PORTFOLIO : 2014-22

That is the exploration that awaits you!

Not mapping the stars and studying nebula, but charting the unknown possibilities of existence

-Leonard Nimoy

The brief calls for the proposal of an iconic sculpture that would act like the symbol of India and its future aspirations. The proposal aims to be a timeless, ambitious sculptural endeavor that never lost sight of its greater goal of bringing people together.

As the quote insists, it is the good deed, the devotion for a united progress and the ‘impression’ that we leave behind that truly makes us belong to this country. Our concept is a physical metaphor of the said ‘impression’ and translates to a thumb impression which is very fundamentally human. The intricate pattern is seamlessly woven in space and takes an abstract form symbolizing ethnicity and reception.

As the quote insists, it is the good deed, the devotion for a united progress and the ‘impression’ that we leave behind that truly makes us belong to this country. Our concept is a physical metaphor of the said ‘impression’ and translates to a thumb impression which is very fundamentally human. The intricate pattern is seamlessly woven in space and takes an abstract form symbolizing ethnicity and reception.

As the quote insists, it is the good deed, the devotion for a united progress and the ‘impression’ that we leave behind that truly makes us belong to this country. Our concept is a physical metaphor of the said ‘impression’ and translates to a thumb impression which is very fundamentally human. The intricate pattern is seamlessly woven in space and takes an abstract form symbolizing ethnicity and reception.

India, a country of billion people and a land of countless cultures, is a mosaic of multicultural experiences. To inspire the Indian community with a singular idea, we began interpreting the notions that hold us together. We believe that we are all different in our special ways and yet come together as one country in an intangible way.

To think like an Architect is to think like a billion people. To wonder if all of us can make a singular decision. And “all” means, all religions, all races, all genders, all cultures, all specially abled people, all minorities and mother nature. A truly inclusive decision is truly Indian.

“Sky is your canvas, paint your dreams on the endless sky.

“Sky is your canvas, paint your dreams on the endless sky.

“Sky is your canvas, paint your dreams on the endless sky. At the heart of ‘Ignited Minds’ is the belief that the people of a nation have the power, by dint of hard work, to realize their dream of a truly good life.”

“Citizenship consists in the service of the Country”

At the heart of ‘Ignited Minds’ is the belief that the people of a nation have the power, by dint of hard work, to realize their dream of a truly good life.”

At the heart of ‘Ignited Minds’ is the belief that the people of a nation have the power, by dint of hard work, to realize their dream of a truly good life.”

PERSONAL- INTERNATIONAL DESIGN COMPETITION BY TATA STRUCTURA (WINNER)- OCT. 2021

- Ignited Minds, Abdul Kalam.

- Ignited Minds, Abdul Kalam.

- Ignited Minds, Abdul Kalam.

Our philosophy takes root from ‘Ignited minds’ by Dr APJ Abdul Kalam.

Our philosophy takes root from ‘Ignited minds’ by Dr APJ Abdul Kalam.

Our philosophy takes root from ‘Ignited minds’ by Dr APJ Abdul Kalam.

As the quote insists, it is the good deed, the devotion for a united progress and the ‘impression’ that we leave behind that truly makes us belong to this country. Our concept is a physical metaphor of the said ‘impression’ and translates to a thumb impression which is very fundamentally human. The intricate pattern is seamlessly woven in space and takes an abstract form symbolizing ethnicity and reception.

- Group of 4 (An Independent Collaboration)

In retrospection, we identify time-lines of the past with the achievements and events. The design of the sculpture features two “impressions” balancing each other, this was created out of figurative attempts to represent the past “impressions” (left side) supporting the future “impressions” and endeavours (right side). The future is challenged by the youth with great spirits, the sculpture points out that it is important to be bound to our heritage and learn from the events of the past in order to create a resilient future. The future impressions are therefore supported by glorious impressions of the past and the right lessons from the past help us steer proudly towards a profound future.

In retrospection, we identify time-lines of the past with the achievements and events. The design of the sculpture features two “impressions” balancing each other, this was created out of figurative attempts to represent the past “impressions” (left side) supporting the future “impressions” and endeavours (right side). The future is challenged by the youth with great spirits, the sculpture points out that it is important to be bound to our heritage and learn from the events of the past in order to create a resilient future. The future impressions are therefore supported by glorious impressions of the past and the right lessons from the past help us steer proudly towards a profound future.

- To be built in Ranchi, India

“Sky is your canvas, paint your dreams on the endless sky.

At the heart of ‘Ignited Minds’ is the belief that the people of a nation have the power, by dint of hard work, to realize their dream of a truly good life.”

In retrospection, we identify time-lines of the past with the achievements and events. The design of the sculpture features two “impressions” balancing each other, this was created out of figurative attempts to represent the past “impressions” (left side) supporting the future “impressions” and endeavours (right side). The future is challenged by the youth with great spirits, the sculpture points out that it is important to be bound to our heritage and learn from the events of the past in order to create a resilient future. The future impressions are therefore supported by glorious impressions of the past and the right lessons from the past help us steer proudly towards a profound future.

- Ignited Minds, Abdul Kalam. Our philosophy takes root from ‘Ignited minds’ by Dr APJ Abdul Kalam.

In retrospection, we identify time-lines of the past with the achievements and events. The design of the sculpture features two “impressions” balancing each other, this was created out of figurative attempts to represent the past “impressions” (left side) supporting the future “impressions” and endeavours (right side). The future is challenged by the youth with great spirits, the sculpture points out that it is important to be bound to our heritage and learn from the events of the past in order to create a resilient future. The future impressions are therefore supported by glorious impressions of the past and the right lessons from the past help us steer proudly towards a profound future.

- Role: Design Lead

-Visuals: Pi Visuals

Future Past Radial Supports

Ridge lines Future Radial Supports Staggered supports

Ridge lines Future Radial Supports Staggered supports

Ridge lines Future Radial Supports Staggered supports Impression on concave profile to emphasis impact

On retrospection, we identify time-lines of the past with the achievements and events. The design of the sculpture features two “impressions” balancing each other, this was created out of figurative attempts to represent the past “impres-

sions” supporting the future “impressions” and endeavors. The future is challenged by the youth with great spirits, the sculpture points out that it is important to be bound to our heritage and learn from the events of the past in order

to create a resilient future. The future impressions are therefore supported by glorious impressions of the past and the right lessons from the past help us steer proudly towards a profound future.

balanced figure-ground mutually supported by distance. A surreal effect is of transparency that maximising versatility of site

THE EXPERIENCE:

Spatial Relation and Human interaction

Plan Section

The YST355 steel sections are used in ways to take full advantage of their tensile strength and lightweight. The sculpture feels “zen” and light by creating a perfectly balanced figure-ground volume. Each circular section that denotes a ridge of a thumb-print is mutually supported by shifting radial tubes that are inconspicuous to the naked eye at a distance. A surreal effect is achieved through such details. The structure deals with appropriate levels of transparency that avoids averting the neighborhood skyline and context. Thus, maximizing versatility of site integration and adaptability.

strength and figure-ground supported by surreal effect is transparency that versatility of site

0 2. R E W E A V E - R E V I V E

Reweave Kozhikode is a competition held in an attempt of seeking strategies for the revival / adaptive reuse of the Comtrust Textile Factory building , located in the heart of the city of Kozhikode. The brief sought answers and ideas on how to tap the potential of the site, enhance the connection of the factory site to its wider precinct and also with the people of Kozhikode.

When life ends, it is gradually absorbed as new organisms begin to assimilate the dead. New ecosystems arise and new lives are created. The dead does not disappear; it merely takes a new form. The function of the weaving factory may have come to an end, however, it can always take a new form by integrating with other functions.

The Revival of the Comtrust factory carefully re-considers functions around the scope of the building. By doing so, it helps de-congest and redirect people and pathways that encourage and make way for new visitors and tourist activities, therefore, helping not just the factory but also the city of Kozhikode at large.

‘Reweave - Revive’ sets an interesting dimension to the revival of old architecture, it sees an opportunity rather than a problem. Above all, time is the most precious asset, a building that aged is a building with value.

PERSONAL- NATIONAL ARCHITECTURE COMPETITION

BY INDIAN INSTITUTE OF ARCHITECTS (FINALIST)-OCT. 2022

- Group of 4 (An Independent Collaboration)

- Adaptive Re-use Proposal of Comtrust Weaving Factory

- Role: Design Lead

Duality of Spaces

Circulation -Roads (Ref. Abhinav Sajeev)

Barrier identification and crowd movement in response (Eastern Frontage)

Circulation -Pedestrians (Ref. Abhinav Sajeev)

Barrier identification and crowd movement in response (Northern Frontage)

Crowd Density Analysis (Ref. Abhinav Sajeev)

THE DESIGN DIRECTION:

De-fortification

Two major nodes were identified to have major footfall and buffling activities next to the site with two less approachable pathways connecting them.

Breaking Barriers

Thus de-fortification is done and a street is created through the site to give a shaded pathway spine to pedestrians and cycle riders, with flexible, multipurpose, public, exhibition spaces on either sides.

The street splits the building into 3 zones namely- 1. The Production Zone, 2. The Retail Zone, 3. Heritage Zone. These zones house a mixed use functions that are bound to sustainable and collaborative practices to encourage innovation, awareness, business and creativity.

The dead edge of the pond is extended and removed of barriers and made into a 16 ft wide deck space with a pedestrian pathway, lush green plantations, a viewing space and other amenities. All three sides of the pathway are made free from barriers like the compound wall.

The Making of the Street

The Zoning

DESIGN GOALS FOR A GREATER IMPACT:

DESIGN STRATEGIES:

The design program intends to develop a training center and small manufacturing units to restore the heritage and the links to the old. Exhibition spaces, museums, and Retail shops are the spaces where one can create skills and showcase them leading to selling activities for one’s economic balance. In the city, this way reinforces local networks and cultural wisdom surrounding sustainable living and independence in its functionality.

The training program here would help an individual, give opportunities to artisans and craftsmen from in and around Calicut to come here and to help and develop others as well as their skill set and then further let apply the learning into creating something and through the museums and display areas, they can display their items and help them economically by selling.

Section through the multi-purpose area

Section through the food court

0 3. P R I S M C L U B A N D K I T C H E N

The client came with an intent of having a nightclub space designed that provides an exuberant experience and a special focus on developing a self branding strategy for the space.

differing visual experiences of the

Prism was designed and programmed craftfully, to fashion the finest night club experience, with multi-leveled seating and offers

same place.

PROFESSIONAL WORK- LEISURE

ZIRCON 34 DESIGN STUDIO- TILL JAN 2020 - Area : 87,120 sft.

- Location: Hyderabad

-Design Lead: Ar. Suchith Reddy

-Scope: Conceptual Design, Design Detailing

I K P L B D O

Point Generation

Point Projections

Delaunay Mesh

Delaunay Edges

Elevation

Retaining the existing foliage

The main Arena

Service and Party Pool

Outdoor Lawn and Seating

An archetypal postmodern nightclub, ‘Prism’ is a creative monolith with eccentric prismatic fractals. The titillating fractals draw users, while the mesh-wire sculpture representing the heart of the club guides them in.

The view of the facade from the outdoor garden; Brand emphasis through materiality and fractals.

CONSTRUCTION OF MAIN ARENA

Fractals creating visual nodes on the facade, to capture the glance of the audience

Complementary finish of blue to create contrast

Levels creating opportunities for visual interaction from multiple spaces

Arrangement

The concept and On-site fixing of the Lighting fixture frame

The rotational and translational motions of the dynamic lighting occur hand in hand with the music

0 4. A P A R T M E N T I N G U I N D Y

The prime objective of the client’s brief was to design a micro-apartment complex with luxury 2bhk units in each floor. The site is present in a partly small scale-industrial corridor, tucked in between 2 equally sized buildings. Each floor has 3 housing units that can be approached through the central circulation core.

The design is an inspiration drawn from the local context and is a fine juxtaposition of a brick wrap and a raw cement finished solid. This was purposefully done to blend in with the neighbouring context.

Micro context

The central courtyard that houses the circulation core is finely detailed to become a social hub with elegant landscape and seating . This space can be approached through the entrance portal.

PROFESSIONAL WORK- RESIDENTIAL

Studio ArchitectureRED- Aug. 2022

-Area: 4338 sft.

- Guided by Ar. Biju Kuriakose,Ar. Shashank Muralidharan

- Role: Project Architect

-Scope: Conceptual Design, Site Coordination, Client and Consultant Coordination, Design Detailing, GFC Drawings

04. The built mass is modified to break it down to human scale, while articulating sitout spaces at diferent levels.

06. The central space allows the building to breathe, while providing a central social space.

08. Openings are articulated along the access road to maximise light and ventilation

01. The building outline is defined based on site configuration and setbacks

03. A central axis is defined, dividing the building into two masses.

05. The built mass is modified to create a covered central social space that ties the building together

07. An entry space is defined at the ground level.

02. The building is raised up to allow for vehicular and pedestrian movement through the site.

Isometric Arrangement of the Proposed Brick Course Work Front Elevation

WORK TIMELINE ON-SITE :

February 2022 -Foundation and Footing Done

April 2022 -Plinth Beams Casted

May 2022 -Columns Raised and Plinth Block Work Done

Typical Joinery Detail - The joinery is placed on the junction between the brick cladding and the solid block work to conceal it

June 2022 First Floor Slab Casted

July 2022 Second Floor Slab Shuttering

Detail to conceal the plumbing pipes by running them through the cavity between the brick walls

Hanging Staircase -MS Rods are suspended from the beams on either sides of the mid-landings for structural stability

Overall, I also got an opportunity to directly deal with the work on-site through constant reviewing and co-ordination with various consultants and the client.

STAIRCASE TO DETAIL AS PER DWG. A5.02

TANK AS PER DETAIL

0 5. C E N T E R O F E X C E L L E N C E

The proposal for the “Center of Excellence“ was hosted as a national architecture competition intending a place where the architecture profession nurtures and the culture of design and innovation advances. It is meant to be a timeless forum for scholars, students, professionals, stakeholders etc come together.

Architecture creates a “choreography” of movements, perceptions, and emotions. Buildings direct and guide our behavior—they suggest and invite, enable or limit. To me, this experiential, lived activity and reality is architecture. Architecture should always be an invitation and a promise. So, the invited actions and dynamic interrelations make architecture closer to a verb than a noun.

- Juhani Pallasmaa

PROFESSIONAL WORK- COMPETITION- COUNCIL OF ARCHITECTURE

By Studio ArchitectureRED- July 2022

-Area: 7075 sqm

- Guided by Ar. Biju Kuriakose, Ar. Shashank Muralidharan

-Scope: Conceptual Design, Design Drawings and Presentation

conversation, volleyball matches.. in the ground between the

to acknowledge and weave this ground in the form of a movement and flow through it.

Taking cues from the site, we found that the answer lies in a building that functions as a spatial framework that gives meaning to the ground, shaping possibilities for diverse experiences. Beyond satisfying the stipulated requirements, the building becomes a threshold in its larger context by blurring its boundaries and mediating with the neighboring institutions and access roads. It allows for an organic flow of people through the place, shaping it into a thoroughfare, an in-between, a destination and a chance

context analysis

discovery, all at once. The intention is to enable a diverse public realm – be it a large congregation spaces to debate in, active streets to engage with or intimate spaces under the shade of the tree to sit and quietly contemplate. Also, the built mass, a facilitator for these social processes, reflects this in its materiality as well, allowing the building to merge into its context and gently age with the site

THE DESIGN PROCESS:

The built mass celebrates the natural landscape by framing it, bringing it to attention and evolving around it. The place aspires to be a pause in the landscape, creating new experiences and interactions as one moves through the trees.

As the site slopes down from the the public road, the design intention shape the building around this characteristic.

street galleries/workshops/kiosks/ undefined/ transformable/flexible

This place becomes the active heart of the building, allowing people, activities and the informality of the surrounds to freely flow across

- a place to wander, for chance encounters, erate dialogue and barter ideas

The built mass celebrates the natural landscape by framing it, bringing it to attention and evolving around it. The place aspires to be a pause in the landscape, creating new experiences and interactions as one moves through the trees.

The framework can accommodate future within the site, while responding the place and its diverse public realm.

level of the open ground to that of intention is to maintain this connection and characteristic.

The heavy auditorium mass melts into the sloping terrain, offering this land the chance to preserve the connection between the open ground and the skies.

encounters, a place to discover, genadditional density required in the responding to and further strengthening realm.

Defining the street and transforming into an active threshold for the public road, the blocks become seamless extensions of the porous edge and the intertwining street.

From the dialogue of the ground and the sky, the lush landscape and the barren earth, the active and the intimate, the building and the landscape, emerges a place in between it all - a place for all beings

TOOLS

The

defining programs

section through the public realm

Simple community friendly and ecological strategies embedded within the design allow the development to retain an ecologically light footprint. The project aims to set the path towards net zero energy goals & will follow the best practices of leading certifications through minimal intervention.

conceptual plan for levels above ground indicating tentative organization of program

Conceptual Plan Above Ground Level

Conceptual Plan

the street, flanked by the flexible volumes that can transform into galleries / workshops/ studios / marketplaces with activities that spill over

1. circulation core

2. admin block

3. library

4. resource center

5. resource center terrace

6. spillover terraces

The main objective of the competition is to re-interpret the way we analyze and document cities and come up with a proposal that is a direct effect of the result, after analyzing a city.

A habitat center is a unique concept of a mixed- use setup ,with multi institutional, cultural and conventional spaces , weaved over a common urban-public space platform. This was first implemented in the “India Habitat Center”, New Delhi. The Hyderabad Habitat Center (HHC) is proposed at Izzatnagar, Hyderabad, Telangana with an aim of promoting heritage, art and culture, on the lines of the India Habitat Center (IHC).

ACADEMIC - UNDERGRADUATE THESIS

B.ARCH 2019 (Final Year-May)

- Guide: Prof. Amalan Sigmond Kaushik

- Mixed Use Typology- Proposal

SITE ARTICULATIONDE-FORTIFICATION AND BARRIER REDUCTION

A service road is laid like a closed loop that tunes well with the contours, conserving the natural vegetation and terrain elements like boulders, slopes, etc.

The building profile is made along the inner lengths of the road ,enclosing the area with the highest points of the site

The central elevated zone is made into a green, public zone with a humanized scale with the highest elevation points and the intersection points as the nodes .Three major entry points and one service entry are made into the setup.

Bio-swales with green cover and rain water harvesting pits are made in order to ensure natural drainage with a catchment pond near the conserved tree canopy.

The buildings are zoned according to their suitable function maintaining forms with orientation towards terrain, daylighting and ventilation .

DESIGN ELEMENTS

The Habitat Footbridge also acts as an iconic entrance archway and plaza for food court with seating and opportunity for vendors on the top platform.

Natural bio-swales and bridges created to enable natural drainage on site and prevent seepage of water.

Evening food court cum craft market with plazas, and gathering spaces , also creating opportunity to street vendors.

The central elevated zone is made into a public zone and the built zone appears to be scaled down when viewed from here, with place-making strategies.

The location of the site is an advantage to the design as it is close to the MMTS and Hitex. If activated, the site can be used as a major urban hub due to the presence of these transit units.

Legend:

1. Evening Food Court Cum Craft Market

2. Habitat Foot Over-Bridge

3. Main Block

4. Member Club Block

5. Office -Accommodation Block

6. Auditorium

7. Convention Block

8. Parking For Convention Block

9. Parking For Public And Office

10. Tree Canopy

11. Amphitheater

12. Sculpture Court

13. View Deck

14. Open Exhibition Court

MAIN BLOCKLEVELS AND ZONING

Level 1- Fine arts Gallery, Workshop and lecture hall, Sculpture court, Service area.

Level 2- Food court, Event zone, Exhibition halls, Outdoor event zone and exhibition space.

Level 3- Library -books section and audio visual studio, Terrace lounge.

Level 4- Library lounge area, Bank,ATM, Store.

Level 5- Administrative office, Director’s chamber.

MAIN BLOCKCONCEPTUAL DETAILS

The main block acts as a core approach to the other blocks with terrace gardens in each floor, making it a serene and lively setup. The fourth level opens to the Central OAT zone at a higher terrain level.

Highly Restricted (Service Zone)

Private Zone

Semi -Private Zone

Public Zone

The hierarchy is maintained vertically with public spaces at the bottom and to the front and private spaces as we go above. Ground levels are maintained as public zones with place making strategies.

Conceptual Skylight detail of central light-well in the main block building.

Admin.. Office Lounge

Library

The outdoor court, the sculpture court and the gallery space

Plantations

The levels of the building and the materiality enables it to camouflage in the neighborhood terrain. Hence the visual pathways also become evident to people who access the spaces through the public corridor.

Light Wells

Souvenir Stalls

Plaza seating

The section shows how the intended place-making is achieved by removal of barriers

0 7. A T H I T H I

The brief requires an in-depth study of modularity, brand identity strategies and elements to propose a design of a highway-restaurant chain that can be replicated at multiple places along the highway- line. The selected module- prototype is designed next to Thuvakudi Toll Gate, Trichy.

CONCEPT EVOLUTIONFORM

Additive and subtractive

Scooping and additional form attachment for skylights. They also contribute to the aesthetics of the facade.

1. A rectangular form is manifested facing the road. This accommodates the main spaces of the restaurant.

2. An extrusion is projected out . This encloses the frontal space for parking and Play area.

modifications as per zoning. A platform level is created for outdoor seating.

ACADEMIC- HIGHWAY RESTAURANT DESIGN

Architecture Design Studio (2nd year-2015)

- Mentor: Prof. Sangeetha

- Study Topics: Modularity and Image-ability

CONCEPT TRIGGERIMAGE-ABILITY

These elements act as visual triggers that create an image in the minds of travelers approaching the restaurant , convincing them that it is a good and lively place to relax and dine.

01. PARKING (Strategic placement in-front boosts image-ability)

02. SUPERMARKET/PHARMACY

03. PLAY AREA

04. INDOOR DINING DISPLAY ( marketing the dining experience)

05. OUTDOOR LIVE KITCHEN

06. OUTDOOR DINING/ DECK SPACE (for a quick grub)

07. SOUVENIR SHOPS ( with colorful product display)

CONCEPT EVOLUTIONFORM

The opening is designed to function like a retail window display that would publicize the dining experience.

Also, the ferro-cement roofing blends in to perfectly align with the openings creating a modular form-work for the facade while making it easy to accommodate various fixtures.

Conceptual Section showing skylight details

0 8. H A V E N

The competition intends a proposal for a multi-faith, sacred space that is timeless and inclusive in nature and respects the state of social-being of the people who come here.

Radial Approach for Acceptance and Forced Circulation for Unification

The Floor, The Walls and The Roof Approach over the core

Standing by the seashore listening to the cry of the seagulls flying I look ahead at the gracefully sculptured dunes made of golden sands, there is something enthralling about them. While visiting this adobe of none, set amidst the seashore, one witnesses the urban mix irrespective of their background blending in with the vast and timeless sea. As we approach the HAVEN we are greeted by the twirling winds that whisper the unsung song of the sea. Stolling within , opportunities for socialization present themselves helping us to engage with various people.

PERSONAL- COMPETITION PROJECT

Archdias- Sacred Spaces (2020)

- Honorable Mention

- Group of 2

-Scope: Design Lead

The half circular design emphasizes on openness letting us explore the vast expanse of the beach and helping us create our own sacred spot anywhere within, above and beside the haven.

The place on a whole accentuates togetherness, where interactions are the prime rituals and community participation is the highest offering made. A rush of excitement hits us looking at The time capsule installed at the center capturing

The Time Capsule

the ardent memories and undying ideologies of the present for the future generations to cherish and learn from.

1. Common Prayer Area ( Also the adobe of the time capsule)

2. Library

3. Community Gathering Area

4.Learning Spaces

Art direction and lighting for a short film

Interactive Story tile Snakes and

OTHER WORKS INSTALLATIONS AND LANTERNS

tile for Instagramand Ladders

Ambiance works for college fests- NIT Trichy

R E S U M E

DOB:

LANGUAGES:

APRIL 6TH, 1997

TELUGU, ENGLISH, HINDI, TAMIL

+91-9182202765

MOBILE: 2014-19

EMAIL: 2012-14

talluru.namdev@gmail.com

RESIDENCE:

16-3-55, RAMALINGAPURAM, NELLORE, A.P, INDIA -524003

S O F T W

Till 2012

B.ARCH I NIT TIRUCHIRAPPALLI (7.7 CGPA)

SENIOR SECONDARY SCHOOL- CBSE I MAHARISHI INTERNATIONAL RESIDENTIAL SCHOOL, CHENNAI. (92%)

SECONDARY SCHOOL- SSC I NARAYANA CONCEPT SCHOOL, NELLORE.(9.8 CGPA)

STUDIO architecture RED ,CHENNAI

ROLE:

PROJECTS:

WORK:

ARCHITECT (1 YEAR 6 MONTHS)

RESIDENTIAL APARTMENTS, COMMERCIAL, INSTITUTIONAL, COMPETITION (WINNING PROPOSAL)

PROJECT ARCHITECT, DESIGN DRAWINGS, GOOD FOR CONSTRUCTION DRAWINGS, SITE CO-ORDINATION, CLIENT AND CONSULTANT CO-ORDINATION, CONCEPTUAL DESIGN AND 3D MODELING

ZIRCON 34 DESIGN STUDIO ,HYDERABAD

ROLE:

PROJECTS:

WORK:

ARCHITECT ( 9 MONTHS)

HOSPITALITY, INSTITUTIONAL, RESIDENTIAL INTERIORS, GRAPHIC DESIGN, PRODUCT DESIGN

DESIGN DRAWINGS, CONCEPTUAL DESIGN ,3D MODELING, GRAPHIC DESIGN, SOCIAL MEDIA HANDLE

NANDU ASSOCIATES ,HYDERABAD

ROLE:

PROJECTS:

WORK:

TRAINEE ARCHITECT (6 MONTHS)

HOSPITALITY, INSTITUTIONAL, RESIDENTIAL, INTERIORS, URBAN DESIGN

DESIGN DRAWINGS, CONCEPTUAL DESIGN,3D MODELING, PRESENTATION

MODELING

RENDERING CREATIVE SUITE OFFICE SUITE

-HEAD - TEAM AMBIANCE

-HEAD - E CORE (FINE

-LEADING FLIGHT CADET

-TRAINER - JP NAGAR

-APPRENTICE

-CO-FOUNDER AND OPERA TIONS

-WINNER

-SHORTLIST (TOP 10)

-FINALIST AND PROJECT PUBLICATION

-HON. MENTION.

-HON. MENTION.

-SPECIAL MENTION -CITATION

-SHORTLIST -TOP 100

-NOMINEE

-GUEST SPEAKER AND PROJECT PUBLICATION

AUTO-CAD | SKETCH-UP I RHINO - GRASSHOPPER

LUMION | KEYSHOT | V-RAY | ENSCAPE

PHOTOSHOP | ILLUSTRATOR | INDESIGN | SPARK |

PROCREATE | FIGMA

EXCEL | POWER POINT | WORD

NITTFEST - 2018, NIT TRICHY

A-FLIGHT NCC

YOUNG LEADERS INITIATIVE,KAARMIC EDUCATION.

SQR FACTOR PVT. LTD.

AN INDEPENDENT COLLABORATION - FOUNDATION

INTERESTS

SKETCHING, GRAPHIC DESIGN, STORY BOARDING

DESIGN RESEARCH AND FABRICATION, SET DESIGN, MANGA AND ANIME, TRAVELING, SWIMMING

NOTIONS OF INDIA 2021

-INTERNATIONAL DESIGN COMPETITION BY TATA STRUCTURA

BUILD WITH SPEED -2021 COMPETITION BY ULTRA-TECH CEMENT

REWEAVE KOZHIKODE- COMTRUST- NATIONAL ARCHITECTURE COMPETITION BY INDIAN INSTITUTE OF ARCHITECTS

THE SACRED SPACES - ARCHDIAS -INTERNATIONAL

TEMPLE DESIGN COMPETITION -AAD- INTERNATIONAL

LIK TROPHY - NASA 2017

LIK TROPHY - NASA 2016

ANNUAL NATIONAL DESIGN COMPETITION - NASA 2017

NATIONAL BALA SHREE AWARD - 2010

STEEL SUMMIT 2022- SSMBT, MUMBAI (PRESENTATION ON IMPORTANCE OF STRUCTURAL STEEL AND PROJECT PRESENTATION)

CRITICAL THINKING

FESTEMBER - 2018, NIT TRICHY BY ARINJOY SEN- ONEISTOX

SKILLS BAMBOO CONSTRUCTION

B AND C CERTIFICATES

ARCH. LICENSE ASSOCIATE MEMBERSHIP

ARCHCULT-2018

3 TN AIR SQN (TECH) NCCNATIONAL CADET CORE COUNCIL OF ARCHITECTURE INDIAN INSTITUTE OF ARCHITECTS