Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6
III.1 III.2 III.3
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell
12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.) Coney Island Baby (Conc.) Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine
27. 28. 29. 30. 31. 32. 33. 34.
Shiny Things (Inst.) Everything Goes to Hell (Inst.) All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.) Misery Reprise
Woodwind
1. Ouverture
Free tempo, gradually building
$$$ ! # "
BASS CLARINET
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tacet (piano solo)
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A
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17
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13
21
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Tom Waits/Kathleen Brennan (2000)
%
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announcer speaks & starts the band
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drumroll & curtain
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Gm Strong Slow Waltz
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attacca no. 2 Misery's the River
Woodwind
2 Misery's the River
BASS CLARINET
!=72
Tom Waits/Kathleen Brennan (2000)
%% !#! '& %& ( '& %& & ( '& %& & '& %& ( '& %& & ( ) $ "#
## $ ** #" %
Cue (Spoken 3x): "Misery's the river of the world . . . ."
VAMP until cue
Em6
* " & %& '& '& *& & %& & & '& & %& & %& '& '& *& & %& & & '& & %& * $ #
5
Gm
9
* $ * %& '& '& *& & *& & *& '& & '& & %& '& '& *& & *& & *& '& & '& & !
13
CARNIVAL ANNOUNCER
Gm
* $ * ! %+
18
Dm
( - . & & & & & & & & ( ( - &. & & & & &
,
(ratchet)
+ Accordian
The high - er that the mon - key can climb,
Gm
the more he shows his
Dm
* $* & ( ( & & & & & & & & ( & & & & & & & & & & ( ) (bird)
tail.
23
Call no man hap - py 'til he dies. There's no milk at the bot - tom of the pail.
+ Log Drum
Em
* $ * '& & & & - &. & & & & & '& & & '& & & & & & & & God builds a church,
the dev - il builds a chap - el like the
this - tles that are grow - ing round the
26
* $ * '& & & &. - & & '& & & & & & & & & & & '& - &. '& & & &
trunk of a tree. All the good of the world you could fit in - side a thim - ble, and still have room for
(bird) (ratchet . . . . . .)
2 30
/ &
* $ * '& & , rit.
Gm
Em
. & - & '& & & & &
a tempo
, '& & & & & & & & &
you and me.
If there's one thing you can say a - bout man - kind, there's no - thing kind a - bout Gm
35
* $ * '& ( ( & %& & & & & & & & & ( & %& & & man.
You can drive out na - ture with a pitch - fork
39
* $* & & & ( back a - gain.
Gm
, &&&&&&&& ,
44
* , $* & & & & & & & & ,
50
Dm
,#
Gm
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,
)
&
al - ways comes roar - ing
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)
Dm
but it
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Dm
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&
Gm
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,
55
* $ * %& '& '& *& & %& & %& & & '& & %& '& '& *& & %& & %& & & '& & ! * !#! %+ * $ "#
VAMP until cue:
59
Gm
"The commencement of the commencement will start immediately"
,
(
-
$ . ## & & & & & & & & % CHORUS
The Dm
62
high - er
Gm
that the mon - key can Dm
* $* & ( ( & & & & & & ( ( & & & & & & & & ( & & climb,
the more he shows his
tail.
Call
no man hap - py 'til he dies. There's no
3
ANNOUNCER
Em
67
* $ * & & & & & & & & ( ( '& '& & & & & & & & & milk at thebot - tom of the pail.
71
& - '&.
God tem - pers all the windsfor the new - shorn lambs,
Bm
the
Gm
* $ * & & & & & & & & & & & &. - '& %& & & & & & & dev - il knows the bi - ble like the back of his hand. Dm
74
All the good of the world you could
D7
Gm
you and me.
one thing you can say a - bout
* . $ * & & & & & & - & & & & & %& & , fit in - side a thim - ble,
and still have room for
Dm
78
* $* ,
Em
. & - & & & & & &
man - kind,
& ( ( '& %& & & & & & &
there's no - thing kind a - bout man. D
82
but it
MARIE & MARG.
86
You can drive out na - ture with a ANNOUNCER
D7
* $ * '& & ( & '& & & pitch - fork
& & & & && &
& & &
al - ways comes roar - ing
ANNOUNCER
Gm
- . & & & & - &. & & & &
back a - gain.
DOCTORS
Dm
For want of a bird,
ANNOUNCER
Gm
the
ANDRES, D.M., CPTN.
* . . . . $ * & & & - & & & & & - & & & & - &. & & & & - & & & & - & sky was lost. For want of a nail, ANNOUNCER
91
want
94
*, $* ,
world.
& & &
of
a
)
toy,
- &. %& a
a knife was lost. For
ANNOUNCER & CHORUS
ALL
Dm
* $* &
a shoe was lost. For want of a life,
&
child was
&
Gm
(
& & & & & & & &
lost.
Mis - er - y's the riv - er
CHORUS
Dm
& & & & & & & &
Mis - er - y's the riv - er
of the
of
,,
the world.
& & & & Ev - ry - bod - y
4
ANNOUNCER
97
Fm
** $* * & & & & & & & & ,
)
Mis - er - y's the riv - er of theworld.
* $* &
CHORUS
(
row!
)
Mis - er - y's the riv - er of theworld.
Ev - ry - bod - y row!
+ Snare
Gm
Mis - er - y's the riv - er of the world.
)
& & & & & && & ,
&& &&&( & & &&& (
* !# , * $ "# & & & & & & & & ,
101
Cm
)
Ev - ry - bod - y row!
&& &&&(
Ev - ry - bod - y row!
last time MARGRET only
, & &&&&&&& ,
Mis - er - y's the riv - er of the world.
)
## $ %
attacca no. 3 Misery Ending
Woodwind
3 Misery Ending--Monkey
BASS CLARINET
Tom Waits/Kathleen Brennan 2000
swung rhythm Em
Bm
# " # ! %$ $ $ $ & $' $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $ God builds a church
4
# "#
The de-vil builds a cha - pellikethe thist - les thatare gro wing'round the
Gm
Dm
' & ($ $ $ $ $ $ $ $ $ $ $ $ $ & $' $ $ $ $ $ $ $ $ %$
trunk of a tree
All the good in the world you can put in - side a thim - ble
and still have room for
PIANO
8
D7
# " # ($ $ )
break
*
Gm
*
$ $ $ $ $$ $ )
you and me.
13
Gm
# "# $ $ $ $ $
One thing you can say a - bout Man - kind, There's
Em
$ + + %$ ($ $ $ $ $ $ $ %$ $ + $ %$
no - thing kind a - bout man.
17
D
# "# $ $
You can drive out na - ture with a Pitch - fork,
D7
$ $ $ $ $ $
+
al - ways comes roar - ing back a - gain.
22
' $ & $
Gm
# ) "# $ $ $ $ $ $ $ $ )
Mis - er - y's the riv - er of the World
Gm
) $ $$$$$$$ )
,
but it
*
Mis - er - y's the riv - er of theWorld
,
Gm
) $ $ $ $ $ $ $ $ )
Mis - er - y's the riv - er of the World
$$ CYMBAL $$ -
Woodwind
4 More Murder NY
TENOR SAX
Tom Waits/Kathleen Brennan 2000
+Horn blasts and Screams with Mellotron Tape cue: Woyzeck points to the Captain
A Play 8 Times & & ! # !!" $ % % $ ' ( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% !! !! ' % %
)% !! !! % ! % % +
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " arco
& & # !! $ % % $ '
4
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
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( !! % % '
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!!
)%
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!! !! % % % % % % !!
!! !!", )% % )- !
!!
Play until cue: Captain: Compose yourself, Woyzeck!
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!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !!
2
Cue: Woyzeck returns to shaving the Captain
B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "
!! !! $ %& %& $ '
( !!! % % % % % % !! !! % % ' "
!!
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arco
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11
Play 4 Times
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Play 2 Times
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Play 2 Times
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)- !
%
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!!
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!!
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Play 2 Times
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( !!! % % % % % % !! !! % % ' " 14
)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",
Play 2 Times
% !! !! ' % %
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Play 2 Times
Play until cue: Captain: Makes me melancholy.
!!"! $ !!"! '
!! !!"! %!
'
!!
)% % % +
!!
& & $ % % )%
% % %
!! !!"! % % % % % %
!! !!
3 Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood. Play 8 Times Play 4 Times
C & & # !! $ % % $ '
16
( !! '
!! !! $ & & $ ' % %
% !! !! ' % %
)%
( !! %!
)% *% ! ! % % ! !'
)% !! !! % ! % % +
( !! % % % % % % !! !! % % ' arco
& & # !! $ % % $ '
19
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
)%
% )% *% ! ! %! ! ! + '
!!
% !! % % )% !! % % +
!! !! % % % % % % !!
Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue! Woyzeck: Yes, Captain.
!! !!", )% % )- !
% , !! !!" .! % %
)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"
% )% *% ! ! %! ! ! + '
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
4
Woyzeck: . . . we'd have to help with the thunder. + WATERPHONE, TRUMPET BLASTS
Cue: blackout
D Play 8 Times & & ! # !!" $ % % $ '
22
( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% !! !! ' % %
)% !! !! % ! % % +
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " Arco
& & # !! $ % % $ '
25
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
% )% *% ! ! %! ! ! + '
!!
% !! % % )% !! % % +
!! !! % % % % % % !! Arco
!! !!", )% % )- !
Play until lights up
% , !! !!" .! % %
)% , . ! % !! !!" % + Arco .! , !! !! % % % % % % !! !!"
% )% *% ! ! %! ! ! + '
)%
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
Woodwind
5 Skinned Knee Tom Waits/Kathleen Brennan 2000
Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"
& & ' ' $$ $ $ $ $ $ % $ $ $ $ $ $ $ $ % $ $ $ $ 7 & ppp & # # " %! $ $ $ $ $ $ $ $ ( $ 11 & #& # $ $ $ " $ $ $ $ ( % $ % CLARINET
#! "# !
Cue E: trombone and sax play squeals and glisses after Andres breaks stick. Stop after Woyzeck stops running. Cue F: Play cue D again as Andres moves downstage; fade into next cue Cue G: play until tree moves
)))) "! ' * $+ " ) #! $ % $$$$$$$ $$$$$ $$$ ( 5 )))) !! $ " ) $ % $ $$ $$$$$$$$ $$$$$$ $ $ ( $ $$ CLARINET
Cue H: sound effect as tree moves
Woodwind
6 Diamond in Your Mind
BASS CLARINET
%%%% !" ' ' &! $ % # & & & & & & & &(
cue: Woyzeck: It's all quiet, like the world was dead. B
ANDRES:
Zer - lel - da Sam - u - els said she ain't tacet Verse 1
Tom Waits/Kathleen Brennan 2000
& & )! (
*!
ne - ver prayed.
& & ( 'til
her
%%%% & & & & & & & & & & &! ! ! &( & &( & & & & & * * * + $ % ( ( (* (
3
right arm was blown off in a Pink - er - ton raid.
%%%% &! & & & ! ! * $ % (
6
"Three - Fing - ered Dave,"
%%%% $ %
9
%%%% $ %
F©7
)! mind.
%%%% $ %
15
B
%%%% $ %
' ' ' ' & & & & & & & &
)!
brook.
Al - ways keep
B7
a dia - mond in your
E
' ' & & &
ANDRES:
Where - ev - er you may wan - der, wher - ev - er you may roam you've got to F©7
B
' ' & & &' & ' ,! & & & &
B7
B7
' &' & ! & ' & &' & &' & & & &&
WOYZECK: B
al - ways keep a dia - mond in your mind. 18
B
a dia - mond in your mind.
' * & &!
"
Now she's a hund - red and two, drink - ing ju - leps in the shade.
' ' ' ' & & & & & & & & ,! E
to a wind - mill with
& & & & & & &! & & & & & & )! ( ( (
B
Al - ways keep 12
They lashed her
B
' '+ & & & && & & & &
Sis - sy's
han - ging laun - dry down by the
* ! & &' & &' & &' & ! & &' & ! * ! + & & & & & E
Pen - field Mor - gan's ta - king more than a look.
If it weren't for the
2
%%%% ' ' $ % & ! + & & & &'* &' & & & &' &! & & & & &( & & & & & &' G#m
21
D#m
G#m
D#m
G#m
D#m
2
squawk of the rock-er
%%%% $ %
24
F©7
&!
cept
%%%% $ %
27
that's kept out in the rain,there would be no-thing to com-plain a-bout ex-
' ! & & &
for
#! B ' $! & &' & &' & ' & & , ! &
*!
Instrumentalists Sing Along:
the trains.
Al - ways keep
B
E
' ' ' ' & )! & & & && & &
&!
Al ways keep a dia - mond in your mind.
%%%% $ %
30
E
&
' & &
ev - er you
%%%% $ %
32
B
,!
mind.
' & &
' & &
may roam you've got
a dia - mond in
*
your mind.
' ' &' & ! & ' & & & && B
B7
Wher - ev - er you may wan - der,wher B
' & & to
F©7
' & &
al - ways keep
F©7
' & & a
' & &
dia - mond in
' ' ' !! % ' & & & & & &' & & & &' & & ,!
ANDRES (last time)
(You've got
to)
B
al - ways keep
F©7
B
a dia - mond in your mind.
' &
your
Woodwind
7 Misery March
PICCOLO
(Snare Drum)
" !# 4
" #
$
$
!
#
& % #
#
$
))) ) ) ) ) ) ) * ( ( " '( ( " Fm
7
Am , ))) ) ) ) ) ) ) * ( ( '( (
11
!
#
%
+
# & #
#
$
#
$
!
& % #
))) ) ) ) ) ) ) *
+
,) ) ) ) ) ) ) ) ) *
(Snare Drum)
(( $ $ % & "(( # # # # !
15
$
#
Tom Waits/Kathleen Brennan 2000
#
$
#
+
+
$ % & # # !
" ""
crossfade into Overturned Pot
Woodwind
8 Overturned Pot (Marie)
CLARINET
Tom Waits/Kathleen Brennan 2000
A #### ! " #!
#### " #
MARIE
(humming)
5
$
% #'
&%
#### $ " #
9
#### " #
$
% #'
&%
'
'
(
'!
$
$
13
'
$
'
(
'!
+ Waterphone (as Woyzeck enters)
#### " #$
17
#### " #
$
$
$
spoken: Is that you, Franz?
21
No - thing's ev - er
)
as
it seems.
Close your eyes,
go
to
2
Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")
B
#### " #
(Toy Piano & Cello, playing severely out of tune)
25
%
% '
%
tacet to end
#### % % % " #%
29
#### % % % % " #
33
#### " #
37
%
% % %
#### % % % % " #
41
%
% '
% '
% %! % % (
%
% '
% %! % % (
% % % % % % ' % % '
% % % % % % '
% % ' % % ' % %! % % (
% % ' % %! % % (
Woodwind
9 God's Away On Business Tom Waits/Kathleen Brennan 2000
A
Alto Saxophone
Tenor Saxophone
## !#! " #! $
stop on 2nd doorslam (waterphone continues)
cue: doorslam
# #! " "#! $
$
$
%
$
$
$
%
$
$
%
$
$
$
%
B cue: W: But the call of Nature, Doctor. 3 # ! $ % $ $ " # ## $ # " "## $ ## " &
5
"
#
&
$
%
$
$
$
$
%
## %
stop on "Couldn't hold it in!" (waterphone continues)
$
$
%
$
$
%
Doctors: Woyzeck philosophizes! C cue: Cello and Doctors improvise on "bacteria" theme !# $ % $ $ #$ $
#$ "#
## $
$
$
## $
## % ## $
stop after "God's away on business."
$
%
$
%
## %
2 cue: W: ". . . dissolve like spider webs!" Play 2x
D 8 ## !# " #$ $ $ % # # " "# $ $ $ %
$ $ $ $ % ## $
DOCTORS
$ $ $ % ## $ %
$ $ %
$ $ $ %
$ $ %
$ $ $ %
## " $ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
## " $ $ $ %
$ $ $ %
$ $ $ %
$ '$ $ '$
$ #$ $ '$
$ $ $ %
$ $ $ %
$ $ $ %
$ '$ $ '$
$ #$ $ '$
12
"
#
17
"
#
## " )(
22
# " )( ## " )(
26
# " )(
'$ $ '$
$ #$ $ '$ )$ '$ $ '$
$ #$ $ '$
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$ #$ $ '$
'$ $ '$ $ #$ $ '$ $ $ $ %
$ $ $ %
$ $ $ %
'$ $ '$ $ #$ $ '$ $ $ $ %
$ $ $ %
$ $ $ %
3
## " $ $ % $
$% *
$ '$ $ '$
$ #$ $ '$
)(
'$ $ '$
$ $ % $
$% *
$ '$ $ '$
$ #$ $ '$
)(
'$ $ '$
31
"
#
## " $ #$ $ '$ )$ '$ $ '$
$ #$ $ '$ )(
'$ $ '$ $ #$ $ '$
$ #$ $ '$ )$ '$ $ '$
$ #$ $ '$ )(
'$ $ '$ $ #$ $ '$
36
"
#
## " $ $ $ %
$ $ $ %
$ $ $ %
$ $ *
$ $ $ %
$ $ $ %
$ $ $ %
$ $ $ %
$ $ *
$ $ $ %
41
"
#
## " $ $ $ %
$ $ $ %
$ $ %
$
$ %
*
$ $ $ %
$ $ $ %
$ $ %
$
$ %
*
46
"
#
2x and stop ## !# Play ( # $ $ )+ " #
50
# " "##'+
+
( *
,
( # $ $ )+
( *
,
( *
,
'+
( *
,
+
## $
## %
4
E cue: Woyzeck: "Yes, sir." ## " % $ '$ $ '$ $ #$ $ '$ )( "
#
%
'$ $'$ $ #$ $ '$ )$ '$ $ '$
$ '$ $ '$ $ #$ $ '$ )(
'$ $'$ $ #$ $ '$ )$ '$ $ '$
## " $ #$ $ '$ )(
'$ $ '$ $ #$ $ '$ $ $ $ % $ $ $ %
$ #$ $ '$ )(
'$ $ '$ $ #$ $ '$ $ $ $ % $ $ $ %
66
"
#
## " $
$
$
%
$
$
*
$
$
$
%
$
$
$
%
$
$
*
$
$
$
%
71
"
#
## " $ $ $ %
$ $ $ %
$ $ %
$
$ %
*
$ $ $ %
$ $ $ %
$ $ %
$
$ %
*
## !# ( # $ $ )+ " #
( *
,
( # $ $ )+
( *
,
+
( *
,
'+
( *
,
74
"
#
78
# " "##'+
+
## $
## %
5 cue: Doctors: " . . . immortal."
F percussion hits . ## . . % % % * "
86
"
#
,
,
DOCTORS
$ '$ $ '$ $ #$ $ '$ )( '$ $'$ $ '$ $ '$ $ #$ $ '$ )( '$ $'$
## " $ #$ $ '$ )$ '$ $ '$ $ #$ $ '$ )(
91
"
#
$ #$ $ '$ )$ '$ $ '$ $ #$ $ '$ )(
'$ $ '$ $ #$ $ '$ '$ $ '$ $ #$ $ '$
# "#$ $ $ % $ $ $ % $ $ $ % $ $ *
$ $ $ % $ $ $ %
# $ $ % $ $ % $ $ % $ $ * $ $ $ "
$ $ $ % $ $ $ %
96
## " $ $ $ % $ $ *
102
"
#
$ $ $ % $ $ *
$ $ $ % $ $ $ % $ $ $ % $ $ * $ $ $ % $ $ $ % $ $ $ % $ $ *
6
## " $ $ $ % $ $ $ % $ $ $ % $ $ *
108
"
#
$ $ $ % $ $ $ % $ $ $ % $ $ *
## " $ $ $ %
114
"
#
$ $ $ %
## " $
118
"
#
$
$ $ $ % $ $ $ % $ $ $ % $ $ $ %
$ $ *
$ $ $ %
$ $ $ %
$ $ *
$ $ $ %
$ $ $ %
$
$
%
$
$
%
$
$
%
*
$
$
%
$
$
%
$
$
%
*
Woodwind
10 Coney Island Baby
TENOR SAX
$! # "
$ # (
% %
tacet
Tom Waits/Kathleen Brennan 2000 D7
&% % * % ( )
$
G
# % %% & ' % % take me out
19
$
G
*
town.
,
$
When I'm with her,
$
make their wish - es on
G/D
% % !% "
(
ba - by,
36
#
$
+
she's my
,
to
man
in
Co - ney
D7
% % (!
She's a
She's my
D7
(
Is
All the
G
G7
Co - ney
Is - land
-
G
in a red
(!
(!
G
%
* % % (! %
prin - cess
my world.
% %
* % % "" % % % % -%
her eyes.
(
the
G
G
# %
* & ' % %
' % % % * % % % * % % % % %! % % * * * * D
D7
C
she comes
I'm the rich - est
She's the rose, she's the pearl, she's the spin on
stars
31
% * % % % %
%* & % & % % % % ! $%' ) % % % % % %
' ! % % * % % & ( % $ % # %
26
D7
D7
to dream - land.
* ,
play 2nd Verse G
Ev - ery night
* ,
%
D7
& % % % & %% % % % & $%' % ) % +
play 1st Verse G
# (
G
% % & $%' (
G
6
13
Fragile
!
land
girl.
" % %#
To Coda
(tacet)
% % ( * %
Em
dress. She's themoon
%% (
D7/C
%
in the mist
to
2
9 Coney Island Baby
44
#
$ (!
G/B
G
G
% % "" %
,
me.
She's my
$! # "%
G/D
48
(
Co - ney
"
$ # %
D7
tacet
$
D7
# %
%
Co - ney
D7
(
%
Is
& $%' ( & $%'
(
%
% -
land
& % ) & % )
G7
%
C
% -%
Is - land
%
ba - by,
(!
G
% G
%
She's my
D.S. al Coda
,
%
%
%
%
(whistle melody)
girl.
G
% % ! "
(
%
*
& % % %
%
(
*
Woodwind
11 Everything Goes To Hell
! Alto Sax. " Ten. Sax.
"
"'
Latin Feel
Tom Waits/Kathleen Brennan 2000
!#! % % % % $ #! # $ # # # # $ # # # # $ # # # # & & $ # ## Am VAMP under dialogue until Marie sings
MARIE
##!! # $ #% # # # $ #% # # # $ #% # # # & & $ #% ## " % Dm
! % % % % % $ $ $ $ $ # # # # # # # # # # # # " (# # # # (# # # # 5
Am
E7
Dm
% % % % % ' $ $ $ $ $ # # # # # # # # # # # " # # # # # # # # # " Dm
A7
Gm
* ! % % % % $ $ $ $ & ) # # # # # # # # # # # # " (# # # # (# Dm A7 * % % % % ' $ $ $ $ & ) "" # # # # # # # # # # # # # # # # # Am
10
E7
! % % % % % $ $ $ $ $ # # # # # # # # # # # # # # # # # # # # " 15
Am
Dm
Am
% % % ' # $ # # # # $ # # # # $ #% # # # $ #% # # # $ # # # " " Dm
Gm
! % % % $ # # # # (# $ # # # (# $ # # # (# " 20
E7
% % % ' $ $ $ # # # # " # # # # # # # # # " A7
Dm
* & ) * & )
E7+
E7
A7+
A7
)
)
+
'''
''''
2
DRUM MAJOR
! ' " ' ' # $ #, # # # $ #, # # E¨m '''' # $ # # # # $ # # # " " , , 25
B¨m
! ' % ' $ ' # # ## "
E¨m
30
# $## # , A¨m % # $## #
'' $ % ' "" ' # # # #
% # $ # # # # $ # # # -# $ # # # , , E¨m B¨7 % # $ ## # # $ ## # # $ ## # , , B¨m
F7
# $## # , % # $## #
* ! ' % % ' $ $ & ) ' # # # # # # # # # " B¨7 * % % ' ' ' $ $ & ) "" ' # # # # # # # # # 35
F7
VAMP under dialogue until D. M. sings Bm
DRUM MAJOR $ ! (( " # $ #, # # ## # $ #, # # Em ( # $ # # # ## # $ # # # "" % , ,
40
B¨m
# $ ## # ,
# $ ## # ,
E¨m
# $ ## # ,
F7+
F7
B¨7+
B¨7
)
)
+
# $ ## # , !#(( # # $## # , Em ##( # $ # # # " , Bm
% # $ # # # (# $ # # # , B7 % # $ ## # # $ # # # , F©7
! (( % $ ( # # # # # $ # # # # $## # # $ # # # " , , , Am Em ( % % # %# $ $ $ # # # # # # # # # # # $ # # # " " , 44
Em
MARIE
Bm
MARIE & DRUM MAJOR
# $ ## # , # $ ## # ,
3
! (( " (# ""
* % $ # # # (# & )
F©7
49
(
% $ # # #
B7
#
Bm
# $ # # # ,
* & ) #
Em
# $ # # # ,
! (( " # $ #, # # # $ #, # # Am ( % % $ # # # # $ # # # # " " Em
53
! (( % $ ( # # # # " ""
(
! (( "
+
""
+
(
! ''' "" ' ' ' &
B¨7¨9
# $ # # # ,
! ''' ## '''''' &
E¨m
'''' ## " &
&
&
E¨m
&
# $ # # # ,
Em
Flute Solo
63
66
# $ # # # ,
* % $ & ) # ## # #
% $ # # # #
B7
# $ # # # ,
Bm
To Fl. * % $ & ) (# # # # (#
F©7
57
# $ # # # ,
&
&
&
&
&
+
&
# $ # # # ,
+
+
+
+
+
+
B¨7¨9
&
## $ ## %#
cluster
&
&
&
+
)
&
Woodwind
12 A Good Man (Is Hard To Find)
BASS CLARINET
!
!=100
! "! ! " "## #
Tom Waits/Kathleen Brennan 2000
Tacet 1x, Play 2x, 3x D
5
9
" 13
" 17
#
$
%
" $
$ $
%
#
#
D7
%
# # # # 3
D
" &
$
# # $
25
29
D
" &
37
" %
$ (#
#
$ '# $
#
G
%
#
A7
#
#
%
# # # # # #
$
%
& '%
! +%
# #
$
%
play all times
&
%
# '#
%
&
To Coda (Third Time)
%
# (# #
(%
) %#
A7
$
3
D7
$
&
3
*
"
D
D7
'#
$
#
&
[CHORUS] 21
&
%
#
$
D
E7
#
D
%
* % %
%
'% ## $ %
2
11 A Good Man (Is Hard To Find)
" 39
D
" &
%# C
"
57
Em
#
D
" %
#
#
%
#
&
#
%
A7
#
#
#
#
#
3
,
B7
*
"
&
3
$
49
53
%
,
"
"
'#
$
41
45
D7
Em
#
%
#
#
%
%
Em
%
#
'%
#
#
A7
#
%
A7
%
#
. -
#
#
Woodwind
13 Knife Chase
BASS CLARINET
cue: Marie: "Look, the Angel of Sleep . . ."
A ## !# ! $ $ " "# ! #$ $ $ #$ $ $ $ $ $ % ## $ " $ $ %
5
$
# "#$$$ %
9
## $ "
13
$ $
B # !! " # "## !
$
)
% $ #$
) $ #$ $ #$ $
$
$
$
$ #$ $ $ $ #$ $
$
$ #$ $ $ $ #$ $
stop after: Marie: "What am I - a whore?"
#$
)
## $ %
$ ,#
## $ %
$ $ * $ $ #$ #$ $ $ ! $
, $ $ $ $ $ #$($ $
tacet
$ #$ $ #$ $ $
+ Tpt w/ Harmon mute
$% #$ $
cue: Woyzeck: "See you tonight, Marie." TOY PIANO
$
% #$ $
& $' ($ % $
Tom Waits/Kathleen Brennan 2000
$$+ $ ! ,
,
Woodwind
14 Starvin In The Belly Inst. (under scene change) Tom Waits/Kathleen Brennan 2000 Cm
#! " # #! $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ %#!$ $ # #! BASS
$ $
$
# !# # " # #(
5
Cm
Eb
# "# # )
)
%# $ $ $ $ ## 13
%# $ $ $ $ ## 17
Eb
# "# # )
)
%# $ $ $ $ ##
$
$
)
$ G7
$
$ $ $ $ $
$
(
$
$
$ $ $
$ Dm7b5
$ $ $ $
$
(
$ $ $
$
$ & '
$ $ $
$
$ $
&
$ $
Dm7b5
$ $ $ $ &
$
(
$ $
&
)
$
$
$ $ $
$
Cm
# "# # (
$ $
&
$
% # ## $ $ $ $ # #" 9
$
&
'
$ $ $ $ $
$ $ $
$ G7
$
&
$ $
$ $ $
&
$ $
$ $ $ &
$ $
$ $ $
* $ $ $
## $
## %
Placeholder for 15 Knife Chase Opera
Woodwind
16 All The World's Green
CLARINET
Tom Waits/Kathleen Brennan 2000
cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."
#### ! " !
C©m
#### "
7
$
$
C©m
%
I
B7
E
( ( ( ( ( (
G#7
G#7
) (# ( *
I risked it all a - gainst the sea It's a love you'd kill for.
) & ' ) (# ( ( ( ( ( & ( ( (
C©m
C©m
*
to have a bet - ter And all the world is
fell in - to the o - cean moon is yel - low sil - ver,
' ) ( ( ( ( (
%
*
F©m
Amaj
when you be - came my wife. oh the things that sum - mer brings.
#### ' ) " ( ( ( ( (
11
$
! ) & ' ) ## ( # ( ( *# (" ( (
life. green.
F©m
Ma - rie, you are the wide blue sky. He is balancing a dia - mond
#### ) '( ( ( ( ( * % ' ) ) " ( ( ( ( ( ( ( (# ( ( ( ( ( ( B7
15
E
Amaj
And men do fool - ish things. on a blade of grass.
#### "
20
C©m
*
%
%
&
kings. green.
25
"
####
E
*
&
#### "
E
*
green.
A
E
(# ( ( ( ( ( * + ( ( 3
' () ( # ( (# () + B7
and all
the world is
( ( ( ( ( ( ( ( ( ( ' () ( # ( (# ) + ( ( ( A
E
3
B7
Let's pre - tend we can bring back the old days a - gain,
%
G#7
You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is
Let's pre - tend that you owe me no - thing
green. 29
G#7
%
&
## $ %
C©m
( (
2. When the
$
$
and all
$
the world
$
is
Woodwind
17 Starvin In The Belly Of A Whale Tom Waits/Kathleen Brennan 2000
BASS CLARINET
!# ! # " "# ! $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ Dm
% # !## ! $ $ # #" !
$ $
5
"# ( whit
%# $ ## 9
$ $ $ -
F
"# ) fid
%# $ ## 13
) $ $ $ -
dle
tled,
$
day
%# $ ##
$ $ $
F
"# ) mis
%# $ ##
) $ $ $ -
take
$ &
$ $
$ $
$ $ $ Time's a
&
) that
$
$ it
breaks
$
) all
&
$ $
$ $ $
and the
&
$
$
$ $
( $ $ $
rid
-
$
-
Em7b5
$ $ $ $
Dm
"# (
17
-
$
$
plays
$ $ $ $ $ ( $
Em7b5
$
day
$ $ $ $
$ $ $
Earth
$
&
'
$ $ $ $ $
Your life is
$ & ' $ & dle,
$
A7
(
$ $ $
$
on.
$
$ $ $ man's a
&
$
A7
long.
$
$ $
When the
$ $ $
$ & quakes,
$ $
$ $
$ $ $ life's
a
* $ $ $
## $ % ## $ %
2
Dm
21
)
"#
Who
%# ##
25
)
Gm
$ $
$ $ $ + , $ $ $ $ $ $
gives a
good god damn?
)
)
mean
-
-
%# $ $ $ $ ##
Dm
"# $ $ $ $ man must test
his
%# $ $ $ $ ## !# # " "# $ $ $ $ $
33
$
ing;
$
Gm
&
)
$ $
don't go
$ $ $
Dm
$ $ &
met - tle
$
Starvin' in the belly of a whale!
A7
$ &
a - live.
)
)
$ &
( dream
-
-
$ $ $
$
$ $
There's no
'
Gm
A7
$
&
ing.
A
)
'
Dm
$ $ -! $ $ .$
! ! $ &
'
! )
! $ & !
'
in
$ $ '
Dm
% # !## $ $ $ $ # #"
You'll ne - ver get out
)
Dm
"# (
29
Dm
a
crook - ed old
world.
## $ $ $$$ $$ $ $$$ $$ $ $$$ $$ % $
$ $ $
$
$ $ $
$
$ $ $
## $ %
Woodwind
18 Coney Island Baby (with Stops) WOODWIND TACET
Tom Waits/Kathleen Brennan 2000
cue: Woyzeck: "You are beautiful."
A $! # "% % 5
$
G
% & % D7
# )
%
% % %
pause after A, then continue D7
+!
# % %
% % +!
%
&
% % ! $%( + G
% ' % % * G
&
%
G
& ' ( % % % ' ( % % % %
% & '
% % %
B $
D7
% &
% % +
Em
cue: Woyzeck:
C "It stinks enough to smoke the angels out of heaven." D7 G Woyzeck: G $ & ' ( % %% ' ( # % % % & % % % % % % Ev - ery night
she
comes
to take me out
$
D7
G
with her,
$% # D
28
I'm the rich - est
% %
&
pearl,
32
$
D7
# %
stars
she's the
&
%
man
in
( %
% % %! spin on
%
make their
&
)
the town.
G
%
&
%
%
wish - es
on
G
% % % & % %
She's the rose,
&
&
% %
When I'm
Marie:
&
&
my world.
%
)
to dream - land.
( # % % & ' % % % % ' %* % % % ! $% +
22
%
she's the
% %
All the
'
+!
( $%
G
her
eyes.
2
cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."
D $
WOYZECK
G
D7
# % % % & % % Ev - ery night
G
& ' ( % %% ' ( % % % %
she comes
to take me out
( # % % & ' % % % % ' %* % % % ! $% +
41
$
D7
G
with her,
I'm the rich - est
man
in
$% % % %! %( % & & & & % & % # D
47
G
pearl, she's the spin on
accel.
my world.
$
G
She's my
61
$
D7
# +! prin
G7
Co - ney Is land
& % % +! %
-
cess
in a
red
&
the town.
She's my
She's the rose,
% % % '$%( + ! & % % % % % G
All the stars make theirwish - es on
Co - ney
Is - land girl.
% % + & %
Em
She's the moon
Co - ney Is - land
C
ba - by,
+
G
+
% %
She's a
+!
%% +
D7/C
%
G/B
in the mist
to
me.
G/D
D7
Co - ney
Is - land
% % !% + "
she's my
her eyes.
% +!
ba - by, she's my
G7
she's the
D7
$& % % "% % # % % ,% % + " G
When I'm
% % % & % %
D7
savagely, screaming
68
)
G/D
dress.
% %
MARIE & WOYZECK G
C
G
)
to dream - land.
- % ! " % % % %" % + & % # % %,% % + "
54
&
%
+
%
blackout; attacca no. 19
Woodwind
19 All The World's Green (Instrumental) Tom Waits/Kathleen Brennan 2000
CLARINET
cue: play on lights up, continue under dialogue, through black out, and stop at next lights up
! % % "## $ $ # $ $ &# $ $
#### ! " !
C©m
#### ( % " $ $ $ $ $
5
Amaj
#### "
9
$#
C©m
$ $
G#7
#### ' " #### " &
21
#### "
25
#### "
27
E
F©m
C©m
B7
E
( $% $ $ $ $
'
& C©m
% $ $ $ $ $ $ E
) ( % $
&
G#7
$ $ $#
'
$$ $ $ $ $ &
$# $ $ $ $ $ & ) * $ $ 3
'
&
( $% $ # $ $# * B7
% $
$ $ $ $ $ $ $ $ $ $ ( $% $ # $ $# % * $ $ $ 3
E
& # $ $ $
C©m
G#7
A
)
E
( % $ $ $ $ $
% $ $ $ $ $ )
Amaj # # # " # ( $% $ $ $ $
B7
G#7
% $# $ &
13
17
F©m
A
'
E
'
B7
) 2.
% $ $ &#
$ $ $ $ $ $
$
$
&
'
## $ %
Woodwind
20 Coney Island Baby (Conclusion) Tom Waits/Kathleen Brennan 2000
Woodwind Tacet
cue: play several moments after lights up; Woyzeck speaks lyrics D7
$! # "% %
Ev - ery
4
$
G
# %
&
%
%
G
night
)
dream - land.
9
$
G
# +
town.
&
&
%
%
she
comes
&
'
( %
to
take me out
% & ' % ' % % * % % % % % % G
% % % & She's the rose,
I'm the rich - est
D
% % % & she's the pearl,
'
% % %
D7
When I'm with her,
)
%
( %
to
% % ! $%(
man
in
% % % % %! she's the spin on
the
( % my
spoken: I saw him, Marie.
Woodwind
21 Just The Way We Are
BASS CLARINET
A $$ !# ! # "# " $$ # (
5
D
just
$ #$(
9
D
just
D
&#
%
$ ' ( ( ## % (
( ( *
the way
A
) ( (
the way
( *
we
are.
ev - er
!# "#
are.
D
A
$ ( (( ( ( ( ( #$
17
G
D
try
( *
to
) ( (#
G
we
(
are,
D
boys, it's
) ( (
(
( (
change
us 'cause it's
&#
&
) $ ( ## %
D
( ( ( ( ( (# ' ( (
who re -marked"They say big - a my's nice. whose bullocks was made out of brass.
( (
) (
D
There There
D
was ayoung sol - dier namedDice was ayoung fel - low namedCass
the way
%
$$ # ( ( ( ( ( ( (# & ( ( (
13
just
( ( *
D
+#
we
(
Don't
D
) (
G
' (*
+
) ( (
D
Cause it's
G
Tom Waits/Kathleen Brennan 2000
(
D
A
E - ven When they D
( ( ( ( ( ( ( ( +#
two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink- led to -gether, they played "Stor - my Weather" and light -ning shot out of his ass!
2 Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool. Said the doctor, a cynic, "Get out of my clinic! Just wipe of the lipstick, you fool!"
B
$ #$
) ) ( ( ( ( (# ( ( D
21
Cause it's
$$ ( #
26
G
just
( ( *
ev - er
try
D
the way
( *
to
we
D
( change
are,
) ( (
us
) ( ( (* ( (* + ( D
boys, it's
just
D
( ( ( 'cause it's just
G
the way
A
) ( (
the way
we
) (
we
' (*
are.
Don't
D
+#
are.
Woodwind
22 Shiny Things (Karl)
! # #! "# # ! $
%
## !! $ " "
%
F
&
!# "# &
&
!# "# &
F
KARL
The
4
## " "
F
&
"
# # "
Gm
# # " "
& * + & &
tine; know, eyes;
Dm
* & & & +
&
&
in big here
&
& C
)
F7
Bb
)
* &+
& (
&
, * & & &
Gm
C7
Gm
C7
)
* & && &
)
-
& & )
the shi - ny to shi - ny ly shi - ny
from a val - en you guessed, I here in your
& & ) F 1.2.
)
things. things.
)
&
Some - how they'll You're like the the on - ly
a sil - ver twine, you're dressed to go, is to be king
& #& )
&
his nest, they're ol' moon. The to - night. But
$
) & &
' &
&
* &+ & &
)
)
&
&
The crows all bring You'll al -ways cling to be your on
& & )
&
&
that shine best. a li ar. a - round, Though
a shi - ny dime, 'cause if it glows, I want that shines
%
F
a crow puts a - lone you not dan - cing
&
finds just turn
&
C7
& & & Am
he is to
&
find crows, thing
! ## ) "# # 10
&
&
&
al - ways things light you cast things are bound
! ## ) "# # 7
&
&
F
&
&
things me I'm
BASS CLARINET
! ## "# # &
Tom Waits/Kathleen Brennan 2000
%
## $ & % F 3.
Leave Well
## $ % % &
thing.
Woodwind
23 It's Over Tom Waits/Kathleen Brennan 2000
TENOR SAX
$$ ! % % $% &% $% &% $% % $% % $% % % % $% &% $% &% $% % $% % $% % # "
5
" # "
'
'
$$ " , # " 9
#
'
,
,
#
B7
% $%
#
$$ # 21
#
$$ #
* $%+
You
,
E7
E7
you.
Am
Thesky's the col - or
C
me
E7
is a feath - er
on an
) % %
of lead.
% % % % % % % % % % % % %! $% % &% ! + + F
$$ left # 17
)
% % &% % % % % ) ) * % %! % % % % % + + %
Am
$$must have brought the bad wea-ther with # 13
(
MARGRET
All you
) * %+
(
un - made bed.
It's
% % % % % %$% % % % ! ) ! % %! % % % % % + + +
Am
B7
al - ways me
E7
E7
when - ev - er there's trou - ble.
ring,
3
it fell off my
C
fin - ger.
) % %
Theworld does no - thing but turn.
%! % % % % %. % ! * % % % %! /%+ + + F
Am
E7
I guess I'll nev - er learn.
(
And the
)! '
% % But it's
2
A7
%! % % * ) % % % % % % + +
#
o - ver, it's o - ver, it's
o
$$ % % % , ) % # %
-
ver.
Dm
)!
. %
I'm get - ting dressed in the dark.
-
,
Our
(
% % % %! % % % % % % ! /% % % % /% %! /% % % % /% % ! % + + + +
Dm
29
#
G7
sto - ry ends
$$ , #
C7
#
F7
be - fore it be - gins.
-
. % % % /% % +
G7
33
&-
C7
&-
" # #!!
'
$ " # $ #!!
-
And it's o
,
Am
42
'
' B7
I
Eb7
Ab7
al - ways con - fess
-
to
/-
' E7
-
) ' ' E7
ev - ry - one's sins.
E7
Am
let
it
go.
-
,
' (
The
/-
E7#5
-
ver,
-!
Db^
-
Dm
VAMP under scene until Margret sings +Waterphone
38
Bb7
% % % %! % ( +
A7
nail gets ham - mered down.
$$ $#
#
% % % % % % -
Am
25
'
% % % /% * + So don't go and
'
!! $ % !! $ %
Am
/% % % &% /% % $% % % ) ) % % % % % % % % % ) ) % %
$$ #
make a big deal out of
no - thing.
Well,it's just a storm on a dime.
And I've
3
46
#
$$ # 50
#
$$ # 54
# $ #$
F
C
E7
% % % % % % % % ) % 3
al - ways found that there's no - thing
Am
B7
% %% % % %
that
mo - ney
E7
* %!
(
can't buy.
I've
E7
Am
% % % % % % $% % % %! ) ) * % % % % % % +
al - read - y gone to the place I'm go - ing.
F
) % % 3
%
C
There's no place left to fall.
E7
0 (
) % %
no - thing at all...
0 (
and it's
3 % % % % ) % % % % % /% -
And there's some - thing to be said
(
3
for say - ing
(
4
58
#
Am
/% % % 3
o
-
$$ # )
&% % % ) * % %! % % % % , %%%% % % + + 3
A7
3
ver, it's o - ver it's o
-
ver.
Dm
3
It's done, for - got - ten andthrough.
% % % , % %
-
,
(
"! % % %! % % % % ! % /% % % % % /% ! /% % % % /% 1) * % + # #! + +
62
Dm
G7
C7
F7
Bb7
Eb7
Ab7
Db^
No - one cares what it's all for, you'll be bur - ied in the clothes that you ne - ver wore,
$$ "! , # #!
66
#
G7
-
C7
% /% )
%
%
keep
your
$$ $#
69
# $$ #
. * % % % % the door.
-
Am
let
it
go.
'
It's
o
' 2 2 % % (
Last time ad lib on cue:
'
-
Dm
'
,
/-
%
,
E7
'
/-
A7
by
&-
-
-
suit - case
E7#5
-
&-
so
-!
-
ver,
)
' '
!! $ % !! $ %
Woodwind +Cuba Tom Tape Play Twice
24 Cuba Tom (Monkey Scene Change)
Tom Waits/Kathleen Brennan 2000
"! $ !
$
E¨m
" $
5
E¨m
$
B¨7
$
A¨m
B¨7
$
B¨7
$
E¨m
$
E¨m
## ! "
Woodwind
25 More Murder II A ! # !!" $ ( !!! ' "
cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."
arco
( !!! %! "
& %
& %
)%
$
'
%
%
%
% +
%
)%
Tom Waits/Kathleen Brennan 2000
cue: Andres: "Drink some schnapps . . ."
B stop after Drum Major enters & & !! !! $ % % $ ' !! !! '
arco
!! !! % !
%
%
)%
*%
% +
)%
*%
!! !! !!
Woodwind
26 Another Man's Vine
BASS CLARINET
$ !# ! $ # "# " %
Gm
$ !# $ # "# & #
Tacet 1x
5
Gm
%
% Dm
&#
Tom Waits/Kathleen Brennan 2000
'& # Eb7
Gm
%
Am
&#
%
'& # Eb7
% D7
'& #
Gm
$ #$ &#
Dm
Am
&#
'& #
F
D/A
9
&#
Em
$ #$ &#
Bm
'& #
(& # F
13
D7
'& #
Em
$ #$ &#
Bm
'& #
(& #
'& #
$ #$ &# Gm
Dm
Am
D7
'& #
$ #$ &#
Dm
Am
D7
17
21
25
Gm
&#
&#
&#
&#
D/A
'& #
## $ %
2
Play Fills
29 ! Gm
$ #$ &
&
Gm
$ #$ &
33
&
&
Eb7
&
Eb7
&
&
$ # $ '& #
37
Eb7
$ #$ &
40
2.
&
&
&
&
&
D7
&
Gm
Gm
&
&
$ #$ &
Gm rit.
&
&
&
&
Eb7
Eb7
&
&
&
&
&
&
Eb7
&
&
Gm
&
&
&
&
&
&
1. Gm
%
%
&
%
## $ %
Eb7
&
Gm
&
Eb7
'& #
%
%
%
" Gm
$ #$ &
&
Gm
&
&
&
&
&
Eb7
&
&
D.S. al Coda
Eb7
&
&& ## &&& ###
Eb(#11)
&
&
## $ %
Woodwind
27 Shiny Things (Instrumental)
cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28
! # #! "# # ! $
%
## !! $ " "
%
F
&
!# #&
&
# "# &
F
BASS CLARINET
! ## "# # & 4
## " "
F
&
! ## ) "# # 7
Gm
&
& &
&
10
Am
&
& * + & &
C7
## " " & & & ! ## ) "# #
&
Dm
%
* & & & +
## " " & & )
F
&
&
F7
)
& &
&
Tom Waits/Kathleen Brennan 2000
&
&
)
&
Bb
* &+ & &
, * & & &
C7
& & )
&
&
&
' & & (
& %
&
&
& &
&
* &+
)
)
&
&
C
)
& #& )
Gm
&
F
$
) Gm
C7
)
* &
& & ) F
) )
% %
& &
## $ ## %
.
Woodwind
28 Everything Goes To Hell
Woodwind Tacet
Tom Waits/Kathleen Brennan 2000
Latin Feel
Cm cue: Karl: "Mirror, mirror . . ."
#! " # #!
$
$
3 # !# # ( # # " "' '' ' ' '' )
5
9
Cm
Fm
# "# # '
11
# "# #
17
'
# "# #
21
'
'
'
'
'
'
'
'
'
'
'
'
'
(
3
&
)
' +'
'
' +'
'
'
'
'
'
'
'
Fm
# "# # '
19
( * ' ' ' ' ' ' ' +' ' )
'
Cm
'
Cm
'
(
' ' ' '
'
)
'
)
&
(
* '
'
'
'
'
'
(
* '
'
'
'
'
'
* '
' '
'
'
'
'
'
+'
'
' ' ( '* ' ' (
* '
'
'
'#
' ' '
G7
# "# # '
&
G7
G7
# "# # '
15
%
Cm
# "# # '
13
$
)
* '
, %
(
* '
(
* '
' ' ' ## $ %
Attacca "All The World's Green"
Woodwind
29 All The World's Green (Duet) Tom Waits/Kathleen Brennan 2000
BASS CLARINET
C©m
#### ! " !
$
%
B7
E
G#7
wife.
life.
B7
C©m
Amaj
#### "
beg - gars
%
&
#### ( * "
21
E
no - thing
*
&! ( ( ( ( ( ( (
%
%
&
' () ( ! ( (! () * + B7
E
the world
E
old days a - gain,
and all
E
the world
is green.
beg - gars
) (
and
(!
( ( 3( ( +
Let's pre - tend
that you owe me
A
&
is green.
B7
A
( (
kings.
and all
the wide blue sky.
WOYZECK
#### ( ( ( ( ' ) ( ! ( (! ) * " ( + (
25
F©m
You turn kings in - to
that it's ever been
in - to
the sea
It is colder than I remember
C©m
( ( ( ( (
a - gainst
) ( *
G#7
Winter's moving in
G#7
(!
Now the shadows are getting longer
Ma - rie, you are
And men do fool - ish things.
17
G#7
We lay down in a shady grove
I risked it all
E
*
o - cean
) & ' ) (! ( ( ( ( ( & ( ( (
*
#### ' ) " ( ( ( ( (
13
the
' ) ( ( ( ( (
%
With the yellow buds of May
to have a bet - ter
in - to
Amaj
C©m
#### ' ) " ( ( ( ( (
I fell play
) ( ( *!
Call back yesterday
*
when you be - came my
9
' ) (! ( ( (
&
WOYZECK
#### ' () ( ( ( ( "
5
MARIE (spoken F©m over Woyzeck): Let me lie about it all.
C©m
3 ( ( ( ( ( (
( (
Let's pre - tend we can bring back the /B
%
/E
%
/E MARIE
& ' -() ,,,, The tacet
2
29 All The World's Green (Duet)
29
Fm
,, (! ", , ( (
face for - gives
( ( *! + Bbm
the
Eb7
' ( ( ( ( ( +
mir - ror.
Dbmaj
C7
The ques - tion begs the
37
Fm
,, (! , , ( " (
,, ' ) , " , ( ( ( ( ( (
The band is play - ing our
,, ", , %
49
Ab
,, ", , *
green.
53
Ab
,, ", , *
green.
' () ( ( ( ( ' () *
can you for - give me, some how?
Eb7
Ab
( ( ( ( ' ( ( ( ( ( ( + +
Dbmaj
45
Fm
Bbm
o - ver
(!
Db
& ( (
Let's pre - tend
%
plow.
C7
an - swer:
when our sto - ry's
41
*
The worm for - gives the
,, ) ) " , , ' ( ( ( ( ( (! ( *
33
Ab
*
& ( (
May - be
%
We'll go where it's al - ways spring.
) ( ( (! ' ' ( ( ( ( (
C7
C7
song a - gain
And all the world is
Ab ( ( ( ( ( * + 3
that you owe me
no - thing,
Eb7
' ( (! + and all
Fm
*
%
green.
( (! +
the world
( +
is
Ab Eb7 ( ( ( ( ( ( ( ( ( ( ( (! ( ( ! ) & ( ( ' + ( + Db
3
Let's pre - tend we can bring back the old days a - gain,
%
%
#### ! & ( #( ( ( ( WOYZECK
When the
play
CŠm
moon is
and all
the world
) ( ( *!
yel - low
FŠm
sil - ver,
is
29 All The World's Green (Duet)
#### "
57
B7
E
( ( ( ( ( (
Amaj
%
*
#### ' ) " ( ( ( ( ( G#7
C©m
*
And all the world is
#### & ( ( ( ( "
65
on a blade of
#### "
69
the
#### ( * " E
no - thing
world is
bal - anc - ing a
and all
E
and
%
the world
all
G#7
( ( (!
The dew will set - tle
&
is green.
( (! +
the world
on
A
&
E
B7
dia - mond
' ) ( ( ( ( (
' () ( ! ( (! () * +
old days a - gain,
is
Amaj
B7
for.
( ( ( ( ( ( ( ( &
) (
our grave when
(!
( ( ( ( +
Let's pre - tend
that you owe me
( (
green.
#### ( ( ( ( ' ) ( ! " (
77
He
%
*
kill
) ( *
F©m
( (
grass.
C©m
( ( ( ( (
C©m
%
%
*
G#7
all
73
E
(!
It's a love you'd
green.
B7
G#7
& ( ( ( (
oh the things that sum - mer brings.
61
3
3
A
( (
( ( ( ( ( ( 3
Let's pre - tend we can bring back the
E
) ( *
is green.
%
$
Woodwind
30 Red Room !
The Murder
!
+Waterphone random Tpt and Sax wails
# $$""" $"
# " $" $$ ""
mp
%
# " " ""
%
p
Attacca "Woyzeck's Woe"
Woodwind
31 Woyzeck's Woe TENOR SAX
Tom Waits/Kathleen Brennan 2000
+Cello (doubling melody)
! " #!
F
"# '
$
$
$
It
is
my
Bb
$
$
' "# (
morn.
and
Play 8va
$
$
$
$
'
F
$
$
we Bb
$ (
F
C7 & $ $ %
Bb
F
$
a - gainst your skin that's pale as bone;
$
$
$
won't
go
$
C7
$ $ $ $
& %! F
fav - orite thing you've worn.
Bb
F
F
rib - bon round your neck,
song,
13
& %
Bb
$ $ $ $
& # " (
9
F
$
The tacet
5
C7
F
$
The
& (
C7
$
band
$ $ $
$
is
play -ing our
)
%
home,
$
$
'til F
( (
( (
Woodwind
32 Overturned Pot (Karl) CLARINET Tacet
+Glock
# ! "# # !
Eb/Bb Bb7/D Eb
$
is
$
$
$
No - thing's ev - er
Ab
9
Eb/Bb
# "# # $ $ $ $ If
13
I
die
$ $ $ $
No - thing's ev - er
Ab
17
Eb/Bb
# $ $ $ # " # $ If
21
I
die
$ $ $ $
No - thing's ev - er
G7/B Cm
$
yours to
Eb/BbBb7/D
%
keep.
Eb
& $ $! $ $
G7
$
as
Ab
$
Eb/Bb
$
%
Close your eyes,
Ab
Eb/Bb
$ $ %
it seems,
Eb
you wake,
$ %
it seems.
Eb/Bb
$ $ $ $
climb the
Ab
lad - der
Eb/Bb
$ $ %
com - ing back.
Bb7sus Bb7
Eb
$
%
$
go
to
Eb/Bb Bb7/D
don't
Bb7sus Bb7
Eb
$ $
%
to
your dreams.
Eb/Bb Bb7/D
Eb
& $ $! $ $
Ab
Bb7sus Bb7
Close your eyes,
Eb
you weep.
don't
$ $ %
sleep.
& $ $! $ $
don't you cry;
Eb/Bb
Eb
$ $ %
Dad - dy's nev - er
Ab
$ %
Bb7sus Bb7
$ $ $ $
G7/B Cm
G7 G7/Cb Cm
$
Eb/Bb
don't you cry;
& $ $! $ $
as
Ab
you wake,
Eb/BbBb7/D
be - fore
Eb/Bb Bb7/D Eb
# "# #
$
be - fore
Eb/Bb Bb7/D Eb
# "# #
moon is cracked;
G7
$
$ %
$
red;
Eb/Bb Bb7/D Eb
# "# #
G7 G7/B Cm
$ %
Sun
5
Tom Waits/Kathleen Brennan 2000
KARL
$
go
you weep.
E¨
$ %
to
sleep.
Piano/Conductor
33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000
Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise
Clarinet in Bb
Trombone
Violoncello
Double Bass
! "# ! $ % $ ' &#! # #!
Tbn.
Vc.
Db.
"# &# ##
$ $ $
$$ $
$ $ $ $ $ $ % $$$ $$ $$ $ $ %
$ $$$ &#!$$$ + # #! $ ($ $ $ $ #$ $ $ ) * $ $ $ $ $ $ $ $ $ $$ &#! $$ # #! $
5
Cl.
$ %
$ '
$ $
$
+
+ $ ($ $
$ %
$ $ $ $$ $
%
%
$ $ %
%
%
$
$$$ $$ $$ %
$ % $ $
$ $$$ &# $ ## $ $ $ ($ $ $ #$ $ $ ) * $$ $$$ $ $$$ $ $$ $$ & ## $ $ $ #
+
$ ($ $
+
%
%
$ $ %
2
9
Cl.
Tbn.
"# &# ##
$ $ $
$
$ $ $
$
Vc.
$$ &# $ ## $ $
Db.
&# ## %
13
Cl.
Tbn.
Vc.
Db.
"# & ## #
$ '
%
$ $
$ $! $ $
$ $! $ % $
$
$$
$ %
$ %
$ $ $
$ $ % $$$$
%
%
%
$
$
+
$$ $
$
$ %
$
$ $ $ $
$ $! $ $ + $ $ $! %
% , $
% %
$ $ %
$$$ $$ $$ $ $ %
$ $$$ &# $ $ $ $ ## $ ($ $ $ #$ $ $ ) * $$ $$$ $ $ $ $ $$ $$ & ## $ $ $ #
+
$ ($ $
+
%
%
%
%
3
17
Cl.
Tbn.
"# &# ##
$ $ $
$
$ $ $
$
$ $! $ $ + $ $! $ %
Vc.
$$ &# $ ## $ $
$
Db.
&# ## %
$ $
21
Cl.
Tbn.
Vc.
Db.
"# & ## #
$ '
%
$ $
$
$ $ %
$ $$
$
%
$
$ $ $
$$$$
% $
$
$ %
%
%
$
$$$
$$$
$
$
$
$! $ $ +
$
$
$! $
%
% , $
$
$
$$$$ %
% %
$ % %
$ $$$ &# $ ## $ $ $ ($ $ $ #$ $ $ ) * $$ $ $ $ $ $$ $ % & ## $ $ $ #
+
$ ($
$
+
%
%
%
%
Woodwind
34 Misery Reprise Tom Waits/Kathleen Brennan (2000)
MARGRET & CHORUS
## !# % " "#! $ $ $ $ $ $ $ $ &% Gm
Gm
% $ $ $ $ $ $ $ $ &%
'
Mis - er - y's the riv - er of the world.
## $ $ $ $ $ $ $ $ %% "
5
Bm
'
Mis - er - y's the riv - er of the world.
# % " # $ $ $ $ $ $ $ $ &%
9
Gm
Mis - er - y's the riv - er of theworld.
'
'
Mis - er - y's the riv - er of the world.
continue to repeat as Chorus and Leads enter slowly and create tableau
$ $ $ $ $ $ $ $ %%
Bm
'
Mis - er - y's the riv - er of the world.
% $ $ $ $ $ $ $ $ &%
Mis - er - y's the riv - er of theworld.
'
## $ %
) ( MARGRET, spoken: "Misery's the river of the world!"