Architecture Portfolio 2020 | Naomi Wong

Page 1

naomi Wong

2020

architecture and sustainable design


about me I believe architecture is beautiful as it is the intersection between math, science, art & design. Having studied art for many years, architecture is a new kind of experience for me, designing spaces for people to live and interact. Unlike many of the other arts, architecture requires a lot of teamwork which I really enjoy. Working with my friends, professors and colleagues has enabled me to learn more and push the boundaries of my creativity.


cv EDUCATION 2017 PRESENT

Singapore University of Techonology and Design Architecture and Sustainable Design [B.Sc] Graduating in 2020

JUL 2018

Hanyang University ISS1076 Digtial Studio ISS1013 Project Management

20152016

St Andrew’s Junior College GCE ‘A’ Levels

20112014

St Margaret’s Secondary School GCE ‘O’ Levels

LEADERSHIP 2018PRESENT

20172018

20152016

Architectural Society of SUTD Community Head

2019

Archifest

2019

Junction X SG

Started the club to encourage students to learn how to make clothes and encourage students to find confidence through fashion.

JUN 2018

Flipside (Esplanade)

SAJC Waterpolo Team Captain

2018

L’Oreal Brandstorm

20172018

SUTD Tchoukball

20102014

Synchronised Swimming

Organise events for the faculty and 150 ASD students. (eg. CNY lohei, Christmas Party, Seniors Farewell etc.)

SUTD Fashion Club Co-Founder, Vice President

Led a team of 8 to achieve 3rd & 2nd placings at the National “A” Divisions

AWARDS 2020

CO-CURRICULAR ACTIVITIES

SUTD Student Service Award

SKILLS GRAPHIC DESIGN CAD

OTHERS

+65 9271 0076

Adobe Illustrator Adobe Photoshop Adobe InDesign Rhino AutoCAD Fusion 360 ArchiCAD

Helped to orgainse a series of workshops, over 2 weekends, for the public called ArchiCraft under the Archifest event. Co-organised the first ever Junction X hackathon in Singapore with over 150 participants for the 3 day event. Helped to design the participants’ event package for the event. A team of us created an interactive installation for the Flipside exhibition in Esplanade.

National Finalists out of 75 competing teams

Represented SUTD for SUniG

Synchronised Swimming National Development Team Member

WORK EXPERIENCE MAY-AUG 2019

OKASHIMO Maker (Intern)

APR 2018PRESENT

WHUT SUPPLY

MAR-MAY 2017

Farm DeLight Graphic Designer

(Local Clothing Brand)

Co-Founder, Treasurer, Logistics

Lumion 8 V-Ray Unreal Engine Grasshopper

naomaoarts@gmail.com

linkedin.com/in/naomi-wong-shumiin

pinterest.com/naomaoarts


OTHERS

STUDIO

selected works The Future of Housing Residential

HELICO. Mixed use building

CCCDA AR/VR experience

Undulate Canopy Structure

Spectrolite Light Fixture

CHK CHK Kinetic Envelope




CORE STUDIO 3

TERM 7

future of housing The future of housing and it’s past. Our studio will build a vision of the future of housing based on an understanding of the past, with one key historical fact driving our investigation: Singapore has been and will be a high-density, high-rise nation. The vision we create will be a next step in a bigger history of over-coming the difficulties of high-rise, high-density urbanism to create thriving, vibrant, livable homes in the sky. The near future will not be without challenges. Looking forward we have identified three primary challenges for our students to take on as they imagine the future of housing: demographic shift and aging, climate change, and the economy of automation. We will respond to these challenges by studying existing housing typologies and adapting them – to make them more social, more sustainable and resilient, and better adapted to the flexible, creative and globalized work environment of the mid 21st century. A 3-dimensional neighborhood, on artificial land: While the primary output of this studio will be the design of high-rise housing, we would like to recognize the importance of urban context and neighborhood to the success of housing. A master-planning exercise will allow us to image the neighborhood of the future, here in the East, not far from SUTD. Our site will be on a proposed artificial polder island to the south of East Coast Park, within a larger masterplan developed by ONG&ONG

studio brief


TERM 7

the future of housing Located at the intersection of multiple activities, these residential blocks aim to be a transitioning point from the business of the area, to the rest of the living areas in the precinct. The site contains the Highline, LRT station and a small water catchment area. Furthermore, it sits at the edge of the residential area, where it overlooks the adjacent agriculture land. The duality of spaces (live-work) act as a transition from the LRT to the further residential blocks. The business of the interchange, followed by the serene urban farming lands. The blocks are also north-south facing, to minimise direct sunlight from the rising and setting sun. This north orinentation also faces the on coming winds, giving a good opportunity for much natural ventilation. Being in a tropical climate, passive cooling systems would be essential to create spaces that are comfortable to live in.

CONCEPT DIAGRAM LIVE

Facing Small Park

WORK

WORK

LIVE

Facing Small Park

Busy Public Plaza

Busy Public Plaza LIVE

WORK

WORK

LIVE


2 linear blocks with commerical work and oďŹƒce work divison.

Additional commercial spaces line the open atrium to create smaller streets for retail at the void decks of the block.

Commercial oors are terraced outwards to create an atrium space between the 2 blocks.

Horizontal terracing opens up the atrium space between the 2 blocks. And a residential green space is also formed.

Reected the massings to form a central plaza for the residents as a common space and point of intersection of the multiple programs and activities.


Elderly - Office

Elderly - Office

Centennial - Commercial

Elderly - Commercial

Elderly - Commercial


Centennial - Office

Centennial - Office

Eco Family - Office

Eco Family - Commercial

Eco Family - Commercial


Ground Floor Plan


L+10

L+8

L+5



OPTION STUDIO 1

TERM 6

daylightful mixity Designing a gateway building to an emerging zero-carbon innovation district. The proposed program of the studio, distributed over around 10,000 sqm, is meant to enable a spatial formalization of the main entry to the blueFactory district in Fribourg, Switzerland. The blueFactory site also hosts the Smart Living Lab research centre and the NeighborHub building, laureate of the Solar Decathlon 2017 competition. This particular project site will allow us to develop a design proposal that embeds the district’s ambitions of being a model of sustainable neighborhood with an overall zero carbon goal. The studio will explore programmatic mixity (permanence of the plan/grid, relation between program and typology, space use vs. footprint, importance of public space…), program reversibility (change of use) and the values of mixity (serendipity encounter spaces, specialization vs open-use…). The program brief will be an opportunity to question concepts of evolving working and living typologies. It will integrate about 25% of residential space (including cooperative and innovative housing), about 25% of hospitality space (studios and small apartment units, restaurant), and about 50% of mixed-use workspaces (co-working, workshops, research and startups, retail, fitness, meetings, cultural spaces, FabLabs, food court, etc.).

studio brief

Lead By professor marilyne and Igor andersen


IN COLLABORATION WITH BENJAMIN CHONG

This project aims to be a common ground for all, from innovators and entrepreneurs to students and families, and enable the building to be a portal into the innovation district. The porous design will allow natural light to penetrate into the building, and creating open spaces which allow programmes to accommodate varying sizes and spill into each other.

CONCEPT DIAGRAM

TERM 6

helico.

Shared

Private

Continuous adjacency of private and shared space

Continuous spiral to fit space into site context


Central opening to allow natural light in

Carving of voids to accommodate entrance, views, and sunlight

Setting back to break down the scale of the building


FORMULATIVE FACADE The modular facade serves a dual purpose; to break down the large scale of the building, and to provide views and sun shading where needed

VIBRANT ROOFTOP Urban farms serve both educational and commercial purposes, while the rooftop bar brings in the nightlife wth a panoramic view of blueFACTORY

COMMUNITY LIVING Incorporating a mix of unit types in a single floor allows for a diversity of families and individuals to interact and share their home

A QUIET PLACE Community garden and playground are high above the hustle and bustle of blueFACTORY

SHARING IS CARING Sandwiching the gym and childcare centre between office and residential spaces allow for greater convenience to common amenities

IMPROVISE & ADAPT An intermix of co-working spaces, long term office spaces and labs with flexible meeting rooms and informal spaces minimize unused space

FROM HEAD TO TOE A continuous path spirals through the building, connecting private and shared spaces as they intertwine and overlap

FROM TRASH TO TREASURE The cafeteria provides food sourced from food gleaning and local produce, acting as a showcase for a sustainable food system

IDEA LAB The workshop can open up to the central atrium allowing for events to spill out and engage the public

SENSE OF ARRIVAL A central atrium brings in natural lighting to all floors, and serves as an forum space that welcomes visitors to blueFACTORY

TAKE-MAKE-WASTE A food waste recycling plant converts waste from blueFACTORY’s F&B outlets into compost for the rooftop urban farm and non-potable water for cleaning

LIGHT FROM ABOVE The large skylight above the atrium provides ample natural lighting throughout the building, creating a central event space which changes with the day

SUSTAINABLE ARCHITECTURE Constructed primarily from timber, the building aims to minimize its carbon footprint and promote sustainable living


OCULIGHT ANALYSIS

Daylight Factor: Overcast

Annual Sunlight Exposure: >1000 lx (hours)

View-based Comfort

Daylight Factor: DF ≥ 5%

Daylight Autonomy: 300 lx -Occupied Hours (%)

Emotional Experience

SHADOW ANALYSIS (WITH DIVA)

SUMMER SOLSTICE (0900hrs)

SUMMER SOLSTICE (1200hrs)

SUMMER SOLSTICE (1500hrs)

EQUINOX (0900hrs)

EQUINOX (1200hrs)

EQUINOX (1500hrs)

WINTER SOLSTICE (0900hrs)

WINTER SOLSTICE (1200hrs)

WINTER SOLSTICE (1500hrs)





CORE STUDIO 2

TERM 5

cccda Reconnection of the building construct to new technology terrain calls for new narratives/scenarios that enable the architect to associate new roles/meanings to buildings. To be explicit in this argument, the studio draws parallel to the creation of science fiction. The existence of this genre requires a demanding level of “World-Building�, where writers/screenwriters sets a new understanding of how the world works, using aspects of history and timelines, politics and religion, civilization’s development, technological development and its consequences, cultures and other settings (i.e. biology, ecology, geology, astronomy, architecture, populations). The stories that then unfold in science fiction novels or movies are enabled by the rules and values that World-Building affords it. The studio believes architects need to be centre in the creation of a new narrative where buildings and the built environment exists in an increasingly invisible, digitized world. The genesis of this new narrative will come from the task of designing a building for the Centre of Contemporary Cultural Digital Archive (C.C.C.D.A); an institution that is yet to exists, and at current reading, presents conflicting identities.

studio brief

Lead By professor Christine yogiaman


TERM 5

CCCda The cultural centre for digital archives serves as a physical manifestation of memories that have been digitalized. With the amount of data recorded by us, future technology allows people to have their digital recordings and images made tangible. Data stored in the cloud and uploaded by users can recreate one’s surroundings in the virtual world. Users can once again experience past memories like they once did and the CCCDA provides the space and equipment for the most realistic 5 sense recreation of past experiences.

CONCEPT The 3D scanning and recreation of environments through photos.

ŽĨ Ɛ


USER EXPERIENCE IN VR

Original position/path

Recording of a interaction (not physcially there)

Having a “conversation”

Extend memory? Yes No

Having a physical interaction

Original position/path

Extend memory? Yes No

Has no access to other memories yet (red and blue regions)

Extend memory? Yes No

Original position/path Extend memory? Yes No

No prompt (world cannot expand in this direction)

USER EXPERIENCE IN FACILITY

ƐŝŵƵůĂƟŽŶ

ŽĨ ƐŝŵƵůĂƟŽ WŽƐƐŝďůĞ WůĂLJĞƌ ŽŶĮŐƵƌĂƟŽŶƐ͗ STAGE A ϰ ƐĞƉĞƌĂƚĞ ŵĞŵŽƌŝĞƐ EŽ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

^d ' Ϯ ƐĞƉĞƌĂƚĞ ŵĞŵŽƌŝĞƐ EŽ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

KƉƟŵŝnjĞĚ STAGE A ϰ ŵĞŵŽƌŝĞƐ ůů ŵĞŵŽƌŝĞƐ ŽǀĞƌůĂƉ

^d ' Ϯ ƐĞƉĞƌĂƚĞ ŵĞŵŽƌŝĞƐ ůů ŵĞŵŽƌŝĞƐ ŽǀĞƌůĂƉ

STAGE A ϰ ŵĞŵŽƌŝĞƐ ^ŽŵĞ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

^d ' Ϯ ŵĞŵŽƌŝĞƐ ^ŽŵĞ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

STAGE A ϯ ŵĞŵŽƌŝĞƐ ^ŽŵĞ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

&ƌĞĞĨŽƌŵ ^d ' ϭ ŵĞŵŽƌLJ EŽ ŽǀĞƌůĂƉ

^d ' н ϲ ŵĞŵŽƌŝĞƐ DƵůƟƉůĞ ŵĞŵŽƌLJ ŽǀĞƌůĂƉ

Ͳ ϰ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ŶŽ ŝŶƚĞƌĂĐƟŽŶ ďĞƚǁĞĞŶ ƉůĂLJĞƌƐ WITH Ͳ ƐƉĞĐƚĂƚŽƌ ƉůĂLJĞƌƐ ;ƉůĂLJĞƌƐ ĞdžƉůŽƌŝŶŐ ŵĞŵŽƌŝĞƐ ƚŚĂƚ ĂƌĞ ŶŽƚ ƚŚĞŝƌƐͿ

;ŝͿ

Ͳ ϰ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ŝŶƚĞƌĂƟŽŶ ďĞƚǁĞĞŶ ƐŽŵĞ ƉůĂLJĞƌƐ OR Ͳ ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ϭ ƉůĂLJĞƌ ;^d ' Ϳ

;ŝŝͿ Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ŝŶƚĞƌĂƟŽŶ ďĞƚǁĞĞŶ ƐŽŵĞ ƉůĂLJĞƌƐ OR Ͳ ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ Ϯ ƉůĂLJĞƌ ;^d ' Ϳ

;ŝŝŝͿ Ͳ ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ϭ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ ŝŶƚĞƌĂƟŽŶ ďĞƚǁĞĞŶ ƐŽŵĞ ƉůĂLJĞƌƐ OR Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ Ͳ Ϯ ƉůĂLJĞƌƐ ;^d ' Ϳ

;ŝǀͿ Ͳ ϱ ƉůĂLJĞƌƐ OR Ͳ ϭ ƉůĂLJĞƌ OR Ͳ ϯ ƉůĂLJĞƌƐ ǁŝƚŚ ŵƵůƟƉůĞ ƐƉĞĐƚĂƚŽƌ ƉůĂLJĞƌƐ

;ǀͿ





SELECTED WORKS

OTHERS


ARCHITECTURAL STRUCTURE & ENCLOSURE DESIGN

undulate

IN COLLABORATION WITH THET NAUNG OO, LUCAS NGIAM AND LESTER LIM

The task is to build a timber cantilever in a 1:1 scale. The structure should aim to maximise its load bearing capabilities as well as being as light as possible. It would be tested by it being mounted onto a wall on 4 points and weights are added on its roof to test its strength. 5mm and 3mm plywood are the materials provided and the production of the structure is to be done by CNC.

CONCEPT DIAGRAM

Linear wood grain direction Introducing curves to the wooden pieces by bending them can help these pieces, through internal tensions, be stronger. Hence, requireing minimal material for a higher load bearing capcity.

Transform to create bends


MODELING THE CURVES

17cm

39cm

Parametrically drawing the curves to allow changes to be more controlled and deďŹ ned.

39cm

12cm


KARAMBA Utilization and Displacement Analysis

Single module Max utilization : 6.7% Max displacement : 0.03 cm

Two modules with connecting piece

Entire canopy

Max utilization : 17.2% Max displacement : 0.23 cm

Max utilization : 26.3% Max displacement : 0.47 cm

top view

front view

side view

Stress Analysis

compression

Single module

Two modules with connecting piece

Entire canopy

Max tension : 9.89 e -02 kN/cm2 Mac compression : 5.64 e -0.2 kN/cm2

Max tension : 2.67 e -01 kN/cm2 Max compression : 8.85 e -0.1 kN/cm2

Max tension : 4.63 e -01 kN/cm2 Max compression : 3.62e -0.1 kN/cm2

top view

front view

side view



IN COLLABORATION WITH LESTER LIM

The project task is to build a light fixture. We decided to explore by showcasing the quality of materials and craftmanship. Dichroic flim was used and it is the main feature of Spectrolite. The dichroic film has a special property that reflects different hues when light hits its surface at different angles. Hence, a simple geometry was designed to compliment this effect. It is designed as a wall scone to increase the area where light from it could bounce off for a more interesting accent lighting effect.

60 °

13

0.0

°

61

201

257

150 x 260 mm 3M Dichroic Film with adhesive backing

PL 422 3mm thick frosted white bended acrylic sheet with gloss finish 5mm Plywood with 5mm radius fillet edges and Grey Stone finish

105 95

100mm LED strip light 2700K 12V 1A x4 125°

68

53

°

135

30

M3 BH 10mm screw with M3 SS zinc-plated hex nut 110°

5mm plywood with 135° chamfered edges Solid core wire

105

30°

114

PERFORMATIVE DESIGN

spectrolite

3mm Plywood bare finish 3mm Plywood bare finish AC220V LED driver M3 BH 10mm screw with M3 SS zinc-plated hex nut 65 121

M3 BH 10mm screw with M3 SS zinc-plated hex nut

60° PL 422 3mm thick frosted white bended acrylic sheet with gloss finish

100mm LED strip light 2700K 12V 1A x4

M3 BH 10mm screw with M3 SS zinc-plated hex nut AC220V LED driver


Spectrรถlite Naomi Wong Lester Lim ASD| Fall 2019 20.302 Advanced Topics in Performative Design: Daylight and Electric Lighting

119/ea

$






DIGITAL DESIGN & FABRICATION

chk chk

IN COLLABORATION WITH SIMON ROCKNATHAN, RACHEL SONG &JEANETTE LEE

To design a kinectic evelope using a given motor and aluminium sheet.

CONCEPT DIAGRAM Rotational movement (single)

Reciprocal movement (single)

Rotational movement (multiple)

IDEATION

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thank you


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