for Trey Davis and the choirs of Louisiana State U niversity
Everyone Sang SATB
Siegfried Sassoon (1 886-1 967)
Kile Smith
Until rehearsal letter D (page 5), any singer other than the Basses may sing Voice 1 -3 in whatever octave is comfortable. The soloist sings from within the choir, and joins any voice part, when convenient, once each solo phrase ends. In this section, singers (including soloist) may vary individual rhythms at their pleasure: nothing should sound exact, although no one should rush or drag the tempo. That is, the tempo stays steady within an overall individual rubato. The middle section, letter D, is voiced in normal SATB and should be sung exactly as notated, with no rhythmic variation. Letter E to the end returns to the same voicing and same manner of singing as the opening section.
# 4 fœ œ ™ œ œ œ œ3 œ œ & 4 Steady q = c. 80
High Voice Solo
Voice 1
° #4 & 4
&
∑
∑
?# 4 ¢ 4
∑
∑
f
& œ
œ œ™
?# œ
œ
sud
sud - den
-
-
-
3
den - ly burst out
ly
˙
Ev’
‰ œ
burst
œ
œ
sing 3
œ ˙ œ œ™ œ
œ
ry
-
œ
ry - one
-
∑
œœ œ œœœ œ
œ ˙™
œ œ œ œ œj œ ™
˙™
3
ing;
-
3 ‰ œœœ˙
˙
3
œ œ™ œ œ™ œ
-
œœ
œ œ™
ry -
3
sing
one
-
-
-
œ
‰ œj œ
œ
den- ly burst out
j œ œ œ œ œ œœ
Ϫ
Ev’
˙
∑
œ œ œ œ ˙
3
sud
œ
œ
∑
ry
-
Ev’
œ œ™ œ
& œ œ™ œ
¢
Ev’
∑
œ
œ œ œ
œœœœœ
f
sud - den- ly burst out
one
f
#4 & 4
3 ° # œ œ ‰ œ œ œ ™ œ œ œ™ œ & J
#
∑ ∑
∑
one
one
-
∑
#
#
ry
-
#4 & 4
Voice 3
4
3
f
Voice 2
Basses
Ev’
œ œ œ™ œ œ œ œ w
Œ
œ œ œ œ ˙™ 3
sing
out
ing;
-
ing;
˙ sing
Copyright © 2020 by Kile Smith / Tau Imprints (ASCAP)
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙ -
˙ ing;
2
8
#
œ œœœ
& ˙
And
° # & œ Œ Ó & & ¢
#
&
I
was
œ ™ ™ œœœœ œ œ
∑
∑
I
And
œ œ™
∑
˙
#
∑
∑ ∑
Ó
#
∑
# & ˙™
with
filled with
was
#
& œ ? # œ œ™ was
3
œ œ ˙ 3
œ ˙
‰ œJ
3
œ œ œ œ œ
was filled
œ
œ œ filled
Œ
such
œ
œ
such
de 3
-
œj
œ œ œ with such
œ
And
œ
I
˙ I
∑
‰ œJ œ œ œ œ
∑
œ 3œ œ œ ‰ ™ œ œ R œ œ™ ˙™
œ œ™
œ ˙
And
∑
filled
was
œ
œ
∑
∑
3
Œ
‰
I
And
° # œ œ œ œ œ™ ˙ & œ
¢
filled
∑
∑
?# ˙
12
3 œ ‰ œj œ œ œ œ ™ œ œ ™ œ ‰ œj œ œ œ w
A
w
de - light
œ
Œ Ó
light
œ
3
˙
œ
œ œ™ œ
œ œ™ œ ˙
with
such
de
‰ œœœ w 3
de - light
œ œ™ ˙
-
light
Œ
Kile Smith—Everyone Sang
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
3
16
&
œ 3œ œ œ œ ™ œ œ™ ˙ J ‰ œ œ œ œ
B
# œ œ œ™
° # œ &
Œ Ó
#
∑
pris - oned
As
& & ¢
∑
#
∑ ∑
∑
˙
‰
œœ œ ˙
# & ˙
-
Œ
birds
‰ œJ
must
birds
w
œ œ™ œ
As
pris
œ™ œ ‰ œ must
find in
Ϫ
in
3
find
3
find
œ œ™ J in
3
in
-
oned
œ œ™ œ oned
-
free
Ó
˙
œ œ œ
œ œ ˙™
free
œ œ™ J
dom,
˙
free - dom,
œ œ œ œ œ œ œœœœ œ™
-
‰ œJ
∑
free
œ œ œ œ J
find
must
# œ 3œ œ œ ˙
? # Ϫ
œ
œ
pris - oned
œ œ œ ‰ œj œ ™ œ œ œ œ w J
must
œ
œ
œ
∑
‰ œJ œ œ œ œ ™
soned birds
pris -
œ œ œ œ J pris
∑
‰ œ J
œ œ™ œ
œ
As
° # œ &
¢
As
œ œ™ J
∑
∑
&
˙™
∑
#
&
‰ œJ œ œ œ ™ œ ˙ ™ J As
?#
20
birds
∑
Ó
dom,
-
œ œ J
-
œ
œ œ™ ˙™ dom,
Kile Smith—Everyone Sang
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birds
4
C
& œ œ™ œ œ ™ œ ‰ œ œ œ œ ™ œ œ œ œ œ ™ œ œ
24
#
° # & &
wild
Wing - ing
∑
w
∑
œ ™ ™ œœœœ œ œ Wing
#
∑
∑
˙
Œ
Ó
∑
Ϫ
Wing
?#
∑
∑
˙™
° # œ œ œ & ‰ J
œœœ œ
28
a - cross the
ing wild
-
the
œ & œ œ œ œœœ cross
a
-
œ 3œ œ œ œ ™ ˙
œ œ œ œ œ œ œ 3
?# ˙
-
˙
wild
j œ œJ œ™
œ
3
œ œ the
white
˙
Or - chards
œ 3œ œ œ œ ™
ly
-
œ
˙™
œ
˙
wild
-
ly
œ œ™ œ
and
cross
the
white
œ
-
-
j œ ‰ œ œ™ ‰
a
Ϫ
œ J
dark - green
œ 3œ œ œ Or
Œ
‰ œœœ J
œ
white
œ
ly
˙
ing
œ
œ
-
‰ œJ œ œ œ œ œ
ly
-
Or
a - cross
#
ing
white
# ™ r & ‰ œ ˙
wild
œ œ œ™ œ
-
Wing
‰ œ œ œ œ œ œ™ ˙
ing
-
Wing
& œ
¢
ly
-
∑
#
¢
3
3
˙
-
œ
chards
œ œ™
Or - chards
and
Kile Smith—Everyone Sang
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5
° # œ œ & 31
3 j œ œ œ œ œ™ œ œ œ œ
‰
and
- chards
# & œ
Œ
˙
& ‰ œœœ ?# œ
œ
and dark - green
dark
-
Œ
of
#
& œ™ œ ˙ of
# œ
œœ ˙
out
of sight.
?# w sight.
Œ
sight.
œ
and
œ
œ
Œ
œ™ œ and
œ
on-
œ
Ϫ
and
out
œ J
of
D
˙
Sopranos
Ó
œ œ
œ
œ
œ
Ev - ’ry - one’s voice was
w
˙
w
˙
w
œ œ
˙
on-
on-
‰ œ J
and
œ
on-
sight.
œ
on-
œ™ œ œ 3œ œ ˙
fields;
œ 3œ œ œ ˙ ™
œ œ œœœ œ
and
œ œ™ ˙
œ
on-
œ J
on-
on-
green fields;
out
¢
green fields;
œ
34
out
-
œ œ™ ˙
° # œœ œœ ˙ &
&
œ œ™
fields;
#
¢
dark
‰ œ
˙
Altos
Ó
œ œ
œ
œ
œ
Ev - ’ry - one’s voice was
Ó & ‹
Ó
Tenors
œ œ
œ
Basses
œ
œ
œ
Ev - ’ry - one’s voice was
œ œ
œ
œ
Ev - ’ry - one’s voice was
œ œ œ œ œ sud - den - ly
lift
-
œ œ œ œ œ sud - den - ly
lift
-
œ œ œ œ œ sud - den - ly
lift
-
œ œ œ ˙ sud - den - ly
Kile Smith—Everyone Sang
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
lift
-
6
° # ˙ &
ff
39
mf œ œ™ œ œ Œ ˙
-
& œ œ ˙™ #
ed;
-
& ‹ ¢
# ˙
ff
-
?#
˙
ff
-
° # & ˙ 46
heart
&
#
ed;
ff
And
came like the set - ting
sun:
ed;
œ œ™ œ œ
˙ was
was
˙ ˙
was
œ ˙
And mf Œ ˙
ed;
And
beau - ty
came like the set - ting
˙
œ œ œ œ œ œ w
beau - ty came like the set - ting
œ ˙™
œ œ ˙
shak - en
œ œ œ œ œ ˙
˙
ff
˙
tears;
with
œ œ œ œ
˙
shak - en
tears;
with
œ ˙
œ
˙
shak - en
with
tears;
œœ ˙˙
œ œ
w w
shak - en
with
tears;
˙ ˙
and ff j‰ œ ˙
sun:
˙
˙
My mp
Ó
w
sun:
mp
Ó
w
œ œ œ œ œ œ w
beau - ty came like the set - ting
œ œ ™ œ œ Œ mf˙
& œ œ œ œ ‹ heart was
heart
beau - ty
œ Œ œ œ ˙
#
?# ˙ ˙ ¢
And
œ œ œ œ œ w
mf
œ œ œ œ heart
œ ˙
˙
My
w
Ó
w
Ó
mp
˙
My
˙˙
div. mp
sun:
My
-œ œ ˙
œ ˙
œ
hor - ror
Drift - ed
a -
œ
œ ˙
œ
œ œ œ œ
and
hor
-
ror
Drift - ed
œ ‰ ˙ J
œ-
œ ˙
œ
œ œ œ œ
and
hor
˙ -
-
ror
Drift - ed
hor
-
ff
˙˙
˙ -
ff
and
a -
a -
˙
œ ˙
œ
ror
Drift - ed
a -
Kile Smith—Everyone Sang
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7
° # w & 52
#
Ó
way,
mp
˙ a
& w
˙ a
way,
#
¢
˙
& ˙ ‹ way,
˙
œ ‰ œ J
w
∑
˙
w
˙˙
w w
a
w
way…
-
mp
way,
w ˙
mp
Ó
∑
way…
-
a
? # ww
w
way…
-
mp
Ó
w
w w
∑
way…
-
E As at first 57
&
# fœ œ ™ œ
High Voice Solo
° # & &
œ œ œ3 œ œ
œ œ™ œ œ œ œ w 3
but
O,
∑
∑
Ev -’ry - one
∑
Voice 1
f
#
∑
∑
œ œœ
œœœœœ Ev’
Voice 2
ry - one
-
œ œ ˙
& ‹ ¢
?#
Œ
Ó
∑
Voice 3
&
∑
œ œ™ œ
ry
Was
˙
-
one
œ œ œ œ ry
œ œ™ œ œ™ œ
œ
unis. f
Ev’
-
3
f
Ev’
∑
-
Was
œ œ™ œ œ™ œ
f
Ev’
# œ
‰ œ œ œ œ œ ™ œ œ œ™ J 3
-
-
one
œ
œ œ™ œ œ 3
œ
Was
œ
ry - one
Kile Smith—Everyone Sang
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Ϫ
‰
8
61
&
F
#
∑
° # œ &
∑ ‰ œj œ
œ
& œ œ œ œ ˙
œ œ
œ ˙ œ œ œ & ¢
?# œ
3
œ œ™ œ
œ
œ ˙™
œ œ œ œ œj œ ™
˙™
bird;
3
a œj
œœ œ œ œ œ œ
3
a
# #
œ œœœ
˙
the
and
œ
3
∑
bird;
˙
˙
a
Was
Œ
∑
3
bird;
a
œ Œ Ó
œ œ œ œ ˙™
3 ‰ œœœ˙
˙
∑ ˙
˙
Ó
bird;
# j jœ3 ™ œ ™ & œ ‰ œ œ œ œ œœ œ ‰ œ œœ w
65
° # & &
#
was
∑
word - less,
word
∑
-
∑
less;
œ ™ ™ œœœœ œ œ and
∑
∑
œ œ™
˙
&
∑
∑
Œ
3
œ
and
¢
?#
∑
∑
œ and
‰ œ œ œ œ œ œ™ ˙ the
œ
song
œ œ™ ˙™ the
and
#
song
œ œ
song
œ ˙
œ
˙
œ œ™
the
song
3
œ
œ œ ˙
the
song
3
˙
œ
Kile Smith—Everyone Sang
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9 69
&
G
#
∑
∑
° # œ œ 3œ œ œ ‰ œ & ‰J J
word
was
#
& œœœ
œ œ
# œ
3
word
was
& ¢
œ œ™ œ
was
word
74
&
# ˙
w
œœ™ ˙™
œŒÓ
less;
-
& ˙™
the
∑
¢
‰œ œ J
sing
sing
nev- er
Œ Ó
∑
∑
∑
∑
∑
∑
∑
Ó
œ ‰ œJ œ ˙
?# w
˙
sing
Œ œ
-
ing
œ œ
œ œ œ œ J
nev - er
Ϫ
3 ‰ œJ œ œ œ œ œ œ
will
‰œ
œ™ œ
will
be
done.
nev - er be 3
ing
Ϫ
œ œ œ ‰ œj œ ™ œ œ œ œ J
will
œ 3œ œ œ ˙ -
∑
‰ œJ œ œ œ œ ™ will
ing
-
ing
œ œ™œ sing
∑
œ œœ ˙
˙
-
# œ™ ˙ & œJ
the
˙
∑
œ œ œ™ œ œ œ
the
will
less;
° # œ œœ œ ™ œ ˙ ™ & ‰J J #
œ
œ œ™ ˙ -
œ
œ œ œ3œ œ w
3
Ó
the
less;
œ ˙
œj
?# œ œ
sing - ing
less;
-
was word
™ œ œ œ™ œ 3œ œ œ œ ™ œ ‰ œ œœ œ œ J the
œ 3œ œ œ œ™ œ œ -
œ œ œ
Œ
∑
Ϫ
nev
nev - er be
œ œ™ J -
er be
3
œœ œ œ done.
œ œ™ J done.
Kile Smith—Everyone Sang
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙
done.
œœ œ œ œ J
œ
10
79
&
H
#
∑
on-
on-
° # & w
mp
# & ˙
and
out
Ó
#
mp
?# w
mp
∑
of sight.
œ ™ ™ œœœœ œ œ
∑
∑
mp
∑
∑
mp
œ
Ó
˙
∑
mp
Ϫ O,
∑
j œ œJ œ™
˙
œ
œ
˙™
mp
∑
O,
œ œ œ™ œ
O,
Œ
‰ œ œ œ œ œ œ™˙ ˙
œ
O,
‰ œœœ J œ ˙
84
œœœ œ
œ 3œ œ œ œ ™ ˙
‰ œJ œ œ œ p
O,
O,
# ™ & œ œ˙
œœ œ œ œ œœ O,
& œ ?# ˙
œ
3
O,
œ
j‰ p ™ œ œ œ œœ O,
œ œ œ 3œ œ œ œ œ ˙
#
Ϫ
3 œ œ œ ‰ œj œ œ œ œ™ œ J
œ œ™ œ
O,
œ
p 3 œ 3œ œ œ œ ™ œ ‰ œœœœ œ
Œ
Œ
˙
O,
‰ œœœ
O,
˙™
O,
œ
œ ˙
œ œ™ œ
œ œ™ ˙
O,
O,
O,
p
O,
O,
O,
° # œ œœ & ‰J
¢
w
O,
mp
& œ œ ˙™ ¢
œœœ œ™ œ œ ‰ œ ™ ™ œ œ œ œ œ œ œ œ™ œ 3
3
mp
œ œ™
Kile Smith—Everyone Sang
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11
° # & œ œ œ
‰ œ
88
#
& Œ
œ J
O,
& ¢
O,
?# œ
œ
3 Œ œœœœ ˙
92
& œ
œ œ™ ˙
˙™
Œ
w
w
O,
O,
#
O,
O,
œ ‰ œ J
œ
‰ œ 3 œœ w
œ™ œ ˙
O,
œ
œ
œ
œ 3œ œ œ ˙ ™
‰
O,
œ Œ œ™ œ
O,
° # w &
w
pp
w
√ ∑
∑
O
‰
pp
3
œœœ˙ O,
# pp & œ œ™ ˙™ O,
¢
œ œ
˙
œ™ œ œ 3œ œ ˙
Œ
œ œ œ œ œ™
O,
œ
œ œ™ ˙ O,
# œ
œ œ œœœ œ ‰ œ J
?# Ó
pp
w
œ
˙™
œ œ™ ˙™
œ œ w O,
‰
Œ
3
œœœ˙ O,
w ˙
w ˙™
ppp
Ó
O,
˙
O
Ó
ppp
˙™
œ
w
O
Kile Smith—Everyone Sang
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
√ œ w
√ ∑
possibile
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Selected choral works of Kile Smith kilesmith.com Sacred * available from MusicSpoke Alleluia. SATB, 6' ( Hal Leonard) Behold, the Best, the Greatest Gift. SATB, organ, 4' 30" Come, Gather All. SATB, organ, opt. brass quartet, 3' Come, Ye Sinners. SATB, organ, 3' *For His Mercy Endures Forever (Psalm 136). SATB, 5' Give Ear, O Heavens (Audite cæli). SATB, organ, 5' *God So Loved the World. SATB, 2' The Heavens Declare. SATB, SAB solos, piano, 5' Herr Christ, der einig Gotts Sohn from Vespers. SATB div a 16, German, 5' Holy Is the Lord. SATB, 2' *Holy Mountain. SATB, organ, 4' I Heard the Bells on Christmas Day. SATB, bells, drum, 3' ( Hal Leonard) I Sought the Lord, and Afterward I Knew. SATB, opt sop solo, 3' Jesus, Thou Joy of Loving Hearts. SATB, organ, 2' *Jubilate Deo. SATB, organ, 6' Magnificat. SATB, handbells, opt organ, 5' Magnificat Antiphon. SATB, congregation, organ, 3' My God, Accept My Heart This Day. SATB, SAB solos, organ, opt solo inst, 3' My Shepherd Will Supply My Need. SATB, organ, 4' O Come, O Come, Emmanuel. SATB, SATB solos, organ, 3' ( Concordia) *O Rex Gentium. SATB, 5' O Sing unto the Lord a New Song. SATB, 5' *O Thou Who Camest from Above. SATB, 4' Out of the Depths (Psalm 130). SATB, 7' Passer invenit sibi domum (Psalm 84). SATB. Latin, 4' Psalm 84. SATB Psalm 113 from Vespers. SATB, keyboard. Latin, 5' 30" Psalm 117. 5-part round, 1' *Rejoice in the Lamb. SATB, 5' Shall the Blessed Saints Surround Us. SATB, organ, 3' That Easter Day with Joy was Bright. SATB, 4' Unto the Hills. SATB div, 4' Wie schön leuchtet der Morgenstern (How Fair the Bright and Morning Star) from Vespers. SATB, keyboard. German, English, 4' The Word of God. SATB, organ, 4' Concert Alabanza (Sonia Sanchez, Psalm 147, 148). 2-pt choir, piano, opt instr. 6' Alleluia. SATB. 6' ( Hal Leonard) *And Good in Every Thing (William Shakespeare). SATB. 5' *The Arc in the Sky (Robert Lax). SATB. 65' *Canticle (St. John of the Cross). SATB, 3 cellos, 1 perc. 65' *The Chambered Nautilus (Oliver Wendell Holmes Sr.). SATB. 5' *The Consolation of Apollo (Boethius, Apollo 8 astronauts). SATB, crotales, bass drum, 35' The Dawn’s Early Light (Sarah Winnemucca, Francis Scott Key). SATB, cello, 4 guitars, 19' *Everyone Sang (Siegfried Sassoon). SATB. 5' *Grandmother’s Garden (John Archambault). 2-pt children’s choir, piano, opt. C instr. 9' The Heavens Declare (Psalm 19). SATB, SAB solos, audience, piano. 5' *How Do I Love Thee? (Elizabeth Barrett Browning). SSAA, piano or string quartet. 7' my son my son (Robert Lax). SATB. 5' Now Ys the Tyme of Crystymas (Richard Hill) SATB div, opt piano. 4' vocal quartet (SATB), opt piano. 4' Psalm 46. Baritone solo-SATB-orchestra. 14' *The Stars Shine (from The Consolation of Apollo). SATB, crotales, bass drum, 3' *Two Laudate Psalms (Psalm 113, 150). High voice solo, SA, piano. 10' . Latin Vespers ( sections available separately and in different transcriptions) SSSATB soloists from within the choir, SSAATTBB choir of at least 16 singers, Renaissance band of seven players. 65' (Navona Records Vespers) *The Waking Sun (Seneca). SATB, chamber orch. 38' *Where Flames a Word (Paul Celan). SATB. 13' (Navona Records It Is Time) *Yes, It’s Beautiful (from The Consolation of Apollo). SATB, crotales, bass drum, 5' *You Are Most Welcome (Jeff Dinsmore). SATB, 4'
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AU.IMPRINTS
Kile Smith—Everyone Sang
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.