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INDEX ARCH 565 | FALL 2017..................................................................... 4 ARCH 554 | SPRING 2017.............................................................. 28 ARCH 553 | FALL 2016 .................................................................. 40 ARCH 522 | SPRING 2016 ............................................................. 80 ARCH 551 | FALL 2015 ................................................................ 104 ADDITIONAL WORK .................................................................... 150 ARCH 520 | FALL 2017................................................................. 152 ARCH 566 | FALL 2017................................................................. 156 ARCH 564 | SPRING 2017 ........................................................... 162 ARCH 586 | SPRING 2017 ........................................................... 170 ARCH 563 | FALL 2016 ................................................................ 178 ARCH 562 | SPRING 2016 ........................................................... 182 MOS WORKSHOP | SPRING 2016 ............................................. 184 Lohse | 2015-2017 | University of Illinois at Chicago
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ARCH 565 | FALL 2017 ARCHITECTURAL DESIGN V | A CULTURAL CENTER FOR CHICAGO INSTRUCTOR SAM JACOB
ABOVE: architectural exquisite corpses assembled by UIC graduate students class of 2018. RIGHT: detail of final model for a new cultural center for Chicago. Exquisite corpse: a playful surrealist technique for generating unexpected outcomes.
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Learning from the technique of the exquisite corpse for generating ideas, here are a series of collaged plans as an exercise for generating new ways of thinking about plans and public space. This series of collaged plans collapse renown Palladian plans with notable contemporary plans to produce a range of architectural languages for creating a variety of spaces. In these collages one may find remnants of plans by Palladio, Mies, Hejduk, Loos, Wright, Venturi, Moore, etc. A similar strategy was applied to collaging elevations of notable buildings to produce exquisite elevations, shown in the following pages.
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How can the language from one building influence the language of another? What would the abstraction process look like? Above is a collage between the Poultry building by James Stirling and the News Building in NYC by Hood and Howells.
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This process of abstraction where the new product is both connected and removed from its original sources helped create new forms that began to have a life of their own. The lessons learned from the previous exercises were carried forward in designing a new cultural center for Chicago. On the far left is a simplified “stack of columns,� a collage taking from a Joseph Gandy painting and the language of medieval fortified castles.
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How could one define space through columns? What would a simple stack of columns paired with a non-stack program yield? The following proposal is the beginning of that exploration.
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Level 1: a series of large columns that house a variety of program such as theater, bookstore, library, offices, bathrooms, etc.
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Level 2: tall slender columns intersected by smaller floor plates. Column density and movable exhibition walls help designate the permeable distribution of program, where a public lecture can be held overlooking exhibition space or where lunch can be purchased near your favorite architecture installation.
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Level 3: artists in residence living and communal studio space. The cultural center not only houses art and architecture but also produces it.
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Level 4: library, office, and exhibition spaces
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Level 5: interior and exterior space to house architecture pavilions, public events, weddings, etc.
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Level 6: open floor plan for offices and exhibition spaces
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Circulation diagram
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Physical model
Elevation oblique in Chicago context 22
Exploded worms-eye Lohse | 2015-2017 | University of Illinois at Chicago
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Scenarios per level 26
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ARCH 554 | SPRING 2017 ARCHITECTURAL DESIGN IV | 3-DIMENSIONAL URBANISM KELLY BAIR & ANDREW ZAGO
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LAFAYETTE PARK | DETROIT, MI
MIES VAN DER ROHE, designer of the iconic modernist buildings at Lafayette Park, operated in a planometric fashion addressing the issues of urban renewal. Decades later, Lafayette Park still maintains a vibrant diverse community. What happens when a three-dimensional approach to urban development is applied to a pre-existing planometric modernist neighborhood? How could one accommodate a variety of programs into one grand urbanism project? A series of transformations playing with typology, topology, and topography were applied to the preexisting Lafayette park. Here are the explorations of such endeavor.
TYPOLOGY A classification according to general type TOPOLOGY The study of geometric properties and spatial relations unaffected by the continuous change of shape or size of figures. TOPOGRAPHY The arrangement of the natural and artificial physical features of an area.
*This project was explored in collaboration with Sujata Burthakur.
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THE FOLD
Starting with a topographic transformation of the site, the ground was folded in such a way that the buildings would stack, but never overlap or intersect. The topology of the original buildings remained intact while the typologies were adjusted to accommodate new program.
Sampling the ‘Fold’
Folding the ground, taking all buildings for the ride
Applying a 90° rotation
What used to be plan in Mies’ buildings, is now expressed as section and facade. Left: Site plan for the 1,000,000 sq ft development adjacent to Lafayette Park.
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Scale model 32
CIRCULATION DIAGRAM Lohse | 2015-2017 | University of Illinois at Chicago
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Left: plans Right: sections Lohse | 2015-2017 | University of Illinois at Chicago
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Left: model detail Right: serial sections
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Left: elevation oblique Right: model detail
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ARCH 553 | FALL 2016 ARCHITECTURAL DESIGN III | HOUSING FROM THE INSIDE OUT PENELOPE DEAN & GRANT GIBSON
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MASSING STUDIES Site: Indiana Dunes Program: residential Single family house
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MASSING STUDY Bird’s eye view from Lake Michigan
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MASSING STUDY View from the road
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AXONOMETRIC STUDIES Objects, decor, and general massing Lohse | 2015-2017 | University of Illinois at Chicago
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OBJECTS + DIAGRAM Object inventory and relative relationship to one another. Diagram exploring the effects produced by tight proximity creating areas of high interaction.
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...A house with maximum proximity and pockets of privacy where it is inevitable to interact with each other...
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WORKING MODELS Left: objects on site Right: objects + decor
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x 33
1’ = 1/8”
STUDIES Left: objects + decor + site Right: working model showing proximity, color composition, and interior views through the space.1’ = 1/8” 50
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WORKING MODELS Left: plan view with modular decor Right: interior perspective
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All soft surfaces in the house are consolidated into one large modular piece of furniture where one can sleep, live, and entertain. The vivid colors and tight arrangement of modular cushions contrasted against the surrounding white surfaces produce a living environment for high social interaction. Easy circulation to the rest of the house where the kitchen, bathroom, and storage can be found provides a world where daily life happens as if on a stage, and the supplementary activities behave as the backdrop to the performance.
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LAKE MICHIGAN
SITE PLAN Small house tucked away behind the natural slope of the site.
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WORKING MODELS Miniature massing models testing form and relationship to neighbors.
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South Elevation
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North Elevation
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West Elevation
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East Elevation
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Section 1
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Section 2
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Plan 1 Main living area
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The lower level consolidates the primary solid surfaces of the house. There is a continuous built-in (pictured above) serving as kitchen, pantry, and hidden entry to the storage and bathroom below.
Plan 2 Life beneath
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10'
105 ft
5'
105 ft
1'
2'
110 ft
115 ft
110 ft
120 ft
115 ft
125 ft
120 ft
115 ft
LEFT: Section Perspective RIGHT: Siteplan with drainage and veggetation strategy. 110 ft
ARCH 555 DESIGN DEVELOPMENT Instructors Ryan Pallider and Chris Fry 69
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INTERIOR PERSPECTIVES Cushions replace furniture and canopies create moments of privacy for the occupants. Lohse | 2015-2017 | University of Illinois at Chicago
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INTERIOR PERSPECTIVES Life below flooded by light from windows following the ground-line.
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ARCH 522 | SPRING 2016 ARCHITECTURAL DESIGN II STEWART HICKS AND JULIA DI CASTRI
BA GLES 80
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COLLAGE Historic architectural elements and patterns collaged to create a “costume� for Bargles
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Geometric Analysis of the form and costume.
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SKETCHES Character associations where Bargles may produce multiple readings.
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ABSTRACTIONS An exercise pulling away layers from the collage and arriving at a simplified composition of the costume.
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BARGLES COMPOSITE Left: costume + collage Right: cast concrete model with gold costume.
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BAS-RELIEF MODEL Detail photo of exterior elevation model.
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LONG SECTION DRAWING Program: cultural center with library, museum, and ballroom.
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SHORT SECTION DRAWING Program: cultural center with library, museum, and ballroom.
GRAPHIC PLAN STUDIES Top to bottom: ballroom, museum, library
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LIBRARY Interior drawing 100
LIBRARY Bas-relief model Lohse | 2015-2017 | University of Illinois at Chicago
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Like a bag of marbles, Bargles encloses an environment that is bursting with enthusiasm. Ready to play and on the brink of overflowing, Bargles is poised to unleash the fullness of its dynamic nature in a dazzling display. It’s been rehearsed... it’s been refined... the world will see what is inside.
Designing a character [Bargles] with character [chubby, cute, slow, silly] by layering architectural elements and motifs to produce opportunities for multiple readings is what resulted in this project. It was an additive exercise where the relationship between figure and ground was challenged and oftentimes blurred. The process of collaging and layering is what informed the decisions for designing the cultural center where the presence of Bargles is not only read in elevation, but also through section and plan. Guided by an underlying narrative, this project comes alive through a character that has personality, influencing design decisions along the way.
LEFT: MUSEUM Bas relief model Lohse | 2015-2017 | University of Illinois at Chicago
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ARCH 551 | FALL 2015 ARCHITECTURAL DESIGN I KELLY BAIR
SALTBOX: A house that has two or more levels in the front, one level in the back, and a steep roof that slopes down from the front to the back. Merriam-Webster Dictionary SALTBOX: A playful character that takes unexpected journeys. He may appear one way from one perspective, but shows himself completely different from another.
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Through geometric manipulations applied to a saltbox profile shape, I have explored a range of transformations while consistently preserving the original saltbox profile at some point in the form. These results are described as the outcomes produced through the Journey of Saltbox. As Saltbox travels through the form, it reveals itself both in ‘real’ geometry as well as through projected geometry. Throughout the designs, one always finds the true Saltbox present in the form.
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Saltbox is greeted by Rotation, Reflection, and Multiplication. They take him on a journey that transforms him in the process. Saltbox is no longer what he used to be, but instead, a mere projection.
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ON / OFF 000
X
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X-AXIS TRANSFORMATIONS
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ON-AXIS TRANSFORMATIONS
ON B-003
X
X
wins
Saltbox Triplets
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ON A-001
Saltbox
ON-AXIS TRANSFORMATIONS
X
Mulor2
ON C-001
ON C-00
X
Mulor 3 Saltbox
Saltbo
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OFF-AXIS TRANSFORMATIONS
X
ON B-009
X
Mulor1 off axis
Saltbox Mulor2 off axis
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ON B-005
Saltbox
OFF-AXIS TRANSFORMATIONS
X
Mulor 3 off axis
ON B-008
ON B-00
X
Saltbox Twins off axis
Saltb
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The X-direction transformations revealed the effects of simple transformations to the multiplicity, scale, and orientation of the Saltbox. These results are most visible on the upper surface of the forms and the increasing number of resultant facets. Additionally, once an Off-Axis transformation is applied, the results are much more complex and even chaotic—despite having a very controlled procedure for development. The Off-Axis transformations were taken from the original On-Axis forms (the first eight items in this series).
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For the development of the built models (next page), I took into account Evan’s writings on projective geometry to develop the ‘ground’ for my figures. In these drawings I projected both the shadows of the objects and also the line-work revealing the journey and transformations of Saltbox (as would have appeared on the faces of the objects). A detail sample of these projections are shown on this page.
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X-Axis Transformations Paper Models
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Y-AXIS TRANSFORMATIONS CAVES CRUCIFORMS CAVE-CRUCIFORMS
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CAVES The Cave series is a subtractive process utilizing objects from the X-Axis transformations to create the voids. Some of these transformations reveal the Saltbox on the face of the form (where the cube was perforated), while others have the Saltbox hidden within the cave in the interior of the object.
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CAVES
Ceiling
Y
Y
3Bird_View1
Worm
Saltbox Cave
Cave Ceiling Plan Oblique 3
Saltbox
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CAVES
Ceiling
Y
Worm
Y
1Bird_View2
Saltbox Cave
Cave Ceiling Plan Oblique 2
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Saltbox
CAVES
Ceiling
Y
Y
2Bird_View1
Worm
Saltbox Cave
Cave Ceiling Plan Oblique 1
Saltbox
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CRUCIFORMS The Cruciform series is developed through an additive process utilizing two or more overlapping objects from the X-Axis transformations. Through this series, I discovered that the stronger forms were developed by using the most simple objects from the X-Axis transformations.
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CRUCIFORMS
Cruciform
Y
Y
3Bird_View2
Worm
Saltbox Cruciform
Cruciform Plan Oblique 3
Saltbox
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CRUCIFORMS
Cruciform
Y
Worm
Y
1Bird_View1
Saltbox Cruciform
Cruciform Plan Oblique 1
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Saltbox
CRUCIFORMS
Cruciform
Y
Y
2Bird_View1
Worm
Saltbox Cruciform
Cruciform Plan Oblique 2
Saltbox
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CAVE-CRUCIFORMS The Cave-Cruciform is the result of both an additive and subtractive process. The exterior form is produced by an additive process (the Cruciforms) and the interior space is created by a subtractive process (caves). This set explores the relationship between the inside and outside of the form and the various ways Saltbox is revealed.
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CAVE-CRUCIFORMS
Cruciform
Y
Y
1Bird_View1
Worm
Saltbox Cave-Cruciform
Cave Cruciform Plan Oblique 1
Saltbox
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CAVE-CRUCIFORMS
Cruciform
Y
Worm
Y
2Bird_View1
Saltbox Cave-Cruciform
Cave Cruciform Plan Oblique 2
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Saltbox
CAVE-CRUCIFORMS
Cruciform
Y
Y
3Bird_View1
Worm
Saltbox Cave-Cruciform
Cave Cruciform Plan Oblique 3
Saltbox
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Acrylic models
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“The room is no longer a circus, but a miniature internal landscape. It is no longer an edge and a centre (distantly but distinctly related to those spectral archetypes, the domed space and the ideal city), always looking towards the latent authority of the centre, as was so well parodied in Repton’s Cedar Parlour. It is now a topography of varied elements distributed picturesquely across the floor, without evident formality, but nevertheless with concern for the niceties of subdivided, heterogeneous association.” P 219. Robin Evans 1989 The Developed Surface An Enquiry into the Brief Life of an Eighteenth-Century Drawing Technique
Z-AXIS TRANSFORMATIONS TOTEMS SECTION-PERSPECTIVE GIF ANIMATION
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Totem Paper Model Front/Back
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Z
SECTION-PERSPECTIVE WITH DEVELOPED SURFACES This section-perspective of the Totem reveals the interior makeup of the form. Various objects from X-Axis transformations were used at multiple scales and rotations to create this aggregation. The exterior shape appears much more simple than the interior. Throughout the object, the Saltbox is shown in black to remind the viewer of the journey Salbtox has endured to produce this result. Additionally, this section-perspective is surrounded by a drawing of its developed surfaces. The developed surface drawing runs off the page and includes elements from what is hidden from the viewer in the section-perspective.
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138 Stills GIF Animation
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XYZ-AXIS TRANSFORMATIONS PROGRAM: RESIDENTIAL MULTI-UNIT
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Left: Elevation Oblique Right: sections
+35’ max. height
+20’ 2nd flr.
+10’ 1st flr.
+35’ max. height
+20’ 2nd flr.
+10’ 1st flr.
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Axon Site Drawing
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Model
Model
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ADDITIONAL WORK ARCHITECTURAL THEORY RESEARCH SEMINAR ARCHITECTURAL TECHNOLOGY MOS WORKSHOP
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ARCH 520 | FALL 2017 ARCHITECTURAL THEORY: MIND IS A STATE OF LANDSCAPE: THE CONSTRUCTION OF CRITICAL IMAGINATION IN ARCHITECTURE
INSTRUCTOR FOSCO LUCARELLI
RESEARCH COLLABORATION WITH MADISON SCHNEIDER
LEFT: Interior of cast concrete box ABOVE: Exterior view of cast concrete box with openings for light to enter. Lohse | 2015-2017 | University of Illinois at Chicago
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Lucien Herve is best known for photographing buildings designed by Le Corbusier and graphically composing each frame and emphasizing the various textures and patterns produced by light and shadows across surfaces. His photos rarely show the entire building, but instead, freeze a specific instance or detail revealing new qualities of the building. Could his work been produced without a built building? In our investigation, a small box is cast out of concrete with openings strategically placed on the surface. These openings let light in to the void in the center of the box, casting light and creating shadows on the surface of the interior. When taking a close look at the composition produced in the interior, one finds that a graphic arrangement of light and shadows across the textured surface of the concrete produce a similar effect to those Lucien Herve achieved by photographing Le Corbusier’s architecture.
ABOVE: Photography by Lucien Herve (1910-2017) RIGHT: Photography by Madison Schneider
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If casting a small concrete object for the sole purpose of being photographed is effective, it may reveal the symbiotic relationship between the casting of the image and the casting of the object. The object is designed and formed with the intention of being photographed. Likewise, the photograph is composed to not merely document the object, but to cast an image of other elements at play: light, shadow, and texture. The photograph flattens the space produced by the object but also creates new spaces through the role of light. In this case, a building is not needed in creating these images. What is needed is the mind of the architect, and the eye of the photographer. The act of both casting the concrete and ‘casting’ an image simultaneously capture time, materiality, and design intent of both the architect and the photographer.
ARCH 566 FALL 2017 RESEARCH SEMINAR PAUL ANDERSON
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INVESTIGATION BASED ON THE CITY OF LOCKHART, TEXAS
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Following are a series of exploratory speculations on the role of the grid, the courtyard, and the corner. Visiting the city of Lockhart and learning from the writings of Rowe, Hejduk, and Sommol on the topic, this investigations attempts to resurface the conversation and speculate about where it could go next. What would happen if there was an intensive multiplication of the grid; where the grid is not only extensive, but also interiorly intensive?
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Photo speculations of the interior courtyards 160
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Pael House, Pezo Vonelrichhausen (2010)
Pael House, Pezo Vonelrichhausen (2010)
ARCH 564 | SPRING 2017 ARCHITECTURAL TECHNOLOGY PROJECTIONS FOR THE SIDES OF BUILDINGS, OR: HOW TO DRAW HEAD-ON INSTRUCTOR THOMAS KELLY
Pael House, Pezo Vonelrichhausen (2010)
Following are a series of “diptychs” or pairs of drawings that stand in conversation with one another revealing new qualities of the subject at hand while exploring various forms of representation. 162
El Castillo, Chichen Itza (9th - 12th CE)
Tempietto, Donato Bramante (1502)
1/8” = 1’0”
El Castillo, Chichen Itza (9th-12th CE)
El Castillo, Chichen Itza (21st CE)
Glass Pavilion, Bruno Taut (1914)
1/8” = 1’0”
El Castillo, Chichen Itza (21st CE) Lohse | 2015-2017 | University of Illinois at Chicago
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Mont Sainte Victoire and Hamlet Near Gardanne, Paul Cezanne (1886)
Quartier Schutzenstrasse, Aldo Rossi (1997)
Mont Sainte Victoire and Hamlet Near Gardanne, Paul Cezanne (1886)
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Quartier Schutzenstrasse, Aldo Rossi (1997)
McCormick Residence, Charles A. Coolidge (1896)
McCormick Residence, Charles A. Coolidge (1896)
McCormick Residence, Charles A. Coolidge (1896) Lohse | 2015-2017 | University of Illinois at Chicago
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Paul Cezanne and Aldo Rossi conversation part I
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Paul Cezanne and Aldo Rossi conversation part II
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ARCH 586 | SPRING 2017 ARCHITECTURAL THEORY: COMPLEX CURVATURE INSTRUCTOR GEOFFREY GOLDBERG
R13.60
R13.19
Following are a series of visual explorations on curvature, learning from the creative work of Russian Constructivist Naum Gabo (1890-1977). This investigation attempts to disect Gabo’s sculptures and apply the lessons learned on how one may compose a line, a surface, or a volume.
R8.76
R36.67
R7.94
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R2.91
LEFT: geometric analysis of curves present in Arch No. 2 (1958-1963) by Naum Gabo.
GABO
ORIGINAL PIECE
CURVES
CURVES RECOMPOSED
MIXED COMBINATIONS
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Drawing a line in space 172
Drawing a curved surface Lohse | 2015-2017 | University of Illinois at Chicago
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Curves as rooms 174
Curves as rooms Lohse | 2015-2017 | University of Illinois at Chicago
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Curves as volume 176
“Gabito” 3D Print of curved volume Lohse | 2015-2017 | University of Illinois at Chicago
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910 N Halsted St, Chicago 910ISLAND N Halsted St, Chicago GOOSE GOOSE ISLAND
CURRENT ZONE CLASSIFICATION: PMD 3 INDUSTRIAL CORRIDOR NAME: North Branch CURRENT BuildingZONE ID: 329538 CLASSIFICATION: PMD 3 AddressINDUSTRIAL 879-1011 N CORRIDOR Halsted St NAME: North Branch MAP INDEX: 3-F ID: 329538 Building PAGE NUMBER: Address86B 879-1011 N Halsted St PIN: 1704315008 (1011 MAP INDEX: 3-F N Halsted st) WARD 27. Burnett, Jr,. Walter. PAGE NUMBER: 86B PIN: 1704315008 (1011 N Halsted st) WARD 27. Burnett, Jr,. Walter. Max floor area ratio: 3.0 Maximum building height: None. floor(density): area ratio:None. 3.0 Lot areaMax per unit Maximum building On-site open space: N/A height: None. Lot area per unit (density): None. off Street parking and loading open space: N/A Lot area:On-site 427,000 SQ FT off Street parking and loading Neighboring TIF (Tax Increment Financing) Lot area: 427,000 SQ FT Neighboring TIF (Tax Increment Financing) SETBACKS
PLUMBING $$ 3
SHOWER SUPPLY
PLUMBING
3
3
3
3” MAIN STACK
$
3
SHOWER SUPPLY
Electric Panel
$ 3
Cafe
VENT STACK
$
3
SHOWER VALVE
Electric Panel SHOWER VALVE
VENT STACK
1/2” WATER SUPPLY
3
SINK SUPPLY
$
$ $$ 3
3
3
TOILET SUPPLY 1/2” WATER SUPPLY
3/4” SUPPLY
$ $$ 3
3
3
BOH
3/4” SUPPLY
SINK SUPPLY
SHOWER TRAP
TOILET SUPPLY
3” TOILET DRAIN 3/4” SUPPLY
BOH $
12ft Ceiling
3/4” SUPPLY
2'x4' Recessed flourescent fixture
Office
3 3
$$
60 in
SHOWER TRAP 3” TOILET DRAIN
2” SHOWER DRAIN LINE
VENT STACK WASTE STACK
3
2'x4' Recessed flourescent fixture
$ $
12ft Ceiling
Office
3
3
$$ 3
Office
$
PLUMBING PLUMBING
60 in
96 in
2” SHOWER DRAIN LINE
HOT WATER SUPPLY VENT STACK
MAIN DRAIN
96 in
COLD WATER SUPPLY WASTE STACK HOT WATER SUPPLY
MAIN DRAIN
COLD WATER SUPPLY
$
Office
6" Recessed Accent Fixture
$
1
3
$
NORTH BRANCH RIVER CAMPUS NORTH BRANCH RIVER CAMPUS GOOSE ISLAND, CHICAGO GOOSE ISLAND, CHICAGO
3” MAIN STACK
$
$$
Front yard: None, except for industrial parks SETBACKS and properties bordering R-zoned lots. Front yard:for None, exceptparks for industrial parks Side: None, except industrial and and properties bordering R-zoned lots. properties bordering R-zoned lots. Side: None, except for industrial parks and Back yard: None, unless rear property line properties bordering R-zoned lots. borders R-zoned lot's side or rear property line. Back yard: None, unless rear property line Then the minimum setback is 30 ft. borders R-zoned lot's side or rear property line. Then the minimum setback is 30 ft. USES: Production USES: Contractor/construction offices/yards Production Watchmen dwelling Contractor/construction offices/yards Antennas Watchmen dwelling Fuel/iceAntennas sales Garage and Parking lots Fuel/ice sales Health and safety medical Garage and Parkingclinics lots Offices Health and safety medical clinics Public service Offices Recycling Public service Retail sales (specific) Recycling Manufactoring Storage Retail sales (specific) Manufactoring Planned Development Storage Broadcasting Planned Development Planned Manufacturing Broadcasting Raw material extraction Manufacturing Open Space Raw material extractionParks andPlanned Junkyards Parks and Open Space LandfillsJunkyards Historic Places Landfills Historic Places Slaughtering houses Residential/Commercial Slaughtering houses Residential/Commercial
1
3
Cafe
$
3
$
3
6" Recessed Accent Fixture 2' Recessed Flourescent Fixture
Mail Room
2' Recessed Flourescent Fixture
$
3
$
3
Mail Room
2'x4' Recessed flourescent fixture
SCALE 1/16" = 1' SCALE
ELECTRIC LAYOUT: LOBBY ELECTRIC LAYOUT: LOBBY
2'x4' Recessed flourescent fixture
1/16" = 1'
MAIN LOBBY MAIN LOBBY
2 2
THE WHARF THE WHARF WASHINGTON, DC WASHINGTON, DC
NEW CITY NEW CITY 3 3 LINCOLN PARK, CHICAGO LINCOLN PARK, CHICAGO
SIZE: 24 Acres SIZE: 24 Acres DEVELOPERS: PN&Hoffman & Associates, Inc. DEVELOPERS: PN Hoffman Associates, Inc. SIZE:with380,000 8.5 acre with380,000 DESIGN: PerkinsRockwell Eastman,Group, Rockwell Group, BBG‐BBGM, Handel Archi- SIZE: 8.5 acre sqft retailsqft retail DESIGN: Perkins Eastman, BBG‐BBGM, Handel ArchiTYPE: and residential tects, Cunningham SK&I Architectural Design Group, MTFA TYPE: Retail andRetail residential tects, Cunningham Quill, SK&IQuill, Architectural Design Group, MTFA DEVELOPERS: Structured Developers Nelson Woltz,Vergason, Michael Vergason, Lee & Associates DEVELOPERS: Structured Developers Architects,Architects, Nelson Byrd Woltz,Byrd Michael Lee & Associates YEAR: 2007-2015 YEAR: 2014-2017 YEAR: 2007-2015 YEAR: 2014-2017 TYPE:apartments, Condos, apartments, hotel, marina, office, retail, church TYPE: Condos, hotel, marina, office, retail, church Medium scale development in Chicago housing a mixed-use plan Medium scale development in Chicago housing a mixed-use plan Goose Island neighbor development intended to be developed into that would include office space, retail, residential and even medical. Although at a much larger scale, this development plan includes Goose Island neighbor development intended to be developed into that would include office space, retail, residential and even medical. a much larger scale, this development plan includes mixed high tech office space and retail. Located on the former Goose Although at Additionally it will require zoning changes in order to accomodate for restaurants, shops, condominiums, hotels, high-quality entertainmentAdditionally mixed high tech office space and retail. Located on the former Goose it will require zoning changes in order to accomodate for shops, condominiums, hotels, high-quality entertainment Island Boat Yard site, with a proposed pedestrian and biking walkway restaurants, the development. Located near Goose Island and a major retail/resivenues, marinas, a waterfront park, and an expanded riverfront Island Boat Yard site, with a proposed pedestrian and biking walkway the development. Located near Goose Island and a major retail/resivenues, marinas, a waterfront park, and an expanded riverfront bridge spaning accross the river to connect with other forms of dential hub in the area. promenade with public access to the water. It emphasizes the water- dential hub bridge spaning accross the river to connect with other forms of in the area. with public access to the water. It emphasizes the watertransportations. Designed by Hartsthorne Plunkard Architecture, the promenade front area for pedestrians and bikers. Intended as a commercial center transportations. Designed by Hartsthorne Plunkard Architecture, the front area for bikers. Intended as a commercial center new facility proposal includes: high tech amenities, green roofs, as itpedestrians integrates aand variety of uses. new facility indoor proposal includes: tech amenities, as it integrates a variety of uses. bike parking,high fitness center, etc. green roofs, indoor bike parking, fitness center, etc. FIRM: R2 Companies FIRM: R2 Companies TYPE: Commercial › Office Retail Transport TYPE: Commercial › Office Retail Transport STATUS: Under Construction STATUS: Under Construction YEAR: 2016 YEAR: 2016 SIZE: sqft -sqft 1,000,000 sqft SIZE: 500,000 sqft500,000 - 1,000,000 BUDGET: BUDGET: $100M + $100M +
PLANNED DEVELOPMENT PROPOSAL PLANNED DEVELOPMENT PROPOSAL Commercial/Residential Commercial/Residential With the strategic location on the industrial and With thetechnological strategic location onGoose the industrial and hub of Island, this site is an technological hublocation of Goose this site is an excellent forIsland, a planned development excellentfeaturing locationafor a planned development combination of small scale featuring a combination of smalland scale commercial, residential, public areas. commercial, residential, and public areas. Making use of its proximity to Kendal College Making and use of proximity to Kendal College theitsnear-future developments in the and the surrounding near-future developments inbuilding the areas, a mid-rise would be surrounding areas, afor mid-rise building would be appropriate this site. appropriate for this site. Geared toward the upcoming millenial generation, more energy efficient living and Geared toward the upcoming millenial easymore accessenergy to thisefficient industrial district generation, living andand surounding commercial zones makes this site a easy access to this industrial district and ‘gateway’ to the island. surounding commercial zones makes this site a ‘gateway’ to the island. Street-level commercial space, office space for technological clients, student Street-level commercial space,restaurants, office space for lofts and apartments would all have access technological clients, restaurants, student loftsto the riverfront.would The development would be an and apartments all have access to the attractive place to gather and riverfront. The development would besocialize. an
CHICAGO RIVER
C H I C AG O R I V E R
Public riverfront space for pedestrian enjoyment
Public riverfront space for pedestrian enjoyment
Easy access from Halsted st
Easy access from Halsted st
Nearby education building
30 FT RIVERFRONT SETBACK
30 FT RIVERFRONT SETBACK
MIXED USE HUB _ A DESTINATION
TOD: Transit Oriented Development
Three Mid-Rise Buildings FAR: 4.11 MaxBuildings height: 100 ft Three Mid-Rise
TOD: Transit Oriented Development
FAR: 4.11 Max height: 100 ft
Two Mid-Rise + Riverfront iverfront FAR: 4.75 Max height: 120 ftt Two Mid-Rise + Riverfront iverfront FAR: 4.75 Max height: 120 ftt
BIKE RACK
Goose Island is an upcoming technological and buisness hub
Goose Island is an upcoming technological and buisness hub
PLANNED DEVELOPMENT ELOPMENT
PLANNED DEVELOPMENT ELOPMENT
BIKE RACK
ELECTRIC SUPPLY
ELECTRIC SUPPLY
attractive place to gather and socialize. Requirements: Ample pedestrian walkways Requirements: waterfront public areas Ample pedestrian walkways 30 ft setback from the top of the river bank waterfront public areas Adequate Parking 30 ft setback from the top of the river bank Streetfront windows Adequate Parking with PMD3 - may require zoning Compliance Streetfront windows request. Compliance with PMD3 - may require zoning request.
MIXED USE HUB _ A DESTINATION
TRASH CAN TRASH CAN
WATER IN/OUT WATER IN/OUT
Nearby education building
WALKABLE MIX-RISE Retail+Residential+Office WALKABLE MIX-RISE FAR: 5.06 Retail+Residential+Office
SUN PATTERN SUN PATTERN VIEWS VIEWS FAR FAR
Total area: 2,166,297 sq ft Max height: 230 ft FAR: 5.06 Parking: 825 spaces Total area: 2,166,297 ft 120 Residentialsqunits: Max height:Commercial/Business: 230 ft 554,078 sq ft Parking: 825 spaces Residential units: 120 Commercial/Business: 554,078 sq ft
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RESIDENTIAL
Distance to nearest CTA Blue Line stations N
Distance to nearest CTA Blue Line stations
RESIDENTIAL COMMERCIAL/BUSINESS PARKING
N
Walkable Mix-Rise FAR: 5.06 Max height: 230 ft Walkable Mix-Rise FAR: 5.06 Max height: 230 ft
NN
PARKING
Public area
Riverside park Bike route stop COMMERCIAL/BUSINESS
Public area Riverside park Bike route stop
SCALE 1/32”=1’ SCALE 1/32”=1’
FIR
FIRE
NADIA LOHSE
NADIA LOHSE ARCH 563- M0DDRELL ARCH 563- M0DDRELL
MEDIUM CONFERENCE AREA MEDIUM CONFERENCE AREA
SMALL CONFERENCE AREA
STAFF
ASSOC WORK ROOM WORK ROOM
OFFICE
OFFICE
STAFF
STAFF
OFFICE
OFFICE
OFFICE
OFFICE
OFFICE STAFF LOUNGE
RESTROOM
RESTROOM
OFFICE
OFFICE OFFICE
OPAQUE
MECH
MECH ELEV
ELEV
COAT CLOSET
OFFICE
STAFF LOUNGE
STAFF
OFFICE
OFFICE OFFICE
OFFICE
OFFICE
COAT CLOSET
ASSOC STAFF ASSOC STAFF STAFF STAFF ASSOC
OFFICE
OFFICE
VOLUNTEER STORAGE VOLUNTEER AREA STORAGE AREA
MEDIUM CONFERENCE AREA MEDIUM CONFERENCE AREA
SMALL CONFERENCE AREA
OFFICE
OFFICE
INTERIOR DOCK
ADMIN RECEPTION ADMIN RECEPTION
OFFICE
OFFICE
INTERIOR DOCK
SHOPPING CARTS
REFRIGERATOR FREEZER
SHOWER
BATHROOMS BATHROOMS
INTAKE WAITING AREA INTAKE WAITING AREA
REFRIGERATOR FREEZER
FOOD STORAGE
FOOD STORAGE
SHOWER
SHOPPING CARTS
PREP/GLEANING
INTAKE WAITING AREA
AIR SUPPLY/RETURN
PREP/GLEANING
INTAKE WAITING AREA
CHILLER AIR SUPPLY/RETURN
DISTRIBUTION SHELVING DISTRIBUTION SHELVING
DISTRIBUTION STATIONS DISTRIBUTION STATIONS
CHILLER
PROGRAM/OCCUPANCY PROGRAM/OCCUPANCY
OFFICE JANITOR OFFICE CLOSET OFFICE IT JANITOR CLOSET CLOSET OFFICE IT CLOSET
CLOTHING ROOM CLOTHING ROOM
STORAGE STORAGE 8982 SQ FT: PROGRAM + CIRCULATION 7834 SQ FT: PROGRAM 8982 SQ FT: PROGRAM + CIRCULATION 7834 SQ FT: PROGRAM
OPAQUE TRANSPARENT TRANSPARENT TRANSPARENT OPERABLE TRANSPARENT OPERABLE TRANSLUCENT TRANSLUCENT TRANSLUCENT OPERABLE
Sprinkler 15’ spray diameter 10’ spacing O.C.
Spray reaches walls
Secondary branch
Sprinkler 15’ spray diameter 10’ spacing O.C.
Spray reaches walls
TRANSLUCENT OPERABLE TINTED TINTED TINTED OPERABLE TINTED OPERABLE
Secondary branch
Main riser
BOILER BOILER
Main riser
LOADING ZONE LOADING ZONE TURNING RADIUS 38’
Primary branch Slope back to source Primary branch 2’ per 100’ run Slope back to source 2’ per 100’ run
TURNING RADIUS 38’
BATHROOM CALCULATIONS Gallery with occupancy load of 500 BATHROOM CALCULATIONS (assume 250 female, 250 male) Gallery with occupancy load of 500
(assume 250 female, 250 male) Req # WC Male: 1 per 125 Female:Req1 # perWC 65 Male: 1 per 125 Female: 1 per 65
Req # Lavatories 1 per 200 Req # Lavatories 1 per 200 1 per 200 1 per 200
Total WC Male: Total WC Female: Male: 2 Female: 4
2 4
Total Lavatories 2 Total Lavatories 2 2 2
SPRINKLERS SPRINKLERS EGRESS EGRESS
TRASH CHUTE, DUMPSTERS, DOCK TRASH CHUTE, DUMPSTERS, DOCK
ARCH 563 FALL 2016 ARCHITECTURAL TECHNOLOGY III ANDREW MODDRELL
OVERAL OVERALSITE SITEPLAN PLAN
FINAL BOARD Planned development on Goose Island, Chicago
Truck turning radius 38’ Truck turning radius 38’
Bicycle lane Bicycle lane
Loading zone Loading zone Loading docks
Loading docks Service rooms
Service rooms
Back of House
BACK OF HOUSE
Core BACK with trash OF chute.HOUSE Access loading Coreto with trashdocks. chute. Heating and cooling unitdocks. below. Access to loading Supply/return air.cooling unit below. Heating and Service elevators. air. Supply/return Electric supplyelevators. panel controls Service
Electric supply panel controls
Back of House
Hallway access to BOH
Hallway access to BOH
PERIPHERAL TRUCK ACCESS PERIPHERAL TRUCK ACCESS
RE HYDRANT
E HYDRANT
PPEDESTRIAN D TR TTRIA RRIAN IAANN ZONE NE NE
PPEDESTRIAN D TR TTRIA RIAANN RIAN ZONE NE NE
DOWN service area
DOWN service area
Potential area for storage or garbage disposal
Electric Supply Water supply entrance to property Waste water/storm water out Electric Supply Street lights at 100ft intervals Water entrance to property Stop lightsupply intersection Waste water/storm water out Firehydrants Street City trashlights cansat 100ft intervals Stop lightcityintersection Sidewalk trees Firehydrants Bus stop shelter Cityparking trash cans Bike Sidewalk city trees Bus stop shelter Bike parking
Potential area for storage or garbage disposal
Lohse | 2015-2017 | University of Illinois at Chicago
179
PLANNED DEVELOPMENT
WALKABLE MIX-RISE Retail+Residential+Office
MIXED USE HUB _ A DESTINATION
TOD: Transit Oriented Development
Three Mid-Rise Buildings FAR: 4.11 Max height: 100 ft
SUN PATTERN VIEWS FAR
FAR: 5.06 Total area: 2,166,297 sq ft Max height: 230 ft Parking: 825 spaces Residential units: 120 Commercial/Business: 554,078 sq ft
Two Mid-Rise + Riverfront FAR: 4.75 Max height: 120 ft
RESIDENTIAL
Distance to nearest CTA Blue Line stations
PARKING N
COMMERCIAL/BUSINESS
Walkable Mix-Rise FAR: 5.06 Max height: 230 ft
Public area Riverside park Bike route stop
PLANNED DEVELOPMENT PROPOSAL Commercial/Residential With the strategic location on the industrial and technological hub of Goose Island, this site is an excellent location for a planned development featuring a combination of small scale commercial, residential, and public areas. Making use of its proximity to Kendal College and the near-future developments in the surrounding areas, a mid-rise building would be appropriate for this site. Geared toward the upcoming millenial generation, more energy efficient living and easy access to this industrial district and surounding commercial zones makes this site a ‘gateway’ to the island. Street-level commercial space, office space for technological clients, restaurants, student lofts and apartments would all have access to the riverfront. The development would be an attractive place to gather and socialize. Requirements: Ample pedestrian walkways waterfront public areas 30 ft setback from the top of the river bank Adequate Parking Streetfront windows Compliance with PMD3 - may require zoning request. 180
CHICAGO RIVER
Public riverfront space for pedestrian enjoyment
Easy access from Halsted st
Nearby education building
Goose Island is an upcoming technological and buisness hub
OVERAL SITE PLAN Truck turning radius 38’
Bicycle lane
Loading zone Loading docks
Service rooms
BACK OF HOUSE
Core with trash chute. Access to loading docks. Heating and cooling unit below. Supply/return air. Service elevators. Electric supply panel controls
Back of House Hallway access to BOH
PERIPHERAL TRUCK ACCESS
PEDESTRIAN ZONE
DOWN service area
Potential area for storage or garbage disposal
Electric Supply Water supply entrance to property Waste water/storm water out Street lights at 100ft intervals Stop light intersection Firehydrants City trash cans Sidewalk city trees Bus stop shelter Bike parking
181
ARCH 562 | SPRING 2016 ARCHITECTURAL TECHNOLOGY II: ENVELOPES AND ENVIRONMENTS SEAN LALLY
Sensory Perceptions 1. Temperature - radiant heat 2. Hearing - breeze and breathing 3. Sight - light from sun and homes 4. Sound waves - in utero 182
2 Electric
ions
t athing homes
s ARCH 562
Sensory Perceptions 1. Temperature - radiant heat 2. Hearing - breeze and breathing 3. Sight - light from sun and homes 4. Sound waves - in utero
2
2 3 Electric
3 Light
Light
Solar
4 Wind
Wind
Atmospheric
3
4 3 2 1 2
1
1
1
1 Body heat
Body heat
Heat from light
Heat from water
Pool water
Water pressure
Heat from light
Heat from water
Humidity
Heat
Heat
H2O
Nadia Lohse Envelopes and Environments ARCH 562 Architectural Technology II University of Illinois, Chicago Professor: Sean Lally
Solar Heat
Solar Heat
Electric Heat
H2O
Vapor
Liquid
Electric Heat
Mechanic
Atmospheric
o
Lohse | 2015-2017 | University of Illinois at Chicago
183
Pool water
Controlling Handset for Emergency Use
Interior
Exterior
Scrubber Unit
Oxygen Storage
Oxygen Storage
Button Section path showing attachments of system
Electrical System spanning as matrix on inner sphere
Environmental Oxygenation oxygen storage and recession into sphere
Outer Shell of Sphere
Hinge Detail rotation of hinge connection
Energy
Reserve
Tank
Detail for Kickstand typical detail, one of three
This above ground pool allows for a spatial exploration to occur, one in which the sphere they are in, puts them on display. It creates a freedom for the occupant to travel and explore while at the same time exaggerates the existing condition of consistently putting ourselves out to be openly seen and judged. This pool operates through a series of technological systems, all in the attempt to create a movable space which can roll with the use of the human's interaction with the pool. The combination of hydraulic legs to keep the ball stationary when simply observing the surroundings, and highly advanced electrical circuits, allow for the comforts of someone's daily life to be allowed during the excursion they are on. This pool inverts the snow-globe effect, allowing for the souvenir you usually purchase from a destination to instead be the experience of being in it.
Scale 3� = 1’
184
MOS WORKSHOP | SPRING 2016 ONE-WEEK WORKSHOP MICHAEL MEREDITH
[Above ground pool engaging an “aesthetic of indifference”]
GROUP PROJECT BY: Nadia Lohse, Madison Schneider, Sarah Rozman, and Jana Yeboah.
185
NADIA LOHSE nlohse2@uic.edu nadialohse10@gmail.com 2015-2017