Architecture at its finest + Vibrant whimsy unleashed + Embracing Nelson's stage
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Stockists of Magnolia Pearl, Meg by Design & Beacon Hill’s Closet
Coastal View...
The Coastal View Lifestyle Village Fitzroy design (as featured), overlooking Tasman Bay is one of the many independent living options at the village.
The Fitzroy features a contemporary open-plan layout, providing a seamless between the living, dining, and kitchen areas. Large windows and bi-folding doors invite natural light and offer panoramic views of Tasman Bay.
The new “Yacht Club” is currently under construction (to be completed in early 2025) which will include a movie theatre, indoor heated swimming pool, spa, Restaurant, café, bakery, bar, massage room, hairdressing salon, gymnasium, library and wellness centre
For Wayne Askew it isn’t just July that’s dry, it’s been every month for the past decade. Wayne’s story is one of our feature articles this month as he explains why sobriety is important to him and has helped him live a better life.
This month thousands of other Kiwis will be joining Wayne by going alcohol-free as part of Dry July. The official Dry July website lists benefits for those taking part as: more energy, improved mental health, sense of achievement, healthier skin, better sleep and a clearer head. Inspired by Wayne’s story, I decided to give Dry July a go. I’m not a heavy drinker but I do love a glass of wine with dinner a couple of times a week, so going a month without will be a challenge, but worth it if it means more energy and better sleep. You should join me!
Thank you to Alice Snow for supplying the image for this month’s cover. As a lover of pink (and cake) I just had to put it on the front page. You can read about her colourful and cheeky upcoming exhibition on page 12.
See you next month.
SarahDo you want a piece of me? Gouache painting by Alice Snow. Cabinet of Unnatural Curiosities exhibiting at Refinery ArtSpace, 15 July – 10 August Pg 12
EDITOR
Sarah Board | editor@nelsonmag.co.nz
ASSISTANT EDITOR
Tessa Claus | tess@topsouthmedia.co.nz
DESIGN
Patrick Connor, Kylie Owens, Toni Woolf
CONTRIBUTORS
Charles Anderson, Alistair Hughes, Justin Eade, Adrienne Matthews, Amy Russ, Adrienne Matthews, Matt Lawrey, Kate Dyer, Chey Habib
ADVERTISING
Simone Stewart | simone@topsouthmedia.co.nz
PUBLISHER
Top South Media 563 Main Rd, Stoke topsouthmedia.co.nz
issuu.com/nelsonweekly
5 July
NBS Nelson Giants vs Nuggets
12-14 July Top of the South Gymnastics Competition
16 July Grand Magic Show
27-28 July Electrix Cheerleading - South Island Showoffs
Oztech Retractable System
Retractable Awning
Clearspan Glazing System
Clear Blinds
What is your favourite movie of all-time?
Dickins
Stealing Beauty. It’s set in Tuscany, Italy, and it’s just dreamy, with beautiful cinematography.
The Assassination of Jesse James by the Coward Robert Ford. For me, this film has everything... amazing, poetic, melancholic writing and great themes.
Tahuna beach at low tide. Congratulations to Karenna Wood who won a pair of Grossular Garnet earrings from Kōhatu Kohara.
Neiman Grease. I’ve watched it that many times; it’s just my favourite movie ever!
The Perks of Being a Wallflower. I find it quite accurate and relatable. It has good representation of mental health.
Rainbow is a fantastic family ski area set in a stunning location adjacent to Nelson Lakes National Park. Run and maintained by the Rainbow Sports Club, you don’t need to be a member to ski here, everyone is welcome. To be in to win a family full day pass valued at $330 email your best photo to editor@nelsonmag.co.nz
Karenna Wood
Justin Eade
Zoey Sims
Sandy
Charley
Vibrant whimsy unleashed
Alice Snow’s first serious introduction to the art scene came during high school, where her work evolved from hyper-realistic art to a more creative and design-focused style. Alice initially gained recognition by posting her photography on Tumblr while periodically promoting her prints and stickers. The overwhelming response she received propelled Alice to open an online business on Etsy in 2015. Early influences include her uncle Mark, a fine line artist, and renowned artist Gary Baseman. But a vastly significant influence is Albertus Seba’s prized natural history book, Cabinet of Natural Curiosities.
“It contains all manner of plant and animal specimens from around the world. The heavy line work, shading, and etching fascinated me, and have long been a source of inspiration. All of my tattoos are from that book and I’m so excited to be able to represent a twist on his work at the Refinery ArtSpace.”
Describing her own work, Alice admits, can be challenging. “I think my art is very colourful, very playful, very cheeky, sometimes inappropriate, and a little bit strange!” She draws inspiration from items and objects she encounters, which often evoke an emotional response. “A lot of times I see particular things and immediately know what I can turn them into.” Her medium of choice is gouache with fine line pen. “I definitely don’t take it too seriously. Some pieces have a story, but I’m mostly inspired by what I see, what I think is fun.” One of Alice’s artworks, featured on the cover of this magazine, is titled ‘Do you want a piece of me?’
“The original text was just a play on words, do you want a piece of me, as in cake, or do you wanna piece of ME - as in a stance. It was a fun one to do!” Alice explains.
Alice’s upcoming solo exhibition, A Cabinet of Unnatural Curiosities, is set to open in mid-July. Inspired by the rich tradition of curiosity cabinets and taxonomy, the exhibition is an immersive exploration into a world where whimsy meets the macabre. Mythical creatures and plants come to life in vivid colour and intricate details.
“This series invites viewers to delve into a realm where the boundaries between reality and imagination blur.”
It presents a contemporary, playful twist on the traditional concept, exploring the artist’s most imaginative and favoured ideas.
Alice says the Refinery holds a special place in her artistic journey, “serving as both a starting point and now a homecoming. My first group show here in 2015 marked a significant milestone in my career, and I'm excited to return with my first true gallery solo exhibition showcasing my growth.”
ABOVE: Local artist Alice Snow has been making waves in the art community with her vibrant and playful creations.
What made news in our region...
Nelson’s new wood-fired sauna experience
Goodheat is a newly opened, traditional wood-fired sauna at the Nelson Yacht Club. Created by Joe Mansfield, who moved from Portland, Oregon in 2022, the cork-clad sauna is steps from the sea, allowing cold plunges between sessions. Missing the sauna culture and community, Joe designed and built the mobile sauna. After navigating material sourcing and council consents, he now shares his dream of combining sauna and cold plunge with Nelson’s local community.
Shortest day, longest ride
We’ve passed the shortest day of the year, an event annually celebrated by the team at My Ride Richmond and other keen cyclists who completed their third ‘Shortest Day – Longest Ride’ on June 21. Approximately 50 cyclists spent the day tackling the 172-kilometre Great Taste Trail loop. Starting at 7am, they boarded the Māpua ferry to Rabbit Island, then rode over Spooners to Tapawera, the Baton Saddle to Riwaka, and pedalled back to Māpua for a well-deserved beer.
Brightwater’s gym pumps up for increased demand
Brightwater’s community gym, Taylors Contracting Wanderers Gym, has pumped up its facilities to accommodate over 200 weekly visitors. Phase one renovations included three new toilets, two showers, and enhanced accessibility features. Funding from the Rata Foundation supported the project, led by builder Callum Rogers of Rogers Build. Phase two aims to demolish an old kitchen and bathroom to expand the gym floor, meeting the increasing demand, particularly from seniors, for improved facilities that promote health and community connection.
Natureland’s capuchin monkeys swing into new home
Natureland’s capuchin monkeys, after over 50 years in a cage, will soon have more room to monkey around in a new 425sqm open enclosure, seven times larger than their old space, featuring a heated den for winter. The project, led by Drew Hayes, Downer’s acting regional manager for transport and infrastructure, and supported by local construction companies, marks the first use of the park’s newly leased area. Despite funding challenges, community efforts have advanced the project, with additional funds needed for the den. The new enclosure will better mimic their natural habitat and enhance their well-being.
Victory shines at regional Showquest
Victory Primary School excelled in the junior section of the regional Showquest last month with their performance ‘He Waka Eke Noa’, showcasing cultural diversity and honouring Te Tiriti o Waitangi. Led by Laura Nalder, the school’s performing arts coordinator, and supported by a dedicated team of students, staff, and whānau, they won awards for best theme, video wall, and public speaking. Showquest, New Zealand’s premier student performing arts competition, culminates in a national digital final in August.
Getting to know... Helen Palmer
Helen Palmer leads the Seafood Technologies Portfolio for Plant & Food Research and spends her weekends on the sidelines of her kids’ games, hiking, or gardening. She loves coffee, effortless dinners, and cherishes simple pleasures in Nelson.
As a child, I was really into... collecting tickets. I wanted to be a bus conductor on a London bus, so the obvious training was to collect tickets from everything and everywhere. Turns out that being a bus conductor on a London bus wasn’t the path that I went down, and for that I am grateful. But ticket collecting is still a useful skill to have right?
At the weekend you’ll find me... on the sideline of the netball court and football pitch for the kids’ sports games, at the dog beach, up the Gramps, or in the garden.
After work, you’ll find me... trying to convince the kids that eggs on toast would be a good dinner option. That usually fails, so then it’s into dinner-making mode. I often dream about having meals magically appear, especially during the week after a big day at work.
I get my coffee fix from... Sublime, large flat white. Preferably at about 11am! I’m also a regular customer of Ruby’s at the marina since it’s so close to the Plant & Food Research site, and good coffee in the sun beside the water is always a treat. We are lucky to be spoilt for choice when it comes to good coffee in Nelson.
Something I learnt way later than I should have... is that worrying about things you can’t change is a waste of time. Though this is a work in progress - I still stress way too much about stuff that I can’t do anything about!
A random fact I love is... that the blue spots on snapper are just like a fingerprint – each individual has a unique pattern that endures as they grow bigger. We use this to ID fish as part of our snapper breeding programme so it’s a random but also very useful fact.
My simple pleasures are... tramping with the kids, wandering around the Saturday market, a walk or paddleboard with a friend, hanging out with Milly (my very loyal dog). Nelson is such a great place for simple pleasures, and I love that getting out and about in the outdoors is so easy here.
One thing I’ll never do again... is get a stamp in my passport from a pub – it seemed like a good idea at the time but in the light of day the stupidity was rather obvious, especially since I was in the middle of six months backpacking around Europe.
I wish more people knew… what an amazing opportunity the blue economy is for New Zealand – for sustainable economic growth while also contributing in a really positive way to our country’s ecological, cultural and social well-being.
When I’m bored I... assume that there’s something that I should be doing. I’m an active relaxer and boredom doesn’t feature much, there’s always something that looks like it needs some busy work.
I hope in ten years I will be... wishing that I’d appreciated the kids’ mess more and not complained about it. Empty nesting sounds hard!
Nydia Track with the kids.
Simple pleasures.
My loyal dog Milly.
on the couch
With
Nelson Festivals Trust
general manager Ruth Roebuck
Joining the Nelson Festivals Trust at an exciting time, newly appointed general manager Ruth Roebuck brings a world of experience to Whakatū from her international career. As the Nelson Arts Festival celebrates its 30th year, Ruth tells Nelson Magazine what’s in store for this year’s Festival – and beyond.
What can we expect from the longest running annual arts festival in Aotearoa?
Our 2024 celebration has thrilling performances to invigorate, captivate and provide jaw-dropping experiences with award-winning shows, a special commission and world-first launches of highly anticipated pukapuka (books). It’s a time to reflect and celebrate the amazing elements that make the Nelson Arts Festival the audacious and inspiring taonga it is. Revisiting 30 years of incredible artists, conversations and Festival whānau as we communicate our legacy through storytelling, podcasts and photography. Whakatū will see 11 days of unmissable experiences, more than 50 events, the iconic Mask Carnivale, diverse community partnerships, brilliant contemporary artists from around Aotearoa and overseas; plus, we’re continuing our PWYC and accessibility programme.
What changes have you seen in the art sector?
Charting your journey can be unsettling in changing times and as a creative activator it’s critical to pivot and remain agile to climate and audiences, whilst keeping true to our values and purpose. Securing funding is hard, and strategically focused relationships are important. Post pandemic, some home-grown festival expertise has flown the Aotearoa nest; (re)building capability locally is an aspect we continuously invest in, and benefit from. We are immensely proud to have built a strong independent organisation, we are grateful for the significant NCC relationship and resultant support, to our funders who acknowledge the value of our mahi and to our growing, passionate and committed whānau of Festival partners - all together, we drive our sustainable future. 2024 is already a big year for the arts in Aotearoa, with numerous international accolades, and we see this reflected in our Festival.
What do you hope to see for the future of Nelson Festivals Trust?
We are soon to launch our updated strategic plan. We focus on the success of our taonga and creating a culturally sustainable future that is aspirational and built on innovation, collaboration and alignment with Whakatū, regional and national arts strategies. The board’s leadership in crafting our narrative and key priorities has been critical and initial stakeholder input stimulating; we look forward to presenting this to you.
My vision is that the exuberance and vitality of our Festival is felt across Te Tauihu, and cornerstone events like the Mask Carnivale play a critical role for our community and eco-system. Our events are deeply embedded in our community, our collaborations bring people together and ignite conversations and positive change for our whole community.
Nelson Arts Festival 24 October – 3 November 2024 nelsonartsfestival.nz
Nelson Festivals Trust general manager Ruth Roebuck.
From picking apples to the red carpet
Lydia Peckham first found her love of acting while at Nelson College for Girls. Now she is walking Hollywood’s red carpet and will soon star alongside silver screen royalty like Russell Crowe. She talks to Charles Anderson about her journey.
There was a moment when Lydia Peckham was perched in an apple tree overlooking the family orchard with a camera rigged up with a bungee cord, pretending to be an ape, when she wondered about her journey.
It had been a long road to get there, up that tree.
The Peckams moved to New Zealand when Lydia was eight years old. They had moved here from Scotland, where she lived with her two siblings and parents in a forest with no TV and where they were encouraged to go exploring.
“This is where we would explore in the woods and play out endless imaginary stories. It was here that my imagination was set alight.”
It was the University of Otago Sheilah Winn Shakespeare Festival that was the catalyst in transitioning her passion to the reality of acting on stage.
In her final year at Nelson College for Girls she was selected to go to London and perform on the Globe stage; it was at that point that she felt this could be a valid career.
“I definitely fell in love with it. I've also always really been into clown and physical movement. I think there's something about stripping off yourself and stepping into a space where you can just play and be alive with an audience on that stage, there is an electricity running, both within you, and in the space that lives between you and the audience.”
Lydia says she had always been attracted to the offbeat. She enjoyed the quirkiness of performance, finding physicality from movement. She tested out different forms of acting but from those early days she always thought the stage was the place for her. By the time she finished school there was a decision to be made. Should she opt for a ‘safe’ career, or should she follow her passion for acting. She liked cider but didn’t want to follow in her parent’s footsteps to be a cider maker. There wasn’t a right choice, but there was a choice to be made.
“I was thinking, ‘Should I go back to England and try to make things work in a bigger space?’ At the time, my boyfriend was going to LA, so I was thinking, ‘Should I go to Hollywood and try to get into a drama school there?’”
She decided to attend New Zealand's preeminent acting school, Toi Whakaari. It’s a path welltrodden by aspiring actors across the country, and it was there she learned the hustle of what it might mean to be a professional performer.
“It teaches you to step into your own voice as a creator. It was a school that asked, ‘How do you make a living in New Zealand when there isn’t the same amount of content as in America?’ It’s about making your own work and thinking outside the box.”
As graduation neared, the collective nerves from her class was palpable. There were people who were getting roles in professional shows across the country. But Lydia learned early on that if you start to compare then you are doomed to a downward spiral. Her journey had an early introduction into the fickle brutality of the industry.
Lydia had been awarded the Museum Art Hotel scholarship in her final year at Toi Whakaari. She had been scouted and signed on by leading New Zealand agent, Johnson and Laird.
She was cast in Why Does Love, a biopic about The Exponents. She filmed it. It was exciting. This was it, her first foray into a world she had envisioned since she was a teenager. Then, the part got cut. She acted in short films, moved to Auckland and got a job at a café to pay the rent. She worked in supermarkets offering brand new cheeses to sometimes less-than-enthused customers. But there were also lessons in that too.
“What that taught me is that, if I could give any advice to actors or artists, it’s to try and find a life outside of your craft that makes you happy. Because if you let acting define your journey in life, it’s not going to be sustainable. It’s not going to feed into the work.”
So to that end, her and her partner William bought a campervan. She quit her jobs and she prioritised life. They travelled and explored the country, working remotely from the van. And then, suddenly, jobs started coming. Lydia would conduct auditions in the van, and if she booked a role, would drive to the airport to fly out to wherever she was needed. That was when Cowboy Bebop happened, a role in a Netflix original, filmed in New Zealand. It was about a ragtag group of bounty hunters chasing down criminals across the Solar System on the Bebop spaceship. Then more things began happening.
She landed a role in 2019 in the film Only Cloud Knows, a New Zealand-Chinese production, filmed in Central Otago and directed by Xiaogang Feng, a renowned director in China.
“There was such excitement in thinking, ‘Is this the precipice of the shift?’ I think a dream for an actor is that work comes to you and that you then have the freedom to make creative choices.”
“People say overnight success takes seven years, and actually is a series of small steps along the way. Looking back, Nelson, the people there and the opportunities I was given really allowed me to travel along this road.”
LEFT: From stage dreams to cider scenes, Lydia Peckham chose her passion for acting over cider making. RIGHT: Lydia on the red carpet at the Kingdom of the Plant of the Apes Premiere. Supplied
The film premiered in China and Lydia did a press tour across the biggest cities there. Jackie Chan attended.
“It was all high rolling… and then I got back and literally two weeks later Covid hit and everything went into lockdown.”
The world stopped. And along with that, much of the entertainment industry. From high rolling to lockdown. Lydia moved back to Nelson to help out on the orchard, which was classified as an essential industry. From the red carpet to picking apples.
“And here I was in the reality of real life, acting and career pushed to the side but lucky enough to be spending so much time with my family and a beautiful orchard to lock down in.”
Lydia kept her creative muscle active by writing and performing skits online. She and her sister Scarlett wrote a show that was then performed at BATS theatre in Wellington when Covid levels eased. It was a year later that an audition came through. It was for the fourth instalment of the Planet of the Apes reboot. It was an audition for an ape. The script had some words but it was more focussed on physical movement. They didn't want someone overcompensating or pretending to be an ape. They wanted embodiment.
Lydia looked around and thought a traditional blank wall would not quite suffice for the task. So she climbed a tall tree, strung up a camera with a bungee cord and moved around the branches with the sunlight peeking through the leaves and the wind in her hair. The result was… impressive. She sent it out.
“Off into the abyss and maybe you hear back in four months, maybe you don’t hear back at all, or perhaps tomorrow.”
A month later, Lydia got a call from her agent saying the director Wes Ball loved it and wanted to meet. So they did. For an hour they conversed about seemingly everything other than the advent of an ape species that takes over Earth. Then, just like that, she had the job. Soon she would be Soona, a young chimpanzee. Her and her partner packed their bags and flew out to Sydney to begin production.
The film takes place 300 years after the events of War and follows a young chimpanzee named Noa, who embarks on a journey alongside a human woman named Mae to determine the future for apes and humans alike.
But before that, Lydia had to go to ‘ape school’. For six weeks she and her fellow actors had a crash course on how to become an ape. They trained with Alain Gauthier, choreographer from Cirque du Soleil.
“The first day we turned up, and he said, ‘Okay, I want you to find different spaces that have energy. So I want you to find a space in the room that has a dark energy and then you move your body to get into the shape of what that energy feels to you and your body.’”
“Really it was about stripping your human essence and stripping your mind and trying to become present in your body and in your being… So it was a lot about learning to let go of everything in a way which was amazing.”
It brought back her drama school days.
“Really it was about stripping your human essence and stripping your mind and trying to become present in your body and in your being… So it was a lot about learning to let go of everything in a way which was amazing.”
Lydia on set of Kingdom of the Plantet of the Apes which was filmed in Australia. Supplied
By the time she finished, Lydia says she looked at her castmates as fellow apes. Then, finally, it was time for filming with some of the most advanced motion capture technology around. Lydia was placed in a bodysuit, dots all over her body and a camera attached to a headset to capture her facial expressions. The technology then rendered out a virtual twin of her performance, which 3D artists could begin layering onto her ape exterior.
But it wasn’t until the premiere at the famed Chinese Theatre on Hollywood Boulevard that she got to see her transformation.
“The premiere was a whirlwind of an experience. You turn up and there's all these people who are shouting your name, asking for your autograph. You're like ‘how do you know who I am?’ You get ushered through the crowds and then you get like, thrown, suddenly you’re on the red carpet with so many cameras in front of you.”
It was a moment that actors dream of. One that Lydia had dreamed about. But it was hard to take it all in.
“It's electric, it's adrenaline, there's so much energy going on all around you.”
Lydia had flown to the ‘Apes’ premiere in Los Angeles from Budapest, where she was filming another film, Nuremberg. A very different experience from her previous role, this film is about the Nuremberg trials and stars Russell Crowe and Rami Malek.
“People say overnight success takes seven years, and actually is a series of small steps along the way. Looking back, Nelson, the people there and the opportunities I was given really allowed me to travel along this road.”
A step that started in Nelson, with Lydia performing Romeo and Juliet. What would that Lydia think of all this?
“You know, it sounds glamorous here, but it's been years of hustle and there's been numerous points where nothing's happened… That's why I talk about honouring life and not putting judgment on whether you're succeeding or not at that time. It's just I think, keep it sustainable, laugh often, and keep going.”
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Daniel Allan
Dry ten years
Ahead of Dry July, Charles Anderson speaks to one Nelson man who gave up the grog ten years ago and has never looked back.
Wayne Askew is nervous. He’s put his story into the world many times over. His Instagram following of almost 11,000 has become a community of people seeking solace in his words. But sitting here now he still exudes some of the same characteristics that he says pushed him to use alcohol as a crutch for life. His words sometimes falter. He checks himself. But he knows he is doing the right thing. He wants to share his journey.
“I was just a shy ginger kid,” Wayne says
From those early days growing up in one of the hardest areas of Napier to now, has been a long path. But it is one decision that he says has transformed his life.
“I was only one bad decision away from finishing things or ending up on the streets,” he says. “There were several times I spent nights in my car.”
Wayne’s journey from the depths of alcoholism to the clarity of a sober life is a powerful testament to resilience, self-discovery, and redemption.
The turning point came after a particularly tumultuous period marked by drinking binges and reckless behavior. His relationships were fraying, and his sense of self-worth was at an all-time low.
“I had hit rock bottom. I was embarrassed by my actions, constantly filled with regret,” Wayne says. “Every morning, I would wake up and try to remember the stupid things I had done the night before. It was a vicious cycle.”
The decision to give up alcohol was not a sudden epiphany but rather a slow realisation that he needed to change.
“It’s been ten years, but I’m still learning,” he admits. His father’s death last year provided a profound moment of reflection.
“I got to see him before he died and understood a bit more about his past. There were so many similarities between us.”
His father had lost his own dad at a young age in a tragic accident on the family farm.
“Dad never spoke of his own father, who was electrocuted in the shearing shed. That loss, and being sent off to boarding school, marked him deeply.”
These unspoken traumas had shaped his father’s inability to express emotions, a trait that had been passed down to him.
“He never told me he loved me.”
That was normal. Whenever there was conflict in the house Wayne recalls his father shrinking and disappearing into the garage for a drink. There he would get some courage, come back and an argument would escalate. It was also that same garage where Wayne had his first drink, with his dad.
Even when they said their final goodbye at the airport, the last time they saw each other, his father couldn’t quite hug him. Before he died, Wayne’s father broke down and cried. Wayne didn’t see it but was told by his dad’s partner later.
“I really do feel happy for him that he was able to reach that point, of showing some emotion.”
Wayne Askew reflects on his journey from alcoholism to a decade of sobriety. Tessa Claus
Reflecting on his own life, Wayne recalls his childhood as a shy, ginger-haired boy with little confidence. Back in those days you could walk into an alcohol shop in your school uniform and walk away with beers, he says.
“It was different back then. I was that chubby kid with no self-esteem. I remember the first time I drank at a school party—it felt like a liberation. I could talk to girls and do things I would never dream of doing sober.”
But this initial sense of freedom quickly turned into dependency.
“We’d all drink and take turns driving, doing silly stuff. It’s little wonder I’m still here.”
Then they would turn around and do the same thing the following day.
“It was the embarrassment, you know. You do stupid things. You go out and you’re drunk and say stupid things or you’re embarrassed yourself. And you wake up in the morning and it’s the regret. And then it stopped for a few days and it’s not so bad, time passes and you do it again.. If you go all week without a drink and you think you’re doing well so reward yourself with a few extra. There was no moderation.”
Drinking became something Wayne relied on to face social situations and life’s challenges.
As he entered adulthood, alcohol remained a constant companion.
without a drink. But I was stubborn enough to stick with it once I made the decision.”
Support from friends and family was crucial.
“My mates never gave me a hard time, they were really respectful and understood. It was a new challenge, but I found strength in their support.”
Over the years, Wayne rebuilt his life, one sober day at a time. He took pride in the milestones he achieved without alcohol, from getting married to being present at the birth of his child 6 years ago.
“Facing major life events sober felt like a triumph. I realized I didn’t need alcohol to celebrate or cope with life.”
His newfound confidence and self-awareness were transformative.
“I started doing things sober that I only ever did drunk before. It was empowering. I found that I could enjoy social events, sports, and other activities without needing a drink.”
Five years into his sobriety, he decided to share his journey on Instagram.
"I knew I had to change. I was destroying my life and the lives of those around me."
“I worked two jobs, and in the evenings, I’d drink while working in my garage on my joinery business. I’d do that for hours. Sport was another outlet, but even that was saturated with alcohol.”
The downward spiral continued until a night of heavy drinking led to him being a victim of a violent altercation, ironically, landing him in Nelson jail.
“We had a massive fight. Alcohol was involved, and things got out of control. That night, I ended up in jail. It was a wake-up call. It was not a nice place to be.”
This incident, among many others, forced Wayne to confront the reality of his alcohol use.
“I knew I had to change. I was destroying my life and the lives of those around me.”
Deciding to quit alcohol wasn’t easy.
“I had to do it for myself, not for anyone else. Not for my kids, not for my wife. It had to be for me.”
The first days and weeks of sobriety were tough. Wayne had to break long-ingrained habits and face life without alcohol to rely on.
“I remember thinking that I could never enjoy life
“I didn’t even know what Instagram was. I went to a networking meeting for work, and someone suggested it. Now, people from all over the world reach out to me. It’s incredible.”
Through social media, he found a supportive community and a platform to help others.
“I get private messages and comments from people saying they’re inspired by my story. It’s pretty cool. I never thought I could be an inspiration to anyone.”
To commemorate his journey, he got tattoos that symbolises his transformation.
“The flower of life, then reversed, along with Ta Moko representing my journey from darkness to light. It’s a reminder of where I was and where I am now.”
The tattoo includes his sober date, May the 4th, 2014.
“It’s a date I can never forget, and it keeps me accountable.”
When 10 years sober came Wayne felt the weight of that moment.
“I felt proud. And I’d achieved something. Right from the start. And then it was, you know, doing something different. And then I’m stubborn enough to keep with it. And I’m happy to be different.”
Today, his life is a testament to the power of change and resilience. He emphasises the importance of being the best version of oneself for one’s family and community.
"Facing major life events sober felt like a triumph. I realized I didn’t need alcohol to celebrate or cope with life."
“If my story can help someone else, then it’s all worth it.”
His life now is vastly different from his days of heavy drinking.
“I have a close-knit family. My wife comes from a very open and communicative family, something I never had. We talk about everything, and it’s what we’re teaching our son, Charlie. He knows he can talk to us about anything, and I make sure to tell him I love him every day.”
Now in the month of Dry July, his message is clear: “Breaking the habit isn’t easy, but it’s the best decision you can make. You don’t need alcohol to live a fulfilling life.”
“It’s not a bad decision. You’re not giving up life. You’d be amazed how good you feel. Just how well you sleep. You become brighter when you’re not having that anxiety about getting to four o’clock in the afternoon so you can have a drink.”
Reflecting on his decade-long journey, he acknowledges that the road to sobriety is fraught with challenges.
“There were never times when I was tempted to drink again. Social gatherings, holidays, and stressful moments tested my resolve. But I reminded myself why I chose sobriety in the first place.”
He found solace in new routines and healthier habits.
Support systems played a crucial role in his journey. Wayne’s friends and family were incredibly supportive. They respected my decision and helped me stay accountable. He also attended the Nelson Alcoholics Anonymous as a way to find community.
Wayne emphasises the importance of seeking help and building a network of support.
“You don’t have to do it alone. There are people out there who understand what you’re going through and can offer guidance and encouragement.”
Mindfulness and self-awareness became key components of his sobriety.
“Three years ago, I started focusing on a word each year that represented what I wanted to work on. Gratitude, understanding, one year, it was ‘awareness.’ I became more aware of my surroundings, how I interacted with people, and how I handled situations.”
This practice helped Wayne stay grounded and present. It allowed Wayne to appreciate the small joys in life and stay focussed. It also helped him recognise triggers and manage them effectively.
“I gotta be the best that I can. I want to be the best that I can from my family and my life. And my group of people.”
Sharing his story on Instagram was a way to give back and support others.
“I get inspired by others and their stories and people that are just starting out and I read what they’re saying.”
Wayne believes that helping others has been instrumental in his own recovery.
For those struggling with alcohol, he offers words of encouragement and practical advice. “Take it one day at a time. Don’t be too hard on yourself if you slip up. What matters is getting back on track.”
He also stresses the importance of finding healthy outlets for stress and emotions.
“Exercise, hobbies, and spending time with loved ones can all help. Find what works for you and stick with it.”
As Wayne looks to the future, he is less nervous. He has a solid job working as a kitchen designer and remains optimistic and focused on maintaining his sobriety.
“I’ve come a long way, but the journey isn’t over. I continue to learn and grow every day.” askew.wayne
Wayne with son Charlie and wife Hayley. Wayne says support from friends and family was crucial. Supplied
THE NELSON YOUTH MUSIC SCENE
The fact that our region nurtures and attracts creative talent is not news to anyone fortunate enough to live here. What might be surprising is how young some of our most promising local bands are, thanks to a thriving youth music culture generated by schools, regional councils and our incredible young performers themselves. Alistair Hughes finds out more.
Nelson has recently hosted the Smokefree Rockquest regional final and Rock the City: an annual, non-competitive showcase of upcoming young bands. This year the event was organised by acclaimed eighteen-year-old local musician Florence McNabb.
“I was fortunate to have played at the event before, so I already knew a lot of the people and performers I was working with,” says Florence. “They all enjoy playing at Rock the City and I was grateful and excited to have so much talent in one show.”
The Nelson Centre of Musical Arts, (NCMA), contracted Florence to work for them on Rock the City after her internship with them. Unanimously declared a huge success by the bands involved, many of whom also went forward to the Smokefree Rockquest regional finals in late June.
“I just wanted to see the Whakatū youth on the stage connecting with their peers in the audience and feeling that sense of community,” says Florence, “so I definitely feel that aim was achieved.” No stranger to the event herself, Florence performed with her band, Parallel Park, the year prior.
Parallel Park’s members, who originally met at Nelson Intermediate, have been playing together for seven years. Their first EP was released in 2022, followed up this February with the debut album, Growing Taller. They also dominated the Rockquest stage in 2023, taking out first place at the Nelson regional Smokefree Rockquest final.
Guitarist Kahu Sanson-Burnett, one of Parallel Park’s founding members, recalls his interest in performing came originally from his parents. “They started me playing guitar five minutes a day, and at first I was pretty reluctant but then reached the point where I started enjoying it and carried on in my own time.”
When he, Florence and another founding member, Ethan, won Bandquest two years running in Years 7 and 8, it seemed inevitable they would continue performing at high school. Like Florence, Kahu was very involved in sport, but music gradually became his focus. However, for now university and overseas travelling will see a pause in the band’s activities for a while. “I think we’ll just keep meeting up whenever we can, writing, recording and performing together.
Being part of the Nelson music community has been amazing. I’ve made some lifelong friends.”
Year 10 student from Motueka High School, KC Penelomay, was the only soloist to perform at the Rock the City event. Playing guitar from the age of eight, an enthusiasm for English and reading, as well as involvement in dance and drama all contribute to her songwriting. KC draws on emotions invoked by her daily experiences.
“I would say language creativity and rhythm are my strengths and humour is also in the mix,” she says. “There is a special technique to writing to the rhythm of a song, and then finding the chords.”
“It is hard to say where my influences come from, no doubt the wide range of artists I appreciate all have an effect on me. I want to make music I would listen to, in many different styles.” KC released her first album, Inexorable, on Spotify in March, and will be working with a producer on her next EP.
Izzy and Tia, students from Nayland College, met up on a music class zoom call during Covid, and formed the band Tizzy, soon afterwards. “The year after that, we played at the Nelson Arts Festival for the first
time,” says Tia. “That was our first performance. And then we started getting a bit more serious, and Ash joined us.”
Before then, they had been playing with Jude from Parallel Park, and Izzy confirms that this kind of collaboration isn’t unusual. “We kind of steal people from other bands. Eve, from Ruled by Venus, played violin on a song with us, and we’ve also played with Zach from Parallel Park and Oscar from Solace at Rock the City. It keeps it fresh.”
Like most people their age, (Izzy and Ash are 17, Tia is a year older), life can be busy and being part of a band requires commitment. “There are always challenges,” admits Ash. “But I feel for all of us, the joy of being able to make music and perform it live is definitely worth it.” The girls agree, “It’s what we enjoy most,” adds Tia. They are also unanimous in naming their performance of The Pot by LA rock band Tool, at Rock the City as their favourite experience so far. In-sync on and off stage, they plan to continue recording together in Wellington.
Vocalist for Garin College band Frog, Charlotte Grace is 16 and has already had a long association with
Shedheads performing at Rock the City, Theatre Royal Nelson. Jaine Studios
performing arts. Charlotte comes from a musical family where performance arts have been a big part of her life. Charlotte explains that her college music class encouraged cooperation between students in forming bands for school performances. “I was eventually asked by our guitarist, Ziggy, if I would do Rockquest with him and two other boys. And that’s how the band was formed.”
Rock the City was only their second appearance together, but the band found it to be a tremendously positive experience. “It was a great opportunity for us to get comfortable on stage, and I thought it was going to be a whole lot more competitive than it actually was. But members from other bands came up to us and told us they loved our music. It’s all very supportive.”
Having only written two songs so far, the band are still figuring out their own sound, but draw inspiration from Paramore, Amy Winehouse, Radiohead, and Tool. They now hope to create more songs and release an EP. And for Charlotte, more has come out of the experience than simple enjoyment. “I was planning on actually leaving school, but I think joining the band and making music has really helped me out and given me motivation to stay.”
A US indie rock inspired sound was added to the Rock the City lineup by Nayland College’s Lobotomy Stare, a four-piece band with drums, bass, guitar and vocals. Year 12 band originator Rose Leighton is originally from California, and lists bands American Football, Neutral Milk Hotel and New Zealand indie-pop band The Beths as influences.
“I’ve always loved the Nelson music scene, everybody is really supportive of each other.” The spirit of collaboration between local youth bands continues, as Rose has also played bass for fellow group Tizzy on a couple of occasions. “It’s a common thing because
we’re all friends. We get to know each other through the music, and it creates community.”
JP from Shedheads comes from a different musical background than most, having grown up playing in a Marlborough brass band, “playing the cornet as a wee fella.” Jazz and school bands followed, until he found an opportunity to branch out even further.
At Nelson Intermediate, JP’s teacher encouraged him to improvise with bass guitar, which he found challenging at first but quickly grew to enjoy it.
“Eventually I reached the point where I could play on the fly and make my own music.”
Shedhead’s drummer Shoei Ito originally comes from an orchestral background, playing the viola and violin, and along with guitarist Ryan Smith, they now describe themselves as a ‘funky, rocky three-piece, into lots of different musical genres’. “We perform gigs at pubs and are always trying to find every opportunity possible,” says JP. “If we could live by just playing all the time we definitely would.” He makes sure that the band’s parents are recognised for their support and help with ‘transport logistics’ too.
JP found the backstage experience of Rock the City as beneficial as playing. “It was an amazing opportunity to get to know all these other musicians who just want to perform together, and we’re planning future gigs.”
Tobin from Motueka High School’s The Imperfect Circles, says the band enjoys the live stage experience. “This year we experimented with performance in terms of just doing whatever we felt like. It’s such a crazy feeling to see the crowd respond to what you do on the stage, and so cool to play alongside all the talented youth bands of the region.” Their own talent certainly speaks for itself, as The Imperfect Circles took away the ZM Best song Award at Rockquest.
1. Musician Florence McNabb, organiser of Rock the City, and member of Parallel Park. LB Photography 2. Parallel Park took out first place at the 2023 Nelson regional Smokefree Rockquest final. Supplied 3. Soloist KC Penelomay, a Year 10 student from Motueka High School, performing at Rock the City. Jaine Studios 4. Oscar Walsh and his band Solace won first place at the Nelson Rockquest regional final this year. Jaine Studios
Solace founding member Oscar Walsh counts Rock the City as a great experience for a reason slightly different to that of some of the other bands. “People in the audience were singing along to original songs we had written,” says Oscar, still not quite able to believe it himself. “We played our song Rich Kid, which has only been performed three times now,” says vocalist Mia, “and they knew the lyrics and were singing it back to us!”
“It’s a really easy melody to learn because it’s quite simple with just a few chords,” says their pianist, Daniel. They are looking to release the song on an EP soon.
There are five band members in Solace, from Nelson and Garin Colleges. Their diverse age range means that their future together is in a little doubt as Oscar and Mia leave for university next year. “But for now we’re making the best of the time we’ve got,” she says.
That time has been put to great use so far, as Solace won first place at the Rockquest regional final.
“Performing on the Smokefreerockquest stage is one of the most amazing feelings,” said Mia afterwards.
“The support we have all received over the years is so special, there is nothing quite like it.” The band are thrilled with the result and the chance to make it to the national finals. “Not only have we come out of the experience with a win, but also with a bunch of amazing new friends who we will be performing alongside again.”
Finesse from Nelson College and Nelson College for Girls were close behind in second place. “It’s really great for us,” says drummer Ned Rainey. “We’re now through to the video submission stages for national selection.” Incredibly, Finesse only formed this year, and had already won the Smokefree Tangata Beats
regional final, (focused on music reflecting Māori and Pasifika cultural identity), in May.
Bass player Zac admits to being a little intimidated by the overall quality at the Rockquest final. “We joined the crowd afterwards and could see the amazing standard. I didn’t expect to come where we did after seeing all the other bands play.”
Finesse vocalist Alyahna puts it down to their difference in style, which she describes as R&B pop with a little bit of occasional funk. “I think it makes our performance memorable, and we even have a little dance break.”
The band have found that the vibrant Nelson youth music scene brings many benefits. “It gives you a chance to meet new people, get your sound out there, be creative and have fun collaborating,” says Zac. Alyahna agrees, “Everybody recognises and respects each other, and enjoys sharing the same love of music.”
Rockquest event manager Danya Sanerivi was proud of all the contestants. “It’s fascinating to see the growth in these bands from the heats to the finals. They really step up their game, pouring everything they’ve got into their performances.”
Temporarily leaving the creative environment which she has done so much to foster, Rock the City organiser Florence McNabb is currently travelling in Europe. But her heart remains with the Nelson music scene. “I was so happy, and grateful to have worked alongside the best people. All the performers, VenueTech, the Theatre Royal, Nelson Youth Council and everyone else who made Rock the City run smoothly.” Florence laughs as she recalls being asked how she found all of this musical talent to perform. “Honestly that was the easiest part of the event, I just feel lucky to have been a part of it.”
Embracing Nelson’s stage
Chiqui Sayson arrived in Nelson in February 2024 with her partner Philip, and in the short time she’s been here has immersed herself in the local theatre scene, taking one of the lead roles in the upcoming Nelson Musical Theatre production ‘Urinetown’. Chiqui, 33, from Cebu in the Philippines, talks to Justin Eade about how she came to be here and what she enjoys about living in Nelson.
Ihad to choose between my career and my personal life in moving to Nelson. Coming here was necessary due to my partner Philip moving to Nelson in May last year to work as a builder in Richmond. We wanted to be together, I prioritized my career as an HR professional for so long, and I am now focusing on my personal life and am embracing this new chapter. While I continue to seek ways to contribute professionally, I am also exploring the joys and possibilities that come with prioritizing personal happiness and well-being.
Taking a leap of faith, I discovered Nelson to be everything I had dreamt of. Honestly, I didn’t prepare or do any research before coming to Nelson, but the
beautiful scenery and the laid-back atmosphere made it the perfect escape from the hustle and bustle back home. This change of environment is the best decision I’ve made. The natural beauty here is breathtaking. The slower pace of life in Nelson has offered me a sense of peace and tranquility that I hadn’t realised I was missing.
The people here are really friendly and accommodating which helped with the transition. In my previous job I worked with international clients, including those from New Zealand, which made adapting to the culture here easier. However, adjusting to the climate has been more challenging, and I’m still getting used to it.
I’m currently in rehearsals for ‘Urinetown: The Musical’ with Nelson Musical Theatre. The show is a satire set in a dystopian future where water is as valuable as gold and people must pay to use public restrooms, which are controlled by a corrupt private company. I initially found the title funny, but the story deeply intrigued me as it delivers a profound message addressing significant societal issues. I got the amazing opportunity to portray Hope Cladwell, the innocent and optimistic daughter of the company’s owner. As the story unfolds, she begins to understand the harsh realities of life.
From a young age I was captivated by the performing arts. I eagerly participated in extracurricular activities and was appearing on local TV shows. However, when my father fell ill, I had to pause my passion to support my family and focus on building a stable career. After his passing, I found solace in reigniting my love for performing. It was a way to reconnect with a part of myself that I had set aside. I started taking on side gigs as a singer and performer at private events and local theatre productions, slowly rebuilding my confidence and joy in the performing arts.
In the Philippines I wasn’t very active in theatre due to my corporate job. However I did participate in some local productions, my biggest role being Princess Yasodhara in ‘Siddhartha: The Musical.’ This production toured internationally, and I performed in shows in Taiwan and Australia. Additionally, I enjoyed singing at private events as a side hustle and had the opportunity to compete in a singing contest on Philippine TV, which, despite not winning, was one for the books.
I’m grateful to have found a platform to pursue my passion for performing here in Nelson. Initially apprehensive about auditioning for Urinetown, I took the leap and found myself embraced by the warm welcome of the production team and the cast members. From the moment I walked into the audition room, their
encouragement put me at ease and any lingering nerves quickly dissipated. Rehearsing alongside a talented and dedicated cast has been nothing short of inspiring, and each day brings new challenges and discoveries as we work together to bring the show to life.
Like me, my partner Philip finds Nelson dreamy. We both share a love for nature, the beach, and beautiful scenery. Philip, also Filipino, applied for a builder position while we were still in the Philippines and secured the job through an agency. Now working for Coman Construction, it’s his first time in New Zealand, so he has faced some challenges acclimating to the culture and practices here. However, the supportive and helpful people in his workplace have made his adjustment easier.
I love strolling along Tahunanui beach with my partner, feeling the breeze. Also, the parks here are well-kept and easy to reach for everyone. But what I love most is how much Nelson values theatre, giving people like me a chance to pursue our passions.
I didn’t know what to expect when I came to Nelson, but it has been a pleasant surprise. The people here are always friendly and sunny, just like this dreamy place. The first connection I made is with the Nelson Musical Theatre, where everyone is warm and inclusive. This makes the relaxed, fun atmosphere feel like home, despite me being the only Asian in the group.
Given the opportunity, I would love to stay in Nelson for a while. The combination of natural beauty, wellmaintained public spaces, and a strong emphasis on the arts makes it an ideal place for both personal and professional growth.
‘Urinetown’, directed by Hugh Neill, opens 10 July at Red Door Theatre, by Founders Park.
1. Singing with my brother. 2. Performing in Siddhartha The Musical. 3. Visiting Cable Bay with my partner Philip. 4. At Miyazu Japanese Garden
day I saw the posting about Urinetown.
Embrace the bold allure of red hot fashion this season.
1. Annie Cardigan in Cherry Red, $229 Trouble and Fox | troubleandfox.co.nz 2. Minx Grace, combo black and red heart, $220 Whitwells | whitwellsmotueka.co.nz 3. Ole Lynggaard Lotus Ring in 18ct Yellow Gold with Red Coral $2850 Jens Hansen | jenshansen.co.nz 4. Baggu nylon crescent bag, black, $115 Trouble and Fox troubleandfox.co.nz 5. Vonda by Dr. Martens, $399.90 Soul by Mariposa | mariposaclothing.co.nz 6. Hinza tote, red $75 Trouble and Fox | troubleandfox.co.nz 7. Seven til Midnight, two piece eyelash and floral lace chemise set, $69.99 Be Adult Boutique | bkinky.co.nz
Juliet Powley’s eclectic outfits are mood-driven, curating her wardrobe with mostly thrifted and sustainable garments. Her style is a dynamic mix, often highlighted by her love for chunky boots and versatile waistcoats.
What are you wearing today?
A vintage made in New Zealand navy crepe two-piece (pants and waistcoat), that I thrifted. My leather moto jacket is from Glassons, purchased from a reseller on Depop, and limited-edition sulpha star Jadon Dr. Martens.
What is your style?
I like to say eclectic, a little bit of everything! Like the kitchen sink at the end of the day. But in saying that, I dress to my mood everyday so don’t really plan my outfits.
What is most of your wardrobe made up of?
90% thrifted and sustainable garments, something I’m very passionate about. It also helps justify how much I buy! I visit op shops almost daily… Chunky boots make up the other 10%.
What are you loving at the moment?
Waistcoats! So versatile and I love to layer, so many different looks with one of these.
What are you dressed for today?
Myself, always.
Thrift stores, Depop, reselling groups.
Where do you buy most of your clothes from?
What is your approach to shopping?
I see it, I want it, I buy it – I’m in my self-love era.
What is your all-time favourite purchase?
A pair of Topshop high-waisted black jeans with black stars embossed all over them. I was working at Recycle Boutique at the time, and two pairs came in, both in my size, so of course I brought them both. Who knows where they are now…
What has been your worst clothing disaster?
Ripped tights throughout my high school years... to match my black hair extensions.
What wardrobe item should everyone invest in?
A black leather jacket – always chic.
Do you have a style rule you always obey?
“It’s not what you wear, it’s how you wear it.” If you like it, just wear it, babes.
If you could raid one person’s wardrobe, who would it be?
Zoë Kravitz and Natasha Lyonne! Absolute icons. Finish this sentence – You would never catch me wearing… Jandals. Ever. I’m sorry, I just can’t.
Tessa Claus
As the temperature drops, many of us notice changes in our skin’s appearance and feel. Kate Dyer says understanding why cold weather affects our skin and knowing how to protect it is essential for maintaining healthy, hydrated skin throughout the winter months.
Why cold weather dries out your skin
Cold air holds less moisture than warm air, which causes any moisture on your skin to evaporate quickly. This leads to a feeling of dryness and leaves your skin without the hydration it needs to stay healthy. In low humidity conditions, the skin’s ability to retain moisture is compromised, making it difficult for the skin to carry out essential chemical reactions.
Additionally, when exposed to extremely cold temperatures, our skin’s blood vessels constrict, reducing the amount of oxygen that reaches the skin. This can lead to a decline in the skin’s health and appearance. Free radicals, also known as reactive oxygen species, become more concentrated in lowwater environments. This can cause the keratinocytes (cells that make up the outer layer of the skin) to release pro-inflammatory cytokines, further damaging the skin’s protective barrier.
The impact on existing skin conditions
Cold weather doesn’t just dry out your skin; it can also exacerbate existing skin conditions. For instance, conditions like acne can worsen due to increased dryness. Additionally, the skin produces lower levels of essential fatty acids, ceramides, and cholesterol in cold weather, which can aggravate dermatitis and eczema.
Protecting your skin in cold weather
The best way to protect your skin’s structural integrity during winter is by preventing the skin barrier from breaking down due to extreme temperature changes. This can be achieved by supplementing the skin’s moisture barrier with essential lipids, humectants (water-binding), and skin-identical ingredients.
Summary of the effects on the skin
1. Low humidity winter air is much drier, stripping the skin of its natural oils.
2. Windy conditions can remove the skin’s protective oil barrier, leading to chapping and irritation.
3. Temperature changes from moving between warm indoor and cold outdoor environments can dry out and tighten the skin.
4. Prolonged exposure to heated indoor air can further dehydrate the skin.
5. Cold weather can decrease melanin production, the pigment that gives skin its colour, increasing susceptibility to UV damage.
The harsh winter weather can wreak havoc on your skin, making it crucial to use skincare products that protect and hydrate. By understanding the effects of cold weather on your skin and taking proactive steps to maintain your skin’s moisture barrier, you can keep your skin healthy and radiant all winter long. Regular moisturising, staying hydrated, using a humidifier, and protecting your skin from the elements are key strategies to combat the effects of winter weather.
Kate provides personalised skincare consultations through her blog at beautyandthebiome.com
BEAUTY Report
Keep fresh with treatments set to leave you looking and feeling your best this winter.
Designer permanent makeup
Enjoy fabulous long-lasting eyebrows or eyeliner without the hassle of applying makeup every day. With 30 years’ experience in the industry, you are in safe hands with Kathy Basalaj.
The Beauty Suite, above Prices Life Pharmacy 027 435 8336 designerpermanentmakeup.co.nz
Be smooth for summer
Book your free consultation to find out more about our gold standard laser treatment. Brazilian $200 single session, $540 three sessions, $1020 six sessions.
Mabin House 03 539 0699 mabinhouse.co.nz
Refresh tired eyes
Rewind time on fine lines and wrinkles, and reduce dark circles with permanent, long lasting eye rejuvenation. $900 for four treatments over three months. Includes bright peel and hydrating eye mask.
Samantha Grant
Advanced Dental, 70 Collingwood St, Nelson 03 548 4675 globaldental.co.nz
Looking good feels good
Jasmine is an experienced registered nurse providing cosmetic injectable treatments including antiwrinkle and dermal filler in Nelson. Free consultations, no obligations.
@injectablesbyjazz Jasmine Hall Aesthetics Jasminehallaesthetics.gettimely.com
Face Sculpting Massage
Experience the magic of the Face Up method designed to define your natural beauty. Each treatment takes you on a journey, releasing tension and stress. Providing physical healing and invasive face lifting and also a mental and emotional journey.
Face define by Kate 022 318 3621 @kate_faceupmethod
Certified Provider Per: faceupbeauty.co.nz
Teeth whitening that works
Professional teeth whitening at a great special-price. Just $169 for your 60-minute treatment (RRP $599). Rose Askin (NZCTWA registered, trained and qualified) 0272 462 449 sparklewhite.co.nz
Carol Priest Organics, pioneering natural and organic skincare for over 35 years
Carol Priest Organics has reopened its doors, right in front of the stunning Tāhunanui Beach this May. This new store reflects the beautiful, sustainable way of life that Nelson is known for. However, the journey to becoming a pioneer in natural skincare began much earlier, in 1988.
Carol Priest Organics was founded by Carol Priest, who, with a background in the pharmaceutical industry, became aware of the harmful effects of chemical ingredients on the human body. This realisation spurred her to develop natural skincare products in 1988.
The business initially operated from a historic cottage on Rutherford Street before expanding to a purposebuilt factory at Founders Park. It later ran a store on Hardy Street for 14 years until 2019. In 2019, Gwiyoun Kim, who had worked in the brand’s exporting sector alongside Carol since 2003, naturally took over the business. Gwiyoun has been operating Carol Priest Organics in Korea, building relationships with buyers across Asia, where the products are distributed to high-end spas and department stores. Recently, Gwiyoun and her daughter Danna opened a store in Tahunanui to reconnect with local customers and promote their natural skincare solutions.
Carol Priest Organics is one of the first skincare brands in New Zealand to be certified organic by receiving BioGro certification in 2006, setting a new benchmark in the beauty industry. Despite avoiding
flashy marketing, the business has thrived, exporting to several countries and cultivating a loyal fan base. Those who try Carol Priest products tend to remain loyal for decades as they appreciate the quality and transparency of the products.
“Carol Priest is a truly pioneering natural skincare brand,” explains Danna. “We have strictly banned the use of harmful chemicals since the day we started. We implemented full ingredient transparency even when it was not mandatory. We were one of the first skincare brands in the country to receive organic certification and we are now in the process of getting our entire skincare range certified organic. The beauty industry is not regulated worldwide, thereby so many brands market their products as ‘clean, natural, and organic’ without oversight. Being certified organic guarantees that no toxic chemicals are used - not only in the products but also in growing or harvesting our botanicals. We are excited to show our customers what genuinely natural means.”
For exceptional skincare products follow their social media, visit carolpriest.com or pop into the retail stores at 623 Rocks Road, and 12 Malthouse Lane, Nelson.
Lavender & Manuka Cleansing Cream, packed with organic New Zealand grown lavender and active manuka honey to gently cleanse, soothe and nourish the skin.
Rosa Damascena Facial Lotion, enriched with organic rosehip and pure rosa damascena to deeply hydrate and nourish the skin.
Evening Primrose & Geranium Eye Cream, enriched with organic evening primrose and geranium oils, 3% vitamin C and ceramides to restore firmness, tone, and elasticity to the delicate eye area.
Rosehip & Vitamin E Regenerative Night Cream, infused with skin nourishing organic rosehip oil and Vitamin E to help fortify and revive tired skin overnight.
Gwiyoun Kim and Danna Lee inside the Carol Priest Organic store in Tāhuna.
HOME My
Local artist Kate Cowan shares the cosy, country home on the farm that inspires her art.
Tessa Claus
The story
My son Robbie, who is 25 now, and I were living down the hill with Mum at the family homestead when we decided to build another house on our 42-acre farm for Robbie and myself. It was a modest build on a tight budget, and I envisioned it would just be the two of us living there. Never in my wildest dreams did I imagine it would end up being a family home for four. I met Henk-Jan my partner, 22 years ago while we were building the house. That was quite handy because he was able to jump in and help! Over time, we’ve made improvements. Henk-Jan has laid a beautiful bamboo floor and built most of our furniture. The pieces he has built are mostly birch and pine plywood and have a contemporary Scandinavian style.
I would describe our home as cosy, homely, bright and modern –well, modern compared to the family home I grew up in. It’s quite a simply designed house, but it has worked for us over the years.
ABOVE: Kate with her Border Collie, Bowie, in her art studio.
A
word of advice
If you can, create a home that offers connections amongst family. For us, having an open-plan design was important, especially when the kids were little. I grew up in quite a different home, the old homestead style has a kitchen tucked in a smallish, cold room, and you have to shout to people sitting next door in the dining room while you’re cooking.
Up next
Ideally, we’d like to remove the original blue carpet in the bedrooms and add a pergola to the front of the house to make the most of the outdoors and entertaining. Being on a farm, there are always things to do around the property and in the garden.
Inspiration
We’ve been inspired by our landscape, the farm, the animals and the views. The design of the house is openplan with plenty of windows to encompass the views down the valley. The home has a country feel, with a solid kitchen and a log burner. My art, depicting our surroundings, is on the walls. Many of my paintings are of our animals; Bowie the Border Collie, Stampy the cat, the chickens, alpacas, sheep, horses and goats all find their way into my work. I also have other special paintings I’ve collected over the years from other artists.
Where I shop
I don’t really shop a lot. Our furniture and homewares are mostly an assortment of restored and repurposed pieces. We have dining chairs from an old café in Richmond, a table made from bookshelves from Nelson Intermediate, and newer pieces made by Henk-Jan. Small treasures have been given as gifts or handed down from family. I do love shopping at Little Beehive Co-op, where I’m a member. It’s my top go-to for presents. The Nelson Market, where I also have a stall, is another place I shop. I love supporting local artisans, so between Little Beehive and the Nelson Market, there’s endless choice.
I would never part with…
The beautiful sideboard Henk-Jan made. It holds 101 treasures, including a lot of my art stuff and countless games. We love family games nights in this house.
Best memory
It would be an era, not so much a moment. When the kids were little, I loved those years of having children and teenagers in the house, with birthday parties, barbecues with family and friends, and spending time together. Birthday parties really stand out. We would go to a lot of effort for them, with a treasure hunt all around the farm, rides in the tractor and dressing up the pony as a unicorn... It was a really lovely time.
“If you can, create a home that offers connections amongst family.”
1. The sun-soaked home sits in the valley above Hira. 2. Bowie, comfortable on the sofa, in front of the sideboard Henk-Jan made. 3. Kate’s art block prints featuring her farmyard animals.
A new series focuses on birds she sees around the property.
4. Kate’s chook painting, an original piece by Golden Bay artist Sara Macready, was bought by Kate in her twenties.
A lifelong collector of local art, Kate displays this painting above a set of drawers made by Henk-Jan. 5. The table was made from old bookcases from a local school and complements the unique dining chairs bought from a café in Richmond.
6. A corner of Kate’s art studio with one of her folk-art style paintings from her first ‘era of art,’ titled The Red Vase. The pink room was originally Kate’s teenage daughter Femka’s bedroom, which Kate inherited when Femka moved to the sleepout. She opted to keep the pink because it’s so warm and uplifting, “even if some paintings totally clash with it!”
NEW Memphis swivel armchair in black leather with sleek black metal legs (also available in tan, brown and beige leather) Was $2199, Special $1899. lynfords.co.nz
The Wave 1 wooden pendant light from the Curl lighting collection. bespokebydesign.nz
MOST WANTED BEST FINDS FOR YOUR HOME
ivoli Audio model one(R), $499 beggsmusic.co.nz
Nami Vanity, from $1450 The Custom Creative, 48 Vanguard St thecustomcreative.co.nz
Don - Mid century 1950s armchair. Sale price $900 vickiesoriginalsnelson.com
Granite Icicles handmade in Golden Bay with natural plant and NZ beeswax. They develop a lace like pattern as they burn. 11 beautiful colours. Living Light Candles Nelson, 219 Trafalgar St, Nelson
Gallery Showcase
The Coolstore Gallery
Showcasing New Zealand art and design at Māpua Wharf
Open 7 days, 10am – 5pm 03 540 3778
thecoolstoregallery.co.nz
Hawks Valley Sculpture Gallery
190 Williams Rd, Tasman
Open most days, a call is appreciated 021 267 1127
laurenkitts.co.nz
Kōhatu Kohara - Handcrafted New Zealand stone
Blue Jade necklace, made with Blue Jade found around the Nelson region. 022 502 2372
Richmond studio and gallery space of artist and designer Abbie Scott. Currently open Thursdays 10am-2pm. Other days by appointment. 021 190 1104
IOStudio.co.nz
Nelson Classic Car Museum Museum Store
1 Cadillac Way, Annesbrook
Open 7 Days, 10am - 4pm 03 547 4570
nelsonclassiccarmuseum.nz
Nelson City Framers & The Gallery
Finding Form Series #1 by Danielle Yealands. SAVE 10% on your framing - just mention Nelson Magazine 42A Halifax St, Nelson nelsoncityframers.nz
The Suter Art Gallery
208 Bridge St, Nelson
Open 7 days, 9.30am - 4.30pm 03 548 4699
thesuter.org.nz
Christine Hafermalz-Wheeler
The Artist Goldsmith
“It is so comfortable…” To experience the wonders of a Double Ring by Christine, call David on 021 817 209 for an appointment. Lapis, in 18ct gold. theartistgoldsmith.com
Nelson Suter Art Society
Seven Exhibition, 8- 28 July McKee Gallery, located within the Suter Art Gallery 208 Bridge Street, Nelson nsas.net.nz
Protean Art Gallery
First floor, 181 Bridge St, Nelson Visit the website for opening hours. 027 548 5003
proteanart.co.nz
Arty Nelson Gallery
126 Trafalgar St
Open Mon – Sat, 10am - 4pm Sun, 11am - 2pm
021 022 90996
Gardening advice with Tim’s Garden
We received a great question this month from Danny; How do I convert a clay slope into a native wonderland?
Clay slopes present unique challenges due to their propensity for erosion, poor drainage leading to waterlogging, and limited soil fertility. However, their distinct characteristics also offer opportunities for creative landscaping. Before embarking on planting, it is essential to begin amending these conditions before you plant as it may be harder once plants are in. The simplest way is to look at draining any sitting water with channels, digging/ forking the soil where possible, adding soil conditioners to counter the soil type. Remember, this is not an overnight fix as clay can take a long time to breakdown.
Build the soil
Before planting add gypsum clay breaker (granular or powder form) to the soil which effectively loosens clay and compacted soils, creating a well-aerated environment for your plant’s roots to thrive. For particularly heavy clay this can be regularly (monthly) added to help break it up and allow water and roots to pass through it. This also makes it easier to incorporate compost and mulch further building the soil once you have a more aerated soil. Adding living compost balances soil density, adds nutrients, introduces organisms, and contributes to healthy, resilient plant growth. However, if you add it too early it can make the compost wet and sticky, exaggerating the conditions further.
Erosion control
Choose species with robust root systems that can stabilize the soil and leaves that help break the heavy rainfall to prevent erosion. Natives like Flax (Harakeke), Coprosma, and Toe Toe are excellent choices for anchoring the slope and providing erosion control
Seasonal interest
Consider visual interest throughout the year by selecting plants with varying bloom times, foliage colours, and textures. For example, incorporate flowering species such
as Pōhutukawa or Tikumu (mountain daisies) for summer vibrancy, and evergreen shrubs like Mānuka and Astelia for year-round appeal. Add low growing, spreading ground covers such as Mānuka red falls and Pimelia to support weed suppression.
Choose your planting time
You will be able to successfully plant out clay banks in our moderate climate from autumn through to spring. Planting in summer would be physically more difficult due to hard soil, would require heavy watering twice per day whilst their roots establish, and you could expect some die off if not planted in with compost.
Once you have planted your natives add a top dress of mulch. I recommend Forest Floor mulch for slopes as it ‘sticks’ well to the slope. Mulching helps the plants to retain moisture and keeps them warm in cooler months. Finally, maintenance – Water regularly, particularly when newly planted, and stay on top of weeds with hand weeding and topping up mulch periodically. As the plants grow, prune them back to ensure airflow between plants and branches. If you are concerned with wet or sticky soil, you can fork the soil and add more gypsum.
Over time, the native ecosystem will establish itself, requiring less intervention again this is not an overnight fix and will need careful monitoring.
Happy gardening, Tim
www.lawnrescue.co.nz
Elevate outdoor living with quality craftsmanship
Adding visual interest and beauty to an outdoor area, a well-designed deck can serve as a stunning focal point and blend seamlessly with a home’s architecture and landscaping, creating a cohesive and attractive look. Increasing usable space, a deck effectively expands your living area, creating a smooth transition between indoor and outdoor living spaces and providing a functional space for various activities. It can be used for outdoor dining, entertaining guests, or simply relaxing and enjoying the outdoors. Decks can be customised to meet specific needs and preferences, and with the addition of built-in seating, planters, or outdoor kitchens they can further enhance functionality. A high-quality deck can significantly increase a property’s value, making a home more appealing and potentially leading to a higher resale value.
As the specialist team in the top of the south region, DECKS4U have been helping clients to achieve their outdoor living vision for over a decade. Offering top-quality craftsmanship and a personalised service, owner Mike Cornelissen is a fully qualified builder who is passionate about carpentry. With decades of experience in the building industry, Mike says that specialising in deck building has allowed him and his team to fine tune their skills as qualified carpenters and constantly strive for perfection with every project. “We won’t build a project that is not suitable or appropriate for the situation. We are the region’s only genuine deck-building specialists that are all qualified at what we do.”
DECKS4U was born ten years ago as part of Mike’s retirement plan. The business has since flourished, thanks to Mike’s expertise and dedication. A family affair, the business also benefits from the involvement
of Mike’s daughter, Sarah, who took on the sales role a few years ago. Sarah grew up on building sites helping her dad with projects and gained an intrinsic understanding of the industry. Working with family adds an extra layer of satisfaction for Sarah, who is proud to carry on her dad’s legacy. “My dad is quite fussy when it comes to things like this, which is good! It’s something to strive for, to always give our best to whatever we do,” she says.
Their quoting process involves spending time at the site, discussing client expectations regarding placement, sizing, logistics, curves, angles, and other design options. This thorough approach ensures that every project is tailored to the client’s needs and desires. Quality control is paramount, and each project is overseen to ensure it meets the highest standards. One of the key aspects that sets DECKS4U apart is their commitment to quality and honest service. This expertise is vital in an industry where many “bodge” jobs result from hiring unqualified workers. “We know decks,” Mike says. “We provide specialised work and honest quotes to our clients.”
The secret to DECKS4U’s ongoing success lies in their love for what they do. The team has fun, maintains a lighthearted approach, and runs the business like a family. This close-knit environment fosters a positive and productive workplace, translating into the quality of work delivered to clients. Transform your outdoor space with DECKS4U, where expertise, quality, and family values meet.
DECKS4U
0800 332 5748
decks4u.co.nz
Committed to excellence: The Independent Kerb & Concrete team.
Sarah Welford from DECKS4U with the kwila deck on Vista Drive she designed.
Painting a life changing gift from grandmother
Architect Jeremy Smith’s favourite artwork has had a significant impact on his life and career. A gift from his grandmother, the watercolour was painted by the artist and writer Eric Lee-Johnson in 1945. The present led to Jeremy reading a book by Lee-Johnson, which led to him looking at both land and buildings in a new way. He told the story to Matt Lawrey.
Jeremy Smith was great mates with his grandmother.
“Her name was Millo and she was a very good friend. I used to holiday with her when she was in her nineties and, when she died, she gifted me this painting.”
Jeremy’s love of the moody painting of the North Island’s Mahurangi Harbour, led to him reading a book by the artist behind it, Eric Lee-Johnson.
“He was one of the early New Zealand landscape painters who started painting what he saw rather than what he was told to paint, the version of ‘Little Britain’ that was being posted back home,” Jeremy says.
“He described the New Zealand landscape as ‘unfinished’ and always ready to revert to a wild condition.”
The idea of the unfinished landscape led to Jeremy thinking about the place of buildings in that landscape and how they too should be adaptable, particularly in light of climate change.
“The painting and that quote about the landscape being unfinished set me off on this realisation that we’re taught to finish budlings as if we can control the landscape but we can’t control the landscape,” he says.
This thought process became the inspiration for a Pecha Kucha talk that he gave in 2007 and the basis of his PhD doctorate. Jeremy spent six years doing his doctorate before completing it in 2019. Since then he has been invited to talk on the topic and teach around the world, working in countries as varied as Spain, Singapore, Germany, USA, Holland, India, Portugal and France.
This year he’s off to South Africa where’s he’s giving a Master Class at the University of the Free State in Bloemfontein, where he has been made an Adjunct Professor, to a “huge collection” of architects.
In addition to lecturing offshore, Jeremy has represented New Zealand three times at the Prague International Architecture Festival. He has also been appointed to architecture award juries at an international level, including being an International Juror for the Indian Institute of Architects National Awards for Architectural Excellence in 2019.
He has been a judge at World Architecture Festivals in Singapore, Berlin, Amsterdam and Lisbon and at the World Architecture Festival China. He’s also been a judge for the A’Design International Design Award out of Italy, the Muse Design Awards out of New York, and the Te Kāhui Whaihanga New Zealand Institute of Architects New Zealand Architecture Awards.
If that wasn’t enough, he has also been appointed an International Advisor to the Saveetha College of Architecture and Design in Chennai, India, and last year was the John G Williams Distinguished Visiting Practitioner at the Fay Jones School of Architecture and Design in the States. He won Victoria University of Wellington’s Centennial Medal for post-graduate academic achievement and has been an Adjunct Associate Professor at the University of Auckland.
Born in Wellington, Jeremy’s family moved to Nelson when he was six. He went to Hampden Street School, Nelson Prep and Nelson College before studying at Otago where he did Architecture Intermediate and completed a degree in geology. His student days then took him Victoria University of Wellington where he did his degree in architecture. Jeremy moved back to Nelson 20 years ago with his wife Genevieve and two of their three girls.
These days, in addition to being an in-demand academic, he’s a partner in the award-winning Irving Smith Architects whose designs in Nelson include the redevelopment of Nelson School of Music, NMIT’s Arts and Media building, the northern extension of the Trafalgar Centre and the firm’s building in Collingwood St.
“We are interested in the idea that buildings don’t have to be complicated or expensive, they’re about people,”
Jeremy says.
So, after all these years, and all his academic and professional achievements, how does Jeremy feel today when he looks at the painting hanging on the wall of his home’s master bedroom?
“It makes me think of my grandmother, which I think is wonderful, and it reminds me of this adventure we’re on,” he says with a smile.
Jeremy Smith with his favourite artwork, Mahurangi, painted by the artist and writer Eric Lee-Johnson in 1945. Tessa Claus
Pushing the boundaries of design and creativity
NELSON AND MARLBOROUGH 2024 ARCHITECTURE AWARDS
TE KĀHUI WHAIHANGA NEW ZEALAND INSTITUTE OF ARCHITECTS
Words: Amy Russ
The local 2024 Architecture Awards, hosted by Te Kāhui Whaihanga New Zealand Institute of Architects, recently celebrated the best in architectural design and innovation across the top of the South region. The annual event was held at the Trafalgar Centre on June 7 and recognised the outstanding work of registered architects who have made significant contributions to the built environment, enhancing quality of life and community identity. Representing over four thousand members, and more than 90 per cent of all registered architects in the country, the organisation promotes and celebrates outstanding architecture while creating greater awareness of the values and benefits welldesigned buildings and public spaces can bring to cities and towns.
Highlighting excellence in design, the 2024 awards showcased a diverse range of projects, from residential homes and commercial spaces to public buildings and landscape architecture. Each entry was evaluated on criteria such as design excellence, innovation, sustainability, and how well the project responds to its context and community needs. The judges, comprised of esteemed architects and industry professionals, meticulously reviewed each submission to ensure that only the best of the best were honoured. Judges noted that this year’s categories featured some truly remarkable local buildings, and the winning projects demonstrated how thoughtful design can create comfortable, functional, and aesthetically pleasing living spaces.
A panel of four jurors, including Matt Gutsell of Sheppard and Rout Architects, Magdalena Garbarczyk of Fineline Architecture, architect Helena Alexander from Alexander Romagnoli, and lay juror landscape architect Heidi Stewart, assessed this year’s projects, along with convenor Euan MacKellar. “Projects in
this year’s awards have weathered unprecedented conditions, including extreme weather events, supply chain issues, spiralling costs, and Covid,” says Euan. “Despite the unforeseen challenges, architects managed to hold onto key concepts, maintain good design, and foster strong relationships with their clients and builders—a credit to the profession.”
Judges say the awards highlighted projects that significantly contribute to the community’s social and economic life. Sustainability was a key theme at this year’s awards, reflecting the growing importance of environmentally responsible design. Several projects were commended for their commitment to reducing environmental impact and promoting sustainability. Seventeen projects were shortlisted for the awards, showcasing a wide array of architectural brilliance and innovation.
The recent awards highlighted an impressive array of projects, each reflecting the visionary approach and meticulous craftsmanship of the region’s registered architectural community. From buildings imagined with the future in mind through to projects first conceived a decade ago that now stand as testaments to their owners’ appreciation for regional modernist architecture, the awards highlighted the diverse and innovative spirit that defines the region’s built environment. Included was a vibrant community hub that seamlessly integrated public spaces to foster social interaction and community engagement, and provides a place for people to connect, share, and thrive. While new and existing farm-ready buildings, ingeniously bound together by social spaces, enhance the functionality and aesthetic appeal of rural environments. These projects demonstrate the importance of blending practicality with design excellence, ensuring that even utilitarian structures contribute positively to their surroundings.
The New Zealand Architecture Awards continue to celebrate the exceptional work of those who are not only shaping our physical landscape but also enriching the social fabric of our communities. Their dedication to sustainability, innovation, and design excellence ensures a legacy of architectural beauty and functionality for generations to come. Euan highlighted the resilience and creativity of the architectural community in overcoming the challenges posed by recent global events, saying the architects showcased in this year’s awards have demonstrated remarkable ingenuity and dedication in the face of adversity. Their ability to adapt and innovate has resulted in projects that not only meet but exceed the expectations of their clients and communities. The Nelson and Marlborough 2024 Architecture Awards leave a lasting impression of the power of architecture to shape and enhance the human experience. It shows the vital role that architects play in creating spaces that are not only functional but also sustainable and resilient. Looking ahead, the awards highlight the importance of continuing to prioritise sustainability and innovation in architectural practice. As the built environment faces increasing pressures from climate change and urbanisation, the need for thoughtful, forward-looking design becomes ever more critical. The 2024 Architecture Awards serve as an inspiration for architects to push the boundaries of what is possible, creating spaces that enrich the lives of those who inhabit them and contribute to a more sustainable future.
THIS YEAR’S MAJOR AWARD WINNERS
COMMERCIAL ARCHITECTURE
Waimea Nurseries Fieldwork by Irving Smith Architects
Nelson Orthodontics Richmond Practice by Redbox Architects
HOUSING
Anakiwa House by Arthouse Architects
Two Gables by First Light Studio
House with Hat by Irving Smith Architects
The Lookout by Parsonson Architects
PUBLIC ARCHITECTURE
Marlborough District Library and Art Gallery | Te Kahu o Waipuna by Warren and Mahoney Architects
SMALL PROJECT ARCHITECTURE
Longbeach Bay Boatshed by Arthouse Architects
The Studio by Johnstone Callaghan Architects
1. Nelson Orthodontics Richmond Practice by Redbox Architects Virginia Woolf 2. Marlborough District Library and Art Gallery | Te Kahu o Waipuna by Warren and Mahoney
Barry Tobin
Longbeach Bay Boatshed by
Hat
Nelson Orthodontics Richmond Practice
REDBOX ARCHITECTS
Words: Adrienne Matthews | Virginia Woolf Photography
The dream of building a new orthodontic clinic in Richmond so that Nelson Orthodontics could more easily serve the wider Tasman region goes back to 2016 when they purchased the site. The result at 57 Salisbury Road is a triumph with an award-winning building that incorporates the requirements for one of the most technologically advanced practices in Australasia with leading contemporary design.
Owners Dr Andrew Marriott and Dr Ana Low chose Redbox Architects to fulfil the firm’s vision. “Architects are very skilled professionals and there is a high standard in Nelson,” says Andrew. “Redbox architects have been wonderful to work with, successfully taking our initial vision to fruition and listening to our needs. We wanted a well-designed, calming environment with great working spaces where patients would feel relaxed coming in, and they completely achieved that.”
A significant challenge for the architects was creating a design sympathetic to the residential area in which it is placed. “The building couldn’t be so large that it dwarfed those around it and the colour needed to be neutral to help it blend in with the local environment,” says architect Nick Burn. “We made sure views from the building were limited into neighbouring properties and also allowed for any noise created by pumps, for example, to be attenuated.”
In addition, Nelson Orthodontics wanted a design that enhanced and integrated into the community, so a great deal of effort was put into the artful design on the building’s exterior facade. Golden Bay artist Robin Slow was commissioned to create a painting that was then transformed into large perforated screens constructed of lightweight and durable powder-coated aluminium. The choice of aluminium was also made with the knowledge that it could be recycled at the end of its natural life.
The resulting mural shows Tui representing the guardians of knowledge while Kowhaiwhai represents connection to the whenua. It includes references to haumanu which means to revive and restore to health from hau, meaning breath, air or wind and manu meaning bird which symbolises the relationship between both the earth and sky and the physical and spiritual worlds.
The mural is such a highlight that many people have told Andrew and Nick that they often travel that way just for the joy of seeing it.
“Nelson Orthodontics wanted a design that enhanced and integrated into the community, so a great deal of effort was put into the artful design on the building’s exterior facade.”
The filtered light and pocket views afforded by the screens inside the building help take it from being a sterile clinical space to a serene, contemporary one with shades of green from the surrounding area popping through.
Materials used in the construction were chosen for their low maintenance, durability and low environmental impact. The exposed pre-cast concrete even has an anti-graffiti coating while, being a healthcare facility, the design had to meet strict seismic requirements.
A striking feature of the interior is the double story living green wall which filters air and regulates temperatures, providing health and well-being benefits. The fresh greenery adds to the soothing appearance while the reception counter is formed from opal acrylic allowing for a striking backlit feature on its front face.
Landscape Design & Construction for the Nelson Orthodontics Richmond Practice
Implementation proudly delivered in conjunction with Coman Construction Ltd
Belinda Reburn
Landscape Architecture Lead 027 223 2633
Euan Milne
Landscape Construction
Contracts Manager 027 430 2314
“Fresh air was really important, so the building has a system incorporated so that even though the windows can be opened, eight to ten air changes take place per hour when everything is closed up,” explains Nick. “The air is filtered and slightly tempered which makes for a healthy environment.”
Resilient, hard wearing carbon neutral carpet tiles introduce colour while an oak look vinyl floor provides a warm, natural feel in the clinical areas which are open plan but with the ability to close spaces off for privacy as required. Pops of colour in the furnishings add vibrancy.
“It was great to work with clients who had such a passion for creating a future-proofed building that would bring freshness and positivity to all who enter through its doors.”
Many elements have been incorporated into the design to make the building environmentally friendly. Solar panels on the roof offset electricity usage and there are two EV charging car parks, while bicycle stands are also provided. Built into the security alarm is a
function so that all interior LED lighting is switched off when the building is closed.
A lovely touch along the car park’s fence line is a row of apple trees, a reference to the same trees present at the firm’s original Nelson clinic.
Regular winners of architectural awards, Redbox Architects are known for their professionalism, innovative design and attention to detail. “We are fortunate to work in residential, commercial and public projects across the South Island which really enhances the skill base of everyone in our office,” says Nick. Andrew, Ana and all who work at Nelson Orthodontics are thrilled with the result. “The building is a delight to work in,” says Ana. “The feel of the place, the light, the functionality and the use of space have all contributed to us being around twenty percent more efficient because it is so well thought out. It is even a pleasure just to walk down the corridor and see the screen from the inside. Not only is it an exceptionally well-functioning workspace but the feedback we are getting from patients is that they enjoy it as well which was such an important part of our design brief.”
Nick is also delighted with the result. “It was great to work with clients who had such a passion for creating a future-proofed building that would bring freshness and positivity to all who enter through its doors.”
Two Gables
FIRST LIGHT STUDIO
Words: Adrienne Matthews | David Hensel Photography
The world of architecture is changing as the need for more sustainable buildings grows.
The global movement to create homes that have a low to zero carbon footprint is being fully embraced by architectural firm First Light Studio who are at the forefront of designing homes, multiunit apartments and townhouses using sustainable architecture practices for clients around New Zealand and overseas.
No stranger to awards, their latest is a winning home in the 2024 Nelson & Marlborough Architectural Awards called simply ‘Two Gables’, a country farmhouse on the edge of a residential development in Nelson.
“The design for ‘Two Gables’ was based on the client’s desire for a modern but humble farm-style building that had a strong connection to the surrounding landscape,” explains Ben. “The gable form with exterior of corrugated iron and timber harmonises with the surrounding hills and vegetation with the living areas flowing to the outdoors where the family is engaged in a substantial native planting project.”
A significant component of the judge’s decision in bestowing the award was the degree to which passive house principles were achieved on a low budget, providing an example of what the future of building needs to be.
Ben’s substantial knowledge of Environmentally Sustainable Design (ESD), Passive House Design and Homestar, New Zealand’s holistic sustainability certification that far exceeds the minimum building standards in the current building code is clearly evident in ‘Two Gables’.
Key elements that make this three-bedroom home so energy efficient are the fully insulated concrete slab and an air-tightness layer in the walls that helps keep the heat in and allows the timber frame to breathe without moisture from the home’s interior penetrating through. “Essentially it acts like a Gore Tex jacket,” says Ben. “Everything is kept warm, dry and airtight which is important for the health of the building and its inhabitants.”
The double-glazed windows are thermally broken with argon gas between, improving energy efficiency by minimizing the transfer of heat and cold through the window frames, and there is an efficient ventilation system keeping the air fresh.
Solar panels on the roof provide enough power for the house to achieve net zero energy which means greenhouse gas emissions are nil.
A stunning feature of the home is the use of timber throughout, some of which was sourced from the farm of extended family. Japanese Cedar is used on exterior features like the courtyard area and poplar for the interior. “The poplar is beautiful,” says Ben. It’s light in colour with small tight knots that give it a rustic feel.”
Thanks to the slatted timber courtyard ceiling, fully protected with a corrugated polycarbonate layer above, the space is imbued with dappled light that changes throughout the day.
First Light Studio designed all the interior joinery to suit the client’s needs including birch plywood cabinetry, bookshelves, built in seats and storage that give the home its warm and welcoming character.
Two Gables was a winner in the Housing category.
The main living areas and kitchen are open plan with the opportunity to increase flexibility, through shutting off areas if necessary. “The house has a relatively small footprint for a three-bedroom home which is thanks to being smart with the use of space,” says Ben.
A scullery has been included off the large farm-style kitchen and birch has been used on the central island to create a consistency with the rest of the home’s joinery.
Lighting has been carefully thought out with much of it throughout reflected upwards rather than from downlights. “It’s a lovely way to light the poplar ceiling and creates a warm ambience,” says Ben.
The owners describe the polished, heated concrete floor as “amazing.” It features an array of beach stones collected by the owners sprinkled into it.
Their love for the outdoors has been aided by a mudroom situated between the laundry and double garage and a workshop fits seamlessly into the overall design.
The owners love living in their home. “It is a beautiful house to live in,” they say. “We felt all along we had a part to play and our architects listened carefully to what we wanted. The result is a warm and cosy home for the rest of our lives, that is incredibly efficient.
Our last few power bills have even had us in credit.”
“At the basis of all our designs is the belief that sustainability isn’t a choice, it’s a responsibility,” says Ben. “Receiving this award is an acknowledgement that the architectural world is moving into a new paradigm where passive building is no longer in the future, it has to happen now.”
Specialising in eco-friendly architecture
Residential to Light Commercial Modern to Sustainable | Large to Small ‘tiny homes’ Diverse to Iconic
A true passion for design and a genuine desire to get the look and feel of the project just right
When your home needs to be something
All day breakfast from 7.30 – 2.00pm, seven days a week. Exceptional coffee and views to match. Pop in and enjoy their delicious breakfast menu or a bite to eat from their tasty cabinet of house-made delights. Gluten free, dairy free and vegan options available, they cater for all. Dine in or takeaway.
Top quality food is best served with amazing ocean views! Blessed with a fantastic spot on the water, you will feel welcomed and won’t want to leave.
Specialising in local seafood and steaks, there are also delectable choices for non-meat eaters, people with special dietary needs and kids.
Shed 4, Mapua Wharf 03 540 3933 albertas.co.nz |
The Indian Café
With three great locations you can enjoy Indian Cafe’s delicious food no matter where you are. Head in and find out why Indian Café is the favourite choice for anyone looking for the highest quality food and a memorable cuisine experience.
All venues offer intimate restaurant dining and courtyard settings and takeaway options.
62 Vickerman St, Port Nelson 03 546 6614 anchorrestaurant.co.nz
NBM Asian Street Eats
Join us on a culinary journey through the streets of Thailand with a symphony of flavours that capture the essence of authentic Thai street food. Choose to dine in or takeaway with a taste sensation from our extensive menu. Our Thai buffet starts from just $9.50 and offers a delicious selection, perfect for when time is short or a lunch on the run. And to make it even better, we’ve just added fried chicken, burgers and fries to the menu.
105 Hardy Street, Nelson 03 539 1426 nbmasianeats.co.nz
Anchor Restaurant and Bar
Alberta’s Café
Solander Gourmet Seafood
For all your fresh fish and seafood favourites for nourishing winter chowders, paellas and your delicious fish curries, keep it local with Solander. The very best seafood available in Nelson and NZ, accessible to you via online order. Select from the finest seafood and other gourmet products, to ensure that your dining experiences are healthy, delicious, and incredibly well priced.
McCashin’s Tap Room
With great indoor/outdoor dining areas, bring your friends, family or workmates along to enjoy their mouth-watering menu, which includes their famous steak sandwiches, pizzas, platters and seasonal plates to savour.
Live music on Thursdays and sports all weekend long on the big screen.
Open Tue - Sun
Mapua Village Bakery
Come and experience the warm, friendly atmosphere in the cosy café with the delightful aromas of a homestyle bakery. Try the gluten free frittas, delicious winter soup served with artisan bread, an all-day breakfast or this month’s gourmet pie flavour, chicken and brie. And top it all off with a cup of supreme coffee which will add a bounce to your day.
gourmetseafood.co.nz
Oceano Restaurant
Come and indulge in Nelson’s finest buffet, featuring a variety of everyone’s favourite breakfast delights.
Oceano breakfast buffet is open every day from 5am – 10am (Sat & Sun until 10:30am).
Don’t forget, locals can dine with us for only $25 pp every day! (excl. Christmas Day).
Kids up to five years old dine free, and just $17.50 for up to 12 year olds.
Level Two, Rutherford Hotel Nelson 03 548 2299
Rutherfordhotel.nz
660 Main Road, Stoke 03 547 0329
mccashins.co.nz
A bright, airy café established in an iconic Art Deco building a short walk from Tahuna Beach.
Pastries and treats are baked in house, and their small menu features seasonal produce from local suppliers. A great spot for breakfast, lunch or coffee.
Open Tue – Sun, 7am – 2pm.
68 Aranui Rd, Mapua 03 540 3656
mapuavillagebakery.co.nz
The Views
With panoramic views of Kaiteriteri, The Views vegetarian restaurant at Kimi Ora Eco Resort offers a relaxing dining experience. With locally sourced seasonal produce, chefs delight in creating a fusion of flavours for you to savour. Vegan and gluten free options are available, with a variety of regional wine, beer and cider. Bookings essential. Open Thurs - Sat 5.30pm - 8.30pm.
99 Martin Farm Rd, Kaiteriteri 03 527 8027
kimiora.com/restaurant |
Tahuna Breakfast Club
WHAT’S ON
NELSON / TASMAN
For updated information check out the Nelson App
Wednesday’s ARTVINE PAINT & SIP
Join us for an awesome night of fun painting and sipping! Bring your mates, might meet a date, and groups are welcome! The foods hot, the beers cold and the atmosphere will be humming! Alternative Wednesdays at The Vic & Burger Culture. Book at artvine.co.nz
21
July
NELSON PRE-LOVED MARKET
Stallholders will have a range of pre-loved clothing, footwear and accessories for the whole family. Find yourself a bargain! Please bring cash as the easiest option, but some of our stallholders will accept bank transfer. 10am-4pm.
Richmond Town Hall
15 July – 10 August
CABINET OF UNNATURAL CURIOSITIES
Inspired by the rich tradition of curiosity cabinets and taxonomy, Nelson’s own Alice Snow invites viewers to explore a realm where the boundaries between nature and imagination blur. Join us at the Refinery ArtSpace for her debut solo exhibition. Opening night 15 July, 5:30pm.
Refinery ArtSpace
14
August
THE TEMPESTUOUS
This Shrew’d New comedy by Will Shakespeare and Penny Ashton storms into town. The mind behind Promise & Promiscuity is back with an hilarious new musical of Elizabethan proportions. “Incredibly clever,” - RNZ.
13 July
RECORD FAIR
Contact Anthony on 027 459 2264 if you would like to have a table to sell your records ($20 per table). 1pm - 4pm. Gold coin entry.
28 July SOUTH ISLAND SHOW OFFS
The most high energy event you will ever see. Cheerleaders from around the country compete for the South Island title.
10 – 20 July
URINETOWN
A hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics and musical theatre itself! Hilariously funny and touchingly honest.Tickets from iTICKET.co.nz
Red Door Theatre
18 & 19 July
PETER PAN JR
Join the cast of 70 performers from Legacy Performance Company for some school holiday fun, in this creative and new look at Peter Pan Jr. The perfect show for the child in us who dreamed of soaring high and never growing up.
Theatre Royal
Theatre Royal
Trafalgar Centre
31
August
THE ULTIMATE DRAG SHOW
Get ready to sashay, shante, and slay with the most fabulous drag performers from coast to coast. The Ultimate Drag Show brings you an unforgettable extravaganza of glitz, glamour and jaw-dropping performances that will leave you begging for more!
Theatre Royal
The Boathouse
The Vic & Burger Culture
1. Simon Hall, Chris Pyemont and Heidi Stewart
2. Amy Burn and Prue Johnstone
3. Donna and Hamish Ryan
4. Sybrand De Waal and Shrutika Pol
5. Michael Skinner and Dmytro Yurkin
6. Peter Marment and Rohan O’Neill-Stevens
7. Mark Abbot and Rachel Dodd
8. Luke Van Velthooven and Margy Crosby
9. Judith Taylor and Renée Williamson
Trafalgar Centre
5
1. Michelle Hunt and Don Pearson
2. Debbie Cooper-Norriss, Lisa Tanswell-Smith, Wendy Lindbom and Ali Staite
3. Fleur and Brandon Kay
4. Jo Tout and Julie Maslin-Caradus
Sandy Curnow and Jenny Garrett
6. Marie Baker and Megan Gunn
7. Gary Carter, Alan Curnow and Ken Riddington
8. Jamie Bennett and Gracie Marsden
Chey Habib
The Jellyfish, Māpua
1. Belles Pollock and Alice Hazlett
2. Charise O’Connell, Karen Beveridge, Mandy Pearcy, Lisa Ellery and Renay Brocklesby
3. Liana Levien and Meagan Te Wiata
4. Mary Woodford and Olivia Besley
5 Sharon McIntosh and Gaylyn Hazel
6. Taylor Mant, Tiana Ferguson and Lani Sandberg-Fry
7. Christine O’Connell, Ann Randall and Charisse Papworth
8. Sharyn Tasker, Ellie Tasker and Lizzie Graham
Stacey’s
Queen Street, Richmond
1. Angela Miller and Kylie Vandenberg
2. Ange Leonard, Tamara Allen and Angela Holland
3. Dev Spittal and Marianne Nalder
4. Elanor Herd and Heidi Waterworth
5 Helen Lynch and Anna Lillico
6. Judith Ashley and Mary’a Lyons
7. Jess Shrimpton, Tracy Lyall and Susan Tahana
8. Kate Hislop, Jackie Gibbs-Beaton and Helen Ruston
Pink Ribbon Fundraiser Chey Habib
A Pinnacle of urban luxury living. This unparalleled oasis bordered by the Chinese Gardens to the north and the Botanical Gardens to the west, this striking residence provides supreme quiet and privacy right in the heart of Nelson City. A highly coveted ‘walk everywhere’ location and an apartment-style townhome, quite simply, like no other.
Debbie Cooper-Norriss 021 0252 8294 debbie@thecoopergroup.co.nz More information:
Debbie Cooper Real Estate Ltd (Licensed under REAA 2008)
