What's On at the Faculty of Music, Lent Term 2018

WHAT’S ON

at the Faculty of Music Lent Term 2018 Volume 5, No. 2

CONTENTS

Endellion String Quartet 3 Academy of Ancient Music 4 Cambridge University Collegium Musicum 5 Britten Sinfonia 6 Cambridge University Lunchtime Concert Series 7 Cambridge University Musical Society 8 New Music 10 Instrumental Awards for Chamber Music Scheme 11 Cambridge University Chinese Orchestra 12 Cambridge University Opera Society 11 Cambridge University Symphony Orchestra 12 Cambridge Centre for Musical Performance Studies 13 Practising Performance Series 14 Composers’ Workshops 16 Faculty of Music Colloquia 18 Organ Recital 19 College events 20 Events listing 27

Faculty of Music University of Cambridge 11 West Road Cambridge CB3 9DP W: www.mus.cam.ac.uk E: facultyevents@mus.cam.ac.uk

This brochure is published by the Cambridge Centre for Musical Performance Studies, and its main purpose is to promote Faculty events. If you think your event should be included in next term’s issue, please email facultyevents@mus.cam.ac.uk with details of your event.

All event information for the next issue must be submitted to the editor by 16 March 2018.

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THE ENDELLION STRING QUARTET Wednesday, 7 March 2018 7.30pm, West Road Concert Hall

Andrew Watkinson, violin Ralph de Souza, violin Garfield Jackson, viola David Waterman, cello

Mozart String Quartet, K. 387: Spring Beethoven String Quartet, Op. 135 TBC Quintet with guest student musician

Wednesday, 17 January 2018 7.30pm, West Road Concert Hall Beethoven String Quartet, Op. 18 No. 2 Mozart String Quartet, K. 421 Webern Six Bagatelles for String Quartet, Op. 9 Tchaikovsky String Quartet No. 3, Op. 30 TICKETS: £27; OAPs: £25; reg. disabled: £13; students and under 16s: £6. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets Wednesday, 14 February 2018 7.30pm, West Road Concert Hall Haydn String Quartet, Op. 20 No. 3: Sun Mozart String Quartet, K. 589 Beethoven String Quartet, Op. 132 TICKETS: £27; OAPs: £25; reg. disabled: £13; students and under 16s: £6. Available from Cambridge Live T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets

TICKETS: £27; OAPs: £25; reg. disabled: £13; students and under 16s: £6. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets

© Eric Richmond

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ACADEMY OF ANCIENT MUSIC Friday, 16 February 2018 7.30pm, West Road Concert Hall Free pre-concert talk at 6.30pm

Mortal Voices: Music by Pergolesi, Corelli and Handel Corelli Concerto Grosso, Op. 6 No. 1 in D major Handel Cantata HWV 230: Ah! Che troppo ineguali Handel Cantata HWV 82: Il duello amoroso Pergolesi Stabat Mater Christian Curnyn (1), director & harpsichord Keri Fuge, soprano Tim Mead, countertenor In a concert that will pull at the heart strings, baroque specialist Christian Curnyn directs soprano Keri Fuge and countertenor Tim Mead in some of the most sublime music of the early 18th century.

Pergolesi’s beautiful Stabat Mater is his best-known work and one of the finest settings of this sorrowful song to Mary at the Crucifixion. A hidden gem in this concert is Handel’s cantata Ah! che troppo ineguali, an anguished appeal of mortal voices to Mary to extinguish every spark of warlike fury and bring peace; it is paired here with the altogether earthier cantata Il duello amoroso. Almost a miniopera, it tells the story of an ‘amorous duel’ between the shepherd Daliso and the shepherdess Amaryllis, the music perfectly capturing the drama of the story.

Tuesday, 27 March 2018 7.30pm, King’s College Chapel

Bach: St John Passion Nicholas Mulroy, Evangelist Neal Davies, Christus Anna Dennis, soprano David Allsopp, alto William Gaunt, bass Stephen Cleobury, conductor Choir of King’s College TICKETS: £40, £30, £20, £15; student standby tickets: £5. Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk

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TICKETS: £33, £27, £15; concessions: £33–£15; AAMplify members and students: £5. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets

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CAMBRIDGE UNIVERSITY COLLEGIUM MUSICUM Tuesday, 12 April 2018 7.30pm, West Road Concert Hall Free pre-concert talk at 6.30pm

Saint and Sinner: Music by Haydn & Dussek Haydn Symphony No. 93 in D major Dussek Concerto for Fortepiano, Op. 49 in G minor Dussek ‘Sehnsucht der Liebe’, ‘Hoffnung’ and ‘Das Warum’ from 6 Gesänge for Voice and Fortepiano Haydn Symphony No. 94 in G major: The Surprise 3

Richard Egarr (2), director & fortepiano Daniela Lehner, mezzo soprano Music migration continued throughout the 18th century. With the arrival of composers, musicians and new instruments from Europe, London’s musical world changed. Perhaps the most famous visitor was ‘Papa’ Haydn, a devout Catholic, who penned twelve ‘London’ symphonies, two of which we hear in this concert.

Jan Ladislav Dussek was another international visitor to the capital at the time. Rumoured to have been a revolutionary and seducer of princesses, he charged extortionate prices for piano lessons, then fled London when his music publishing business failed, abandoning his wife and daughter, and eventually drinking himself to death. Music Director, Richard Egarr will bring to life one of Dussek’s gems, performing his Concerto in G minor on an instrument modelled on a Broadwood fortepiano, used by Dussek and his contemporaries.

TICKETS: £33, £27, £15; concessions: £33–£15; AAMplify members and students: £5. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www.cambridgelivetrust.co.uk/tickets

Tuesday, 6 February 2018 1.10 pm, Old Divinity School, St John’s College

Music for Violins Telemann Concerto for four violins & other works for solo violins Cambridge University Collegium Musicum Margaret Faultless, director TICKETS: Admission free; retiring collection Tuesday, 13 March 2018 8.00pm, Senate House (3)

Handel: Acis and Galatea Cambridge University Collegium Musicum Members of Cambridge University Chamber Choir Margaret Faultless & Nicholas Mulroy, directors TICKETS: £25, £20, £10; students £21, £16, £6.

Available from ADC Ticketing.

T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com. Some £5 tickets on the door, subject to availability.

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BRITTEN SINFONIA

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Tuesday, 23 January 2018 1.00pm, West Road Concert Hall Post-concert talk at 2.15pm

Tuesday, 17 April 2018 1.00pm, West Road Concert Hall Post-concert talk at 2.15pm

At Lunch Two 2017–18

At Lunch Three 2017–18

Biber Annunciation Sonata 1 Philip Glass Orbit Leo Chadburn New work (world premiere tour) Arvo Pärt Spiegel im Spiegel Mozart Piano Trio in B Flat

Caroline Shaw New work (world premiere tour) Brahms Piano Quartet No. 1 in G minor

Jacqueline Shave, leader Caroline Dearnley, cello Huw Waktins, principal piano Leo Chadburn’s (1) new work for piano trio and electronics is set amongst chamber repertoire both new and old. The programme will showcase each instrument in the piano trio, from the softly evolving cello melody in Philip Glass’ Orbit to the interaction of violin and piano in Arvo Pärt’s poignant Spiegel im Spiegel.

TICKETS: £9; concessions: £3. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www. cambridgelivetrust.co.uk/tickets

Thomas Gould, leader Clare Finnimore, principal viola Caroline Dearnley, principal cello Tom Poster, piano Pulitzer Prize-winning American composer Caroline Shaw’s (2) new work is premiered in the third At Lunch concert of the season. Completing the programme, Brahms’ expansive Piano Quartet No. 1 is a key chamber work which harks back to Schubert, while paving the way for the future through its lasting influence on Schoenberg.

TICKETS: £9; concessions: £3. Available from Cambridge Live Tickets. T: 01223 357851; E: tickets@cambridgelivetrust.co.uk; W: www. cambridgelivetrust.co.uk/tickets Tuesday, 17 April 2018 2.15pm, West Road Concert Hall

Tuesday, 23 January 2018 2.15pm, West Road Concert Hall

In Conversation Tim Watts (Faculty of Music, University of Cambridge) joins Leo Chadburn and performers from Britten Sinfonia for a post-concert discussion.

TICKETS: Free for concert ticket holders

In Conversation Tim Watts (Faculty of Music, University of Cambridge) leads a post-concert discussion with Caroline Shaw and performers from Britten Sinfonia.

TICKETS: Free for concert ticket holders

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CAMBRIDGE UNIVERSITY LUNCHTIME CONCERT SERIES Tuesday, 16 January 2018 1.10pm, West Road Concert Hall

Tuesday, 20 February 2018 1.10pm, Old Divinity School, St John’s College

Flute Quartet

Madrigal Mystery Tour

Mozart Flute Quartet No. 1 in D major, K. 285 Volkmar Andreae Flute Quartet, Op. 43

Cambridge University Chamber Choir Nicholas Mulroy, director

Charlotte Eves, flute Stephanie Childress, violin Anna Semple, viola Chris Hedges, cello

TICKETS: Admission free; retiring collection

TICKETS: Admission free; retiring collection

Tuesday, 27 February 2018 1.10pm, West Road Concert Hall

Beethoven Triple Concerto Tuesday, 30 January 2018 1.10pm, West Road Concert Hall

Cambridge University Brass Ensemble

The Empyrean Ensemble Edward Reeve, director & piano James Jones, violin Laura van der Heijden, cello

William Clark Maxwell, cello (CUMS Concerto Competition 2017 prize-winner)

TICKETS: Admission free; retiring collection

TICKETS: Admission free; retiring collection

Tuesday, 6 March 2018 1.10pm, West Road Concert Hall

Tuesday, 6 February 2018 1.10 pm, Old Divinity School, St John’s College

Instrumental Awards Scheme

Music for Violins

See page 11 for more information.

See page 5 for more information.

Tuesday, 13 March 2018 1.10pm, West Road Concert Hall

Tuesday, 13 February 2018 1.10pm, West Road Concert Hall

Siegfried Sinfonia

CUMS Concerto Competition 2018 Final Performances by the CUMS Concerto Competition finalists TICKETS: Admission free; retiring collection

Stravinsky L’Histoire du Soldat Siegfried Sinfonia William Barnes-McCallum, conductor TICKETS: Admission free; retiring collection

© Tom Porteus

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CAMBRIDGE UNIVERSITY MUSICAL SOCIETY Saturday, 27 January 2018 8.00pm, King’s College Chapel

Verdi Requiem in King’s Cambridge University Orchestra Choirs of Gonville & Caius, Jesus, Selwyn and St Catharine’s Colleges Cambridge University Chamber Choir Jac van Steen, conductor Elizabeth Atherton, soprano Claudia Huckle, contralto David Butt Philip, tenor Andrew Greenan, bass TICKETS: £35, £30, £20, £6; students: £31, £26, £16, £3. Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk.

Some £5 tickets on the door, subject to availability.

Saturday, 17 February 2018 8.00pm, West Road Concert Hall

Mahler Symphony No. 1 Nico Muhly Mixed Messages Bruch Violin Concerto No. 1 Mahler Symphony No. 1 Cambridge University Orchestra Ben Gernon, conductor Stephanie Childress (1), violin (CUMS Concerto Competition 2017 Winner) TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5. Available from ADC Ticketing.

T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com

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Saturday, 24 February 2018 5.00pm, Trinity College Chapel

Varsity Concert: Oxford & Cambridge University Wind Orchestras Eric Whitacre Ghost Train Paul Hart Cartoon Arturo Márquez (arr. Oliver Nickel) Danzón No. 2 Michael Giacchino (arr. Jay Bocook) Music from The Incredibles Cambridge University Wind Orchestra Oxford University Wind Orchestra William Barnes-McCallum & Peter Simmons, conductors TICKETS: £10; students: £3. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com

© Tom Porteus

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Saturday, 10 March 2018 8.00pm, West Road Concert Hall

Elgar Sea Pictures Kaija Saariaho Lumière et Pesanteur Elgar Sea Pictures Sibelius Symphony No. 2 Cambridge University Sinfonia Naomi Woo (2), conductor (CUMS Conducting Scholar 2017) Helen Charlston, mezzo-soprano

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TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5. Available from ADC Ticketing.

T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com

Wednesday, 7 March 2018 1.00pm, West Road Concert Hall

Saturday, 17 March 2018 7.30pm, St Paul’s Church, Cambridge

Cambridge University Wind Orchestra Schools Concert

Edward Higginbottom conducts Cambridge University Symphony Chorus

Eric Whitacre Ghost Train Paul Hart Cartoon Arturo Márquez (arr. Oliver Nickel) Danzón No. 2 Murray Gold (arr. Matthew Kemp) Doctor Who Music Michael Giacchino (arr. Jay Bocook) Music from The Incredibles William Barnes-McCallum, conductor TICKETS: Open to schools by invitation. If your school would like to attend please contact Laura Dunkling at lmd51@cam.ac.uk. Home-schooled children are welcome to attend.

Rachmaninoff Movements from All-Night Vigil Rachmaninoff Movements from Liturgy of St John Chrysostom Frank Martin Mass for Double Choir Cambridge University Symphony Chorus Edward Higginbottom, conductor TICKETS: £20, £13; concessions: £18, £11; students: £16, £9. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com. Some £5 tickets on the door, subject to availability.

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NEW MUSIC © Ancel Bartholdi

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Friday, 9 February 2018 10.00pm, King’s College Chapel

Friday, 16 February 2018 7.30pm, Keynes Hall, King’s College

Chapel Lates

Composers’ Ensemble

Kaija Saariaho (b. 1952) Sept papillons Luciano Berio (1925–2003) Sequenza XIV for solo cello J. S. Bach (1685–1750) Suite No. 5 in C minor, BWV 1011

John Woolrich (b.1954) In the Mirrors of Asleep Richard Causton (b.1971) Night Piece (after Mozart) Richard Causton Phoenix John Hopkins (b.1949) New work Roberto Gerhard (1896–1970) Secret People Roberto Gerhard Gemini John Woolrich A Presence of Departed Acts Thomas Adès (b.1971) Court Studies from The Tempest

Val Welbanks (1), solo cello Val Welbanks, cellist of the Ligeti String Quartet (currently in residence at the Music Faculty), performs an eclectic mix of old and new in this latenight recital. Saariaho’s soundworld is remarkable for its delicacy, whilst Berio’s Sequenza, written shortly before his death, is the last in his landmark series of solo works.

TICKETS: £10; concessions: £5. Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk

This concert celebrates three generations of Cambridge composers. Phoenix, by Fellow in Music Richard Causton (2), winner of a Royal Philharmonic Society Award, is played alongside a brand new work from the Music Faculty’s John Hopkins. The concert also showcases the Catalan composer Roberto Gerhard, who made Cambridge his adopted home.

TICKETS: £10; concessions: £5. Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk

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INSTRUMENTAL AWARDS FOR CHAMBER MUSIC SCHEME Friday, 2 March 2018 8.00pm, Pembroke College Old Library

An Evening of Chamber Music The finest chamber musicians in the University, who hold Instrumental Awards, present a varied programme of chamber works in the beautiful surroundings of Pembroke College Old Library. For full programme details visit www.mus.cam.ac.uk nearer the time.

TICKETS: £10; students: £3. Tickets include a glass of wine in the interval. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com Tuesday, 6 March 2018 1.10pm, West Road Concert Hall

Lunchtime Concert Performances by students from the Instrumental Awards for Chamber Music Scheme TICKETS: Admission free; retiring collection

CAMBRIDGE UNIVERSITY OPERA SOCIETY Thursday, 22 February 2018: 7.45pm Friday, 23 February 2018: 7.45pm Saturday, 24 February 2018: 1.30pm and 7.45pm West Road Concert Hall

Donizetti: L’elisir d’amore The CUOS mainshow is the operatic highlight of the Cambridge calendar, this year bringing Donizetti’s sparkling comedy to the Faculty of Music. Sung in Italian (with English surtitles), and with full orchestra and chorus, this stars many of the University’s finest singers, including Anna Wagner, Henry Websdale, Olivia Brett, Louis Wilson and James Quilligan, under the baton of Edward Reeve. This is a fully-staged production, directed by Gareth Mattey.

TICKETS: £16; concessions: £12; students: £8.

Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com

© Nathan Heebs

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CAMBRIDGE UNIVERSITY CHINESE ORCHESTRA

CAMBRIDGE UNIVERSITY SYMPHONY ORCHESTRA © Martin Chen Ma

Thursday, 15 March 2018 8.00pm, West Road Concert Hall

CUSO Lent Concert Wagner Overture to Die Meistersinger von Nürnberg Mahler Rückert-Lieder Dvořák Symphony No. 8 in G major, Op. 88 Helena Moore, soprano Joshua Balance & Jack Bazalgette, conductors

Sunday, 11 March 2018 7.30pm, West Road Concert Hall

Cambridge University Chinese Orchestra Society Annual Concert Wong Fu Tong Symphony Condor Heroes (selections) Wang Ming Haixia Suite (selections) Liu Tieshan & Mao Yuan Dance of the Yao People Zhao Jiping (arr. Guo & Hu) Celebration Overture Peng Xiuwen (arr. Guo & Hu) Terra Cotta Warriors Fantasia Xin Huguang (arr. Ng) Gada Meilin Symphonic Poem Cambridge University Chinese Orchestra Mickey Wongsathapornpat, conductor Chun Hau Ng, conductor Join the Cambridge University Chinese Orchestra for an enjoyable evening of Chinese music featuring both Western and traditional Chinese instruments.

TICKETS: VIP: £14; adults: £10; concessions: £7. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@adctheatre.com; W: www.adcticketing.com

TICKETS: £12; concessions: £8; students, children, staff and alumni: £5. Available online from W:www.cuso.org.uk approximately one month before the concert. For general enquiries, E: cuso-ticketing@srcf.ucam.org

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CAMBRIDGE CENTRE FOR MUSICAL PERFORMANCE STUDIES Launched in April 2015, CMPS plays a leading international role in the field of musical performance studies.

In Cambridge, the Centre supports a programme of masterclasses, workshops, Side-by-Side events, and other ‘talk-and-play events’ such as lecture-recitals and open rehearsals. These shed light on the knowledge that is created and conveyed in performance, and on how musical performance takes shape over time. During Lent Term 2018, CMPS will host public presentations, ‘Practising Performance’ events, and two ‘Meet the Composer’ sessions held with the Britten Sinfonia. CMPS will also run a reading group for young researchers featuring talks from visiting scholars. The Cambridge Centre for Musical Performance Studies is directed by John Rink, working in collaboration with Margaret Faultless and Martin Ennis.

Cambridge Performance Studies Forum The events in this Forum are intended to present practice-led research on musical performance and to foster dialogue and debate between musicians, musicologists and others across a broad range of interests and backgrounds.

Monday, 12 February 2018 Guildhall School of Music & Drama, Silk Street, London EC2Y 8DT Research Masterclass 3.30pm–5.30pm, Room 148, Silk Street Building Dr Mine Doğantan-Dack (Faculty of Music, University of Cambridge) works with two doctoral students specialising in the field of practice-led research.

This event is open to current postgraduate students by application to CMPS.

ResearchWorks Sombering Rachmaninoff’s Second Piano Concerto 6.00pm–7.00pm, Room 148, Silk Street Building Because of the influence it had on popular culture, specifically in the form of sound tracks for various Hollywood films, Rachmaninoff’s second piano concerto is prone to associations of superficial sentimentality and even banality; and not a few performances of the work tend to validate these associations. In this talk, Dr Mine Doğantan-Dack describes the process of preparing this piece for performance with the aim of lifting off this ‘popular’ veil in order to present it as a somber, serious and deeply moving work.

These events are organised by CMPS in conjunction with the Institute of Musical Research and the Guildhall School of Music & Drama.

© Annelies van der Vegt

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PRACTISING PERFORMANCE

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There are seven fabulous Practising Performance events this term, and, by popular request, three of these are conducting masterclasses. The conducting classes, which are also open to pianists and others, provide ideal opportunities to develop repetiteur skills that are essential in the music profession. All this term’s classes are open to the public.

Thursday, 25 January 2018 2.00pm–4.30pm, West Road Concert Hall

Thursday, 8 February 2018 2.00pm–4.30pm, Recital Room at the Faculty of Music

Nicholas Cleobury Conducting Masterclass

Michael Chance Vocal Masterclass

Nicholas Cleobury (1) makes his annual visit to the Faculty of Music to work on Stravinsky’s Petrushka, giving pianists the chance to play and be coached on the superb arrangement for two pianos, and conductors the opportunity to learn how to conduct this iconic work.

The internationally renowned countertenor Michael Chance (3) is making a much-awaited return to the Practising Performance series in what will be a revelatory vocal class (singers must bring an accompanist) focusing on singing, rhetorical delivery and performance.

Friday, 2 February 2018 Recital Room at the Faculty of Music

Thursday, 15 February 2018 2.00pm–4.30pm, West Road Concert Hall

Performing Messiaen with Matthew Schellhorn and Jeremy Thurlow

Michael Dussek Piano Masterclass

2.00pm–3.40pm Extracts from Catalogue d’oiseaux performed by Matthew Schellhorn, followed by an open discussion on Messiaen performance with Maggie Faultless, Jeremy Thurlow and Matthew Schellhorn (2).

3.40pm–5.00pm Masterclass with Matthew Schellhorn This event is being run in conjunction with Jeremy Thurlow’s undergraduate course, Oliver Messiaen 1949–64: Experiment and Regeneration. Pianists, singers and instrumentalists are invited to apply to perform in the masterclass.

Jeremy Thurlow will be performing Messiaen’s thrilling Messe de la Pentecôte on Friday 9 February at 4.15pm in Selwyn College Chapel. See p.19 for more details.

Michael Dussek (4) is Head of Accompaniment at the Royal Academy of Music as well as having a truly significant career as a solo and chamber music pianist. This class is open to any ensemble with a piano, from vocal/piano duos to larger instrumental ensembles.

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© Groves Artists

© Lukas Beck

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Wednesday, 21 February 2018 2.00pm–4.00pm, Recital Room at the Faculty of Music

Thursday, 8 March 2018 2.00pm–4.30pm, Recital Room at the Faculty of Music

Johannes Wildner Conducting Masterclass

Mary Collins’ Introduction to Baroque Dance

Johannes Wildner (5) is Professor of Conducting at the Vienna University of Music and was Principal Guest Conductor of the BBC Concert Orchestra from 2010 to 2014. He is visiting the Faculty of Music for the first time to take conductors and pianists through the well-known tongue-twister for conductors, the Schumann Piano Concerto.

Places for participants are available for pianists (both as soloist and to play the orchestral parts), string quartet (pre-formed or individuals), and conductors.

The final class of the term is open to all, and no experience of dancing is necessary. Mary Collins will deliver a practical introduction to the popular dances which underpin Baroque and later repertoire (7). By recognising the features, patterns and characters of each dance form, musicians can discover ways to realise and interpret dance-based music with a fresh perspective, resulting in exciting, historically informed performances. The workshop will include a basic introduction to the steps and style of key dances.

Thursday, 1 March 2018 2.00pm–4.30pm, Recital Room at the Faculty of Music

Comfortable, unrestricted clothing is advisable, as is footwear which permits the dancers to raise the heels and move easily on the balls of the feet.

Sian Edwards Conducting Masterclass We welcome Sian Edwards (6), Head of Conducting at the Royal Academy of Music, to work on another iconic work, Mozart’s Requiem. Class participants will include a string quartet (pre-formed or individuals), a pianist, and conductors – all of whom will be required to sing when not playing/conducting. This is a remarkable opportunity to get inside the piece as a performer and/or choral conductor.

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COMPOSERS’ WORKSHOPS

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The Faculty’s series of Composers’ Workshops is open to students in all years of the undergraduate music course, as well as masters and doctoral students, indeed anyone with an interest in the creation of new music.

Because space is limited, please email Richard Causton (rjc94@cam.ac.uk) if you are not a Faculty member and wish to attend.

Tuesday, 23 January 2018 2.00pm, Recital Room at the Faculty of Music

Tuesday, 6 February 2018 2.00pm, Recital Room at the Faculty of Music

Joe Cutler

Kate Romano

Joe Cutler's (1) music has been described as ‘propulsive’ (BBC Music Magazine), ‘alluring’ (The Scotsman), ‘neurotic’ (Re-Diffusion) and ‘the best thing to come out of Neasden since Twiggy’ (Gramophone). Currently Head of Composition at the Royal Birmingham Conservatoire, Joe will talk about his new and recent work.

Noted as ‘one of the most versatile musicians of her generation’, Kate Romano (3) is a producer, clarinettist, fundraiser and writer. Having been a senior member of staff at the Guildhall School of Music & Drama for 12 years, she now creates ‘adventures in sound’ as artistic director of Goldfield Productions.

Tuesday, 30 January 2018 2.00pm, Recital Room at the Faculty of Music

Tuesday, 13 February 2018 2.00pm, Recital Room at the Faculty of Music

Julian Warburton

Nicola LeFanu

As Principal Percussionist with the Birmingham Contemporary Music Group and Professor of Percussion at the Guildhall School of Music, Julian Warburton (2) has given numerous world premieres and worked closely with many leading composers and conductors. Here he shares some insights into writing for percussion and offers practical guidance to composers on how to use it effectively.

The composer of over one hundred works, Nicola Lefanu (4) has been commissioned by the BBC, by festivals in the UK and beyond, and by leading orchestras, ensembles and soloists. She has a particular affinity for vocal music and has composed eight operas. Lefanu was Professor of Music at the University of York between 1994 and 2008.

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Tuesday, 20 February 2018 2.00pm, Recital Room at the Faculty of Music

Tuesday, 6 March 2018 2.00pm, Recital Room at the Faculty of Music

Ed Bennett

Cambridge University Undergraduate Composers

Irish composer Ed Bennett’s (5) music has been described as ‘anarchic’ (Irish Times), ‘manic’ (Classical Music) and ‘thrilling’ (Gramophone). It is often characterised by its strong rhythmic energy, extreme contrasts and the combination of acoustic, electronic and multimedia elements. He is artistic director of the ensemble Decibel and was recently awarded the Leverhulme Prize for Performing Arts.

This session offers a chance to hear workshop rehearsal/performances of new works by undergraduate composers, along with a rare opportunity to hear the raw material of music take shape as a collaborative process between performers and composers, who will also talk about the poetic stimuli behind their pieces.

Tuesday, 27 February 2018 2.00pm, Recital Room at the Faculty of Music

Tuesday, 13 March 2018 2.00pm, Recital Room at the Faculty of Music

Ewan Campbell

Gillian Moore MBE

We are delighted to welcome back Ewan Campbell (6), who completed his MPhil at Cambridge University, and was Composer-in-Residence with CUMS. Aside from composition, Ewan is also active as a conductor and interdisciplinary events curator, and is currently working with the Dr K Sextet on the Pierrot Project, which nurtures collaborations between the visual and aural arts.

Gillian Moore MBE (7) is Head of Music at London’s Southbank Centre. She has collaborated with many of the great musical and artistic figures of our age, from Luciano Berio to Radiohead, from Harrison Birtwistle to Squarepusher, and from Steve Reich to Akram Khan, and has commissioned many significant new works. A chance to hear one of the country’s leading figures discuss new music today.

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FACULTY OF MUSIC COLLOQUIA

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The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished speakers from the UK and abroad. Colloquia are held on Wednesday evenings in the Recital Room at the Faculty of Music, West Road. Admission is free and all are welcome. Please arrive at 4.50pm for a 5.00pm start. Papers are followed by a discussion and a drinks reception with the speaker.

Wednesday, 17 January 2018 5.00pm, Recital Room at the Faculty of Music

Wednesday, 7 February 2018 5.00pm, Recital Room at the Faculty of Music

Katherine Butler Schofield (1)

Andrew Hicks

Archives differing: stereophonic methods, auditory history, and the paracolonial Indian Ocean, c. 1760–1860

On Plato’s Timaeus and other twelfth-century music theory textbooks

King’s College London

Wednesday, 24 January 2018 5.00pm, Recital Room at the Faculty of Music

Freya Jarman

Cornell University

Wednesday, 14 February 2018 5.00pm, Lecture Room 2, Faculty of Music

Andreas Haug

Universität Würzburg

University of Liverpool The queerness (or not) of vocal high notes Wednesday, 31 January 2018 5.00pm, Recital Room at the Faculty of Music

Gabriela Currie (2) University of Minnesota

The end of sacrifice and the beginning of singing: towards a history of chant before the age of music (300–900 CE) Wednesday, 21 February 2018 5.00pm, Lecture Room 2, Faculty of Music

Abigail Wood (3)

University of Haifa ‘As the lute moves in the wind’: instrumental journeys in pre-modern Eurasia

Soundscapes of pilgrimage: European and American Christians in Jerusalem’s Old City

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ORGAN RECITAL

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Wednesday, 28 February 2018 5.00pm, Recital Room at the Faculty of Music

Alexander Lingas (4) City, University of London

Karas, Kontoglou and the problem of ‘musical heresy’ Wednesday, 7 March 2018 5.00pm, Recital Room at the Faculty of Music

James Q. Davies

University of California, Berkeley Wednesday, 14 March 2018 5.00pm, Recital Room at the Faculty of Music

Friday, 9 February 2018 4.15pm, Selwyn College Chapel

Tomas McAuley

Olivier Messiaen: Messe de la Pentecôte

The sound of music and philosophy

Lawence Carden, Anna Lapwood & Dăvids Heinze, organ

University of Cambridge

Messiaen's thrilling organ mass draws on his own improvisations as well as his love of Indian and Greek rhythms and birdsong. Its five movements vividly evoke Pentecostal themes: tongues of fire, things visible and invisible, the gift of Wisdom, birds and streams, the wind of the Spirit. This colourful music is ideally suited to the magnificent Létourneau organ in Selwyn College Chapel.

TICKETS: Admission free

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COLLEGE EVENTS © Marco Borggreve

Tuesday, 16 January 2018 7.30pm, King’s College Chapel

The King’s Singers 50th Anniversary Gala Concert Music to include Nico Muhly To Stand In This House (world premiere) The King’s Singers (above) King’s College Choir Stephen Cleobury, conductor King’s College Choir join present members of The King’s Singers in a celebration of their formation at King’s College fifty years ago. A new piece by Nico Muhly has been specially commissioned for this anniversary concert.

TICKETS: £40, £30, £20, £15; student standby tickets: £5. Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk

Saturday, 20 January 2018 7.30pm, Clare Hall Pre-concert talk by Shelley Katz presenting the Symphonova Virtual Acoustics system™

Renewing the Orchestra: Between the Intimate and the Orchestral Vaughan Williams Fantasia on a theme by Thomas Tallis Adaskin Serenade for strings Jeremy Thurlow Upon height, upon hollow (a concerto for flute and chamber orchestra, premiere) Grieg Holberg Suite, Op. 40 Janáček Suite for Strings No. 1 Symphonova Orchestra (above) Shelley Katz, conductor Abigail Dolan, flute A gala concert inaugurating the new acoustic installation. Symphonova Orchestra presents its pioneering concept of using technology in the service of music-making. The programme focuses on creating the intimacy of chamber music within the richness of the orchestral sound and experience.

TICKETS: £15; Clare Hall members: £10; students: £5. Available from E: music@clarehall.cam.ac.uk; T: 01223 332360, or at the Porters’ Lodge

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Saturday, 20 January 2018 7.30pm, Trinity Hall

Death and the Maiden Haydn String Quartet in C major, Op. 20 No. 2, Hob. III:32 Schubert String Quartet No. 14 in D minor, D. 810: Death and the Maiden The Boscobel Quartet (on period instruments) TICKETS: £15; concessions: £10; students: £5.

Available from T: 01223 332550; E: arts@trinhall. cam.ac.uk. Concert will finish at around 8.45pm, drinks will be served.

Friday, 26 January 2018 4.00pm (workshop) and 6.00pm (concert), St Catharine’s College Chapel

Sunday, 21 January 2018 6.00pm, Fellows’ Drawing Room, Murray Edwards College

Threnody for the Hieroglyphic Cicada

Humanist Happenings Series: ‘The Global Citizen’

This programme commemorates the life and work of the American composer, performer, activist, and visionary Pauline Oliveros (1932­–2016), whose music has the power to free us from the sociopolitical forces that limit our sensory perception of the world.

Music from around the world Inter Alios choir Mark Gotham, director Address from Dame Barbara Stocking, DBE The Humanist Happenings are peaceful events with music, poetry, and a short address all organised around a topical theme.

TICKETS: Admission free; unticketed

The Vocal Constructivists (above), vocal ensemble

TICKETS: For concert: £10; concessions: £5; students: £2. Available from W: www.caths.cam. ac.uk/about-us/music/kellaway-concerts. Workshop tickets are free, but please email music@caths.cam. ac.uk to reserve your place.

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Sunday, 28 January 2018 2.30pm, Stanley Library, Girton College

Bach on Bach, Beethoven, Boulez and Ernst

Friday, 26 January 2018 7.30pm, Trinity College Chapel

Trinity College Music Society Nachtmusik Concert

The Cantabrigians (above) The Cantabrigians is a group of professional female singers based in Cambridge, founded and directed by soprano Paula Downes. Many of the singers are former members of the National Youth Choir of Great Britain and former Cambridge choral scholars who have since performed with groups including The Sixteen and Philharmonia Voices.

TICKETS: £8; concessions: £5; TCMS members: free.

Available from W: www.tcms.org.uk

Emmanuel Bach (below), violin Jenny Stern, piano Prize-winning violinist Emmanuel Bach (London), accompanied by South African pianist Jenny Stern, performs a varied programme of music. The works performed provide snapshots from over three hundred years of violin solo and duo works – all designed for a winter’s day.

TICKETS: Admission free, retiring collection

© Alexa Kidd-May Photography

Verdi Laudi alla Vergine Maria Duruflé Tota pulchra es Andrew Downes O Magnum Mysterium Mendelssohn Lift thine eyes Schubert Psalm 23 Handel O lovely peace Hilary Tann The Moor Purcell Sound the trumpet Poulenc Petites voix Andrew Downes Piano Andrew Downes Butterfly Elgar The snow Elgar Fly singing bird

J. S. Bach ‘Grave’ and ‘Fuga’ (Solo Sonata No. 2 in A minor, BWV 1003) Boulez Anthèmes I (1992) Beethoven Sonata No. 3 in E flat major, Op. 12 No. 3 H. W. Ernst Fantasy on themes from Rossini’s Otello

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Simon Ponsford (left), countertenor David Ponsford, virginals A former Choral Scholar of King’s College, Simon Ponsford is now an established soloist and recitalist.

He is accompanied by his father, David Ponsford, a renowned performer and researcher of keyboard music, in an evening of Elizabethan and Jacobean English song.

TICKETS: Admission free; unticketed.

Duration 45 minutes Saturday, 3 February 2018 St John’s College

Michael Finnissy Composer Day

Friday, 2 February 2018 6.15pm, Emmanuel College Chapel

‘Flow my tears’: Music for Countertenor and Virginals Dowland Can she excuse my wrongs? and Flow my tears Byrd The Carman’s Whistle Dowland Fine knacks for ladies, I saw my lady weep and Time stands still Tomkins A sad pavan for these distracted times Robert Johnson Full fathom five and Willow song Dowland In darkness let me dwell and Now, O now, I needs must part

1.20pm–2.00pm Organ recital in St John’s College Chapel by Glen Dempsey (including premieres of two new works) 2.15pm–4.00pm Lecture Recital by Michael Finnissy in the Old Divinity School 6.30pm Evensong in St John’s College Chapel (including premiere of Finnissy’s Videte miraculum) Michael Finnissy is Composer-in-Residence at St John’s College. The Organ Recital and Evensong feature the premieres of the second, third and fourth works in a projected series of nine choral and organ works to be composed for St John’s up until 2019.

The project has been made possible through the St John’s College Annual Fund.

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Louis Watkins, tenor Simon Grant, baritone Piers Kennedy, bass Anna Lapwood, harp Stephen Romer’s profound and poetic meditations on loss and rebirth inspire lyrical new music, complemented by some of Monteverdi’s most vivid and passionate miniatures.

Sunday, 11 February 2018 8.30pm, Selwyn College Hall

TICKETS: £8; concessions: £5; TCMS members: free.

Available from W: www.tcms.org.uk

The Chilingirians Return to Selwyn Haydn Quartet in D minor, Op. 42 Mozart String Quartet, K. 458: Hunt Beethoven String Quartet, Op. 59 No. 1: Razumovsky

Sunday, 25 February 2018 7.45pm, Robinson College Chapel

Thy Celestial Art

The Chilingirian Quartet (above)

Purcell Verse anthems and instrumental works Vivaldi Gloria

The Chilingirians gave their first-ever performance in Selwyn College Hall as students. We are thrilled to be welcoming them back to celebrate their 46th anniversary.

Robinson College Chapel Choir Pegasus Baroque Ensemble Simon Brown, conductor

TICKETS: £25; students: £5. Available in advance from Selwyn College Alumni Office.

E: smw59@cam.ac.uk Saturday, 17 February 2018 8.00pm, Trinity College Chapel

Over the Frost Monteverdi Madrigals for 5 and 6 voices (a selection) Piers Kennedy New work Jeremy Thurlow Over the Frost Anita Monserrat, soprano Nina Vinther, mezzo-soprano Hugh Cutting, alto

Two Baroque luminaries at their most joyous and exhilarating.

TICKETS: £12; senior citizens: £10; students and unwaged: £2. Available on the door from 7.15pm.

Sunday, 25 February 2018 8.30pm, Selwyn College Hall

Riders to the Sea Vaughan Williams Riders to the Sea (1927) Selwyn College Chamber Opera Chloe Allison, Charlie Pemberton, Maia Béar, Kieran Reed & Celia Petrie, soloists Sarah MacDonald, conductor

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Vaughan Williams’ haunting one-act opera, based on the play by J. M. Synge, tells the story of the devastating effects of the sea upon an Irish family.

the way they inspired and paved the way to 20thcentury cello solo works that followed, especially Britten’s masterpiece.

TICKETS: £5; students: £2. Available in advance from Selwyn College Porters’ Lodge, or on the door.

TICKETS: £15; Clare Hall members: £10; students: £5. Available from E: music@clarehall.cam.ac.uk; T: 01223 332360, or at the Porters’ Lodge

Wednesday, 28 February 2018 9.30pm, Robinson College Chapel

New Music Late Josh Balance Rose light enflamed the eastern sky Siobhan Connolly Night scenes, after Afremov Jeremy Thurlow Ultradian rhythms Charlotte Eves New work Anna Semple New work Cambridge Contemporary Players Josh Balance, conductor TICKETS: Admission free Saturday, 3 March 2018 7.30pm, Clare Hall

Bach and Britten for Solo Cello: Between Inspiration and Innovation J. S. Bach Cello Suite No. 6 in D major Britten Cello Suite No. 1, Op. 72 J. S. Bach Cello Suite No. 5 in C minor Bartholomew LaFollette, cello A unique programme putting together two of Bach’s Cello Suites alongside Britten’s ground-breaking Suite No. 1. The programme illuminates the highly experimental nature of the solo suites by Bach, and

Friday, 9 March 2018 8.00pm, St John’s College Chapel

Concert Mozart Die Zauberflöte overture, K. 620 Mozart Symphony No. 40 in G minor, K. 550 Brahms Double Concerto in A minor, Op. 102 Stephanie Childress, violin Laura van der Heijden, cello Matthew Gibson and Jamie Conway conduct these well-known classics in the beautiful College Chapel. They will be joined in the second half by two phenomenal St John’s soloists to make an unmissable concert.

TICKETS: £12; students: £5. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@ adctheatre.com; W: www.adcticketing.com, or on the door.

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© Andrew Wilkinson

Saturday, 17 March 2018 5.30pm, King’s College Chapel

Foundation Concert Howells An English Mass Brahms Double Concerto for Violin and Cello Howells Te Deum Magnus Johnston, violin Guy Johnston, cello Members of King’s College Choir, past and present Cambridge University Orchestra Stephen Cleobury, conductor Former King’s choristers, Guy and Magnus Johnston, join present and past members of King’s College Choir in a programme of music by Brahms and Herbert Howells. They are accompanied by Cambridge University Orchestra whose members showcase the best musical talent within the University.

TICKETS: £35, £27, £22, £15; students £5 (concessions available). Available from King’s College Visitor Centre and Box Office. T: 01223 769340; W: shop.kings.cam.ac.uk

Monday, 19 March 2018 7.00pm, Jesus College Chapel

J. S. Bach St John Passion

Sunday, 18 March 2018 7.30pm, Lee Hall, Wolfson College

The Choirs of Jesus College Cambridge The Corelli Orchestra

Wolfson College Music Society Lent Term Concert: Brahms and Friends

Richard Pinel (above) conducts the combined choirs of Jesus College, the Corelli Orchestra and a firstclass line-up of soloists in J. S. Bach’s St John Passion.

Brahms Liebeslieder Walzer Wolfson Choir and Chamber Singers Lyn Alcántara & Liv Marie Hofseth, conductors James Downs, Juan Pablo Robledo del Canto & Supakorn Aekaputra, pianos Emily Shyr, oboe

TICKETS: Admission free; retiring collection. For further information E: music@wolfson.cam.ac.uk

TICKETS: £22.50, £12; students: £10, £5. Available from ADC Ticketing. T: 01223 300085; E: boxoffice@ adctheatre.com; W: www.adcticketing.com

EVENTS LISTING JANUARY 16

1.10pm

Lunchtime Concert: Flute Quartet

West Road Concert Hall

16

7.30pm

The King's Singers 50th Anniversary Concert

King's College Chapel

20

7

17

5.00pm

Colloquium: Katherine Butler Schofield

Recital Room at the Faculty of Music

18

17

7.30pm

Endellion String Quartet

West Road Concert Hall

20

7.30pm

Renewing the Orchestra

Clare Hall

20

20

7.30pm

Death and the Maiden

Trinity Hall

21

21

6.00pm

‘Humanist Happenings’: ‘The Global Citizen’

Murray Edwards College

21

23

1.10pm

Britten Sinfonia: At Lunch Two 2017–18

West Road Concert Hall

23

2.00pm

Composers' Workshop: Joe Cutler

Recital Room at the Faculty of Music

23

2.15pm

CMPS: In Conversation

West Road Concert Hall

24

5.00pm

Colloquium: Freya Jarman

Recital Room at the Faculty of Music

18

25

2.00pm

Nicholas Cleobury Conducting Masterclass

West Road Concert Hall

14

26

4.00pm

Threnody for the Hieroglyphic Cicada

St Catharine's College Chapel

21

26

7.30pm

Trinity College Music Society Nachtmusik Concert

Trinity College Chapel

22

27

8.00pm

Verdi Requiem in King's

King's College Chapel

28

2.30pm

Bach on Bach, Beethoven, Boulez and Ernst

Stanley Library, Girton College

30

1.10pm

Lunchtime Concert: Cambridge University Brass Ensemble

West Road Concert Hall

30

2.00pm

Composers' Workshop: Julian Warburton

Recital Room at the Faculty of Music

16

31

5.00pm

Colloquium: Gabriela Currie

Recital Room at the Faculty of Music

18

3

6 16 6

8 22 7

FEBRUARY 2

2.00pm

Performing Messiaen

Recital Room at the Faculty of Music

14

2

6.15pm

‘Flow my tears': Music for Countertenor and Virginals

Emmanuel College Chapel

23

3

1.20pm

Michael Finnissy Composer Day

St John's College

23

6

1.10pm

Lunchtime Concert: Music for Violins

Old Divinity School

6

2.00pm

Composers' Workshop: Kate Romano

Recital Room at the Faculty of Music

16

7

5.00pm

Colloquium: Andrew Hicks

Recital Room at the Faculty of Music

18

8

2.00pm

Michael Chance Vocal Masterclass

Recital Room at the Faculty of Music

14

9

4.15pm

Organ Recital

Selwyn College Chapel

19

9

10.00pm

New Music: Chapel Lates

King's College Chapel

10

11

8.30pm

The Chilingirians Return to Selwyn

Selwyn College Hall

24

12

3.30pm

CMPS Research Masterclass

Guildhall School of Music & Drama

13

12

6.00pm

CMPS ResearchWorks

Guildhall School of Music & Drama

13

13

1.10pm

CUMS Concerto Competition 2018 Final

West Road Concert Hall

13

2.00pm

Composers' Workshop: Nicola LeFanu

Recital Room at the Faculty of Music

16

14

5.00pm

Colloquium: Andreas Haug

Lecture Room 2, Faculty of Music

18

14

7.30pm

Endellion String Quartet

West Road Concert Hall

3

15

2.00pm

Michael Dussek Piano Masterclass

West Road Concert Hall

14

16

7.30pm

Academy of Ancient Music: Mortal Voices

West Road Concert Hall

16

7.30pm

New Music: Composers' Ensemble

Keynes Hall, King's College

17

8.00pm

Mahler Symphony No. 1

West Road Concert Hall

17

8.00pm

Over the Frost

Trinity College Chapel

20

1.10pm

Lunchtime Concert: Madrigal Mystery Tour

Old Divinity School

20

2.00pm

Composers' Workshop: Ed Bennett

Recital Room at the Faculty of Music

5

7

4 10 8 24 7 17

21

2.00pm

Johannes Wildner Conducting Masterclass

Recital Room at the Faculty of Music

15

21

5.00pm

Colloquium: Abigail Wood

Lecture Room 2, Faculty of Music

18

22

7.45pm

CUOS: L'elisir d'amore

West Road Concert Hall

11

23

7.45pm

CUOS: L'elisir d'amore

West Road Concert Hall

11

24

1.30pm

CUOS: L'elisir d'amore

West Road Concert Hall

11

24

5.00pm

Varsity Concert

West Road Concert Hall

8

24

7.45pm

CUOS: L'elisir d'amore

West Road Concert Hall

11

25

7.45pm

Thy Celestial Art

Robinson College Chapel

24

25

8.30pm

Riders to the Sea

Selwyn College Hall

24

27

1.10pm

Lunchtime Concert: Beethoven Triple Concerto

West Road Concert Hall

27

2.00pm

Composers' Workshop: Ewan Campbell

Recital Room at the Faculty of Music

17

28

5.00pm

Colloquium: Alexander Lingas

Recital Room at the Faculty of Music

19

28

9.30pm

New Music Late

Robinson College Chapel

25

7

MARCH 1

2.00pm

Sian Edwards Conducting Masterclass

Recital Room at the Faculty of Music

15

2

8.00pm

IAS: An Evening of Chamber Music

Pembroke College Old Library

11

3

7.30pm

Bach and Britten for Solo Cello

Clare Hall

25

6

1.10pm

Lunchtime Concert: Instrumental Awards Scheme

West Road Concert Hall

11

6

2.00pm

Composers' Workshop: Undergraduate Composers

Recital Room at the Faculty of Music

17

7

1.00pm

Cambridge University Wind Orchestra Schools' Concert

West Road Concert Hall

7

5.00pm

Colloquium: James Q. Davies

Recital Room at the Faculty of Music

7

7.30pm

Endellion String Quartet

West Road Concert Hall

8

2.00pm

Mary Collins' Introduction to Baroque Dance

Recital Room at the Faculty of Music

15 25

9 19 3

9

8.00pm

St John's College Concert

St John's College Chapel

10

8.00pm

Elgar Sea Pictures

West Road Concert Hall

9

11

7.30pm

Cambridge University Chinese Orchestra Society Concert

West Road Concert Hall

12

13

1.10pm

Lunchtime Concert: Siegfried Sinfonia

West Road Concert Hall

13

2.00pm

Composers' Workshop: Gillian Moore MBE

Recital Room at the Faculty of Music

13

8.00pm

Collegium Musicum: Acis and Galatea

Senate House

14

5.00pm

Colloquium: Tomas McAuley

Recital Room at the Faculty of Music

19

15

8.00pm

CUSO Lent Concert

West Road Concert Hall

12

17

5.30pm

King's Foundation Concert

King's College Chapel

26

17

7.30pm

Edward Higginbottom conducts Cambridge University Symphony St Paul's Church, Cambridge Chorus

18

7.30pm

Wolfson College Music Society Lent Term Concert

Lee Hall, Wolfson College

26

19

7.00pm

J. S. Bach: St John Passion

Jesus College Chapel

26

27

7.30pm

Academy of Ancient Music: St John Passion

King's College Chapel

4

7 17 5

9

APRIL 12

7.30pm

Academy of Ancient Music: Saint or Sinner

West Road Concert Hall

5

17

1.10pm

Britten Sinfonia: At Lunch Three 2017–18

West Road Concert Hall

6

17

2.15pm

CMPS: In Conversation

West Road Concert Hall

6