WHAT’S ON
at the Faculty of Music Easter Term 2017 Volume 4, No. 3
CONTENTS Academy of Ancient Music 3 The Endellion String Quartet 4 Britten Sinfonia 5 Cambridge University Musical Society 6 Cambridge University Lunchtime Concert Series 7 Instrumental Awards Scheme 7 Cambridge University Symphony Orchestra 7 Cambridge Centre for Musical Performance Studies 8 Practising Performance Series 9 Faculty of Music Colloquium Series 10 College events 11
Faculty of Music University of Cambridge 11 West Road Cambridge CB3 9DP W: www.mus.cam.ac.uk E: facultyevents@mus.cam.ac.uk
This brochure is published by the Cambridge Centre for Musical Performance Studies, and its main purpose is to promote Faculty events. If you think your event should be included in next term’s issue, please email facultyevents@mus. cam.ac.uk with details of your event. All event information for the next issue must be submitted to the editor by Friday 1 September 2017.
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ACADEMY OF ANCIENT MUSIC Thursday, 4 May, 2017 7.30pm, West Road Concert Hall Free pre-concert talk at 6.30pm
Richard Egarr directs Beethoven Overture to The Creatures of Prometheus Mozart Piano Concerto No. 24 in C minor Mozart Eine kleine Nachtmusik Haydn Symphony No. 101 in D major: The Clock Richard Egarr (1) director & fortepiano The 2016–17 season marks Richard Egarr’s tenth anniversary season as our Music Director. Equally at home with baroque and classical repertoire and beyond, this programme showcases Richard’s virtuosity and versatility with some of his favourite classical repertoire.
Mozart, Haydn and Beethoven – three of the greatest composers who have ever lived – all wrote in a quintessentially classical style which is marked by elegant structures and exquisite melodies. For many their music represents a golden age, which has never been surpassed. After featuring in everything from Ace Ventura: Pet Detective to Fame, the music in tonight’s concert is instantly recognisable and epitomises the enduring brilliance of these classical greats. TICKETS: £33–£15; concessions: £31–£13; AAMplify members: £5. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets
© P Harrison
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THE ENDELLION STRING QUARTET Andrew Watkinson, violin Ralph de Souza, violin Garfield Jackson, viola David Waterman, cello Wednesday, 26 April 2017 7.30pm, West Road Concert Hall Beethoven String Quartet, Op. 18 No. 4 Janáček String Quartet No. 2: Intimate Letters Arensky String Quartet No. 2 in A minor, Op. 35 Endellion String Quartet Laura van der Heijden (1), cello
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Wednesday, 24 May 2017 7.30pm, West Road Concert Hall Haydn String Quartet, Op.54 No.2 Mozart String Quartet K.575 Schubert String Quintet in C major, D.956 Endellion String Quartet Guy Johnston (2), cello TICKETS: £27; OAPs: £25; reg. disabled: £13; students and under 16s: £6. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets
TICKETS: £27; OAPs: £25; reg. disabled: £13; students and under 16s: £6. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets © Eric Richmond
© Eric Richmond
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BRITTEN SINFONIA
Tuesday, 25 April 2017 1.00pm, West Road Concert Hall Post-concert discussion at 2.15pm
Friday, 14 July 2017 1.00pm, West Road Concert Hall Post-concert discussion at 2.15pm
At Lunch Three 2016–17
At Lunch Four 2016–17
Finzi Interlude Brian Elias New work for oboe quintet Mozart String Quintet in C minor, K.406/516b
Morgan Overton Fanfare for chamber orchestra Elena Langer New work (world premiere tour)
Nicholas Daniel, oboe Britten Sinfonia presents a programme centred on the artistry of renowned oboist Nicholas Daniel (1), featuring a new commission by Brian Elias alongside Finzi’s intimate yet cinematic Interlude and Mozart’s String Quintet in C minor with the oboe taking the role of the first violin. TICKETS: £9; concessions: £3. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets Tuesday, 25 April 2017 2.15pm, West Road Concert Hall
In Conversation Tim Watts (Faculty of Music, University of Cambridge) joins Brian Elias and performers from Britten Sinfonia for a post-concert discussion. TICKETS: Free for concert ticket holders
Britten Sinfonia Academy (2) Members of Britten Sinfonia TICKETS: £9; concessions: £3. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets
© Manfred Esser
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CAMBRIDGE UNIVERSITY MUSICAL SOCIETY (CUMS)
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Saturday, 13 May 2017 8.00pm, West Road Concert Hall
Saturday, 17 June 2017 8.00pm, King’s College Chapel
Beethoven Pastoral Symphony
May Week Concert with Sir Roger Norrington
Joy Lisney New work Tippett Fantasia Concertante on a Theme of Corelli Beethoven Symphony No. 6: Pastoral Cambridge University Chamber Orchestra Thomas Gould, violin & director TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com Thursday, 18 May 2017 8.00pm, West Road Concert Hall
CUMS Concert Orchestra and Cambridge University Wind Orchestra Adam Gorb Yiddish Dances Bernstein Symphonic Dances from West Side Story Ravel Pavane pour une infante défunte Sibelius Karelia Suite CUMS Concert Orchestra Cambridge University Wind Orchestra Jack Bazalgette (1) & Toby Hession conductors TICKETS: £10; concessions: £8; students: £3. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com
J.S. Bach Mass in B minor CUMS Symphony Orchestra CUMS Symphony Chorus Sir Roger Norrington (2), conductor Elin Manahan Thomas, soprano Ciara Hendrick, mezzo-soprano Nicholas Scott, tenor Tristan Hambleton, bass Joseph Fort, chorus master TICKETS: £35, £30, £20, £10, £6; students: £31, £26, £16, £6, £3; or £5 on the door, subject to availability. Available from The Shop at King’s. T: 01223 769340; W: shop.kings.cam.ac.uk
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CAMBRIDGE UNIVERSITY LUNCHTIME CONCERT SERIES
INSTRUMENTAL AWARDS SCHEME
Tuesday, 2 May 2017 1.10pm, West Road Concert Hall
Sunday, 7 May 2017 1.15pm, Fitzwilliam Museum, Gallery 3
Salieri: Prima la musica e poi le parole
Instrumental Awards Scheme Lunchtime Concert
The Empyrean Ensemble Edward Reeve (1), director
Brahms Clarinet Trio in A minor, Op. 114 Chloe Alison, clarinet; Rebecca Whiteman, cello; Alexander Lau, piano
(opera in one act, concert performance)
TICKETS: Admission free; retiring collection
Debussy String Quartet in G minor, Op. 10 Anita Monserrat, violin; Anahita Falaki, violin; Leni Sewart, viola; Laura van der Heijden, cello
Tuesday, 9 May 2017 1.10pm, West Road Concert Hall
TICKETS: Admission free
Leo Popplewell and Stephanie Childress
CAMBRIDGE UNIVERSITY SYMPHONY ORCHESTRA
This year’s lunchtime concert series draws to a close with recitals from two outstanding young musicians: 2016 CUMS Concerto Competition Prize-Winners, Leo Popplewell (2), cello; and Stephanie Childress, violin. TICKETS: Admission free; retiring collection
Saturday, 20 May 2017 8.00pm, Trinity College Chapel
Cambridge University Symphony Orchestra Mozart Piano Concerto No. 24 in C minor, K.491 Dvořák Symphony No. 7, Op. 70 Adam Hickox & Joshua Balance, conductors Julien Cohen, piano 1
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TICKETS: £12; concessions: £8; students and children: £5. E: cuso-ticketing@srcf.ucam.org; W: buytickets. at/cambridgeuniversitysymphonyorchestra
CAMBRIDGE CENTRE FOR MUSICAL PERFORMANCE STUDIES
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Launched in April 2015, CMPS plays a leading international role in the field of musical performance studies. In Cambridge, the Centre supports a programme of masterclasses, workshops, Side-by-Side events, and other ‘talk-and-play events’ such as lecture-recitals and open rehearsals. These shed light on the knowledge that is created and conveyed in performance, and on how musical performance takes shape over time. During Easter Term 2017, CMPS will host public presentations, ‘Practising Performance’ events, and a ‘Meet the Composer’ session held with the Britten Sinfonia. CMPS will also run a reading group for young researchers featuring talks from visiting scholars. The Cambridge Centre for Musical Performance Studies is directed by John Rink, working in collaboration with Margaret Faultless and Martin Ennis.
Cambridge Performance Studies Forum The events in this Forum are intended to present practice-led research on musical performance and to foster dialogue and debate between musicians, musicologists and others across a broad range of interests and backgrounds. Tuesday, 9 May 2017 5.00pm–6.30pm, Recital Room, Faculty of Music
Workshop: Improvising Rhythm in Performance Jeremy Thurlow (1), Robinson College Stephanie Childress, St John’s College Dan Tidhar, Faculty of Music Performers always shape music through their interpretation of rhythm. But what if a composer’s score allows – requires – the performer to improvise the rhythm entirely? The result is a real-time ‘composing’ of the overall shape, pacing, highs and lows, in performance. We will hear and discuss music by Jeremy Thurlow and Couperin, in contrasting live recreations by Stephanie Childress and Dan Tidhar. TICKETS: Admission free
Monday, 22 May 2017 3.00pm–5.00pm, Lecture Recital Room, Guildhall School of Music & Drama, Silk Street, London EC2Y 8DT
Research Masterclass Professor John Rink (University of Cambridge) works with two doctoral students specialising in the field of practice-led research – one from the Guildhall School of Music & Drama, and the other from the Royal Northern College of Music (open to current postgraduate students by application to CMPS). This event is organised by CMPS in conjunction with the Institute of Musical Research and the Guildhall School of Music & Drama. TICKETS: Admission free
© Aga Tomaszek
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PRACTISING PERFORMANCE
The Faculty’s Practising Performance Series is open to students in all years of the undergraduate music course as well as Master’s and doctoral students, and others with an interest in performance. For more information about these events, please visit the Faculty of Music website (www.mus.cam.ac.uk), and if you would like to participate please contact Margaret Faultless, Director of Performance at mf413@cam.ac.uk.
Wednesday, 10 May 2017 3.00pm–5.00pm West Road Concert Hall
Thursday, 15 June 2017 2.00pm–4.00pm, Recital Room, Faculty of Music
Thomas Gould
A Career in the Arts: Performing and Managing
The Faculty’s Practising Performance series continues with a class for strings players (solo or chamber repertoire) taken by the dynamic and charismatic violinist Thomas Gould (1). Described as ‘one of a new generation of classical musicians who refuses to be defined by a single genre’ (The Guardian), Thomas Gould is a violinist with wide-ranging musical interests. He has fast established for himself a reputation as one of Britain’s foremost interpreters of contemporary music whilst also remaining dedicated to the core classical repertoire. TICKETS: String players wishing to participate in this exciting opportunity should contact Margaret Faultless, Director of Performance. E: mf413@cam.ac.uk. This class is open to the public
Crispin Woodhead (2), CEO – Orchestra of the Age of Enlightenment Not all orchestras are the same – The OAE’s catchy and much-discussed, slightly controversial marketing phrase will be the starting point for a lively afternoon learning about managing a worldrenowned orchestra and how varied a career in arts management can be. This session will also offer the chance for performers to ask Crispin for early-career advice – how is it possible for young conductors, soloists and other performers to find their place in the increasingly competitive market-place? TICKETS: Contact Margaret Faultless, Director of Performance and co-leader of OAE for further details. E: mf413@cam.ac.uk. This class is open to the public
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FACULTY OF MUSIC COLLOQUIA
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The Colloquium Series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished speakers from the UK and abroad. Colloquia are held on Wednesday evenings in the Recital Room of the Faculty of Music, West Road. Admission is free and all are welcome. Please arrive at 4.50pm for a 5.00pm start. Papers are followed by a discussion and a drinks reception with the speaker. Wednesday, 26 April 2017 5.00pm, Lecture Room 2, Faculty of Music
Wednesday, 17 May 2017 5.00pm, Recital Room, Faculty of Music
Dr Sam Barrett (1) University of Cambridge
Dr Cormac Newark (4) Guildhall School of Music & Drama
‘Creative Practice and the Limits of Knowledge in Reconstructing Lost Songs from Boethius' Consolation of Philosophy’
‘Six Nations in Search of a History?: Opera and Italian History in Pirandello’s Questa sera si recita a soggetto (1930)’
Wednesday, 3 May 2017 5.00pm, Lecture Room 2, Faculty of Music
Thursday, 18 May 2017 5.00pm, Recital Room, Faculty of Music
Professor Roger Parker (2) Kings College London
Professor Suzannah Clark (5) Harvard University
‘Painting (and Sounding) the Nineteenth-Century Metropolis’
Orr Lecture: ‘Cupid’s Arrow and the Conventions of Song in the Medieval Motet’
Wednesday, 10 May 2017 5.00pm, Recital Room, Faculty of Music
Wednesday, 24 May 2017 5.00pm, Recital Room, Faculty of Music
Dr Anastasia Belina Johnson (3) Royal College of Music
Dr Nanette Nielsen (6) University of Oslo
‘André Tchaikowsky (1935–1982): Polish, British, or Cosmopolitan?’
‘Music and Pragmatist Philosophy: Aesthetic Experience in Action’
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COLLEGE EVENTS Monday, 8 May 2017 8.00pm, Pembroke College Old Library
Carolyn Sampson: Reason in Madness
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Friday, 5 May 2017 6.15pm, Queen’s Building, Emmanuel College
Clare Hammond Beethoven Sonata No. 4 in E-flat major, Op. 7 James Francis Brown The Silent Hour (1999) Stravinsky Petroushka Suite Clare Hammond (1), piano A ‘rising star’ (BBC Music Magazine) acclaimed for her ‘amazing power and panache’ (The Telegraph), pianist Clare Hammond presents two classics of the solo repertoire together with James Francis Brown’s evocative tone poem The Silent Hour, inspired by John Clare’s Evening. TICKETS: Admission free; unticketed. Duration: 45 minutes
Schumann Herzeleid, Op. 107 No. 1 Brahms Ophelia-Lieder, WoO. 22 Richard Strauss Drei Lieder der Ophelia, Op. 67 Wolf Mignon Lieder Duparc Romance de Mignon Fauré Pelléas et Mélisande, Op. 80: ‘Melisande's Song’ Debussy Chansons de Bilitis Saint-Saëns La mort d'Ophélie Chausson Chansons de Shakespeare, Op. 28: ‘Chanson d'Ophélie’ Duparc Au pays où se fait la guerre Poulenc La dame de Monte Carlo Carolyn Sampson, soprano Joseph Middleton, piano Strikingly individual musical responses to the androgynous Mignon and tormented Ophelia, and respective creations of Goethe and Shakespeare occupy the heart of this programme of German and French songs. It includes Strauss’s breath-taking mad songs and closes with Poulenc’s monologue on the theme of suicidal despair played out at the gaming tables of Monte Carlo. TICKETS: £20; OAPs: £15; College members: £10; students: £5. Available from the Porter's Lodge or on the door
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This work has been commissioned by the Master and Fellows, and receives its first performance today. It is the first of a projected series of four motets by Michael Finnissy, each based on a setting of the same text by a sixteenth-century composer. TICKETS: Admission free 2
Friday, 19 May 2017 6.30pm–7.15pm, Robinson College Chapel Wednesday, 10 May 2017 10.00pm, Clare College Chapel
Clare Contemporary Lates: Ouija with Stephanie Childress J.S. Bach Sonata in G minor, BWV 1001 Ysaÿe Sonata No. 2: Obsession Thurlow Ouija Stephanie Childress (2), violin Stephanie Childress performs Bach and Ysaÿe’s haunted and theatrical response to Bach. In Thurlow's Ouija the solo violinist is a spirit-medium communicating with the musical souls of the departed, including an evocation of centuries of Bach-playing violinists from Joachim to Ysaÿe, Jelly d’Aranyi, Heifitz, Menuhin... TICKETS: £10; concessions £8; students £3. Available on the door
Songs by Purcell, Handel, Mozart, Berlioz, Gurney, Howells and Barber Lottie Reinbold, soprano Jeremy Thurlow, piano Christopher Page, lute TICKETS: Admission free; unticketed Saturday, 20 May 2017 6.30pm–7.50pm, St John’s College Chapel
Bach Cantata Evensong J.S Bach Orchestral Voluntary: Adagio from Concerto for 3 Violins in D major, BWV 1064 J.S. Bach Cantata No. 6: Bleib bei uns J.S. Bach Orchestral Voluntary: Overture from Suite No. 3, BWV 1068
Saturday, 13 May 2017 6.30pm, St John’s College Chapel
The Choir of St John’s College, Cambridge Andrew Nethsingha, director St John’s Sinfonia Margaret Faultless, director
Evensong
TICKETS: Admission free
Finnissy Dum transisset Sabbatum The Choir of St John’s College, Cambridge Andrew Nethsingha, director
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Friday, 26 May 2017 6.15pm, Recital Room, Music Centre, Churchill College
Piano Recital: David Earl David Earl Piano Suite No. 4: Darshanas (2016) Chopin Scherzo, Op. 54, No. 4 Chopin Andante Spianato and Polonaise, Op. 22
Sunday, 11 June 2017 8.45pm, River, Trinity College
Singing on the River The Choir of Trinity College Cambridge Stephen Layton conductor A delightful programme of secular music sung from punts on the river Cam.
David Earl, piano TICKETS: Admission free, unticketed; retiring collection Sunday, 28 May 2017 4.00pm, Clare Hall Dining Hall
Mélodies françaises Debussy Cinq poèmes de Charles Baudelaire Duparc L'invitation au voyage; La vie antérieure; Phidylé Poulenc La courte paille Lucy Taylor (3), mezzo-soprano Jeremy Thurlow, piano A rich and heady alchemy arises from the encounter between Baudelaire’s astonishing poetry and the finest lyrical inspirations of Debussy and Duparc. In delightful, touching contrast, one of Poulenc’s most exquisite song-cycles: childlike texts, adult sentiments. Come and be transported to the City of Light. TICKETS: Admission free
TICKETS: Admission free. Please enter Trinity College via the back gate on Queen’s Road or by the Great Gate on Trinity Street. Friday, 16 June 2017 6.15pm, Recital Room, Music Centre, Churchill College
Recorder and Harpsichord Recital Works by Froberger, Matteis, Handel and Telemann Férdia Stone-Davis, recorders Douglas Hollick, harpsichord Férdia Stone-Davis studied recorders with Philip Thorby, Rebecca Miles, and Pamela Thorby. Recent performances include Queen’s University, Belfast; Huddersfield, University of Göttingen and Cambridge. Douglas Hollick is an internationally acclaimed early keyboard player, teaching in several Cambridge colleges. TICKETS: Admission free; unticketed with retiring collection
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Sunday, 18 June 2017 5.30pm–6.45pm, Robinson College Chapel
Steinway Concert Beethoven: Piano Trio in B-flat, Op. 11 Dvořák Piano Trio No. 4 in E minor, Op. 90: Dumky Porter Piano Trio Molly Reinker, violin Catherine Porter, cello Ursula Perks, piano TICKETS: Admission free; unticketed Sunday 18 June 2017 7.30pm, Lee Hall, Wolfson College
The Mary Bevan Recital Ysaÿe Violin Sonata No. 2: Obsession Brahms Violin Sonata No. 3 in D minor Strauss Violin Sonata Stephanie Childress (2017 CUMS Concerto Competition winner), violin Kumi Matsuo, piano TICKETS: Admission free for Wolfson members; nonWolfson members: £10, £5. W: music@wolfson.cam.ac.uk Sunday, 18 June 2017 8.00pm, Clare College, Great Hall, Old Court
CCMS Summer Concert Rossini Overture from Il barbiere di Siviglia Mozart Clarinet Concerto, K.622 Walton Crown Imperial
Walton Spitfire Prelude and Fugue Parry Hear My Words, Ye People (orchestrated by Toby Hession) Clare College Music Society presents its Summer Concert, featuring an array of German, Italian and English music from the eighteenth and twentieth centuries. Featuring a performance of Mozart's exquisite Clarinet Concerto, and the premiere of a brand-new orchestration of Parry's festal anthem Hear My Words, Ye People, this concert is not to be missed! TICKETS: £15, £12, £5. Available from ADC ticketing nearer the date of the concert. E: th5012cam.ac.uk Monday, 19 June 2017 7.00pm, King’s College Chapel
May Week Concert Saint-Saëns Introduction and Rondo Capriccioso, for violin & orchestra Ravel Piano Concerto in G major Charpentier Te Deum Stephane Crayton, violin Richard Gowers, piano Joshua Balance & Calum Zuckert, conductors King’s College Choir King’s Voices KCMS Symphony Orchestra Three French composers feature in this year’s May Week concert. Saint-Saëns’ lively music is followed by the Ravel Piano Concerto, which highlights Ravel’s interest in jazz music at the time of its composition. The Charpentier Te Deum, sung by the choirs, ends the concert on a triumphant note. TICKETS: Available from The Shop at King’s. T: 01223 769340; W: shop.kings.cam.ac.uk
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Tuesday, 20 June 2017 3.30pm, Great Hall, Girton College
May Week Concert Girton’s end-of-year musical extravaganza, with repertoire to suit all tastes is performed by the College’s many versatile musicians (including Margaret Faultless and Jeremy West), as well as visitors from the Guildhall School of Music & Drama. The programme includes Britten’s Abraham and Isaac and works by Handel, Mozart, Brahms, Liszt, Cardoso and Lassus. TICKETS: £10; students: £4. Available on the door (ticket price includes wine and strawberries and cream)
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Monday, 26 June 2017 1.00pm, Clare College Chapel
Music for Trinity Sunday, 25 June 2017 7.30pm, King’s College Backs Picnics from 5.30pm
Sheppard Libera nos Leighton A Hymn to the Trinity Byrd O Lux beata Trinitas Chesnakov Cherubic Hymn Choir of Clare College, Cambridge (5) Graham Ross, conductor The Choir of Clare College, Cambridge presents a wide-ranging lunchtime concert of works for the Feast of Trinity. TICKETS: £10; students: £5. Available on the door 4
Singing by the River
Saturday, 8 July 2017 1.00pm, Trinity College Chapel
The King’s Men (4) sing from punts on the River Cam.
Lunchtime Recital
TICKETS: £12; students: £7; children under 12: free. Available from The Shop at King’s. T: 01223 769340; W: shop.kings.cam.ac.uk
The Choir of Trinity College Cambridge Stephen Layton conductor Join the Choir for a recital of music from their forthcoming tour to Canada TICKETS: Admission free
EVENTS LISTING April 25
1.00pm
Britten Sinfonia: At Lunch Three 2016–17
West Road Concert Hall
25
2.15pm
CMPS: In Conversation
West Road Concert Hall
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26
5.00pm
Colloquium: Dr Sam Barrett
Lecture Room 2, Faculty of Music
26
7.30pm
Endellion String Quartet
West Road Concert Hall
2
1.10pm
Salieri: Prima la musica e poi le parole
West Road Concert Hall
3
5.00pm
Colloquium: Professor Roger Parker
Lecture Room 2, Faculty of Music
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7.30pm
AAM: Richard Egarr directs
West Road Concert Hall
5
6.15pm
Clare Hammond
Queen's Building, Emmanuel College
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1.15pm
Instrumental Awards Scheme Lunchtime Concert
Gallery 3, Fitzwilliam Museum
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8.00pm
Carolyn Sampson: Reason in Madness
Pembroke College Old Library
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9
1.10pm
Leo Popplewell and Stephanie Childress
West Road Concert Hall
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9
5.00pm
CMPS Workshop: Improvising Rhythm in Performance
Recital Room, Faculty of Music
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10
3.00pm
Practising Performance: Thomas Gould
West Road Concert Hall
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5.00pm
Colloquium: Dr Anastasia Belina Johnson
Recital Room, Faculty of Music
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10.00pm
Clare Contemporary Lates
Clare College Chapel
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6.30pm
Evensong: Finnissy
St John's College Chapel
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13
8.00pm
Beethoven Pastoral Symphony
West Road Concert Hall
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5.00pm
Colloquium: Dr Cormac Newark
Recital Room, Faculty of Music
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18
5.00pm
Orr Lecture: Professor Suzannah Clark
Recital Room, Faculty of Music
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18
8.00pm
CUMS Concert Orchestra and CUWO
West Road Concert Hall
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19
6.30pm
Songs by Purcell, Handel, Mozart, Berlioz, Gurney…
Robinson College Chapel
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20
6.30pm
Bach Cantata Evensong
St John's College Chapel
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20
8.00pm
Cambridge University Symphony Orchestra
Trinity College Chapel
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3.00pm
CMPS: Research Masterclass
Guildhall School of Music & Drama
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5.00pm
Colloquium: Dr Nanette Nielsen
Recital Room, Faculty of Music
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7.30pm
Endellion String Quartet
West Road Concert Hall
26
6.15pm
Piano Recital: David Earl
Recital Room, Churchill College Music Centre
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28
4.00pm
Mélodies françaises
Clare Hall Dining Hall
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11
8.45pm
Singing on the River
River, Trinity College
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15
2.00pm
Practising Performance: A Career in the Arts
Recital Room, Faculty of Music
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6.15pm
Recorder and Harpsichord Recital
Recital Room, Churchill College Music Centre
17
8.00pm
May Week Concert with Sir Roger Norrington
King's College Chapel
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5.30pm
Steinway Concert
Robinson College Chapel
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18
7.30pm
The Mary Bevan Recital
Lee Hall, Wolfson College
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18
8.00pm
CCMS Summer Concert
Clare College, Great Hall
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19
7.00pm
May Week Concert
King's College Chapel
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20
3.30pm
May Week Concert
Great Hall, Girton College
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25
7.30pm
Singing on the River
King's College Backs
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26
1.00pm
Music for Trinity
Clare College Chapel
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8
1.00pm
Lunchtime Recital: Choir of Trinity College
Trinity College Chapel
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14
1.00pm
Britten Sinfonia: At Lunch Four 2016–17
West Road Concert Hall
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May 7 10 3 11
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7 8 10 4
June 9 13 6
July 5