Mid-Century, Modern & Contemporary Auction - December 19, 2024 by Neal Auction

Mid-Century, Modern and Contemporary Art & Design Auction DECEMBER 19, 2024

Mid-Century, Modern and Contemporary Art & Design

LIVE AUCTION ~ DECEMBER 19, 2024 Featuring over 300 lots of mid-century and modern furniture, contemporary paintings, prints, photography, silver, glass, sculpture, and designer objects from estates and private collections.

EXHIBITION

Beginning Monday, December 16 Exhibition will be available December 16 through December 19, 2023, 10 a.m. to 5 p.m. at our 4038 Magazine Street Gallery

Live Bidding starts December 19 at 1 p.m. on these platforms:

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Neal Auction Company Auctioneers of Antiques & Fine Art

4038 Magazine Street, New Orleans, LA. 70115

| 504.899.5329

LA Auc. Lic., Neal Auction Co. #AB-107 | Leckert #1514

GUITARS, AMPS & INSTRUMENTS FROM THE COLLECTION OF

JUSTIN WHITE

Neal Auction Company is pleased to offer vintage guitars, amps, and instruments from the collection of Justin White, New Orleans, LA. A collection started over 50 years ago, includes acoustic guitars from Martin, Guild; electric guitars from Epiphone, Gretsch, Fender, Gibson and many others. This offering includes resonators, banjos; rare tube amps from Fender, Gibson, and MacIntosh; complete Premier drum kit, Fender Rhodes piano and much more.

AUCTION DAY

Thursday, December 19, 1 p.m. LOTS 1-327

Featuring vintage guitars, amps, and instruments from the collection of Justin White, New Orleans, LA.

1. 1936 Martin 0-17 Acoustic Guitar, serial # 62093, mahogany top, back and sides, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., replaced tuners, later case. [$2000 - 3000]

2. 1943 Martin 0-18 Acoustic Guitar, serial # 85113, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original tuners, later case. [$2500 - 3500]

3. 1944 Martin 0-18 Acoustic Guitar, serial # 89423, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 5/8 in., scalloped bracing, original hard-shell case. [$2500 - 3500]

4. 1948 Martin 000-18 Acoustic Guitar, serial # 106309, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original tuners, later case. [$2500 - 3500]

5. 1949 Martin 00-17 Acoustic Guitar, serial # 108418, mahogany top, sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., later black tolex hard shell case. [$2500 - 3500] The 00-17 Model was designed to offer a reliable, great sounding instrument at a low price. The body is all mahogany, foregoing ornament except for the sound-hole ring. The unbound, dot-inlaid rosewood fingerboard has an ebony nut. This is a fine example of a 14-fret 00-17, in good condition for its age, and still remains a great player. 7

6. 1951 Martin D-18 Acoustic Guitar, serial # 120783, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., Kluson Deluxe tuners-possibly original, later case. [$3000 - 5000]

Martin D-18 models became synonymous with quality workmanship, understated aesthetics, timeless tone, and for being proven road-worthy instruments used by country and folk stars. Elvis is known to have regularly played a D-18 model in the early 1950’s. The D-18 model changed little in the 1947 through 1951 years, which adds to the “classic” status of this model guitar., known for warm, familiar tones and a certain comfortable familiarity.

7. 1957 Martin 00-18 Acoustic Guitar, serial # 155938, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original tuners, original hard-shell case, comes with original care manual. [$2000 - 3000]

8. 1959 Martin 00-18G Acoustic Guitar, serial # 168140, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 2 in., original tuners, interestingly the Martin logo is on the back of the head stock, later case. [$600 - 900]

9. 1965 Martin D-28 Acoustic Guitar, serial # 200690, Sitka spruce top, *Brazilian rosewood sides and back, two-piece back, mahogany neck, ebony fretboard and bridge, bone nut 1 13/16 in., original Grover tuners, later black tolex hard shell case. [$5000 - 7000]

10. 1967 Martin D-35 Acoustic Guitar, serial # 229271, spruce top, *Brazilian rosewood sides and back, mahogany neck, ebony fretboard and bridge, nut 1 13/16 in., original Grover tuners, possible original case, comes with Fishman-type Piezo pick-up. [$5000 - 7000]

*Bidders are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to Brazilian rosewood. Bidders should familiarize themselves with customs regulations prior to bidding if they intend to import this lot into another country. Inability to export or import is not a reason for sale recission or refund. All sales are final.

11. 1989 Martin D-18 Acoustic Guitar, serial # 493006, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original hard-shell case. [$1800 - 2500]

12. 2000 Martin 0M-21 Acoustic Guitar, serial # 726756, spruce top, rosewood sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original tuners, original Martin Fishman pickup, original hard-shell flight case. [$1500 - 2500]

14. Martin Baritone Ukelele, mahogany top, sides, back, and neck, rosewood fretboard and bridge, nut 1 3/8 in., possibly original case. [$400 - 600]

16. Martin New Old Stock Guitar Picks, faux tortoise, 360 picks total, 5 unopened plastic bags, in plastic case, with paper sleeve, includes two packages of L 46mm, two packages of M 73mm, and one package of H 96mm. [$200 - 300] 10

13. 2005 Martin 0M-35 Acoustic Guitar, serial # 1090274, spruce top, rosewood sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 13/16 in., original tuners, original hard-shell case. [$1500 - 2500]

15. Sigma/Martin Acoustic Electric Bass, model STB-MEC, serial # 92506131, spruce top, laminated satinwood sides and back, maple beck, rosewood fretboard and bridge, nut 1 5/8 in., later soft case. [$300 - 500]

17. 1972 Guild D-50 Acoustic Guitar, serial # 69351, spruce top, rosewood sides and back, mahogany neck, ebony fretboard and bridge, nut 1 11/16 in., original Grover tuners, possible original hard-shell case. [$1000 - 1500]

18. 1974 Guild F-50 BLD Acoustic Guitar, serial # 106592, spruce top, laminated maple sides and back (arched back), cherry neck, ebony fretboard and bridge, mother-of-pearl and abalone fret markers, nut 1 11/16 in., original Grover tuners, later case [$1000 - 1500]

19. 1977 Guild F-212 XLT 12-String Acoustic Guitar, serial # 158022, spruce top, mahogany sides and back, mahogany neck, ebony fretboard and bridge, nut 1 7/8 in., original tuners, original hard-shell case. [$1000 - 1500]

20. 1987 Guild GF-50-R Acoustic Guitar, serial # GF50003, spruce top, rosewood sides and back, mahogany neck, ebony fretboard and bridge, nut 1 9/16 in., original Grover tuners, original hard-shell case. [$1200 - 1500] 11

21. 1973 Jose Ramirez 1A Brazilian Rosewood Acoustic Guitar, serial # 7231, cedar top, Brazilian rosewood sides and back, mahogany neck, ebony fretboard, nut 2 1/8 in., original case [$3000 - 5000] *Bidders are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to Brazilian rosewood. Bidders should familiarize themselves with customs regulations prior to bidding if they intend to import this lot into another country. Inability to export or import is not a reason for sale recission or refund. All sales are final.

23. 1974 Giannini Acoustic Guitar, serial # 24-ABR-1974, spruce top, *Brazilian rosewood sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 3/4 in., original case. [$300 - 500]

22. 1974 Evelio Dominguez Acoustic Guitar, manuscript label states model “B Super 566”, with date of October 1974, cedar top, rosewood sides and back, Spanish cedar neck, mahogany heel (as designed), nut 2 1/16 in., original tuners, probably original case, with original invoice from Madrid. [$1000 - 1500]

24. 1979 Giannini Acoustic Guitar, model AWKS71-6, serial # 11-1979, spruce top, *Brazilian rosewood sides and back, mahogany neck, rosewood fretboard and bridge, brass nut 1 3/4 in., original tuners, carved headstock, original case. [$400 - 600]

25. Giannini GS-240 Acoustic Guitar, serial # A/1523, spruce top, mahogany sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 5/8 in., original tuners, with case. [ $200 - 400]

27. 1937 National Steel Body Resonator, serial # A49449, neck wood unknown (painted), rosewood fretboard, nut 1 3/4 in., original tuners, later case. [$1500 - 2500]

26. Giannini AWS-740 Acoustic Guitar, serial # 11/73, spruce top, Brazilian rosewood sides and back, mahogany neck, rosewood fretboard and bridge, nut 1 3/4 in., case. [$200 - 400] *Bidders are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to Brazilian rosewood. Bidders should familiarize themselves with customs regulations prior to bidding if they intend to import this lot into another country. Inability to export or import is not a reason for sale recission or refund. All sales are final.

28. Del Vecchio Wood Body Resonator Guitar, Brazilian rosewood top, sides, and back, mahogany neck, rosewood fretboard, nut 2 in., original tuners, Epiphone case [$500 - 700] *Bidders are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to Brazilian rosewood. Bidders should familiarize themselves with customs regulations prior to bidding if they intend to import this lot into another country. Inability to export or import is not a reason for sale recission or refund. All sales are final. 13

29. Dobro Wood Body Resonator Guitar, 1970s, serial # D 619 9, cherry neck, rosewood fretboard, nut 1 11/16 in., original tuners, with case. [$400 - 800]

30. Dobro 12-String Steel Resonator, c. 1980-90, serial # 8-297-9, nickel-plated, maple neck, rosewood fretboard, nut 1 7/8 in., foliate engraving, associated case. [$1200 - 1500]

31. Dobro Wood Body 12-String Resonator Electric Guitar, serial #511176, mahogany top, sides, and back, maple neck, rosewood fretboard, nut 1 15/16, original tuners, hard-shell case. [$600 - 900]

32. Republic Single Cone Resonator Guitar, neck painted black, rosewood neck, mother-of-pearl markers, nut 1 7/8 in., engraved back, original soft-shell case. [$300 - 500]

33. Republic Tri-Cone Resonator Guitar, neck painted black, ebony fretboard, motherof-pearl markers, nut 1 7/8 in., foliate engraving, soft-shell flight case. [$500 - 700]

34. Republic Steel Body Resonator Mandolin, neck painted black, rosewood fretboard, nut 1 3/8 in. [$300 - 500]

When you think about resonator guitars, National and Dobro come to mind, but it’s nice to know there is now a modern alternative to these brands; enter Republic Guitars. Republic Guitars out of Austin Texas offers single-cone and tri-cone model resonator guitars; building quality instruments with a great sound. Artists like Johnny Winters, Bonnie Rait, Billy Gibbons (ZZ Top) and Joe Walsh (The Eagles) have all embraced the Republic brand.

35. Republic Steel Body Resonator Ukelele, mahogany neck, rosewood fretboard, nut 1 3/8 in., foliate engraving, original soft-shell flight case. [$200 - 300]

36. GTR 5-String Banjo, 1970s, mahogany sides and back, mahogany neck, mother-of-pearl inlay, rosewood fretboard, nut 1 3/16 in., original hard-shell case, GTR stands for the first letter of Nashville player/makers/partners George Gruhn, Tut Taylor, and Randy Wood. [$600 - 900]

37. 1996 Deering Guitar Banjo, model B-6, serial # 02229596-4724, mahogany sides, back, and neck, ebony fretboard, ebony and maple bridge, nut 1 3/4 in., soft flight case. [$800 - 1200]

39. Ovation Eclipse Carbon-Fiber Acoustic Electric Guitar, model 1235-5, serial # B 922, ebony fretboard, nut 1 9/16 in., original tuners, case. [$500 - 900]

38. 1990 Deering 12-String Guitar Banjo, model Deluxe-12, serial # 12137590-1364, maple sides, back, and neck, ebony fretboard, ebony and maple bridge, nut 1 7/8 in., original case. [$1200 - 1500]

40. Ovation Celebrity CSD-225 Double-Neck 6-12 String Acoustic Electric Guitar, maple top, composite back, mahogany neck, rosewood fretboard and bridge, mother-of-pearl markers, nut 1 5/8 in. (6 string), nut 1 7/8 in. (12 string), original hard-shell case. [$500 - 800]

41. 1951 Epiphone Zephyr Emperor Vari-tone Archtop Electric Guitar, serial # 63168, laminated spruce top, laminated maple sides and back, 7-piece laminated maple, mahogany, and walnut neck, rosewood fretboard and bridge, mother-of-pearl and abalone inlay, original tuners, nut 1 3/4 in., original pick-ups, knobs, Frequensator, and buttons, original case. [$3500 - 5500]

Epiphone began producing their Masterbilt series in 1931, when the demand for larger body guitars were highly sought after for their volume output, especially in live music and stage scenarios. Competition was fierce between Epiphone and Gibson, but in 1935, Epiphone released the Emperor archtop, which secured Epiphone’s position as one of the world’s most popular and innovative guitar manufacturers. Electric Guitars and Amplifiers started appearing in the 1930’s, but didn’t really gain widespread use until after WWII. In 1949, Leo Fender released a new 50-watt amp with much bigger speakers, as a result, electric guitar and amplifier use began to rise heavily in popularity through the early 1950’s. The 1953 Zephyr Emperor Regent (also known as the Zephyr Emperor Vari-Tone) is an example of the type of innovations Epiphone made within the electric guitar market. The Zephyr Emperor Regent had three magnetic wound electric pickups with an industry first 6-button switching system that changed guitar tone and intensity of the three pick-up system. The Emperor soon became Epiphone’s top model electric guitar. There was much innovation and competition in the guitar market in the early to late 1950’s. The introduction of the iconic Fender Telecaster (1951), Gibson Les Paul (1952), and the Gretsch 6128 Duo Jet (1953) strained Epiphone financially as a company; as a result Epiphone merged with Gibson in 1957. Rather than absorbing Epiphone into its own brand, Gibson kept Epiphone’s identity separate and continued to produce guitars under the Epiphone moniker. Gibson then positioned Epiphone as a “new” guitar brand and began offering Epiphone guitars to dealers who wanted to sell Gibson instruments but hadn’t proven they could be profitable. This led to Epiphone being perceived as a “budget brand” for Gibson. Epiphone eventually began producing affordable versions of Gibson’s iconic guitars, providing musicians with access to high-quality instruments at a lower price point.

42. Epiphone Zephyr Emperor Regent Archtop Electric Guitar, 1952/1953, serial # 66095, laminated maple top and back, maple sides, 7-piece laminated maple, mahogany, and walnut neck, rosewood fretboard and bridge, mother-of-pearl and abalone inlay, original tuners, nut 1 3/4 in., original pick-ups, knobs, Frequensator, and buttons, original case. [$3000 - 5000] 17

43. 1957 Gretsch Chet Atkins Country Gentleman Archtop Electric Guitar, laminated maple top, sides, and back, simulated “F” holes, maple neck, ebony fretboard, ebony and aluminum bridge, nut 1 11/16 in., original Grover tuners, original back pad, original Filtertron and Supertron pick-ups, original string mutes, Gretsch Bigsby tailpiece, original knobs, original hard-shell case. [$3000 - 5000] A historic Chet Atkins hollowbody Grestch loaded with its original Classic humbucker pickups and that iconic Bigsby vibrato tailpiece. Comes with the original hard case. The Beatles’ George Harrison played one, and many rockabilly tunes featured this guitar, with it’s recognizable bright, jangly biting tone. Gretsch recently reissued this guitar, but now you can own an original.

44. 1954 Guild X350 Archtop Electric Guitar, serial # 2163, spruce top, laminated maple sides and back, maple and walnut neck, rosewood fretboard and bridge, faux mother-of-pearl markers, nut 1 11/16 in., original Kluson Deluxe tuners, original pick-ups, knobs, and buttons (lacking two tops), possibly original pick guard, original hard-shell case. [$2500 - 3500] 18

45. Gibson ES-150 Archtop Electric Guitar, c. 1949, interior ink stamp “355-24”, laminated maple top, sides, and back, mahogany neck, rosewood fretboard and bridge, nut 1 3/4 in., original tuners, later case. [$1200 - 1800]

46. Gibson ES-175 Custom Archtop Electric Guitar, 1970-1972, serial # 752451, laminated maple top, sides, and back, maple neck, rosewood fretboard, faux mother-of-pearl markers, nut 1 3/4 in., original tuners, original hard-shell case. [$2000 - 3000]

Pick out some New Orleans style Funk like Leo Nocentelli on the Meters’ classic song “Cissy Strut”; Ya’ Heard? Google it.

47. Gibson ES-335 TDC Archtop Electric Guitar, 1970-1972, serial # 630740, Cherry Semi-Hollow Body, laminated top, sides, and back, mahogany neck, rosewood fretboard, nut 1 9/16 in., original tuners, Bigsby Vibrato tailpiece, original hard-shell case. [$1800 - 2500]

48. Gibson Firebird Model III Electric Guitar, c. 1967, custom Polaris White paint. rosewood fretboard, nut 1 9/16 in., original tuners, later hard-shell case. [$1800 - 2500]

The “Gibson Custom Colors” acrylic paint type of this Firebird is called “Polaris White”, (Lacquer Source: DuPont 2697L), was available as an option on 1963-69 Gibson models. It was also incidentally a color used on a 1959 Oldsmobile automobiles. This color was actually first available in 1958 in the Chevy line as “Snowcrest White”. The Fender equivalent color was called “Olympic White.”

49. Gibson ES-345 TD Stereo Archtop Electric Guitar, 1970-1972, serial # 682834, laminated top, sides, and back, mahogany neck, rosewood fretboard, faux mother-of-pearl markers, nut 1 9/16 in., replaced tuners, later case. [$2500 - 3500] 20

Photos Gerard Lewis

50. Gibson Les Paul Recording Electric Guitar, 1970-1975, serial # 173266, mahogany body, mahogany neck, rosewood fretboard, mother-of-pearl markers, nut 1 11/16 in., original tuners, original hard-shell case. [$2000 - 3000]

Les Paul designed this “Low-Impedance” series of guitars that were engineered for plugging directly into the recording deck. A built-in impedance transformer allows it to be played through a conventional amp or directly into the board for studio recording. The impedance pick-ups are controlled by a hi/low switch and the mysterious bizzaroworld “Decade” knob. There are Volume, Treble and Bass pots, a 3 position Tone toggle switch and a Phase Switch.

51. Gibson Les Paul Custom Electric Guitar, 1970-1975, serial # 139558, maple top, mahogany sides and back, mahogany neck, ebony fretboard, mother-of pearl markers, brass nut 1 3/4 in., original tuners, original hard-shell case. [$1800 - 2500]

The Gibson Les Paul is a solid body electric guitar that was first sold by the Gibson Guitar Corporation in 1952.The guitar was designed by factory manager John Huis and his team with input from and endorsement by guitarist Les Paul. Its typical design features a solid mahogany body with a carved maple top and a single cutaway, a mahogany set-in neck with a rosewood fretboard, two pickups with independent volume and tone controls, and a stoptail bridge. The original single-cutaway, carved top bodystyle was re-introduced in 1968. The Les Paul has been produced in many versions and editions since. Along with Fender’s Telecaster and Stratocaster, it was one of the first mass-produced electric solid-body guitars. Due to their versatility, Les Paul electric guitars have been used in a wide range of music genres, including rock, country, pop, soul, rhythm and blues, blues, jazz, reggae, punk, and heavy metal. Notable players include Eric Clapton as a member of John Mayall & the Bluesbreakers as well as in the early days of Cream. Billy Gibbons of ZZ Top has a signature model. Two signature Les Paul guitars have been created for Joe Perry of Aerosmith 22

52. 1979 Gibson ES-335 TD CRS Archtop Electric Guitar, serial # 71349081, laminated maple top, sides, and back, mahogany neck, rosewood fretboard, brass nut 1 9/16 in., original Grover tuners, original hard-shell case. [$2000 - 3000]

53. 1979 Gibson ES-335 TD CRR Archtop Electric Guitar, serial # 71209085, laminated top, sides, and back, maple neck, rosewood fretboard, brass nut 1 9/16 in., original Grover tuners, original hard-shell case. [$2000 - 3000]

54. 1979 Gibson ES-347 Archtop Electric Guitar, serial # 72569130, laminated maple top, sides, and back, maple neck, ebony fretboard, mother-of-pearl markers, nut 1 11/16 in., original tuners, original hardshell case. [$1800 - 2500]

Photo Gerard Lewis 24

55. 1973 Fender Stratocaster Electric Guitar, serial # 418503, alder body, maple neck, nut 1 9/16 in., original tuners, later Fender flight case. [$1500 - 2500]

56. 1975 Fender Stratocaster Electric Guitar, ash body, maple neck, nut 1 5/8 in., original tuners, original hard-shell case. [$1500 - 2500]

Every few years humanity summons up design greatness and brings forth amazing products that become quintessential benchmarks and lasting icons of the times. Brands & products like the Chevrolet Corvette Stingray, Apple Macintosh Computers, Ray-Ban Wayfarer sunglasses, Levis Denim Jeans, the Sony Walkman, the iconic Jeep Wrangler grill, and of course, Coca-Cola. The guitar world equivalent is the Fender Stratocaster. The “Strat” was designed in the early 1950’s by the team at Fender Musical Instruments Corporation; Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares, who together created something magical. The Stratocaster double-cutaway guitar, with an extended top horn shape is sort of the skeletal essence of a traditional acoustic guitar, or the humanized, melted down Dali-esque abstract guitar essence in the least, with rounded forms and a fit and feel that just plain works. Add up the sum of the the infinitely blend-able three single-coil pick-ups (among other configurations and wiring variants), the simple but effective vibrato arm, and versatile bolt on neck, and the result is a unique guitar that has remained a best-seller to this day.

57. 1976 Fender Stratocaster Electric Guitar, serial # 716579, maple neck, nut 1 5/8 in., original tuners, original hard-shell case. [$1500 - 2500]

75 years after it’s creation, the Strat is still going strong, with many imitators and wanna-be’s trying to do it just as well; Fender should be flattered. Artists associated with the Stratocaster include Dick Dale, Eric Clapton, David Gilmour, Mark Knopfler, Jimi Hendrix (strung backwards and upside down for left-handed play), Buddy Holly, Stevie Ray Vaughan, Jeff Beck, George Harrison, and The Edge (U2). 25

What more can be said about the iconic Tele? The simple single-cut flat asymmetric solid-body silhouette, the “bolt-on neck”, the distinctive small headstock with inline tuners, and the bullet-proof fixed bridge; they all add up to create what we know and love about the Telecaster. Subtle changes have been made through the years, but the essential character of the original design has remained. Originally introduced as the “Broadcaster” in 1950, sister model to the “Esquire” model. Trademark conflicts with rival manufacturer Gretsch led to the guitar being renamed in 1951. From then on the purely American Telecaster has reigned king of both country twang and blues riffs. Soon this Icon will celebrate 75 years in the market. 58. Fender Telecaster Electric Guitar, c. 1970, alder body, maple neck, rosewood fretboard, nut 1 5/8 in., possible original tuners, original hard-shell case. [$800 - 1200]

Strings-through-body bridge, dual single-coil pickups (or toss in a humbucker for extra growl), all allow players to create a broad range of tones applicable in any genre. Luther Perkins plays a Telecaster on the recording of Johnny Cash’s hit “I Walk the Line.” The term “Chicken Pickin’” aptly applies to the Tele. Elvis guitarist James Burton played a Telecaster on the Merle Haggard classic “Workin’ Man Blues.” Notable Tele-evangelists (sic) include; Waylon Jennings, Jeff Beck, Robben Ford, Robbie Robertson, Bob Dylan Bruce Springsteen, Keith Richards, Jonny Greenwood and George Harrison... just to name a few.

59. 1974 Fender Telecaster Electric Guitar, serial # 550611, ash body, maple neck, rosewood fretboard, nut 1 5/8 in., original tuners, original hard-shell case. [$1500 - 2500]

60. 1975 Fender Telecaster Custom Electric Guitar, serial # 668161, ash body, maple neck, rosewood fretboard, nut 1 5/8 in., original tuners, original hard-shell case. [$1500 - 2500]

61. 1971 Fender Jazz Electric Bass, serial # 304302, alder body, maple neck, rosewood fretboard, mother-of-pearl markers, nut 1 7/16 in., original tuners, original cover plate, Fender flight case. [$2000 - 3000] This battle scarred and obviously well-played Jazz Fender Bass has some road-worn patina, but that only makes it all the more cool for being a 50+ year old original survivor. Sunburst finish over an Alder body, white bound & block inlaid 4-bolt rosewood neck, original tortoise-shell pickguard. All original from tuners to bridge, and ready to gig for fifty more years with perhaps a good cleaning and fresh set of strings.

62. 1978 Fender Precision Electric Bass, serial # S896646, alder body, maple neck, nut 1 5/8 in., original tuners, newer flight case. [$1200 - 1,800]

The legendary “P-Bass”; solid body, 3-color sunburst, split-coil humbucking pickup and a one-piece, 20-fret maple neck with fingerboard. These bass guitars garnered widespread use, with a body design comparable to the stratocaster guitar line. Players of this model include John Cale of the Velvet Underground, Steve Harris of Iron Maiden, Duff McKagan of Guns N’ Roses, Sting of the Police, Roger Waters of Pink Floyd, and the list goes on and on...

63. Fender D’Aquisto Standard Archtop Electric Guitar, c. 1985, serial # 10802393, sunburst laminated maple top, sides, and back, laminated 3-piece maple neck, rosewood fretboard, bridge, tailpiece, pickguard, and knobs; nut 1 3/4 in., original hard-shell case. [$800 - 1200] Fender collaborated with luthier Jimmy D’Aquisto to design and produce a series of outstanding archtop “jazz box” guitars made in Japan for a limited run in the mid to late 1980’s. These guitars feature skilled craftsmanship and expert quality control. Unique features include knobs, pick guard and tailpiece that are all entirely made of rosewood. It’s because of this quality that Fender D’Aquisto Standard Archtops have become highly sought after. James D’Aquisto (Brooklyn, 1935 – California, 1995) was a passionate, expert luthier who concentrated his expertise on archtop guitars. At the age of sixteen in 1952, D’Aquisto began an apprenticeship with John D’Angelico. Jimmy D’Aquisto worked for D’Angelico for more than a decade, often cleaning the floors and running about town to fetch parts, then later honing his guitar making craft. D’Angelico suffered poor health and died at the age of 59 in 1964. D’Aquisto eventually purchased the business, but lost the right to use the D’Angelico name, so instead began using his own namesake. D’Aquisto developed a distinctive style, and sold a select number of personally handmade guitars through the years, which sell quickly in the auction market. The first guitar to sell for over $1,000,000 was a D’Aquisto guitar. Notable D’Aquisto players include George Benson, Paul Simon and Steve Miller.

illustration David Roberts

D’Aquisto died in 1995 at the age of 59, the same age as his mentor, John D’Angelico. In 2006, D’Aquisto was inducted into the Long Island Music Hall of Fame. His tools and work bench, passed down to him from D’Angelico, were given to the National Music Museum. In 2011, D’Aquisto guitars were included in exhibition at the Metropolitan Museum of Art in New York City.

64. Matched Pair Courtney Love Signature Fender Squier Venus 6 and 12 String Electric Guitars, c. 1997, serial # V031740 (6 string), # V039359 (12 string), in Surf Green finish, both with maple necks, rosewood fretboards, nuts 1 3/4 in., one soft and one hard case. [$1000 - 1500]

65. Hagstrom “Jimmy” D’Aguisto Archtop Electric Guitar, 1976, Sweden, serial # 53-965128, laminated birch sunburst top, sides, and back; 2-piece laminated maple neck, ebony fretboard and bridge, faux mother-of-pearl markers, nut 1 3/4 in., original hard-shell case. [$1000 - 1500] The Hagström Jimmy was built in partnership with American guitar luthier Jimmy D’Aquisto (1935–1995).

66. 2003 Rickenbacker 360 Electric Guitar, serial # 66, maple body, laminated 5-piece walnut and maple neck, rosewood fretboard, faux motherof-pearl markers, stereo output , nut 1 11/16 in., original hard-shell case. [$600 - 900]

67. 1995 Rickenbacker M360 12 String Electric Guitar, serial # J8-5876, maple body, laminated 5-piece walnut and maple neck, rosewood fretboard, faux mother-of-pearl markers, stereo output, nut 1 11/16 in., original hard-shell case. [$700 - 1000] “This guitar broke all the rules of traditional styling when it appeared amid the ‘British’ sound of the 1960’s. Subtly updated through the years, this Deluxe hollow body with its special contour around the entire body perimeter, is still perhaps the most comfortable guitar of all. The bound body and Rosewood fingerboard, inlayed with triangular pearloid markers, provide an exceptionally attractive appearance. Stereo output is standard.” This guitar is synonymous with the so-called ‘British’ sound of the 1960’s, primarily the Beatles duo of John Lennon and George Harrison. A vintage Rickenbacker 360 adds the jangle to “A Hard Day’s Night". Other notable Rickenbacker guitarists include Roger McGuinn of the Byrds. Mcquinn was obsessed with the Beatles, thus the Rickenbacker 6-string and 12 String Electric Guitars became a part of the Byrds' early sound. Later on, bands such as Tom Petty and the Heartbreakers and R.E.M.'s Peter Buck played Rickenbackers. Groups like Oasis, Pearl Jam, Radiohead, U2, and other contemporary acts include Rickenbacker guitars in their musical arsenals. Quote via: www.rickenbacker.com/guitars/model-360/ 29

68. Electra X510 “Howard Roberts” Archtop Electric Guitar, c. 1977, serial #J776488, laminated maple top, sides, and back, maple neck, rosewood fretboard and bridge, nut 1 11/16 in., replaced tuners, later case. [$600 - 900] Howard Roberts was a session musician in Los Angeles in the 1950’s, and is known a respected member of the “Wrecking Crew”; a collective of American musicians based in LA that cranked out numerous top 40 hits. This guitar is essentially a copy of a Gibson Howard Roberts model, made during the “lawsuit era” when Japanese guitar makers were blatantly copying American made products. It’s notable for it’s adherence to quality, despite be a “knock-off”.

69. Epiphone Joe Bonamassa Signature “58 “Amos” Korina “Flying V” Electric Guitar, c. 2017, serial # 18122300561, korina wood, blackwood fretboard, all original, nut 1 11/16 in., with original case, poster, papers, and certificate. [$1000 - 1500]

Howard Roberts’ playing can be heard on the theme songs from The Munsters, Bonanza, The Brady Bunch, Get Smart, Batman, Beverly Hillbillies, Andy Griffith, Peter Gunn and many more. He recorded with notables such as; Peggy Lee, Dean Martin, the Monkees, Roy Clark, Chet Atkins, Elvis Presley, and The Beach Boys.

70. Joe Bonamassa Collection Bond Electraglide Carbon Fiber Electric Guitar, 1985, serial # 000868, carbon fiber body, stepped fingerboard (no frets), nut 1 9/16 in., with external power pack (but no cords), with original hard-shell case, previously from the collection of guitarist Joe Bonamassa. [$1000 - 1500]

71. Roland GR-505 Synth Guitar, c. 1984, maple neck, rosewood fretboard, mother-of-pearl markers, nut 1 5/8 in., original tuners, original hardshell case, comes with GR-700 synth pedalboard, serial No. 463113. [$700 - 900]

As if the Flying V weren’t already cool enough; have a certified blues master like Joe Bonamassa create and reissue his signature version based on a 1958 model. This is retro cool with modern twist. This one appears to be brand new and still has all the stickers and case goodies.

72. Roland G-77 Synth Bass Guitar, c. 1977, serial # 610665, rosewood fretboard, nut 1 5/8 in., comes with two GR-77B pedal boards, hard-shell case. [$500 - 800]

73. Chapman “The Stick” Electric Touchboard, rosewood body, 10 strings, hardshell case. [$500 - 800]

74. Jerry Jones Electric Master Sitar Guitar, red crackle painted body, poplar frame with masonite hardboard top and back, full-scale bolt-on maple neck with medium C shape, Indian rosewood fretboard with dot inlay mother-ofpearl markers, Gotoh tuners, pair of lipstick pickups with independent volume and tone knobs, 13-string “sympathetic strings” electric harp with volume and tone, 1 11/16” nut width, 14.5” fretboard radius, 25” Scale Length, original hardshell case. [$400 - 600] Jerry Jones instruments are known to be quality reissues of classic Danelectro and other maker guitars with subtle upgrades. Jerry Jones closed up shop in 2010, selling the entire contents of his Nashville factory, including equipment, unused custom fabricated parts, and prototype instruments. Anything not connected to the building was auctioned off to the highest bidder. This Sitar Guitar is unique with the “sympathetic strings” electric harp; channel your inner “Sgt. Pepper’s Lonely Hearts Club Band” musical trippyness.

75. Aria Double Neck 6-12 String Electric Guitar, mahogany body, bolt-on mahogany neck, rosewood fretboard, nut 1 5/8 in. (6 string), nut 1 11/16 in. (12 string), case. [$500 - 900] Anyone who grew up in the 70’s and 80’s decades may remember watching The Song Remains the Same on a pirated VHS tape, snuggled up in your friend’s parents’ basement; with the shag carpet and crochet owls on the wall, sipping some fresh made Kool-Aid. Led Zeppelin’s Jimi Page was on that huge tube TV playing the double-neck guitar; strumming a harmonious 12-string one moment, then wailing on a 6-string solo in the next.... this is NOT that guitar. No indeed, this is a faithful Japanese-made and affordable rendition of THAT guitar. Come with perhaps THE coolest ever blue crushed velvet case.

76. Musiconics GuitOrgan B300 Guitar Organ, c. 1980, serial # 001821, rosewood fretboard, nut 1 3/4 in., original tuners, now with Bigsby tailpiece, original hard-shell case. [$400 - 800] Rare and eccentric B300 GuitOrgan instrument, invented by Bob Murrell and the Musiconics International company. The Guitorgan is a semi-hollowbody electric guitar that incorporates Hammond organ-type sounds. This guitar comes with everything you need, including the multi-pin cable to plug the organ circuit into the monster-sized volume pedal and the original hardshell case.

Now known as ‘lawsuit’ models, these guitars have become legendary for their rarity, and faithfulness to the originals. If imitation is the sincerest form of flattery, consider this guitar is a love letter to the Gibson Guitar Company. Ibanez sought to make-replicas of Gibson’s top-end instruments in the early 1970’s. They were so successful that Gibson sued to stop production, which was eventually halted under court order. 32

77. Ibanez 2355 Archtop “Lawsuit” Electric Guitar, 1970s, no serial # found, laminated top, sides, and back, maple neck, ebony fretboard and bridge, nut 1/3/4 in., original tuners, original hard-shell case. [$800 - 1200]

78. Ibanez Rocket Roll II “Flying V” Electric Guitar, serial # C-820048, painted body, rosewood fretboard, nut 1 11/16 in., original tuners, case. [$400 - 600]

79. Grand “Flying V’ Acrylic Electric Guitar, maple neck, rosewood fretboard, mother-ofpearl markers, nut 1 5/8 in., original hard-shell case. [$300 - 500]

80. Melobar Standing Steel Electric Guitar, alder body and neck, nine string now configured as six, original nut 2 5/16 in., raised nut 1 13/16 in., Moserite pick-ups, case. [$400 - 800]

81. 1967 Baldwin by Burns Jazz Electric Guitar, serial # 16057, sycamore body, maple neck, Forest Green Burst Fade - “Split Sound, Treble, Jazz and Wild Dog” selector settings, scale-length 23.1/8 in, scroll headstock with 3L/3R tuners, bound rosewood fretboard with 22 frets, 3 original Burns Split-Sound pickups, chrome hardware, original tone and volume knobs, black pickguard. Missing vibrato handle. No case. [$400 - 600] Also called a “Baby Bison”. Many lust for this guitar simply for the mega-cool “Wild Dog” setting. The later versions of this guitar have the much improved scroll headstock as opposed to the massive hocky-stick style of earlier models. The body style is like a cross between a Gibson SG and a Fender Strat, or a more tamed down Burns Bison.

82. Baldwin 706 Electric Guitar, 1967, serial No. 0819, triple-dot octave marker, flattened scroll headstock, “non-tremolo” model features ‘B’ medallion tailpiece. No case. [$400 - 600] Baldwin guitars were initially built in England by Burns; later models were shipped in pieces and assembled in Booneville, AR. Distributed by the Baldwin Piano Company of Cinncinnati, OH.

83. Guild Ashbory Electric Bass Guitar, serial # AJ 383, rubber strings, simulates a stand-up bass sound. [$200 - 400] 34

Photo Gerard Lewis

84. 1951 Fender Tweed Deluxe Amp, early 1951 manufacture, serial # 3901, P-12R speaker. h. 16 in, w. 18in , d. 9 in. [$2000 - 3000] Made in Fullerton, California Nicknamed “TV-front” due to its rounded rectangular speaker cutout.

85. 1967 Fender Princeton Black Face Reverb-Amp, serial # A-15920. h. 16, w. 20 in, d. 8 1/2 . [$800 - 1200]

86. Fender Vibro-Champ Amp, serial # A-820834. h. 14, w. 17, d. 7 1/2. [$300 - 600]

87. Fender Super Reverb Amp, 1970, serial # A-46453. h. 24 3/4, w. 25, d. 9 1/2. [$500 - 900]

88. Fender Champ Silverface Guitar Amp, 1976, 6-Watt 1x8” guitar combo. Includes original Fender speaker. Serial A63094. 14 x 17 x 8 in. [$300 - 500]

89. 1958 Gibson GA-9 Tweed Amp, serial # 16760. h. 16 1/2 in., w.20 in., d. 9 in. [$200 - 300]

90. Ampeg Model V-2 Guitar Amp Head, serial # 147769, h. 10, w. 11, d. 23 1/2 [$200 - 400]

91. Music Man Sixty-Five Guitar Amp Head, serial # AN01951, h. 8 1/2, w. 22 3/4, d. 10 in. [$200 - 400]

92. Sovtek Mig-50 Guitar Amp Head, h. 8 1/2 in., w. 20 in., d. 8 1/2 in. [$400 - 600]’ Sovtek is a guitar amplifier vacuum tube manufacturer loacated in Saratov, Russia. The company is now owned by New Sensor Corporation, a division of Mike Matthews’s Electro-Harmonix, known for their innovative guitar pedals. In the 1990s, Sovtek manufactured tube amplifiers, speakers and guitar pedals. Sovtek amplifier valves were marketed as “blast-proof” descendants of Russian-made wartime components. Sovtek released versions of the Electro-Harmonix Big Muff; a pedal that became popular in alternative rock circles in the 1990’s. Bands such as the Smashing Pumpkins, Dinosaur Jr., Mudhoney and Sonic Youth utilized the Sovtek version of the Big Muff fuzz pedal. 36

93. Mesa Boogie Mark II Amp, EQ sliders and 100/60-Watt switch. The Mesa Boogie Mark II was introduced in 1978. It was the first ever guitar amplifier to feature channel switching, or mode switching. h. 18, w. 19, d. 10 1/2. [$400 - 800]

94. EVH 5150 II Tube Combo Guitar Amp, serial # 010636, comes with foot pedal switch. h. 27, w. 27 1/2, d. 12 in. [$500 - 800]

95. Ampeg B-15T Portaflex Flip-Top Bass Guitar Amp, cabinet measures h. 25 in., (with removable casters), w. 22 in., d. 16 in. Speaker with the amp weighs 75 pounds. Removable rod contained within the cabinet threads in so it can be tilted back. [$400 - 600] The B-15T is a combo amplifier with a fliptop design that was produced only for a few years. This is the solid-state equivalent of the legendary Portaflex tube amp series. This portable small combo is perfect for a gigging bass player that frequently plays small clubs and bars. These amplifiers put out 100 watts @ 4ohms. The front panel has a pair of inputs (one is -15db), a ground lift, and effects loop. The controls include gain, a 4-band EQ with push-pull pots, as well as master volume and balanced line out level controls. On the back of the head is a mute switch, a 1/4-inch headphone jack, a single speaker output, an auxiliary effects loop and a balanced line output.

96. Ceriatone Custom-Made Tube Combo Guitar Amp, features two independent hand-wired channels. The left “Normal channel” emulates a vintage AC30 clone. The second channel, the “EF86 channel” borrows from a late 1950s AC15, with higher gain and wider frequency response. Weber speaker is 8 OMs, 75 Watts. Amp features a separate speaker output, impedance switch from 4,8,16 OHMS. Two separate stereo effect loop channels, normal and EF86. [$400 - 600]

97. McIntosh MC-225 Stereo Power Tube Amplifier, 7 x 9 1/8 x 14 1/2 in. [$1200 - 1500]

98. McIntosh MC-240 Stereo Power Tube Amplifier, 8 x 10 3/4 x 17 1/4 in. [$1,500 - 2500]

99. Macintosh 1700 Stereo Receiver, 1967-1973, 40 watts, h. 5.5, w. 16 in., d. 15 in. [$400 - 600]

100. Pair of Dynaco Mark VI Monoblock Tube Amplifiers, now nondestructively modified with 6L6 tubes and individual bias control. 9 1/4 x 19 x 12 in. [$800 - 1200]

101. Pioneer RT-707 Reel to Reel Tape Recorder, serial # XH 3606235. h. 9 in., w. 19 in., d. 14 in. [$500 - 700]

102. VPI TNT Junior Turntable, c. 1996, serial # 1165, two-layer bonded acrylic chassis, Sorbothane suspension, solid machined Delrin corner posts; with a JMW Memorial tonearm, h. 7 in., w. 25 in., d. 19 in., with VPI dust cover, h. 9 1/2 in., w. 26 in., d. 20 in.; also includes an FR-1 cartridge, a Sumiko Flux Buster, and a Zerostat. [$1200 - 1800]

103. Fender Rhodes Mark I EightyEight Electric Stage Piano, 1975-1979, serial # 43979, 88 keys, no legs or pedals. [$700 - 1000]

The Fender Rhodes electric piano works like a conventional acoustic piano, generating sound with keys that actuate hammers, but instead of striking strings, the hammers cause metal tines to vibrate, similar to a tuning fork. An electromagnetic pickup electrifies the “tone bar” signal which is sent through a standard instrument cable to an external amplifier/speaker. Effects such as reverb, delays vibratto and overdrive were commonly applied to the signal to give the Rhodes less traditional sound. Mass production of the Rhodes piano began in 1965 and ran into the 1970s. The Rhodes electric piano was used extensively through the 1970’s, particularly in jazz, pop, and soul music, but became less prolific in the 1980’s because of competition with digital synthesizers. Notable users of Rhodes instruments include Doors keyboardist Ray Manzarek...The song “Riders on the Storm” features a Rhodes. The soundtrack for “A Charlie Brown Christmas” was recorded on a Rhodes. Herbie Hancock played one upon joining Miles Davis as a sideman, as did Chick Corea. Billy Preston played a Rhodes on the Beatles’ hit single “Get Back”, and on the Beatles’ rooftop concert in 1969. Stevie Wonder’s “You Are the Sunshine of My Life” features the Rhodes. Donald Fagen of Steely Dan has regularly used the Rhodes in recording and touring performances.

104. Pair of CAD Equitek E-200 Factory Matched Microphones, Conneaut Audio Devices, multipattern condenser, with mounts, with hard-shell case. [$500 - 700]

105. Premier Resonator 7-Piece Drum Kit, complete set including 14 x 7 in. snare, 10 in. tom, 12 in. tom, 13 in. tom, 14 in. tom, 16 in. floor tom, 22 x 17 in. bass, Zildjian high hat cymbals, Paiste 2002 16 in. crash, Paiste 2000 17 in. crash, Zildjian 18 in. crash, Zildjian K 22 in. ride; Ludwig throne, includes bass pedal, high-hat stand/pedal, four cymbal stands and stand-mounted tom hardware. Hard cases for toms, bass drum and all hardware included. Note: 10 in. tom, 12 in. toms are labeled “Eames” and have Premier badges, but may have been added to the kit custom, as they do not have the “Resonator” liner inserts. [$1000 - 1500] Premier is an innovative British musical instrument manufacturing company based in Kibworth England. The Resonator model was positioned as a high-end product, manufactured between 1972-1992. Experiments with layering a thin inner lining inside the drum created a resonant cavity and covered up all the bolts and fittings, therefore allowing the unobstructed inner shell to resonate with a powerful but manageable sound. Premier’s shells have been mainly made from Finnish birch with solid German beech support hoops. Sets came out in early ’73 (originally called Kenny Clare Resonators) with cross-laminated birch inner and outer shells with beech strengthening rings. The result of this innovation made the Premier Resonator to become known for their harmonic properties when mic’d, thus Resonator drum kits to be often used in recording studios. The two smaller rack toms (10 & 12 in.) are made by Eames Drum Shells, a company from Saugus Massachusetts known for crafting quality drums out of North American Birch. These two drums do not have the “Resonator” interiors, but are otherwise a near match to the other toms. A brass Eames nameplate and birch air vent grommet 40

compliment each shell. These two drums are also badged with the Premier labels, so they were likely an add-on option for the standard Resonator 5pc kit for the North American market. The kit offered here has one independent floor stand for mounting rack toms, along with the standard bass drum tom mount. When mounted in progression the toms are 10, 12, 13 & 14 inches. The floor tom has three adjustable legs. The matching snare and stand is a welcome addition, as is the included bass pedal and high-hat stand with clutch. Three cymbal stands are adjustable boom type., with one standard ride-style stand. Vintage hard cases for all toms, bass drum and for containing all hardware is included. Extras such as a snare mute, drum key, a mic mounting tripod and stand mounts. Notable Premier brand drummers through the years included Ringo Starr (The Beatles), Keith Moon (The Who), Mitch Mitchell (The Jimi Hendrix Experience), Phil Collins (Genesis), Nick Mason (Pink Floyd), Nico McBrain (Iron Maiden), and Philip Selway (Radiohead).

106. Good Group of Seven Cymbals, including Sabian B8 Pro 10 in. crash, Zildjian 14 in. high hat (top & Bottom), Zildjian K 14 in. Thin Dark crash, Zildjian 17 in. crash, Zildjian 18 in. hammered ride, Zildjian Custom 20 in. ride, and a Paiste 2002 21 in. ride, 7 (pcs.), with cloth soft bag. [$300 - 500]

107. Remo Master Edge Piccolo Snare Drum, 4 x 13 in. [$100 - 200]

108. Ludwig Snare Drum, serial # 861248, 7 1/4 x 13 3/4 in. [$100 - 200]

109. Premier Snare Drum, 7 1/4 x 14 in. [$100 - 200]

110. Gretsch Maple Snare Drum, Model 4103, serial # 77791, internal muffler. 6 1/2 x 14 in. [$100 - 200]

111. Remo Snare Drum, serial # 000197, internal muffler. 6 x 13 3/4 in. [$100 - 200]

112. Pork Pie Percussion Big Black Bob Snare Drum, black chrome plated finish, chrome plated brass tube lugs, 2.3mm hoops. 7 1/4 x 14 in. [$100 - 200] 41

113. Florence Knoll-Style Marble and Chrome Side Table h. 19 in., w. 20 in., d. 20 in. [$400 - 600]

114. George Nelson for Herman Miller 5451 Occasional Table, marked, polished aluminum, laminate top, h. 22 in., dia. 17 in. [$300 - 500]

115. Five Norman Cherner Chairs, 33 x 18 x 22 in. [$800 - 1200]

117. Corbusier Style LC4 Chrome and Leather Chaise Lounge, 16 x 65 x 21 in. [$600 - 900]

116. Mies van der Rohe-Style “MR” Table, chrome and glass, 20 x 27 in. [$200 - 300]

118. Pair of Frank Lloyd Wright for Heritage Henredon Mahogany Chests, c. 1955, branded mark to drawer, red ink monogram, verso, x-form base, carved with Taliesin design, h. 28 in., w. 21 1/2 in., d. 20 in. [$2000 - 3000]

119. George Nelson-Style Coconut Chair, unmarked, stainless steel, polycarbonate, padded upholstery, h. 33 1/4 in., w. 41 in., d. 31 in. [$300 - 500]

120. George Nelson Marshmallow Sofa, unmarked, leather and steel, originally designed in 1956, h. 31 1/2 in., w. 52 in., d. 32 in. [$600 - 900]

121. Jasper Morrison for Vitra Cork Side Table or Stool, Vitra, 13 x 12 1/4 in. [$400 - 600]

122. Jasper Morrison for Vitra Cork Side Table or Stool, Vitra, 13 x 12 1/4 in. [$400 - 600]

123. Four Harry Bertoia for Knoll Side Chairs, with original yellow seat pads, h. 30 in., w. 21 in., d. 19 in. [$400 - 600]

124. Three Peter Hvidt for France & Daverkosen Teak “Pinwheel” Tables, 1950s, stamped, and with metal tag, brass legs, h. 17 1/2 in., w. 26 in., d. 22 in. [$600 - 900]

125. Eight Paolo Piva for B & B Italia “Arcadia” Leather Dining Chairs, 1980s, “Arcalla” model, with spring backs, h. 44 in., w. 18 in., d. 18 in. [$800 - 1200]

126. Mid Century Brass and Mirrored Three Tier Serving Cart, h. 35 in., w. 27 in., d. 16 1/2 in. [$300 - 500]

127. Russel Wright for Conant Ball Chest, 1950s, marked, 33 x 34 x 19 in. [$500 - 700]

128. Russel Wright for Conant Ball Dresser, birch, marked, 34 x 54 x 19 in. [$600 - 900]

129. Russel Wright for Conant Ball Headboard and Footboard, birch, 33 x 58 in. [$100 - 150] 130. Russel Wright for Conant Ball Mirror, birch, 31 x 47 in. [$100 - 150]

131. Ib Kofod-Larsen for Selig Lounge Chair, tagged, 27 x 30 x 29 in. [$400 - 600]

132. Chromcraft Sculpta Extension Dining Table and Chairs, c. 1965, incl. table and four chairs. Table 28 1/2 x 41 1/2 x 65 in., Chairs 37 1/2 x 22 1/4 x 28 in. [$1000 - 1500] 45

133. Paul Jacoulet, French, 1896-1960), “La Pêche Miraculeuse, Izu, Japon”, woodblock, pencil-signed and red boat seal lower right, printed title in French and carver and, printer stamps in Japanese lower margin, stamped “No. 138/500” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 19.0 x 14.0 in. Frame: 25 1/2 x 18 1/2 x 3/4 in. [$800 - 1200]

134. Paul Jacoulet, French, 1896-1960), “Vieil Aino Chikabumi Hokkaido Japon”, woodblock with mica highlights, pencil-signed and sealed center right, printed title in French and carver and printer stamps in Japanese lower margin, stamped “No. 38/350” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 19 x 14 in. Frame: 24 1/2 x 18 1/2 x 1 in. [$800 - 1200]

135. Paul Jacoulet, French, 1896-1960), “La Poetesse Indienne”, woodblock, pencil-signed and sealed lower right, printed title in French and carver and printer stamps in Japanese lower margin, stamped “No. 126/160” and pencil-inscribed “590504” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 18 3/8 x 14 1/4 in. Frame: 24 3/8 x 18 3/8 x 1 in. [$800 - 1200]

136. Paul Jacoulet, French, 1896-1960), “Daikoku, Dieu de la Richesse, Personnifié par une Cortisane du Shimabara, Kyoto, Japon”, woodblock with mica highlights, 1952, pencil-signed and red coin seal mid-left, printed title in French and carver and printer stamps in Japanese lower margin, stamped “ No. 138/500” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 18 1/2 x 14 in. , Frame: 24 1/2 x 18 1/2 x 3/4 in. [$800 - 1200]

137. Paul Jacoulet, French, 1896-1960), “Decembre Japon”, woodblock, pencil-signed and sealed lower right, printed title in French and carver and printer stamps in Japanese lower margin, stamped “No. 38/250” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 19 x 14 in. Frame: 24 1/2 x 24 1/2 x 3/4 in. [$800 - 1200]

138. Paul Jacoulet, French, 1896-1960), “Jeunes Chasseurs de la Jungle Nord Celebes”, woodblock, pencil-signed lower left, printed title in French and carver and printer stamps in Japanese lower margin, red seal and inscribed “390456J149” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 19 x 14 in. Frame: 24 1/2 x 18 3/8 x 3/4 in. [$800 - 1200]

139. Paul Jacoulet, French, 1896-1960), “Chagrins d’Amour ‘Kusale, Est Carolines’”, woodblock, pencil-signed and sealed lower right, printed title in French and carver and printer stamps in Japanese lower margin, stamped “No. 223/350” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 18 1/2 x 14 in. Frame: 23 1/4 x 19 3/8 x 1 1/4 in. [$800 - 1200]

140. Paul Jacoulet, French, 1896-1960), “Un Homme de Yap Quest Carolines”, woodblock, pencil-signed and sealed lower right, printed title in French and carver and printer stamps in Japanese lower margin, stamped “No. 346/350” en verso, watermark in Japanese with “JP” visible, framed. Sheet: 19 x 14 1/8 in. Frame: 24 1/2 x 18 1/2 x 1 in. [$800 - 1200] 47

141. Paul Jacoulet, French, 1896-1960), “Marionnettes Chinoises Chinoise”, woodblock, pencil-signed lower right, printed title in French and carver and printer stamps in Japanese lower margin, red seal and inscribed “590434” en verso, watermark in Japanese with”JP” visible, framed. Sheet: 19 x 14 1/4 in. , Frame: 24 3/8 x 18 3/8 x 1 in. [$800 - 1200]

142. Jean-Marie Calmettes, (French, 1918-2007), “Still Life in Black and White”, oil on canvas, signed lower right, partial gallery label on stretcher, framed. 45 3/4 x 35 in. Frame: 52 1/2 x 41 1/2 x 1 1/4 in. [$700 - 1000] 143. “Erté” Romain de Tirtoff, Russian/ French, 1892-1990), “Flower Petal Gown”, cold-painted and partial gilt cast bronze, 1990, signed on front of self-base, stamped with signature, date, copyright, number “290/375” and “Chalk & Vermilion and Sevenarts” on reverse. 19 3/4 x 7 1/2 x 6 1/2 in. [$2000 - 3000] Provenance: Martin Lawrence Galleries, New Orleans, La., 2003

144. After Ludwig Hans Fischer, (Austrian, 1848-1915), “Im Hof Eines Serails”, enhanced giclée on stretched canvas, signed and dated in plate, “Reproductions Troubetzkoy, Paris” inscribed en verso, “Reproductions Troubetzkoy, Paris” stamp on reverse of frame, printed and published by Troubetzkoy Galerie, Paris, framed. 31 1/2 x 39 1/2 in. , Frame: 45 x 53 x 2 1/2 in. [$500 - 700]

145. Jehudith Sobel, (Polish, 1924-2012), “Abstract Interior”, watercolor on paper mounted to board, 1958, signed and dated lower right, 24 in. x 19 in., unframed. 24 x 19 in. [$800 - 1200]

146. Vachagan Narazyan, (Russian, b. 1957), “Journey”, oil on canvas, 1999, initialed lower right, signed, titled, dated and inscribed in Cyrillic en verso, framed. 15 7/8 x 19 7/8 in. Frame: 25 1/2 x 29 1/2 x 3 in. [$400 - 600]

147. Pablo Picasso, (Spain, 1881-1973), “Le Vieux Roi”, linocut in colors on Arches paper, 1963, pencil-signed lower right, pencil-numbered “139/160” lower left, dated in plate upper right, published by La Patriote, Nice, unframed. Sheet: 29 1/2 x 24 1/2 in. [$6000 - 8000] Ill.: Baer, Brigitte. Picasso: Peintre-graveur, Tome V 1959-1965. Berne: Editions Kornfeld, 1989, no. 1338

148. Alberto Giacometti, (Swiss 1901-1966), “Dans L’Atelier”, etching, 1965, unsigned, from Paroles Peintes, framed. Sheet 18 x 13 3/4 in. Frame: 24 5/8 x 17 5/8 x 1 in. [$300 - 500]

149. Richard MacDonald, (American/California, b. 1946), “Eurydice”, cast acrylic, 1989, signed, dated and numbered “13/250” on reverse of self-base. 26 1/2 x 13 1/2 x 10 in. [$1000 - 1500]

150. Richard Osterweil, (American/New York, b. 1953), “Monet - The Studio Boat”, oil on canvas, initialed lower right, inscribed “Monet” en verso, framed. 24 x 20 1/2 in. Frame: 25 3/4 x 21.9 x 1 1/4 in. [$600 - 900] 151. Charles Henry Alston, (American/ New York, 1907-1977), “Pool Player”, watercolor, charcoal and graphite on paper, signed lower right, framed. 9 5/8 x 8 1/4 in. , Frame: 14 1/8 x 12 1/4 x 1 3/4 in. [$700 - 900]

152. Steve Walker, (American/Illinois, b. 1945), “Female Figures”, 2 inks on paper, each signed, one with “Gallery 86 Inc., New York, NY” label on backing paper, framed alike. 19 5/8 x 8 1/4 in. Frame: 17 x 14 x 3/4 in. (2 pcs.) [$400 - 600]

153. Lloyd Sexton, Jr., (American/Hawai’i, 1912-1998), “The Water Well”, gouache on paper, signed lower right, partial painting en verso, framed. 15 1/2 x 22 1/2 in. Frame: 23 1/4 x 30 1/2 x 3/4 in. [$1500 - 2500]

154. Ruth Payne Burgess, (American/Vermont, 1865-1934), “Blue and White Jar”, oil on canvas, signed, titled and “E.& A. Milch, New York City, NY” label on stretcher, framed. 20 1/4 x 16 1/4 in. Frame: 26 1/2 x 22 1/2 x 1 1/2 in. [$500 - 700]

155. American School 20th c ., “Ballerina”, carved wood sculpture, signed “R.A. Mercier” on self-base. 55 x 9 1/2 x 11 3/8 in. [$400 - 600] 156. Allen F. Bahe, (American/Arizona, b. 1959), “Morning Coffee”, acrylic on canvas, signed lower left, signed, titled and inscribed “(Hopi) A/C 16 x 20 in.” en verso, framed. 20 x 16 in. Frame: 23 x 19 x 3/4 in. [$500 - 700]

157. Allen F. Bahe, (American/Arizona, b. 1959), “The Drummer”, acrylic on canvas, signed lower left, signed, titled and inscribed “(Hopi) A/C 16 x 20”” en verso, unframed. [$500 - 700]

158. Reg Loving, (American/New Mexico, 20th c.), “Otowi”, oil on gallery-wrapped canvas, 1994, signed lower center, signed, titled, dated and inscribed on stretcher, unframed.44 x 52 in. [$1000 - 1500]

159. Gloria Klein, (American/New York, 1936-2023), “Untitled: Abstract Composition”, ink on paper, signed lower right under mat, framed. 8 1/2 x 11 in. Frame: 14 1/8 x 17 1/8 x 3/4 in. [$200 - 300] 51

160. Marcel Janco, (Romanian, 1895-1984), “Abstract Composition in Red, Yellow and Blue”, oil on canvas board, signed lower right, unframed. 13 3/4 x 19 3/4 in. [$800 - 1200] Provenance: Private Collection, New Orleans, LA.

161. Marcel Janco, (Romanian, 1895-1984), “Abstract Composition in Red, White and Green”, oil on paper laid on board, signed lower left, unframed. 13 3/4 x 19 5/8 in. [$800 - 1200] Provenance: Private Collection, New Orleans, LA.

162. Mary Abbott, (American/New York, 1921-2019), “Untitled”, oil on canvas, signed lower right, framed. 36 x 24 in. Frame: 44 x 32 x 1 3/4 in. [$6000 - 8000] Provenance: Collection of Gertrude Kasle, Sarasota, FL; Estate of James Beausejour, Jupiter, FL; by descent to Fernand Beausejour; Private Collection, North Miami Beach, FL.

163. American School 20th c., “Abstract Composition in Yellow”, oil on board, unsigned, framed. 36 x 30 1/4 in. Frame: 39 1/4 x 33 1/4 x 1 1/2 in. [$400 - 600]

164. American School 20th c., “The Rainbow Forest”, pastel on paper. signed “B. Lott” lower right, framed. 12 1/2 x 18 3/8 in. Frame: 23 1/2 x 27 1/2 x 2 1/2 in. [$1000 - 1500]

165. American School 20th c., “Figure Study”, terracotta and pigment, 2005, indistinctly signed, dated and numbered “42/150.” 21 x 16 x 6 1/2 in. [$300 - 500]

166. Nick Jensen, (British, b. 1984), “Know He Know Me”, mixed media on canvas, 2019, signed, titled, dated and inscribed en verso, framed. 25 1/2 x 14 in. Frame: 26 1/4 x 14 1/2 x 1 in. [$300 - 500]

167. Frank Schueler, (German/ California, 1933-2020), “Phalanx”, aluminum and redwood, 1993, signed and dated twice on reverse. 56 1/2 x 18 1/8 x 7 1/8 in. [$300 - 500]

168. Pedro Friedeberg, (Mexican, b. 1936), “Hand Chair”, carved wood, 2020, signed and dated. 39 x 20 x 20 in. [$8000 - 12000]

169. Pedro Friedeberg, (Mexican, b. 1936), “Reloj Solar”, gilt on carved wood and metal, signed on inside of clock. 24 x 17 3/4 x 11 1/4 in. [$5000 - 7000]

170. Pedro Friedeberg, (Mexican, b. 1936), “Hand and Foot Occasional Table”, gilt on carved wood and glass, signed on underside of foot, h. 21 1/2 in., dia. 18 in. [$3000 - 5000]

171. Francisco Benjamin López Toledo, (Mexican, 1940-2019), “El León”, oil on canvas, 1969, signed and dated lower center, “Doyle, New York” labels on reverse of frame, framed. 36 x 24 in. Frame: 41 3/4 x 29 3/4 x 2 in. [$12000 - 18000] Gift from the artist to Narciso Hazas Torrascassana, Lions Club President, Oaxaca, Mexico, 1969; Private Collection, Miami, FL; thence by descent, 2020. 55

172. Rufino Tamayo, (Mexican, 1899-1991), “Figura en Verde”, mixografia mounted to board, signed lower right, numbered “86/100” lower left, artist blindstamp visible lower right, inscribed “RT 180” en verso, handwritten tag with title and edition number on backing paper, framed. 17 3/4 x 12 1/4 in. Frame: 28 3/8 x 23 x 1 5/8 in. [$1000 - 1500] 173. Rufino Tamayo, (Mexican, 1899-1991), “Figura Sobre Rosa y Verde”, mixografia in colors, 1977, pencil-signed lower right, numbered “57/100” lower left, “Harcourts Gallery, San Francisco” label on reverse of frame, framed; accompanied by a copy of the Harcourts Gallery receipt, Harcourts Gallery certificate of authenticity and Harcourts Gallery letter of appraisal. Sheet: 18 x 13 1/4 in.Frame: 28 5/8 x 23 7/8 x 1 1/2 in. (2 pcs.) [$1200 - 1800]

174. Mexican School 20th c., “Armadillo”, chalkware coin bank, c. 1960s, “Lone Star Mexico” manufacturer’s stamp on self-base. 6 x 12 x 4 1/2 in. [$300 - 500]

175. Àlvar Suñol Munoz-Ramos, (b. 1935), “Couple”, bronze, signed and numbered “47/90” on reverse, marble base; accompanied by original dust cover and presentation box with printed signature and title. 10 3/4 x 4 1/2 x 6 1/2 in. Overall Height: 13 3/4 in. (3 pcs.) [$200 - 300]

176. Àlvar Suñol Munoz-Ramos, (Spanish b. 1935), Group of Three Fine Art lithographs, “Interiors amb Flors”, c. 1990, lithograph, signed lower right, edition of 5000, label with title and edition on backing paper; “La Guitarra”, 1991, lithograph with embossing, pencil-signed lower right, numbered “2/25” lower left, from “Musicians Suite”, with certificate of authenticity from Merril Chase Galleries, 2 “Merril Chase Galleries” labels with artist, title, date and edition number, copies of Merril Chase Galleries print and artist information sheets and “Merril Chase Galleries” label on backing paper; “Les Muses d L’Artista”, lithograph with embossing, pencil-signed lower right, numbered “12/250” lower left, disposition card with artist, title and edition number on hanging wire, 15 1/4 in. x 21 1/2 in. to 35 5/8 in. x 24 in., each framed; overall 22 5/8 in. x 31 1/8 in. x 1 1/8 in. to 48 in. x 38 1/2 in. x 1 1/2 in. (3 pcs.) [$300 - 500] 56

177. Julian Harr, (American, 20th c.), “Reverse Mermaid Table”, carved wood, mixed media and glass, unsigned. 23 1/2 x 74 1/4 x 22 in. [$1500 - 2500]

178. Dorr Hodgson Bothwell, American/California, 19022000), “Mea Alofa”, oil on board, 1931, signed and dated upper left, gallery label with artist and title on backing board, framed. 20 x 16 1/8 in. Frame: 23 x 19 x 1 1/2 in. [$700 - 1000] 179. American Folk Art School 20th c., “New Life and Love”, mixed media found object assemblage, unsigned. 22 1/4 x 10 1/2 x 7 3/4 in. [$300 - 500]

180. Randall Schmit, American/New York, b. 1955), “Gone...SO was the Room”, mixed media on gallery-wrapped canvas, 1987, signed, titled and dated en verso, unframed. 54 x 84 in. [$700 - 1000] Provenance: Tilden Foley Gallery, New Orleans.

181. American School 20th c., “Kaleidoscope Abstract”, acrylic on octagonal shaped canvas, 2003, illegibly signed and dated lower left and en verso, framed. 58 x 58 in., Frame: 61 x 61 x 3 1/2 in. [$800 - 1200]

182. Roy Thomas Galbraith, (American/Wisconsin, b. 1960), “Neon Composition”, neon and mixed media, signed on underside. 49 x 4 x 3 1/2 in. [$1500 - 2500]

183. Jeremy Novy, (American, b. 1979), “Lone Koi” and “Strength”, 2 hand-cut stencils and spray paint on plywood, 2013, each with artist label with signature, title and date and “Vertical Gallery, Chicago, IL” label with artist, title and date en verso, unframed. 17 x 8 5/8 in. (2 pcs.) [$300 - 500]

184. Wizard Skull, (American/ New York, 20th c.), “15th Painting of 2022: The Simpsons”, acrylic on gallery-wrapped canvas, 2022, signed and dated on right edge, signed and titled en verso, unframed. 30 x 30 in. [$600 - 800]

185. Herr Nilsson, (Swedish, 20th c.), “Part of Your World”, stenciled spray paint on paper, 2021, signed and numbered “9/14” lower right, published by Rena Martin to raise funds for the Clean Street Project, framed. 22 1/4 x 30 1/4 in. Frame: 28 x 35 1/2 x 2 1/4 in. [$400 - 600] 58

186. Wendy White, (American/New York, b. 1971), “Open House with Gardenia”, metal, nails, wood, glass and mixed media assemblage, signed and label with artist and title on reverse. 7 1/2 x 9 1/2 x 8 in. (2 pcs.)[$150 - 250]

187. Ellen Steinfeld, (American/New York, b. 1945), “Primeval Garden”, acrylic on wood, 1984, signed and dated lower right, signed, titled, dated and artist label on reverse. 66 x 56 x 6 in. [$300 - 500]

188. Paolo Buffa (Attributed) Brass and Onyx Console, serpentine top, conforming frieze with swags, tapered legs. 35 x 47 x 11 1/2 in. [$700 - 1000]

189. Art-Deco Carved Oak Credenza, 20th c., interior fitted with drawers and shelves, side doors enclose shelves and bottle rack. 37 x 60 x 21 1/2 in. [$400 - 600]

190. Contemporary Chromed Steel and Glass Stool, 33 1/4 x 15 1/2 x 17 in. [$150 - 250]

191. Pair of Contemporary Patinated Metal and Slate Console Tables, iron scroll base, slate tops, 29 x 48 x 18 in. [$500 - 700] 59

192. Modern Wrought Steel Tester Bed, 94 x 62 x 83 in. [$700 - 1000]

193. Giacometti-Style Wrought-Iron and Glass Figural Dining Table, heavy glass top. [$2000 - 3000]

194. Pair of Contemporary Stools, yellow upholstery cushions. 17 1/2 x 29 x 24 in. [$300 - 500]

195. Pair of Mario Villa (Nicaraguan/New Orleans, 1953-2021) Patinated Metal Console Tables, glass tops, swag decoration, 30 x 53 1/2 x 24 in. [$2000 - 3000]

196. Mario Villa-Style Coffee Table, patinated metal and glass. h. 17.5, w. 40., d. 24 [$400 - 600]

197. Hollywood RegencyStyle Mirrored Chest of Drawers, lift top with inset mirror, plinth base, h. 30 in., w. 25 1/4 in., d. 16 1/4 in. [$200 - 300]

198. Pair of Contemporary Marble and Brass Side Tables, h. 22 in., dia. 20 in. [$600 - 900]

199. Pair of Contemporary Teak Side Tables, Design Within Reach, h. 14 in., dia. 24 in. [$300 - 500]

200. Contemporary Metal and Marble Side Table, h. 23 in., dia. 13 in. [$200 - 300]

201. Pair of Contemporary Metal and Marble Side Tables, h. 23 in., dia. 12 in. [$400 - 600]

202. Contemporary Chrome and Upholstered Armchair, h. 25 1/2 in., w. 30 1/2 in., d. 33 1/2 in. [$50 - 75]

203. Contemporary Slipper Side Chair, 34 x 19 x 17 in. [$150 - 250]

204. Contemporary Upholstered Sofa, 34 x 85 x 43 in. [$400 - 600]

205. Monumental Contemporary Glass Dining Table, two rectangular frosted-glass pedestals, fitted with lights, 3/4 inch top. 30 x 55 x 120 in. [$1500 - 2500] 62

206. Modern Contemporary Burl Maple Coffee Table, 15 x 54 1/4 in. x 54 1/4 in. [$700 - 1000]

207. Set of Three Hollywood Regency Acrylic Bar Stools, 30 x 18 1/2 x 12 in. [$700 - 1000]

208. Attributed to James Mont Limed Oak Dining Table and Chairs, with “Asian Regency” design. Table 29 x 40 1/2 x 72 1/2 in. Chair 31 1/2 x 20 x 17 5/8 in. [$800 - 1200]

209. Attributed to James Mont Limed Oak Credenza, with “Asian Regency” design, fitted with interior shelves. 33 x 62 x 20 in. [$700 - 1000]

210. Contemporary Leather Curved Sectional Sofa, by American Leather, from the “Menlo Park” collection, four curved sections, on metal legs; h. 47 in., w. 24 ft., d. 47 in., each section about 6 ft. wide. [$1500 - 2500] 63

211. Pair of Modern Contemporary Wrought Steel Etageres, 20th c., 79 x 33 x 17 in. [$500 - 700]

212. Pair Mid-Century Modern Brass and Wood Wine Racks, each holding 143 bottles, some sections designed for angled display, h. 61 1/2 in., w. 43 in., d. 12 in. [$700 - 1000]

213. Modern Contemporary Wrought Iron Wine Cabinet, with doors, 81 1/2 x 36 1/2 x 14 in. [$700 - 1000]

214. Set of Three Faux Bamboo Speckle Finished Stands, Tallest: h. 37 1/2 in., w. 16 in., d. 11 1/2 in., Pair: h. 25 1/2 in., w. 18 in., d. 13 in. [$700 - 1000]

215. French Art Deco Lacquered Dining Table, early 20th c., dark green lacquer and oak, columnar X-form base, h. 27 in., dia. 43 in. [$400 - 600]

216. Jimmie Lee Sudduth, (American/American, 1910-2007), “Cabin”, mud, paint and graphite on found panel, unsigned, 15 1/2 in. x 28 1/4 in., unframed. 15 1/2 x 28 1/4 in. [$250 - 350] 217. Jimmie Lee Sudduth, (American/American, 1910-2007), “Cabin”, mud, paint and graphite on found panel, unsigned, unframed. 17 1/4 x 23 1/2 in. [$500 - 700]

218. Jimmie Lee Sudduth, (American/American, 1910-2007), “Small Cabin”, mud, paint and graphite on found panel, unsigned, unframed. 11 1/2 x 17 in. [$400 - 600]

219. Mose Tolliver, (American/ Alabama, 1920-2006), “North Africa Feeding Baby”, paint on panel, signed lower center, unframed. 32 1/4 x 15 3/4 in. [$600 - 800]

220. Clementine Hunter, (American/Louisiana, 1886-1988), “Flower Garden”, oil on board, 1970, monogrammed and dated lower right, partial sketch en verso, framed. 18 x 24 in. Frame: 23 3/4 x 29 3/4 x 3/4 in. [$4000 - 6000] Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. 65

221. Clementine Hunter, (American/Louisiana, 1886-1988), “Playing Cards”, oil on board, 1971, monogrammed and dated lower right, inscribed with artist name and title on reverse of frame, framed. 16 x 24 in. Frame: 21 1/2 x 29 3/4 x 3/4 in. [$4000 - 6000] Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

222. Chris Clark, (American/Alabama, 19582011), “Adam and Eve”. paint on hand sewn quilt. 1996, signed and dated lower right, unframed. 35 1/2 x 26 3/4 in. [$500 - 700]

223. Mary Katherine Loyacano McCravey, (American/ Mississippi, 1910-2009), “Picking Wildflowers”, oil on canvas, signed lower right, framed. 16 x 20 in. Frame: 22 1/4 x 26 1/4 x 2 in. [$2000 - 3000] 224. Mary Katherine Loyacano McCravey, (American/Mississippi, 1910-2009), “Playing in the Woods”, oil on canvas, signed lower right, framed. 13 x 9 in. Frame: 18 x 15 x 1 1/2 in. [$1200 - 1800]

225. Chestee Harrington, (American/Louisiana, b. 1941), “Verdant Landscape with Cabin”, oil on carved wood, signed lower left, framed. 4 5/8 x 6 1/8 in. Frame: 9 5/8 x 11 1/4 x 1 5/8 in. [$400 - 600] 66

226. Chestee Harrington, (American/Louisiana, b. 1941), “Reserve, LA”, oil on carved wood, 1971, signed lower center, signed, titled, dated and artist biography en verso, framed. 9 3/4 x 6 5/8 in. Frame: 14 7/8 x 11 5/8 x 2 1/4 in. [$400 - 600]

227. Chestee Harrington, (American/Louisiana, b. 1941), “House on the Coast”, oil on carved wood, signed lower left, framed. 7 3/4 x 9 7/8 in. Frame: 10 1/2 x 12 3/4 x 1 3/4 in. [$400 - 600]

228. Rhoda Brady Stokes, (American/Mississippi, 19021988), “Landscape with Farmhouse and Field of Corn”, oil on masonite, 1962, signed and dated lower right, framed. 26 1/8 x 14 in. , Frame: 29 3/4 x 17 1/2 x 1 3/8 in. [$400 - 600]

229. Charles Henry Reinike, (American/Louisiana, 1906-1983), “Southern Autumn”, watercolor on paper, 1946, signed and dated lower right, titled on backing board, framed. 15 x 21 in. Frame: 26 3/4 x 32 x 1 in. [$500 - 700]

230. Charles Henry Reinike, (American/Louisiana, 1906-1983), “Abstract Sky”, watercolor on paper laid on board, signed lower right, framed. 18 x 26 in. Frame: 22 1/4 x 30 1/4 x 1 5/8 in. [$500 - 700]

231. James A. Burke, (American/Louisiana, 20th c.), “Trees 3”, etching, pencil-signed, titled and numbered “13/35” lower margin, framed. 20 x 30 in. Frame: 28 1/2 x 36 1/2 x 1 1/4 in. [$300 - 500]

232. Anne Wilson Goldthwaite, (American/Alabama, 1869-1944), “The Moth”, etching with drypoint, c. 1911, pencil-signed lower center, titled lower margin, framed. Sheet: 12 1/4 x 9 5/8 in. Frame: 19 1/2 x 16 x 2 in. [$100 - 200]

233. Ann Cooper, (American/ Louisiana, 1935-2005), “Tolmas Distant Rain”, oil on board, signed lower right, titled en verso, framed. 30 x 24 1/4 in. Frame: 32 3/8 x 26 1/2 x 1 1/2 in. [$600 - 800]

234. Paul Dartez, (American/Louisiana, 1919-1995), “US 5th Circuit Ct.,” “French Quarter at the River 1983” and “St. Charles Ave.”; 3 watercolors on paper, 1983-85, signed and dated lower right or left, one with handwritten label with title on backing paper, 11 1/2 in. x 15 1/4 in. to 26 in. x 37 in., framed, overall 16 1/2 in. x 20 in. x 3/4 in. to 34 1/2 in. x 45 1/8 in. x 3/4 in. (3 pcs.) [$600 - 800]

236. Xavier de Callatay, (Belgian/Louisiana, 1932-1999), “Turfe”, ink on paper, 1962, signed, titled and dated lower right, partial sketch titled “Rohe” en verso, framed. 9 1/2 x 14 in. Frame: 15 x 19 x 1 3/4 in. [$300 - 500] 68

235. Jack R. Meyers, (American/Louisiana, 1930-1994), “French Quarter, New Orleans”, oil on canvas board, signed lower right, framed. 19 3/4 x 24 in. Frame: 24 1/8 x 28 x 1 1/8 in. [$600 - 800]

237. Xavier de Callatay, (Belgian/Louisiana, 1932-1999), “Blue Chandelier”, oil on canvas, 1969, monogrammed lower right, signed and inscribed “X. de Callatay New Orleans 1969” en verso, framed. 8 1/8 x 15 in. Frame: 13 x 20 x 1 1/4 in. [$600 - 800]

238. Rolland Harve Golden, (American/Louisiana, 1931-2019), “Bayou Dock”, watercolor on paper, 1960, signed and dated lower right, framed. 22 1/4 x 30 in. Frame: 33 x 39 3/4 x 1 in. [$400 - 600]

239. Charles Whitfield Richards, (American/Louisiana, 1902-1992), “Nudes”, 2 oils on canvas, one signed lower center, one lower right, one with handwritten label with artist on backing paper, framed alike. Each:18 1/2 x 11 1/2 in. Frames: 21 x 14 x 1 1/4 in. (2 pcs.)[$600 - 800]

240. Charles Fritchie, (American/Louisiana, 19362013), “Nude”, bronze, 1998, signed and dated on proper right leg. 18 x 6 1/2 x 4 in. [$300 - 500] 241. Jean Seidenberg, (American/ Louisiana, 1930-2022), “Two Figures”, bronze, 1969, signed, dated and numbered “2/8” on self-base. 12 5/8 x 8 1/2 x 3 7/8 in. [$400 - 600] Provenance: Acquired from the artist.

242. Michael Murphy, American/Louisiana, 1941-1986), “Woman in a Window” and “Waitress by Jukebox and Window”, 2 woodblocks on paper , 1971 and 1972, signed, numbered “1/50” and “3/50” and dated lower margin, both framed, overall 20 1/4 in. x 24 1/4 in. x 1 in. and 20 1/4 in. x 16 1/4 in. x 3/4 in. (2 pcs.) [$300 - 500]

243. Caroline Wogan Durieux, (American/Louisiana, 18961989), “Untitled”, cliché-verre, pencil-signed and inscribed “artist proof” lower right, unframed. Sheet 19 3/4 x 15 7/8 in. [$150 - 250]

244. Caroline Wogan Durieux, (American/Louisiana, 1896-1989), “Armageddon”, cliché-verre, pencilsigned and titled lower margin, unframed. Sheet 19 3/4 x 15 3/4 in. [$250 - 350]

245. Joseph “Joe” Dudley Donning, (American/Kentucky, 1925-2012), “Untitled: Abstract Composition”, ink on paper, 1985, signed and dated lower right, framed. 17 1/2 x 23 in. Frame: 23 1/4 x 28 3/4 x 3/4 in. [$300 - 500]

246. Sandra Russell Clark, (American/Louisiana, b. 1949), “Villa Italy”, hand-colored gelatin silver print from infrared film, 1986/1987, signed lower right, signed, titled and numbered “6/50” en verso, from the “Gardens of Reflection” series, unframed. Sheet: 16 x 20 in. [$400 - 600] 70

247. Sandra Russell Clark, (American/Louisiana, b. 1949), “Winterthur, Delaware”, hand-colored gelatin silver print from infrared film, signed lower right, signed, titled and numbered “1/50” en verso, unframed. Sheet: 16 x 20 in. [$400 - 600]

248. Sandra Russell Clark, (American/Louisiana, b. 1949), “Villandry, France”, handcolored gelatin silver print from infrared film, 1986/1987, signed lower right, titled lower left, from the “Gardens of Reflection” series, matted, unframed. Sheet: 19 3/4 x 13 1/2 in. Mat: 23 x 16 1/2 in. [$400 - 600]

250. Fábio Cançado, (Brazilian, 20th c.), “Pandora’s Box”, gelatin silver print, 2002, signed, dated and numbered “1/5” en verso, framed. 25 3/8 x 5 5/8 in. Frame: 34 1/2 x 14 1/4 x 1 in. [$150 - 250]

252. William Kross Greiner, American/Louisiana, b. 1957),“Wisteria Bush and Trees 1996”. c-print, 2000, signed twice, titled, dated, numbered “2/25” and inscribed “Terra Flora Series” lower margin, framed. 20 x 24 in. Frame: 28 x 31 1/4 x 1 in. [$300 - 500]

249. Dawn Dedeaux, (American/Louisiana, b. 1952), “Space Stories: Rapture”, digital images on metal, 2016, signed, titled, dated and inscribed “Artist Test Proof (Pink)” en verso, unframed. 12 x 25 in. [$300 - 500]

251. Richard Sexton, (American/ Louisiana, b. 1954), “Galatoire’s”, digital print on paper, 1996, signed, dated, numbered “64/100” and artist blindstamp lower margin, matted. 11 x 8 1/2 in. , Mat: 14 1/4 x 13 1/4 in. [$500 - 700]

253. William Kross Greiner, American/Louisiana, b. 1957), “Boys with Canoe Paddle, Baton Rouge, LA 2005”. c-print. 2006, signed, titled, dated, inscribed “A/P” and artist stamp en verso, unframed. 20 x 24 in. [$300 - 500] 71

254. Set of Four Patinated Metal Ionic Columns, 96 x 14 x 14 in. [$1000 - 1500]

255. Steuben Glass Blue Aurene Footed Dish, signed “Aurene”, 3 1/2 x 8 in. [$400 - 600]

256. Electric Neon Clock Company Spinner Clock, Cleveland, Ohio, serial # 73228, dia. 26 in., depth 7 in. [$1000 - 1800]

257. Lino Sabattini and Gio Ponti for Christofle Silver Plated “Fish” and “Bird”, 1978, fully marked, larger h. 3 1/4 in., w. 5 in., d. 3 in. [$300 - 500]

258. Pair of Decorative Hermes Box Table Lamps, cylindrical box finial, small and large box base, the shade with Hermes ribbon border, h. 34 in., w. 16 in., d. 12 in. [$500 - 700] 72

259. Polia Pillin (Los Angeles, 1909-1992), glazed earthenware vase, signed, with a frieze of dancers, h. 5 1/2 in., dia. 11 3/4 in. [$500 - 700]

260. Art Deco Chrome Four-Light Chandelier, 24 x 25 in. [$700 - 1000]

261. Pair of Mid-Century Murano Glass Sconces, metal backplate with three sockets, surrounded by five cylindrical glass drops. 18 x 10 x 6 in. [$800 - 1200]

262. Contemporary Steel Pull-Cord Desk Lamp, nickel plated, stepped base. 27 x 16 x 6 in. [$500 - 700]

263. Noguchi VF4-33N Floor Lamp, contemporary, paper shade, h. 72 in., w. of base 22 in. [$500 - 700]

264. Noguchi-Style Table Lamp [$100 - 200]

265. Contemporary “Satellite” Twelve-Light Chandelier, 22 x 39 in. [$500 - 700]

266. Contemporary “Satellite” Eight-Light Chandelier, 8 x 36 in. [$300 - 500]

267. Marco Zotta for Eleusi Table Lamp, enameled metal, h. 8 in., w. 4 in., d. 13 1/2 in. [$100 - 150]

268. Art Deco Chandelier in the Style of Henri Petitot, chromed and silvered metal, faux shagreen and opaque glass. 23 x 37 x 22 in. [$1000 - 1500]

269. Contemporary Moroccan Wool Carpet, cream ground, brown geometric design, 8 ft. 5 in. x 19 ft. 6 in. [$700 - 1000]

270. Two Richard Joyce for Pilkington Lustre Vases, early 20th c., marked and signed “Joyce”, polychrome lustre glaze, one with running ibexes; the other with a mounted rider and hunting dog chasing a stag, h. 7 3/4 in., dia. 6 1/8 in. [$700 - 900]

271. Six Towle Sterling Silver and Enamel Coasters, dia. 3 1/2 in. [$70 - 100]

272. Lino Sabattini (1925-2016), for Christofle Collection Gallia Silverplate Fish Kettle, c. 1960. l. 13 7/8 in. [$200 - 400]

273. Alessi “Bombe” Pattern Silverplate Coffee and Tea Service with Tray, designed 1945 by Carlo Alessi (1916-2009), incl. coffee pot, teapot, milk jug, covered sugar and oval tray, marked “OFFICINA/ALESSI/ EPSS/ITALY”. Coffee Pot: h. 6 3/4 in., Tray: l. 19 3/4 in. [$200 - 300]

274. Jesselyn Benson Zurik, (American/Louisiana, 19162012), “Untitled”, ink on paper, signed lower left, unframed. 13 x 10 3/4 in. [$200 - 300]

275. Althea Dodson Tanner, (American/Louisiana, 19192014), Western Image #6, mixed media on canvas, handwritten label with title en verso, artist label on stretcher, framed. 20 x 18 in. Frame: 20 1/4 x 18 1/4 x 1 1/2 in. [$150 - 250] 75

276. Ann T. Cooper, (American/Louisiana, 19352005), “Abstract Composition in Brown”, oil on gallery-wrapped canvas, signed lower right, unframed. 41 x 38 in. [$500 - 700]

277. Sylvaine Sancton, (French/Louisiana, 20th c.), “Abstract Composition with Red and Orange Horizontal Stripes”, oil on canvas, signed en verso, unframed. 51 1/8 x 38 1/8 in. [$500 - 700]

278. Ida Rittenberg Kohlmeyer, (American/Louisiana, 1912-1997), “Collage #4”. oil and mixed media on canvas laid on canvas, unsigned, inscribed “Ida Kohlmeyer | JKL 1999” en verso, titled and inscribed “ARG Ref #6312” on stretcher, framed. 22 x 19 1/2 in. Frame: 23 x 20 5/8 x 1 3/4 in. [$1500 - 2500] Estate of the Artist; Arthur Roger Gallery, New Orleans, LA.

279. Dorothy Muriel Gillespie, (American/Virginia, 1920-2012), “Royal Wedding Emblem”, enamel on aluminum wall sculpture, signed and numbered “11/100” lower center, signed, titled and inscribed on reverse; accompanied by a copy of a receipt from Sue Lapin Art For Museums, Beverly Hills, CA, Jun. 3, 1985. 23 x 15 x 10 in. (2 pcs.) [$800 - 1200]

280. Robert Gordy, (American/Louisiana, 1933-1986), “Woman in Grass”, woodblock print, 1963, initialed and dated upper right, inscribed “artist proof” upper left, framed. 11 1/2 x 15 3/4 in. Frame: 21 5/8 x 25 1/2 x 1 5/8 in. [$400 - 600] 76

281. Robert Gordy, (American/ Louisiana, 1933-1986), “Untitled”, silkscreen, pencil-signed and numbered “282/300” lower margin, artist information attached to backing paper, framed. 26 1/2 x 22 in. Frame: 32 3/4 x 28 x 1 in. [$500 - 700]

282. Richard Johnson, (American/Louisiana, b. 1942), “Untitled”, silkscreen, pencil-signed and blindstamp lower right, pencil-numbered “184/450” lower left, framed. 15 x 30 in. , Frame: 23 1/4 x 37 1/2 x 3/4 in. [$250 - 350]

283. John Mart Opie, (American/Ohio, b. 1936, active Louisiana, 1965-1970), “Untitled”, mixed media on paper, 1966, signed and dated lower right, framed. 13 x 19 7/8 in. Frame: 24 1/2 x 26 1/4 x 1 1/8 in. [$200 - 300]

284. George Febres, (Ecuadorian/Louisiana, 19431996), “La Madonna de Ecuador”, color pencil on paper, signed lower center, titled mid-right, framed.13 1/4 x 11 1/4 in. Frame: 20 x 15 x 1 in. [$400 - 600]

285. Arthur Silverman, (American/ Louisiana, 1923-2018), “The Unzipperable Mouth of the South”, cast bronze, 1980, signed, titled and dated en verso, mounted within frame. 11 3/4 x 7.8 in. Frame: 16 1/4 x 12 1/4 x 1 1/4 in. [$400 - 600] 77

286. Michael Ledet, (American/Louisiana, b. 1941), “Nergal, Western Hemisphere”, acrylic on canvas, 1968, signed and dated lower right, “The Glade Gallery, New Orleans, LA” label with artist and title on stretcher, framed. 22 x 22 in. Frame: 22 3/4 x 22 3/4 x 3/4 in. [$300 - 500] Michael Ledet is a mostly self-taught artist who first exhibited in New Orleans at the Glade Gallery in 1968 and has been an integral part of the city’s art scene for over five decades. His work has been shown and collected internationally. As a graphic designer, Ledet has worked on award-winning books for The Historic New Orleans Collection, Louisiana Public Broadcasting, New Orleans Museum of Art, Destrehan Plantation and Oak Alley Plantation Foundation. He taught Visual Arts at Loyola University from 1989 to 1999 and is former chairman of Loyola’s Visual Arts Visiting Committee.

287. Gerry Allen Hoover, (American/Louisiana, 1945-1997), “The Descent from the Cross”. color pencil and graphite on paper, 1974, signed and dated lower right, copy of original “Bienville Gallery, New Orleans” label with artist, title and date on backing paper, framed. 24 1/4 x 14 in. Frame: 31 1/4 x 20 1/2 x 3/4 in. [$400 - 600] 288. Rise Delmar-Ochsner, (American/Louisiana, b. 1944), “Floating”, acrylic on gallery-wrapped canvas, 1985, signed and dated lower right, unframed. 60 x 48 in. [$800 - 1200]

289. Rise Delmar-Ochsner, (American/Louisiana, b. 1944), “Seated Lady”, acrylic on canvas, 1966, signed and dated lower left, framed. 48 1/4 x 36 in. Frame: 49 1/4 x 36 3/4 in. [$800 - 1200]

290. Rise Delmar-Ochsner, (American/Louisiana, b. 1944), “German Shepherd”, acrylic on gallery-wrapped canvas, unsigned, unframed. 16 x 20 in. [$400 - 600] 78

291. Rise Delmar-Ochsner, (American/Louisiana, b. 1944), “Man in Hammock”, acrylic on gallerywrapped canvas, 1970, signed and dated lower right, signed en verso, unframed. 46 1/4 x 46 1/4 in. [$700 - 1000]

292. Alex Beard, (American/ Louisiana, b. 1970), “Turtle”, watercolor and ink on paper. signed lower right, titled upper center, framed. 9 5/8 x 5 5/8 in. Frame: 14 1/2 x 10 5/8 x 1 1/4 in. [$400 - 600]

293. David Borgerding (American/ Louisiana, b. 1972),“Chair/Rack”, 1998, carved maple and steel, signed and dated under seat, h. 81”, w. 12”, d. 26”. [$700 - 1000]

294. Weston Lambert, (American/Louisiana, b. 1984), “Untitled”, stone, glass and metal, 2011, signed and dated on reverse, metal stand. 4 1/4 x 17 1/2 x 6 in. Overall Height: 6 3/4 in. [$300 - 500]

295. David Harouni, Iranian/Louisiana, b. 1962), “Untitled: Faces”, oil on gallery-wrapped canvas, signed lower left, unframed. 47 3/4 x 60 in. (121.3 x 152.4 cm.) [$5000 - 8000] 79

296. Hunt Slonem, (American/Louisiana, b. 1951), “Flurry”, oil on panel 2017, signed, titled, dated and inscribed “CRK00859” en verso, framed. 34 x 26 in. Frame: 38 7/8 x 31 x 2 in. [$7000 - 10000]

297. Hunt Slonem, (American/Louisiana, b. 1951), “Rococo”, oil on shaped panel, 2009, signed, titled and dated en verso; artist repurposed antique gilt frame. 45 3/4 x 36 1/4 in. Frame: 56 1/4 x 38 1/2 x 2 in. [$15000 - 25000] Exh.: “Hunt Slonem: Antebellum POP!”, LSU Museum of Art, Baton Rouge, LA, Apr. 22 – Aug. 5, 2016.

298. Hunt Slonem, (American/Louisiana, b. 1951), “Red”, oil on canvas, 2013, signed, titled and dated en verso, framed. 20 x 16 in. Frame: 24 x 20 x 1 1/2 in. [$6000 - 8000]

299. Hunt Slonem, (American/Louisiana, b. 1951), “Guardians”, oil on canvas, 2012/2013, signed, titled, dated and inscribed “Hunt Slonem Studio ATO447” en verso, unframed. 40 x 30 in. [$5000 - 7000]

300. Hunt Slonem, (American/Louisiana, b. 1951), “Monkey Chandelier”, oil on shaped assembled panels mounted to Chris Wynn mixed media chandelier, 2010, signed and dated on upper leaf; sculpture accompanied by a copy of a Hunt Slonem Studio certificate of authenticity, overall h. 50 in., dia. 53 1/4 in. [$3000 - 5000]

301. Hunt Slonem, (American/Louisiana, b. 1951), “Bayou Teche”, oil on panel, 2017, signed, titled, dated and inscribed “EL00267” en verso, framed. 17 x 22 in. (43.2 x 55.9 cm.), Frame: 18 1/2 x 14 1/2 x 1 in. (47 x 36.8 x 2.5 cm.) [$5000 - 7000] 81

302. Hunt Slonem, (American/Louisiana, b. 1951), “Mint Green Bunny”, oil and diamond dust on panel, 2017, signed, dated and inscribed “CER00012” en verso, framed. 10 x 8 in. Frame: 14 1/4 x 12 1/4 x 1 in. [$4000 - 6000]

303. Hunt Slonem, (American/Louisiana, b. 1951), “Lavender Mist”oil and diamond dust on panel, 2017, signed, titled, dated and inscribed “CER00773” en verso, framed.9 7/8 x 7 7/8 in. Frame: 14 1/2 x 11 1/2 x 1 1/2 in. [$4000 - 6000]

304. Hunt Slonem, (American/Louisiana, b. 1951), “Violet Bunny”, oil and diamond dust on panel, 2023, signed and dated en verso, framed. 10 1/4 x 7 7/8 in. Frame: 15 7/8 x 13 3/4 x 1 7/8 in. [$4000 - 6000]

305. Hunt Slonem, (American/Louisiana, b. 1951), “Blue Diamond”, oil and diamond dust on panel, 2022, signed, titled, dated and inscribed “CX2129” en verso, 10 in. x 8 in., framed, overall 13 3/4 in. x 11 3/4 in. x 1 1/2 in. [$4000 - 6000]

306. George Rodrigue, (American/ Louisiana, 1944-2013), “A Dark Night Can Have Some Bright Spots”, oil on gallery-wrapped canvas, 2000, signed lower right, signed, titled and dated en verso, unframed. 60 x 40 in. [$40,000 - 60,000] Rodrigue Studio, New Orleans, LA; thence by descent.

307. George Rodrigue, (American/Louisiana, 19442013), “Blue Dog in Tie”, mixed media on board, 2013, signed lower right, framed.Sight: 9 x 8 1/4 in. Frame: 17 1/4 x 16 1/4 x 1 1/2 in. [$12,000 - 18,000]

308. George Rodrigue, (American/Louisiana, 1944-2013), “Blue Dog”, marker on cloth napkin, signed mid-left, framed. Sight: 11 x 13 in. Frame: 13 x 17 x 2 in. [$2,000 - 3,000]

309. George Rodrigue, (American/ Louisiana, 1944-2013), “Fishing for Tomorrow’s Dinner (Catching Supper)”, oil on canvas, 1977, signed lower left and en verso, artist stamps, titled and inscribed “#7734” on stretcher, framed. 18 x 24 in. Frame: 25 1/2 x 31 1/2 x 2 in. [$25,000 - 35,000] Ill.: Freundlich, Lawrence S. George Rodrigue: A Cajun Artist. New York: Penguin Group, 1996, p. 104, pl. 82.

310. George Rodrigue, (American/Louisiana, 1944-2013), “Louisiana Artworks”, silkscreen, 2003, pencil-signed and numbered “95/500” lower margin, Louisiana Artworks logo printed lower right, created for the benefit of Louisiana Artworks, a project of the Arts Council of New Orleans, framed. Sheet: 20 x 19 in. , Frame: 23 5/8 x 23 3/8 x 1/4 in. [$600 - 800] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. “George Rodrigue Prints: A Catalogue Raisonné 1970-2007”. New York: Harry N. Abrams, Inc., 2008, p. 227.

311. George Rodrigue, (American/Louisiana, 19442013), “A Bouquet of Rosé”, lithograph, 2010, unsigned, pencilnumbered “75/350” lower left, unframed. 33 x 26 1/4 in. [$600 - 800]

312. George Rodrigue, (American/Louisiana, 1944-2013), “Rodrigue’s Louisiana: Cajuns, Blue Dogs and Beyond Katrina, New Orleans Museum of Art March 1 - June 8, 2008”, exhibition poster, limited edition book and artist ephemera poster signed lower right, framed; Rodrigue, George. The Cajuns of George Rodrigue. Louisiana Bicentennial Special Limited Edition. Birmingham: Oxmoor House, Inc., 1976, signed and numbered “3317” on inside cover; 2 George Rodrigue calendars, 1978 and 2014; together with 7 George Rodrigue gallery pamphlets. Poster: 24 x 18 in. rame: 25 3/4 x 19 3/4 x 1 in. (11 pcs.) [$400 - 600]

313. George Rodrigue, (American/Louisiana, 19442013), “Tobacco Art: Cigar and Cigarette Labels from Cuba and Florida, Cuban National Heritage, The Presbytere, Louisiana State Museum”m silkscreen, 1998, pencilsigned lower left, inscribed “Artist Proof” lower right, unframed. Sheet: 32 3/8 x 23 1/4 in. (82.2 x 59.1 cm.) [$600 - 800] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonné 19702007. New York: Harry N. Abrams, Inc., 2008, p. 162.

315. After George Rodrigue, (American/Louisiana, 1944-2013), “Cut Through The Red Tape”, silkscreen, open estate edition, copyright and artist estate stamps lower margin, unframed. 25 x 20 in. [$300 - 500] 314. After George Rodrigue, (American/Louisiana, 1944-2013), “Paradise Island”, silkscreen, 2016, pencil-inscribed “Printer’s Proof”, stamped signature and artist estate stamp lower margin, unframed. Sheet: 23 x 40 in. [$500 - 700]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonné 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 235. 85

316. Bruce “Dapper Bruce Lafitte” Davenport, Jr., (American/Louisiana, b. 1972), “Pride of the Tigers Nation L.S.U.,” “Pride of the Crimson Tide Nation,” “Pride of the Tigers Nation Go War Eagle” and “Karr Cougars Marching Band”, 4 markers and ink on paper, 2023 or 2024, each signed multiple times, titled and dated, each signed and inscribed en verso, unframed. Each: 19 3/4 x 25 1/2 in. (4 pcs.) [$800 - 1200]

317. Bruce “Dapper Bruce Lafitte” Davenport, Jr., (American/ Louisiana, b. 1972), “T.D.B. Presents: The Rivalry”, marker and ink on paper, 2009, signed, dated and inscribed lower right, signed and inscribed lower center, initialed and inscribed lower left, titled upper center, framed. 19 1/2 x 25 1/2 in. Frame: 22 x 27 3/4 x 1 1/4 in. [$500 - 700]

318. Bunny Matthews, (American/Louisiana, 1951-2021), “Vic and Nat’ly”, 4 color pencil, marker and inks on paper, each signed lower right and dated 1990 or 1992, 8 7/8 in. x 14 1/8 in. to 9 1/4 in. x 14 1/8 in., unframed. (4 pcs.) [$600 - 800]

319. Bunny Matthews, (American/Louisiana, 1951-2021), “Too Many Fish in the Sea”, ink, color pencil and graphite on paper. 1986, signed and dated lower right, titled lower left, unframed. 12.9 x 19 in. [$300 - 500]

320. Mark Bercier (American/Louisiana, b. 1950) and Alexander Stolin (Ukrainian/Louisiana, b. 1963), “Uphold Your Soul, Buddha Baby”, 1990, mixed media on gallery-wrapped canvas diptych, one canvas signed “Bercier” and titled lower center, one canvas signed “Stolin” and dated lower right, each canvas 24 in. x 24 in., unframed. (2 pcs.) [$600 - 800] 86

321. Dennis Thompson, American/Arkansas, b. 1948), “Dragon Tower”, ceramic, stained glass, glass, metal and gravel, unsigned. 37 5/8 x 7 3/8 x 7 in. [$200 - 300]

322. Barringer Couvillon, (American/Louisiana, 20th c.), “Untitled: Graffiti Composition”, spray paint and acrylic on gallery-wrapped canvas, 2010, initialed and dated en verso, unframed. 48 x 60 in. [$300 - 500]

323. Barringer Couvillon, (American/Louisiana, 20th c.), “Graffiti Von Beethoven”, spray paint on found plaster bust, signed on underside. 20 x 11 1/2 x 7 in. [$100 - 150] 324. Barringer Couvillon, (American/Louisiana, 20th c.), “Skull”, spray paint on found resin, signed and stamped “DWK 2000” on underside. 7 x 5 1/4 x 9 in. [$50 - 100]

325. Audra Kohout, (American/Louisiana, 20th c.), “Guardians”, mixed media assemblage, 2001, signed, titled and dated en verso, framed. Overall: 26 x 22 x 3 in. [$500 - 700]

326. Sara Madandar, Iranian/Louisiana, 20th c.), “Something Lost”, acrylic and canvas strands on wood in 2 panels, 2013, unsigned, from the series “Something Left Behind.” 63 x 34 x 2 in. [$200 - 300]

327. Piki Mendizabal, (Cuban/ Louisiana, b. 1982), “1920”, oil on canvas, signed and titled lower right and en verso, unframed. 44 1/8 x 77.3 in. [$500 - 700]

Neal Auction Company

was founded June 7, 1984 by the late John R. Neal, noted collector and authority on 19th century American decorative arts.

BUILDING COLLECTIONS OF

From the beginning, Neal Auction Company has had a core focus on the history and material culture of the Lower Mississippi River Valley, which has led to our discovery of rare examples of furniture, paintings and decorative arts of the region, many of which are now in important institutional and private collections. Our history includes legendary onsite auctions of important historic collections, notably the Sisters of Mercy Convent, Vicksburg, MS in 1984, and Houmas House Plantation, Darrow, LA in 2003, as well as block-buster sales of private collections such as the estate of author and tastemaker Julia Evans Reed in 2021. Over the past forty years, we have enjoyed a frontrow seat to the ever-evolving market trends in taste and collecting, as we assist in dispersing estates and introducing the objects to new collections. Today’s savvy collectors particularly respond to the eco-conscious aspect of recycling objects via auction. They recognize that they are seeking out unique objects with a history, not “cookie-cutter” mass-produced “disposable” goods. As we enter our 5th decade, Neal Auction Company continues to be family-owned and locally managed, serving our New Orleans and regional community. We are proud to be one of Magazine Street’s landmark businesses, having debuted at 4139 Magazine then subsequently relocating to our 4038 Magazine address in 1990.

AUCTION SCHEDULE January 23 & 24 - Premier Estate Collections Auction More Dates Coming Soon!

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CONSIGNMENTS

ADMINISTRATION Director of Administration & Finance Michelle LeBlanc Leckert, CAI Client Services / Accounts Receivables Rebekah Abernathy Marketing & Social Media Cameron McHarg General Manager Jason Leckert Administrative Assistant Claire Whitmore

GRAPHICS Graphics Director / Catalogue Design David Roberts Photography Gerard Lewis Jorge Diaz

Graphics Staff Stephanie Do Ouro Amanda Torres

Paintings, Prints & Photography, Sculpture Marney Robinson; Sophie Hirabayashi; Casey Foote; Heather Munch Books, Maps & Natural History Prints, Modern Furniture Marc Fagan Antique Furniture & Decorative Arts Jason Leckert Silver & Decorative Arts; Material Culture Katherine Hovas Jewelry & Couture Cameron McHarg Fine Art Inventory Manager, Wine & Spirits Casey Foote Consignments Administrator Veronica Cross AUCTION SERVICES Trust & Estates Advisor Henry G. McCall

OPERATIONS Operations Staff Charlie Clay Jerry Major Richard McClain

Marc Fagan Vice President Consignments

Madison Randolph Adam Trepagnier

Decorative Arts Inventory Management Charlie Clay AUCTIONEERS Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935 Marney Robinson #2155 Cameron McHarg #2184

Appraisals Marc Fagan, Cameron McHarg CATALOGUE CONSULTANTS Asian Arts & Special Projects Bettine Field Carroll Decorative Arts & Victoriana Ann M. Masson Jewelry/GIA Graduate Gemologist Stephen A. Moses

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA • 504.899.5329 www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, LeBlanc #1514