Nazli Can Ozcoban Portfolio - 2022

NAZLI CAN OZCOBAN Interior Designer

PORTFOLIO.

BEST SELECTED WORKS 2018-2022

HELLO,

Nazliı Can Ozcoban 10 | February | 1996 Turkish Milan ,Italy nazlicanozcoban@gmail.com +39 3477229217

I graduated from Istanbul Bilgi University in 2019, and currently, I am an MSc student in Interior and Spatial Design at Politecnico Di Milano. At the same time, I am providing services for architectural offices related to interior design and architecture.

EDUCATION

PERSONAL VALUE

SOCIAL

Politecnico di Milano -Interior and Spatial Design 2022

Instagram : speciesofdailylife mealustrator

Istanbul Bilgi University -High Honours: 3rd highest grade

2019

Responsibility Creativity Cooperation Dedication Punctuality Flexibility

I am believing in the right consolidation and balance of elements such as space, line forms, light, color, texture, and pattern, amazing results can be achieved, synthesizing a more aesthetically pleasing environment for the people.

Oguzkaan College

2014

Halil Vedat Firatli Primary School

2010

I am passionate about using my artistic eye and point of view to create spaces and images that exceed every expectation!

2019 2018 2017 2016

WORKSHOP & CERTIFICATES Contest Design Studio -Constructed Intentions

-Winner of the contest Politecnico di Milano 2022

Natural & Artificial Politecnico di Milano 2021 Radical Heritage with Graeme Brooker Istanbul Bilgi University 2020 Urban Room in Transitions ITU -Cities and Dialogue Istanbul Technic University

LANGUAGES Turkish English

EXPERIENCE Melike Ovet Interior Design Studio Pekka Studio Aykutoglu Office TAK Office

Website: https://nazlicanozcoban. wixsite.com/sitem/master-projects

2019

SKILLS Rhinoceros 3D AutoCad SketchUp Photoshop Illustrator InDesign AfterEffects PremierePro FABRICATION TOOLS 3D Printing CNC Miling Laser Cutting

About me

MASTER OF SCIENCE SPLINE

-Winner Project of Contest Design

BACHELOR PROJECTS PASSAGE PETIT CHAMPS -Graduation Project

PLAYERSTAGE -Heterotopias

DOGGY HOUSE -Furniture Design

GLOUCESTER HOUSE -Lighting Design

MET A QUA

-Phenomenologies

TOYSTOOL -Furniture Design

DAN GRAHAM -Arts and language

WORKS SELFICE

-Detail Studio

ROCCOLO

-Landscape Design

MATERIAL BOARD & MOOD BOARD COLLAGES -Melike Ovet Interior ANKA EVI -Pekka Studio SPECIESOFDAILYLIFE -Illustration

SPLINE Fall'22

CONSTRUTED INTENTIONS Tectonic insertions and design strategies for a new community of innovation and creative production LECTURER: Peter Arthur Di Sabatino | Monica Mazzolan Frank Clementi ASISTANTS: Claudia Mastrantoni Elisa Cinelli Viviana Motta TEAM :

Konstantinos Tsilivis Lin Wei Yanne Bertin

The spline is not a continuous line, but the necessary tool to shape the spaces and circulation. Nodes and control points form a mathematical “snake”, made of a recycled material that was already there; Crushed bricks as coarse aggregate mixed with concrete. The narrative is enhanced with a visual connection to nature in all parts. The Spline wanders around, sometimes over and sometimes directly through, highlighting the adaptive reuse and existing structure, offering new perspectives and experiences to the user

01

03

05 06 04

02

01

01

03

02

Around

N

02

Inside

Having taken into consideration the relationship between the existing edifice and nature evolving together, new meanings are discovered that shape not only the architectural elements, but also the experience of the user. As we approach the structure,

ELEVATION A

03

In Between

nature is around us, we can observe. On the second stage we are inside these elements, seeing them from up-close, while on the third, we are in-between. The in-between phase also links visually the nature with the existing structures within villa Arconati such as the Borgo.

_INTERIOR SCENARIO

GF -.Exhibition

GF - Meeting room & Lab

N

SCALE 1 : 100 unit/ cm 0

1

5 m

2

A

A’

1ST - Conference

SECONDARY CEILING

NEW ROOFTOP

RAMP CONNECTION

RECEPTION

ELEVATOR

MEETING ROOM

OFFICE AREA

LAB

STAIRCASE

6.900 6.400

3.500 3.000

2.650

±0.000

STAIRCASE

CORRIDOR

CORRIDOR

SLIDING PARTITION

1ST - Ofice area

SCALE 1 : 100 unit/ cm

DD 08

DD 01

DD 09

DD 02

0

1

2

5 m

_MATERIALITY

ORIGINAL BRICK WALL

GLASS

FROST GLASS

METAL

OAK WOOD FURNITURE

FURNITURE IN WHITE

NEW CONCRETE WITH PIECCES

03

TILE

01

02

01

02

NEW CONCRETE （POISHED）

01

03

1ST FLOOR MATERIAL PLAN

01

02

02

01

03

GROUND FLOOR MATERIAL PLAN

Fragments of any kind related to the existing structure can be found in Villa Arconati, which are going to be reused again for the insertion. Bricks are often used as coarse aggregate in the concrete mix like ourıinsertion it gains plasticity. The plastic mass can be easily molded and dried. It should not go through cracking, shrinkage or warping.

_DETAIL DRAWING

D1

D2 DD03 - DETAIL OF THE JOINT IN ELEVATOR SCALE : 1:15

DD03 - DETAIL OF THE JOINT IN ELEVATOR SCALE : 1:15

D3

DD01 - DETAIL OF THE MIDDLE WALL SCALE : 1: 50

D1- TRELLIS WALL SCALE : 1:15

D2 - STEEL STRUCTURE

D4

D3- FLOOR & GLASS WALL

FD01-RECEPTION

D4- FUNDATION DD04 - DETAIL OF THE LIBRARY SCALE : 1:15

_SYSTEM RENDERS DETAIL DRAWINGS Credits: Konstantinos Tsilivis

_Interiors:

Meeting Room

_RENDERS Credits: Konstantinos Tsilivis

_IOffice _Exhibition Space _Conference Room

_RENDERS Credits: Konstantinos Tsilivis

ROCCOLO Fall'21

DICHOTOMICS ASPECT OF LANDSCAPE Interior Scape | Temporary |Urban|Tactics AUTODROMO NAZIONALE MONZA

LECTURER: Giovanna Piccinno Cristina Morbi Marco Barsottini Marco De Santi Elisa Cattaneo

ASISTANTS: Daniele Mazzinghi Alice Zingales TEAM :

Chiara Corino Manuela Piccirillo Sima Karadsheh Konstantinos Tsilivis Yanqing Li

The “Roccolo” project is inspired by the historical structure surrounded by nature and used to lure birds through illusion called “roccolo”. This illusion is a perception that describe s the concept of this project, focusing on the relationship between the physical and the digital perception in the three macro areas of the park Fun, Learn and Wellness.

_MASTERPLAN

Following the order: the circuit, the chosen axis as connection, the shape and the final area.

GRID ARRANGEMENT The arrangement for the circular shapes was by basing the center of the circular shape on the main points of the axes, maintaining the tangency lines both on the axes and grid. This way the final result acquires more organic aspect which are the highlighted curves. According to the utilized areas the fractal geometry was placed following certain points andintersecting them with each other either by rotating the shapes to fit with the existing green areas and places for activities or by trimming the grid.

PROJECT DEVELOPMENT

ABOVE

LEARN

ABOVE

FUN

ABOVE

WELLNESS

3. ABOVE

2. INSIDE

INSIDE DIGITAL PERCEPTION INSIDE DIGITAL PERCEPTION

AROUND

ROUND

1. AROUND

_Breaking the shape of roccolo

CONCEPT / AROUND

FUN AREA

LEARN AREA

WELLNESS AREA

DESIGN LANGUAGE / GROWING SHAPE

WEL LNESS

CONCEPT / INSIDE

LEARN

DESIGN LANGUAGE / COMBINATION AND VOIDS

CONCEPT / ABOVE

EVENT

DESIGN LANGUAGE / USE VOIDS AS STRUCTURES

FUN

SERVICE

STORES

_FUN AREA ONE OF STRUCTURE

_FUN STRUCTURE

_Net Path

_Axonometric

STRUCTURAL DE TAIL 1 METAL RAILING DROP FORGED ROPE AND NET SY STEM

STRUCTURAL DE TAIL 2 ARCH, VOIDS AND LINEAR MOCOMBINATION OF LARCH PLYWOOD (2 CROSSED SHEETS) AND STEEL FRAMES

CYLINDRICAL STEEL HOLLOW TUBE COLUMNS

STRUCTURAL DE TAIL 3 FUN STRUCTURES RUBBER FLOO-

RING

BOUNDARY FUN STRUCTURES RUB BER FLOORING

_RENDERS Credits: Konstantinos Tsilivis

_EVENT STRUCTURE

PREFABRICATED MODULE 1: CROSS LAMINATED TIMBER (LARCH) WITH LUMBER DECKS AQUA GEL PROTECTION COATING

DOUBLE SURFACE SPLINE CONNECTION SYSTEM CROSS LAMINATED TIMBER (LARCH)

STRUCTURAL DETAIL 2 PREFABRICATED MODULE 2: CROSS LAMINATED TIMBER (LARCH) WITH LUMBER DECKS AQUA GEL PROTECTION COATING

CONCEALED STEEL PLATES CONNECTION SYSTEM WALL TO FLOOR

THREE SIZED PREFABRICATED SEATING MODULES STEEL INTERNAL ADAPTER ON PREFABRICATED MODULE 2

STEEL SHED FOUNDATION SYSTEM AND CONCRETE PADS

_RENDERS Credits: Konstantinos Tsilivis

DAN GRAHAM

ARTS AND LANGUAGES PRESENTS

SPRING'21

LECTURER: Luca Guerrini TEAM :

Chiara Corino Sima Karadsheh

An installation insipired by a research that has been done on the famous American artist Dan Graham.The installation is developed through simple archetypes that separate two different areas the public and the private .The materials are also inspired from Dan Graham’s love to glass and two way mirrors.The curving shape appears to be a mirror in the private room where people may sit and meet while the public could view them from the outside because the facede is transparent. Making the public space into a private one and the private space into a public one.

| OVERTURN OF THE INDIVUDAL AND PUBLIC SPACE | OVERTURN OF THE ROLE OF THE FENCE AND NATURE | ARCHETYPE OF SOCIAL SPACE (E.G. DINING ROOM) FOR GROUPS OF PEOPLE

TWO WAY MIRROR OUTDOOR SPACE PRIVATE-PUBLIC GAZE: GLASS-MIRROR ARCHETYPES OBSERVE THE SKY SOCIAL SPACE

_AREAS

+ Individual space

+ Subdivision

Public and social space

_ARCHETYPES ACCORDIND TO THE FUNCTION

+

_PLAN

+

TWO - WAY MIRROR

+ One side: mirror effect, reflection (inside the social space)

One side: transparent, you can see through it (inside the individual space) _SECTION

_RENDERS Credits: Sima Karadsheh

GLOUCESTER HOUSE

LIGHTING DESIGN

SPRING'21

TEAM :

LECTURER: Bertolaja Chiara D’Alesio Carlo Esmaeil Ghayoumabadi Keivan Sima Karadsheh Konstantinos Tsilivis

Paying attention to the existing clean lines, color palette and materials of Gloucester Gate Park House, there is one sum. Simplicity in every form.With lighting being the final finish, an effort to illuminate the interior spaces,highlight the fine materials used by David Chipperfield and emphasize the artworks is made.

EXIST CONDITION OF KITCHEN

AFTER

Material Board // natural materials

Kitchen Room atmospheric Mood Board with natural lighting and neutral colors. It is located on the Ground Floor.

LED recessed downlights in a non grid formation emphasize the work areas such as the kitchen island creating shadow-free surfaces.

The addition of integrated linear led strip into the skylight cavity preventing the direct view, enhances the ambient light of the space and at the same time during the night hours, it will avoid looking like a black hole in our interior space.

In terms of an additional layer of light, a floating effect of the islands is achieved with LED strip placed on the bottom.

CCT: Variable White CRI: 90

CLICK HERE - Lighting Effects: https://youtu.be/AWvTEyoTtiw

KITCHEN

Kitchen Calculations

Number of lux needed: - Kitchen Islands/Working Surfaces: 500 lux - Kitchen Floor: 300 lux Factors: - Utilization factor = 0.65 - Maintenance factor = 0.9 Area: - Room Area= 45 m² (300 lux needed) - Kitchen Island Tops Area= 6.76 m² (500 lux needed) Number of luminaires:

Kitchen Island Calculations

Kitchen island 1 beam angle: 22˚ Kitchen island 2 beam angle: 36˚ Detail Drawings

KITCHEN ISLANDS LED STRIP LIGHTING

KITCHEN ISLANDS LED STRIP LIGHTING

Kitchen Cabinet LED Strip (S2) Double Sticker

CONCRETERECESS RECESS WITH WITHLED LEDSTRIP STRIP CONCRETE

Waterproof LED channel Ceiling LED Strip Light (S5) Aluminum Profile PC diffuser cover

_RENDERS Credits: Konstantinos Tsilivis

Ground floor

LG 4 - Led strip floor wash

LG 5 - Skylight led strip.jpg

LG 1,2,3 - Adjustable recessed spotlights

EXIST CONDITION OF MASTER BATHROOM

AFTER

Material Board // natural materials Serenic Mood Board for the selected materials and textures for the Bathrooms that are located on the Second and Third Floors.

Down-lights in non-grid formation highlighting the marble finishes, the WC and towel rail. For task lighting around the mirror, vertical frosted strips integrated into the mirrors from both sides, will give ample light to the user.

For night-time visits, low level floor washing led strip under the floating basin, with frosted profile to avoid dotty reflections, will provide the necessary light while it washes across creating a smooth walking surface.

CCT: Variable White

CRI: 90

CLICK HERE - Lighting Effects: https://youtu.be/adVuVVDAGSk

_RENDERS Credits: Konstantinos Tsilivis

Master Bathroom Floor Calculations

Number of lux needed: Floor: 150 lux (on bathroom floor) Factors: - Utilization factor = 0.65 - Maintenance factor = 0.9 Area: - Room Area= 19 m² Number of luminaires: 4

Shower & Toilet Floor Calculations

Number of lux needed: Floor:100 lux (on shower & toilet floor) Factors: - Utilization factor = 0.65 - Maintenance factor = 0.9 Area: - Room Area= 1.6 m² & 1.8 m²

Detail Drawings

BATHROOM FURNITRUE LED STRIP LIGHTING

BATHROOM FURNITURE LED STRIP LED Corner Channel Bathroom LED (N) IP65 Waterproof Channel Aluminum Profile

PASSAGE PETIT CHAMPS SPRING'19

GRADUATED PROJECT LECTURER: Nihal Bursa Our studio sees this phenomenon as an abstraction of the human mind and to be extended to the other fields of design. By this stance, we will work on the possibilities of creating a milieu for design in Istanbul. It will mainly be a design center aiming to; create opportunities for spatial, social and cultural connections and interactions, provoke ideas and channel further inquiry,be a creative incubator which will bring people together to proliferate ideas and contribute to intellectual enlightenment,contribute to the appreciation of design through community engagement, act like a vein so as to establish connections and to become nurturing for creative fields. This center will be located in a century old building, the Passage Petits-Champs in Pera, in Istanbul. The owner of this building, a prominent architectural office, is willing to allocate the first two floors of this building for this new function. It will be a significant offer to the public considering the arcade in the building. Adapting the building for this new use will regenerate its public function by making the arcade part of the urban pedestrian circulation. It will become a hub for cultural activities and a meeting point for professionals and enthusiasts in the field of design as well as being a point of attraction for people passing by.

sketch designs constitute the architectural memory which we apply at the moment of remembering and understanding, keeps track of the developing chain of thinking, visualization of the process creates the memory of the process the last pieces belonging to the authenticity of all creative drafts.

Today, however, these parts disappear and lose their functionalityover time. Just like Passage petit champs.That’s why Petits Champs has lost its mark, traces of architectural structures display, archive and remind is returning to life.keeps track of the developing chain of thinking, visualization of the process creates the memory of the process

EXHIBITION SPACE DETAILS _1/20 MODEL

PASSAGE ENTRANCE _Lighting Design

RENDERS _Interior Spaces

PERSPECTIVE

SELFICE

DETAIL STUDIO

FALL'19

LECTURER: Ozen Aksu Akin,Ayca Sentop,Ozge Sari,Kubra Yanik,Yagdir Celiker The place makes ice cream in summer and winter in a touristic area and organizes workshops at regular intervals. Thus, people make their own ice creamand discover new tastes.Ice cream is based on the atmosphere, ice-cold, but also somuch fun to use cold materials are used. The general common area outside is colorless.Therefore ice cream attracts people and sold ice creams.With that dull space is colored.

TECHNICAL DRAWINGS

selfice

D3

sıva +yeşil silinebilir boya alçı panel dikdörtgen çelik kutu profil kare çelik profil dikdörtgen çelik kutu profil alçı panel sıva + yeşil silinebilir boya

5 mm 12.5 mm 20x40 mm 100x100mm 20x40 mm 12.5 mm 5mm

xo

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı poliüretan yalıtımlı sandviç panel

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı alçı panel sıva +boya

80 mm +0.80 16 mm x2 106 x 240 mm 40x80 mm 160 mm

80 mm 16 mm x2 106 x 240 mm 40x80 mm 160 mm 12.5 mm 10mm

mermer tazgah bianco carrara

+0.72

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı poliüretan yalıtımlı sandviç panel

dondurma makinası

100mm

+0.85

sevel dondurma showroom

Su dolabı

+1.25

beyaz ahşap portatif tezgah

mermer tezgah

+0.94

80 mm 16 mm x2 106 x 240 mm 40x80 mm 160 mm

D1

100mm

sıva + grisilinebilir boya 5 mm alçı panel 12.5 mmx2 dikdörtgen çelik kutu profil 20x40 mm kare çelik profil 100x100mm dikdörtgen çelik kutu profil 20x40 mm poliüretan yalıtımlı sandviç panel 100 mm

DÖ3

derin dondurucu

B

C DD

CC

A

+0.65 epoksi kendinden yerleşen şap 30 mm Yüzeyi sertleştirilmiş beton 30 mm radye temel 40 mm koruma şapı 50 mm xps ısı yalıtımı 50 mm su yalıtımı 10 mm düzenltme şapı 30 mm grobeton 100 mm blokaj 100mm

raf K2

80/220

derin dondurucu

+2.492

su dolabı

149.5

üretim alanı 24.43 m2 zemin:epoksi duvar:boyalı alçı panel

D

+0.57

750

+0.50

workshop /satış alanı 27.54 m2 zemin: pembe epoksi duvar:boyalı alçı panel

376

376

411

+2.492

+0.00 dondurma yapma makinesi sevel

tezgah: bianco carrara

BB

dondurma tezgahı

BB

tezgah: bianco carrara

60.0000

açılır kapanır tezgah: beyaz meşe

tezgah: bianco carrara

203.5014

147

h:2.492 14x17.8 /27

160

AA

117.5

30

375

tezgah: bianco carrara

oturma alanı hol 22.14 m2 zemin:epoksi duvar :sıva +gri boyalı alçı panel

AA

+2.492

53

11

424

30

40

154

40

60

34

51

bank

151

45

30

bank

30

151

138

138

sürme dolap

149.5

30

14

13

12

9

11

8

10

7

4

6

5

1

2

3

E

96.5

70/220

D1

masa : bianco carrara

+0.00

DD

CC

+0.50

K1

+2.49

50

tuvalet 2.68 m2 zemin:mermer duvar:mermer/ boya

pastorizasyon makinesi

PANO

fresh gelato made today. tomorrow, too.

+2.20

PANO

D4

PANO

+1.25

+0.89

Soğutucu Dolap

+0.94

mermer tezgah

DÖ4

AA +0.56

beyaz masif ahşap bank

D5

sıva + grisilinebilir boya 5 mm alçı panel 12.5 mmx2 dikdörtgen çelik kutu profil 20x40 mm kare çelik profil 100x100mm dikdörtgen çelik kutu profil 20x40 mm poliüretan yalıtımlı sandviç panel 100 mm

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı poliüretan yalıtımlı sandviç panel

80 mm 16 mm x2 106 x 240 mm 40x80 mm 160 mm

+0.85

+0.89

mermer tezgah

Soğutucu Dolap

100mm

89.0000

1

4

2

3

6

5

7

8

9

10

11

12

13

Su dolabı

E

14

+1.84

ıce cream makes me happy

14x17.8/25

+0.50 depo alanı 5.98 m2 zemin:epoksi duvar: silinebilir boyalı alçı panel

+2.492

BB +0.50 depo alanı 5.98 m2 zemin:epoksi duvar: boyalı alçı panel

raflar

buzdolabı

D +0.50

sıva + gri silinebilir boya 5 mm alçı panel 12.5 mmx2 dikdörtgen çelik kutu profil 20x40 mm kare çelik profil 100x100mm dikdörtgen çelik kutu profil 20x40 mm poliüretan yalıtımlı sandviç panel 100 mm

A

B

BATHROOM _Technical Drawings

mermer bianca carrara Ç.esaslı yapıştırıcı yeşil alçı panel dikdörtgen çelik kutu profil kare çelik profil dikdörtgen çelik kutu profil yeşil alçı panel sıva + gri boya

sıva +yeşil boya yeşil alçı panel 12.5 mm dikdörtgen çelik profil 20x40 mm kare çelik profil 100x100 mm dikdörtgen çelik profil 20x40 mm alçı panel 12.5 sıva +sarı boya

+1.94

fresh gelato made today. tomorrow, too.

ayna

20 mm 20 mm 12.5 mm 20x40 mm 100x100mm 20x40 mm 12.5 mm 5mm

resim +1.90

raf

+1.53

raf

+1.94

beyaz boyalı masif meşe +1.335

+1.10

ayna beyaz boyalı masif meşe

+0.80

+1.335

lav.bat

D7

+0.18

mermer bianca carrara Ç.esaslı yapıştırıcı yeşil alçı panel dikdörtgen çelik kutu profi dikdörtgen çelik kutu profill kare çelik profil dikdörtgen çelik kutu profill alçı pane sıva + sarı boya

20 mm 20mm 12.5 mm 20x40 mm 20x40 mm 100x100mm 20x40 mm 12.5 mm

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı poliüretan yalıtımlı sandviç panel

+0.89

+0.80

80 mm 16 mm x2 106 x 240 mm 40x80 mm 160 mm 100mm

eviye+ tezgah

mermer bianco carrara Ç.esaslı yapıştırıcı +1.10 eğim şap lifli çimento levha I profil dikdörtgen çelik profil askı poliüretan yalıtımlı köpük

20mm 10 mm 60 mm 16 mm x 2 106x 240 mm 40x 80 mm 160 mm 100 mm

lav.bat

+0.50

+0.55

kağıtlık +0.36

+0.15

JJ

HH

160.2514

14/17.8/25

22

Gömme rez.

4

53

3

8.5

yer süzgeci

32

fırçalık

36

HH

60.5

Eğ

im

50 58

46

86

%1

GG

WC+Lav 2.68 m2 zemin:mermer duvar:seramik

+2.49

JJ

HH +0.50

43.5

78.5 59

lavabo.

Eviye

asma klozet

125.5

48.5

33

HH GG

35

kağıtlık

9

138

58

sabunluk

33

60

Bul.mak.

8.5

60

42

57

+0.00

Kumanda paneli

+0.18

DÖ4

+0.23

+0.43

klozet

ank.tah

STAIR _Technical Drawings

100

Küpeşte yeşil boyalı kare çelik profil Q50

+2.492

14

14

12

12 11

11

cam alt kapama 20mm 10

10 9 MD1

249.20

7 6 ÇELİK C PROFİL

4 epoksi kendinden yerleşen şap 30 mm Yüzeyi sertleştirilmiş beton 30 mm radye temel 40 mm koruma şapı 50 mm xps ısı yalıtımı 50 mm su yalıtımı 10 mm düzenltme şapı 30 mm grobeton 100 mm blokaj 100mm

+0.57 +0.57

ÇELİK C PROFİL L Profil 50x50 çelik özel bağlantı profili silikon

L Profil 50x50

8

depo

cam basamak 30mm cam rıht 10mm

+2.492

13

13

cam basamak 30mm 3 2 1

5

1

37

sel

165.50

stay cool

poliüretan yalıtımlı sandviç panel 100mm I çelik profil 106x240 mm dikdörtgen kare çelik profil 40x80 mm askı çubuğu 330mm Asma tavan C profil 40x30 Asma tavan C profil 40x20 alçı panel 12.5 mm sıva + boya

epoksi kendinden yerleşen şap şap çimento lifli levha I çelik profil dikdörtgen çelik profil askı poliüretan yalıtımlı sandviç panel

80 mm 16 mm x2 106 x 240 mm 40x80 mm 160 mm 100mm

MET A QUA

PHENOMENOLOGIES “See me, Feel me, Heal me...”: Architectures of Water

FALL '19

LECTURER: Ipek Kay V. Safak Uysal Ezgi Tezcan In this module, you will work within the socio-physical context provided by the Yalova Thermal Hotel and its nearby surroundings. We will approach YTH as a site that reveals characteristics of a historically typical architectural design attitude with a particular set of values regarding water and as a mechanism of negotiating our relationship with water.

Iintensitivity of water healimng superimposed superstition

Water appears in various forms Sometimes even unaware of your presence.A team of coincidences, traces through which we discover the water. As long as it allows. Water hides themselves and underneath.changes of state metamorphoses. It has always been the subject of curiosity. Legends are written to water, they hide into ıt past as a source, the people who can reach healing.

Heat leaking from cracks other users of the space (animals

Architectural element bricks

Cover: It is the element that establishes the identity of water.

The cover is carried by thin structural elements. leakage of vapor in the bottom of the cover. so the cover invites people into curiosity. but ıt does not live clues about the spaces below them. Transport of weight with thin roded elements supports uneasiness.

Wall: To indicate the presence of steam under the space, to feel the flying. the walls are torn off from the ground for the feeling of volatility. The walls do not hit the floor directly.

The body of the wall thickens. There are thin carriers under and above the wall. so that they bothconnect to the floor and help transport the top cover.

The added surfaces (floor and wall) vary according to the experience.The walls rupture from the ground to signal the presence of water (heat), rises, indentations, and protrusions, creating intervals for usto interact with water tower 1

Iron Mesh

Suddenly, our relationship with the outdoors makes the outer space curious (legends).

The iron grid allows coincidences and instant ramifications to be seen in the effects of water. The grid is a range from the discovery of ‘meta qua’ to the footwater.

This tower is the breaking point of the route and space.

The surfaces are spaced outdoors. (discovery tower) tower 2 This tower takes the outside.

Therefore, the surfaces are intermittent within the space but closed to the external environment. The mystery of the space is preserved.

PLAYERSTAGE

HETEROTOPIAS Once Upon A Time, There Will Be...

SPRING'18

LECTURER: Doruk Çiftçi, İpek Kay, Nil Aynalı Semra Horuz, V. Şafak Uysal This module engages with one institutional site that still serve their original function (a library) while manifesting properties of a “heterotopia”. We will first articulate your experiential response to the site and explore how existing architectural dynamics contribute to our experience. Then, we developed a macro-analysis of the site so as to arrive at a narration of its functioning as the embodiment of a power structure – i.e. a utopia/dystopia. Later, developed a design strategy that reveals either theessence of our institution as “close a point to its ideal original state as possible” (heterotopia’s analytic and dystopian momentum) OR the potential of your institution by opening it up “to challenges that could humanize and perfect it through reinvention” (heterotopia’s syntheticand utopian momentum). Finally, we gave concrete form to a micro-intervention by means of specific interior processes and elements at a scale appropriate for the operation and legibility of your strategy.

3. heterotopia is a combination of many different places within a single space. The gathering of different places in the library of the Aptullah Kuran takes place with the new uses created by the spaces evoked by some objects. These objects form the basis of the new spaces we call the library. In the formation of spaces, certain surfaces that are used from the physical structure of the library. Thus, the library behaves like the structure of new spaces. Retract And the library leaves the scene to new spaces.

From the physical structure of the library, the balustrades and handrails are seen as opportunities and the changing places are made with the surfaces that are attached to or removed from these railings and handrails. Therefore, the surface materials behave like the building itself on the inwardly facing sides of the building, while the surfaces remaining within the changing spaces vary according to their use.

Information revitalization Indicate Exchange of information Sharing information The exchange of information in this space takes place with the user’s lecture notes.

Thus, the old course notes of Boğaziçi University are added to the library’s knowledge with the use.

The aim of staging the knowledge is not to teach the user by dictating the information, but to showand think.

In this way, the users will question the information they receive in this space differently from the others, and pass from their active position to passive thinking. If there is no show or show, it will turn into a noisy study area where students studying for art can come and work.

Leading knowledge | Interested in the practical needs of the user

Information confinement

areller

Intensive weeks (visas, finals, theses, etc.)

It is a place where the use is trapped without breaks, day and night.

In this space, indoor and outdoor users are different.

Indoor users (assistants, consultants, etc.) are able to provide the information they need to meet the needs of the outdoor users, while they lead their knowledge to specialize in their departments.

The venue treats the external user as a wealth of information that is opened only at certain times when the experts come and make presentations.

Interactive info Exhibition of information The space is a place prepared by a group, where they tell information about a subject in different cases and show their knowledge

In this space the user reaches the information, sometimes live and sometimes inanimate screens. If you interact with information here provided with ears on the tables.

rolünü

DOGGY HOUSE

FURNITURE DESIGN

SPRING'18

LECTURER: Deniz Tümerdem Onur Ciritoglu Itir Saran Emre Bagdatlioglu TEAM:

Büsra Aydin Gülsah Aydin

In this course we have designed kennels for Düzce Hope Houses.To do this, we first investigated the life requirements of dogs and performed various form exercises. After deciding on the form, we chose quality products that are cost effective to the outside weather conditions. we covered their eyelashes to look like awning. we opened spaces in the nose and mouth. The language part can be opened and closed, so we controlled the air intake so that we could create thefood in the dining area.

TOYSTOOL FALL'17

FURNITURE DESIGN LECTURER: Deniz Tümerdem Onur Ciritoglu Itir Saran Emre Bagdatlioglu TEAM :

Edanur Köseli

In this project our lecturers wanted to desing a coffee table or stoolusing with lathe.Consept was free.we decided on a fun concept for children that could be used as storage and stool for kindergartens.we used the lathe to create various shapes on the feet of the table.These shapes are sometimes honey spoon sometimes snowman sometimes pine tree sometimes also world ...

_USAGE

_TECHNICAL DRAWINGS

_SCALE 1/1

WORKS FALL'20

MELIKE OVET INTERIOR DESIGN STUDIO Based in Istanbul Besides the architectural service i also worked on social media part to advertise the campany with mood boards and material boards which we used for the projects.

WORKS

PEKKA STUDIO

SPRING '18

ANKA HOUSE

Based in Istanbul

TEAM :Ipek Kay, Yunus Özdemir, Betül Ay, Edanur Köseli Anil Salar, Özgür Gültekin ANKA House was our first private house interior project. It’s a two-storey penthouse, situated at the center of the designer-dense Istanbul district of Nisantasi. When it was our turn to renew the 150 square meter apartment, we met with the future inhabitants, actually teachers our friends in the house on a sunny spring day of May 2018.

Inhabitants’ experiences are the cornerstone of our design process.

After many discussions and deep conversations, we started with the strategy.

Our first step was to simplify everything we felt was too much, in terms of materials. Then, we designed a place where special objects which held important memories for the home owner could be displayed. These materials blended in an artful way with the library, dining table, and the home.

_RENDERS Credits: Betül Ay

A color palette was based on the southern coast where one of the owners came from, greenish-blue of the sea and pinkish color of clouds at sunset. First, we found the original color of the floor by soft-touch scraping, then we decided to use the same oak-wood for the furniture to make a holistic atmosphere, and expressive tiles in the kitchen and bathroom. The result is a harmonious but rich color experience for inhabitants.

SOCIAL

SPECIESOFDAILYLIFE With EDANUR KOSELI

SPRING '18

I and my friend edanur cornered with great admiration for the great celebrity illastration pages we had followed and decided to open a page with inspiration from those sites. we started to create a collection suitable for our own language to create human and plant figures that we will use in our projects. We decided to share these drawings on this page. We aimed to develop ourselves further by taking different concepts in the past.