Hope | SSAA | Zachary Moore | MusicSpoke

Page 1


Duration: 2:45

About the Composition:

I want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece had to be purposeful and meaningful.

The inspiration for this score comes from the first time I was able to hear my son's heartbeat in an ultrasound. It was a magical and exciting moment that I will never forget; however, everything leading up to that specific moment had an element of tension. Six months prior to hearing my son’s heartbeat my wife and found ourselves in a very similar situation with a different ultrasound. We arrived at the hospital excited to meet our child only to find out that we had miscarried. I had never felt so deflated and aimless in one sudden moment. It was as if I was a boat, drifting, with no direction in my life.

Fast forward to this ultrasound with my soon-to-be son, you can imagine the excitement and fear I felt all at once as the doctor prepared to give the ultrasound. Hearing the heartbeat of my son was the most beautiful sound I have ever heard, and it brought me to tears. Personally, it felt like such a hopeful relief.

The excitement and tension of that specific moment are what I sought to capture in this composition.

Performance Notes:

The djembe uses symbols and note placement to differentiate between slap, tone, and bass hits. Regular note heads placed below the staff signify bass hits, triangular note heads located on the staff signify tones, and exes above the staff signify slaps. The soprano solo/duo at m. 48 is optional and should only be performed if possible by the choir. Lastly, other percussion elements may be added to the score so long as they accentuate and enhance the existing body percussion, djembe, and shaker line.

Duration:

Music by: Zachary J. Moore

* If no breath is taken between measure 55 and 56, the choir should not stomp in measure 55; however, if a breath is needed in measure 55, the choir should breath and stomp simultaneously on beat two in measure 55. This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

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