Cerulean Meditation | Jeremy Bell | MusicSpoke

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Cerulean Meditation for String Quartet (2010)

Jeremy Bell

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Cerulean Meditation Jeremy Bell Lento, molto legato e espressivo, q = 60

 con sord.   

Violin I

sul tasto

con sord.

Violin II

     

Viola

sul tasto con sord.

 Violoncello   pp

pp

  ord.  

mf ord.     

    

15 senza sord.

Vln. I

Vla.



  

  



poco a poco ord.



 



 

senza sord.

  

  

ppp

poco a poco ord.

   



poco a poco ord.

  

p mp poco a poco ord.

  

 

 

poco a poco ord.

 



 

pp

 

mp

pp



senza sord.



p mp poco a poco ord.

sul tasto



 

 

 

  

sul G sul tasto



    

   

sul tasto

      mp    

pp

mp

pp

Ord.  

  

mf Ord.

mf Ord.

 

  

 

mf Ord.

   mf

  ppp



Copyright © 2010 by JeremytoBell This score is not licensed for performance. Please visit MusicSpoke.com purchase performance copies. jeremybellmusic.com

pp

      

p

p



p

sul tasto pp

p

pp

p sotto voce

3

p

ppp

  

3

Vc.

3

  

Vln. II

   

senza sord.

  

    

p



p

 

mf

  

  



  

3

  

ppp

mf ord.

Vc.

 pp

    

Vla.

pp

mf ord.

Vln. II

p

 

3

 

sul tasto poco a poco ord.



pp

3

pp

8

Vln. I

sul C sul tasto

con sord.

poco a poco ord.



p

   



3

 

ppp

 

ppp


Vln. I

   23

con poco vibrato p

pp

Vln. II

pp

Vla.

sul D ppcresc. poco a poco

con poco vibrato

Vc.

 

29

Vln. I

  

Vln. II

Vla.

Vc.

Vln. I

Vln. II

Vla.

Vc.





cresc. poco a poco

con poco vibrato

pp

  







   

  



  

   



f

    

    

  mp

3

 



 

  

mp

  mp

 

mp

p

 



p

mp

p



pp

 pp

  

mp

 

 mp

 

   

 

 

p



 

 





p

mp

mp





p



 



mp

mf

p

      mf

 



  

p

     pp





mp

p

 

mp

   molto accel.   

pp

p

36 molto rit.      

  



mp

p

f

mp

molto accel.

p

f

 



f



   

cresc. poco a poco

    





cresc. poco a poco

con poco vibrato sul A

  

 

 mp

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 

3

pp




4

molto rit.

42

Vln. I

    p

  

Vla.

 

mp

f

     3

  

mp

  

    mf

p

mf

Vln. II

 

Vla.

pp

 

sul G

Vc.

    

Vln. II

 

  

 

ppp

    

ppp

mf

ppp

    sul D

cresc. poco a poco

sul G

 

   

 

 

 

 

 

 

 

sul C

cresc. poco a poco

 

 

ff  

 

cresc. poco a poco

  



       ff

rit.

 

 

mf

   

ff

Vc.

 

p dim.

  

 

ff

Vla.

cresc. poco a poco

54

Vln. I

p

 

 

 

 mf

p

mf

mf

 

 

 

mf

49

Vln. I



mf

mf

  

a tempo

 

mf

       

Vln. II

Vc.

 

 

mf

 

     n

 

 

 

 

mf

 

 

mf

 n

   

n

 

 



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 n


5

Every two measure phrase is to be repeated at each performer's own leisure. The duration of each note can be random or consistent but should consistently move slowly to be idiomatic with the material from earlier in the piece. The cellist acts as the conductor giving cues every two repeats to signifiy each change in event, at which time a new voice will enter or the pitch material will change for one or all parts. Each new event, however, does not and should not begin at the exact same time. For example, if the cellist gives a cue but the 1st violin is not finished with his or her phrase at the time the cue is given, the 1st violin should finish that phrase, without speeding up, and then move onto the next action, creating a "bleed over" effect.

a tempo Vln. I

 

(slowly but out of time) (After cello repeats 4 times)

Vln. II

Vla.

(10 times)

Vc.

 

 

Vln. I

  

mf

Vln. II





mf

p

mp







 f

dim. poco a poco

f



dim. poco a poco

 f

dim. poco a poco (4 times)

 mf

 mp

(After cello repeats 8 times)

mf



mp

p

Vla.

Vc.

pp Repeat each 2 measure phrase the indicated number of times.

(slowly but out of time) (After cello repeats 6 times)

(slowly but out of time) (After cello repeats 2 times)

f

dim. poco a poco

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6

stringendo poco a poco

Vln. I

 



 



mp

Vln. II

 f



f

mp (2 times)

f

mp

  

 

Vln. II

mf

 

p



p

mf (2 times)

 

mf

   mf



f



f

mp (2 times)

f



allargando al fine



cresc.

 cresc.



p cresc. (2 times)



  (6 times)



 



  





cresc.



(Repeat and fade)



(Repeat and fade)

 n

 n

(Repeat and fade)

mp

mp

mf

Vc.

p

  



(Repeat and fade)

Vla.



mf

   

Vln. II

mp

f

Vla.

Vln. I

f



mf

Vc.

f



f

mp

mp

Vln. I

mp



Vla.

Vc.

 

 

mf

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 n

 n


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