The Stars Shine from
The Consolation of Apollo
SSAATTBB, Crotales, Bass Drum
Kile Smith
â€
AU.IMPRINTS
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
The stars shine from The Consolation of Apollo Kile Smith
Boethius The Consolation of Philosophy, Book 3, Song 1 trans. W. V. Cooper, 1902 Somewhat faster (q = c.72) or two Tenors ° bb b 4 one Ó Œ & b b4 ‹ the others b 4 b Œ & b b b4 Ó ‹ one or two Basses ? bb b 44 ∑ bb
Tenor
p ‰ œj ˙
Œ
The stars p legato; no obvious breaks
j ‰ œ œ
œ
œ
œ
w
more
œ
a
Ϫ
˙™
the others
œ œ ‰ J
Œ
œ
œ
storm
œ œ J
when
Ó
Ϫ
œ ˙ J
œ
a storm has
œ
˙
˙
shine p legato; no obvious breaks
Bass
? bb4 Ó ¢ b b b4
j œ œ
œ ˙ J
The stars shine with more pleas - ing grace p
Œ
‰ œJ ˙
œ
Πwhen has
œ
œ œ J
The stars shine with more pleas - ing grace
œ œ J
when
œ
a storm has
Bass Drum
Percussion
/
4 œ œ ˙™ 4 p. .
∑
œ. œ. ˙ ™ p
∑
dampened but l.v. sempre 5
7 one or two Sopranos
p legato
° bb b & bb
∑
∑
‰
∑
∑
‰
∑
∑
‰
∑
‰
œ
the morn - ing
j œ œ œ œ
∑
‰
œ j œ œ œ Af - ter
Ϫ has
˙
œ œ œ œ
star
has dis - persed
w œ
Af - ter the morn - ing p legato; no obvious breaks
the others
b & b bbb
œ j œ œ œ Af - ter p legato
one or two Altos
b & b bbb
˙
morn Af - ter the p legato; no obvious breaks
the others
b & b bbb
j œ œ œ ˙
œ
the morn - ing
star
˙
œ œ œ œ
star
has dis - persed
dim.
b œ ‰ & b bbb ‹ b ™ & b bbb œ ‹ ceased ? bb b ˙ bb ? bb b œ™ ¢ bb ceased
/
œ ˙ J
w
w ∑
to roar dim.
œ œ™ J to roar
j œ w and
∑
∑
w
∑
w
∑
œ. œ. ˙ ™
∑
pour dim.
Œ ‰ œ w J œ œ ™ and œ J œ J to roar
w
dim.
œ
˙
and pour down
∑
rain.
p
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Copyright ©2014 by Kile Smith / Tau Imprints (ASCAP)
molto rit. 9
3
° bb b ˙ & bb
Œ œ w of
bb &b b b œ œ ˙ the shades
beau
œ ˙ of
night,
bb j & b b b ‰ œ ˙™
the day in
all
the shades
drives
of
night,
∑
forth.
its
ros - y char - iot
œ‰ J
forth.
˙™
j‰ œ
j œ ™ œ œ œ œ œ ˙™
j œ‰
Œ
˙
œ œ ˙
ros - y char - iot
œ‰ J
j ˙™ œ™ œ œ œ œ œ
its beau - ty
night
bbbbb œ œ ˙ & ¢
ty
-
j œ œ œ
œ œ œ œ œ™
w
the
/
œ ™ ‰ œ œ œ œ ˙™
˙
Ó
w
forth.
j œ œ œ
œ œ œ œ œ™ the day in
all
its beau - ty
∑
drives
its
ros - y char - iot
Œ œœ œ . . p
∑
forth.
œ- œ- œ >œ >œ >œ >œ >œ
14 Steady (q = c.68) Soprano 1 f
14 ° bb b >œ & bb
So
>œ
œ œ
œ
œ œ
hast looked up - on
thou
œ
œ
false
œ
˙
hap - pi - ness
˙
œ
˙ Œ
first;
now
Soprano 2
f
>œ
>œ
So
thou
b & b bbb Ó
œ
œ œ œ
hast looked up - on
œ
œ œ œ œ
œ
Œ
false hap - pi - ness first;
˙ now
Alto 1
bbb > b & bœ f
So
> œ
œ œ
œ
œ œ
hast looked up - on
thou
œ
œ
false
œ
˙
hap - pi - ness
˙
œ
Œ
first;
˙ now
Alto 2
> œ
> œ
So
thou
f
b & b bbb Ó
œ œ
œ œ œ
hast looked up - on
œ œ œ œ
Œ œ
false hap - pi - ness first;
˙ now
Tenor 1
f
bbb >œ b & b ‹ Tenor 2 So b & b bbb Ó ‹ Bass 1 f ? bb b >œ bb So
> œ
œ œ
œ
œ œ
hast looked up - on
thou f
> œ
>œ
>œ
So
thou
œ œ
œ
œ
f
>œ
? bb Ó ¢ bbb
œ
thou
˙
œ
˙ false
hap - pi - ness
œ œ œ
œ
œ
œ œ œ œ
hast looked up - on
now
œ
Œ
œ
˙ now
˙
œ
˙
hap - pi - ness
œ œ œ
first;
˙ œ
false
˙ Œ
false hap - pi - ness first;
œ
>œ œ
So
œ
hast looked up - on
œ œ
hast looked up - on
thou
Bass 2
œ
Πfirst;
œ œ œ œ
now
œ
˙ Œ
false hap - pi - ness first;
now
Crotales l.v. sempre
bbb œ œ œ œ œ œ œ œ ˙ b & b
œœœœœœœœ˙ ∑
∑
∑
∑
f
/ f
>œ
>œ
>˙
>œ
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Kile Smith—The stars shine
>œ
>˙
4
20
° bb b œ -œ œ -œ œ œ œ œ ˙ J & bb J 18
ff
Œ
draw thy neck from un - der her yoke:
b b œ -œ œ -œ œ œ œ œ ˙ b & bb J J
Œ
˙ Ó
-œ œ -œ ™ œ ˙ ˙ Ó J shall true hap - pi - ness, - œ œ -œ ™ œj ˙ ˙ Ó
-œ so ff
-œ
-œ -œ -œ -œ ™ œ ˙ J
Œ
Œ
-œ -œ -œ -œ ™ œ ˙ J
neck from un - der her yoke:
Œ
ff
Œ
draw thy neck from un - der her yoke:
-œ -œ -œ -œ ™ œ ˙ J
Œ œ œ œ so shall true p
˙ Ó
Œ
draw thy neck from un - der her yoke:
˙ Ó
Œ
∑
∑
∑
/
∑
∑
™ >œ >œ ˙
˙ Ó
Œ
ff open
œ œ œ so shall true p
˙ Ó
Œ
œ œ œ so shall true
∑ w
œ œ œ so shall true p
so shall true hap - pi - ness,
b & b bbb
œ œ œ so shall true p
so shall true hap - pi - ness,
- œ -œ -œ ™ œ ˙ ff œ J Œ
œ œ œ so shall true p
so shall true hap - pi - ness,
-œ œ œ œ œ ˙
œ œ œ so shall true p
so shall true hap - pi - ness, ff
Œ
œ œ œ so shall true p
so shall true hap - pi - ness, ff
neck from un - der her yoke:
œ ˙ ? bb b œ œ œ œ œ œ œ J ¢ bb J
Ó
so shall true hap - pi - ness, ff
draw thy neck from un - der her yoke:
-œ œ œ œ œ ˙
-œ -œ -œ -œ ™ œ ˙ J
Œ
b & b bbb œJ œ œJ œ œ œ œ œ ˙ Œ draw thy neck from un - der her yoke: b j j b &b b b œ œ œ œ œ œ œ œ ˙ Œ -œ œ œ œ œ ˙
p
˙
so shall true hap - pi - ness, ff
draw thy neck from un - der her yoke:
bbb œ -œ œ b & bJ J ‹ draw thy bbb œ -œ œ b & bJ J ‹ draw thy œ -œ œ ? bb b J J bb
-œ -œ -œ -œ ™ œ ˙ J
∑ w
∑ œ. œ. ˙ ™ p dampened
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Kile Smith—The stars shine
5
24
° bb b œ ™ œ ˙ & bb J
˙
Ó
Œ
hap - pi - ness
bb & b b b œ ™ œJ ˙
˙
Ó
Œ
hap - pi - ness
b j & b bbb œ ™ œ ˙
˙
Ó
Œ
hap - pi - ness
b & b bbb œ™ œj ˙
Ó
œ ˙ J
˙
Ó
Œ
pi - ness
j œ ˙
˙
Ó
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
˙
˙
˙
Œ
˙
hap - pi - ness
b & b bbb œ ™ ‹ hap b & b bbb œ ™ ‹ hap -
œ œ œ
Œ
pi - ness
Œ
Œ
Œ
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
˙
˙
œ œ œ come in - to
thy
soul,
œ œ œ
˙
˙
come in - to
thy
soul,
˙
˙
thy
soul,
Œ
Œ
Œ
œ œ œ come in - to
˙ ? bb b œ ™ œ ˙ bb J
˙
Ó
Œ
hap - pi - ness
? bb j ¢ b b b œ™ œ ˙
Ó ˙
Œ œ œ œ come in - to
hap - pi - ness
Œ
come in - to
Œ
thy
thy
soul,
∑
∑
∑
∑
/
∑
∑
œ. œ. ˙ ™ p
∑
soul,
˙ ˙
œ œ œ
b & b bbb
come in - to
∑ œ. œ. ˙ ™ p
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Kile Smith—The stars shine
˙
œ œ œ
thy
soul,
∑ ∑
6
30 pp 30
div.
° bb b Œ & bb
œ œ œ w
ww
˙˙
thy div. ww
w
˙˙ Ó
thy
U ∑
w
w
U ∑
w
w
U ∑
w
w
U ∑
w
w
U ∑
w
w
U ∑
w
w
U ∑
unis. pp
ww
Ó ˙˙
thy
thy
unis. pp
div. ww
˙˙
Ó
thy
wdiv.w
unis. pp
˙˙ Ó
thy
∑
w soul. unis. pp
w œ œ œ w
b & b bbb
w soul.
div.
come in - to
w soul.
œ œ œ w come in - to
˙˙ Ó
œ œ œ w come in - to
w soul. pp unis.
ww
œ œ œ w come in - to
w soul.
div.
? bb Œ ¢ bbb
w
unis. pp
ww
œ œ œ w come in - to
? bb b Πbb
w
soul.
div.
b & b bbb Œ ‹
U ∑
Ó
thy
œ œ œ w come in - to
b & b bbb Œ ‹
w
unis.
˙˙
div.
b & b bbb Œ
w
soul. pp
œ œ œ w come in - to
b & b bbb Œ
w
Ó come in - to
bb &b b b Œ
unis.
w w
˙ ˙
Ó
thy
w soul.
∑
∑
∑
Ó
˙ Œ œ œ œ
œ ˙™
U w
pp
/
œ. œ. ˙ ™ p
∑
∑
∑
∑
∑
∑
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U ∑
Kile Smith—The stars shine
7
Selected choral works of Kile Smith Sacred Amazing Grace. SATB, opt SATB solos Behold, the Best, the Greatest Gift. SATB, organ Come, Gather All. SATB, organ, opt. brass quartet Come, Ye Sinners. SATB, organ For His Mercy Endures Forever (Psalm 136). SATB God So Loved the World. SATB The Heavens Declare. SATB, SAB solos, piano *Herr Christ, der einig Gotts Sohn from Vespers. SATB div a 16. German Holy Is the Lord. SATB div. Holy Mountain. SATB, organ I Sought the Lord, and Afterward I Knew. SATB, opt sop solo Jesus, Thou Joy of Loving Hearts. SATB, organ Magnificat. SATB, handbells, opt organ Magnificat Antiphon. SATB, congregation, organ My God, Accept My Heart This Day. SATB, SAB solos, organ, opt solo inst My Shepherd Will Supply My Need. SATB, organ O Come, O Come, Emmanuel. SATB, SATB solos, organ (available from Concordia) O Rex Gentium. SATB O Sing unto the Lord a New Song. SATB Passer invenit sibi domum (Psalm 84). SATB. Latin Psalm 84. SATB *Psalm 113 from Vespers. SATB, keyboard. Latin Psalm 117. 5-part round Shall the Blessed Saints Surround Us. SATB, organ That Easter Day with Joy was Bright. SATB Unto the Hills. SATB div *Wie schön leuchtet der Morgenstern (How Fair the Bright and Morning Star) from Vespers. SATB, keyboard. German, English The Word of God. SATB, organ Concert And Good in Every Thing (William Shakespeare) SATB. 5' The Consolation of Apollo (Boethius, crew of Apollo 8) SATB, crotales, bass drum. 38' How Do I Love Thee? (Elizabeth Barrett Browning) SSAA, piano or string quartet. 7' Now Ys the Tyme of Crystymas (Richard Hill) SATB div, opt piano. 4' vocal quartet (SATB), opt piano. 4' Psalm 46 bar solo-SATB-orchestra. 14' Two Laudate Psalms (Psalm 113, Psalm 150) high voice solo, SA, piano. 10'. Latin *Vespers (some sections available separately) SSSATB soloists from within the choir, SSAATTBB choir of at least 16 singers, Renaissance band of seven players. 65' (Navona Records Vespers) The Waking Sun (Seneca) SATB, string quintet, theorbo, organ. 38' Where Flames a Word (Paul Celan) SATB div. 13' (Navona Records It Is Time) For more information, please visit kilesmith.com
†
AU.IMPRINTS
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Kile Smith—The stars shine