea f - sil ve r p l a te - p u re p l a tin u m b l a ze n l ove b u r n s a n d d r ip s in th e hi ve of th e su n o n c a te n a r y cu r ve . . .
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:FIGURE FUGUE I N A M O S T B E A U T I F U L E Q U AT I O N R a n d o m p a t te r n s e m e r g e in s to ck p r ice s a n d th e h e i g h t s of b u il d in g s , c a s tin g sh a d ow s o n n e w yo r k ci t y ’s p o p u l a tio n a n d e ve n o n th e l e n g th of i t s r i ve r s , co m p a r in g . M o s t of th e s e n u m b e r s b e g in w i th d i g i t 1 , l e s s w i th 2 a n d th re e , a n d s o o n u n til o n l y a tiny a m o u n t b e g in w i th 9 . T h e l a r g e r th e d a t a th e m o re p rofo u n d th e p a t te r n , r a n d o m a c t s of tr u e m a th l o g ic . Two s h a d ow s d a n ce in th e ni g h t tr ave r sin g Tr u m p R in k in sn ow y Ce n tr a l P a r k , s e e min g l y h a p h a z a rd d o o d lin g . Cu t tin g co m p u l s o r y fi g u re s , a to m s of m a th fl o a t d i a g o n a ll y o n th e U l a m cl oth w h e re m ay b e th e p a t te r n of p r im e sp ir a l s . A ll this r a n d o m n e s s re q u ire s a l a u g h b u t w a i t d i d yo u k n ow th e re ’s a fi ni te a m o u n t of g e o m e tr ic p a t te r n s? D i d E s ch e r k n ow th e re a re o n l y 17 w a llp a p e r g ro u p s? Sy m m e tr y! N ow a b o u t th a t n e rd y m a th l a u g h , a f te r a co m p l e te sp h e re e ve r sio n my s to m a ch h a s tu r n e d in si d e o u t a n d I ’ ve h ea rd to p o l o g is t s c a n ’ t te ll d o u g h n u t s f ro m th e ir co ff e e . Wa i t m ay b e i t w a s s o m e thin g a b o u t a n a s s a n d a h o l e in th e g ro u n d . N e ve r min d n ot o n e fo re te llin g jo ke s . I a m in l ove w i th th e to r u s , b e si d e s my h o m e o m o r p hic l ove r c a ptu re s th e e s s e n ce in th e s w e e te s t s o n n e t .
I fe e l I a m o n a m o b iu s sp in nin g . a l a s , p e r h a p s a sim p l e circl e . A m o s t b ea u ti f u l e q u a tio n rea chin g m o re th a n sk in d e e p in to th e d e pth s of e x is te n ce , a n ir r a tio n a l n u m b e r g ove r nin g th e r a te of e x p o n e n ti a l g row th , r a is e d to th e p ow e r of a n im a g in a r y n u m b e r, m u l tip li e d b y th e in te re s tin g l y f a m o u s p i . H e li f t s m e hi g h a b ove his h ea d a n d a ll this e q u a l s n e g a ti ve 1 , a d d a p l u s o n e a n d i t e q u a l s ze ro. T his is n ot hy p e r b o l e , th e s e s tr a n g e n u m b e r s a n d e ve n o n e th a t isn ’ t rea l , co m b in e s s o sim p l y. Eu l e r ’s e q u a tio n t a ke s my b rea th aw ay. . . I d e n ti t y! B lin k ! I a m thin - slicin g , b l ow in g h o a r f ro s t a n d f ro s t fl ow e r s . Love r s d a n ce in a circl e tr ave r sin g i t o n t wo d i ff e re n t p a th s , h e o n a g r i d a n d I rot a tin g . We m e e t a t th e s a m e e n d p o in t , u n d e r th e m a g ic sp e ll of th e m o s t b ea u ti f u l e x p re s sio n in m a th . e^{ i * p i } + 1 = 0 Fa llin g o n th e ice , We b oth thin k . . . “ to m o r row Ro cke fe ll e r R in k ” !
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:T H E L A W O F FIVE s e e k fi ve a n d th e f a ire s t yo u w ill fi n d l o o k in g fo r th e g o l d e n a p p l e , th e l o s t p a t te r n , s e l e c ti ve p e rce ptio n in yo u r min d . o h! e r is , h a s sp rea d ch a o s a t e ve r y tu r n . re fl e c tin g in th e b a g u a w h e e l , i t u s e d to b e my n u m b e r. th e l aw of e q u a l d e i t y t a ke s s tr i d e of m e th o d a n d n o m e th o d c a u g h t a t sl u m b e r, b e c a u s e t wo p l u s th re e d o e s e q u a l fi ve . n a tu re ’s p a t te r n l o s t in in fi ni te re to r t . b u t te r fl y, b u t te r fl y, t w e n t y th re e to d o. e ni g m a of a p o p h e ni a like fi ve , si g h te d sh o r t aw ay w i th yo u , aw ay w i th yo u , 2 3 sk i d o o! g row th e a b s tr a c t f r a c t a l b ea u t y of fi ve o rchi d s , d e si g n th e b ea u t y of fo r m in a p ea co ck ’s t a il , crea te s e l e c ti ve e vo l u tio n a s h u m min g b ird s d i d , t a ke t h e m ea n d e r d ow n th e p e r fe c t cr y s t a l . th e l aw of fi ve is n e ve r w ro n g in th e s a l t y e ye of e l e ve n . v ir tu e s , e l e m e n t s , e vo l u ti ve p h a s e , n ow my n u m b e r is e i g h t! in o rd e r of m u tu a l g e n e r a tio n wo o d , ea r th , w a te r, fi re a n d m e t a l; tr i g r a m s b ro ke n a n d u n b ro ke n , lin e s y m b o l s of f a te .
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:OVOID and pulse...check the coordinates...nothing visible, source, root, chemical richness cast out black darkness of nothingness, oscillating conception, finally separation, sparks firing towards pure blue brightness.
clinging to the place, where eyes easily turn to silence worming through the void, it blows its first seed.
graphical perspective parallel lines intersect at the vanishing point on the horizon, particles captured by the wave.
insertion into this our only soil, exuding milk of makers kindness, negative and positive running in the bloods of murders and miracle workers, poisoned from the start, pureness is found only in the bound.
manifolds, the ovoid shape allows viability a mixture of trauma and tranquility, hovering bone chillingly between painting and sculpture. from a hissing swell of incomprehensible flatness, a summon from slumber-organic and womby. watery dance of a cloud gate, airy dance becalming and delicate pink confectionary threading cotton, weaves shadows in the wind. the intersection of two subspaces, is always a subspace where fleshiness begins, way before the kick. born, unborn tumors grow, in a galaxy spin of found space struggling to remove a multitude, of boundless fetus in fetu.
singing numbers alive, spinning yarns from slaves, and angel aesopic fables ovoid, on tilted uterus, blinded in anteversion, look for humble truths inside happy joints. found hypnagogic artifact, consciousness floats upon the face of the waters...manifest primordial, we walk in the park. pink onyx flowers bloom needlessly off the bees path, millions of particles forced to collide. in our mind metamorphosis runs in reverse, a spring of tadpoles bake in the warm fractals of sun. smaller and smaller, caught in the divide, time picked a bouquet with branches, seen through the afterburn of the pupil, under closed lids facing the empyrean star. the destroyer is always prepared to destroy, remember this, we are all circlemakers, worming through the void.
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:SIX FIBS*, SIX LOVES 1. “I love so dire� said desire, madly losing it. The greeks were frightened of Eros.
4. The gift, selfless charity... bring back empathy, Care for strangers...revive agape!
2. Real friends! Brothers side by side, our comradery. Are followers true philia?
5. Time... deep patience, stand in love. Give instead of take, give a major dose of pragma.
3. Flirt, tease, dance free! Laugh strangers, drink sweet spice of life. Frivolous puppies need ludos!
6. First love yourself! Seek this beast, except narcissist. Happy skin in philautia. Love one another, let it be a living sea, between the shores of your souls! Love is the number of mankind...
* fibetry = 6 lines, 20 syllables | fibonacci = 1/1/2/3/5/8
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:T H E P O E M T H AT T O O K THE PLACE OF ELEPHANT TRUNKS A M E TA P O E M H AT T I P T O WA LL ACE S TE V EN S th ere i t w a s . numb er for numb er, th e p o em th a t to ok the pl ace of eleph a nt tr unk s . e ver y e qu a tio n s e t to music . le t ter s of v a lu e addin g up to the word . sh e inh a le d o ld ox y g en mind f ul of her c a r b on , e ven a s th e sp a ce tele s cop e adde d color to s t a rdu s t . tid e s w a sh aw ay the trepid a tion , sh e co mm a nd e d m ount ains to re comp os e a s cele s tia l pill a r s . sli g ht til t to th e r i g ht thumb e d ob liqui t y, a x is rem a in e d p ointin g in the s a m e dire c tion . th ere i t w a s . sh e b rou g ht the sun dow n to ea r th , s o g a l a x ie s co uld s e e the ps a lm of her b ein g . co min g to th e end of im a g in a tion , l y in g on the d a r k d e s er t fl o or, sh e found h er ow n sp ace w i th voice s of e chol a lia sur roundin g .
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: A H O LY O D E TO FITS OF EIGHT i fi g ht numb er fi t s , i like 8 bi t s is a by te. di g i t a l in fini t y, a s a ros o c t ave of s ereni t y. ei g hter f ro m d e c a tur, a dead m a n 's h a nd , a sup er 8 thr ill . r idin g a sleip nir pullin g a n ei g ht sp oke w h e el . th e a to mic numb er for li fe g i v in g ox y g en . a to oth of w is d o m in a n or b of o c t a g on a l cons ciou sne s s . th e lon el y p o si ti ve in F ib on acci 's b e s t . pie ce s of ei g ht , qu aver in a g a m e of che s s . h o r izo nt a l r ib b o n tr a ns cends the lemnis c a te, a n e ter ni t y in a t a n g le d ourob oros , 8 w ai t s .
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:T H E F U N D A M E N TA L S REPORT Gog said l o o k in g a t th e su n “ th e y s ay i t u s e d to b e 8 n ow i t t a ke s 13 min u te s fo r a su n r ay to rea ch ea r th ” we see th e p a s t x o n a m e tre b a r p l a tin u m a n d ir i d iu m a m e tro l o g is t h ea d a ch e k r y pto n s t a n d a rd s a n d a ccu r a c y perhaps co n s t a n t s v a r y lib r a b a l a n ce s w e i g h t s a n d m ea su re s o n a co smic sp e e d of ch a n g e
Magog g ave his w e e k l y fundamentals re p o r t i t wo u l d b e his l a s t : big G has gone laz y n e w to n h a s g ot te n w ea ke r a n d w ea ke r e l e c t ro m a g n e tic fo rce is a b i t s tro n g e r to d ay n ow l e t u s t a lk a b o u t th e sp e e d of li g h t i t ’s a g a in sli g h tl y v a r i a b l e oh bohr a n d p l a n ck 's co n s t a n t H e l e c tro m a g n e tism s e e m s d im e n sio n l e s s d a m n th a t l a r g e number m ay th e fo rce b e t w e e n t wo e l e c tro n s a ll 2 5 p a r a m e te r s b e w i th yo u l o s t tr ib e s lost people a s su m e d u ni ve r s a l e l e c tro m a g n e tic n u cl ea r
m a g n e tic co n s t a n t th e y s ay yo u ’re e x a c t o b s e r ve d th e a g in g o b s e r ve r f ro m a n a g in g u ni ve r s e yo u ’re o n l y a s g o o d a s yo u r in s tr u m e n t s d a m n u n ce r t a in t y c a l cu l a te th e sp e c tr a of d is t a n t s t a r s a n o m a l o u s l u min o si ti e s of f a in t g a l a x i e s and quasars o r b i t a l e vo l u tio n a ll d e c ay in g like g a b o n Gog and Magog ch e cke d th e O k l o phenomenon a lp h a th e fi n e - s tr u c tu re co n s t a n t s e e m e d w e ll fi n e
b u t li g h t d o e s n ot a l w ay s tr ave l a t th e sp e e d of li g h t n a n o p a r ticl e s f r a c tio n look s tr a n g e p l a n e t we need th e co n s t a n c y of G a n d th e fl u x of a sun gone th e iro n w a ll melts a new age c a r ve d in s to n e h o m e o m o r p h ic mugs and donuts m a ke p ea ce co u n tin g h o l e s in co n fl a tio n Magog c a ll e d o u t “ G o g th e re u s e d to b e g i a n t s ” o h j e r u s a l e m!
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:DIPT YCH NINE FISH 1.
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nine! before revolution, before evolution, nine was the solution.
nine, a constant in time. the fish that runs in digital root,
mixed up between favorites, eight and ten, casting out nines
swims up the river of descent, where revolution
with a galloping pulse stronger than a simple sanity test,
eats its ancestors. muses birthing through the bladder,
the hidden code beats in the vortex. where symmetry converges
one, five, three through the almond tree. life in the air,
to singularity and conversely expands vectors out to vacuum.
a tang of metal as black water swirled under the boats,
three six nine, all and nothing. number nine is nowhere and
a harbor full of rainbows pooling at the bilge, teeming.
everywhere! flowering to life merkaba, doubling circuit with polarity,
salt burns pleasant in the nostrils, rubber boots slip
hopping on this boat to ride in all directions. man, lion, ox, and eagle
between anchors and hooks. stirring up isinglass
attained five qualities and age, coming through fire and lightning.
nets lift, catching the shipwright planing the wood. fast
numbers are alive, forming, giving these words from nine.
on the wheel of evolution, rough hands, gunmetal hair, mouth full of very red strawberries zero to share, he bent down to kiss the fish in print, hand to hand. remembered between teeth, the smell of the mist and the taste of his mouth, like nothing tasted since. layered in the flower, wrapped in time, all nine.
TH AN KY OU