PORTFOLIO/ALINA NAZMEEVA
ALINA NAZMEEVA
CONTENTS
1 2 3 4
MOSCOW_INTERVALS THESIS PROJECT 2015-2016 TUTOR RUBEN ARAKELYAN
PERMEABILITY_
COURSE PROJECT SPRING 2014 PROF. MIKHAIL TURKATENKO
FOREST SCALE_
WORKSHOP/TOKYO/FALL 2014 PROF. MIKHAIL TURKATENKO PROF. IMAMURA
KIDS ZONE_
STUDENT COMPETITION/FALL 2013 in collaboration with Gayane Chubaryan
STUDENT PROJECTS WORK EXPERIENCE
5 6 7 8
GOLDEN TREASURE_
WALL/ ONGOING PROJECT/2015-CURRENT project team: Alina Nazmeeva, Ruben Arakelyan, Ayk Navasardyan
CASTLE SQUARE_
WALL/ COMPETITION/2014 project team:Alina Nazmeeva, Ruben Arakelyan, Ayk Navasardyan
BREAD AND CIRCUSES_ WALL/ COMPETITION/2015
project team: Anna Kozlova, Alina Nazmeeva, Tanya Kozlova Ruben Arakelyan, Ayk Navasardyan
ANTI-CITY_
WALL/ COMPETITION/FALL 2013 project team: Anna Kozlova, Alina Nazmeeva, Alina Zyablikova Ruben Arakelyan, Ayk Navasardyan
*All content within was produced by me with the exception of those indicated
MOSCOW_INTERVALS THESIS
[DEAD UNITS] While Moscow is spreading out from its structural borders- ostensibly due to limited room for new activities in the center- something located in its heart is obscured from our view. For the last few years the city center has been going through many alterations – many public spaces have been under renovation, pedestrian paths have become broader, bicycle lines have been popping up everywhere, and asphalt embankments once dead and boring have turned into nice verdant parks. Nevertheless, walking through these new places it is very likely that you will notice something treated in different way. Disheveled, almost ruined edifices, wastelands closed from the eye with high fences, derelict, disregarded structures; all literally in front of the well-kept contemporary boutiques or cafes, or even within 10 minutes by foot from the Red square. There is an enormous- considered by few- permanently impermanent and unstatic resource: unused and abandoned buildings. It is a great contradiction by definition- nobody uses these buildings and spaces despite their prime location. Everyone speaks of an intense city center, of a persistent a shortage of land in Moscow, that the value of land is inflated. And while architects investigate and observe the further parts of the city, these tiny flaws are out of their sight. To evaluate the paradox of this fact, which is, in my opinion, very peculiar, I’ve chosen the very center of Moscow, the territory within the Sadovoe Ring as the territory of my initial research. Geometry of the research follows the geometry of the city. The research itself was conducted with an aim to reveal the zone of maximum concentration of the abandoned/unused places. With this concentration revealed, a solution was considered to rethink of this zone, by “galvanization’ of abandoned places, and the creation of a totally new program for their further [adapted] use.
My research on foot took 16 days. All the documented abandoned buildings/spaces/wastelands/buildings under reconstruction and other strange spaces are actual as of 15.10.2015 There is the new measurement unit – dead unit (d.e. further)
[DEAD UNITS] Every place has its own history or story and has some possibility of future changes. Though what is more important in this research is that every place is living in the present. What, then, is the abandoned/unused place for the city in such a paradigm? Maybe they can be considered as particular gaps in time, as experienced and perceived space, invisible visibilities, which were formerly included to the in the life of the city, but now abandoned and undistinguished. They do have their past, they are able to have their future. Therefore, they are rather the obstacles for the city than the objects included in it. The city as a dynamic system is passing by these objects. Only physical cooperation takes a place here. Simultaneously abandonness has a temporary character. Today a place can be forgotten, but very soon it can revive. At any rate, now these buildings and territories temporarily do not exist, and their absence is expressed with their decay, green grid, contemporary rock paintings, rust and common feeling of wasteness and human’s absence.
[MATRIX] to define the grid which would help to evaluate the density of abandoned places, I've chosen the smallest and the biggest segments of circle to get an average area of a segment.
[RETHINKING OF ABANDONED BUILDINGS AND TERRITORIES] The Russian word “time” [vremya] according to Fassmer’s dictionary originates in the word “pothole” [rytvina].Probably, there is also a connection with the word “whirl”, and pothole– it is a footprint of a wheel (something whirling and carving). A pothole of the wheel– it is an uninterrupted cut. I assume, the word “pothole” fits to the portrait of the abandoned space, as a space which doesn’t have ‘now’, a particular interval in the urban environment. Are there some programs and examples of spatial use which are similarly out of the city’s environment? It is possible to assume that such spaces could be Foucault’s heterotopies. In contrast to utopias – which are imaginary spaces, heterotopias are real spaces featured with specific relationship between time and space, producing specific behaviors of fleshliness and subjectiveness. In Foucault’s opinion invention of “other spaces” is inherent for every culture. Abandoned spaces are heterotopies by notion, they are real and definitely have a distinguished relationship to the environment. How is it possible, keeping this tortuous narrative to bring something sprightly to them, without destroying their existing character? What if a space have had a mind? According to Cartesius works the crucial distinguishing feature of physical objects is their spatial extension, and mental objects are existing only in time. But is there a difference between mental and physical objects? Another crucial difference is that physical objects can be seen by everybody, unlike mental, which are shown only to their creator, a thinking person, reproducing them in one’s mind. Is it possible, to express explicitly your mind into objects, or come closer to the idea of objectified mind? Is it possible to make one’s mind be seen by everybody? Can a mind turn into physical substance? Or what if it already has one, and it is impossible to separate them and such assumptions are inherently wrong?
20
21
190
9
25
188
8 17
5
16
18
187
7
15
13 12
24
189 191
19 26
185 4 11
183
182
184 174 179
1
180
173
32
178
175
33 172
34
166
181
176
171
167
177 134
168 169
133
165 164
192
163
160 159
132
36
136 137
139
131
138
37
154
158
129 130
155 157
255 152
147 151
149 150
148
146
249
125 124
126
120
122
121
119
117
118
113
248
104
41
103
40
105
47 45
114
102
46 95
58
57 56 48
109
101
75
43
76
54
107
77
62 55
106
66
227
63
50
100
226
91
51
60
64
52
98
74
86
73
90 84
83
81
89 67
88
MOSCOW
[abandoned buildings/edifices] 156 D.E 13 6 заброшенн ых зданий/ руин
195
268
194
193 266 265
267
196
197 198
199 260
200
264
261
263
259
201 203 202 257 256 204
37
258
270
255
207
254
206
205
262
252 253
251 250
249 269
240
241
248
242
239
231
230
246
238
232 208
247
229 228 234
226
245
243
237
233
227 209
225 244
210 235
236
211 224
223
222
212 213 217
214 216
220 221 219
218
215
[buildings/edifices under reconstruction] 79 D.E 79 зданий на реконструкции
186 14
6
28
10
3 2 29
30 31
23
22 162
35
170
161 135
141
153
140 142 143
156
144 38
128
145 127
123 116
39
112 42 115
96
238
59
111 110
44 108
94
49
78 65
93
79
53
92 99 61
87 97
72
85
80
71 70
82
69 68
[wastelands] 55 D.E 55 заброшенных/неэффективно используемых территорий/пустот
[2 squares with highest density of abandoned places] the one square was chosen because many territories of the second already have hypotetical future ( new projects and purposes).
TERRITORY WITHIN THE SADOVOE RING
[SOCIAL ACTIVITY MAPPING]
1000
weekdays
500 100 0 1000
weekends
500 100 0 9:00
12:00
15:00
18:00
21:00
[AREA RESEARCH]
[program zoning]
[ownership]
[age of the buildings]
[cultural heritage]
dwelling business/ administration governmental institutions education
territory/private possession buildings/private possession
universities schools kindergartens
territory/no data
library gallery
buildings/no data
culture
industrial
fire station factory metro pull station
dormitory hotels embassy
laboratory
buildings/ governmental possesion territory/ governmental possesion
1550 XVII XVIII XIX XX-1917 1917-1953 1953-1991 1991-2015
[TEMPORARY REUSE]
[EXAMPLES OF RELATION TO THE CITY]
In an infinite race for maximum productivity, industrialization, a person stops being engaged in hand labour. New appliances and services are coming out every day, absolving us from physical activities, allowing us to work exclusively in the intellectual, nonmaterial realm. And this phenomenon is mostly considered as progressive. During the technical progress, it became much easier to go through everyday routine. We started rather to think than take actions physically, most of our work is sedentary and does not include physical modelling and work with spatial objects. That way we are aware that intellectual and physical work are not interdependent. However, if we are not to consider hypothetical futures, the problem of Cartesius dualism has a huge effect on our lives. All over the world there is a huge prejudice against vocational jobs. People do not want to do any physical work, we’ve already gone into alternative fleshless reality. We are not only refusing to do labour work, we disdain it, considering it as low-brow. But most of the workers are just performers of the ideas proceeding from people whose only physical action during the day is typing and clicking. Therefore, creating mind is partly separated from creation. Before the first Renaissance blueprints had appeared, the architect usually started his work on site. Nowadays most designers, architects and artists do not take a part in the physical creation process, while those that execute the creation are considered less than their professionalized counter-parts. Even in a smaller scale, just our personal scale, we unavoidably separate ourselves into mental and physical components, do not consider ourselves as a completed whole. Our physical is gradually turning only into an
New York
spatial diagram
Pratt University
Hong Kong
spatial diagram
Polytechnical school
[DEVELOPMENT STRATEGY]
1st stage of the development_ Renovation of the crucial objects
2st stage of the development_ Active integration into the city
Moscow
spatial diagram
Inspite of making a closed autonomous territory of a new school there is a possibility of entrenching it to the city's fabric by using existing buildings.
3st stage of the development_ New net is entrenched into the city
[approach/educational model]
student
intellectual labor
[student’s lifestyle] education 8.5 hours per day free time 7.5 hours per day sleep 8 hours
theory research experiments collaborations
handicraft art
practice research experiments collaborations
master
production
prototyping mastering skills
dwelling education research production adaptation exhibition sports food
[dormitory] [theory/practice studios] [auditoriums] [lecture rooms] [workshops] [laboratories] [library] [offices] [show-rooms] [fairs] [conference-halls] [museum] [sport areas] [kanteen] [cafeteria]
[RELEVANT CHOICE]
The entire area of all the buildings observed_ 29751m2
The possibility of the arrangement of exhibition halls,showrooms_ 21283m2
The possibility of the arrangement of dwelling,workshops, studios_ 11358m2
Keeping the previous function_ 8468m2
There is a prodigious scarcity of craftsman specializations as vocational schools have been closer or reducing their enrollment in recent years due to a minor amount of student interest. Perhaps the reason of the unpopularity of such schools is not that these vocational crafts are no longer viable, but instead that the schools do not offer curriculum that keep these craftsmen relevant to the contemporary market. Could traditional craftsmen grow to become independent creators in today's world? The strive to rethink labour profession and breathe new life in them is not near to a misoneism philosophy striving for the past, real or imagined. On the contrary, it is an attempt to refresh personal activity by making an artistic, creative process an inalienable component of intellectual work, where experiments with physical objects and prototypes could be a tool for new inventions and theories.The new approach to vocational education should include a thorough analytical work, research and experiments, but not only work in front of the machine and performing. It comes to my mind again, the analogy with a Renaissance person, who has never neglected hand working to thinking, and all of the activities have been native extensions of each other. I do not think that an absolute can be found, a kind of universal system, which can fit every time and location. Temporality is a key word here. The new use of these buildings suggests the creating of only pop-up, light objects, which will be made only by students, so that they are creating their own environment, galvanizing abandoned places, and settling this new program into the city.
ИСТОРИЯ ВЛАДЕНИЯ
B
ИССЛЕДУЕМЫЙ ОБЪЕКТ НАХОДИТСЯ В ХОХЛОВСКОМ ПЕРЕУЛКЕ, 18/3. ТЕРРИТОРИЯ СОВРЕМЕННОГО ВЛАДЕНИЯ СФОРМИРОВАЛАСЬ В 1830Е ГОДЫ
3
6440
2
12800
6360
В 1873 ГОДУ ВОЗВОДИТСЯ 2-ХЭТАЖНЫЙ ОБЪЕМ ЖИЛОГО ДОХОДНОГО ДОМА И ХОЗЯЙСТВЕННАЯ ПОСТРОЙКА, ЗАФИКСИРОВАВШАЯ ЗАПАДНУЮ ГРАНИЦУ ДОМОВЛАДЕНИЯ ЗДАНИЕ ЯВЛЯЕТСЯ ОБЪЕКТОМ ФОРМИРОВАНИЯ ГОРОДСКОЙ СРЕДЫ. Sобщая_991,2 m2
C
1 3450
A
5900
Б
A
3000
2550
Г
B
3
ОТСУТСTВУЮТ ДАННЫЕ (ИНФОРМАЦИЯ ВЗЯТА С РОСЕЕСТРА)
ВЕРТИКАЛЬНЫЕ КОММУНИКАЦИИ
6440
2
12800
6360
ПУБЛИЧНАЯ СОБСТВЕННОСТЬ
18700
В
B
A
1 3450
A
THE HISTORY OF THE POSSESSION
1873 one-storey service edefice of the former mansion.
1873 ОДНОЭТАЖНОЕ ХОЗЯЙСТВЕННОЕ СТРОЕНИЕ ГОРОДСКОЙ УСАДЬБЫ, В КОТОРОМ РАСПОЛАГАЛАСЬ КЛАДОВАЯ И ДВОРНИЦКАЯ
The edifices A, B, C, D - a part of XVIII-XIX the wing of the Izmailov's mansion architectural ensemble of the end of XIX c. guest house dormitory of Communistic 1960-1970 the laboratory of the university clinic university, significant example of house - communе of 1930. Contemporary usage is a clinic of the 1930 the dormitory of Communist university dormitory of linguistic university. arch. G. Dankman The edifices A and E are currently significant architectural heritage abandoned. The reason of their emptiness is the fire happened 1960-1970 the 3rd supplementary floor is built more than 7 years ago. 1960-1970 the passage is built
public public possession possession
no data
1873 two-storey guest house
THE
HISTORY
A
5900
Б
B
18700
В
3000
2550
Г
OF THE POSSESSION
1873 ДВУХЭТАЖНЫЙ ОБЪЕМ ЖИЛОГО ДОХОДНОГО ДОМА
1930 two additional floors, built for 1930 ДВУХЭТАЖНАЯ НАДСТРОЙКА, ПЕРЕФОРМИРОВАНИЕ ПОД КОММУНАЛЬНЫЕ КВАРТИРЫ communal apartments 1878 laundry 1878 ДОСТРАИВАЕТСЯ ПРАЧЕЧНАЯ В ПОСЛЕРЕВОЛЮЦИОННОЕ ВРЕМЯ В ЗДАНИИ after 1917 there is a dwelling РАСПОЛАГАЕТСЯ ЖИЛЬЕ 1995 full repair of the building The mansard added
1995 ПРОВОДИТСЯ КАПИТАЛЬНЫЙ РЕМОНТ И ДОСТРАИВАЕТСЯ МАНСАРДА
public possession A
The territory represents the former mansion which in the years after 1917 was perpogrammed into a communal apartments house. In 1995 there was a full repair with adding a mansard to the singlestory wing, but in the end the entire building is unused for more when for 5 years.
no data Б
В
Г
Д
E
15900.000
14100.000
12300.000
10500.000
8700.000
7200.000
5400.000
3900.000
2100.000
150.000
A РАЗРЕЗ С_С
Б
В
Г
Д
0.000
E РАЗРЕЗ D_D
3
РАЗРЕЗ A_
8900
50
В
C
Г
Д
551 0
В
71
9900 A
C
114
М
50
3
B
2
85
Н
8900
E
1
C
O
A
280 0
0
B
2
114 50
4 A
B
5000
2
1 2
A
4470
O
1 2550
3 4
А НК ЛЯ СО 2
A
5000
1 2
1
4440
A
Б
3990
В
3
2800
2550
A
4470
1
Г
Д
2
Б
Е
B
2750
B
B 2750
C
B
ЭТАПЫ ФОРМИРОВАНИЯ ВЛАДЕНИЯ
2800
1
Г
Д
5
4
5
1730-1750 КАМЕННЫЕ ОДНОЭТАЖНЫЕ ПАЛАТЫ/АРХИТЕКТОР НЕИЗВЕСТЕН
СТРОЕНИЕ Б (ПОДКОЛОКОЛЬНЫЙ ПЕРЕУЛОК 4-6) ТИПИЧНЫЙ ПРИМЕР МАЛОЭТАЖНОГО ДОХОДНОГО СТРОИТЕЛЬСТВА 2-Й ПОЛОВИНЫ XIX ВЕКА И ОБЛАДАЕТ ГРАДОФОРМИРУЮЩИМИ ХАРАКТЕРИСТИКАМИ. РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ СТРОИТЕЛЬСТВО ВЕЛОСЬ В 2 ЭТАПА 4 1. 1863 ГОД - ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН 2. 1880 ГОД - НАДСТРОЙКА ТРЕТЬЕГО ЭТАЖА/АРХИТЕКТОР - КАРНЕЕВ В.Н. Б 3 ПРОГРАММА- ТОРГОВО/ЖИЛАЯ
Н
71 50
Г
Д
0
0
85
В
М
50
114
A
B
0
Н
O
551
50
D
0
71
G
50
50
114
114
М
C
B
Н
O
E F
E
O
А 50
114
СО O
D
НК А
ЗИ
G
ЗИ
E F
B D
НЫ XIX
1882 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР КАРНЕЕВ В.Н. 1863 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН
ЗАСТРОЙКИ РУБЕЖА XIX-XX В.
1882-1890 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ В.Н.
СТРОИТЕЛЬСТВО ВЕЛОСЬ В 2 ЭТАПА 1. 1909- ОДНОЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР-ГЕЙСЛЕР М.Г. 2. 1937- НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН ПРОГРАММА- ХОЗЯЙСТВЕННАЯ РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ ЭТАПЫ ФОРМИРОВАНИЯ ВЛАДЕНИЯ
1882 ТРЕХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ В.Н. 1844 ОДНОЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН
СТРОЕНИЕ Е(ПОДКОЛОКОЛЬНЫЙ ПЕРЕУЛОК 4-6) РЯДОВОЙ ЭЛЕМЕНТ ИСТОРИЧЕСКОЙ ЗАВТРОЙКИ ДОМОВЛАДЕНИЯ. СТРОИТЕЛЬСТВО ВЕЛОСЬ В 2 ЭТАПА 1. 1844 - ОДНОЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН ЭТАПЫ ФОРМИРОВАНИЯ ВЛАДЕНИЯ 2. 1890-1901 - НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН ПРОГРАММА- ХОЗЯЙСТВЕННАЯ РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ
C
О И
А
1880 НАДСТРОЙКА ТРЕТЬЕГО ЭТАЖА/АРХИТЕКТОР - КАРНЕЕВ В.Н.
1866 НАДСТРОЙКА 2 ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
СТРОЕНИЕ Д(ПОДКОЛОКОЛЬНЫЙ ПЕРЕУЛОК 4-6) ТИПИЧНЫЙ ПРИМЕР РЯДОВОЙ ВТОРОСТЕПЕННОЙ
C
ЛЯ
СО А
О И
СТРОЕНИЕ Г (СОЛЯНКА 7) 1 РЯДОВОЙ ЭЛЕМЕНТ ИСТОРИЧЕСКОЙ ЗАСТРОЙКИ ДОМОВЛАДЕНИЯ ПЕРИОДА ЭКЛЕКТИКИ. БЫЛ ВЫСТРОЕН ДЛЯ ПОДСОБНЫХ НУЖД ДАТА ПОСТРОЙКИ-1882-1890 АРХИТЕКТОР - КАРНЕЕВ В.Н. ПРОГРАММА- ХОЗЯЙСТВЕННАЯ 1950-1960 - ПОСТРОЕН ПЕРЕХОД НА УРОВНЕ 2 ЭТАЖА МЕЖДУ СТРОЕНИЯМИ А И Г РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ
А
G
НК
ЛЯ
B
280
0
0
85
СТРОЕНИЕ В (ПОДКОЛОКОЛЬНЫЙ ПЕРЕУЛОК 4-6) ЗДАНИЕ РАСПОЛОЖЕНО В ЦЕНТРАЛЬНОЙ ДВОРОВОЙ ЗОНЕ УЧАСТКА. ТИПИЧНЫЙ ПРИМЕР МАЛОЭТАЖНОГО ДОХОДНОГО СТРОИТЕЛЬСТВА,2 В ОСНОВАНИИ СОХРАНЕНЫ КОНСТРУКЦИИ ДРЕВНИХ ПАЛАТ 1 ПОЛОВИНЫ XVIII В. Б 3 РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ E 1 СТРОИТЕЛЬСТВО ВЕЛОСЬ В 3 ЭТАПА В Г 1. 1730-1750 - КАМЕННЫЕ ПАЛАТЫ 1-ЭТ/АРХИТЕКТОР НЕИЗВЕСТЕН Д 2. 1866 - НАДСТРОЙКА 2 ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН 3. 1909 НАДСТРОЙКА 3 ЭТАЖА/АРХИТЕКТОР ХАРИТОНЕНКО П.И. ПРОГРАММА- ЖИЛАЯ 2 280
0
0
85
85
Н
B
915
A
E F
0
915
0
CВ
А
В
551
DГ
3990
СТРОЕНИЕ А (СОЛЯНКА 7, "ДОМ С АТЛАНТАМИ") ЯВЛЯЕТСЯ ЦЕННЫМ ЭЛЕМЕТНОМ ИСТОРИКО-АРХИТЕКТУРНОЙ СРЕДЫ. ВЫЯВЛЕННЫЙ ОБЪЕКТ КУЛЬТУРНОГО НАСЛЕДИЯ АРХИТЕКТОР - КАРНЕЕВ В.Н. ДАТА ПОСТРОЙКИ - 1882 ПРОГРАММА- ТОРГОВО/ЖИЛАЯ
E F
G
Б
B
B
А
4440
ИССЛЕДУЕМЫЙ УЧАСТОК РАСПОЛОЖЕН В ЦЕНТРАЛЬНОЙ ЗОНЕ КВАРТАЛА 127, ВБЛИЗИ Е ЦЕРКВИ РОЖДЕСТВА БОГОРОДИЦЫ В КУЛИШКАХ И ОГРАНИЧЕН С СЕВЕРА B ПОДКОЛОКОЛЬНЫМ ПЕРЕУЛКОМ, С ЮГА УЛИЦЕЙ СОЛЯНКОЙ. ВЛАДЕНИЕ - ЦЕННЫЙ ФРАГМЕНТ ИСТОРИЧЕСКОЙ ГРАДОСТРОИТЕЛЬНОЙ СРЕДЫ. ЕГО ЗАСТРОЙКА УЧАСТВУЕТ В ФОРМИРОВАНИИ ФРОНТА СРАЗУ ДВУХ УЛИЦ - СОЛЯНКИ И ПОДКОЛОКОЛЬНОГО ПЕРЕУЛКА.
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ИСТОРИЯ ВЛАДЕНИЯ
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СТРОЕНИЕ Ж(СОЛЯНКА 7) РЯДОВОЙ ЭЛЕМЕНТ ИСТОРИЧЕСКОЙ ЗАВТРОЙКИ ДОМОВЛАДЕНИЯ. СТРОИТЕЛЬСТВО ВЕЛОСЬ В 2 ЭТАПА 1.1882 - ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР КАРНЕЕВ В.Н. 1730-1750 КАМЕННЫЕ ОДНОЭТАЖНЫЕ ПАЛАТЫ/АРХИТЕКТОР НЕИЗВЕСТЕН 2.1950-1960 - ОДНОЭТАЖНАЯ ПРИСТРОЙКА/АРХИТЕКТОР НЕИЗВЕСТЕН ПРОГРАММА- ХОЗЯЙСТВЕННАЯ РЕЖИМ ОХРАНЫ ОТСУТСТВУЕТ Sобщая_6730m2
1730-1750 one-story stone chambers
1730-1750 КАМЕННЫЕ ОДНОЭТАЖНЫЕ ПАЛАТЫ/АРХИТЕКТОР НЕИЗВЕСТЕН В ДАННЫЙ МОМЕНТ ВСЕ ЭТИ СТРОЕНИЯ ЯВЛЯЮТСЯ ЗАБРОШЕННЫМИ. ЧАСТЬ ИХ ЯВЛЯЕТСЯ ГОСУДАРСТВЕННОЙ СОБСТВЕННОСТЬЮ - ДРУГАЯ ЧАСТЬ - ЧАСТНОЙ. ВСЕ СТРОЕНИЯ ПУСТУЮТ БОЛЕЕ 10 ЛЕТ.
НЫ XIX
THE HISTORY OF THE POSSESSION 1950-1960 one-story wing 1950-1960 the passage between the buildings 1909 the additional 3rd floor
1950-1960 ОДНОЭТАЖНАЯ ПРИСТРОЙКА/АРХИТЕКТОР НЕИЗВЕСТЕН
1950-1960 ПОСТРОЕН ПЕРЕХОД НА УРОВНЕ 2 ЭТАЖА МЕЖДУ СТРОЕНИЯМИ А И Г 1909 НАДСТРОЙКА 3 ЭТАЖА/АРХИТЕКТОР ХАРИТОНЕНКО П.И.
1937 the additional 2nd floor 1890-1901 the additional 2nd floor
1937 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
1890-1901 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
ИИ
ИИ
КТИКИ.
КТИКИ.
1880 additional 3rd floor 1882 two-story volume 1863 two-story volume 1882 - 1890 two-story volume 1866 aditional 2nd floor 1880 НАДСТРОЙКА ТРЕТЬЕГО ЭТАЖА/АРХИТЕКТОР - КАРНЕЕВ В.Н. 1882 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР КАРНЕЕВ В.Н. 1863 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН
1882-1890 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ В.Н.
1880 НАДСТРОЙКА ТРЕТЬЕГО ЭТАЖА/АРХИТЕКТОР - КАРНЕЕВ В.Н. 1866 НАДСТРОЙКА 2 ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН 1882 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР КАРНЕЕВ В.Н.
1882 three-story volume 1844 one-story volume
1863 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН 1882 ТРЕХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ В.Н. В.Н. 1882-1890 ДВУХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ 1844 ОДНОЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН 1866 НАДСТРОЙКА 2 ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
1882 ТРЕХЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР - КАРНЕЕВ В.Н.
The territory represents the significant fragment of historical urban environment. It is a former mansion with service edifices. and storeys on the first floors. In early 20th century this complex started to be used as a guest house. Then in the middle of the century it was turned into a clinic. Later, the owner tried to rebuild it with adding contemporary structures and raising the higher floors, but the project wasn`t accepted with the government. Meanwhile illegal immigrants started to live where in the year 2008. But now the complex is unused and empty.
1844 ОДНОЭТАЖНЫЙ ОБЪЕМ/АРХИТЕКТОР НЕИЗВЕСТЕН
[TWO STRATEGIES] 1950-1960 ОДНОЭТАЖНАЯ ПРИСТРОЙКА/АРХИТЕКТОР НЕИЗВЕСТЕН
buildings footprints
1950-1960 ПОСТРОЕН ПЕРЕХОД НА УРОВНЕ 2 ЭТАЖА МЕЖДУ СТРОЕНИЯМИ А И Г 1909 НАДСТРОЙКА 3 ЭТАЖА/АРХИТЕКТОР ХАРИТОНЕНКО П.И.
1950-1960 ОДНОЭТАЖНАЯ ПРИСТРОЙКА/АРХИТЕКТОР НЕИЗВЕСТЕН 1937 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН 1950-1960 ПОСТРОЕН ПЕРЕХОД НА УРОВНЕ 2 ЭТАЖА МЕЖДУ СТРОЕНИЯМИ А И Г 1890-1901 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН 1909 НАДСТРОЙКА 3 ЭТАЖА/АРХИТЕКТОР ХАРИТОНЕНКО П.И.
1937 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
courtyard (first floor level)
The current state of these three buildings is abandoned, unused. All three have interesting history of perpetual adding new floors or wings, supplementary passages. The complexes look so peculiar because of decades of different changes without any grand plans - they were changing only in order of a former need or interest of the owners.
1890-1901 НАДСТРОЙКА ВТОРОГО ЭТАЖА/АРХИТЕКТОР НЕИЗВЕСТЕН
public possession
private possession
roof
Two of them are significant examples of historical heritage. So the project purposes a minimal intervention. New pop-up objects almost don`t disturb the existing constructions and facades. And from outside of the complexes it is impossible to recognize any changes. My purpose consists of two types of strategies of reprogramming these places. The first one is called [the box] and represents the rigid structure which is put only inside the existing volumes. The second one is called [the bridge] and is made for connection and creating new routes and paths as inside the existing strutures, as outside of them.
1_[BOX]
false ceiling with hidden ventilation and electricity veneer layer
middle plywood layer
frame
existing columns
storage wc existing columns duct storage existing columns bed sliding door entrance to the unit
1_[BOX]
2_[BRIDGE]
the [BOX] is a program core. It represented as a rigid structure consisting of spatial forms reflecting the needed functions. In these projections the [box] is the structure of unhabited units, consisting of private bedrooms, storages, kitchens, WCs and libraries. In the 3rd complex, the school, this spatial strategy is represented as a library. Such strategy affords keeping the surrounding space empty, use this free space in order of current need and allows students to use it as they want depending on their preferences.
the [BRIDGE] is a supplementary connection, which makes the new routes and paths to perceive the structure, guides people how to pass the building and makes it more transparent. In provided examples it can be seen that in [dormitory] and [unhabited workshop] projects it is used not only with students but it invites citizens to participate or observe the process of creation. In the [school] project this connection is going through the entire complex and providing the new path as for students as for visitors.
[BOX] _library One of the parts of abandoned complex is a building with broken roof and floors. To keep this volume alive I'm replacing the roof and get rid of the floors. Here, within 3-storey high existing volume the library appears. The library is represented as a structure with two similar stairs which are supported with inner and outer structural cores which are filled with shelves for books. Surrounding area is filled with tables and coaches to read and study.
BOX_LIBRARY
outer walls of the new library box
2 stairs connected with bridges in the middle
the core of the library with entrances to the bridges
the old building needs new supplementary metal/ wood structures allowing demolishion of the old roof and floors
[BRIDGE]
In the current economic reality the importance of using the potential of the existing buildings grows exponentially. This is especially important in the history cores of cities. The delicate attitude of minimal intervention - regardless of it`s invisibility - provides us an abundance of possible spatial and programmatic scenarios. The light plywood/cross laminated timber structures are easy to build, have high aesthetic qualities and are able to be readily changed if needed. The material is very ductile and allows plenty of variations of the structures to be made. The wooden structures expediently create sustainable but flexible environments which can allow people to inhabit abandoned spaces, including them again into the city's fabric and the program of a vocational school can reintroduce the importance of craftsmanship for citizens while subsequently creating a viable economic production in the city center.
the models were produced in collaboration with Vova Kozitskiy
PROCESS
representation of the map of the initial research the model was produced in collaboration with Vova Kozitskiy
Through the investigation of the spaces in tangible scale of gypsym and balsa I tested the quality of spaces which could saturate these buildings.
the model of the dormitory, perspective view
the model of the dormitory, plan
produced in collaboration with Vova Kozitskiy
the rooms of the dormitory represent a minimum space for a bed , storage and wc with a shower. Students are making these cells by themselves
FOREST SCALE_
TORANOMON HILLS DEVELOPMENT STRATEGY FALL 2014
PROJECT TEAM MASAKI SERITA JULIA TEN ALINA NAZMEEVA PREMISE In Tokyo huge skyscrapers are situated nearby lowstory housings and shrines, and the city is very dense. The task of my team was to make a proposal for development of business district located at Toranomon Hills, to create a new landmark for Tokyo Olympic games in 2020. The purpose was very ambitious - to make a development strategy of a new biggest Asian business center. According to the development strategy of Tokyo in few years some of the existing buildings located at this area will be demolished. The skycrappers in Tokyo are very large and wide, dwarfing surrounding buildings, and the urban space created with them is out of the human scale. the road for Olympic Games 2020 parade/initial impression map
Mori tower/ retail/shopping/ offices
Ark hills/Mori tower/ retail/shopping/ offices
Ark hills/Mori tower/ retail/shopping/ offices
the road for parade
new landmark Toranomon Hills
Nagatacho district
Emperor's garden
the site for development
The site for development - Toranomon Hills district one of the business centers of Tokyo. Haphazard towers concurrently with lower buildings are skattered at the area, depending on the slope and roads. We choose another way: no development strategy
potential green zones
the diagrams were produced by Julia Ten
area of development 75 ha
these buildings are to be demolished
the site of main landmark
footprint of buildings required to demolish
the place for the new landmark
ORDER=DISORDER
STAGES OF DEVELOPMENT
while low and high rise buildings coexist in relatively friendly environment of smooth absence of grid in this place, we choose opposite approach - creating a rigid invisible modular grid of 20x20meter squares.
Step by step the district can grow into a huge hybrid structure. Here we consider the stages with various density. The initial stage creates anchores instead of demolished skyscrapers. The ensuing stages make it more dense.
some of them to become pencil shaped skyscrapers. Entropy is getting lower/other squares are about to rise if needed. To destroy the tidiness of the grid - we create passageways between pencil-towers. The alternative pedestrian paths in the city located above ground will make the easier access and better communiction within the dense city.
the diagrams were produced by Julia Ten
Our proposal is to create an environment which is on our opinion is more natural for people. These 'pencil' shaped buildings constructon can be separated into several stages, and the more buildings are required the more can be built. The initial idea of this proposal was inspired by japanese methabolism, however in the project we do not make buildings higher or thicker if needed - we simply build one more nearby, obeying the grid. Additionally, being rigid and unflexible - the positions of future towers look random due to a small size of one unit. The grid creats sence of order and disorder simultaneously, and results in a association with a forest.
PERMEABILITY_ KRASNIY_PROLETARIY FALL 2013
demolition keeping
[CURRENT SITUATION] Now the territory is closed to visitors. In spite of its size it is very difficuilt to notice - everything is hidden with a concrete fence. Part of the buildings currently used as parking lots - huge 11 meters high one storey parking lots. Other parts are offices for bank companies. The new proposal examines the territory in order to create permeable space from this moribund area by adding structures that contradict to the current conditions.
[CONNECTION] The proposal is to make a brand new and friendly area, open for people and young enterpreneurs. Morphology of the proposal is radically opposite to the current state of the place - a lace which will establish a new language for this area, connecting every building and courtyard. Presenting one intricate volume, penetrating and changing existing buildings, the lace violates privacy of the territory and brings new narrative to it. The lace grows above some of the existing buildings , goes through them and turns into pavement outside. Only the new structure is alive, however most of the existing buildings are empty and have just a ground floor. These high areas are considered as shelters for new structures. Their huge volumes due to their interactions with the lace create unique public zones.
new green zones
with foundation without foundation
cultural heritage
[PERMEABILITY] New structure represents a haphazard arrangement of squared glass blocks, which create unique spatial conditions. Within these blocks I created a long path, leading a visitor through main areas of the place spatial coworking, library, halls and galleries. This path goes through internal areas and goes outside, going up and down it creates peculiar route and unsettles visitor's perception of space.
offices
spatial studies
workshops
coworking
offices
footprint
main entrance
open public space
main hall
library
lecture hall
offices
KIDS ZONE_
GAZIANTEP_TURKEY
student competition_1 place in Russia FALL 2013 in collaboration with Gayane Chubaryan
[THE CITY] Gaziantep, previously and still informally called Antep is a city in south-east Turkey and one of the oldest inhabited cities in the world. Gaziantep has a mediterranean climate influenced with continental climate during winter season, with very hot and dry summer and cold and even occasionally snowy winter. The population is about 1.5 million of people. [THE TASK] The task was to create a multi comfort primary school for about 400 students, using Isover products at a given site. The site is located in a territory which will be developed into a new neighboorhood. With using technical requirements of the task (specific amount of rooms and spaces inside the school with distinctive areas) we made our proposal. TURKEY
GAZIANTEP
+
behooves were used to make a good microclimate in hot and dry regions The hot air is going out of the space through the dome
[THE PROPOSAL] skylights make lively silouhette of the building and remind a tipology of beehive housing, typology, which is originating from this region.
various height there it needed (gym and lecture hall with a stage should be heigher, as an example)
different
cortyards have different functions
fill the whole site due to the lack of required areas therefore first floors at the northern side of the site are
the site has a stiff stope - about 10 meters in diagonal
the diagram was produced by Gayane Chubaryan
modern skylights are used to make dispersed light and get advantage of the sun rays in hot areas
public space corridors wc administration auditoriums
staircases facilities
kitchen/cafeteria gym facultatives lecture hall
library
medical care
dance studio
wardrobe
the diagram was produced by Gayane Chubaryan
Internal cortyards are not only safe for children but also are able to create more comfort environment for them to be there. Turekey is a hot country - and internal cortyards are often used here to bring more shade outside during the hottest time of the year. Moreover threee courtyards have different functions - the first one is a garden, the second (egg-shaped, separated into two pieces - will be used to informal meetings, games and communication between students, and the last one - is a gym. For an additional sourse of dispersed sun light we create skylights in some places above classrooms and gym. Dye to steep slope children can easily go to the rooftop just from the ground behind the school as well as from inside the school - by the stair or ramp.
section
produced by Gayane Chubaryan
View on the roof.
WORK EXPERIENCE
5 6 7 8
GOLDEN TREASURE_
WALL/ ONGOING PROJECT/2015-CURRENT project team: Alina Nazmeeva, Ruben Arakelyan, Ayk Navasardyan
CASTLE SQUARE_
WALL/ COMPETITION/2014 project team:Alina Nazmeeva, Ruben Arakelyan, Ayk Navasardyan
BREAD AND CIRCUSES_ WALL/ COMPETITION/2015
project team: Anna Kozlova, Alina Nazmeeva, Tanya Kozlova Ruben Arakelyan, Ayk Navasardyan
ANTI-CITY_
WALL/ COMPETITION/FALL 2013 project team: Anna Kozlova, Alina Nazmeeva, Alina Zyablikova Ruben Arakelyan, Ayk Navasardyan
*All content within was produced by me with the exception of those indicated
the model was produced by Vova Kozitskiy
GOLDEN TREASURE_
PROJECT/2015-2016 my role: development of the ideas production of pictures,concept
PROJECT TEAM RUBEN ARAKELYAN AYK NAVASARDYAN ANNA KOZLOVA ALINA NAZMEEVA
This project is an attempt to create a completed spatial experience within a small building. Curved spirallike shape creates a smooth route within itself, strictly separating different flows of visitors. Golden treasure pavilion keeps the treasure within its walls - and public, going layer by layer, making circles, going up and down, - comes to the middle and find the treasure - the model of our Mother-city.
The task is to make a one-storey pavilion for a new huge-scale model of the city. Thinking of enrichment of future visitors' experience we created a path through the pavilion - the ramp, which creates a strict route, goes first up to the highest possible point - to see the model 2 meters above, and then goes down and comes inside the exhibition area.
route
CASTLE SQUARE_ COMPETITION/2014 PROJECT TEAM ALINA NAZMEEVA RUBEN ARAKELYAN AYK NAVASARDYAN my role: development of the ideas, research, production of pictures, floorplanes.
Current condition of this place is a dull huge scale empty square paved with old destroyed tales. However the remains of XVII century castle are still somewhere underground. The proposal is to reproduce the first floor of the castle creating a gallery within it. Moreover, this gallery is a comunication space between new maximally transparent volumes filled with new programs intended to revive this place.
the footprint of previously existing castle
the footprint of previously existing castle
the footprint of new volumes
BREAD AND CIRCUSES_ DANILOVSKIY MARKET_ COMPETITION/2015
PROJECT TEAM ANNA KOZLOVA ALINA NAZMEEVA TATYANA KOZLOVA RUBEN ARAKELYAN AYK NAVASARDYAN my role: development of the ideas, research, production of pictures, floorplanes.
Historically, a market is a center of activities of the city. Festivals, fairs, celebrations and different entertainments used to exist inside and around it.In this project we are trying to revive these functions and make the market as a kind of spectacular urban space. We rearrange chaotically scattered little shops into a ring and make them two-stored to inject new small functions besides existing ones
THE APPROACH
market Dense arrangement of commercial zones creates unified commercial front-line
the picture was produced by Anna Kozlova
market square Central flexible-use space for the new market functions, opened kitchens, food festivals, lectures, lessons and holidays
square types of use
market variants of arrangement
the diagram was produced by Aik Navasardyan
the picture was produced by Anna Kozlova
one-storey
unit
two-storey
t y p i c a l construction of unit
hole in the column
fabric
unit
two-storey with
unit stair
ANTI-CITY_ KRISTALL
COMPETITION/2015
PROJECT TEAM RUBEN ARAKELYAN AYK NAVASARDYAN ANNA KOZLOVA ALINA ZYABLIKOVA ALINA NAZMEEVA
my role: development of the ideas production of pictures, masterplan production/concept
ANTI-CITY The competition task was to find a new language for the territory of a former manufactory located in Moscow, to make this already special place even more exciting for visitors and future users/customers. The morfology of the internal space of this complex suggests the proposal - to create several unique stories, having differences one from another. Our proposal focuses on these 7 stories - hothouse/ cortyars/choldren room/river/pool/hill/green theater. Using the same visual elements ( brick pavement/grass/ moss), we tried to add something essential to every area, an ingridient which would distinguish it among other places. Also, the green appearance reveals our idea to create an opposite place to the city/a place out of the city's pace. Current silent and uninhabited condition of Kristall Factory makes us to preserve this state, keep it quiet, mysterious and unknown in its a bit wild and disheveled condition.
The site is located nearby Moscow river and the factory itself is a part of the chain of former factories of Moscow.
Most of them are now used as public or office zones with retail and entartainment programs.
the plan was produced by Alina Zyablikova
OUR PROPOSAL
The identity of the place is homogenious, therefore we deside to keep it the same, but with a creation of unique zones with different programs. We create 7 so-called rooms: the cortyard, intended to be private for people who will live here; the hothouse - a pop-up market place and inside/ outside garden; the children room - a playground for kids; the river - a public zone which is separated into two areas with thin pool; the pool - we surround the existing building with water, creating a unique public place and public zone for lectures, debates and workshops; the hill - a first wow-place which will be seen with visitors - with an exhibition hall underground; the theater - an open cinema with green abandoned railroad. Making distinctive programs for every 'room' we use similar design approaches for every of them. The brick pavement with grass and moss inbetween and lighting in the pavement will unify the peculiar spatial structure of the place.
the cortyard
the hothouse
the children room
the river
produced by Anna Kozlova
the pool
produced by Anna Kozlova
the hill
produced by Anna Kozlova
the theater
buildings
external space
7 stories
the diagrams were produced by Ruben Arakelyan
THE HOTHOUSE The culture of growing food should't be forgotten within a city community. Creating a small hothouse and garden - we ask the question about the possibility to grow food within harsh conditions of megacity. Pretending to be out of this reality - our anti-city Kristall has a chance to make it real.
THE THEATER Working only with ground we create a green public zone within the territory. We use the abandoned railroad as a stage with movable scene - platform and the space in front of it as a sitting area. Existing hangars around can be used as places for summer workshops or like scaffoldings for greenery.
HAND DRAWING
thanks for your attention!