AUDUN RØBERG: Trysilsuite

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A U D UN R ØB E R G

TRYSILSUITE FOR PIANO

N.M.O. 14839


Copyright © 2021 by Norsk Musikforlag A/S, Oslo. All Rights Reserved International Copyright Secured. Det må ikke kopieres fra denne bok i strid med Åndsverkloven eller i strid med avtaler inngått med Kopinor, Interesseorganisasjon for rettighetshavere til åndsverk. Kopiering i strid med lov eller avtale kan medføre erstatningsansvar og inndragning og kan straffes med bøter eller fengsel. N.M.O. 14839 ISMN 979-0-065-16782-4 Published by Norsk Musikforlag AS Postboks 1499 Vika N 0116 Oslo Norway Tel (47) 23002010 Email: order@musikkforlagene.no Photo: Markéta Machová, Pixabay Grafisk produksjon: Norsk Musikforlag A/S, Oslo. www.musikkforlagene.no Denne suiten i tre satser er bygget over folketoner nedtegnet i hjembygda Skjærberget i Trysil.

1. SKOMAKERSLÅTTEN Etter Jon Storberget (1876 -1957) 2. HALVORSLÅTTEN Etter Halvor H. Gjetfallet (1881-1965) 3. NILS I LIA'S HALLING Etter Nils Lien (1833-1916)


3

TRYSILSUITE

6

Audun Røberg

1. SKOMAKERSLÅTTEN

   

Allegro moderato

 marcato

    

O M

                                            

E D

fo k k i s  u    

     

    

         .m 

w w w



o n . ne 

      e     g         a l r

     

                                                                            

11

                       

 

16

      

    

Copyright © 2021 by Norsk Musikforlag A/S, Oslo.

   



  

N.M.O. 14839

               

   

 

 


4

Piano

             

21

                                   

 

                                    

26

        

O M

E D

   

31

      

      

o n .    ne         ge       la       r o f   k  k     usi                          m  .  w w w

                                                               

36

                           

41

     

             N.M.O. 14839

     

     

                  

        

          

allargando                    


5

   47                 

                       

          

54



 

 

Piano

                           Poco più lento              

      

                   

O M

 

E D

 

            62                    

    

69

 

  

  .m

w w w

       

f k ik   s u   

 

ag l or 

 

 



   

o n . ne

e

   

             

                              

          

                               

76

     

 

     

 

N.M.O. 14839

 

 



        


6

Piano

  

83





   

 

        

 

 

 

                                            

               

90

     

    

97

  

104

 

       

  

    

 

           

              rit.

o n . ne

e  g       r la fo  k         sik           u       m . w ww 

Tempo I

marcato

                

     

O M

E D 

 

     

      

N.M.O. 14839





      

    

                                                   

109

  



         


 

7

Piano

                      

114

        

    

             

119

   

 

               

        

 

 

                                  

 

O M

E D

o

.n   e          e n                      g  a l   r o f   k     k         i         s       u       m  w. 

124

ww

                                                 

129

                                                               

134

N.M.O. 14839

        

    

              


 

8

Piano

                                               

          

139

  





        



  

143

          

          

  

allargando           

 

  

 

       o    e.n 

       

O M  

E D

 

 

 

n e g

la r kf o

2. HALVORSLÅTTEN sik

w

u m . w w

             leggiero e amabile             Allegretto grazioso

                           cresc.                          

                          

6

        

     

 

 

 

 

 

 

 



              

    

N.M.O. 14839

   



 

  



 


9

Piano ten.                        ten.                    

11

16



          

    

21



         

26

  

  

                                          

Andante

E D

      

  

    

  

  

  

 

  

 

  

o n . ne

e g la

  





    

  

                                   N.M.O. 14839



 

       

O M

                            

31

 

                 r       fo        k  k   cresc. i s u    .m            w     w     w

    

    

               

 



 

   

    

                                   


10

Piano

                                                               

36

                                               

40

    

45

   

   



 

   

55



  

    

 

 

 

   

  

o n . n e

         g  e   a  l   r o   kf    k     i    s

 mu .

w w w

           

50

  

       

O M

E D



   

                     

  

       

 

   

                                                                                                        cresc.                             Tempo I

N.M.O. 14839


11

Piano

                                             

60

              ten.               ten.

                                    

65

     

70



 



 



  



 

O M

E D  



 

 

si u m

. w w





  

o n . ne

e g la

r   fo    k  k        

         w             rit.

 

 



    

         

               

3. NILS I LIA`S HALLING

   

Allegro non troppo

 marcato       

    

               

   

N.M.O. 14839

     

  

           

   


12

 

Piano

             

6

        

11

  

            

   

      

16

          

               

21

                                  

  

                

              

E D ww

               

        

        

o n . ne

e g la

          

 

               

   



N.M.O. 14839

           

               

                                                                         

26

  

         

O M

        

                fo r k k     i s    mu      . w

            

   

     

       

 


13

                          

32

        

      

   

43

      

  

         

49

 



  

             

    

 

  

    

  

             

  

   

 

  

       

  

             

            

       

  

   

  

      

                                               

      

     

            

                     

54

     

                  

38

     

Piano

       

          

                       

      

     

N.M.O. 14839

   

     


14

 

Piano

                                                            

60

       

65

    

                                  

          

70

       

75



    

   

   



                  

 



  

          

  

                

  

     rit.

                                    Andante con moto

                                                                 

82

N.M.O. 14839


15

Piano

          

90

                      

                   

                                       

98

      



106

    

      

     

114

       

        

  

      

   

 

                         

              

119

   

  

     

      



     

rit.

  

             

         

        

          Tempo I

   

   

                         

                     N.M.O. 14839

 

     

  

   

        

  

                  


16

  

Piano

      

124

          

130



 

 

        

                 

   

    

            

           

       

                 

   

             

     

               

                  

                                                             

135



  

140

 

               

       

146

    

                            

        

   



  

          

N.M.O. 14839

   

 

  

     

  

                  

 





          

       

  

 

  

   


17

 

            

151

156



Piano

       

  

   



     

  

    

  

       

                

                        

                                               

       

                                                         

162

        

    

167

    

      

 

 

      

 

   

      

   

N.M.O. 14839

 

  

        



     

        


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