Bass

Woyzeck Bass

Songs and Lyrics by Tom Waits and Kathleen Brennan Based on the Play by George Büchner Original Direction, Design and Visual Concept by Robert Wilson

©2002 St. Rose Music Publishing, Inc.

Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6

III.1 III.2 III.3

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.)

Coney Island Baby (Conc.)

Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine

27.

28.

29.

30.

31.

32.

33.

34.

Shiny Things (Inst.)

Everything Goes to Hell (Inst.)

All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.)

Misery Reprise

Bass

1. Ouverture Free tempo, gradually building

Tom Waits/Kathleen Brennan (2000)

solo, out of time

$ ! PIANO # " % % % & G

5

$

# &

9

$

&

G

% & %

% % +

$ ! # % % %

( %

13

$

C

# % 25

# 29

B $& $

D7

$

C

* more together

%

# *

33

# % # "!

37

$

A

G/D

! " %

% % G

" % "

%

%

*!

% * "!

%

%

&

! " %

% %

% % Bass in, still out of syncG

" % "

%

D7

*

* % ,%

D

% %

%

%

*

D7

*

&

% %

G7

%

%

%

*!

+

%

% ,% "!

drumroll & curtain

%

announcer speaks & starts the band

0

*

G7

BASS DRUM & CYMBAL

. /

% ,%

G

% % ! % "

" % "

%

% %

G/D

G

( $%

&

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together

%!

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D7

C

G/D

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&

G7

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&

+

' $%( * !

$% % % #

21

+

G

17

%

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& ( % % %

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'

all except Bass in, out of sync G

G

G

' ( % % %( & %

&

% %

D7

&

# *

%

D7

0

1111

111 % ,% 1% ,% 1% % 1% ,% % ,% % ,% 1 #

42

% ,% 1% ,% 1% %

Fm Strong Slow Waltz

111 1% ,% % ,% % ,% ,%% 1,%% ,1%% 1,%% 1% % ,% % % ,%% ,%% 1,%% 1 # % 1% % 1% ,%

45

1 1 ,%% 1,%% 1% ,% 1 ,% 1% # 1

48

1% %

1%%

,%%

1%%

% ,%

,%%

% ,% ,% 1 %

attacca no. 2 Misery's the River

Bass

2 Misery's the River Tom Waits/Kathleen Brennan (2000)

!=72 spoken: "Misery's the river of the world . . . ."

$ !##! &% '% ( &% '% % ( &% '% % &% '% ( &% '% % ( ) "

## $ &&&& #" %

Dm6

$ && & " * # &#

5

Fm

*#

*#

$ & & *# &&

9

*#

*#

*#

!

*#

$ && & ! & & & & & & & & & & & & & & &

13

Fm

Cm

Fm

$ && && & & & & & & & & & & & & & & Cm

20

Dm

+ $ && & & & & & & & & & & & & & & & &

27

rit.

Fm

$ && & & & & & & & & & & & & & & & &

34

Dm

Fm

Fm

$ && && & & & & & & & & & & & & & & Fm

41

$ && & & &

48

Cm

&

&

$ & &" *# &&#

*#

$ && & !##! & &"

&

53

Fm

Fm

59

&

Fm

&

Cm

*# &

&

&

&

Fm

*#

*#

&

## $ & %

&

&

Cm

!

*# &

$ && & & & & & & & & & & & & & & & & Cm

62

Fm

Cm

$ && & & & & & & & & & & & & & & & &

69

Am

Dm

Fm

Cm

$ && & & & & & & & & & & & & & & & &

76

C7

$ && & & &

83

C

Fm

&

Cm

&

C7

&

Dm

&

Fm

&

&

" #

&

$ && && &

87

&

Cm

&

$ && & & & &

& &

$ && & & &

&

$ && & & &

! & "## &

91

97

100

Cm

CHORUS

Fm

&

&

&

Fm

& &

& &

&

&

Fm

&

&

&

&

&

&

& &

& &

&

&

Cm

&

CHORUS

&

&

## $ %

Bass

3 Misery Ending--Monkey swung rhythm

" # #! ## ! !

Dm

Tom Waits/Kathleen Brennan 2000

! !

" ## ## ! ! ! !

7

Cm

C7

break

" ## # ! ! #

Dm

" ## ## ! !

! !

14

20

! !

! !

! !

Am

$ ! !

! !

Fm

! !

Fm

! !

! ! ! ! ! !

Fm

$

! !

C

! !

Fm

! !

C7

! !

Fm

! !

Fm

! " %

Bass

4 More Murder NY Tom Waits/Kathleen Brennan 2000

+Horn blasts and Screams with Mellotron Tape cue: Woyzeck points to the Captain

A Play 8 Times & & # !!"! $ % % $ ' ( !!! ' "

)%

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% !! !! ' % %

)% ! ! ! % % ! !% +

)% *% ! ! % % ! !'

( !!! % % % % % % !! !! % % ' " Bass

arco

# !! $ %& %& $ '

4

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

% % )% *% !! !! '

( !! % % '

% )% *% ! ! %! ! ! + '

!!

)%

% !! % % )% ! % % ! +

!! !! % % % % % % !!

!! !!", )% % )- !

!!

Play until cue: Captain: Compose yourself, Woyzeck!

% ! !, % % ! !" .!

)% ! !, . ! % % ! !" + .! , !! !! % % % % % % !! !!"

% )% *% ! ! %! ! ! + '

)%

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !!

Cue: Woyzeck returns to shaving the Captain

B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "

!! !! $ %& %& $ '

( !!! arco " % % % % % % !! !! % % '

!!

( !!! %! "

Bass

%% +

)%

!! !! % !

& & # !!"! $ % % $ '

11

Play 4 Times

( !!! ' "

)%

( !!! %! "

Play 2 Times

!! !! '

%)%*% !! + '

!! !! $ %& %& $ '

)% ! ! ! % % ! !% +

# !!", )%

Play 2 Times

( !!, .! " ! ( !!, . " ! ( !!, . "

%

)- !

%

' ' ' '

' !!

!! !! $ %& %& $ ' )%

% % !! % )% ! % % ! +

Play until cue: Captain: Makes me melancholy.

!!"! $ !!"! '

!! !!"! %! !!

!!

!! !! % % % % % % !!

'

!!

' !! ' !!

% )% *% !! !! %! +

!!

% ' !!

Play 2 Times

% % )% *% !! !! '

( !!! % % % % % % !! !! % % ' " 14

)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",

Play 2 Times

% % !! !! ' %

!! !!", )% % )- !

Play 2 Times

'

!!

)% % % +

!!

& & $ % % )%

% % %

!!"! % % % % % %

!! !!

Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood.

Play 8 Times Play 4 Times

C & & # !! $ % % $ '

16

( !! '

!! !! $ & & $ ' % %

% ! ! % % ! !'

)%

( !! %!

% % )% *% !! !! '

)% !! !! % ! % % +

( !! % % % % % % !! !! % % ' Bass

arco

# !! $ %& %& $ '

19

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

)%

)%

% )% *% !! !! %! + '

!!

% ! % % ! )% !! % % +

!! !! % % % % % % !!

Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue!

Woyzeck: Yes, Captain.

!! !!", )% % )- !

% ! !, % % ! !" .!

)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Woyzeck: . . . we'd have to help with the thunder. + WATERPHONE, TRUMPET BLASTS

Cue: blackout

D Play 8 Times & & ! # !!" $ % % $ '

22

( !!! ' "

)%

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% ! ! % % ! !'

)% !! !! % ! % % +

% % )% *% !! !! '

( !!! % % % % % % !! !! % % ' " Bass

arco

# !! $ %& %& $ '

25

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

)%

% )% *% !! !! %! + '

!!

% ! % % ! )% !! % % +

!! !! % % % % % % !!

!! !!", )% % )- !

Play until lights up

% ! !, % % ! !" .!

)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

)%

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Bass

5 Skinned Knee Tom Waits/Kathleen Brennan 2000

Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"

& & ' ' $$$ $$$ $ $ % $ $ $ $ $ $ % $ $ $ $ $ 7 ppp & ### & # " %! $ $ $ $ $ $ $ $ ( $ 11 & ##& # # $ " $ $ $ $ $ $ ( % $ % Clarinet Solo

# #! "# # !

Cue E: trombone and sax play squeals and glisses after Andres breaks stick.

Stop after Woyzeck stops running.

Cue F: Play cue D again as Andres moves downstage; fade into next cue

Cue G: play until tree moves Clarinet, Brass

))) "! " #!

))) "

5

$ $ $ $ $ $ $ $ (

$ $ $ $ $ $ $ $ %

' * $+

$$ $ $ $ $$ $$ $$ $ $ $$ $ $$ $$ ( $ $ $ Cue H: sound effect as tree moves

!! $ %

Bass

6 Diamond in Your Mind Tom Waits/Kathleen Brennan 2000

cue: Woyzeck: It's all quiet, like the world was dead.

ANDRES:

A

' $ %%% !" ' # & & &' & & & & & &!

Zer - lel - da Sam - u - els said she ain't Bass tacet Verse 1

)!

' & & (!

& &*

ne - ver prayed.

'til

her

$ %%% & & & & & & & & & & & ! ) ! ) ! ) &* & &* + & & & &' ) &' * *

3

right arm was blown off in a Pink - er - ton raid.

$ %%% & ! & &' &! ) !

6

"Three - Fing - ered Dave,"

to a wind - mill with

& & & & & & &! & ' ' ! " ' & & && & (

Now she's a hund - red and two, drink - ing

Play

' $ %%% ' ' ' & ,! & & & && & & A

9

They lashed her

E7

Al - ways keep a dia - mond in your mind.

ju - leps in the shade.

' ' & & & & & &' & &* ( ! & ! ) &*

A

A7

D

WOYZECK:

Al - ways keep a dia - mond in your mind.

Where

ANDRES: $ %%% ' &' & ! & ' & & & & & & & & &' & & & &' ' & & & & * * & * * * &&

A

13

A7

D

A

E7

ev - er you may wan - der,wher - ev - er you may roam you've got to al - ways keep a dia - mond in your

16

$ %%%

A

,!

mind.

' ' + & & & & & & & & & (!

A

Sis - sy's

A7

)!

& & *

han - ging laun - dry down by the brook.

Pen - field

$ %%% & & & & & ! & & & ! ) ! + & & & & & & ! + & & & &' ) &' * * *

19

D

Mor - gan's ta - king more than a look.

F#m

If it weren't for the squawk

C#m

of the rock - er

that's

' &! )! $ %%% & & & &' &! & & & & &* & & & & & &' ! & & & * *

22

F#m

C#m

F#m

C#m

E7

2

kept out in the rain, there would be no - thing to com - plain a - bout ex - cept for the trains.

' $ %%% #!! A ' ' ' & ,! $& & & & & & &

25

Instrumentalists Sing Along:

Al - ways keep

$ %%% ( !

28

mind.

31

$ %%% &

' &

A

$ %%% & al

-

a dia - mond in your

A7

D

& & & * *

Wher - ev - er you may wan - der,wher - ev - er you may roam you've got to

E7

& & *

al - ways keep

33

Al - ways keep

' ' & ' & & & ! & &' & & & & & * * & & A

' & &

A

A

a dia - mond in your mind.

&! )

D

' ' & & & & & &' & &*

E7

a

&

ways keep

' & &

dia - mond in

& * a

E7

&

' & &

' &

,!

your mind.

' &

dia - mond

&

in

' !% & !&

ANDRES (last time)

A

(You've got

' &

your

A

,!

mind.

to)

Bass

7 Misery March Snare Drum

" !#

$

!

% #&

#

( ' ( (( "" ) ) ) ) ) ) ) ) ) *

+

" #

#

!

$

#

$

4

$

#

Tom Waits/Kathleen Brennan 2000

$

#

% #&

#

$

% #&

# !

Play 2-beat pattern

Fm

7

11

Am

(( ' ( ( ,) ) ) ) ) ) ) ) ) *

+

To S. D.

,) ) ) ) ) ) ) ) ) *

Snare Drum

( " ( (( # $ # % #& # $ !

15

+

))) ) ) ) ) ) ) *

#

$

#

+

$ % & # # !

" ""

crossfade into Overturned Pot

Bass

8 Overturned Pot (Marie)

A

Tom Waits/Kathleen Brennan 2000

MARIE

### ! " !

### "

5

A/E E7/G# A

$

$ %

$

A

$

$

No - thing's ev - er

### $ $ $ $ "

9

D

If

### "

13

A/E

I

die

C#7 C#7/F F#m

$

A/E E7/G# A

$ $ $ $

No - thing's ev - er

$

yours to

%

keep.

$ $! $ $ &

A/E E7/G#

be - fore

A

you wake,

C#7 C#7/F F#m

$

as

D

$ %

$

(humming)

A/E E7/G#

$

C#7 C#7/F F#m

$ %

it seems,

A/E

$ $ $ $

D

$

$

E7sus

%

$

$ $ %

A/E

don't you cry;

D

A/E

$ $ $ $

climb the

lad - der

+ Waterphone (as Woyzeck enters)

### $ $ $ $ "

17

D

If

### "

21

A/E

I

die

$ $! $ $ &

A/E E7/G#

be - fore

A/E E7/G# A

$ $ $ $

No - thing's ev - er

A

you wake,

C#7 C#7/F F#m

$

as

$ %

it seems.

$ $ %

D

A/E

don't you cry;

D

A/E

$ $ %

Close your eyes,

A

$ $ %

A/E

Close your eyes,

D

E7sus E7

go

E7

A

to

sleep.

$

%

$ $! $ $ &

A/E E7/G#

A

don't you weep.

E7sus E7

A

$ $

%

to

your dreams.

$ $! $ $ &

A/E E7/G#

A

don't you weep.

E7sus

E7

go

to

spoken: Is that you, Franz?

$ $ '

Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")

B Toy Piano & Cello, playing severely out of tune 25 A/E E7/G# A C#7 C#7/F F#m D A/E ### $ % $ % $ $ $ " $ $ $ ### "

29

A/E E7/G#

$

$

A

$

$

### $ $ $ $ "

33

### "

37

D

A/E

A/E E7/G# A

$ $ $ $

### $ $ $ $ "

41

D

A/E

C#7 C#7/F F#m

$

$

%

$ $! $ $ &

A/E E7/G#

A

C#7 C#7/F F#m

$

$ %

$ $! $ $ &

A/E E7/G#

A

D

$

E7sus

%

$

$

D

A/E

A/E

$ $ $ $ $ $ %

D

A/E

A

$ $ %

A/E

$ $ %

D

E7sus E7

E7

A

$

%

$ $! $ $ &

A/E E7/G#

A

E7sus E7

A

$ $ % $ $! $ $ &

A/E E7/G#

A

Bass

9 God's Away On Business Tom Waits/Kathleen Brennan 2000

Bass plays 2-beat pattern throughout

A

!#! # " "#!

Dm

stop on 2nd doorslam (waterphone continues)

## $ %

cue: doorslam

B cue: W: But the call of Nature, Doctor.

3 Dm ! " # "## % # $ "

5

Bac

-

C !# & "#

## $ % ## $ %

cue: Doctors: Woyzeck philosophizes! stop after Cello and Doctors improvise on "bacteria" theme "God's away on business."

$#

te

-

-

-

-

D cue: W: ". . . dissolve like spider webs!"

8 Dm Play 2x ! ) " # "## 10

stop on "Couldn't hold it in!" (waterphone continues)

% '$ ri

(

-

a!

## $ %

DOCTORS

*

$#

There's

$ a

Dm

" # $ $ $ $ $ $ $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ + $% one - eyed man in the po - ker pit. They're dig - ging up the dead with a shov - el and a pick.

The

14

" # $ $ $ + $% $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ * sunwent down, the moon wept blood,

18

"#

,

)

*

a blood - y jack of dia - monds and a plague and a flood.

Dm

$ $

There's a

B¨

$ $ $ $ $ $ $ $ $ + $%

leak, there's a leak, in the boil - er - room,

the

22

Dm

" # $#

poor,

26

% $ $#

the lame,

B¨

% $ &

Dm

A7

Dm

God's a - way on

busi - ness,

B¨

Dm

" # $ $ $ + $% $# boil - er - room,

38

the Poor,

B¨

"# $ $ $ * left

42

in charge?

Dm

A7

"# $ $ $ * God's

46

a - way,

Dm

A7

"# $ $ $ * God's

a - way,

! % " # "## & $ # '$ (

50

Play 2x and stop

te

-

*

$ $

ri - a!

$

$

the Lame,

There's a

% $ &

)

Thieves, and Whores?

Dm

A7

a - way

Dm

on

A7

$ $ $

God's

a - way

,

on

$ $ $ *

busi - ness,

$ $

God's

*

busi - ness,

) * $ & $ # '$% ( Bac - te

-

ri - a!

a - way,

Dm

)

$ $

Dm

$

$ $ $ *

God's

Dm

$

Dm

)

&

Kil - lers,

God's

$ $ $ $ $ $

Who are the ones that are

B¨

$ $ $

leak, there's a leak in the Dm

the Blind;

$

a - way,

$ $ $ $ $ $ $ $

B¨

$ $ $ $

God's Dm

* *

Dm

A7

$ $ $ *

a - way,

busi - ness!

in charge?

Dm

$ $ $ *

God's

% $ $#

left

Dm

Thieves, and Whores?

"# $ $ $ $

34

$ $ $ $ $ $ $ $ $ *

)

&

$

B¨

Who are the ones that are

B¨

"# $ $ $ $

30

)

the blind;

Dm

Kil - lers,

Dm

$

$

busi - ness!

,

a - way,

*

& Bac

-

) * $ ## $ % Bac

E "#

cue: Woyzeck: "Yes, sir."

Dm

B¨

Dm

+ % % % $ $ $ $ $ $ $ $ $ $ $ $ $# $ $# $ &

There's a leak, there's a leak in the boil - er - room,

65

Dm

B¨

"# $ $ $ $ $ $ $ $ $ * Who are the ones that are left in charge?

70

Dm

A7

"# $ $ $ * God's

74

a - way,

Dm

God's

a - way,

!# & # " "#

$#

78

te

-

-

$#

82

te

Dm

God's

-

-

a - way

Dm

God's

% '$

ri -

)

$ &

Dm

on

$ $

$ $ $ *

Dm

$

on

$ $

busi - ness,

God's a - way,

Dm

)

$ $ $ *

busi - ness,

God's

*

$

$

a - way,

*

Bac

)

*

a!

( a!

&

busi - ness!

,

(

ri -

% '$

a - way

Dm

Kil - lers, Thieves, and Whores?

A7

$ $ $

B¨

$$$ $

$

)

the Poor, the Lame, the Blind;

Dm

A7

$ $ $

A7

"# $ $ $ *

"# &

B¨

-

$ Bac -

,

)

*

$ Bac -

## $ %

F

cue: Doctors: " . . . immortal."

. . # * * "

86

" # $#

the Lame,

"# $

$

left

in

"#

$ $ $

are

$ $ $

$

Kil - lers,

$

Thieves, and

$ $

the ones

B¨

that are

)

&

Whores?

FEMALE DOCTOR

,

)

*

$ Bac -

Dm

Dm

"# $ $ $ * God's

"# & te

100

Who

, MALE DOCTOR

96

$

Dm

charge?

the

Dm

Blind;

*

$

leak, there's a leak in the boil - er - room,

)

&

the

B¨

+ % $ $ $ $ $ $ $ $ $ $ $ $

B¨

% $

B¨

Dm

There's a

% $ $#

Poor,

93

.

- * *

percussion hits

Dm

90

DOCTORS

a - way,

$#

-

-

Dm

"# $ $ $ * God's a - way,

"# & te

$ $ $ *

God's

% '$ (

a - way,

Dm

A7

Dm

$ $ $ $

God's

a - way

on

$ $

)

busi - ness,

,

)

*

$

ri - a!

Dm

Bac -

A7

$ $ $ *

God's a - way,

$ # '$% (

-

A7

ri - a!

Dm

A7

$ $ $ $

God's a - way on

,

Dm

* $ $ $

busi - ness,

)

Dm

&

Bac - te

* *

$ # '$%

-

$ $ $ *

God's a - way,

ri -

Dm

105

"# (

A7

Dm

A7

Dm

,

Dm

)

* $ &

a!

Bac - te

"# $ $ $ * $ $ $ $ $ $ ) God's a - way,

111

"#

Dm

God's a - way on busi - ness,

Dm

,

$ $ $ *

God's a - way,

"# $ $ * $ busi - ness,

116

Bac - te

Dm

"# $ $ $ * God's a - way,

"# & te

& Dm

$ $ $ *

God's a - way,

$ # '$% (

-

A7

ri - a!

-

God's a - way,

Dm

A7

$ $ $ *

God's a - way,

A7

Dm

A7

,

ri - a!

$ $ $ *

$ # '$% (

-

$ # '$% (

Dm

$ $ $ * $ $ $ $

God's a - way,

Dm

A7

God's a - way on

Dm

$ $ $ $

God's a - way on

,

$ $

)

busi - ness,

)

* $

ri - a!

Dm

Bac -

A7

$ $ $ $

God's a - way on

,

Dm

$ $

*

busi - ness,

$ $

busi - ness,

$

$

$

$

* )

busi - ness!

*

busi - ness!

* )

Bass

10 Coney Island Baby $! # "

% %

Tom Waits/Kathleen Brennan 2000 D7

$ # (

% % & $%' (

1x: +Cello 2x: +Sax, B Cl

G

&% % * % ( ) G

# % % % & %' % take me out

G

*

+

town.

,

When I'm with her,

$

D

make their wish - es on

G/D

% % !% "

(

ba - by,

36

#

$

+

she's my

,

to

man

in

the

G

G

# %

* & ' % %

% % % * % % % * % % % % %! %' % * * * * % % G

D7

C

she comes

I'm the rich - est

She's the rose, she's the pearl, she's the spin on

stars

31

% * % % % %

' % % % % % ! * & & % $ % ) % % % % % %

' ! % % * % % & ( % $ % # % $

D7

D7

to dream - land.

* ,

G

Ev - ery night

* ,

%

1x +Sax

$( #

26

D7

& % % % & %% % % % & $%' % ) %

tacet to m. 7

$

19

G

Play

6

13

Fragile

!

Co - ney

D7

% % (!

She's a

She's my

D7

(

Is

G

G7

Co - ney

Is - land

-

G

in a red

(!

(!

G

%

* % % (! %

prin - cess

All the

* % % "" % % % % -%

her eyes.

(

my world.

land

girl.

% % ( * %

Em

dress. She's themoon

" % %#

To Coda

%% (

D7/C

%

in the mist

to

44

#

$ (!

G/B

G

% % "" %

,

me.

She's my

$! % # "

48

G

G/D

(

Co - ney

"

$ # % $% #

D7

D7

%

Co - ney

D7

(

%

Is

& $%' ( & $%'

(

%

% -

land

& % ) & % )

G7

%

C

% -%

Is - land

%

ba - by,

(!

G

% G

%

She's my

D.S. al Coda

,

%

%

%

%

(whistle melody)

girl.

G

% % ! "

(

%

*

& % % %

%

(

*

Bass

11 Everything Goes To Hell Latin Feel

# !#! # " # "#!

Tom Waits/Kathleen Brennan 2000

Cm VAMP under dialogue until Marie sings

6

# "# #

$

$

%

Why be

G7

Cm

sweet, why be care - ful, why be

Fm

3 ( * ( '* ' ' ' ' ' ' ' ' ( ' ' ' ' ' ' ' +' ' ) ' +' )

kind?

10

## # " )

"please?"

# , # " #)

14

lieve:

17

$

3 ## $ ' & ( ' ' ' ' ' ' ' ' % MARIE

A man has on - ly one thing on his mind.

Why ask po - lite - ly? Why go light - ly? Why say

Cm

G7

& ( '* ' ' ' ' ' & ' ' ' ' ' ) ' ' ' ' ' ' +' ' They on - ly want to get you on yourknees.

, '# A

* '

Cm

' ' ' ' '

There are few things that I nev - er could be

(

( * * ' ' ' ' ' ' '

wo man when she weeps,

a

Fm

mer - chant when he swears,

a

Cm

# " # # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( '* thief who says he'll pay,

a

law - yer when he cares,

a snake when he's sleep - ing,

G7

20

# "# # ' ' ' ' ' - ' ' ' ' ' ' ' ' ' +' drunk - ard when he prays.

23

## 3 # " '' ' ' ' )

Ev - ry - thing goes to hell,

' )

a

%

I don't be - lieve you go to heav - en when you're good.

G7+

G7

)

)

a

-

ny

....

-

C#m

'

way.

& %

%

DRUM MAJOR

& ' '

Laiss - ez

3 .... * ( " ' ' ' ' ' ' ) ( '* ' ' ' ' ' ' ' ' ' ) ( ' ' ' .'

C#m

27

G#7

faire, mon a - mour, c'est la vie. Shall I re - turn to shore or swim back out to sea? The world don't

F#m . . "..'

31

C#m

' ' ' ' ( ' .' ) & ' ' ' ' ' ' ' ' ' ' ) & -' ' ' 3

care what a sol - dier does in town.

.... "

35

It's all hang - ing in the win - dows by the pound.

G#7

' ' ' ' ' ' .'

%

' )

3

'' ' ' ' )

lieve you go to heav - en when you're good.

!# & % # " "# '

39

Dm

%

51

)

)

I on - ly

#

a - ny -

3 ( '* ' ' ## $% ' ( '' ' ' ' ' ' )

want to hear you purr and hear you moan.

( '* ' '

There is a -

MARIE

A7

noth - er man who brings the mon - ey home.

"#

G#7

DRUM MAJOR

"# ' ' ' ' ' ' .' ' ) %

47

G#7+

VAMP under dialogue until D. M. sings Dm

way.

43

Ev - ry - thing goes to hell,

I don't be

Gm

3 * ( / / / / / (/ / / & & /

I don't want dish - es

in the sink.

/

Please don't

MARIE & DRUM MAJOR A7

, , * & & ' ' ' ' ' ' ' ' .' ' ) ' # ' / / / / / / / / /

Dm

tell me what you feel or what you think.

There are few things that I ne - ver could be lieve: a

Dm

Gm

* " # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( ' wo - man when she weeps,

a

mer - chant when he swears,

a

thief who says he'll pay,

a

Dm

54

" # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' - ' ' ' law - yer when he cares,

57

a snake when he's sleep - ing,

A7

"# ' ' ' ' ' ' .'

%

' )

3

'' ' ' ' )

lieve you go to heav - en when you're good.

61

Dm

A7

way.

'

"# '

# # # !# # " # # "#

64

Dm

'

Dm

&

'

Instrumental Solo

E¨m

$

B¨7

$

a drunk - ard when he prays.

Ev - ry - thing goes to hell,

A7

Dm

&

'

' B¨7

$

Dm

A7

' E¨m

' $

Dm

' ## $ %

I don't be

A7+

A7

)

)

a

-

&

Cluster

'' & % ''

ny -

######

Bass

12 A Good Man (Is Hard To Find) !=100

$ # ! "# !

B¨

1. PIANO 2. MARIMBA 3. DRUMS

$

#! " # "## & & & &

lit a wood - en al ways long - dead

(2.)

(3.)

F

# "# & & & &

bro - ken ev - ry sev - en - teen mem - bers his

13

B¨

&

words far out

in from to

# "# $

17

C7

# "# %

21

match; play soldier

rule; black war,

Bb BANJO

B¨7

$

strang

%

-

ers

'

& & #& &

&

%

&

it in

all burn down. my head. from the frame;

%

Eb

$

& the how scare

&

&#

is

hard

are from all

$

but why to for - get and nothing

& , to

& & & 3

sleep in

my

I've It's No one re

& & There's no How Go

$

all the the

'

bare. pew, crows.

MARIE sings, MARGRET hums

F7

&

down. red. name.

& #&

trees far off

&

%

$

I

%

$

& & $

&

& & %

man

$

F

B¨

the wind; the gutter, the meadows,

Bb7

$

Cm

$

I've wrecked it all and twen - ty - nine no one re-mem - bers his

Life's mean as a need - le, I'll al - ways re - mem - ber It does no - thing but rain here,

# "# $

$

I let russian rou - lette looks out

%

$

& & & &

good 25

&

%

$

3

# "# $

$

$

MARIE 1.

B¨

5

9

$

Tom Waits/Kathleen Brennan 2000

Cm/G

-

( * & )&

$

+$

Care? you. grow.

A

To Coda (Third Time)

should I a - bout will G7

&

%

find.

F7

-

bed.

&# On

'

$ My

& , -

ly

29

Bb7

#$ "#

&#

fa

33

-

Cm

# "# &

vo

-

rite words

-

&

rite

#$ # "

$

&

co - lor

is

&

Bb

&

$

%

Bb

Cm/G

#"#

%

$ man

G7

&

%

find

On

Ab

F7

# "# -

'

Cm/G

bye,"

-

ly

stran

G7

&

%

$

&#

is

hard

$ -

&

and

my

-

Cm

&

vo

-

&

fa - vo

-

I A

& , to

& & & 3

&#

$

Bb7

rite words

&

$

## $ %

sleep in

* &

&#

Fa

&

my

+$

'

gers

$

My

and

2nd Verse to MARIMBA 3rd Verse to DRUMS

&

Bb

$

bed.

#"#

& ,

Cm

&#

&

$

&

Bb7

good

&

%

red.

$

# "# $

49

-

MARGRET 2.

MARIE 3.

39"

45

G7

"Good - bye"

+$

37

Cm/G

& ,

are

F7

&

$

fa - vo

41

&#

* $ &

Bb

rite

F7

&

are

$

co - lor,

my

& , "good -

& my

11 A Good Man (Is Hard To Find)

53

Cm

# "# &

&

$

fa - vo 57

Bb

# "# &

red.

-

%

rite

$ #$

F7

&

Cm

$

&

co - lor,

my

$ $

&

&

$

fa - vo

##$$

-

rite

F7

&

$

&

co - lor

is

)-

Bass

13 Knife Chase Tom Waits/Kathleen Brennan 2000

cue: Marie: "Look, the Angel of Sleep . . ."

A " !## ! # # $# # "! " #

#

" #

#

5

9

" #

13

#

%

% #

#

#

)

%

#

#

)

$#

cue: Woyzeck: "See you tonight, Marie."

B TOY PIANO . # # # # # ! " ## ! $# ,# # "! tacet

#

# ##

#

# %

# (# & '

# $# #

#

# # %

#

# $# #

+ Tpt w/ Harmon mute

%

#

% #

+ # . !

# $#

#

# $#

#

stop after: Marie: "What am I - a whore?"

* # !

-

) # .

-#

## $ % ## $ %

Bass

14 Starvin In The Belly Inst. (under scene change) Bass plays 2-beat pattern throughout

# " # # !!

Cm

Tom Waits/Kathleen Brennan 2000

$

$

'#!& & & & # #!

Cm

Eb

# "# # *

*

' ## & & & & # 13

' ## & & & & # 17

Eb

# "# # *

*

'# & & & & ##

&

& *

& & & &

G7

&

&

%

(

& & & & &

& &

& & & %

& &

& %

& & &

&

%

& & & &

)

Dm7b5

&

&

& & & & &

& & & %

&

)

& &

& & &

& % (

& & &

& Dm7b5

& & & & %

& & &

%

)

& &

%

*

&

&

& & &

&

Cm

# "# # )

%

&

' ## ## & & & & #" 9

& & &

&

#! " # # ## )

5

$

Banjo

& G7

&

& &

& & & $

& & &

## $

## %

Placeholder for 15 Knife Chase Opera

Bass

16 All The World's Green Tom Waits/Kathleen Brennan 2000

Bass plays 2-beat pattern throughout

cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."

#! " #!

Bm

## "

7

I

A7

D

' ' ' ' ' '

$

)

when you be - came my wife. oh the things that sum - mer brings.

F#7

Bm

# " # & '( ' ' ' ' ) $ A7

D

## "

Bm

)

$

$

%

kings. green.

## "

25

D

)

green.

# "#

29

D

)

green.

& ( ' ' ' ' '

Gmaj

the sea for.

Em

( ' ' ' ' ' %

F#7

F#7

& ( ' ' ' ' ' ' ' ' # '( ' ' ' ' ' You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is

' # '* ' ' ' ' ) ' ' G

3

D

( & '( '# ' ' # '( A7

and all

the world is

' ' ' ' ' ' ' ' ' ' & '( '# '( ' # ( ' ' ' G

3

D

Let's pre - tend we can bring back the old days a - gain,

$

() '

'#

I risked it all a - gainst It's a love you'd kill

Let's pre - tend that you owe me no - thing

%

F#7

Ma - rie, you are the wide blue sky.

He is balancing a dia - mond

And men do fool - ish things. on a blade of grass.

20

Gmaj

% & ( '# ' ' '

life. green.

Em

fell in - to the o - cean moon is yel - low sil - ver,

Bm

)

to have a bet - ter And all the world is

15

Bm

$

## & ( " ' ' ' ' '

11

( % & ( !## '# ' ' )# '" ' '

$

%

## $ %

Bm

' '

2. When the

A7

and all

the world

is

Bass

17 Starvin In The Belly Of A Whale # !# ! # " # "# !

Tom Waits/Kathleen Brennan 2000 Cm

$

' # !## ! & & & & # #" ! arco

5

# "# # )

' ## & & & & # whit

9

-

Eb

# "# # *

-

*

' ## & & & & # fid

13

-

dle

tled,

&

'# & & & & ## day

Eb

# "# # *

mis

'# & ##

* & & & -

take

$

& & & &

& & & &

%

& &

& & & Time's a

%

*

that

& it

&

%

& &

& & & &

breaks

*

all

and the

%

%

) & & &

rid

-

&

-

Dm7b5

& & & &

Cm

# "# # )

17

&

$

plays

& & & & & ) & & & &

Earth

Dm7b5

&

day

& & & &

&

& & &

Your life

& % (

&

dle,

& G7

)

%

(

&

on.

&

%

## $ %

is

& &

& & & man's a

%

& &

When the

& & &

& %

& &

& & & &

quakes,

G7

long.

& & & & &

## $ %

&

life's

a

$ & & &

Cm

21

# "# # *

& &

Who

' ## #

25

Fm

*

& & & + , & & & & & &

gives a

good god damn?

*

*

mean

-

&

-

Fm

# "# # & & & &

# !# # " # "#

Cm

& &

don't go

Cm

his

met - tle

&

& &

There's no

(

Fm

& %

) dream

-

-

& & & &

&

%

ing.

A

*

(

Cm

! ! & %

(

! *

! & % !

(

in

a

crook - ed old

$ &

%

*

*

$

Starvin' in the belly of a whale!

' # !## & & & # #"

&

& & ! & & .&

& & (

$

G7

a - live.

G7

& & %

' ## & & & & #

33

*

& & & &

Cm

man must test

%

ing;

' ## & & & & #

You'll ne - ver get out

*

Cm

# "# # )

29

Cm

& & &

&

& & &

world.

$

## $ %

& & & $ ## & %

Bass

18 Coney Island Baby (with Stops) Tom Waits/Kathleen Brennan 2000

cue: Woyzeck: "You are beautiful."

A $! # "% % 5

$

G

% & %

D7

G

& ' ( % % % ' ( % % % %

%

G

% & ' % ' % % % % % % * % %

B $

pause after A, then continue D7

+!

# % %

% % +!

G

&

%

&

% % ! $%( +

D7

# )

%

% &

% % +

Em

cue: Woyzeck:

C "It stinks enough to smoke the angels out of heaven."

G D7 G $ Woyzeck: # % % % & % % % & ' %( % % % ' %( % Ev - ery night tacet to m. 22

she

comes

to take me out

$

D7 Play

G

with her,

$% # D

28

I'm the rich - est

% %

&

pearl,

32

$

D7

# %

stars

she's the

&

%

man

in

( %

% % %! spin on

%

make their

&

)

the town.

G

%

&

%

%

wish - es

on

G

% % % & % %

She's the rose,

&

&

% %

When I'm

Marie:

&

&

my world.

%

)

to dream - land.

( # % % & ' % % % % ' %* % % % ! $% +

22

%

she's the

% %

All the

'

+!

( $%

G

her

eyes.

cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."

D $

WOYZECK

G

D7

# % % % & %% Ev - ery night

G

& ' ( % %% ' ( % % % %

she comes

to take me out

( # % % & ' % % % % ' %* % % % ! $% +

41

$

D7

G

with her,

I'm the rich - est

man

in

&

%

)

% %

to dream - land.

&

)

the town.

When I'm

MARIE & WOYZECK G

% % % & % %

She's the rose,

she's the

$% ( ! % %! ( % & & & & % % % % & % & % % ' + % % $ % # % % % D

47

G

pearl, she's the spin on

D7

my world.

All the stars make theirwish - es on

accel.

G G7 C G/D $& % % "% % # % %,% % + % % "! % + "

54

She's my

61

$

D7

# +! prin

Co - ney Is land

& % % +! %

ba - by, she's my

G

-

cess

in a

red

She's the moon

$& % % "% % # % % ,% % + " G

She's my

G7

Co - ney Is - land

Co - ney

Em + % % & %

dress.

savagely, screaming

68

G

C

ba - by,

D7

+

% +!

G

+

Is - land girl.

% %

She's a

+!

% % D7/C +

%

G/B

in the mist

to

me.

G/D

D7

Co - ney

Is - land

% % !% + "

she's my

her eyes.

+

%

blackout; attacca no. 19

Bass

19 All The World's Green (Instrumental) cue: play on lights up, continue under dialogue, through black out, and stop at next lights up

## ! " !

Tom Waits/Kathleen Brennan 2000

!# % % "# $ $# $ $ & # $ $ Bm

Em

# " # ( $% $ $ $ $

5

Gmaj

## "

9

Bm

$# $ $

F#7

% $ $ $ $ $ )

Gmaj

## ' "

17

# "#& D

21

## "

25

# "#

27

D

&

Bm

) )

$#

G

$ $

F#7

A7

D

( $% $ $ $ $

$ $ $ $ $ & * 3

'

& Bm

% $ $ $ $ $ $ D

) ( % $

&

F#7

$ $ $#

'

&

Bm

( % $ $ $ $ $

Em

D

$$ $ $ $ $

F#7

% $# $ &

# " # ( $% $ $ $ $

13

A7

'

&

A7

( $% $#

% $ $#

% $

$ $ $ $ $ $ $ $ $ $ ( $% $# $% $ # % $ $ $ 3 G

'

D

'

A7

) 2.

$

$

## $ %

Bass

20 Coney Island Baby (Conclusion) cue: play several moments after lights up; Woyzeck speaks lyrics D7

$! # "% %

Ev - ery

4

$

G

# %

&

%

%

G

night

)

dream - land.

$ # +

9

G

town.

&

&

%

%

she

comes

&

'

( %

to

take me out

% & ' % ' % % % % % % * % % G

% % % & She's the rose,

I'm the rich - est

D

% % % & she's the pearl,

'

% % %

D7

When I'm with her,

)

%

Tom Waits/Kathleen Brennan 2000

( %

to

% % ! $%(

man

in

% % % % %! she's the spin on

the

( % my

spoken: I saw him, Marie.

Bass

21 Just The Way We Are A

!# ! # "# " 5

C

# '

just

9

C

# '

just

13

C

C

' ' )

the way

G

( ' '

the way

G

F

' )

/C

we

are.

( '

we

F

& & ')

'#

'

Don't

!# "#

C

*#

are.

C

was a young sol - dier named Dice was a young fel - low named Cass F

C

Cause it's

# ' ' ' ' ' ' '#

17

& ' ' ## $% '

%#

$

C

# ' ' ' ' '' '

Tom Waits/Kathleen Brennan 2000

just

( ' '

the way

( ' '# C

we

C

' ' )

try

to

$

/G

boys, it's

/G

( ' '

change

' '

us 'cause it's

%#

%

( $ ' ## %

There There F

% ' '

'

' ' ' ' ' '# C

who re - marked"They say big - a - my's nice. whose bullocks was made out of brass.

' '

( '

'

are,

( ' '

/C

ev - er

C

/G

/G

'

C

G

& ' ' E - ven Whenthey C

' ' ' ' ' ' ' ' *#

two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink - led to - gether, they played "Stor - my Weather" and light -ning shot out of his ass!

Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool.

Said the doctor, a cynic, "Get out of my clinic!

Just wipe of the lipstick, you fool!"

B

21

# ' ' 26

C

'

/G

( ' '# C

( ' '

Cause it's

just

F

/C

( '

C

try

to

change

# '

' ' )

ev - er

the way

'

we

are,

/G

( ' '

us

/G

'

C

( ' '

boys, it's

just

C

' ' '

'cause it's just

' ' )

the way

G

( ' '

the way

F

' )

/C

*

we

are.

( '

we

& ' )

Don't

C

*#

are.

Bass

22 Shiny Things (Karl)

! ## # ! $ " # !

Ab

!# "# &

Ab

KARL

%

&

The

Tacet Verse 1, Play Verses 2 & 3

(# ! " # ## ! ! ## "# # & 4

Ab

)

&

&

al - ways things light you cast things are bound

( ## # * " # ! ## # + " # 7

Bbm

he is to

, &- & &

! ## # + " #

Cm

tine; know, eyes;

( ## + " ##

, &-

a shi - ny dime, 'cause if it glows, I want that shines

Fm

, &- & &

The crows all bring You'll al -ways cling to be your on

+

Eb7

+ +

&

Eb

-

best. ar.

Though

+

& &

his nest, they're ol' moon. The to - night. But

&

&

$

Bbm

, & & & -

the shi - ny to shi - ny ly shi - ny

-

+

+

things. things.

+

%

Some - how they'll You're like the the on - ly

Eb7

+

, & && & from a val - en you guessed, I here in your

+

Ab 1.2.

&

, &- & &

+

+

Bbm

in big here

' &

&

a sil - ver twine, you're dressed to go, is to be king

+

tacet Verses 1 & 3

10

Db

+

( ## # & & + " #

+

&

Ab7

&

&

+

that shine a li a - round,

&

Ab

a crow puts a - lone you not dan - cing

&

finds just turn

Eb7

find crows, thing

!# * "#

&

&

&

things me I'm

Ab

&

Tom Waits/Kathleen Brennan 2000

% &

Leave Well

$

&

& ## $ * % Ab 3.

## $ * %

thing.

Bass

23 It's Over Bass plays 2-beat pattern throughout

Tom Waits/Kathleen Brennan 2000

/A % ! % $$$$ &&%$$$$ %%&$$$$&%&%$$$$ &&$$$ % % $$$ #" %$ & $ /A $$$ &&%$$$ &$$ % % $$ &&$$ $ % % $ $ %%$$ & & $$ %$$ %&%$$$ #

%$$$ %% $$$ &$$$&%&%$$$$ %%$$$$ &&%$$$$ %$ $ % $ /E

%$$$ %%$$$$ %&$$$$ &%&%$$$$ %%$$$$ &&%$$$$ %$ /E

3

E A E A E A E MARGRET $ + $$ $ '$ $ $ " ' ' ( ) * %$ $ $ $ $ $ $ $ $ $ %$ $ $ $ $ #" $ $ $ $ $ %$ $

5

9

A

You

$ $ &$ $ $ $ $ ) ) * $ $! $ $ $ $ $ , , $

Am

B7

$ # %$

E7

E7

must have brought the bad wea - ther with you.

13 F C

Am

Thesky's the col - or E7

of lead.

$! %$ $ &$ ! # $ $ $ $ $ $ $ $ $ $ $ $ , , left me Am

is a feath - er

on an

) $ $ ) * $,

(

un - made bed.

E7

All you

It's

$ $ $ $ $ $%$ $ $ $ ! ) ! $ $! $, $ $ $ $ # , ,

17

21

al - ways me F

# $!

25

B7

ring, Am

E7

when - ev - er there's trou - ble.

C

3 $ $ $ $ $+ $ ! ,

it fell off my

fin - ger.

Am

Theworld does no - thing but turn.

E7

* $ $ $ $! .$, ,

(

I guess I'll nev - er learn.

A7

$! $ $ * ) # $ $ $ $ $ $ , ,

) $ $ And the

)!

$ $ But it's

$ $ $ $ $ $ -

Dm

)!

+ $

Db^ $ $ $ $! $ $ $ $ $ $ ! .$ $ $ $ .$ $! .$ $ $ $ .$ $ ! $ , # , , ,

29

o - ver, it's o - ver, it's o Dm G7 C7

sto - ry ends G7

ver.

F7

be - fore it be - gins.

+ $ $ $ . $ $ # ,

33

-

C7

nail gets ham - mered down.

A7

-

I

I'm get - ting dressed in the dark.

Bb7 Eb7 Ab7

Our

al - ways con-fess

The

$ $ $ $! $ ( , Dm

And it's o

-

ver,

to

ev - ry - one's sins.

E7#5

E7

Am

let

it

go.

-

-

/

"! # #!

38

43

VAMP under scene until Margret sings +Waterphone

'

'

'

* $, $ $ .$

(

!! $ .$ $ $ &$.$ $%$ % Am

B7

So don't go and make a big deal out of

E7

E7

Am

F

3 $ $ $ $ $ $ $ $ $ $ ) ) $ $ $ $ $ $ $ $) ) #

no - thing.

47

Well,it's just a storm on a dime.

C

E7

$ # $ $$ ) no - thing

51

# 54

$ $$ $ $ $

that

E7

$ $! )

mo - ney

go - ing.

F

can't buy.

* $,

)

$

There's no

# ) $ $

$

3

Am

place

left

al - read - y gone to the place I'm

$ $ to

-

(

fall.

for say - ing

0 (

A7

3

ver, it's o - ver it's o

-

ver.

) $ $

no - thing at all...

.$ &$ $ $ ) * $ $! # $$$$$$ $$ , o

-

3 $ $ $ $ ) $ $ $ $ $ .$ -

3

3

Am

E7

3

And there's some - thing to be said

58

$

B7

$ $ $ $ $ $ %$ $

I've

$

C

Am

* $!

(

E7

And I've al - ways found that there's

and it's

$ $ $ $ / ,

Dm

3

It's done,

for - got - ten and through.

Dm G7 C7 F7 Bb7 Eb7 Ab7 Db^ "! $ $ $! $ $ $ $ ! $ .$ $ $ $ $ .$ ! .$ $ $ $ .$ 1 ) * $ , # #! , ,

62

No - one cares what it's all for, you'll be bur - ied in the clothes that you ne - ver wore,

66

G7

# $

keep

69

C7

$ .$ )

$ your

suit - case

E7#5

E7

Am

let

it

go.

# -

-

/

+ * $ $ $ $

A7

by

the door.

Dm

It's

o

2 2 ( $ $

Last time ad lib on cue:

'

-

$

so

-

ver,

'

!! $ %

Bass

Play Twice

24 Cuba Tom (Monkey Scene Change)

Tom Waits/Kathleen Brennan 2000

"! $ !

$

E¨m

" $

5

E¨m

$

B¨7

arco

$

A¨m

B¨7

$

B¨7

$

E¨m

$

E¨m

## ! "

Bass

25 More Murder II A ! # !!" $

cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."

( !!! ' "

( !!! % "

Bass

arco

& %

%

& % )%

$

'

%

%

%

%

%

%

%

Tom Waits/Kathleen Brennan 2000

cue: Andres: "Drink some schnapps . . ."

B stop after Drum Major enters & & !! !! $ % % $ ' !! !! '

!! !! %

arco

%

%

%

)%

*%

%

%

%

%

!! !! !!

Bass

26 Another Man's Vine $ $ !# ! $ # $ "# " %

Fm

$ $ !# $ # $ "# &

Fm

5

% -

-

ful, his

mind young

is be

Dm

-

leas lie's

the wife

-

is en

Fm

%

bees long

will the

Fm

%

climb stead

-

'%

-

est er

&

&

%

le the

vines. shore.

o ev

'%

&

the lie's

-

oth far

&

%

-

ver ry -

blind day?

C/G

-

&

%

er a

-

Gm

&

%

find way

&

their her

ho let

-

ry what

&

time.

Wil -

% The Will

side. way.

% %

'cause the While

% The A -

C7

-

Gm

%

Be He

C/G

Eb

on Wil

ev reads

C7

&

ing fast

&

&

Gm

-

) %

(

wind. war.

Eb

Cm

$ # $ $$ &

and to

stran on

Cm

$$ #$ $ &

&

%

bloom gone

%

&

'%

C7

&

Am

sun Gold

sweet nev

vil Wil

&

'%

$ # $ $$ &

25

-

%

Am

rose she

21

&

%

Dm

$ # $ $$ &

17

Gm

## $ %

'& # Db7

%

%

%

Cm

$ # $ $$ &

13

gain en

Fm

care left

Fm

Cm

Bou Gold 9

'& # Db7

%

%

Tom Waits/Kathleen Brennan 2000

%

ters

-

C7

%

%

lie

sends.

&

ney end.

%

the She

( % % % * A - round a I see a

29

! Fm

Db7

$$ # $ $ &# red red

33

red read

37

rose; rose;

Fm

$ # $ $$ %

I I'll Db7

&

%

rose rose

Db7

2.

see pick

a a

red red

C7

'%

%

1. Fm

$%

%

A A

&

man's man's

%

vine.

## $ %

'& # Db7

%

vine.

41

Db7 $ $ #$ $ &

%#

+

Db7

$ # $ $$ &

%

vine.

'% *

'% *

Fm

" Fm

Fm

% %

rose; rose;

%

%

Fm

rit. # % $ # $ $$

&

an - oth - er an - oth - er

Fm

+

$ # $ $$ &

on on

Db7

% % &

% %

%

bloom - ing bloom - ing

$$$ $ # &

40

% *

(

&

Fm

$%

%#

Fm

+

& '%

$%

&#

Db7

'%

&#

Db7

'% $% '% * &# && ## && ##

Db(#11)

D.S. al Coda

&#

Db7

## $ %

Bass

27 Shiny Things (Instrumental) Tom Waits/Kathleen Brennan 2000

Tacet

cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28

! ## # ! $ " # !

%

( ## # ! $ " # !

%

Ab

& &

&

&

&

( ## # & " #

&

&

&

Ab

! ## * "# # 7

& + , & &

Bbm

Eb7

( ## # & & & " # ! ## * "# # 10

Cm

( ## % " ##

%

Fm

+ &, & &

&

*

&

&

&

## & "

&

&

&

Ab

! ## # " # & 4

!# #&

Ab

&

&

*

&

&

*

Ab7

Db

*

+ &,

& &

% #& *

Bbm

%

' &

&

&

& )

Eb

& &

+ &, & &

* *

$

Bbm

Eb7

*

+ & & & ,

&

&

+ & & & &

% & *

Eb7

*

&

Ab

*

Ab

*

%

&

*

%

&

## $ ## %

Bass

28 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000

Latin Feel

Cm cue: Karl: "Mirror, mirror . . ."

#! " # #!

$

$

3 ## !## # ( " "' '' ' ' '' )

5

9

Cm

Fm

# "# # '

11

# "# #

17

'

'

'

'

'

'

'

'

'

'

'

'

'

'

'

'

(

3

&

)

' +'

'

' +'

'

'

'

' '

Cm

# "# # '

21

'

Fm

# "# # '

19

( * ' ' ' ' ' ' ' +' ' )

'

Cm

(

' ' ' '

'

)

&

'

)

'#

(

* '

'

'

'

'

'

(

* '

'

'

'

'

'

* '

' '

' ' '

G7

# "# # '

'

'

'

'

&

G7

G7

# "# # '

15

%

Cm

# "# # '

13

$

'

+'

'

)

' ' ( '* ' ' (

* '

'

' * '

(

* '

(

* '

, ' ' ' %

## $ %

Attacca "All The World's Green"

Bass

29 All The World's Green (Duet) Tom Waits/Kathleen Brennan 2000 Bm

## ! " !

$

%

A7

D

F#7

I

%

Bm

Gmaj

Winter's moving in

%

&

## "

F#7

beg - gars

## ( * "

21

D

*

%

and all

&! ( ( ( ( ( ( (

D

old days a - gain,

the world A7

and all

G

(!

WOYZECK

%

&

D

) ( *

( (

is green.

D

the world

is green.

beg - gars

) (

and

( ( 3( ( +

that you owe me

G

&

# ) " # ( ( ( ( ' () (! ( ( ! ) * (

25

the wide blue sky.

Let's pre - tend

' () (! () ( !

no - thing

) ( ( ( ( ( & F#7

kings.

A7

the sea

Em

You turn kings in - to

that it's ever been

in - to

a - gainst

) ( *

It is colder than I remember

Bm

( ( ( ( (

(!

Now the shadows are getting longer

Ma - rie, you are

And men do fool - ish things.

17

o - cean

F#7

I risked it all

D

*

the

We lay down in a shady grove

& ' ) (! ( ( (

life.

## ' ) " ( ( ( ( (

in - to

' ) ( ( ( ( (

wife.

*

A7

fell

Gmaj

With the yellow buds of May

to have a bet - ter

) ( ( *!

(! ) ( ( (

Bm

## ' ) ( ( " ( ( (

13

'

Call back yesterday

*

when you be - came my

9

&

WOYZECK

# " # ' () ( ( ( (

5

MARIE (spoken Em over Woyzeck): Let me lie about it all.

Bm

3 ( ( ( ( ( (

( (

Let's pre - tend we can bring back the /A

%

/D

%

/D MARIE

& ' ) ,,,,,, ,( The

29 All The World's Green (Duet)

,, (! " , , ,, ( (

29

Ebm

face for - gives

' () ( ( ( (

Abm

Db7

( ( *! +

the mir - ror.

Cbmaj

Bb7

The ques - tion begs the

,,, , (! , " , ( (

37

Ebm

Ebm

' () ( ( ( ( ' () *

an - swer:

Cbmaj

, ) " , ,,,, ' ( ( ( ( ( (

Db7

, " , ,,,, %

Bb7

49

Gb

, " , ,,,, *

green.

53

Gb

, " , ,,,, *

green.

*

Bb7

( ( (! ' ' () ( ( ( ( And all the world is

Gb ( ( ( ( ( * & ( ( (! + 3 Cb

Let's pre - tend

Gb

( (

May - be

%

We'll go where it's al - ways spring.

The band is play - ing our song a - gain

45

&

can you for - give me, some how?

( ( ( ( ' () ( ( ( ( ( + o - ver

%

plow.

Bb7

Abm

when our sto - ry's

41

*

The worm for - gives the

, ) " , ,,,, ' ( ( ( ( ( ( ! () *

33

Gb

that you owe me

no - thing,

Ebm

*

%

green.

' ( ( ! (+ (! ( + + Db7

and all

the world

is

Gb Db7 ( ( ( ( ( ( ( ( ( ( ' ( ( ! ( (! ) & + ( ( ( + 3 Cb

Let's pre - tend wecan bring back the old days a - gain,

%

%

&

WOYZECK

-( (

When the

##

Bm

(! ( (

moon is

and all

the world is

Em

) ( ( *!

yel - low

sil - ver,

29 All The World's Green (Duet)

## "

57

A7

D

( ( ( ( ( (

Gmaj

%

*

&

oh the things that sum - mer brings.

# "#' ) ( ( ( ( (

61

F#7

Bm

*

And all the world is

## " &

65

A7

( ( ( (

on a blade of

## "

69

Bm

all

the

## ( * "

73

D

no - thing

world is

bal - anc - ing a

D

and

F#7

( ( (!

The dew will set - tle

%

on

(!

G

&

( (

Let's pre - tend

D

) ( *

the world

) ( (!

all

the world

) (

our grave when

( ( ( ( + 3

that you owe me

G

&

is green.

A7

for.

dia - mond

' ) ( ( ( ( (

' () (! () ( !

old days a - gain,

is

Gmaj

A7

and all

kill

)* (

( ( ( ( ( ( ( ( &

green.

# " # ( ( ( ( ' () (!

77

He

%

*

(!

Em

( (

grass.

F#7

( ( ( ( (

Bm

%

%

*

( ( ( (

It's a love you'd

green.

D

F#7

( (

( ( ( ( ( ( 3

Let's pre - tend we can bring back the

D

) ( *

is green.

%

$

Bass

30 Red Room !

The Murder

!

+Waterphone random Tpt and Sax wails

# $$""" $"

# " $" $$ ""

mp

%

# " " ""

%

p

Attacca "Woyzeck's Woe"

Bass

31 Woyzeck's Woe +Cello (doubling melody)

# ! # " #!

5

# "# # '

Eb Bb7 Eb

$

Eb & %

'

The rib - bon round your neck, tacet to m. 13 Ab

$ $ $ It

is

$

# " # # '(

morn.

* ## Play #(

and

(Cello)

$

$

$

& %!

Eb

$

we

won't Ab

$ ( (

$

& $ $ %

Ab

Eb

Bb7

Eb

$

The

& (

Bb7

$

$

$

Bb7 Eb

$ $ $ $

fav - orite thing you've worn.

Ab

Eb

Eb

a - gainst your skin that's pale as bone;

$ $ $ $

my

song,

13

Ab

$ $ $ $

# & # " #(

9

Tom Waits/Kathleen Brennan 2000

go

$ $ $ $ $

band

is

play -ing our

)

%

home,

$

$

'til Eb

( (

( (

(

(

Bass

32 Overturned Pot (Karl) +Glock BANJO

# " # # !!

Eb/Bb Bb7/D Eb

$

is

$

$

$

No - thing's ev - er

Ab

9

Eb/Bb

# "# # $ $ $ $ If

13

I

die

$ $ $ $

No - thing's ev - er

Ab

17

Eb/Bb

# $ $ $ # " # $ If

21

I

die

$ $ $ $

No - thing's ev - er

G7/B Cm

$

yours to

Eb/BbBb7/D

%

keep.

Eb

& $ $! $ $

G7

$

as

Ab

$

Eb/Bb

$

%

Close your eyes,

Ab

Eb/Bb

$ $ %

it seems,

Eb

you wake,

$ %

it seems.

Eb/Bb

$ $ $ $

climb the

Ab

lad - der

Eb/Bb

$ $ %

com - ing back.

Bb7sus Bb7

Eb

$

%

$

go

to

Eb/Bb Bb7/D

don't

Bb7sus Bb7

Eb

$ $

%

to

your dreams.

Eb/Bb Bb7/D

Eb

& $ $! $ $

Ab

Bb7sus Bb7

Close your eyes,

Eb

you weep.

don't

$ $ %

sleep.

& $ $! $ $

don't you cry;

Eb/Bb

Eb

$ $ %

Dad - dy's nev - er

Ab

$ %

Bb7sus Bb7

$ $ $ $

G7/B Cm

G7 G7/Cb Cm

$

Eb/Bb

don't you cry;

& $ $! $ $

as

Ab

you wake,

Eb/BbBb7/D

be - fore

Eb/Bb Bb7/D Eb

# "# #

$

be - fore

Eb/Bb Bb7/D Eb

# "# #

moon is cracked;

G7

$

$ %

$

red;

Eb/Bb Bb7/D Eb

# "# #

G7 G7/B Cm

$ %

Sun

5

Tom Waits/Kathleen Brennan 2000

KARL

$

go

you weep.

E¨

$ %

to

sleep.

Bass

33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000

Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise

Double Bass

" ## ! $ $ $ #!

5

Db.

"# ## $ $ $ %

9

Db.

" ## #'

'

14

Db.

" ## # $ &$

%

% $ &$ $

'

'

%

'

$

18

Db.

"# ## $ $ '

22

Db.

" ## #$

&$

% $ &$ $

$

'

'

%

'

'

'

'

'

'

'

'

'

$ $ '

'

'

'

'

$ $ $

%

'

'

$ '

$

'

'

$ $ $ %

'

'

Bass

34 Misery Reprise Tom Waits/Kathleen Brennan (2000)

MARGRET & CHORUS

!#! " "# # # # # # # # # %$$ Fm

Fm

# # # # # # # # %$$

&

Mis - er - y's the riv - er of the world.

5

Fm

$ " # # # # # # # # $

&

Mis - er - y's the riv - er of the world.

9

Fm

" # # # # # # # # %$$

Mis - er - y's the riv - er of the world.

&

&

Mis - er - y's the riv - er of the world.

Fm

## $ %

continue to repeat as Chorus and Leads enter slowly and create tableau

$ # # # # # # # # $

&

Mis - er - y's the riv - er of the world.

# # # # # # # # %$$

Mis - er - y's the riv - er of the world.

&

( ' MARGRET, spoken: "Misery's the river of the world!"