Urban rooms of Sarajevo: Transforming urban public Spaces using interior design tools

Page 89

U r b a n r o o m s o f S a r a j e v o : Tr a n s f o r m i n g u r b a n p u b l i c s p a c e s u s i n g i n t e r i o r d e s i g n t o o l s

Enclosure

Besides the scale, as the physical dimension of a public space relative to the size of the elements in its context, analysis in architectural and urban design begins with the study of the geometric characteristics of configuration and form, as essential physical properties of the space. In architecture and planning, the term configuration generally refers to the two-dimensional layout or shape of a particular element or object. Two-dimensional analysis in urban design typically distinguishes linear (ribbon-like) and centralised configurations of public space. The former configuration is mostly associated with streets, paths, promenades, walkways, and other spaces of movement, while the latter is represented by squares, plazas and other spaces that psychologically and socially suggest the gathering and concentration of people. The analysis of the configuration of public spaces in Sarajevo indicates a higher presence of linear or elongated spaces, which by their inherent geometric properties imply movement rather than gathering. The physical configuration of these types of urban public space is affected by the geomorphological features and dominantly linear urban layout of Sarajevo along the east-west axis, contrasted with the surrounding hills in the north-south direction, which prevent the creation of large-scale centrally-organised urban spaces. The characteristics of public spaces with linear configuration is most apparent in the case of Wilson’s Promenade, which stretches along the bank of the Miljacka River in Novo Sarajevo municipality. The deficiency of squares, plazas and other centralised public spaces has directly affected the urban lifestyle and quality of public life in Sarajevo. Urban designers generally use graphic tools of planar representation, showing the relationship between mass and spatial voids in twodimensional plans. The three-dimensional perception of a public space

89


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

LIST OF FIGURES

12min
pages 300-306

VII. SUMMARY

1min
pages 289-291

BIBLIOGRAPHY

17min
pages 292-299

Urban room No. 4: Radiceva Street

4min
pages 267-273

Urban room No. 5: Grbavica Marketplace

4min
pages 274-280

VI. CONCLUSIONS

6min
pages 281-288

Urban room No. 3: Marsala Tita 34 interior courtyard

5min
pages 260-266

Urban room No. 2: Tekija cikma courtyard

6min
pages 253-259

Intervention methods: focus on urban acupuncture

29min
pages 180-205

Urban room No. 1: Velika avlija Laure Papo

5min
pages 246-252

Targeted outcome: urban rooms

29min
pages 206-230

Intervention target: urban voids

7min
pages 175-179

Summary

6min
pages 164-170

IV. FROM URBAN VOIDS TO URBAN ROOMS

3min
pages 171-174

In between formal and informal approaches

8min
pages 148-154

The transition from socialism to capitalism

7min
pages 135-141

Scale

12min
pages 77-88

Urban activity

10min
pages 98-108

Enclosure

9min
pages 89-97

Urban atmosphere

10min
pages 118-127

Accessibility

8min
pages 109-117

Summary

2min
pages 128-130

Typology

18min
pages 57-76

Summary

4min
pages 48-52

From Early Yugoslav to Socialist Yugoslav Sarajevo

9min
pages 32-40

INTRODUCTION

1min
pages 9-10

From Ottoman to Habsburg Sarajevo

6min
pages 22-26

From Socialist Yugoslav to contemporary Sarajevo

8min
pages 41-47

From Medieval Vrhbosna to Ottoman Sarajevo

7min
pages 15-21

FOREWORD

2min
pages 7-8

From the Habsburg Era to Early Yugoslav Sarajevo

6min
pages 27-31
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.