From the Stone Age | Zanaida Robles | MusicSpoke

Page 1

From the Stone Age /Robles/ SSA, with Piano, Flute (or other C- instrument) and Cello

From the Stone Age

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Music by Zanaida Stewart Text by Alice Corbin Henderson

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Commissioned by Melodia Women's Choir of New York City

From the Stone Age

SSA Treble Chorus with Piano, Flute (or other C-instrument) and Cello*

Text by ALICE CORBIN HENDERSON (1881 - 1949)

Andantino ( q»92 )

one carved me in the

Music by ZANAIDA STEWART ROBLES

* Separate flute (or other C-instrument) and cello parts are found on pages 22 - 24.

Copyright © 2023 by Zanaida Stewart Robles

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

           
          
                                             6             @                       3                         3       3                                12    Long 12                 A S unis.       a
             
         
 - -3
Flute Cello Piano
go
some
sem blence of a god.

I have for got now what

god I was meant to re pre

I have for got now what 16

god I was meant to re pre

sent.

      16         
     
  
       
  
        
   
          I have no     I have
        a
 a
- -- -      20      3 con scious ness now     3 con scious ness now 20     rit. rit.      
    
        sun light, and     sun light, and      rain.  rain.                            a tempo   a tempo pizz.                                   - -- - 4
score
rit. rit. S A
sent. 
no
tempo
tempo
but of stone,
but of stone,
This
is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
        26        The   26                 S1 S2 A        sun bak ing my                         skin of stone                         The       The                                           wind
      wind
                       hair;      hair;                 -                 32      The sun’s 32                S A        light is                        hot up                   on me,                                            The                               moon’s                   light is              5
lift ing my
lift ing my
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
                 40          cool, 40                                                       3
a      3       3    arco          sil ver laced
of                         light and dark                        loco - - -           46        3 Cast ing a  46     S1 S2 A Fl.       3 Cast ing a         sil ver laced pat tern of               sil ver laced pat tern of      light and dark      3 Cast ing a          3      light and dark          sil ver laced pat tern of    - - -- - -- - -6 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Cast ing
pat tern

O ver the

O ver the

O ver the

planes of my 

planes of my

planes of my

bo dy;

bo dy;

planes of my

       50               
       3                      
   
   
         ◊    
  
 
          
  
   
                O
    O
    O
          
 
   - -- -- -                                          57           
  
  
   ( ◊ )           
   
  
 
  
              bo
    bo
    bo dy:    
120
120                                                               r.h. l.h. 1 2 4 5 3 2 ° - -- -- -7 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
light and dark 50
planes of my
planes of my 
planes of my
bo dy;
bo dy;
bo dy;
ver the
ver the
ver the
bo dy;
57
O ver the
O ver the 
O ver the 
loco rit. rit.  
  planes of my    planes of my
dy:
dy:
                62      
62                                               sim. S A       are
                                                            
      stone, My sub stance now 64                                                  @ @       is
of                                                   life it self;                                                    - -                    67         I have sunk deep         I have sunk deep 67                     S A        in to life as       in to life as           one who sinks in to        one who sinks in to     rit. rit. --8 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
My thoughts now
the thoughts of a
64
the sub stance
                                   70    sleep;     sleep; 70    @                           q.»60 q.»60                             75     Life            Solo      is a                   bove me, be               low me, a              round me,         - -    80       Mov ing through my           @      pores of               stone–             It does            9 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

small the space you

space is as

big as the

    84      
           @      
              
                in,                     That                           89     
            
              u ni verse– Space,              vol
                and the o ver tone         - - - -       94       of vol         @     Move                 through                me like                  chords of             10 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
not mat ter how
pack life
ume,

throat, 103

Which you fear to

lose,

       99      mu sic 99                @ Fl.        Like the taste of                               hap pi ness                      in the             - -   
   
                   
 103
                       
                   though                     it may                      108       choke 108               @         you–                                                              11 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

there is emp ti ness,

      112        In the ci ties 112                S A @ tutti      
                      For space               rit.    rit.       
                - -            116      
             
              Adagio
                                                           122   122          S A @              Since I be     Since I be                   came a stone      came a stone      12 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
this is not known,
And time is
tor ment).....
espressivo ( q»66 ) Adagio espressivo ( q»66 )
                         126         I have no     I have no 126    @       need to re    need to re               mem ber an y thing–     mem ber an y thing–          Ev’ ry thing     Ev’ ry thing    - - - -- - - -                             130           is re mem bered      is re mem bered 130    @     for me;   for me;                  I live and I            think and I dream as a    --                                   135          stone, 135     Fl.               I live and I        I live and I                think and I dream as a        think and i dream as a            stone,  stone,        13 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

I live and I think and I dream as a

stone, I live and I think and I dream as a

I live and I think and I dream as a

stone, I live and I

I live and I think and I dream as a

stone,

poco a poco rit.

stone, I live and I think and I dream as a

stone, I live and I think and I dream as a

think and I dream as a stone, I

I live and I think and I dream as a 141

poco a poco rit.

                                   139               
             
            
139    S1
             
        
 
                      pizz.                                    141              
S2 A
            
             
                      
                          
             live and I think and I dream as a stone, as a              stone, I live and I think and I dream as a                         14 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

stone, as a stone as a

stone, as a stone as a

In the warm sun light, in the grey rain;

In the warm sun light, in the grey rain;

In the warm sun light, in the grey rain;

                                                               143                          
             
             
a 143                                                                           stone,             stone,            stone,                                       Majestic ( q»60 ) Majestic ( q»60 ) arco                                                                         145                           
stone, as a stone as
              
              
145                                             rit. rit. 15 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

All my sur fa ces are touched to soft ness

All my sur fa ces are touched to soft ness

All my sur fa ces are touched to soft ness

                                   146                            
                
                
146                          - -- -- -                                         147                               By the light of the fin gers of the wind,               By the light of the fin gers of the wind,               By the light of the fin gers of the wind, 147                -16 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

The slow drip ping of rain:

The slow drip ping of rain:

                                                                      148            
          
            The slow drip ping of rain: 148                            pizz.                    q.»60 q.»60 arco                           -                           152       My     My 152             S A         bo dy     bo dy                 re     re             tains   tains                   on ly     on ly                 faint ly     faint ly                 the     the             - - -- - -17 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

it was meant to

it was meant to

re pre sent,

                    159        im age   im age 159            @          
     
                      re pre sent,    
                                             I     I                  - -- -                            164         am more     am more 164         @           beau ti ful       beau ti ful                   and     and                 less     less                          ri gid,     ri gid,          - -- -                      169       I     I 169                     am a       am a                      part     part                       of      of             18 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                           173      space,  space, 173                                           Life     Life                                 hass     hass                  passed   passed                     through me–    through me–                                   179         179                                              What     What                        mat ter the       mat ter the                           name of the god      name of the god            19

meant to re pre sent?

meant to re pre sent?

                          184                   184                           
was     
                              
     
                                                                       188       188                                                                                    20 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
I
I was
                          193          What     What 193             S A @            mat ter the       mat ter the                           name of the god     
                                                                      197           I was     I was 197                  @            
      meant to re pre sent?                                                  rit.
rit. to end                 200   200                  descrec.                                                                                   21 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
name of the god
meant to re pre sent?
to end
   Cello  Andantino
          pizz.  24                        29                                        37                                 arco     46        3                    56    rit.     e»120                         66               rit.           q.»60        74                                                   82                                           90                                   22 From the Stone Age Music by ZANAIDA STEWART ROBLES Cello This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
( q»92 )
 103                                               112        rit.          Adagio espressivo ( q»66 )                     121                             129                          140          pizz.         poco
                   Majestic ( q»60 ) arco              145                              pizz.        149       q.»60 arco                                         156                                               163                                176                              188                                   196                               23 - Cello / page 2This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
a poco rit.

( q»92 )

Flute (or other C-instrument)

  
      Andantino
                                6            3             33                          49      3                                         56                    rit.         e»120        72  q.»60                                      110              Adagio espressivo ( q»66 )               136                                              143                                       Majestic ( q»60 )              145                                                 149    q.»60                                    184                                           193            rit. to end                  24
Age Music by ZANAIDA STEWART ROBLES Flute (or other C- instrument) This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
From the Stone

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