Pop Music Came from Rock and Roll By its very definition Pop (short for popular) is the most POPULAR music genre. The fragmentation of popular music into discrete niches has meant that fewer performers are able to transcend their specific genres to attain a kind of cultural consensus that seemed possible in the past. Yet Shumway's tired lament reveals less about why this change has occurred than it does about the stranglehold that baby boomers continue to have over received knowledge about the history of modern popular music.
Rock
Rock music is one of the leading genres of popular music and underground music in contemporary Japan. Rock and Hip Hop are more closely related than you might think, they both evolved from R&B (Rhythm & Blues). A poet who later came to rock 'n' roll, she never shed the identify of a poet who does rock 'n' roll, an artist who explicitly combines poetry and rock 'n' roll. Mark's Place in early 1971, to opening as a poet rock bands in the heyday of the Mercer Art Center (1972), to forming a performance duo with guitarist Lenny Kaye (1973), the producer of the punk-retro album Nuggets, and finally with him to forming a rock band, the Patti Smith Group (1974). Smith was said to have brought "rock 'n' roll rhythms to poetry," thereby having "reversed the process" initiated by Bob Dylan, who gets "credit for introducing poetry to rock 'n' roll. More significantly, they brought in a "following drawn from the art fringes," an "art-rock crowd," who quickly "cemented" a permanent relationship with the bedraggled "rock & roll crowd" already ensconced at CBGB's.
Pop
Pop music is shorter way of writing popular music. Pop music came from the Rock and Roll movement of the early 1950s, when record companies recorded songs that they thought that Teenagers would like. Pop music usually uses musical styles from the other types of music that are popular at the time. "On the pop side, "minimalism" implied simplicity and adherence without ornamentation to a basic universal rock framework, which in turn implied accessibility, familiarity, and eminent commerciability. And their exhibition of an "earnest dumbness of an adolescent pop" more redolent of a bygone era, before an audience of artists and other sophisticates, could only take on the allure of satire and irony�. Their unabashed artiness was a