Afi Afi Ariffin 1001643087 Semester 5 Brunei Darussalam
Akash Yaduveer Chumun 1001643097 Semester 5 Grand Baie, Mauritius
Ariff Syed Ariff Bin Syed Johaidy 1001748195 Semester 5 Damansara Perdana, Malaysia
Mun En Huan Mun En 1001437573 Semester 5 Cheras, Kuala Lumpur
Content 01. Precedent Studies A: Pierre Berge Auditorium B: Devon Auditotium C: Giovanni Arvedi Auditorium
02. Comparative Table 03. Perspectives 04. Plan and Section 04.Table of Reverberation Time
A
01 03 05 07 09 11 12
C
B
Sound-diffusing panels were tailored to enhance the richness of sound and create a sense of spaciousness—critical for classical music. Above the stage, architecturally cohesive reflectors control echoes and direct sound toward the audience. Embedded in the side walls, a variable acoustic system controls reverberation time, reducing it to as little as 0.2 seconds for medium frequencies.
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PRECEDENT STUDY 01
Pierre Berge Auditorium Architects: Studio KO Location: Morocco Project Year: 2017
Pierre Berge Auditorium is a new part of the Museum Yves Saint Laurent Marrakech that combine with two features exhibition hall and a grand atrium entrance. At the center of the building is a versatile 250-seat multipurpose auditorium for informational screenings, acoustic and amplified music, theatrical events, conferences, film, and live telecasts.
Adjustable acoustic walls, highly responsive lighting, and cutting-edge projection and sound systems provide exceptional performance flexibility, allowing the room to effortlessly adapt to each event. The theatre features a portable sound reinforcement system, 48-channel digital mixing console, digital recording and playback equipment, simultaneous translation devices, and wireless transmission for the hearing impaired.
PRECEDENT STUDY 01
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A high level of transparency serves to connect interior functions with exterior events enabling the building to be engaged in its surrounding neighborhood. A double height lobby with a 38-foot angled glass wall projects out towards the street, accentuating its public profile. The entry sequence crosses under a threshold of skylights, creating a curtain of daylight above the main entrance stair and at the back of the auditorium. Designed with a focus on the user experience, the seating is wrapped with planes of wood, soft lighting and a striking view to the garden. Besides that, while designed to support company events, the auditorium is available for use by the public and is designed to acoustically support a range of musical performances.
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PRECEDENT STUDY 02
Devon Auditorium Architects: Pickard Chilton Location: Oklahoma City, United States Project Year: 2013
In Devon Auditorium have provided 300-seat to present strong presence activates street life and supports downtown’s revitalization. The intimately scaled auditorium is nestled in a landscaped garden and provides dramatic views of downtown and the adjacent city park, Myriad Gardens.
PRECEDENT STUDY 02
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PRECEDENT STUDY 03
Giovanni Arvedi Auditorium Architects: GIORGIO PALĂ™, MICHELE BIANCHI Location: Ceremona, Italy Project Year: 2013 In Giovanni Arvedi Auditorium is design with concept of fluid to made of soft volumes, sinuous lines chasing each other and drawing a great organic sculpture which expresses thespreading of sound waves. The dimensions of the original room were approximately 36 m long, 14 m wide and 14 m high. The hall is designed for performances by soloists and chamber groups, with a stage of just 85 m2. The fluid concatenations of the spaces highlighting soft curves and tight spokes which make the surfaces vibrate and turn. Thicker strips of oak wood were used to cover the floor, the stairs and the walkways leading to the different tiers. For the stage, Nagata Acoustics requested the use of a soft wood, Alaska yellow cedar, for its acoustic properties, and it was laid onto a specially designed wooden structure.
PRECEDENT STUDY 03
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Pierre Berge Auditorium Function
Seat Stage size Layout
Devon Auditor
Multipurpose auditorium for informational It support company event for screenings, acoustic and amplified music, Headquarters but also m theatrical events, conferences, film, and live designed to support private an telecasts. 250
300
35m2
50m2
End stage form design, the entire audience Wide fan form design, theatre s within a 130-degree angle of in faces the stage in the same direction.
Section
Ceiling design Wall materials
Floor materials Seating design Reverberation time 7
COMPARATIVE TABLE
Ceiling tiles with different level is applied with wood venner finish. 1. Sound-diffusing panels architecturally cohesive reflectors control echoes and direct sound toward the audience. 2. Adjustable acoustic walls a highly responsive lighting, and cutting-edge projection and sound systems. Wood panels Seating wrap with green colour cushion
0.88 second
Ceiling tiles with different leve
wood venner finish. 1. At the stage side have crea daylight that giving a nice view located beside of the auditorium 2. The wall is apply with wall p absorb the sound. Wood panels
Seating wrapped with plan
1 second
rium
Giovanni Arvedi Auditorium
r Devon Energy It designed for performances by soloists and multi-use venue chamber groups that support for musical nd public events event because it combine with the violin museum.
Recommendation
450
An event hall that play musical instruments. The hall is for music performance and recording for live broadcasting. The seat have different with public and private area which for VIP and others. 266
85m2
150m2
seats are placed Arena seating where the audience wraps The layout shows two leveling, 2 different nclusion. around the stage full of 360-degree. guest, the audience on top faces same direction with stage
el is applied with Create a constructive volumetric principle by following the organic concept ating a curtain of The wall is remained in plaster and painted in w of the garden neutral colour (grey and white colour). m. panels that able
nes of wood
The panel veneer wood, which does not absorb sound. Wall and balcony faces where rear walls follow the seating this is the real possibility of reflection back to the front of the room, focused and strengthened by the shape of the interior and with time delay that make them distinct echoes
Thick strips of oak wood
Wood panels
Seating wrapped with red colour cushion
Uses of upholstered on the cusion and back rest, and possibly rear of the seat back . 3.27 second
2.1 second
COMPARATIVE TABLE
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Auditorium Perspectives
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PERSPECTIVES
PERSPECTIVES
10
Plan
Wooden flooring 11
PLAN & SECTION
Acoustic wall panelling
Side wall panelling
Reverberation Time
Wood veneer sheet ceiling Absorption (A) = 0.05 Surface area = 29 x 21 = 609m2 Posterior wall (wood veneer sheet) Absorption (A) = 0.05 Surface area = 2(29 x 8) + 2(21 x 8) = 800m2 Floor (wood flooring) Absorption (A) = 0.07 Surface area = 29 x 21 = 609m2 Sidewall (wood veneer sheet) Absorption (A) = 0.05 Surface area = 21 x 8 = 168m2 People 266 Absorption per person = 0.44/pax
/ Finishes woodSurface veneer sheet ceiling Floor Posterior wall (wood veneer Absorption sheet) (A)= 0.05 Ceiling (wood sheet) Surface area = veneer 29x21= 609 Sidewall (wood veneer sheet) People Total Absorption
Area (m²) 609 800
m2
609 168 266 A
Absorption coefficient (500hz) 0.07 0.05
Total Absorption 42.63 40
0.05 0.05 0.44
30.45 8.4 117.04 238.52
posterior wall (wood veneer sheet)
KEY Absorbtion (A)= 0.05 whereby, of exhibition hall ; A = Total absorption surface areaV == volume (29x8)2 + (21x8)2 = 800m2 RT = 0.16 (29 x 21 x 8) 238.52 = 779.52flooring) FloorRT(wood 238.52 RT = 3.27 sec 0.07 Absorbtion (A)=
surface area = 29x21= 609m2 Sidewall (wood veneer sheet) Absorbtion (A)= 0.05 surface area = 21x8= = 168m2
REVERBERATION TIME
12