Navid Bargrizan
Duo for Flute & Piano
2
Instruction for musicians In this piece, 1/4 tones, 1/6 tones, and a few 3/4 tones are used in the flute part to expand the world of whole- and half tones. A combination of accidentals with arrows and cent numbers indicates these microtones as follows: -50 and +50 above accidentals with arrows indicate 1/4 tone higher or lower. -33 and +33 above accidentals with arrows indicate 1/6 tone higher or lower. -66 and +66 above accidentals with arrows indicate two 1/6 tone (2/6) higher or lower. In other words, it means 1/6 tone + 1/6 tone. -150 and +150 above accidentals with arrows indicate 3/4 tone higher or lower. In other words, it means 1/2 tone + 1/4 tones.
The exact intonation of these microtones is not important. Clear distinction and getting close to intoning these small steps is essential to this piece, though.
In the appendix, fingerings for realizing the microtones are suggested. The player should however, feel free to use any fingering or technique to play the microtones. The fingering charts are mere suggestions.
Duration: 12'13''
Duo for Flute & Piano
3
Ad Libitum (q = 95 - 115) 3
Navid Bargrizan 2014
6
3
4 4
Flute
2 4 ff
4 4
2 4
4 4
2 4
Piano
Tempo A q = 50
5
+ 50
3
- 50 - 50
2 4 mf
3
ff
ff
6 4 mf
mp
2 4
6 4 mf
2 4
6 4 mf
mf
ff
10
- 33
+ 150
+ 50
mp
- 66
6 4
3 4 mp
6 4
f
mp
ff
f
mp
mp
p pp
mp ff
3 4
f
6 4
3 4 mp p
pp
ff
mp
4 14
3 4
2 4
4 4
3
3
ff
3 4
+ 50
-33
+ 33
+ 50
ff
4 4
2 4
fff
3 4
6 4
3 4
6 4
3 4
2 4
4 4
3 4 ff
fff
f
6 4 3
mp
- 50
19
6 4
f
mp
ff
3
- 50
3 4 f
4 4 f
mp
f
mp
f
3
6 4
3 4
mf
mp
6 4
4 4
3 4
4 4 mp mf Tempo A
accel. 24
+ 33
4 4
+ 33
+ 33 3
q = 50
7 4
p
4 4
- 33
- 33
+ 50
3 4 f
p
4 4
7 4
f
7 4 p
3 4 mf
3 4 f
mf
5 Tempo A
accel. 28 + 50
q = 50
+ 50
3
5
Wind tones gradually changing to normal tones - 50
3
5 4 ff
f
3 4 f
5 4
3
mp
f
3 4 p
5 4
3 4
f mp
p
Tempo B q = 100 morendo
34
- 50
5 4 ppp
5 4 p
sf
sf
5 4 p
sf
sf
39
2 4
4 4
6 4 f
2 4
4 4
2 4
4 4
sf
sf
mf
6 4
mf sf
6 4 mf
sf
6
42
6 4
4 4 f
mf
sf
6 4
4 4 sf
p
6 4
sf
4 4 p
sf
sf
3
+50
45
5 4 ff
5 4 ff
mf
mp
p
5 4 ff
mf
mp
p
+50
48
5 4
4 4 p 3
5 4
4 4 f
5 4
4 4 f
3
mp
mf
f
7 51
ff
7
fff
f
ff 3
3
p
p
sf
3
sf
3
+50
54
mp
f
mp
3
57
+ 50
+50
fff
fff
fff
+ 50
8 3
60
+ 50
+ 50
mp
+ 50
63
+ 50 + 50 ff
mp 3
p
sf
3
sf p
Tempo A q = 50
rit. 67
-33
+ 50
2 4
5 4 mp
3
4 4
3 4
f
2 4
2 4 mp
5 4
4 4
3 4
2 4
5 4
4 4
3 4
2 4
p
2 4 p
mf
mp
9
-33 72
-66
-33
-33
2 4
7 4 f
4 4
2 4
ff
2 4
7 4
2 4
7 4
3 4
4 4
f
3 4
4 4
mp
4 4
2 4
3 4
4 4
3 4
4 4
4 4
2 4
3 4
4 4
3 4
4 4
ff
f
ff
-33
79
4 4
-66
3 4 f
5 4
4 4
1 4
ff
4 4
-33
mf
3 4
5 4
4 4
1 4 mp
f
4 4
3 4
5 4
4 4
1 4
f mf
-66
86
1 4
3
1 4
-33
4 4
7 4
p
4 4
3 4 ff
7 4 p
1 4
4 4 mf
f
4 4
mp
mp
7 4
mp
4 4 f
4 4
1 4
4 4
1 4
p
3 4 p
p
1 4 p
3 4
4 4 f
4 4
10 92
-33
+33
1 4
4 4 fp
1 4
-66
3 4 fp
4 4 f
4 4
ff
p
3 4
4 4 mp
p
f
1 4
4 4
3 4
4 4 mp
p pp
f
100
Tempo B q = 100 3
rit. 3
3
6
3 4 ff
f
5 4
3 4
5 4
3 4
fff
3 4 f
pp
ff
f
fff
3 4
5 4
3 4 fff
f
ff
q = 100 Tempo B 104
3 4
2 4
4 4
3 4
f
3 4
mp
2 4
5 4 f
4 4
3 4
5 4
mf
3 4
2 4
f
4 4
3 4 mf
mp
mf
5 4 f
11 3
108
5 4
4 4
3 4
mp
mf
5 4
f
4 4
3 4
ff
mf
mf 3
5 4
4 4
3 4 mf
ff
mf ff
3
3
3
111
4 4
2 4 ff
3 4
f
4 4 mf
4 4 f
2 4
3 4
4 4
2 4
3 4
4 4
sfz
4 4 f
sfz
3
-50
115
4 4
3
6 4
5 4
ff
f 3
3
4 4
6 4 ff
4 4
5 4 f
6 4 ff
5 4 f
mp
3
12 117
5 4
3 4 ff
5 4
3 4 ff
5 4
3 4 ff
3
120
5 4
6 4 mp
4 4
ff
mp 3
5 4
6 4
5 4
6 4
4 4 3
4 4
123
4 4 3
4 4 3
4 4
3
Tempo B q = 100
rit.
127
ff
13
6 4
5 4
6 4
5 4
6 4
5 4
mf
mp
ff
130
5 4
4 4 ff
3 4 f
5 4
mf
mp
2 4
4 4
f
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
f
3
5 4 f
3
134
3
4 4
3 4
7 4
4 4
4 4
3 4
7 4
4 4
4 4
3 4
ff
ff
3
7 4 ff
4 4
14 137
3
4 4
5 4
5 4 p
4 4
5 4
4 4
5 4
5 4
3
5 4 mf
- 50 5
140
5 4
3
2 4 ff
4 4 f
mf
5 4
2 4
4 4
5 4
2 4
4 4
ff
ff
3
3 3
144 - 50
3 4 f
mf
2 4 mp
p
f
3 4
p
2 4 mp
f
3 4
mf mp
2 4 f
p
15 148
-50
5 4
4 4 ppp
5 4
4 4
p
pp
f
5 4
4 4 pp
152
f
+33
+50
+50
+66
2 4
4 4
2 4
4 4
2 4
4 4
f 3
159
+33
+33
+66
4 4 ff
fff
ff
fff
ff
fff
4 4 4 4
+66
+33
16 168
+50 +66
5 4 fff
pp
4 4
f
mp
5 4 fff
4 4
mp
mf
mp
f
5 4 fff
4 4
mp
mf
mp
f
3
173
2 4
4 4
3 4 3
2 4
4 4
3 4
2 4
4 4
3 4
3
177
3 4
4 4
3 4 f
3 4
ff
4 4 f
3 4
4 4
mf
3 4
4 4
3 4
4 4
ff
4 4 f
p
17
181
3
3
3
4 4 3
4 4 mf 3
4 4 mf
184
6 4
4 4
6 4
4 4
3
p 3
187
6 4
4 4
-50
4 4 p
pp
f
4 4 f
4 4 p
pp
f
p
f
18 -50
191 3
3
mp
mf
7 4
p
mf
3 4
f
p
7 4 mf
p
3 4
pp
mp
7 4
3 4
pp
mp
195
mp
3 4
2 4
+66
+66
+33
5
4 4 ff
3 4
2 4
4 4
p
ff
3 4
2 4
4 4 mf
p
ff
pp
200
3
3
-33
-66
3
p
f
f
f
19
204
3
3
5
3
207
-50
3
3
211
ff 5
5
f
ff
f
3
+ 50
20 214
6 4 3
6 4 3
6 4
217
+33
6 4
4 4 p 3
3
6 4
4 4 p 3
6 4
4 4 mf
p
rit. 220
+33
+33
f
-50
ff
f
f
p
-50
p
p
ff
p ff
p
21 Tempo C
-50
q = 70
227
5 4
4 4 ff
f
5 4
4 4 ff
mf
5 4 mf
f
-50
f
mf
p
pp
f
mf
p
pp
f
4 4 ff
Tempo A
rit. 235
q = 50 -50
Ad libitum (q = 95 - 110)
mp
241
p
p
f
Appendix: Flute Suggested Fingerings
In succesive order of their appearance, from the beginig to the end of the piece
mykz mkjhgdza mjhgdza mzg mzsdghjil mkghdsz mljhgdsa mlghjdsz + 50
&
&
kw
K-w50
- 50
Lw
+ 50
kw
+ 150
lw
- 66
- 33
Kw
Kw
+ 50
lw
mgdsa mkfdza mkjdza ljhgfdszam m ljhdsazm lÖäjhdsazm m J -33 w
+ 33
kw
+ 50
kw
- 50
Kw
+ 33
kw
- 33
L w
+ 50
kw
+ 50
lw
mlÖäöghdsaz mlöjhgdsaz mljdsz mykz mljhdsaz mkjdsaz mljhgvdsaz mkjdza mghvdsaz - 50
& Kw
- 50
Lw
w l+50
k+50 w
+50
kw
+50
lw
+ 50
jw
k+w50
+ 50
kw
2
mkjgdsa mlkhgdsaz ljhgdzam ksm mkfdsaz kgam m mkghdsz mazdk mkfdza mkghsza mkhgjsaz kghszam m mlghsadz ljhsadzm m
+ 50
& kw
-66
Jw &
+ 50
lw
K -33 w
L -33 w
+ 50
kw
-66
Kw
K -33 w
-33
Lw
w K-66
-33
Kw
- 50
w J -33
K w
-50
Kw
- 50
Lw
-50
K w
z s d g h j l m k z a m k f z s d a m k a m z a s d h g l m l j g z d a s m j g z d s a m l h j z d a m m +50
& k w
+50
lw
+33
kw
+66
kw
+33
lw
+66
lw
+33
kw
-33
Jw
+66
kw
+33
kw
3
&
madszjh masdzghlÖäö madsgjk mzal mkaz madszfgk madszfjhg mlghjzsa +66
kw
-50
K w
-50
Kw
+33
+66
lw
-33
lw
-66
Lw
Lw
mldsajhgfz sazghjlm zsadjhlm asdzjhlm mzdsjl mzk mdaszfgh -50
& Lw
+33
lw
-50
Kw
-50
Lw
K -50 w
-50
Lw
+ 50
lw
-50
Lw