Mh 3677a kjempeviseslåtten

Page 1

KJEMPEVISE-SLÃ…TTEN Ray Farr Arrangement for Brassband

Ballad of Revolt opus 22a

Score



KJEMPEVISE-SLÃ…TTEN Ray Farr Arrangement for for Brassband

Ballad of Revolt opus 22a


© Copyright 2017 by Musikk-Husets Forlag A/S, Oslo www.musikkforlagene.no M-H 3677A ISMN 979-0-2610-2367-2 Det må ikke kopieres fra denne noten i strid med åndsverkloven og fotografiloven eller i strid med avtaler om kopiering inngått med KOPINOR, interesseorgan for rettighetshavere til åndsverk. Kopiering i strid med lov eller avtale kan medføre inndragning og erstatningsansvar, og kan straffes med bøter eller fengsel. Grafisk design/digitaltrykk: Oslo Sats, Repro & Montasje A/S. www.osrm.dinstudio.no


Duration: 6' 30"

Andante un poco sostenuto  1

2

3

Kjempevise-slåtten

Composer: Harald Sæverud Arranger: Ray Farr

Ballad of Revolt (opus 22a) 4

5

7

6

9

8

10

Soprano Cornet E 

 

Solo Cornet B 

 

Repiano Cornet B 

 

2nd Cornet B 

 

3rd Cornet B 

 

Flugelhorn B 

 

1st Horn E 

(open)       

 

    

marc.(non vibrato)

 

straight mute

O

Solo Horn E 



 

1st Horn

       straight mute

 

harmon mute       

    

open



open

1st Baritone B 

 

2nd Baritone B 

 

1st Trombone B 

 

 

Bass Trombone

 

Euphonium B 

 

  

 

EM 2nd Horn E 

 

D

2nd Trombone B 

Bass E 

 

Bass B 

 

 

1st Percussion

Sus. cym. & Bass Drum

2nd Percussion

   L.V.   

3rd Percussion

 

misterioso

 L.V.  

 

 

 L.V.  

© Copyright 2017 by Musikk-Husets Forlag A/S, Oslo. ISMN 979-0-2610-2367-2

 

   

  

 

  

 lamentoso

lamentoso

 

 

 

 

 

Vibraphone



 M-H 3677A


6

poco rit. 11

13

12

17

16

15

14

18

19

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

2. Horn

2. Bari.

1. Trom.

 

 

EM

O

Sop.

1. Bari.

2. Trom.

Bass Trom.

 



  

D

Euph.

Bass E 

Bass B 

 

 

  



 

1. Perc.

2. Perc.

3. Perc.

 





 

   





  

    

  

       

dim.

     

dim.

   









dim.

M-H 3677A


7



Un poco piu mosso ed agitato 20

21

23

22

24

26

25

27

28

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

2. Horn

O

EM

Sop.

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

   

  

       

 

  

       

 

Bass E 

 

Bass B 

 





  

2. Perc.

M-H 3677A

    

  

  

 

    

 

one

       





one



  

1. Perc.

3. Perc.

  

straight mute

D

Euph.

  

tutti







marcato

 

cresc

Marimba (or Xylophone)



 

 

cresc

Vibraphone



 

 

cresc

 

 

   

 

 

   


8 30

Sop.

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn



 









straight mute

34

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

       

     

3         

    

     

 

  

 

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

   

   

tutti

   

 







 



  

  

 

 

 

  

      

3      

    

      

    

     

     

open

 

 

 

     





3

36

     

     

open

 

 



3

 

 

D

Euph.

        

35



 

  

straight mute

Suddenly faster 

  

straight mute

  

33

32



     

open

   







     

 

     

 

     

 

     

 

  

 

 





     

     cresc

     



  

     

  

 

  

      cresc





 





    



  





 

 

EM

2. Horn

31

O

29

3

     

   

     







       





         

3 feroce



  



  

   



    

Timpani



 

 

   

 

Whip



Bass Drum

M-H 3677A

 

 


9

Rep.

S. Horn

44

45

1. Bari.

2. Bari.

46

 

   

straight mute          

      

   

straight   mute        

      

   

straight  mute        

      

   

espr. molto       

 

 

espr. molto       

 

 

 

   

 

 

 

 

espr. molto       

 

 

 

espr. molto       



 



espr. molto       



 



   

 

 

   

 

straight mute



EM

2. Horn

poco lento 43

espr. molto

1. Horn

rit. 42

Flugel

41

3. Cor.



2. Cor.

    

40

espr. molto

Solo Cor.

Suddenly slower 39

O

Sop.

Agitato molto 37 straight mute 38                

 

1. Trom.

 

2. Trom.

 

Bass Trom.

 

Euph.

 

     

 

espr. molto

  

Bass B 

 



 

  

 

 

2. Perc.

 

3. Perc.

 

1. Perc.

  



D Bass E 





  

  







dim.







M-H 3677A


10 47

48

49

50

 

Rep.

2. Cor.

3. Cor.

Solo Cor.

Flugel

 

 

 

 

S. Horn

 

1. Horn

2. Horn

2. Bari.

1. Trom.

2. Trom.





ben sost. accel.          

   

a tempo

   

 



         

Bass Trom.

        

 

molto dolce ma deciso

solo

 

 





 





 





D

Euph.

ma deciso

EM 1. Bari.

55

54

O

Sop.

Marcia agitato Gradually accelerate to  =132 at the end 51  52 53

Bass E 

Bass B 







 



1. Perc.



2. Perc.

3. Perc.





 

M-H 3677A

Vibes.


11 56

57

Sop.

Solo Cor.

       

58

59

60

         

61

63

62

 

tutti

  

       

Rep.

2. Cor.

3. Cor.

Flugel

1. Horn

2. Horn

    

         

 

       

   

1. Bari.

2. Bari.

1. Trom.

 

open

ma deciso

      

ma deciso

Bass Trom.

straight mute    

  

    

  

  

    

  

 

Bass E 

Bass B 

(open)

1. Perc.

2. Perc.

3. Perc.

  

D

Euph.

straight mute

2. Trom.

 

O

 

EM

S. Horn

triangle

vibes.

M-H 3677A


12 65

Solo Cor.

       

Rep.

2. Cor.

3. Cor.

Flugel

 

cup mute

cup mute

  

  

 

  



ma poco marc. e pesante

 

  



ma poco marc. e pesante

 

  



 

  

ma poco marc. e pesante

 

1. Horn

2. Horn

2. Bari.

1. Trom.

 

EM

open

Euph.

D

  

 

Bass Trom.

2. Trom.

 

S. Horn

1. Bari.

71

 

70

 

69

68

67

         

66

O

64 Sop.

Bass E 

Bass B 

1. Perc.

2. Perc.

 

3. Perc.

M-H 3677A


13

Solo Cor.

73

75

74

       

 

 

   

   

         

 

 

   

  

         

 

   



  



  



S. Horn

1. Horn

2. Horn

Rep.

2. Cor.

3. Cor.

   

   

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

  

         



 

       



 





  





   

   

open    

   



  

marc.

marc.

D

Euph.

straight mute

   

EM

Flugel

79

78

77

76

O

72 Sop.

Bass E 

Bass B 

1. Perc.

2. Perc.

 

3. Perc.

M-H 3677A


14 80 Sop.

Solo Cor.

81

 

82

     

open

  

         

83 

  

marcato e pesante

84

        

85



86

  

87

   

    

open

2. Cor.

3. Cor.

   

Flugel

S. Horn

1. Horn





2. Horn

 



 

  

 

1. Bari.

2. Bari.

1. Trom.

2. Trom.

  

  

Bass Trom.



   

 

   

   

   

   

 

   

 

 

 

D

Euph.

O

  

EM

Rep.

Bass E 

Bass B 

1. Perc.

2. Perc.

   

   

   

3. Perc.

   

M-H 3677A

 

 


15 88

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

89

      

91

90

    

       

92

   

93

        

94

95

 

  

  

    

 

 

     

   

 

       

 

 

 open

open

 

 

 

 

straight mute

     

(open)

 

     

   

 marcato

 

 

   

       

open

molto dolce

marcato

EM

2. Horn

         

O

Sop.

2. Bari.

 

1. Trom.

   

   

   

   

   

1. Bari.

2. Trom.

Bass Trom.

 

 

 

 

 

     

D

Euph.

     

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

  

 

 

 

   

 

M-H 3677A

 

 timpani

   

 


16 96

97

straight mute

 

Rep.

2. Cor.

 

3. Cor.

 

Flugel

       

S. Horn

1. Horn

2. Horn

2. Bari.

1. Trom.

  

 

   

2. Trom.

Bass Trom.

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

  

      









  

    

   

 

   

        

      

marcato e pesante

  

       

       

       

       



 

 

 

D

Euph.

  

EM 1. Bari.

102

O

marcato

101

100

99

   

Solo Cor.

 

98

Sop.

  

 

 

       

 

 

 

 

      

   

   

  

marcato e pesante

 



M-H 3677A


17 103

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

         

105

  

       

107

106

    

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

 

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

    

   

    

     

    

     

    

    

              

    

         

        

    

  

   

     



   

 

        

    

       

       

       

D

Euph.

109

108

EM

2. Horn

104

O

Sop.



  

 

 

         

 

  

 

   

            

       

 

 

   

 

 

  

            

 

   

M-H 3677A

 


18

Marcato agitato 110

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn



   

 

     

 

   

      

  

    

 

   

       

 





 

 



 

 

  

  

marcato

   

 

115

114

 

    

   

   





straight mute



  

straight mute

      

   

straight mute

 



 







  







  

EM

2. Horn

113

O

Sop.

112

111

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

  

1. Bari.

    





Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

  

 

 

 





 

            

 

 

 

 

  

             



 

 

 

 

  

 



 

 

 

 

  

 

marcato & pesante

    

marcato & pesante

         





 



  

          

D

Euph.

           

 

  

 

 

M-H 3677A

 


19 straight mute

117

116

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

     

      

                

   

     

    

         

    



         

                

    

                

    



 

     

     

marcato & pesante

       

   

      

     

    

  

      

    

    

  



 

  

        

 



 

  

        

 



 

  

        

  



 

  

       





     



     

marcato & pesante

marcato & pesante

marcato & pesante

EM 

   

straight mute

         

2. Horn

         

 

120

119

O

Sop.

118



marcato & pesante

2. Bari.

1. Trom.

2. Trom.

1. Bari.

Bass Trom.

   

     

Bass E 

Bass B 

1. Perc.

         

       

         

    

    

    

 

2. Perc.

3. Perc.

 

    

       

D

Euph.

        

     

 





 



 



          

 

   

 

 

        

    

        

M-H 3677A


20

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn



    

               

122

    



  



 



                              

        

  



  

  

  



  

     



  



  



 



 



 

      

7

 

 

124

 

           

123

 

      



   

125

         

         

         

          

   

   

   

 

    

     

    

 

    

 

    

    

 

    

        

        

EM

2. Horn

        

O

     

121

Sop.

 

      

   

2. Bari.

 

      

   

1. Trom.

2. Trom.

1. Bari.

Bass Trom.

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

 

 

   

    

 

D

Euph.

    

  

 

 

   

            

            

             



  

        

      

   

 



 

     

 

   

     

        

M-H 3677A

S. D.


21

Sop.

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

 

                                     

        

   

 

 

       

         

     

    

     

    

 

        

130 open

   

 

 

        

1. Bari.

2. Bari.

 

 

 

 

Angry 131



 

piu forte

         

        

       

   

  

         

129

        

       

     

       

128

         

    

     

   

      

      

    

      

      

    

      

      

    

EM

2. Horn

        

127

  

  

O

            126

   

 

  

   

 

   

       

 

   

 

   

 



 



 

piu forte

 

piu forte

 

piu forte

 

piu forte

 

             

piu forte

 

       

piu forte

1. Trom.

2. Trom.

Bass Trom.

 

Bass E 

             

Bass B 

1. Perc.



 

  

2. Perc.

         

3. Perc.

   

 

D

Euph.

 

        

 

 

 

 

   

   

        

 

 

 

    

     

     

 

   

 

        

 

 

 

M-H 3677A

 



 

piu forte

        

 

piu forte

 

    

     

  

     

       

 

piu forte


22

          132

Sop.

133

piu f

Solo Cor.

  

 

      

134

  

   

      

        

  

136

135

 



(straight mute)

Rep.

        

2. Cor.

       

3. Cor.

        

S. Horn

1. Horn

   

         

       

  

         

       

   

         

       

  

 

       

 

 

       

  

 

(straight mute)

 

      

   

         

    

   

         

   

  

         

   







1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

 

Bass E 

Bass B 

1. Perc.

      



tenuto e espressivo

       

   

      

   

       

    

       

    

       

   

       

    

       

    

    

         

   

       

 

        

  

       

    



 

        

  

       

   



  

  

  

  

     

  

  

  

     

  

  

  

        

  

       

  

 

  

  







 

   

 

   

 

 

   

  

 

  

  

   



  

  

  

 

         

D

Euph.

 

   

EM

2. Horn

  

  

(straight mute)

 

O

Flugel



138

137

  

   

2. Perc.

    

3. Perc.











 



 

   



  

M-H 3677A

   

 







   


23 139

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

       

141

                                                           

              

142

   

3 3            

        

        

        

        

        

 

        



        



3

3





 





 





 



1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

     

   

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.

 

    

    



 



 

         





 

          

 

     

 

    

 

    

 



 







 

 

 

 

























 

 

 





 

 

 

 







 







       

    



 

 



      

    

 



       

 

        

 



    

 









    

       

 









    

         



 

 



               

        



    

 

       

       

   

   

 

        

 

M-H 3677A









         

suspended cymbal





 

        

         

D

Euph.

     

             

 



144

143

         

EM

2. Horn

140

    

O

Sop.

        




24 145 Sop.

146

   

147

148

dim.

Rep.

   

    

 

 

   

    

 

 

   

    

 

 

   

    

 

 

 

   

 

 

dim.

2. Cor.

dim.

3. Cor.

dim.

Flugel

dim.

S. Horn

1. Horn

dim.

    

     

    

     

 

   

   

 

 

 

 

dim.

dim.

1. Bari.

2. Bari.

1. Trom.

  

dim.

 

   

dim.

dim.

2. Trom.

 

Bass Trom.

 

dim.

Euph.

  

dim.

           

          



open

 

  



open



  

       

   

       

   

   

   

   

dim.

Bass B 

 

dim.

1. Perc.

2. Perc.

3. Perc.

 

 

  

 

 

 

 

 

  

 

D Bass E 

 

  

     

 

   





          



        

        

   

       



  

        

          

       







   

 

  

     





dim.

M-H 3677A

B. D.

 

       

       

      

        



  



       

  

         



  

 

       

 

   

      

dim.

    

open

EM

2. Horn

   

 

  

  

O

Solo Cor.

              



5

                

149

      

        



     

 

 





     

 


25 150

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

Bass E 

Bass B 

1. Perc.

2. Perc.

3. Perc.



             

         

        

         

         

        

   

         

 

          

    

 

    

 

     

               

        

               

       

   

        

           

                    

       

            

        

               

        

 

            

                           

                              

           

               

            

       

       

      

          

       

       

      

    

   

       

       

      

       

       

      

       

       

      

       

       

      

       

       

      

       

       

      

       

       

      

  

        

                                         

D

Euph.

 154

        

153

EM

2. Horn

 

With extreme frenzy 152             

151

   

 

     

 









       



 

 

               

O

Sop.

   

M-H 3677A

                                                                                

 

   

 

   

 

   

 

   

 

   

 

   

 

   

  

   


26 155

156

157

    

 

bells up......................../           

158



 

   

 

 



 



 

  

 

 

   

 

 

 



 



 

  



 

  

 

 



 



  



   

   

  

 

 



 



  



   

 

 

 



 

   



 

  

  

 



 





   

 

       

       

  



 





   

 

       

  



 





   

 

       

   

 

 

 



 



 

  

       

   

 

 

 



 



 

  

       

   

 

 

 



 



 

  

        

   

 

  



 



        

 

 

    

 

 



  



  

  

 

 

 



 



 

  

       

D

Sop.



 

    

  



 



Rep.

2. Cor.

3. Cor.

Flugel

 

1. Horn

2. Horn

       

 

 

 

 

EM

S. Horn

 

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

Euph.

 

 

 

    

 

   

Bass E 

   

Bass B 

1. Perc.

2. Perc.

 

   

 

  

   

 

  

 

   

Cym.



  



 

 

 

 

 

M-H 3677A

 



3. Perc.

   

 

O

Solo Cor.

cymbal

        


27

Solo Cor.

Rep.

2. Cor.

3. Cor.

Flugel

S. Horn

1. Horn

    





9

6

  



 

  

  

   

 

   

1. Bari.

2. Bari.

1. Trom.

2. Trom.

Bass Trom.

Bass E 

Bass B 

1. Perc.

 

   

   

6

   

   

 

   

   

   

 

 

   

 

   

 

   

   

   

   

 

   

 

   

   

   

 

   

   

   

 

   

 

   

 

   

 

   

    

   

   

            

   

   

   

    

   

   

    

   

   

    

 

   

   

    

 

 

   

 

   

   

   

   

 

 

   

 

  

   

 

 

   

 

  

   

 

 

   

 

 

 

 

 

  

  



  

 

 

  



  

 

             

   

 

  



 

 

   

  

   

 

   

   

   

      

   

   

  

  

 

   

       

 

   

       

   

 

 

6

6

 

   

 

   

   

    

 

   

 

   

    

   

 

 

    

 

 

 

 

 

  

  



  

 

    

     

   

 

   

 

      

2. Perc.

3. Perc.





 

 

   

   

 

 

   

 

   

    

 

 

   

 

   

 

   

 

  

    



 

   

tam-tam

 

   

D

Euph.

162

 

EM

2. Horn

161

O

Sop.

     

160

159

  





  

 

sus. cym



  

B.D.

   

 

M-H 3677A

   



            

 

 



6

   

   

   

   

tam-tam

   


O

EM

D


O

EM

D


O

EM

D


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