Preview Special Campaign Issue / Fall 2020
On behalf of The National Ballet of Canada, we hope that each of you are coping with the many effects of the COVID-19 pandemic, especially as they relate to your physical, mental and financial well-being. On November 4, 2020, the company announced the cancellation of all performances, tours and inperson community engagement initiatives for the 2020/21 season. But even with our theatre dark and our artists restricted in their activities, the spark of creativity that drives our organization is still burning bright. Our dancers and musicians are still training, creating and sharing art as best they can, whether that means simple offerings recorded on personal devices or more sophisticated projects developed in collaboration with the company or fellow artists and colleagues. Much depends on the availability of human and technological resources, current public health measures and individual comfort levels with any form of gathering. While daily life is not as we knew it, people are still turning to the arts for comfort, inspiration, understanding and pleasure, in many cases more passionately than before. The arts can be our “True North” or collective compass in times of hardship or change and, in today’s uncertain world, the National Ballet is happy to serve. With your help – rooted in deep loyalty to our company and love for our artform – we can take action to sustain a vital and inclusive National Ballet today and into the future.
Together, we can support and protect our artists – dancers and musicians – so they can return to the stage in top form. Together, we can commission new works by Canadian choreographers for the digital stage. Together, we can connect with children and students in our community through virtual education and engagement initiatives. Together, we can invest in essential digital technology to capture new ballets so that we can connect with you and audiences across the country.
TogetherforBallet.ca 416 345 9595
Tene Ward. Opposite: Karen Kain. Barry Hughson. Photos by Karolina Kuras. 2
The National Ballet of Canada
Preview Fall 2020
The Power of Community Welcome to The National Ballet of Canada’s first ever virtual season. To a great extent, we are in uncharted territory, implementing social distancing measures as we try to share an artform predicated on social gathering and the proximity of human bodies. But creating dance is what we know best, regardless of the platform, and the digital space has begun to feel not just familiar but rich with potential, though it will never be a substitute for live performance. We are more than eight months into this pandemic and we are adapting. If the 2020/21 season had a theme, it would be community. The world changed for us when COVID-19 gained traction in Canada and, shortly after, with global protests against systemic racism. But for everything that was lost, something powerful was gained – a remarkable coming together across industries and institutions, cities and countries, to make change, to adapt, to move forward together. As we pivoted to move our entire operation online, shift schedules, postpone projects and strengthen our Equity, Diversity and Inclusion strategy, we were humbled and moved to see our donors and
Karen Kain, C.C., LL.D., D.Litt., O.Ont. Artistic Director
audiences coming along with us. You donated tickets, joined virtual classes, engaged with us on social media, spoke out about racism and grieved over the loss of live performance. The overwhelming feeling from those early, dizzying days was one of community, and it is in this spirit that we enter the new season. The most challenging part of this journey is not behind us, but ahead of us, and we will need the entire National Ballet family to lean in as we navigate the future. We are calling on donors to join us in Together for Ballet, a campaign to support our artists, invest in digital technology and help us engage diverse communities with dance. We anticipate that the performing arts will see an exciting renaissance in the aftermath of COVID-19 since we now know what the world feels like without live performances and without shared human experiences. We just have to get there and, together, we will. Thank you for making our virtual season a reality and for all that you give to The National Ballet of Canada.
Barry Hughson, Executive Director
Contents Together for Ballet
2
The Power of Community
3
Campaign Goals
4
How You Can Help
5
Words of Inspiration
6
The Path Forward
8
The Financial Picture
9
Highlights from Our 2019/20 Season
10
Spotlight Series
12
Expansive Dances
14
The Nutcracker on Screen
16
national.ballet.ca Preview newsletter is published quarterly by The National Ballet of Canada’s Development Department. Director of Development: Diana Reitberger, CFRE Publisher: John Hart Preview Editor: Caroline Dickie Contributor: Rhea Daniels Art & Design: Carmen Wagner We would love to hear from you. Please send your comments to: preview@national.ballet.ca
Naoya Ebe is sponsored through Dancers First by Gretchen Ross. Jordana Daumec is sponsored through Dancers First by an anonymous donor. Jenna Savella is sponsored through Dancers First by Elvio & Marlene DelZotto. Siphesihle November is sponsored through Dancers First by Jerry & Joan Lozinski. Cover: Jordana Daumec, Naoya Ebe, Jenna Savella and Siphesihle November. Photo by Karolina Kuras. 3
Together for Ballet How Our Campaign Goal of $5.4 million is Being Allocated We are making strategic investments during the 2020/21 season to keep our artists employed and healthy, remain connected to our audiences and deliver on our mandate as an artistic institution.
Supporting our Artists
$3.4 million Our artists – dancers and musicians – are the heart of our organization and their talent, creativity and dedication must be protected. Our dancers have returned to the studios for classes and rehearsals, maintaining peak physical condition for upcoming performances (both in person at small venues and digital). Our orchestra is preparing for our upcoming Spotlight Series and recording music for our new work.
Innovation / Creation / Community
$1 million To engage with audiences and the community in the digital sphere, Karen Kain commissioned new works for our Expansive Dances films and our upcoming Spotlight Series. Lisa Robinson, our Education and Community Engagement Manager, is working with schools and community agencies to expand vital educational programming.
Investing in Digital Technology
$500,000 To be truly accessible and expand our reach, we require more robust digital infrastructure to capture and disseminate our work. In a joint project with the Canadian Opera Company, supported in part by a grant from the Department of Canadian Heritage, we will install equipment to capture high quality footage of performances and rehearsals in the Four Seasons Centre for the Performing Arts and the Walter Carsen Centre.
COVID-19 Protection Measures
$500,000 To ensure the safety of our artists and staff as they return to work at the Walter Carsen Centre and Gretchen Ross Production Centre, we are implementing all COVID-related health and safety protocols. These measures include retrofits, motion-activated equipment, and daily cleaning and disinfecting. There is regular COVID testing for our dancers so they can feel safe and secure.
Jurgita Dronina. Photo by Karolina Kuras. 4
The National Ballet of Canada
Preview Fall 2020
How You Can Help We are asking our family of donors, subscribers, ticket buyers and volunteers to join together with The National Ballet of Canada and our artists in the following ways. Your belief in the company sustains and inspires us all, and together we will bring The National Ballet of Canada through this storm and protect the institution, its legacy and our remarkable artists.
Make a Gift to the Together for Ballet Campaign Make a special gift to the campaign to support our priority areas and keep our artists active, healthy and engaged with you through expanded digital programming.
national.ballet.ca/together or call 416 345 9595 Contact Diana Reitberger at dreitberger@national.ballet.ca or Mary Koutsoubos at mkoutsoubos@national.ballet.ca to discuss contributing to a special priority area.
Renew and Pledge Annual Gifts Renew your commitment to Friends’ Corps, Turnout, Patrons’ Council, Esprit de Corps, Music Circle and Dancers First. If your annual renewal is in the new year, please pledge now so we can look ahead with security. Together, our annual and membership gifts ensure a stable base of support, which represents $6.7 million of our core operations.
national.ballet.ca/login or call 416 345 9595 Contact Nicholas Melymuk at nmelymuk@national.ballet.ca or Joanne Kwok at jkwok@national.ballet.ca to discuss your annual gift.
Legacy Giving The pandemic has given people a chance to pause and assess what is important to them and the legacy they want to leave. Many donors are making the decision to review and update their estate plans to include leaving a gift in their Will to the National Ballet. If this is something that you are considering, please contact Richard for more information rlefebvre@national.ballet.ca.
national.ballet.ca/legacy or call 416 345 9686 x324
Ticket Returns & Subscriptions We are grateful for our subscribers and tickets holders who have returned cancelled performance tickets for a charitable tax receipt or voucher, or put their tickets on account for future performances. This keeps earned revenue within the company and helps maintain cash flow. We look forward to announcing the 2021/22 season in the new year and will ask subscribers to renew at that time.
The National Ballet of Canada
Preview Fall 2020
5
Words of Gratitude and Inspiration “I feel so grateful to The National Ballet of Canada’s donors for many reasons. Your ongoing support, especially during these difficult times, keeps us motivated and inspired to continue sharing beautiful ballet with the world. Without you, I wouldn’t be able to do what I love so much. Thank you, National Ballet donors and audiences!” – Second Soloist Kota Sato
“My heart goes out to everyone at The National Ballet of Canada at this time. I have always loved your performances – the beauty, staging and dancing – all of it. I feel very fortunate the company exists in my city, and I am donating because this cultural jewel needs to be maintained.”
“My, what we take for granted. I’ve missed the excitement of going to the theatre with my family to watch the beauty unfold on the stage. I so look forward to the day we can all be together once again. In the meantime, please know that you’re all thought of, and we’ll be right here, waiting for you when it’s time. Take good care, and we’ll see you soon. ”
– Dr. David Hedley, Together for Ballet donor
– Lori Peixoto, Together for Ballet donor
“As we continue to find creative ways to keep the National Ballet spirit alive, your unwavering support and faith in us means everything. We sense your stalwart belief and love for our work and think of you in every company class taught over Zoom and each rehearsal with small groups of dancers in masks. Every one of us looks forward to a bright and exciting future and to feeling once again the human connection that only live performance can bring.” – Associate Artistic Director Christopher Stowell Kota Sato. Christopher Stowell. Photos by Karolina Kuras. 6
The National Ballet of Canada
Preview Fall 2020
“To you, our donors, who have made it possible for all of us at The National Ballet not only to survive, but to be able to adapt and work and create during these extraordinary and challenging times, we thank you. We know that, in time, we will be back on the stage and in the orchestra pit and that you will be with us in the theatre cheering us on. With your generosity and support during these difficult days, we can look to this future with anticipation and optimism.”– Music Director and Principal Conductor David Briskin “Best wishes in these tough times to the entire company. The National Ballet of Canada and its wonderful artists, dancers and staff have provided many years of enjoyment to my family. We love attending performances and so look forward to seeing the company perform in person again.”
“As we move forward through this, I just want to emphasize that you are not creating dance all by yourselves. We all dance with you. May all that beauty and skill and delight that you give to us return to you tenfold when most you need it. Sending you courage, strength, and most of all, joy.”
– James Chow, Together for Ballet donor
– Jennie Wright, Together for Ballet donor
Send Your Words of Encouragement To help us stay connected, the dancers and musicians of the National Ballet would love to hear your words of encouragement and support. Please share a personal message and we will make sure it reaches our artists. national.ballet.ca/TogetherMessages
Kota Sato is sponsored through Dancers First by Tony Arrell, C.M. & Anne Arrell. David Briskin. Shaelynn Estrada. Photos by Karolina Kuras. The National Ballet of Canada
Preview Fall 2020
7
The Path Forward Autumn has always been an exciting time at The National Ballet of Canada, as we begin a new season on stage. Under normal circumstances, I would be welcoming you back to our theatre, rehearsal and event spaces in anticipation of the beautiful performances to come. I miss that collective energy and the members and donors who have become family through a shared love of dance. I’m heartened that so many of you are tuning in for our digital season, which kicked off in September with Expansive Dances and will continue with our Spotlight Series of filmed repertoire. These initiatives are keeping our artists engaged, giving us expertise in digital platforms, facilitating creative collaborations and community partnerships, and providing our audiences with much needed inspiration and joy. Thank you for supporting the company and
our artists in these endeavours. The National Ballet was firing on all cylinders this time last year, propelled by the success of the Soaring Campaign, which attracted record investments in new productions and touring, and saw substantial growth in the Endowment Foundation. Years of donor support from you – our champions – has helped us reach new heights of artistic achievement, recognition and engagement. The strong, dynamic company you see today is the result of your commitment and generosity. But even with this robust foundation, COVID-19 is a significant blow. To help offset the financial repercussions of the pandemic, protect our people and invest in digital technology, we have launched a fundraising campaign, Together for Ballet. This $5.4 million initiative is our path forward, not only in the
days and weeks to come, but over the next few years of our recovery. We hope you will join us in this cause. On behalf of the entire company, I want to express to you our deep gratitude for supporting us through the good and bad times and the places in between. Your belief in the National Ballet sustains and inspires us all, and we cannot – and do not wish to – return to the stage without you. Sincerely,
Diana Reitberger, CFRE Director of Development
Jack Bertinshaw is sponsored through Dancers First by an anonymous donor. Selene Guerrero-Trujillo. Opposite: Jack Bertinshaw. Photos by Karolina Kuras.
8
The National Ballet of Canada
Preview Fall 2020
2020/21 Projected Operating Revenue
26.2 M
The Financial Picture for 2020/21
Together for Ballet Campaign $5.4 M
The cancellation of The National Ballet of Canada’s 2020/21 performance season has had a transformational impact on the company’s operations. Without ticket revenue, which typically represents almost 40% of our annual revenue, we have had to reduce our budget from $39 million to $26 million, and have taken the following difficult steps to decrease expenses: Company-wide wage reductions for artists and staff. Temporary furloughs for production and part-time administrative staff.
$20.8 M
Annual Fundraising $6.7 M
Postponement of several major new productions (Swan Lake, MADDADDAM and Victoria) and international touring (London, UK and other cities not yet announced).
Reduction of production and marketing costs related to performances at the Four Seasons Centre. Remaining expenses are directly tied to keeping our company whole and connected to our community: salaries for dancers and musicians and those working behind the scenes; the creation of new works; digital technology; health and safety; and facilities for training and creation. Now more than ever, we must rely on the generosity of individual donors, corporate sponsors, and private and family foundations. The Together for Ballet campaign is a critical part of meeting our objectives to sustain the company and protect our future, as is ongoing support through our core annual fundraising programmes. We are grateful to the Canada Council for the Arts, Ontario Arts Council and the City of Toronto for sustaining their annual operating grants during this unprecedented time, and for the Canada Employment Wage Subsidy which provides budget relief for salaried workers. We are grateful to receive annual disbursements from the *accumulated earned income generated from permanently
$14.1 M Endowment Foundation Grant* $3.5 M Earned Revenue $0.7 M
$10.6 M $9.9 M
Government Grants $7.0 M
$2.9 M COVID-19 Support $2.9 M
endowed investments within The National Ballet of Canada, Endowment Foundation – an endowment built through the philanthropic support of a generation of visionary donors. The National Ballet of Canada
Preview Fall 2020
9
A Time of Success and Challenge Highlights from our 2019/20 Season
66
performances up to March 13, 2020
109,946 30
audience members
performances cancelled due to COVID
2,810
community engagement events
195,328
community participants
5,247,965
digital audience We started the 2019/20 season in a position of strength, with a balanced budget, a strong and passionate community of support, inspired artistic leadership and the incredible talents of our artists, staff and creative partners. These attributes are proving invaluable as we navigate the challenges presented by COVID-19, both today and into the future. Throughout the season, donors continued to provide vital support to our artists, performances and events, including touring, the commissioning of new Canadian work and community engagement programming. I want to extend my gratitude to all of you for championing the National Ballet through times of prosperity and challenge. We know that with the support of our donors, subscribers and ticket buyers, the National Ballet will move through and forward from the challenges of COVID-19 and remain connected with the audiences and art form we love.
– Cornell Wright Chair, Board of Directors
For the full results, view the 2019/20 Annual Report online at national.ballet.ca/annualreports Heather Ogden is sponsored through Dancers First by Ira Gluskin & Maxine Granovsky Gluskin. Brendan Saye is sponsored through Dancers First by Robin Vaile Robinson. Heather Ogden and Brendan Saye in Giselle. Photo by Michael Slobodian. Spencer Hack and Jenna Savella in Orpheus Alive. Cornell Wright. Photos by Karolina Kuras. 10
The National Ballet of Canada
Preview Fall 2020
Revenue
2019/20*
Box office Fundraising Grants
$
9,409
29%
8,739
27%
6,951
21%
3,651 3,260
11% 10%
775
2%
The National Ballet of Canada, Endowment Foundation COVID-19 support Education, outreach and other
$32,785
Total Revenue
Expenditures Marketing, publicity and outreach Administration Fundraising Facilities
From top to bottom: Artists of the Ballet in Angels’ Atlas. Artists of the Ballet in Piano Concerto #1. Artists of the Ballet in Petite Mort. Artists of the Ballet in Etudes. Photos by Karolina Kuras. The National Ballet of Canada
Preview Fall 2020
2019/20* $
Performance
100%
21,675
66%
4,014
12%
3,818
11%
2,607
8%
974
3%
Total Expenditures
$33,088
Deficiency of revenue over expenditures
($303)
100%
* (Dollars in thousands) Year ended June 30 11
Three World Premieres Artistic Director Karen Kain commissioned three exciting Canadian choreographers – Jera Wolfe, Kevin A. Ormsby and Alysa Pires – to create new work for the company specifically for the digital realm. These dance films, directed by acclaimed videographer Paul McNulty, will be unveiled in February, 2021.
Soul by Jera Wolfe
Jera Wolfe is Associate Artist at Red Sky Performance, a Toronto-based company devoted to contemporary Indigenous performance. A choreographer and dancer of Métis heritage, Jera has created powerful new work
for companies and festivals around the world, including Fall for Dance North, Festival des arts de Saint-Sauveur and The Royal Winnipeg Ballet. In 2019, he won the prestigious Dora Mavor Moore Award for Outstanding Original Choreography for Trace, a work inspired by Indigenous sky and star stories. In Soul, his first work for the National Ballet, Jera asks how the intricacies of private relationships manifest in the body, in movements, expressions and touch, making brilliant use of film technology to show that the full scope of a relationship can never be known from the outside. To do this, he choreographed two separate duets to the same piece of music by Max Richter. Then he
filmed roughly half of each duet and edited them together as one. The result is a gorgeous meditation on the intimacy of relationships as worlds unto themselves. “The audience will see roughly half of each duet,” Jera explains. “This reinforces that you can’t know everything about a relationship. The things that they’ve experienced privately is what makes it special and what makes them special. It’s a simple concept but very powerful.” Jera created Soul for two couples self-isolating together: Principal Dancers Heather Ogden and Guillaume Côté, and Principal Dancer Harrison James and First Soloist Ben Rudisin.
Guillaume Côté is sponsored through Dancers First by Emmanuelle Gattuso, C.M. and Allan Slaight, C.M. Harrison James is sponsored through Dancers First by Lucy White. Ben Rudisin is sponsored through Dancers First by an anonymous donor. Teagan Richman-Taylor is sponsored through Dancers First by Devida & Derek Smith. Guillaume Côté and Heather Ogden in rehearsal for Soul. Jera Wolfe. Photos by Karolina Kuras. 12
The National Ballet of Canada
Preview Fall 2020
Trase Pa by Kevin A. Ormsby
For his choreographic debut with the National Ballet, Kevin A. Ormsby created an eclectic trio for First Soloists Tanya Howard and Ben Rudisin with Corps de Ballet
member Teagan Richman-Taylor. Titled Trase Pa, the work considers the lived experiences or ancestries that dancers, musicians and audiences bring to the shared space of dance, a theme that also emerges in the music, “Traces,” by Haitian composer David Bontemps. “David is interested in ancestry,” Kevin says. “He’s taken several musical structures and movements from Haiti to compose the work. I’m interested in in the ways in which we arrive in a creative space to do the work that we do as dancers. What are the ancestries and the things that we carry into that space?” Kevin, who is Artistic Director
of Toronto’s KasheDance, uses a diverse choreographic vocabulary that abstracts the dancers’ natural movements and infuses them with contemporary dance and ballet. His creative process was deeply collaborative and he invited the dancers to articulate their approach to the music and choreography in writing. “I’ve been having the best time in the studio with the dancers, just thinking about the stage as a responsive space, an observing space. How do we contemplate our own impact on the world? How do we observe others in space?”
Alysa is creating a new solo for one of the company’s most senior and expressive artists, Principal Dancer Piotr Stanczyk. “Piotr and I are working with themes of decay, loss and memory,” she says. “It’s really about reckoning with the end of something – whether that’s life or career or a relationship – and all of the complex emotions that come with that: sadness, frustration, maybe even a sense of
joy or gratitude for the memories that you have.” Alysa has set her piece to Johann Sebastian Bach’s touching “Sonata for Violin No. 1 in G Minor,” played live by Aaron Schwebel, Concertmaster with The National Ballet of Canada Orchestra. Melancholy and sonorous, the music is a fitting companion for a piece that touches the complex and universal experience of loss.
Solo Work by Alysa Pires Alysa Pires is a regular collaborator with the National Ballet in her role as Choreographic Associate, which she assumed in 2019 to gain experience and opportunity as an emerging creator. She has been a key participant in the company’s virtual season to date, contributing a beautiful adaptation of her piece In Between to Expansive Dances that saw her reimagining an ensemble work cinematically, as a solo. Now,
Spotlight Series is funded by The Producers’ Circle. The Producers’ Circle: Gail & Mark Appel, John & Claudine Bailey, Inger Bartlett & Marshal Stearns, Laura Dinner & Richard Rooney, Gail Drummond & Bob Dorrance, The Thor E. and Nicole Eaton Family Charitable Foundation, Sandra Faire & Ivan Fecan, Kevin Garland & Roger Garland, C.M., Ira Gluskin & Maxine Granovsky Gluskin, The William & Nona Heaslip Foundation, Anna McCowan Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Mona & Harvey Levenstein, Jerry & Joan Lozinski, The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado & Jim Pitblado, C.M., The Harry & Lillian Seymour Family Foundation, Gerald Sheff & Shanitha Kachan and The Jack Weinbaum Family Foundation. Kevin A. Ormsby. Kevin A. Ormsby and Teagan Richman-Taylor in rehearsal for Trase Pa. Tanya Howard and Teagan Richman-Taylor. Photos by Karolina Kuras. The National Ballet of Canada
Preview Fall 2020
13
Expansive Dances The National Ballet of Canada’s virtual season kicked off in September 2020 with Expansive Dances, a series of three dance shorts created or adapted in isolation by the company’s Choreographic
Lulu Choreographed by Guillaume Côté Featuring Heather Ogden Music by Max Richter and Kevin Lau
Associates and filmed by Canadian videographer Ben Shirinian. The solos unfold in open spaces that subvert the state of confinement associated with global lockdown measures, functioning both
individually and as a powerful triptych. The films were a valuable creative outlet for our artists during the shutdown and gave audiences a chance to reconnect with the company in a new digital space.
“Lulu is a work about a woman running away from her situation and coming to terms with saying goodbye. Letting go of a tainted past, she wants to start over. Start new. It’s a solo about the courage and strength to move on.” – Principal Dancer and Choreographic Associate Guillaume Côté
Praise for Expansive Dances
“Thank you so much! #ExpansiveDancesNBC These are beautiful and it’s a joy to watch this series.” – Carmen Cutajar via Facebook “Wow! So beautiful. Thanks for posting these amazing pieces while we can’t see our stunning NBC cast perform.” – Marcus A. Aqui via Facebook “Thank you! So beautiful and this makes it accessible to all.” – Karen Olscamp via Facebook
Expansive Dances is made possible by the generous support of The Delaney Family Foundation and Sans Limites. The National Ballet of Canada Presents Expansive Dances In partnership with Evergreen. Lake Maligne and In Between Filmed at Evergreen Brick Works. Supported by Bank of America as part of Evergreen’s 2020 Cultural Performing Arts Series. 14
The National Ballet of Canada
Preview Fall 2020
“In Between was originally inspired by a pull between two places. Having grown up in B.C. and now living in Toronto, I feel at home in both places but always a bit homesick for the other. These themes of being unsettled and longing for comfort and familiarity relate to our experience throughout the pandemic.”
In Between Choreographed by Alysa Pires Featuring Christopher Gerty Music by Adam Sakiyama
– Choreographic Associate Alysa Pires
Lake Maligne Choreographed by Robert Binet Featuring Spencer Hack Music by Arve Henriksen and Smog
“Lake Maligne was inspired by the work of Lawren Harris and so is deeply connected to nature and all the symbolism of the natural world. It was exciting to revisit this work and set it amongst the natural elements that inspired it.” – Choreographic Associate Robert Binet
Christopher Gerty is sponsored through Dancers First by Ms. Nancy Viner & Dr. Raymond Stein. Top: Christopher Gerty in In Between. Bottom: Spencer Hack in Lake Maligne. Opposite: Heather Ogden in Lulu. Photos by Lookout. The National Ballet of Canada
Preview Fall 2020
15
Watch at Home on Cineplex.com/Store In Select Theatres Across Canada
Captured Live at the Four Seasons Centre! The Nutcracker is made possible by generous financial support from production underwriters Sandra Pitblado & Jim Pitblado, C.M., Lawrence and Ann Heisey and an anonymous friend of the National Ballet. Christopher Gerty. Photo by Karolina Kuras.
The Walter Carsen Centre for The National Ballet of Canada 470 Queens Quay West Toronto, Ontario M5V 3K4 Canada
Audience and Donor Services 416 345 9595 national.ballet.ca
The National Ballet of Canada is a registered charity. Charitable Registration Number 11905 1449 RR0001
