SALLY BEAMISH: Thorns

Page 1

Thorns

N.M.O. 12642
(2008) For Violoncello and Harp SCORE AND PART

Thorns for BG

Sally Beamish 2008

‘Birthday Candle’ for cello and harp. Commissioned by Mobius to celebrate 10 years of playing together, and first performed by Sally Pendlebury and Hugh Webb at the Wigmore Hall, London, on 22nd March 2008.

The title came to me when I looked out of the window and saw a red rose flowering in the middle of January. It seemed like an act of sheer determination and disregard for the season. I had been setting words by Hafez: the love song of the nightingale to the rose, including the line ‘no-one plucks a single rose without the risk of thorn’.

Sally Beamish 2008

Duration: 3’30”

This work is published in the following editions:

Score and part for Violoncello and Harp(N.M.O. 12642 / ISMN 979-0-065-11794-2) Score and parts for Bb Tenor, Saxophone, Piano and String Bass(N.M.O. 12643 / ISMN 979-0-065-11795-9)

Publisher: Norsk Musikforlag A/S Postboks 1499 Vika N-0116 Oslo Norway

TEL 00-47-23 00 20 10 FAX 00-47-22 42 44 35 E-mail: order@musikforlaget.no

Copyright © 2008 by Norsk Musikforlag A/S, Oslo N.M.O. 12642 Sally Beamish q = 68 Andante mesto Thorns Violoncello Harp pp f mp mf f mp f mp mf fBb Gb A# B§ 7 ff mf f mf ff f mf F# G# A§ G§ Bb 13 q=80 poco piu mosso p pp p Db F§ Gb G§ C# E§ D§ 18 p mp Ab C§ Db B§ DEMO www.musikkforlagene.no
22     f                      f                       Bb D§ Cb     C§ A§     G#     B§ D#                     26 rall. Tempo primo q=68                 ff       mp        pp  5 5 5                  ff       mp          p           G§ Eb    D§ Ab     Gb    E§ G§ D#     F#   30 rit.      3    3 p                  mf     5                                          33 poco accel. rit.                 ff                  3 5 3         ff                           A# D§     Eb A§      Bb              E§ C#    B§   2 DEMO www.musikkforlagene.no
Tempo 137     p        cresc                                   cresc                     sub p A#      C#                             A§    42 q=80 poco piu mosso            mf     pizz mp              mf     mf       f       E#    Bb  E§  F§        B§   E#  G#    F#              47     mf    3    3          mf       3 f       3 mf             C§ E§       F§ D#                F#     51   f   3   3   3   3 mp    3    3 f      f       3       3 mf   3  3 f dim            C# Ab B#            G§  G#  A§            3 DEMO www.musikkforlagene.no
55 rall. Lento   arco pp            3   arco pp                       p       B§ G§   C§      Bb     Eb B§   Ab   58 rall.      p   pp                                         4 DEMO www.musikkforlagene.no

DEMO www.musikkforlagene.no

DEMO www.musikkforlagene.no

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.