SALLY BEAMISH: Showings

Page 1

Showings chamber version (2007) Te x t : Ju l i a n o f N o r w i c h Fo r t w o s o p r a n o s, a l t o, t e n o r a n d b a s s and optional bell (may be tubular bell or hand bell; tuning: C) t w o t r e b l e r e c o r d e r s, b o t h d o u b l i n g o n t e n o r chamber or gan two baroque violins viola da gamba violone FULL SCORE



S ALLY BEAM I S H Showings chamber version (2007) Text: Julian of Norwich For two sopranos, alto, tenor and bass and optional bell (may be tubular bell or hand bell; tuning: C) two treble recorders, both doubling on tenor chamber organ two baroque violins viola da gamba violone

The original version of Showings. For SATB choir and string orchestra, was commissioned by the Strathendrick Singers with funding from the Scottish Arts Council, and first performed by the Strathendrick Singers on March 13th 2005 at Killearn Kirk, Stirlingshire, conducted by their director, Rosalind MacGowan. The new chamber version was commissioned by the Dunedin Consort subsidised by the Scottish Arts Council, and first performed at Holy Trinity Church, Pitlochry, on Thursday 15 November 2007, by the Dunedin Consort and Players directed by John Butt.

N.M.O. 12480A


Publisher: Norsk Musikforlag A/S Postboks 1499 Vika N-0116 Oslo Norway TEL 00-47-23 00 20 10 FAX 00-47-23 00 20 11 This work is published in the following editions: Full Score (A4) (N.M.O. 12480A / ISMN M-065-11587-0) Vocal Score (A4) (N.M.O. 12480B / ISMN M-065-11588-7) Set of parts (Recorder 1 & 2 / Chamber Organ / Violin 1 & 2 / Viola da Gamba / Violone) (N.M.O. 12480C / ISMN M-065-11589-4)


Showings chamber version I. Enfolded II. The Still Point III. For Love Showings uses texts by the 14th Century anchoress Julian of Norwich, who received a series of visions during a severe illness. These were the Revelations of Divine Love, or ‘Showings’. In her teaching Julian asserts that we should see God primarily as all-loving, and presents an extraordinary optimism and peacefulness in the face of the considerable suffering of her time. The piece has three movements. The first uses a very short, encircling fragment – a falling semitone rising to a third and then returning. The second movement starts very softly with a continuous middle C, contrasted with whispering in the choir and fast, rustling string passages. Gradually these unsettled elements are drawn into the central note, and the movement is resolved, with bells, on C. For Love sets the question and answer structure of the text with simple phrases and choral refrains. The texture is harmonic, with the players colouring the vocal lines. The work lasts about 10 minutes. The original version was commissioned by the Strathendrick Singers with funding from the Scottish Arts Council. It was first performed by the Strathendrick Singers in 2005 at Killearn Kirk, Stirlingshire, conducted by their director, Rosalind MacGowan. This new chamber version was commissioned by the Dunedin Consort subsidised by the Scottish Arts Council , and uses two recorders and chamber organ, as well as baroque violins, viola da gamba and violone. The vocal writing is for solo singers, rather than choral. This version was first performed at Holy Trinity Church, Pitlochry, on Thursday 15 November 2007, by the Dunedin Consort and Players directed by John Butt. Sally Beamish 2007


Showings I. Enfolded In his love he wraps and holds us. He enfolds us in love, and he will never let us go. From him we come, in him we are enfolded, to him we return. II. The Still Point God is the still point at the centre. III. For Love Learn it well. Love was his meaning. Who showed it you? Love. What did he show you? Love. Why did he show you? For love. Love was our Lord’s meaning. Julian of Norwich

from “Enfolded in Love – Daily Readings with Julian of Norwich’ translated by members of the Julian Shrine, and published by Darton, Hodder and Staunton. Copyright 1980 The Julian Shrine. Text reproduced with kind permission from Darton, Hodder and Staunton.


Showings (chamber version)

I. Enfolded Julian of Norwich

Sally Beamish

Andante q = 84

Bell (optional - played by singer)

Soprano 1

Soprano 2

Alto

Tenor

Bass

Recorder 1

Recorder 2

Chamber Organ

  

  

 

 

  

  

Violin II

Viola da Gamba

Violone

p

  

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p

mf

5

o n . e

n e g

     

la r fo

ikk

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Andante q = 84

Violin I

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  

 

pp



pp

 

  

Copyright © 2007 by Norsk Musikforlag A/S, Oslo

N.M.O. 12480A

     

pp

  


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 

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3 13

A

 

S. 2

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T.

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S. 1

B.

Rec. 1

Rec. 2

  

Org.

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p

 N.M.O. 12480A

 

mp

 

   

 

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vib

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p Vne.

 p


4 22

S. 1

 

 

S. 2

 

A.

   

B.

Rec. 1

Rec. 2

 

 



Vln. I

 

  

    

Vln. II



 

his

Vne.

In

his

love

  

In

his

love

In

his

  

 

In

his

 

love

love

O M

E D 

 

 

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 

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 



     

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mp

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5

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mp

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 



p



N.M.O. 12480A

mp

o n . e

n e g 

 

 

 

5

  

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 

In his

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p

mp

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mp



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w

   

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p

p

mp

  

p

Va.da G.

 

Org.

love

 

mp

In his

T.

mp

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mp

p

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5 30

S. 1

  

f

mf





love

S. 2

mf

f

 



love

A.

mf

 



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his

f

In

his

love mp

   In

T.



his

love

mf

B.

  

Rec. 2

 



Vln. I

mp

mf

  

  

w



mf

mp

In

his

love

mf



love

rla

fo k ik 

o n . e

n e g 

mp







mp

    

  

  

 

Vln. II

   

Va.da G.

                   

mf

Vne.



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    

  

 

s u .m w w  mp

  

Org.

E D 

   

mf

love

mp

O M

mf

   love

Rec. 1

mf

mf

mp

mf

mp

mf

pizz

mp

 

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S. 1

  

ff

B



love ff

 

S. 2

love

A.

T.

B.

Rec. 1

Rec. 2

 

   

Vln. I

O M

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        

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Vln. II

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arco

cresc

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7 37

S. 1

 

 

S. 2

p

cresc

  

  

wraps

A.

   

cresc

holds

T.

B.

    wraps



and

holds

 

Rec. 2

and

 



 

f

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Va.da G.

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Vln. I

f

O M

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holds

 

Org.

 

f

E D

wraps

Rec. 1



   

wraps p

p

pizz

p

  

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8

C 43

S. 1

    

 



us

   

S. 2

 



   

  us

T.

B.

Rec. 1

holds

 

 

  

E D    

 

ff

Rec. 2



   

u m . w  w ff

w

 

Org.

Vln. I

 

ff

C

 

Vln. II





Vne.

    

He en - folds

us in

ff

     

     

let

      

 let

He en - folds

    

us in

      

ne - ver

let

ff

us in

      

He en - folds

    

ne - ver

let

ff

    

     

He en - folds

love, and he will

love, and he will

la r fo

  

 

 



 

love, and he will

o n . e

us in

love, and he will

n e g  

 

 

     

  

     

ne - ver

let

 

 

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   

  

       









   



  















    



   







ff

ne - ver

ne - ver

  

pizz

ff

ff

love, and he will



ff

Va.da G.

us in

   

 kk i s

 

He en - folds

      

O M

    

   

us

ff

   

us

A.

  

marcato

   ff

arco marcato

   ff

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     

         



     

        




9 51

S. 1

   

 

us

S. 2

  

B.

Rec. 2

Org.

Vln. I

Vln. II

Va.da G.

  

  go

p

From

him

E D 

 

mp

 

 w



     



From

him

we

come



  

we

come

mf

mf

      



   

 f

    From him we

   f

  

mf

 f

 

f

mf

   

come

en

 

g a l r

kfo

o n . e   

From him we

f

come

  

mp

sik

come

mf

     

u m . w w

we

mp

cresc

   

O M

go

   

  

mf

 

From him we

 

   

  

go

    us



 

us

Rec. 1

   

come

go

  

 

      

From him we

 

us

T.

go

us

A.

mf

f

   

     

f



  

  

arco

f

 

    

 

 p



   

 

   

   f

cresc

pizz

Vne.

                           

p

cresc

N.M.O. 12480A

f


10 S. 1

D

59

  

In

S. 2

f

  

   

T.

B.

Rec. 2

  

f

Vln. I

   

In

we are en - fol - ded

him

   

 

 

D



 

   

u m . w w

mp

-

   

fol

mp

    

   

en

-

ded

  

en

fol

ded

mp

en

la r fo

 

 

    

   





   



 

  

      

-

fol

 

-

mp



o n . e

fol

ded

n e g

 

 

    

  







 



   







 







   



 



  







   

   

    

N.M.O. 12480A

      



p

 

mp

   





p

  



arco



p



  

pizz

   

   



ded

    

w



ded

      

we are en - fol - ded

k k i s

 

en

we are en - fol - ded

him

fol

O M

him

   

-

   

    

  

   

en

we are en - fol - ded

E D 

  

Va.da G.

In

 



   

mp

    

we are en - fol - ded

him

In

 

 

 

Vln. II

Vne.

From him

Org.

  

come

Rec. 1

In

 

him

   

From him

A.

   

   

 

mp

  

mp


11

E 67

S. 1

 

p

   

to

S. 2

p

mp

    

to him

A.

pp

     to

B.

 

T.

Rec. 2

p

 

E D him

  

to

him

 

 

to

to

him

   

mp

him

to

 

g a l r

fo k ik

p

o n . e  

en 



 



   mp

 mp

    

     



p

p

pp

him

 

s u .m w w

w

 

him

   

 

O M

him

mp

 

p

 

    

  

Org.

to

To

Rec. 1

pp

mp

cresc

E Vln. I

 

Vln. II

Va.da G.

Vne.

 

 p





 

 mp

pp pizz



p

pp

 

 

N.M.O. 12480A

   

 

      


12 S. 1

F

mp

  

75

   

him

  

S. 2

  

A.

to

T.

B.

Rec. 1



 

 

 

  

     

p

mp

 

mf

    

Org.

 

Vln. II

Va.da G.

Vne.

  

 

we

re

 -

p

     

5

mp

la r fo

      5

n e g 





p



5

mp

 

     

p

 

o  n . e

 

mp



p

 

re - turn

p

 

p

re -

we

mp

  

mp

  

turn

p

p

arco

p

k k i s

u m . w    w w  

F Vln. I

5

O M

E D

        

him

mf

Rec. 2

mp

mp



p

mp

arco

 

     

pp

 N.M.O. 12480A


13 82

S. 1

 

mf

 f

re - turn

 

S. 2

mf



turn

we

re

A.

 -

turn

mf

f



re - turn

mf

 

re - turn

 

 



T.

B.

Rec. 1

Rec. 2

Org.

Vln. I

  

Vln. II

Va.da G.



E D 

la r fo

k k i s

u  m . ww



w

 





 









re - turn

   



p



 









p

 p



p

Vne.

o n . e

n e g

p



O M

 

mp

 p

 N.M.O. 12480A


14 87

S. 1

  

rall.

p



re - turn

 

S. 2

p



re - turn

A.

T.

 

B.

  



re - turn

Rec. 1

Rec. 2



Org.

Vln. I

E D

 

Vln. II

mp

mf

    

la r fo

Vne.

p

(to tenor)

mf

p

w

 pp



  

rall.



 

 

  

 

 



pp

p

n e g

ikk

s u .m w w

o n . e  (to tenor)



pp

 

Va.da G.

 

     

mp

 

O M

p





p

pizz

N.M.O. 12480A


15

II. The Still Point Adagietto

91 q = 96

Bell (optional - played by singer)

Soprano 1

Soprano 2

Alto

Tenor

Bass

Recorder 1

Recorder 2

Chamber Organ

  

  

 

 

  

  

  

  

E D

   

O M

 

w

p



la r fo

k k i s

 u m . w w





Adagietto q = 96

Violin I

Violin II

  

 

   

 

pp

Viola da Gamba

     

pp

  

 

  

3

p

 

     

         

pizz

pp

Violone

n e g



o n . e

arco

pp

    

pp

N.M.O. 12480A


16 96

S. 1

 

pp

 

is pp

 

S. 2

God

is

A.

the

pp

 

is the

T.

B.

Rec. 1

Rec. 2

Org.

Vln. I

 

 

pp

    

 

rla

fo k ik 

 pizz

the

 

p

         

3

  

o n . e  



pp arco

  



p

       

3

 

tenor

 

 

n e g

 3

the

w

 

s u .m w  w

O M 

E D

Va.da G.

(whisper)



Vln. II

is

is

 

 

    

pp

 

pp

p

Vne.





the

 

   

N.M.O. 12480A


17 101

S. 1

  

 

is

 

S. 2

  

B.

 

Rec. 2

is

Vln. I

pp

Vne.

 

the

la r fo

k k i s

the

  is

the

o n . e 

n e g 



 

G 

pizz 3

 

sul pont arco

 

p

pp pizz

3

 

p

is the

the

the

E D 

is

                

u m . w w 

is

(whisper)

the

is

         

point

O M

tenor

    

Va.da G.

Vln. II

(sing)

the

w

is

  

  

is

p

Org.

still

God

 

the

the

the

(whisper)

   

is

is

 

the

is

Rec. 1

the

 

God

is

T.

the

is

A.

G

3

 

arco

   

pp

        

 

       

   pp

N.M.O. 12480A


18 105

S. 1

  

S. 2

(whisper)

B.

 

 

(sing)

point

   

Rec. 2

 

Vln. I



 

Vne.

 

is

the

still

 

(sing)

 

  

is

the

the

   

the

still

point

o n . e 

n e g 

   

nat

   

   

pizz p

  

 N.M.O. 12480A

        

 

 

sul pont

point

  

 

God

la r fo

ikk

      

 

  

O M

God

is

w

s u .m w w 

  

point

 

God

 

the

is

the

still

 

   

Va.da G.

the

the

is

Vln. II

E D

 

 

the

Org.

is

is the

is

Rec. 1

(whisper)

is

T.

 

is the

still

A.

 


19 109

S. 1

   

    

is

 

S. 2

God

is

 

A.

God

is

 

God

B.

Rec. 1

Rec. 2

 

T.

Vln. I

God

is

   

is

God

 

 

 

w

   

 

God

 

God

is

 

   

lag 

o n . e

Vne.

  

     

 

cresc

 

pizz

  

  

 

  

        

cresc

  

nat.

   

is

 

 

      cresc



cresc

Va.da G.

 

God

en

  

is

God is

             

        

God

is

r o f k      k  si

u m . w w

  

is

E D

Vln. II

is

God

O M



  

 

is

         

 

God

Org.

 

      

  

cresc

N.M.O. 12480A

pizz

3   


20

H 113

S. 1

 

whisper: God is the still point (independently)

 

S. 2

whisper: God is the still point (independently)

 

pp

the whisper: God is the still point (independently)

A.

pp

the

 

T.

B.

whisper: God is the still point (independently)

 is

mp

Rec. 2

mp

Org.

the

still

point

O M

E D

the

still

Va.da G.

    

 

mf

dim

 

      

mp

 

          mp

  

           

arco

dim

         

 

arco

Vne.

whisper: God is the still point (independently)

mf

mp

Vln. II

point

H

Vln. I

o n .                           ne         e g a l r o f               k                  k    si u .m w   ww     God

Rec. 1

still

    

   

    



   

mp

dim

      

N.M.O. 12480A

arco

dim

                

  

 

 

           p


21 117

S. 1

 

 

at

 

S. 2

still

 

A.

T.

B.

Rec. 1

Rec. 2

Vln. I

3

 

the

the

at

the

at the

at the

      

at the

at

atthe

la r fo



o n . e 

n e g

  

 pizz

pizz



pp

 

      pp

 N.M.O. 12480A

pp



 

 



arco

  

the

k k i s

the

at the

O M at the



    

  

at

        

pp

  

3

the

at the

u m . w w w 

pp

pizz

at the

at the

at the

    

          



at the

 

at



    

at

E D

 

the

       at the

pp

    

Va.da G.

at

at the

    pizz

at

 

Vln. II

Vne.

point

 

 

Org.

point

the

   

3

 

arco

    pp

p3


22

I 123

S. 1

 

whisper: God is the still point (independently)

S. 2

whisper: God is the still point (independently)

 pp

God

       at the

A.

 

at

T.

B.

 

Rec. 2

Org.

 

Vln. I

Vln. II

 

 

Vne.

w

         

 

pp



g a l r

fo k ik 

 





o n . e

en

3

   

p

   



     

s u .m w w 

arco sul pont

Va.da G.

O M

E D

  

whisper: God is the still point (independently)

the



whisper: God is the still point (independently)

 

whisper: God is the still point (independently)

the

the

at

Rec. 1

is

 

I

sul pont

 

 

   



pizz

p

 

p3

      pp

N.M.O. 12480A

 



p


23 128  

tubular bell

Bell (opt)

S. 1



mp

 

 

still

pp

T.

B.

  

 

 

Rec. 1

pp

the still pp

Rec. 2

     



 

Org.

Vln. I

 

 



 

  



 

arco

God is



God is

God is



o n . e

n e g

God is

  

 







God is

     God is



 

nat







  

 











 

 N.M.O. 12480A

God

     

3

God is

  

  

p

3

Vne.

God is

la  r fo

 

p

  

Va.da G.

 

Vln. II

3

God is

               

point

k k i    us    .m w w

w   

God is

God is

p

     

God is

God is

God is

point

 

God is

                 

      

God is



God is

E D

3

God is

O M

point

the still

  

God is

God is

the still

pp

A.

point

                        God is

S. 2


24 135 Bell (opt)

S. 1



 

J





mf

f

mp

 

the

 

S. 2

p

cresc

the

     

A.

is

B.

Rec. 2



 

 

Vln. II

is

the

still

 

  

mp

 

3

 

still

point

kfo

mp

  

rla

  

3

 

3

still

o n . e

n e  g

mf

5

point

5

             

 

point

   

3

 

  

mp



 

f

3

 



J 

nat





col leg. batt (dropped)

  

 

O M 

pizz

5



p

 col leg. batt (dropped)

   

sul pont

 

pp



  



 p



p

N.M.O. 12480A



cresc

vib

5

 

pp

mp

Vne.

cresc

the

ik s u 3

.m w w

mp

Va.da G.

 

w  

col leg. batt (dropped)

Vln. I

  

God is

E D 

 

Org.

God is

God

point

pp cresc

the

God is

God is

Rec. 1

         

 

 

God is

  

T.

still




141 Bell (opt)

S. 1

  

point

  

T.

B.

at

the

    at

mf    

cen

cen

ff

the

at

the

cen

ff

at

the

cen

 

3

3

    

Vln. II

sul pont

   

Va.da G.



pizz

ff

  

tre

-

tre

-

 

 

ff

 



 

tre

 



3



f

   

 n e g

o n . e  



(to treble)

 

p

 



 



 

(to treble)



 

 

 

 

 

 

p

arco (nat.)



 

p





la r fo

k k i s 

ff

3

 

3     

O M

-

u m . w w

w 

 



                 

p

tre



 

mp



 

E D

the



tre

-





ff

cen

cresc

-



the



 

ff

f

Vne.

the

the

      

Vln. I

at



mf



at

f

Org.

at

3

Rec. 2

the

at

Rec. 1

 

at

A.



ff

 



ff

cresc

still

S. 2



  

 

 

 

 

 





p





p

















 

p

 

 

 

 

 













ff arco nat ff

  

nat





ff

ff

25

 N.M.O. 12480A

p


26

III. For Love Maestoso 151

Soprano 1

Soprano 2

Alto

Tenor

Bass

  

q = 100

mp

Learn

it

well

p

mp

Learn

it

well

 

 

p

Learn

it

     

p

 

Recorder 1

well

Learn

Recorder 2

  

E D 

p

Chamber Organ

 

 

 

  

Violone

well

mp

it

Learn

well

mp

it

well

 it

mp

Learn

it

well

mp

Learn

it

well

p

mp

p

well

 

mp

Learn

it

well

p

 

p

mp

well

Learn

it

well

Learn

mp

p

mp

p

it

well

it

well

g a l r 

o f k 

   

 

  

o n . e

en Learn

 









p

  

it

  

    

 

it

p

Learn

  

  

  

Maestoso

p

Viola da Gamba

mp

p

p

Violin II

  

ik s u

 m . w w

q = 100

Violin I

w

    

O M

p

p

p

Learn

Learn

Learn

  

mp

 Learn

p



p





 

  

mp

 

mp



mp

N.M.O. 12480A









p

p

 



p





  

mp

 

p

mp



mp

 

p



p


27 160

S. 1

  

Love

 

S. 2

 

A.

Rec. 1

mp

it

well

 

mp

it

well

 

T.

B.



 

  

Rec. 2

mea - ning.

his

Org.

Vln. I



  

Vln. II

 

Va.da G.

Vne.

treble

  f

 

w

 





mp

mp

 



 

Learn

it

well

mf

mp

Learn

it

well

  

  

 

f

his

mea - ning.

mf

f

his

mea - ning.

mf

f

his

mea - ning.

 

   

N.M.O. 12480A



   

 







mf

o n . e  







 n e g

 

mf

la r fo

 

 mp

mf

 k k i  s 

 

mf



p

mf

O M 

u m . w   w 



mp

  

 

   



f

was

mea - ning.

E D 

  

   

f

f

his

mea - ning.

Love

f

 his

was

treble

was

Love



mp

 





 mp

 

K

 

p

p

 Who

  

 

Who

  

mp



K

p

 


28 169

S. 1

 

f



L

 

mp

 

mp

mp

Love

S. 2

f

Love

A.

f

Love mf

      showed it you? -

T.

mf

B.

    

Rec. 1

Rec. 2



E D

 

Org.

Vln. I

 

    

Vln. II

      

 

mf

 

mf

 

Va.da G.

Vne.

 

 













us

  

   



la r fo  

ikk





mp

o n . e

  

mp



  

 

n e g



 

did he

 

  

mp

 

 

L 

mp

 

 

 



  

f

 

did he

mp

f

  

f

 

What

 

.m w  w  

f

 

f

w

f

What

mp

O M

showed it you? -

 

 

mp

mp

f

 mp

N.M.O. 12480A


29 178

S. 1

 



f

M

 

mp

mp

mp

Love

S. 2

f

 

Love

A.

f

Love mf

T.

    show you?

 

mf

B.

show

Rec. 1

Rec. 2

Org.

Vln. I

you?

 



 

Vln. II

Va.da G.

  

 













la r fo

mp

 k k si

w 

 

u m . w     w

f

 

   

  

n e g 

 



 

o n . e

mp

  

   

did he

p

Why

  

 

M  

p

f

 

 

 

 



f

  

 

p

p

f

Vne.

O M

 

f

p

Why

E D 

f

 

N.M.O. 12480A


30 187

S. 1

 

S. 2

f

show

 

T.

B.

  

Rec. 2

Org.

 

  did he p



did he f

    show



show

you?

did he

you?

 

Vne.

did he

show

For

love



For

love





us



n e g

la r fo

k  ik

 

 N.M.O. 12480A





  

   





   





 

 

 

 

 

ff

  ff

 



ff

 



ff

ff

o n .  e  

you?

ff

     p 

Va.da G.



you?

 

Vln. II

love

N Vln. I

For

O M

show

.m w w

w 

show



ff

 p

E D 

     

 

you?

f

      did he

 p

   

you?

Why

Rec. 1

    

A.

(top B may be omitted) ff

N

 ff


196

S. 1

      

S. 2

Rec. 1

Rec. 2

Org.

Vln. I

was

our

Lord's





Love

was

our

Lord's

 

  



was

our

Lord's



Love

was

our

Lord's

was

our

 

  

 

 

 

 

 

 

Love



 

  

 

 

 

mea - ning.

 

mea - ning.



Lord's

k k i s

o n . e

   

  

   

  

 

  

 

 

   

   

O

  



Love



 

f

 

f







Love

mea - ning.

n e g

f

Love

mea - ning.



f

 Love

mea - ning.



f

Love

la r fo

         

ff

ff

 

 

 

  





ff

  



  



f

f

Vne.

ff





f

  

ff



u m . w        w w   

    

ff



O M

E D

  

ff

f



ff

f

Va.da G.

Love



 

Vln. II



Love

 

 

f

   

f

f

 

T.

  

A.

B.

31

O

f

ff

ff

N.M.O. 12480A

 

ff

 

  

f




32

  



was

our

Lord's

 



was

our

Lord's

206

S. 1

S. 2

A.

B.

Rec. 1

Rec. 2

Vln. I



was

our

Lord's ff

 Lord's

 

ff

was

our

Lord's

 



   





  

 

 

 

  

  

f

 



Love

was

our

Lord's





Love

was

our

Lord's

 Love

   

   

f

w 

 

 

 

   f



was

our

Lord's ff

 

mea - ning.

  mea - ning.

Love

was

our

Lord's

ff

was

our

Lord's

o n . e 

 

 

 

f

Love

 

mea - ning.

mea - ning.

n e g

  

 



la r fo

 ikk 

 

   

 

 

 

 

  

 

  

  

  

 



ff

mea - ning.

ff

   f





s u .m w w   

ff

O M

E D  

  

 

mea - ning.

  

f

mea - ning.

 

f

f

 

mea - ning.

 

mea - ning.

    

 

mea - ning.

 

Va.da G.



    

Vln. II

Vne.

ff

   

Org.

ff

 

    was our

T.

ff

 

N.M.O. 12480A

 

 

 

           





    

          


33 215

P

 

S. 2

A.

T.

 

S. 1

B.

Rec. 1

Rec. 2

         

Org.

Vln. I

 

    

Vln. II

Va.da G.

 

O M 

E D  

 

 





la r fo

k k i u  s   m . w w p

 



P 

   

 

 

 







p

   



   

 

  

n e g

 

p

pp

Vne.

o n . e 

p

w



p



pp

N.M.O. 12480A

 



mp


34

rall. 221

S. 1

Rec. 2

Org.

Vln. I

f

Learn

it

well.

mf



f

Learn

it

well.

Learn

mf

f

mf

Learn

it

well.

 

T.

Rec. 1

 

A.

B.

 

S. 2

  

f

 f

    

ff

  

 

 

mf

mf

  



 

 

 

Learn

it

mf

Learn

it



mf





f

f

  

Va.da G.

f

Vne.

f

 

  

 

ff



 N.M.O. 12480A

 

ff

well.

rla

o n . e

n e g 

 

  

  ff

  ff

   

 

 

  

  

 

   ff

 

mf

 

 

well.

mf

  

  

 

mf

 

Vln. II

kfo

 

ff

mf

rall.

  

 

O M

.m w    w  w

ff

ik s u

 

 

Learn



mf



 

ff

Learn

E D 

 

mf

mf

  

ff

 

  

ff

 

ff


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