Arch7130 2016 fall wiederspahn halbargi researchbookhp

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY 2


H A V E N Haifa Al-Bargi Instructor: Peter Wiederspahn Haven is a project that explores how architecture can induce social tolerance, acceptance and equality. The conceptual space of Haven is created by identifying existing social conditions, problems and tensions. The physical space of Haven is a place where social issues can be addressed through direct social interactions. This project will create a prototype for Haven that can be adaptable to any culture context. This project will include not only the design of architectural spaces, but also will develop a system of urban analysis to determine optimal locations for Haven’s greatest social impact.

1. Defining Social Conditions + Stats in US context 2. Assessments Breakdown + Precedents 3. Census Data Mapping + Site Selection 4. Conclusive Findings + Diagramatic Representation

HAVEN Haifa Al-Bargi

Table of Contents

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HAVEN Haifa Al-Bargi

PART ONE: Defining Social Conditions + Stats in the US Context

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY Social Conditions

Assessments

Social Conditions Poverty Violence Race/Ethnic Inequality Conflict/War/Terrorism

Assessments Self-Expression Human Library Escape & Beliefs 6


SOCIAL TOLERANCE ACCEPTANCE & EQUALITY - ASSESSMENTS BRIEF P

I

A

C

O

C

E

N

S

D E S C R I P T I O N

D

I

A

G

R

A

M

A

V

E

Human

Library

Escape&Beliefs

- A variety of spaces that cater to various activities and capacity. The spaces can vary in scale as well as join to make a larger space

- Large space that can accommodate large capacity with strong differential in traffic. Space needs to allow for it to break it down into smaller groups

- Large space for masses with directed view. This space needs to allow for maximum capacity at one time as well as allow for individual seclusion.

- Large space for sharing and interaction

- Large space that can break into small groups

- Large space for masses with directed view or small personal space

S

R E Q U I R E M E N T S

H

Self-Expression

N

HAVEN Haifa Al-Bargi

S

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY D

E

F

I

N

I

T

I

O

N

“A social problem is a social condition that a segment of society views as harmful to members of society and in need of remedy” - Understanding Social Problems. Mooney, Knox, Schacht. 2016

Poverty

Violence

Race/Ethnic Inequality

Conflict/War/Terrorism

SOCIAL PROBLEM BASED ON REGION RELIGION & ETHNIC HATRED

8

INEQUALITY

POLLUTION & ENVIRONMENT

NUCLEAR WEAPONS

AIDS & DISEASES

Middle East

34%

18%

9%

20%

10%

Europe

15

32

14

19

5

Asia

13

18

22

21

12

Latin America

9

18

25

26

19

Africa

24

18

7

22

29

U.S.

24

27

15

23

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY IDENTIFYING SOCIAL PROBLEM FRAMEWORK STEP 1 Formulate Research Question

STEP 2 Review the Literature

STEP 3

S O C I A L STRUCTURE

SOCIOLOGICAL IMAGINATION

CULTURE

THEORETICAL PERSPECTIVE

R E S E A R C H METHOD TYPE STEP 4 Formulate Hypothesis

STEPS FOR CONDUCTING RESEARCH STUDY

HAVEN Haifa Al-Bargi

Define Variables

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY Poverty “Absolute poverty is the lack of resources necessary for well being; food, water, housing, sanitation, education, and healthcare. Relative poverty is lack of material and economic resources compared with some other population. Extreme poverty is living on less than $1.25 per day.” - Understanding Social Problems. Mooney, Knox, Schacht. 2016

TYPES OF POVERTY ABSOLUTE POVERTY NO BASIC NEEDS

RELATIVE POVERTY

EXTREME POVERTY

LOW

- $1.25 A DAY

FOOD

MONEY

STATUS

FOOD

WATER SHELTER

SANITATION

DEVELOPING AND DEVELOPED COUNTRIES

DEVELOPING COUNTRIES ECONOMIC

EDUCATION

HEALTHCARE

10

WATER

MONEY

DEVELOPED COUNTRIES

SHELTER SANITATION EDUCATION HEALTHCARE


40

YOUNGER THAN 18

13.5%

18 - 64

10.0%

65 AND OLDER

POVERTY AND EDUCATION, 2013

35

PATTERNS OF POVERTY: U.S. 21.1%

36.8%

30 25

20.7%

20 15 10

0

5

10

15

20

6.5%

5

POVERTY AND AGE, 2014

0

25

NO HIGH SCHOOL DIPLOMA

35

HIGH SCHOOL, NO DIPLOMA

BACHELOR’S DEGREE OR HIGHER

30.6%

30 25 20

15.7%

10 5

6.2%

0 MARRIED COUPLE FAMILY

POVERTY RATE AND REGION, 2015 B

O

S

T

O

N

FEMALE HOUSEHOOLDER, NO SPOUSE PRESENT

MALE HOUSEHOOLDER, NO SPOUSE PRESENT

POVERTY AND FAMILY STRUCTURE, 2014

HAVEN Haifa Al-Bargi

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY Violence

D

E

F

I

N

I

T

I

O

N

“Behaviour involving physical force intended to hurt, damage, or kill someone or something.” - Oxford Dictionary

TYPES OF CRIME BOSTONS CRIME INDEX

BOSTON ANNUAL CRIMES VIOLENT

PROPERTY

5,178

T O T A L

18,833

24,011

ANNUAL CRIMES PER 1,000 RESIDENTS 7.90

28.71

36.61

SAFER THAN OTHER U.S. CITIES

BOSTON VIOLENT CRIMES POPULATION 655,884 MURDER

RAPE

ROBBERY

ASSAULT

REOPORT TOTAL

54

427

1,803

2,895

RATE PER 1,000

0.08

0.65

2.75

4.41

U.S. VIOLENT CRIMES

12

POPULATION 318,857,056

MURDER

RAPE

ROBBERY

ASSAULT

REOPORT TOTAL

14,249

116,645

325,802

741,291

RATE PER 1,000

0.04

0.37

1.02

2.32


BOSTONS VIOLENT CRIMES

BOSTONS PROPERTY CRIMES

NATIONAL

NATIONAL

MEDIAN

MEDIAN

CHANCES OF BECOMING A VICTIM

POPULATION 655,884 BURGLARY

THEFT

MOTOR VEHICLE THEFT

REOPORT TOTAL

2,735

14,577

1,521

RATE PER 1,000

4.17

22.22

2.32

BURGLARY

THEFT

MOTOR VEHICLE THEFT

REOPORT TOTAL

1,729, 806

5,858,496

689,527

RATE PER 1,000

5.43

18.37

2.16

U.S. PROPERTY CRIMES

POPULATION 318,857,056

HAVEN Haifa Al-Bargi

BOSTON PROPERTY CRIMES

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY Inequality

D

E

F

I

N

I

T

I

O

N

“Race is a category of people who are perceived to share distinct physical characteristics that are deemed socially significant. Ethnicity is a shared cultural heritage or nationality” - Understanding Social Problems. Mooney, Knox, Schacht. 2016

TOTAL FOREIGN-BORN U.S. POPULATION, 2012: 40.7 MILLION

8%

7%

18%

All other South & East Asia

29%

26% 9%

4%

Middle East Carribean Mexico Central America South America

- SOURCE: BROWN AND PATTEN 2014.

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY D

E

F

I

N

I

T

I

O

N

“War is organized armed violence aimed at social group in pursuit of an objective. Terrorism is premeditated use or threatened use of violence by an individual/group to gain - Understanding Social Problems. Mooney, Knox, Schacht. 2016 political objective”

FAVOR%

OPPOSE%

TOTAL

47

49

MEN

52

44

WOMEN

41

54

WHITE

49

47

BLACK

34

61

HISPANIC

48

46

18 - 29

39

59

30 - 49

52

45

50 - 64

49

45

65 +

45

51

REPUBLICAN

67

31

INDEPENDANT

48

48

DEMOCRAT

32

63

TACTICS USED IN TERRORIST ATTACKS WORLDWIDE, 2014

23% 54%

10%

BOMBING EXPLOSION

6%

-

SOURCE:

U.S.

DEPARTMENT

OF

STATE

7%

2015a.

HAVEN Haifa Al-Bargi

Conflict

PUBLIC ATTITUDES ON U.S. GROUND TROOPS TO FIGHT ISLAMIC MILLITANTS IN IRAQ AND SYRIA, 2015

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PART ONE: CONCLUSION - SOCIAL CONDITIONS Social Conditions

Assessments

Social Condition Identified: Poverty Violence Race/Ethnic Inequality Conflict/War/Terrorism

CREATE NEGITIVITY AND TENSION WITHIN SOCIETY Conflict Poverty

Inequality

Violence 16


PART ONE: CONCLUSION - STATISTICS IN US Poverty

Violence BOSTONS VIOLENT CRIMES

BOSTONS PROPERTY CRIMES

NATIONAL

NATIONAL

MEDIAN

MEDIAN

CHANCES OF BECOMING A VICTIM O

S

T

O

N

Inequality

Conflict

TOTAL FOREIGN-BORN U.S. POPULATION, 2012: 40.7 MILLION

TACTICS USED IN TERRORIST ATTACKS WORLDWIDE, 2014 - SOURCE: U.S. DEPARTMENT OF STATE 2015a.

8%

7%

18%

South & East Asia

29%

26% 9%

4%

Middle East

54%

10%

BOMBING EXPLOSION

Carribean Mexico Central America South America

- SOURCE: BROWN AND PATTEN 2014.

23%

All other

6%

7%

FAVOR%

OPPOSE%

TOTAL

47

49

MEN

52

44

WOMEN

41

54

WHITE

49

47

BLACK

34

61

HISPANIC

48

46

18 - 29

39

59

30 - 49

52

45

50 - 64

49

45

65 +

45

51

REPUBLICAN

67

31

INDEPENDANT

48

48

DEMOCRAT

32

63

PUBLIC ATTITUDES ON U.S. GROUND TROOPS TO FIGHT ISLAMIC MILLITANTS IN IRAQ AND SYRIA, 2015

HAVEN Haifa Al-Bargi

POVERTY RATE AND REGION, 2015 B

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HAVEN Haifa Al-Bargi

PART TWO: Assessments Breakdown+ Precedent Studies

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Self-Expression

Hum

T Y P O L O G I E S

G a l l e r y

Auditorium

T Y P O L

Art Labs

Assembly Hall

P R E C E D E N T S Characteristics

Amphith

P R E C E Characte

Stage

Display Socialize Contemplate

Spectators Light/Accustics

Work bench

Large room

Storage

Public access

Utilities

Multi-purpose

Tiered seating

Flexible- Exterior

Back of house

S H O W C A S E

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I N T E R A


man Library

Escape & Beliefs

T Y P O L O G I E S

O G I E S

Parliament

M o s q u e

D E N T S eristics

C h u r c h

Te m p l e

P R E C E D E N T S Characteristics

Semi-circular

Atrium (courtyard)

Commons chamber

Sahn (courtyard)

Large scale

Royal gallery

Mihrab (niche)

Aisles

Direct view

Central lobby

Minaret (tower)

Bema

Narthex (vestibule) Transept Exedra Apse

C T I O N

R E F L E C T I O N

Stupa Pagoda HAVEN Haifa Al-Bargi

heatre

Shrine room

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY - ASSESSMENTS BREAKDOWN Self-Expression

"Self-expression must pass into communication for its fulfillment" (Pearl S. Buck).

“the expression of your thoughts or feelings especially through artistic activities (such as painting, writing, dancing, etc.)” - Merriam Webster

SELF-EXPRESSION

REVEALING INNER POTENTIAL

HOW SELF-EXPRESSION IS ACHIEVED O

V

E

R

Fear Self-doubt insecurities

C

O

M

E

P

SOURCE: CORE BELIEFS

SELF-EXPRESSION E

R

S

O

ESSENCE - PURPOSE

N

R

NOISSERPXE-FLES E

F

L

E

C

T

I

O

N

INNER POWER

SELF-EXPRESSION ALLOWS FOR: VENTING - Share burden with others VARIETY - Unique creativity and innovation DISCOVERY - Journey to self-worth COMMUNICATE - Define who we are 22

SELF-WORTH

PRODUCTIVE MEMBERS OF SOCIETY


Self-Expression

SHOWCASE TYPES OF EXPRESSION Photography Comedy Dance/Performance Calligraphy Fine arts

T Y P O L O G I E S

G a l l e r y

Auditorium

Art Labs

P R E C E D E N T S Characteristics Stage

Socialize Contemplate

Spectators Light/Acoustics Back of house

S H O W C A S E

Work bench Storage Utilities

HAVEN Haifa Al-Bargi

Display

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E STUDIES: CASE ART STUDIES: GALLERY ARTOF GALLERY ALBERTA OF- RANDALL ALBERTA -STOUT RANDALL - ALBERTA, STOUTCANADA- ALBERTA, 2010CANADA- 2010 Design Analysis The sculpture like mass of the architecture becomes a tool in drawing people from the community into the gallery. The Juxtaposition of rigid form and organic flow begin to dictate program and cause tension within; where major gathering nodes are placed.

D

I

A

G

R

A

STATIC

M

DYNAMIC

T E N S I O N

PRIVATE SPACES

PUBLIC SPACE

SIMPLE

24

COMPLEX

DRAWS PUBLIC CONNECTS TO URBAN FABRIC

S


0 VARRIETY GROUP SPACE

UNIFORM

G A L L E R Y KEY WORDS Public and Private realm Materiality and Form Gathering Spaces Simple and complex Interaction and display c l e a n - l i n e s

FORM

d i s p l a y

F

O

R

M

A

L

HAVEN Haifa Al-Bargi

SCALE

2 WAYFINDING

gathering

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ASE CASE STUDIES: THE DALI MUSEUMHOK -HOK ST.PETERSBURG, FLORIDA20112011 STUDIES: THE DALI MUSEUM- ST.PETERSBURG, FLORIDAE

N

I

G

M

A

M

A

S

Design Analysis

S

An iconic building symbolic of the Spanish painter’s work. The geodesic enigma’s organic nature intrigues the publics attention in wanting to see what the box contains Within this glass materpeice a helix straicase is visible for clarity in circulation. The circulation though the building creates a compelling and countrasting journey till you reach the destination; the galleries and art D

I

A

G

R

TRANSPARENT

SOLID

DESTINATION

26

TRANSITION

JOURNEY

A

M

S


T

R

A

N

S

I

T

I

O

N

D E S T I N A T I O N

G A L L E R Y KEY WORDS

L

I

G

H

T

S

C

A

L

E

W

A Y

F

I

N

D

I

N

G

HAVEN Haifa Al-Bargi

Engage public Materiality and Form Daylighing Simplicity Plane VS volume

2

wayfinding

S

I

M

P

L

E

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ASE STUDIES: CASE STUDIES: CHICAGO CHICAGO PERFORMING PERFORMING ARTS ARTS CENTRE CENTRE - STUDIO - STUDIO GANG -GANG ILLINIOS- ILLINIOS2016 2016 Design Analysis

F L E X I B L E

B O U N D R I E S

This performing center is the cultural landmark of the area. It is a flexible center with multiple auditorium spaces to meet a varriety of demads. The design is meant to resemble transparency to encourage interaction throught all times of the day. The architecture forms a strong link to the adjacnt landscape in warmer weather to act as an extension and bring the outside in. D

I

A

G

R

A

M

OPEN THEATER

F

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2

L

E

X

I

B

L

CLOSED THEATER

E

S


T

R

A

N

S

I

T

I

O

N

D E S T I N A T I O N

A u d i t o r i u m KEY WORDS

POROSITY

Cultural landmark Transparency and Flexibility Dissolve boundries Extension to outside Flexibility

FLEXIBILITY F

M

A

T

E

R

I

A

L

I

L

T

E

R

S

OPEN THEATER POROSITY

POROSITY

F L E X I B I L I T

HAVEN Haifa Al-Bargi

CLOSED THEATER Y

2 B

O

U

N

D

R

I

E

S

daylight

29


SE STUDIES: CASE STUDIES: FOGO ISLAND FOGO ARTIST ISLANDSTUDIOS ARTIST STUDIOS - SAUNDERS - SAUNDERS ARCHITECTURE ARCHITECTURE - NEWFOUND, - NEWFOUND, CANADA- CANADA2001 2001 Design Analysis All studio designs focus around building orientation to allow for controlled entry of daylight. All materials inside are light and semi-reflective to diffuse light and emit a soft ambiance interior rendering D

N

A

T

U

R

I

A

G

R

A

M

E DIFFUSED SUNLIGHT

ORIENTATION 30

S


S t u d i o - A r t KEY WORDS S

P

E

A

N

L

I

E

N

G

S

HAVEN Haifa Al-Bargi

O

C

North daylight Surface/Reflection/Diffusion Orientation Simple materials/Form Connection to nature

N

A

T

U

R

E

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SOCIAL TOLERANCE ACCEPTANCE & EQUALITY - ASSESSMENTS BREAKDOWN Human Library “People are on loan to readers. Those who volunteer to be ‘human books’ are ‘people with a particular personal experience or perspective on life’ and have often been stereotyped in some way.” - Rebecca Judd, Julie MacDonald, and

“The Human Library™ is designed to build a positive framework

for conversations that can challenge stereotypes and prejudices through dialog.” (HumanLibrary.org).

Rachel Foyt

BOOK

PERSON

LOAN TO READERS

WHAT HUMAN LIBRARY ACHIEVES

D i s s o l v e

32


Human Library

INTERACTION TYPES OF GATHERING Formal Lectures Informal Groups One on One

T Y P O L O G I E S

Assembly Hall

Amphitheater

Parliament

P R E C E D E N T S Characteristics Semi-circular

Public access Multi-purpose

Commons chamber

Tiered seating Large scale

Royal gallery

Direct view

Central lobby

Flexible- Exterior

I N T E R A C T I O N

HAVEN Haifa Al-Bargi

Large room

2 33


CASE STUDIES: CASE STUDIES: WUZHEN WUZHEN THEATER THEATER - ARTECH - ARTECH ARCHITECTURE ARCHITECTURE - ZHEJIANG, - ZHEJIANG, CHINA- 2010 CHINA- 2010 Design Analysis This multipurpose theater inspired by the dual part of a lotus. It is a building with tow distinct entrances; the transparent oval and the solid concrete oval. Both sides share the main stage where both ovals intersect. This allows for maximum flexibility in layout

OPAQUE

TRANSPARENT

FUSED

D

I

A

G

R

A

SHARED

M

S

FLEXIBLE TRANSPARENT

34

FORM GOVERNS FLEXIBLE SPACE

SHARED

OPAQUE


1

SUPPORT PROGRAM

2

A s s e m b l y KEY WORDS

MAIN PROGRAM

A

Y

O

U

T

INFORMAL PROGRAM

M

A

T

E

R

I

A

2

3

1

2

3 4

Duality Flexibility Simultaneously functions Interact and observe Materiality and program

VARRIATIONS

FORMAL PROGRAM

L

S

DAYLIGHT

ARTIFICIAL

HAVEN Haifa Al-Bargi

L

1

2 L

I

G

H

T

I

N

G

35


CASE STUDIES: CARRE D’ART - FOSTER + PARTNERS - NIMES, FRANCE - 1993 DESIGN GOALS: Visual arts & technology Influence context Induce justice Integrate new & old Public gathering

VOID

S

O

L

I

D

SOLID AND POROSITY D

I SEMI-PUBLIC

36

A

G PIRVATE

R

A

M

SEMI-PUBLIC

PUBLIC TO PRIVATE TRANSITION

S PUBLIC

SPARCE GATHERING

GOOD GATHERING

SCALE AND GATHERING

SCALE AND GATHERING

VOID


INTERACTION

PROGRAM DISTRIBUTION AND INTERACTION

KEY WORDS Integrate community Heiarchy Scale & journey Interact and observe Materiality and program

PUBLIC

CIRCULATION PROGRAM

PLAN

SECTION

PRIVATE

PUBLIC PROGRAM

SOLID

PUBLIC

PRIVATE

TRANSPRENT SEMI-SOLID

SOLID

OLD AREA

NEW AREA

HAVEN Haifa Al-Bargi

MATERIALLITY & HIEARCHY

OLD AREA

2 OLD AND NEW

OPEN SPACE AND GATHERING

37


CASE STUDIES: SENDAI MEDIATHEQUE - TOYO ITO - SENDAI-SHI, JAPAN - 2001 DESIGN GOALS: Transparency to surrounding Flexibility in program Public realm gathering Simultaneous program Connection to nature

D

I

A

G

R

SPACE

38

STRUCTURE AND FLEXIBILITY

A

M

S

STRUCTURE

FLEXIBLE SPACE

STRUCTURE GATHERING


INTERACTION

ENCLOSURE WITHIN STRUCTURE LIBRARY

GATHERING

KEY WORDS Simultaneous program Flexibility Structure as space Interact and change Materiality and program

STRUCTURE AND FLEXIBILITY RESTRICTED

VARIABILITY

1 1

2

3

PROGRAM MORPHS

HAVEN Haifa Al-Bargi

SCALE AND FLEXIBILITY - PROGRAM

2 UNIFORM FORM ELIMINATES HIERARCHY

39


CASE CASE STUDIES: STUDIES: MASONIC MASONIC AMPHITHEATER AMPHITHEATER PROJECTPROJECTdesign/buildLAB design/buildLAB - VIRGINIA, - VIRGINIA, USA -USA 2012 - 2012 DESIGN GOALS: Re-development site Landscape knits urban fabric Formal & informal Form & interaction Unobscured sight lines PERFORM

OBSERVE

HIERARCHY AND FORM D

I

A

G

R

A

M

S

CIRCULATION TOWARDS NEIGHBORHOOD INFORMAL GATHERING

FORMAL GATHERING

STAGE

SPECTATOR GATHERING TYPE 40

STAGE

STAGE

LINK TO CONTEXT


Amphitheater

ACOUSTICS CONTROL AND FORM CONTROLS

SOUND WAVES REFRACT OFF FORMS

KEY WORDS

STAGE

Acoustics Hierarchy Context & community Interact and observe Materiality and program

SEATING AREA

FLEX PROGRAM - SOFTSCAPE

FLEX PROGRAM MAIN PROGRAM -HARDSCAPE

MAIN PROGRAM

MAIN PROGRAM - STAGE

FLEX PROGRAM

PROGRAM FLEXIBILITY SOCIAL ZONE METALLIC - REFLECT

ABSORB SOUNDS

WOOD - ABSORB

CREEK

MATERIALITY AND FUNCTION

CONTEXT AND FUNCTION

HAVEN Haifa Al-Bargi

FLEX PROGRAM - PERFORMERS INTERACTION

2 41


CASE STUDIES: THETHE SCOTTISH PARLIAMENTENRIC MIRALLES - EDINBURGH, SCOTLAND - 2004 CASE STUDIES: SCOTTISH PARLIAMENTENRIC MIRALLES - EDINBURGH, SCOTLAND - 2004 DESIGN GOALS: Mass & material privacy Landscape knits public realm Context & materials Form & interaction Abstract forms & interaction

OLD & NEW MATERIAL LINK D

I

BUILDING

42

A

G

R

A

M

CONTEXT

SCALE AND CONTEXT

S BUILDING DOMINATES - NO GATHERING

SCALE AND GATHERING

OPEN SPACE - GOOD GATHERING


Parliament

ABSTRACT FORM AND INTERACTION

KEY WORDS Solid & mass Hierarchy Context & community Formal interaction Materiality and continuity

IRREGULAR BUILDING FORM

MORPHED BOUNDARIES MAXIMIZE INTERACTION

LAYOUT AND CONTROLLED INTERACTION

FORMAL GEOMETRY CONTROLS INTERACTION WIDE/STRAIGHT CORRIDORS - NO INTERACTION

CORRIDORS AND INTERACTION

GRADE AND INTERACTION WITH HIERARCHY THIN/WINDING CORRIDORS - INTERACTION

HAVEN Haifa Al-Bargi

DEBATING CHAMBER

2 43


SOCIAL TOLERANCE ACCEPTANCE & EQUALITY - ASSESSMENTS BREAKDOWN Escape & Beliefs

“The purpose of religion is not building grand temples but cultivating positive human qualities like tolerance, generosity and love.” - Dalai Lama

“Religion can help us make sense of our world, provide motivation, and - psychologytoday. bind us together”

R e l i g i o n

METAPHYSICAL beliefe in a power that goes beyond laws of nature

RELIGIOUS FUNCTIONS

1.

unites community & portrays sacred/human beilfs

- Social and Psycological functions of religion

SOCIAL

44

RITUAL

Maintains social & moral oder

PSYCOLOGICAL

2.

Reduces indivisual anxiety

3.

Helps in making sense of world


Escape & Beliefs

REFLECTION TYPES OF ESCAPE Religious Community Spiritual Solitude

T Y P O L O G I E S

M o s q u e

C h u r c h

Te m p l e

P R E C E D E N T S Characteristics Atrium (courtyard) Transept

Mihrab (niche)

Aisles

Minaret (tower)

Bema

Exedra Apse

R E F L E C T I O N

Stupa Pagoda Shrine room

HAVEN Haifa Al-Bargi

Sahn (courtyard)

Narthex (vestibule)

2 45


CASE STUDIES: GRACE FARMS - SANAA - CONNECTICUT, USA - 2015 DESIGN GOALS: Experience nature Encounter arts Induce justice Foster community Explore faith

FORM GENERATES SPACE

SPACE A

D

I

A

G

R

A

M

SPACE B

S ENCLOSURE = GATHERING

N

A

T

U

R

E SPACE C

BUILDING

46

SOLID AND VOID

SCALE AND REFUGE

SECLUSION & INCLUSION


ESCAPE & BELIEFS

PROGRAM SPACE TYPES & INTERACTION ZONNING LEGEND

SANCTUARY

RELIGIOUS SPACE

Spectator Informal interaction

L A N D S C A P E

Circulation LIBRARY

EDUCATE INFORM OFFICE COMMONS

KEY WORDS Nature Flexibility Simultaneously functions Interact and observe Materiality and program FLEXIBLE BOUNDRY

PUBLIC SOCIAL SPACE L A N D S C A P E

SPORTS COURT

RECREATION SPACE

MATERIALITY AND BOUNDRIES

PAVILION

SEMI-PUBLIC SPACE

ATHLETIC FIELD

RECREATION SPACE

HAVEN Haifa Al-Bargi

EXPRESSION SPACE ART STUDIOS

LANDSCAPE & FLEXIBILITY SPACE A

SPACE B

LANDSCAPE

SPACE B

LANDSCAPE

SPACE A

2 47


CASE STUDIES: BETH SHOLOM SYNAGOGUE - FRANK LLOYD WRIGHT - PHILADELPHIA, USA

- 1959

DESIGN GOALS: Landmark to community Scale and spirituality Form and gathering Materiality evoke emotions Journey of progression

D

I

A

G

R

A

M

S

SPARCE GATHERING

GOOD GATHERING

GATHERING ANGLED WALLS INDICATE ENTRANCE TRANSITION NODES

48

FORM AND CIRCULATION

CIRCULATION AND JOURNEY

FORM STIMULATES GATHERING


Synagogue

LIGHT AND JOURNEY

KEY WORDS LIGHT DARK

SCALE AND TYPE GATHERING

Nature Flexibility Simultaneously functions Interact and observe Materiality and program

RELIGIOUS SPACE

INFORMAL INTERACTIVE GATHERING

FORMAL SPECTATOR GATHERING

SERVICES PLACED ON PERIMITER

FREE PROGRAMABLE SPACE

HAVEN Haifa Al-Bargi

TRANSITION SPACE

2 PROGRAM DISTRIBUTION AND FLEXIBILITY

49


CASE STUDIES: SANCAKLAR MOSQUE- EMRE AROLAT - ISTANBUL, TURKEY - 2012 DESIGN GOALS: Nestles into site Essence of religious space Simplicity & spirituality Daylighting & awe Natural & man-made

MATERIALS AND CONTEXT D

I

A

G

R

A

SOLID = FORMAL PROGRAM

M

S VOID = INFORMAL PROGRAM

SAHN ALLOWS SOCILIZING

COURTYARD

50

SOILD AND VOID


Mosque

SIMPLICITY INDUCES SPIRITUALITY

KEY WORDS ELABORATE SURFACES CLUTTER THOUGHTS

QUIBLA WALL

WEAK SPIRITUAL CONNECTION

SIMPLE SURFACES INSTILL SOLITUDE

Spirituality Solitude Context & community Mass gathering Materiality and scale

STRONG SPIRITUAL CONNECTION

SCALE AND SPIRITUAL CONNECTION

UNIFORM - INFORMAL GATHERING

BELOW GRADE - SPIRITUAL SOLITUDE

ABOVE GRADE - MASS SPRITUALITY

HAVEN Haifa Al-Bargi

FORMAL GATHERING - SPIRITUAL

INFORMAL GATHERING - SOCIAL

2 HIEARCHY BY GRADE CHANGE

51


CASE STUDIES: ST.PAULUS CHURCH - KLUMPP + KLUMPP ARCHITEKTEN - IBALINGEN, GERMANY - 2015 DESIGN GOALS: Urban & Human scale Religion & community Daylighting & reprsentation Materiality & journey Public space & solitude

PUBLIC PLAZA

MASS CIRCULATION

D

I

A

G

R

A

M

S

ASILE

NAVE

ASILE

FILTER TO DESTINATION CHURCH

CHURCH TOWER

52

ORIENTATION & PUBLIC CIRCULATION

PUBLIC PLAZA

PUBLIC SPACE FOR COMMUNITY

JOURNEY TRANSITION


Church

MATERIALS AID SPIRITUAL TRANSITION BUFFER

PRIVATE

BUFFER

SEMI-PUBLIC

PUBLIC PLAZA

NAVE ASILE

Spirituality Solitude Context & community Mass gathering Materiality & transition

ASILE

SOID + VOID = SPIRITUAL SOLITUDE

FRIT GLASS TRANSITION

KEY WORDS

TREES FLITER

SCALE AND SPIRITUAL CONNECTION

HIGH CEILING - SPIRITUAL SPACE

LIGHT

PRIVATE

LOW CEILING - TRANSITION SPACE OPEN SPACE- INFORMAL GATHERING

HAVEN Haifa Al-Bargi

5

DARK

PUBLIC

OPEN LIT SPACE = PRIVATE

LIGHT AND JOURNEY

SHADED SPACE = PUBLIC

2 53


CASE STUDIES: WAT ANANDA METYARAMA - CZARL ARCHITECTS - BUKIT MERAH, SINGAPORE - 2014 DESIGN GOALS: Extension of historic shrine Reflection of tradition Journey & enlightenment Solid & void Communal public space nurtures shelters

protects

TREE SYMBOLIC IN BUDDHISM

FILTERED LIGHT FROM TREE

D

I

A

G

R

A

M

S

ABSTRACTED AND INTENSITY INCREASE IN PRAYER HALL

SOLID = PROGRAM BUILDING VOID = GATHERING

FORM HUGS SPACE GATHERING

54

FORM GENERATING COMMUNAL SPACE

LIGHT/SHADOW & PROGRAM


Temple

SOLID/VOID AND HIERARCHY ISOLATE

CONNECTION TO NATURE

GROUP SPIRTIUALITY

MEDITATION SOLITUDE

GROUP GATHERING

SOLITUDE

SOLID = COLLECTIVE SPACE

VOID = INDIVISUAL SPACE

KEY WORDS Spirituality Solitude Context & community Mass gathering Materiality & transition

TRANSITION ZONES SOLID

JOURNEY OF ENLIGHTENMENT

VOID

LIGHT AND PROGRAM PRIVACY GROUP WORSHIP LIGHT

INDIVISUAL WORSHIP

DARK

PUBLIC

LIVING SPACES

PRIVATE

TRANSPARENT

PUBLIC TO PRIVATE

OPAQUE

LS SOLITUDE

TRANSPARENT

GATHEING

DISPLAY

SHARED PROGRAM

REFLECT

PRIVATE PROGRAM

EDUCATE

PUBLIC

PROGRAM DISTRIBUTION AND SPACE TYPE

SEMI-PUBLIC

PRIVATE

HAVEN Haifa Al-Bargi

PRIVATE

2 55


PART TWO: CONCLUSION - ASSESSMENT BREAKDOWN + PRECEDENTS Self-Expression

"Self-expression must pass into communication for its fulfillment" (Pearl S. Buck).

“the expression of your thoughts or feelings especially through artistic activities (such as painting, writing, dancing, etc.)” - Merriam Webster

SELF-EXPRESSION

Human Library “People are on loan to readers. Those who volunteer to be ‘human books’ are ‘people with a particular personal experience or perspective on life’ and have often been stereotyped in some way.” - Rebecca Judd, Julie MacDonald, and

REVEALING INNER POTENTIAL

“The Human Library™ is designed to build a positive framework

for conversations that can challenge stereotypes and prejudices through dialog.” (HumanLibrary.org).

Rachel Foyt

BOOK

PERSON

Escape & Beliefs “Religion can help us make sense of our world, provide motivation, and - psychologytoday. bind us together”

LOAN TO READERS

“The purpose of religion is not building grand temples but cultivating positive human qualities like tolerance, generosity and love.” - Dalai Lama

METAPHYSICAL belief in a power that goes beyond laws of nature

56

RITUAL

R e l i g i o n

unites community & portrays sacred/human beliefs


PART TWO: CONCLUSION - SUMMATION OF SPATIAL QUALITIES S H O W C A S E

SPACE DISTRIBUTION & TRANSITIONS T

GROUP SPACE

L

R

A

N

I

S

G

I

T

I

O

H

N

T

D E S T I N A T I O N

D

A

R

K

I N T E R A C T I O N DEBATING CHAMBER

GRADE AND INTERACTION WITH HIERARCHY

LAYOUT AND CONTROLLED INTERACTION

SCALE AND GATHERING

R E F L E C T I O N UNIFORM - INFORMAL GATHERING

BELOW GRADE - SPIRITUAL SOLITUDE

ABOVE GRADE - MASS SPRITUALITY

HAVEN Haifa Al-Bargi

FORMAL GEOMETRY CONTROLS INTERACTION

OPEN SPACE - GOOD GATHERING

2 HIEARCHY BY GRADE CHANGE

57


Charlestown

East Boston West End North End

Allston

Beacon Hill

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

58

Harbour Islands


HAVEN Haifa Al-Bargi

PART THREE: Census Datat Mapping + Site Selection

3 59


MAPPING CONDITIONS: BOSTON NEIGHBORHOODS

M

Charlestown

East Boston West End North End

Bay Village

Allston

Beacon Hill

Downtown Leather District

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

60

Chinatown

Harbour Islands


MAPPING CONDITIONS: POVERTY RATES RESIDENTS WITH INCOME BELOW POVERTY LEVEL (%) 10%

20%

30%

40%

HAVEN Haifa Al-Bargi

0%

3 61


MAPPING CONDITIONS: VIOLENCE - CRIME RATES LOW RATE

62

HIGH RATE

M


MAPPING CONDITIONS: RACE - MEASURE OF DIVERSITY HIGH DIVERSITY

HAVEN Haifa Al-Bargi

LOW DIVERSITY

3 63


MAPPING CONDITIONS: TRANSPORT - ACCESS LOCATION

Charlestown

East Boston West End North End

Allston

Beacon Hill

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

64

Harbour Islands


MAPPING CONDITIONS: TRANSPORT - POVERTY AND ACCESS RESIDENTS WITH INCOME BELOW POVERTY LEVEL (%) 10%

20%

30%

40% Charlestown

East Boston West End North End

Allston

Beacon Hill

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury

Harbour Islands

Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

HAVEN Haifa Al-Bargi

0%

3 65


MAPPING CONDITIONS: TRANSPORT - VIOLENCE AND ACCESS LOW RATE

HIGH RATE Charlestown

East Boston West End North End

Allston

Beacon Hill

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

66


MAPPING CONDITIONS: TRANSPORT - DIVERSITY AND ACCESS HIGH DIVERSITY Charlestown

East Boston West End North End

Allston

Beacon Hill

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

South Boston

Mission Hill

Roxbury

Harbour Islands

Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

HAVEN Haifa Al-Bargi

LOW DIVERSITY

3 67


MAPPING CONDITIONS: BOSTON IDENTIFIED GANG TERRITORIES Roxbury - Academy Mattapan - Franklen Field Charlestown

Dorchester - Wendover Falcons

East Boston

Jamaica Plain - JP

West End North End

South End - Lenox

Allston

Downtown Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

Roxbury Jamaica Plain

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park

68

M


MAPPING CONDITIONS: GANG TERRITORIES NEIGHBORHOOD OVERLAY Roxbury Mattapan Charlestown

Dorchester

East Boston

Jamaica Plain

West End North End

Bay Village

South End

Allston

Beacon Hill

Downtown Leather District

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

Chinatown

South Boston

Mission Hill

Roxbury

Harbour Islands

Jamaica Plain

West Roxbury

Roslindale Mattapan

Hyde Park

HAVEN Haifa Al-Bargi

Dorchester

3 69


MAPPING SITE: LOCATION - INSTITUTE DISTRIBUTION

Reggie Lewis Track and Athletic Center Islamic Society of Boston Cultural Center Massachusetts Department of Transitional Assistance Boston Career Link First Church of Roxbury

Orchard Gardens Community Center

Dudley Branch of the Boston Public Library

Twelfth Baptist Church

St. Patrick’s Our Lady of Guadalupe Friary

Cliford Playground Manson Public Pool The Food Project

St John Missionary Baptist Church Shelburne Community Center

Boston Housing Authority

Apostolic Church-Boston Project Hope The Boston Church

Eliot Church of Roxbury

Salvation Army Community Center Good Shephered Church Deliverance Revival Tabernacle

Project Hope St. Mary's Episcopal Church

Egleston Square Branch of the Boston Public Library

LEGEND:

70

Religious Library Community Centers Relief Centers Site Selection

Uphams Corner Branch of the Boston Public Library

St Christophers Church


MAPPING CONDITIONS: TRANSPORT - RAILWAYS/HIGHWAYS

Reggie Lewis Track and Athletic Center Islamic Society of Boston Cultural Center Massachusetts Department of Transitional Assistance Boston Career Link First Church of Roxbury

Orchard Gardens Community Center

Dudley Branch of the Boston Public Library

Twelfth Baptist Church

St. Patrick’s Our Lady of Guadalupe Friary

Cliford Playground Manson Public Pool The Food Project

St John Missionary Baptist Church Shelburne Community Center

Boston Housing Authority

Apostolic Church-Boston Project Hope The Boston Church

Eliot Church of Roxbury

Salvation Army Community Center Good Shephered Church Project Hope St. Mary's Episcopal Church

Egleston Square Branch of the Boston Public Library

LEGEND: Religious Library Community Centers Relief Centers Site Selection

Uphams Corner Branch of the Boston Public Library

HAVEN Haifa Al-Bargi

Deliverance Revival Tabernacle

St Christophers Church

3 71


MAPPING CONDITIONS: GREEN SPACES - INSTITUTE DISTRIBUTION

Reggie Lewis Track and Athletic Center Islamic Society of Boston Cultural Center Massachusetts Department of Transitional Assistance Boston Career Link First Church of Roxbury

Orchard Gardens Community Center

Dudley Branch of the Boston Public Library

Twelfth Baptist Church

St. Patrick’s Our Lady of Guadalupe Friary

Cliford Playground Manson Public Pool The Food Project

St John Missionary Baptist Church Shelburne Community Center

Boston Housing Authority

Apostolic Church-Boston Project Hope The Boston Church

Eliot Church of Roxbury

Salvation Army Community Center Good Shephered Church Deliverance Revival Tabernacle

Project Hope St. Mary's Episcopal Church

Egleston Square Branch of the Boston Public Library

LEGEND:

72

Religious Library Community Centers Relief Centers Site Selection

Uphams Corner Branch of the Boston Public Library

St Christophers Church


MAPPING CONDITIONS: MAIN ROADS - INSTITUTE DISTRIBUTION

Reggie Lewis Track and Athletic Center Islamic Society of Boston Cultural Center Massachusetts Department of Transitional Assistance Boston Career Link First Church of Roxbury

Orchard Gardens Community Center

Dudley Branch of the Boston Public Library

Twelfth Baptist Church

St. Patrick’s Our Lady of Guadalupe Friary

Cliford Playground Manson Public Pool The Food Project

St John Missionary Baptist Church Shelburne Community Center

Boston Housing Authority

Apostolic Church-Boston Project Hope The Boston Church

Eliot Church of Roxbury

Salvation Army Community Center Good Shephered Church Project Hope St. Mary's Episcopal Church

Egleston Square Branch of the Boston Public Library

LEGEND: Religious Library Community Centers Relief Centers Site Selection

Uphams Corner Branch of the Boston Public Library

HAVEN Haifa Al-Bargi

Deliverance Revival Tabernacle

St Christophers Church

3 73


PART THREE: CONCLUSION - CENSUS MAPPING + SITE SELECTION

RESIDENTS WITH INCOME BELOW POVERTY LEVEL (%) 0%

10%

20%

30%

40%

LOW RATE

HIGH RATE

Charlestown

Charlestown

East Boston

East Boston

West End North End

Allston

Beacon Hill

West End North End

Allston

Downtown

Back Bay

Brighton

Fenway LMA

South End

South Boston Waterfront

Fenway LMA

South Boston

Mission Hill

Roxbury

74

Downtown South Boston Waterfront

South Boston Roxbury

Harbour Islands

Jamaica Plain

Dorchester Roslindale Mattapan

Hyde Park

South End

Mission Hill

Jamaica Plain

West Roxbury

Beacon Hill

Back Bay

Brighton

Dorchester West Roxbury

Roslindale Mattapan

Hyde Park


PART THREE: CONCLUSION - CENSUS MAPPING + SITE SELECTION

Roxbury Mattapan HIGH DIVERSITY

East Boston West End North End

Allston

Beacon Hill

Fenway LMA

South End

East Boston

Jamaica Plain South End

Downtown

Back Bay

Brighton

Charlestown

Dorchester

Charlestown

Allston

Fenway

South Boston

Mission Hill

Beacon Hill

LMA

South End

Harbour Islands

Roxbury

Jamaica Plain

Chinatown

Harbour Islands

Jamaica Plain

Dorchester West Roxbury

Leather District South Boston Waterfront

South Boston

Mission Hill

Roxbury

Downtown

Back Bay

Brighton

South Boston Waterfront

West End North End

Bay Village

Dorchester

Roslindale Mattapan

West Roxbury

Roslindale Mattapan

Hyde Park

Hyde Park

HAVEN Haifa Al-Bargi

LOW DIVERSITY

3 75


76


HAVEN Haifa Al-Bargi

PART FOUR: Conclusive Findings + Diagramatic representation

4 77


PART ONE: CONCLUSION - SOCIAL CONDITIONS Social Conditions

Assessments

Social Condition Identified: Poverty Violence Race/Ethnic Inequality Conflict/War/Terrorism

CREATE NEGITIVITY AND TENSION WITHIN SOCIETY Conflict Poverty

Inequality

Violence 78


PART TWO: CONCLUSION - ASSESSMENT Self-Expression

"Self-expression must pass into communication for its fulfillment" (Pearl S. Buck).

“the expression of your thoughts or feelings especially through artistic activities (such as painting, writing, dancing, etc.)” - Merriam Webster

SELF-EXPRESSION

Human Library “People are on loan to readers. Those who volunteer to be ‘human books’ are ‘people with a particular personal experience or perspective on life’ and have often been stereotyped in some way.” - Rebecca Judd, Julie MacDonald, and

REVEALING INNER POTENTIAL

“The Human Library™ is designed to build a positive framework

for conversations that can challenge stereotypes and prejudices through dialog.” (HumanLibrary.org).

Rachel Foyt

PERSON

Escape & Beliefs “Religion can help us make sense of our world, provide motivation, and - psychologytoday. bind us together”

LOAN TO READERS

“The purpose of religion is not building grand temples but cultivating positive human qualities like tolerance, generosity and love.” - Dalai Lama

METAPHYSICAL belief in a power that goes beyond laws of nature

RITUAL

R e l i g i o n

unites community & portrays sacred/human beliefs

HAVEN Haifa Al-Bargi

BOOK

4 79


PART THREE: CONCLUSION - CENSUS MAPPING

Roxbury

RESIDENTS WITH INCOME BELOW POVERTY LEVEL (%)

Mattapan 0%

10%

20%

30%

40%

East Boston West End North End

Allston

Beacon Hill

Fenway LMA

South End

East Boston

Jamaica Plain South End

Downtown

Back Bay

Brighton

Charlestown

Dorchester

Charlestown

Allston

Fenway

South Boston

Mission Hill

Beacon Hill

LMA

South End

Harbour Islands

Roxbury

Jamaica Plain

Jamaica Plain

Dorchester West Roxbury

Dorchester

Roslindale Mattapan

West Roxbury

Roslindale Mattapan

Hyde Park

Hyde Park

80

Leather District South Boston Waterfront

Chinatown

South Boston

Mission Hill

Roxbury

Downtown

Back Bay

Brighton

South Boston Waterfront

West End North End

Bay Village

Harbour Islands


PART FOUR: CONCLUSION - SITE SELECTION Suffolk County House of Correction

Reggie Lewis Track and Athletic Center Islamic Society of Boston Cultural Center Massachusetts Department of Transitional Assistance Boston Career Link First Church of Roxbury

Orchard Gardens Community Center

Dudley Branch of the Boston Public Library

Twelfth Baptist Church

St. Patrick’s Our Lady of Guadalupe Friary

Cliford Playground Manson Public Pool The Food Project

St John Missionary Baptist Church Shelburne Community Center

Boston Housing Authority

Apostolic Church-Boston Project Hope The Boston Church

Eliot Church of Roxbury

Salvation Army Community Center Good Shephered Church Project Hope St. Mary's Episcopal Church

Egleston Square Branch of the Boston Public Library

LEGEND: Religious Library Community Centers Relief Centers Site Selection

Uphams Corner Branch of the Boston Public Library

HAVEN Haifa Al-Bargi

Deliverance Revival Tabernacle

St Christophers Church

4 81


PROJECT FUNDING: INSTITUTE TYPE TABLE Logo

Type of Institute

Higher Education

Private

Fund Title TIER 3: CRIP

The program provides support for development of broad, multidisciplinary research initiatives and centers that will position the university to become a national leader in an emerging or sustained area of research that responds to a national or societal need.

CRD Grants Program

The Committee on Race and Diversity (CRD) Grants are intended to promote diversity and inclusion at MIT. Community-based Initiatives Programs establish new or deeper connections between MIT and off-site constituencies, especially with those that MIT has not connected in the past.

ACLS Digital Extension Grants

This program supports digitally based research projects in all disciplines of the humanities and related social sciences. It is hoped that these grants will help advance humanistic scholarship by enhancing established digital projects and extending their reach to new communities of users.

Post Secondary Sucess

Goal is to play a catalytic role—to support the development of solutions that are unlikely to be generated by institutions working alone and that can trigger change on a broader scale. Our partners include highly innovative colleges and universities that are engaged in bold, systematic reform efforts. Some of our collaborators are wholly new entities launched in the past few years that are experimenting with groundbreaking new paradigms in higher education

Coca-Cola Foundation

Coca-Cola Foundation is our Company's primary international philanthropic arm. The Foundation was established in the U.S. as a registered 501(c)(3) charitable organization. Foundations grants are awarded throughout the year based on our priorities, tax requirements, legal compliance and approval by the Foundation's Board of Directors.

GE Foundation

Empowering people by helping them build the skills they need to succeed in a global economy. We equip communities with the technology and capacity to improve access to better health and education. We elevate ideas that are tackling the world’s toughest challenges to advance economic development and improve lives.

Human LibraryTM

To give a voice to groups in the community that are stigmatized and to help bring about platforms that support a greater understanding of diversity and social cohesion.

Coporations

Non-for-Profit

82

Description


DESCRIPTION Centre Pompidou Footprint Fixed Gallery Temporary Exhbit 2 Cinemas (315+144

SF

80,729 131,427 63,507 seat) 3,417.75 1,562.40 Performance Space (384 seats) 4,166.40 Lecture Theater (158 seats) 1,714 Reading Library 111,945 Research Library 27,986 Dee & Charles Wyly Theater 566 seats 5,773 Kimbell Art Museum Expansion 260 seats 2,652

SHARED PROGRAM: Computer Program Lecture Halls Offices Gallery Flex Maker Space Auditorium

APPROXIMATED SQUARE FOOTAGES AUDITORIUM Entrance 2,096 Main Entrance (300 seats) 4,800 Support Spaces 1,300 8,196 OFFICES Open Office Spaces 10,600 Support Spaces 4,614 15,214 RELIGIOUS Place of worship 2,280 25,550 CONFERENCE/CLASSROOMS Attende Facilities 1,190 General Meeting Large Lecture (120 seats) 1,200 Multipurpose Meeting (30 seats) 750 Specialized Meeting room (15 stations) 1,350 7,730 LIBRARY Library Facilities (FLEX SPACE) 4,496 SPATIAL THEMES: Learn

Explore

Interact

Give Back

HAVEN Haifa Al-Bargi

PROGRAM : PROGRAMATIC REQUIRMENTS - CASE STUDIES

5 83


PROGRAM MAP: PROGRAMATIC THEME RELATIONSHIPS SPATIAL THEMES: Learn Explore Interact Give Back Auditorium

INTERACT EXPLORE LEARN AUDITORIUM

84


PROGRAM MAP: PROGRAMATIC BREAKDOWN - SHARED PROGRAM SPATIAL THEMES: Learn Explore Interact

Wet

Give Back

Conference room

Auditorium

Computer Lab

Offices

Small Classrooms

Dry

Flex Studios

Lecture Hall Digital Gallery

Human Library SHARED PROGRAM: Computer Program Lecture Halls Offices Gallery Flex Maker Space Auditorium

AUDITORIUM

Gallery

Religious

HAVEN Haifa Al-Bargi

Computer Lab

5 85


PROGRAM : PROGRAMATIC REQUIRMENTS Lecture Hall

Office Sizes

6 ft2 per Student

161 ft2 per Typist

161 ft2 per Lecturer

Auditorium

215 ft2 per Assistant

215-258 ft2 per Professor

Offices - Entrance: 2,096 sf - Support Spaces: 1,300 sf - Main Auditorium: 4,800 sf (300 seats)

5.38 ft2 per Spectator

- Open Office Spaces: 10,600 sf - Support Spaces: 4,614 sf

7 ft2 per Person

Confrence/Classrooms

Religious

Library

- Attende Facilities: 1,190 sf - General Meeting: 6,380 sf

- Place of Worship Facilities: 2,280 sf - 25,550 sf

- Library Facilities: 4,496 sf

Large Lecture: 1,200 sf (120 seats) Multipurpose Meeting: 750 sf (30 seats)

- Specialized Meeting Rooms: 1,350 sf (15 stations)

86


PROGRAM : AXONOMETRIC MODULE LAYOUT POSSIBILITIES Module: 40’ x 60’ Office Layout 30’ x 20’

Classrooms + Confrence rooms 1,880 sf

Digital Gallery 30’ x 40’

Religious 30’ x 20’ Human Library 30’ x 20’

Computer Lab 15’ x10’ Flex Lecture Hall 40’ x 30’

Flex Studios 30’ x 40’

HAVEN Haifa Al-Bargi

Galleries 40’ x 60’

Flex Module = Composite Layouts

5

87


DESIGN RESEARCH: SITE ANALYSIS - NOLLI PLAN

88


HAVEN Haifa Al-Bargi

DESIGN RESEARCH: SITE ANALYSIS - ASPHELT LANDSCAPE

5 89


DESIGN RESEARCH: SITE ANALYSIS - CULTURE - BUILDING TYPES

LEGEND: Residential Commercial Goverment Freight Cultural

Site 45,850 ft2

90

0‘

100 ‘

500 ‘

1/2 MILE

1 MILE

N


HAVEN Haifa Al-Bargi

SITE ANALYSIS: SUN DIRECTION - SHADOW STUDY

5 91


DESIGN RESEARCH: SITE ANALYSIS - CULTURE - ACCESS

92

0‘

100 ‘

500 ‘

1/2 MILE

1 MILE

N


DESIGN RESEARCH: SITE ANALYSIS - SIGNIFICANT CHARECTERISTICS LEGEND:

High Pedestrian traffic Low Pedestrian traffic Site

NEW DEVELOPMENT

Major Arteries

HAVEN Haifa Al-Bargi

DECORATED SHEDS

OLD VERNACULAR

5 0‘

100 ‘

500 ‘

1/2 MILE

1 MILE

93 N


MASSING LOGIC : ADDITIVE - THE NUCLEUS

Auditorium

Auditorium

Auditorium

NUCLEI

94

ADDITIVE PROGAME

SITE COMPOSITION


MASSING LOGIC: ADDITIVE - THE NUCLEUS

Auditorium

HAVEN Haifa Al-Bargi

Gallery

5 95


MASSING LOGIC : SUBTRACTIVE - ORGANIC OBJECT

Auditorium

CARVE VOIDS

SUPER IMPOSE MODULES

Auditorium

SPLIT OBJECT

FORM CURVES TO EMBRACE SITE

96

CARVE CIRCULATION

OBJECT CONTRAST

SITE COMPOSITION


MASSING LOGIC: SUBTRACTIVE - THE OBJECT

HAVEN Haifa Al-Bargi

Auditorium

5 97


DESIGN RESEARCH: SITE SECTIONS - LONGITUDINAL ACCESS TO TRANSPORT

SITE GREEN SPACE ADJACENCY

JK GLASS CO.

Eagle Elevator

Tarus Packaging Co.

Freight Parking

Ryder TM

EVERSOURCE ENERGY PARKING

STRIP MALL

T Norfolk Ave.

Mass. Ave.

SECTION AA 0’ 10’

50’

100’

500’

VAST HARDSCAPE

URBAN ACCUPUNCTURE

98

FREIGHT + TRANSPORT BUSINESSES


DESIGN RESEARCH: SITE SECTIONS - LATERAL SCALAR SHIFT

DECORATED SHEDS

Liquor Land

Clifford Playground

EVERSOURCE ENERGY PARKING

EVERSOURCE ENERGY PARKING

EVERSOURCE ENERGY CO.

T Proctor St.

Shirley St.

Shetland St.

Mass. Ave.

SECTION BB 50’

100’

500’

VAST OPEN SPACE NO SECLUSION HAVEN Haifa Al-Bargi

0’ 10’

NO PUBLIC REALM ACCESS

5 99


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