Ed Frazier Davis
My Sun and Song and Spring for mixed chorus, div. a 8, a cappella
Performance duration: ca. 3 min 50 sec Written for Timm Adams and the Chicago Chamber Choir, for their “Burst Out Singing!” concert series. Copyright © 2013-2016 Ed Frazier Davis (ASCAP). All Rights Reserved. EFD0015 — Distributed digitally through MusicSpoke This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Program Notes My Sun and Song and Spring is a highly colorful, madrigalian setting of a sonnet by Sara Teasdale, one of my all-time favorite poets. It compares the author's newfound love to the coming of spring; a change that is welcomed and celebrated through song, e.g: “Great spring came singing upward from the south.” Music, words, and love sprout and grow like nature, bubbling up like a song bursting forth, e.g: “Your words like winged seeds took root and grew. And all the world caught music from your mouth.” Using melodies built on a whole tone scale, more than a couple of complex harmonic shifts, and various rhythmic patterns of 2s against 3s, I hope to match the richness of this gorgeous text and illustrate the poet's joy of finding her “sun and song and spring.” I also emply some extended vocal techniques (such as whispering, speaking, humming, and glissandi) which work to further enhance the text, and bring it to life. —EFD Full Text As kings, seeing their lives about to pass, Take off the heavy ermine and the crown, So had the trees that autumn-time laid down Their golden garments on the dying grass, When I, who watched the seasons in the glass Of my own thoughts, saw all the autumn's brown Leap into life and wear a sunny gown Of leafage fresh as happy April has. Great spring came singing upward from the south; For in my heart, far carried on the wind, Your words like winged seeds took root and grew, And all the world caught music from your mouth; I saw the light as one who had been blind, And knew my sun and song and spring were you. —Sara Teasdale (1911)
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
3
My Sun and Song and Spring for mixed chorus, div. a 8 (SSAATTBB), a cappella
Text by SARA TEASDALE (1884-1933)
Grand, declamatory (q = c. 90)
P Ó c & ˙
Soprano
P Ó c ˙ &
As
Alto
P Ó c ˙ V
As
Tenor
P ?c Ó ˙
As
Bass
As
F >˙ F
œ ‰ #œ J
kings,
œ œ œ œ 3
see
œ ˙ >
F> ˙
kings,
œ.
F> ˙˙ . .
kings,
ing
see
œœ ‰ œ œ œ œ . J 3
Piano (rehearsal only)
˙
?c Ó
˙
6 S
A
T
& & Œ
F
œ
take
V œ.
B
6
Pno.
& Œ
œ
their lives
#œ
j œ œ- N œ
#œ
off
the
- y
bout
to
Œ
‰ œj œ
a - bout
a - bout
er
-
˙
-
#œ # œ
œ
mine
-
œ
œ.
‰ # œj œ # œ- œ er
Œ
mine
Œ
(n)…
and
œ œ
Œ
f >œ ( bœ ) b ˙>. J
the
crown
Œ
y…
˙œ .
‰ # œj œ # œ œ
œ. œ œ
‰ N œj œ
a - bout
œ ¯ J œ
œ œ œ œ œ œ œœ œ œ œ œ J
heav
#œ œ
b˙
˙ Œ
Ó
œ.
œ
wpass…
w-
œ
to
pass,
œ
˙-
b ww w
œ œ
f b >œ ˙ ‰ J -
œ
˙
P> Œ b˙
(n),
œ
œ (n),
(n),
so
˙
˙
˙.
crown
‰
bœ ‰ J
Œ
bw Œ
œ
˙. bw
crown
crown
take
pass,
f> ‰ Jœ ˙ f ‰ n œj ˙ >
F j‰ œ œ
pass,
to
to
b˙ ‰ N œJ œ j œ œ œ
3
#œ
œ
˙
Œ
3
∑
œ œ œ J j ? ‰ œ œ œ ˙ œ œ œ ˙ œ.
ing their lives
œ œ œ œ œ œ œ œ œ œ œœ
˙
∑
F j the heav ? ‰ œ œ œ ˙ œ œ œ ˙ > > take off… off
˙ w w
#œ
-
ing their lives
see - ing
˙. ˙ œ .
a
‰ œ œ œ œ œ œ œ
Grand, declamatory (q = c. 90)
&c Ó
their lives
œ ‰ œ œ œ œ œ œ œ J see
kings,
œ
ED FRAZIER DAVIS Completed January 2013
j ‰ n œœ ˙˙ J bœ ˙ ‰ J
Copyright © 2013-2016 Ed Frazier Davis (ASCAP). All Rights Reserved.
P ‰ bœ J
so
P ‰ bœ J
so
(n)…
˙œ .
b˙. bw
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Œ
b˙
‰
j nœ
‰ b œj
4 œ bœ J
& œ.
10 S
had
A
the
& bœ
bœ
had
T
B
V bœ ?
had
the
bœ
3
the
10
Pno.
& b œœ . ? bœ
13 S
bœ
bœ
T
B
trees
œ.
bœ
j œ
that
∑ œ
œ.
& Œ bœ bœ œ 3
&
42 b œ -
3
œ
bœ
∑
gold
œ
tumn
-
au
-
tumn
-
œœ 3
∑
? œ bœ œ œ œ œ œ œ 13
& Œ bœ bœ 3
on
œ
the
œ
? b b wwœ b œ œ œ œ œ œ œ
b œ-
en
‰ j N œ œ- b œ ∑
b œ.
b˙ Œ bœ
Ó
time
b œœ
˙˙ ˙˙
c
P c b b œœ -
time
c
3
œœ
-
œœ
œ
tumn
-
(m)…
œœ
(m)…
time
Ó
œœ
bœ laid
œœœ b b b œœœœ
˙˙˙
˙˙ c b b ˙œœ
œœ b œ œœ b œ
œ œ
œœœœ
œœ
* : Alto 1s stay on F, Alto 2s move up from D-flat to G-flat a tempo
b œ- b œ
p
gar - ments
Œ bœ œ 3
on the
b w-
b ˙- ~ ~ ~ ~ b ˙ dy
-
ing
w
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ grass,
p b b ww-
…their golden garments on the dying grass…
p bw
grass,
˙ .~~~~~~~~ b œ ∑
a tempo
bœ bœ bw
bw bw
b b ww
ww
grass,
b˙ ‰ Jœ œ b œ
bœ
c
* j œœ b œœ œœ ‰ (m)
(whispered, at individual tempi independent of the conductor/other tenors)
dy - ing
rit.
œœ
j œœ œœ œœ ‰
˙˙
time
œ b œœ
b œœ
the dy - ing
V ww
c
b œœœ
b b œœ
3
b˙
-
Œ
-
-
bœ 24 b œ
œ J
tumn 3
42 b œ
b˙
their
-
b œœ
au
rit.
œ
down
42
bœ
3
au
42 b œ
that
j œ b œœ
down…
Pno.
œ
3
au
3
laid
A
that
œ
trees
bœ
trees
b œ-
42 b œ-
œ
Œ
3
bœ œ
b˙ bw
b˙
bw bw
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
bw b˙
bw bw
b˙
5 18 S
A
T
B
& V
p bœ
U
Œ
& ˙. U
p bœ
When
U
Œ
˙.
When
∑
U
? ˙. ˙.
U
U
U
U
U
18
Pno.
U
Slower, more contemplative (q = c. 54)
œ
I,
P œ b œ œ b œ b œœ n œœ ( nœ ) n ˙˙
œ
œ b œ œ b œ b œ n œœ
I,
who
Œ
the
watched
the
∑
B
Œ
b˙.
? b˙. b ˙.
bœ
œ
œ
3
3
œ
bœ
-
œ.
p œœ .
When
I,
œœ .
glass…
in the
j V ‰ œ. ‰ œœ œœ ‰ Œ - . the sea - sons… ? ‰ œ ‰ œ œj ‰ Œ œ. œ- œ.
glass…
œœ œ œ œ & œœœ œ œœ œ œœœ œœ œ œœ
# www Ó
(s)
& œœ œœ œœ œœ œœ œœ œ œ œ # ww
¿¿ * (s)
sons
3
Ó Œ
œœ œ œ œ œœ œœ œ œ œ j
3
? ‰ œœ ‰ œœœ œœ ‰ Œ œ œ œ
œ
‰ ‰
I,
œœ œ
œœ œ
‰
‰
œ
‰
œ
the
œ
glass
the
j œ- œ
who
watched
who
œœ .
watched
j œœ œœ -
œ.
œ j œœ œ
œœ œ
œœ œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I 3
in
Œ
n œœ
˙
sea - sons
3
the
œœœœ
Œ
¿ *
œ
sons,
sons,
˙ n ˙˙˙
n œœ nœ
b œœ
bœ
w
in the
sons
the
Pno.
p œ.
Œ
∑
Œ
œ œ œ œ & œœ œ œ œœ œ œ œ œœ œ œ
21
-
sea
Slower, more contemplative (q = c. 54)
sea
T
sea
Œ
3
A
P n ˙˙
When
& b˙.
sea
watched
∑
21 S
who
œœ
3
œ
of
œ-
P
œ-
œ
my
own
thoughts,
œ
œ
œ
˙ 3
œ
œ
œ
3
œ
* : Each singer should close to the voiceless "s" consonant at their own time, independent of others around them, some time after beat three and hold it until the downbeat. However, one singer in each part (i.e. one soprano and two altos) must hold out the vowel for its full value so that the notated pitches are always present.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
6 p. . œœ œœ ‰ œœ- œœ J my own thoughts, p j œ. œ. ‰ œ- œ
23 S
A
T
& Œ & Œ
P ˙ V n˙
my
own
saw
B
Pno.
the
au
œœ œœ œ œ
‰
3
œœ
œœ œœ œ
œ œ
au - tumn's…
the
œœ œœ œœ œ œ
œœ œœ
V Œ
3
œœœ œ
? Œ
œ
œ˙ œ
Ó œ
tumn's
brown - (n)
(n)
œœ
Œ
œ œœ œ œ œ œœœ œœ œœ œœœ œœ œ œ œœ œ œ œœ œ œœ œœ œ
œ
3
3
œ œœ
b œœ
œœ
leap
Œ
Ó
brown - (n)
Œ
˙˙ .
˙ b˙
P
# # ˙˙
leap
n˙ #˙
œ
Ó
# ˙˙
to
in - to
3
life,
life…
3
œœ
~~~
œœ # œœ œ & œ œœ
26
œœ œ
F Œ œ ~~~~~ ~~~
P Fœ- œ œ œœ œœ œœ œœ œœ œœ ‰ # œ # œ # # ˙˙ # # ˙˙ # ˙˙ > N # ˙˙ in to life, in - to life… sub. P # œœ œ w>w ¿ ~~~~~~~~~~~~~ ¿ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ * life… in - to (f) sub. P F œœ- œ œ ˙. ¿ ~~~~~~~~~~~~~ - . #œ Œ #œ #œ J #œ #œ œ œ œ #œ œ œ > * 3 in
leap
œœ
F ~ ~ œ ~~~~~
Œ
Ó
tumn's
œœ œ
‰
3
F œ ‰ œj~ ~ œ > leap F>œ ~œœ ? Œ ‰ ~ J
œœ
Ó
Œ
œœ œ
3
~œœ # œœ & ~~~~
T
œ.
œœ œ
F> œ œ œœ œœ œœ œœ œœ œœ œœ œœ ‰ œ œ # # ˙˙ œ
& ~ ~ ~œœ œœ
Pno.
œ
all
œœ-
Œ
au - tumn's…
œœ
‰
. œœ
the
œœ
A
B
œœ œœ
saw
œ.
œœ
œœ
‰
n ˙˙ œ ? ‰ Jœ 26
S
all
‰
œ.
au
œœ ‰ œœ œ œ J œœœœ
œœ œ
saw
the
all
. œœ
‰
œ
œœ
saw
& Œ
œœ
all
? ‰ œœ œœ J 23
thoughts,
œœ.
in - to
œœœ œœ œœ ‰ œ œ œ J œœ # œœ œ œœ œœ ‰ Jœ
(f)
life…
œœ œ œœ œ œœ œ œ 3
wwœ
leap
œœ œ œ œœ œœ œ œ œ œœ œ œ œ œ œœ # œ # œ 3
˙.
3
#˙ # # ˙˙ #˙ Œ
in -
# # ˙˙˙ #˙ #œ
to
# œ . # Jœ
life
and wear
n˙ # # ˙˙
# n ˙œ # œ œ
a
sun - ny gown
# ˙˙ ˙˙
œ œ #œ œ œ 3
* : Same effect as m. 22, but with the voiceless "f" consonant. As before, two tenors and one bass must stay on their pitch. This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
7 n˙ &#˙ p+
30 S
A
T
B
p+
p
# ˙˙
& ˙ N˙
n˙ ˙ p
# ˙˙
30
n˙
? n ˙œ .
F & Œ b˙.
f Œ bœ
Great
T
B
& ˙
F V Œ b˙. ? ˙˙ 36
Pno.
œ >œ J‰
f >˙
Great
spring
f >˙
spring…
bœ.
spring… f b œ b b >˙˙ . . Œ
Great
Great
spring
Tempo I (q = c. 90)
& œœ b ˙ œ
? œœ b ˙
œ œ
˙. ˙ œ .
˙ bw bw
b˙
œ
œ J‰Œ
A - pril
Œ
p w Ó Ó
œ
œ
Œ
˙.
œ
hap
œ
˙
π
sing
ing
bœ œ œ bœ.
ing up - ward
3
came sing - ing up
-
œ œ œ œ œ œ bœ œ œ œ œ œ
-
as
˙˙
˙
œ
˙˙
œ
˙ ˙
py
hap - py
˙˙
-
hap
py
œ J ward
œ œ œ b œ b œœ œœ b œ œ œ œJ
A
˙ ˙
U
w
-
˙
pril
has.
-
˙
w
A
b b ˙˙ ..
U
pril
œœ b ˙
-
-
A
˙˙œ œ œœ
œœ
has.
the
> Œ ‰ Jœ œ b œ from the œ¯ Ó œ.
the
south…
b ˙-
south;
b w-
from the
south…
b˙ b œ b ˙œ b œ Œ ‰ J j œ œ œ bœ œ
bw w
b˙. bw
bw
pril
has.
U
b ww
pril
has.
U
w b ww
b ˙˙ ˙˙ œ œœ b ˙
U w bw
bœ bœ
b˙. b ˙.
south;
w-
U
œ bœ bœ
b w-
b˙
from
3
3
n˙
A
π Œ œœ œœ œœ
from
ing up - ward
sing
py
b˙
Œ ‰ b œj œ b œ >
up - ward
œ bœ œ œ œ œ œ sing
˙
-
hap
b >˙
œ
œ ‰ œ bœ œ œ œ œ œ J
œœ ‰ J
œ
as
˙˙ ˙˙
˙
as
π Œ œ
3
‰
π
as
has.
œ œ œ œ
came
œ ˙
œ-
n˙ ˙˙ j œ. b œ n˙
œ œ œ #œ #œ J
36
A
˙˙
Ó
Œ
hap - py…
# ˙˙ ˙˙
& # ˙˙
Tempo I (q = c. 90)
S
Ó
˙ N˙ (whispered individually, as in mm. 15-16) …leap into πlife…a sunny gown… PV Œ ‰ œj œ œ # œ # œ ( bœ ) b œJ œ . . of leaf-age fresh as π hap - pyœ . ? œ ‰ œ œ œ. # œ # œ ( bœ ) b œJ J of leaf-age fresh as
Pno.
N ˙˙
j Fœ œ‰
for
F œ
Œ œ.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
œ nœ
my
heart far
b œ œ- n œ J
F> > ‰ b œœ œœ œœ ˙˙ J in
my heart, far
my
œ
∑
Œ œ.
heart…
œ
bœ J ‰ b œœ œœ œœ J
œ n n œœ œ ˙ ˙
8 42 S
A
∑
&
& nœ n œ-
B
V
-
˙.
ried
œ œ.
j ? ‰ nœ œ œ Œ n œ- œ œ car
-
ried
car
A
T
B
-
wind
> > œœ # œœ œœ
* œœ # œœ œœ > >
>> V c œœ .. # Jœœ ˙˙ F?c œ œ œ- œ
and grew
47
& c ˙˙˙˙
œ
all
and grew
œ the
œœœ # # œœœœ œœœœ œ
j œœ .. # œœ ˙˙ ?c œ œ œ œ œ
˙
˙
œ
. # # ˙œ #˙. w
Œ #œ œ œ
œ
all
the
3
and grew
& c ˙˙
˙.
Your
and
∑
ww
words
‰ j œ # # œœ.
Œ #˙
˙
j ‰ #œ
rit.
#œ
caught
Œ #œ œ œ
caught
∑
* : Alto 1s stay on G-sharp, Alto 2s move up from E to A
took
root
wing
ed
seeds took
root
∑
j #œ œ œ # œ # œ œ# œ œ.
œ œ
3
3
3 œ 42 # œ- œœ œœ J
42
∑
˙-
œ J
42
mu
-
from
˙
sic…
# œœ œœ
w
mouth…
your
œ ˙. (m)
œœ
3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
P ww
œ.
Ó
ww
(m)
a tempo
rit.
#œ
˙ œ œ Œ #œ œ ˙ ˙ ˙ œ ˙. w w
c c c
3
œ- œ Œ # œ œ ˙- ~ ~ ~ ˙
mu - sic
c
42 n œ # œœ # # œœœœ c
-
˙ ~~~ # ˙
(alto 1: no gliss.)
∑
mouth…
…all the world caught music from your mouth…
˙ n˙ Œ ‰ # œJ œ # # wwœ # œ œ œ œ œ œ œ œ Ó œ 3
wing - ed
(whispered individually, as in mm. 15-16; 29)
mu - sic…
œ
seeds
3 42 œ # œ # œœ
#œ #œ #œ -
3
P Œ ‰ j # œ œ- # œ
# œ- # œ œ œ œ œ œ œ œ-
seeds took root
3
a tempo
n˙
world
3
like wing - ed
like
Your words like
42 n œ- œ # œœ
œ
F3 ‰ #œ #œ œ œ œ. J
the world caught
world
œ
(nd)…
& c ˙˙
˙œ .
Your words
(nd),
wind
œ #œ J
F#œ
(nd),
(nd),
? ‰ n œj œ nœ œ
& n n œœ
grew, and
Pno.
>œ ˙ Œ ‰ J
the
ried…
47 S
f> œ Œ #˙
Œ ‰ # œj ˙ > wind > >œ # ˙ . œ J
Œ ‰ # # œœ ˙˙ J œ. ‰ œ œ #˙. œ œ œ œ ‰ J Œ ‰ J œ
42
Pno.
on
F‰ #œ #œ. J
œ ˙
wind
car
T
F> Œ ‰ # Jœ ˙
3
w w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
ww
mouth;
w ˙
w w
#˙
c
9 S
A
T
B
& w & ˙ ~~~~~ ˙˙
ww¿¿~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ * (th) P Œ œ œ. Ó
∑
V
A
T
& # w˙
˙˙
? w
&
#˙
&
#œ
Ó w w
Œ
blind,
blind,
# œ # œœ # # œœ œœ V # œ ? # # œœ
3
# œœ
57
& # # ˙œ
# # œœœ # œœ # œœ # ? # œ # œœ 3
# # œœ
light,
#œ J
the
j œ . œ œ # œœ . # œ # œ J Œ
œ
P nœ
P nœ
and
Œ
#œ œ œ
and
œœ œ œ œ ‰ œ œ J
œœ œœ # # œœ œœ
3
3
light…
Pno.
the
∑
w ww
#œ
œœœ œœ # œ œ œœ # œ 3
Œ
œœ
3
3
#œ
#œ #œ
œ
#œ
#œ #œ
one
œ œ
as
œœ œ
‰
3
˙- .
knew
Œ # # œœ
œœ
œ
the
œ
# œœ
j #œ
#œ
#œ
#œ
œ
œœ œ œ œ œœ œœ œ œ #œ
3
œœ
3
(n)
and
#œ
n # ˙˙
-
(n)
and
œœ- # œœ œ
my
#œ Œ # œœ
œ
-
and knew
˙. Œ #œ
been
sun
my
nœ
had
my
and knew
Œ # œœ
been
œœ J
my
œ-
3
œœ
had
the
#œ #œ œ # # ## œœœœ œ œ œ œœœœ œ œ # # œœ #œ œ
knew
who
3
Œ
# # œœ
who
one
œœ œœ # # œœ œœ
# œœ
light,
˙- .
œ
tutti poco a poco crescendo, to forte at m. 62
œœ ‰ J
œœ œ œ œœ œ œ œ Œ
as
# # œœ # œœ # # œœ œœ
Tempo II (q = c. 54)
Œ
light…
B
j œ œ #œ
(th)
rit.
p+ ‰ # œj
Œ
P ww¿¿~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ Œ œ # œ . * I saw
w
S
∑
saw
p+ ‰ # œj
Œ
∑
I
? w w
57
w¿~~~~~~~~~~~~~~ * (th)
53
Pno.
Tempo II (q = c. 54)
rit.
53
# # # œœœ
# œœ # œœœ œ
# ˙˙
sun
# œœ œœ # # œœ œœ # œœ
sun
3
# œœ
sun
œ œ
‰
j œœ ‰
œ
œœ œ œœ œ # œœ
œœ œ # # œœ œœ œ
3
œ
and
œ œ
3
# ˙. # n ˙˙˙ ...
œ #œ œ # # œœœœ œ œ œ œœœœ œ œ # # œœ #œ œ
and
œ
œœ œ œ œ # œœ œœ œ œ œ œ 3
* : Same effect as mm. 22/27, but with the voiceless "th" consonant (and this time, the singers can close to the consonant any 3
œ
3
time after beat one, not three, during this measure). Again, one soprano, two altos, and two basses must stay on their pitch.
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10 œ & # œœ œ # # œœ œœ
œ œ
60 S
3
song
A
& # œœ
œœ œ # # œœ œœ œ
song
-
-
-
œœ J
B
song
-
-
-
(ng)
V # ˙˙ ? # ˙˙
Pno.
3
œ #œ œ & # # œœœœ œ # œœ œ œœœœ œœ œ # # œœ 3
3
60
œœ œ
3
# œœ
song
T
œœ œ
# ˙. ? # n ˙˙˙ ...
(ng)
œœ J
œ
œ
‰
œ
# œœ œœ # # œœ œœ
œ and
3
œ
spring
# œœ
and
# œœ
and
œœ œ œ œœ œ œ 3
3
spring
œœ
œ # # œœœœ œ œ #œ œ # # œœœœ œ œ #œ
œ
œ
3
f ˙ & #˙
62 S
f & n˙
you,
A
you,
T
B
V Œ ? Œ
f# œ f œ nœ
were
were
˙. & n # Œ˙˙ ..
62
Pno.
? Œ
#œ œ nœ
œœ J
‰
œ ~~~~~~~
œ
‰
‰
œ.
were
¿ my
‰
you,
¿ ¿ ¿ ¿ 3
sun and song
˙ ˙ ˙
˙.
3
¿
¿
and spring
¿ were
œ
were
œœ
(ng)
3
œœ œ œ œœ œœ œ
ƒ #U # ww
w w
w #w
#U w # ww
Πw w
œœ
œœ
œœ œ œ # œœ œœ œ œ œ
Ó
ƒU w w
were
œ
œ œœœ œ œœ œ # # œœ œ # œ œœ œ œœ œ œ # # œœ œ #œ œ
œœ
were
(ng)
you!
were
‰
3
œ
œœ
œœ œ
Œ
3
ƒ #U ww
(spoken)
you,
œ .. œ
œœ œ
3
w ~~~ # w
Œ
œ
3
spring 3
œ œ
œœ œœ # # œœ œœ
# œœ
œœ # œœ
3
œœ œ # # œœ œœ œ
# œœ œœ # # œœ œœ
œ
œœ œ
3
# œœ
spring,
and
‰
œ œ
fU #˙
you!
you!
you!
˙.
#U w #w w
U
#˙
Performance duration: Approx. 3:50
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