FALL 2009
SUBSURFACE URBANISM Northeastern University School of Architecture ARCH G691 Graduate Degree Project Studio
FALL 2009
SUBSURFACE URBANISM Northeastern University School of Architecture ARCH G691 Graduate Degree Project Studio
JOHN CARLI PHILIP CHANEY IRENE CHENG LINDSEY DUBOSAR ALBEN LAJKA DANIEL OTTOCHIAN
I. INTRODUCTION Perspectives Urban Strata Section Case Studies Reasons We Go Under
II. PROGRAM 2 3 5 11
Layout Program Connectivity
17 18
II. CIRCULATION Connection Methods Sprawl Layout Organized Layout
23 27 28
III. ORIENTATION Surface Signage Underground Signage Mapping Strategies Site Strategies Positional Strategies
Table of Contents
31 33 37 39 47
IV. SYSTEMS Beneath The Surface Layering Deep Water Structure Electric Cable Water Steam Gas Transportation Sewage Natural Lighting Artificial Lighting
VI. SURFACE BROACHING 59 61 62 63 65 67 69 71 73 75 77 79 81
V. CODES Subsurface Space Diagram Compartmentation Emergency Power Elevators & Lobbies Occupant Load Means of Egress Emergency Controls
85 87 89 91 93 95 97
Surface Hole Head House Surface Peel Double Loaded Surface Void Interlocking Distortion
101 103 105 107 109 111 113
introduction
Introduction
Introduction As a city responds to its environment, it grows either outward, upward or both. This book focuses on
Perspectives
SU
underground construction as a response to urban development. The expanded field of architecture now holds a new direction: down. Here we seek to review the steps needed in order to approach success when building below the surface. The relationship between a building and its surrounding environment usually defines the project’s aesthetic and form, however, it is up to the architect to define the diastem between the final strata of the earth below and the urban infill of the sky above. Designing for such an alliance requires a greater understanding of the many aspects of subsurface urbanism.
UNDERVIEW
What is subsurface urbanism? It’s primary focus is
order to promote continuous success. Through
Everyday, millions of people walk along the city
on the extension of cities beneath the ground plane
in-depth research and careful analysis, one will be
streets, but few come to realize that the very
as defined by their geography, topography, as well
able to comprehend the many aspects of subsurface
things that keep the city alive are active just
as economic, political, and social catalysts that
urbanism. The evolution of the dense fabric that is
below them. Beneath the buildings and streets of
influence planning to extend deeper. The effects
the underground city is dependent on this
the twenty-first century city lie vast networks of
on, and caused by, the built environment above the
knowledge and how it may be appropriately applied
infrastructure and utilities that allow for the
surface define the city as a whole as it extends itself
in order to ensure the success of the city overall.
continuous operation of the city above. The
downward, responding to density, the existing
bigger the metropolis, the more vast these
infrastructure, climate and urban culture. Typically
networks become, so big that they even begin to
subsurface urbanism is a reaction to great densities
include people. Corridors and tunnels burrow
aboveground, which then require a vast transport
through the earth, linking destinations on the
network underground. The integration of the
congested surface. Either by foot or public
disciplines of land use and transportation planning
transit, millions of people use these hidden
to explore a wide range of aspects of the built and
networks to efficiently get from place to place.
social environments of urbanized municipalities are
By better understanding the things we don’t see
then expanded beyond what is typical to create a
or recognize too obviously, we as architects will
“second city” below the surface. What you will come
be able to design and plan for a more comfortable
to realize is that defining subsurface urbanism is
experience beneath the surface.
like defining the undefinable. The topic is in a constant state of evolution, including many different aspects of architecture and city planning. As the underground city begins to absorb the qualities of the original city above, there is an ever-growing need to explore this site type and provide architects and urban planners with the steps necessary in 2
introduction
OVERVIEW
Introduction
introduction
SU Urban Strata Section
3
introduction
4
!
('*.171--1(%&)13&,'(.
!1))&/#"6%&)13&,'(.
(1/'%&8')#(1"-
!"#$%&#'(')#'
!123",%&*$+*"0'
!(1*121)# -'*"#+')
!"#$%&'(#!%"
!" *+,-./#'&!-,
)"#$%&'(#!%"
/$+)45.5&/#"6%&#'.,'
5)21(02&8(.#%&#"+!1+
*+#,-+).%&/+)0"!'(1
("77-1/%&/+)0"!'(1
'.$'#),+&(,"2%8'/*'3
!"#$%&'(#!%"
!
)"#$%&'(#!%"
!
('*.171--1(& *1)#1(%&),
#9:&!:;:<=>?@A&3@B&?A& *9?C@DE&CEAA:C=<& F?<?=E><&G?=9&H@?A& ;:<=?A@=?EA&IE?A=<&G?=9?A& =9:&C?=B&=9>EJD9&KE=9&@& <B<=:H&EL&JA;:>D>EJA;& =JAA:M<&@A;&<NBG@B<6& 5AM?N:&HE<=&EL&=9:&E=9:>& C@<:&<=J;?:<&9EG:F:>%&?=& >:H@?A<&=E&CEA=@?A&I@=9<& EL&=>@F:M&@A;&;E:<&AE=& LECJ<&EA&I>ED>@H<&EL& =>@A<IE>=@=?EA&E>&>:=@?M6
#9:&!"#$&<B<=:H&9EM;<& =9:&M@>D:<=&JA;:>D>EJA;& <9EII?AD&CEHIM:O&?A&=9:& GE>M;&G9?M:&?HIM:H:A=?AD& H@?A&=>@A<IE>=@=?EA&9JK<& K:A:@=9&=9:&<=>::=<&EL& #E>EA=E6
(1/'&@M<E&NAEGA&@<&-@& P?MM:&/EJ=:>>@?A:&MEC@=:;& ?A&8EA=>:@M&?<&@=&I>:<:A=& =9:&M@>D:<=&JA;:>D>EJA;& CEHIM:O&?A&=9:&GE>M;6& #9:&A:=GE>N&EL&=JAA:M<& <I>:@;&=9>EJD9EJ=&=9:& C?=B&CEAA:C=?AD&I>ED>@H<& <JC9&@<&<9EII?AD&H@MM<%& 9E=:M<%&@I@>=H:A=<&@A;& =>@A<IE>=@=?EA&9JK<&G?=9& EF:>&QR&H?M:<&EL&=JAA:M<6
!:AA&/=@=?EA&>:H@?A<&=E& K:&EA:&EL&):G&,E>N&C?=BS<& M@>D:<=&=>@A<IE>=@=?EA& <JIIE>=?AD&AE=&EAMB&=9:& ),*&<JKG@B&<B<=:H&KJ=& @M<E&KJ<&M?A:<&@A;&=>@?A<6
-EC@=:;&G?=9?A&=9:&9:@>=& EL&8@A9@==@A%& (ECN:L:MM:>&*:A=:>&9EM;<& @&<JAN:A&IM@T@&J<:;&@<& >:C>:@=?EA&EF:>&=9:& G?A=:>&G?=9&=9:&L@HEJ<& <N@=?AD&>?AN&@A;&LM@AN:;& G?=9&>:=@?M&<I@C:<&JA;:>& =9:&(ECN:L:MM:>&=EG:><6
('*.171--1(%&)13&,'(.
!1))&/#"#+')%&),
!1))&/#"6%&)13&,'(.
(1/'%&8')#(1"-
(1/'%&8')#(1"-
!"#$%&#'(')#'
!"#$%&#'(')#'
!123",%&*$+*"0'
!123",%&*$+*"0'
!(1*121)#
!"#$%&'(#!%"
!" *+,-./#'&!-,
'N9E=AB?&(B@;&?A& 8E<CEG&?<&IE<?=?EA:;& G?=9?A&=9:&C?=B&@<&@& =>@A<IE>=@=?EA&9JK& <:>F?AD&=9:?>&JA;:>U D>EJA;&H:=>E&<B<=:H6
-EC@=:;&K:A:@=9&=9:& KJ<=M?AD&A:?D9KE>9EE;&EL& (@LLM:<&!M@C:%&@& JA;:>D>EJA;&V&<=E>B& =>@A<IE>=@=?EA&9JK&?<& :HK:;;:;&?A&IM@C:&=E& =>@A<IE>=&F?<?=E><&=E&@A;& L>EH6
'I:A:;&?A&QRRR%&*?=BM?AN& 8@MM&?<&K:CEH?AD&EA:&EL& =9:&HE<=&IEIJM@=:;& <I@C:<&?A&/?AD@IE>:& 9EJ<?AD&>:=@?M&<=E>:<&@A;& C?F?C&<I@C:<&@M?N:6
"HEAD&=9:&HE>:&IEIJM@>& JA;:F:MEI:;&H@MM<&EL& "<?@%&=9:&5A;:>D>EJA;& 8@>N:=&?A&#@?I:?&<:>F:<& AE=&EAMB&@<&>:=@?M&9JK&KJ=& 9@<&K:CEH:&@&IEIJM@>& ;:<=?A@=?EA&LE>&=9:&BEJ=9& @<&@&D@=9:>?AD&IM@C:6
/9?AWJNJ&/=@=?EA%&EA:&EL& =9:&=EI&X&M@>D:<=&<=@=?EA<& ?A&=9:&GE>M;%&<:>F:<&@& =>@A<IE>=@=?EA&9JK&?A& 4@I@A&CEA<?<=?AD&EL&QY& =>@?A&>@?M<%&KJ<&<=@=?EA<%& @A;&EF:>&QRR&I:;:<=>?@A& @CC:<<&IE?A=<6
/$+)45.5&/#"6%&#'.,'
/$+)45.5&/#"#+')%& #'.,'
5)21(02&8(.#%&#"+!1+
5)21(0('5)2& 8"(.1#%&#"+!1+
*+#,-+).%&/+)0"!'(1
*+#,-+).%&/+)0"!'(1
("77-1/%&/+)0"!'(1
'.$'#),+&(,"2%8'/*'3
("77-1/%&/+)0"!'(1
!
!"#$%&'(#!%"
'.$'#),+&(,"2%& 8'/*'3
! !
IHKNQ@Q77QIG1JQS1MHIN
DQJJ1O:+UG1JQS1MHIN
IQOHG1VHJ:IQ+7
D+:2G1:HIHJ:H
DQRS+MG1K2LK+PH
DIQKQRQJ:
+,-./0-123041/5617891:-;<-./=>.-1?351@/4.-54-3=A
!"#$%&'(#!%"
!" *+,-./#'&!-,
)"#$%&'(#!%"
&!!
*!
%!
)!
$!
(!
#!
'!
"!
&!
O2LJTBNB1O:+UG1:HNMH
BJRQIPR1VIN:G1:+LDQL
KL:M7LJNG1OLJP+DHIQ
I+@@7QOG1OLJP+DHIQ
&"
&!
%
B.C/51D8<>E/=3851?351;3EE385FA1
&# K8;W8.= 1:-;<-./=>.-
$
#
"
!
!"
!"#$%&'(#!%"
HN2H:JML1IM+RGVHOKHS
"!
&%
&$
)"#$%&'(#!%"
!" *+,-%"-./+.0%.1"&+$
!"#$%&'(#!%"
!"#$
%/',),0&'./4.7(3&2-2/7(3.C"'&3./(.'720&5
%#&"'"() *"#+,(-.!/(0&(,&(!& '1/%%,(-.!/(0&(,&(!& '1/2).3,')"(!&.)/.')/2&'."(3.4//3 #,0&#5.!/$$&2!,"#.'%"!& 42&&.42/$.!"2.(/,'& !#/'&.%2/6,$,)5.)/.')"),/(' !//#.,(.'7$$&28.*"2$.,(.*,()&2 '"4&.42/$.)2"44,! (/.2",( 9
!!
:9
;9
<9
=9
>9
?9
@9
A9
B9
:99
!"#$%&'(#!%"
(/.'7( (/.'&('&./4.),$& (&-"),0&'./4.7(3&2-2/7(3.C"'&3./(.'720&5
7(!#&"(.",2 7(!#&"(.4"!,#,),&' %2&''72&./(.*"##'."(3.!&,#,(-' #"!+./4.%"2+."(3.%7C#,!.'%"!& '"4&)5.,(!"'&./4.3,'"')&2 #/''./4./2,&()"),/(."(3.3,2&!),/(
)//.!2/*3&3 3"2+ "2),4,!,"#.&(0,2/($&() :99
B9
A9
@9
?9
>9
=9
<9
;9
:9
9
!"
4,)#+-67).+,
!" A("$+,$&'(&B+&C,-(#
.,)#+-67).+,
? 12.$).,3&4,5#"$)#67)6#(
12.$).,3&*+,-.).+,$
12.$).,3&4,5#"$)#67)6#(&$67%&"$&)#".,$&/(0+8&3#+6,-9&:".,&)#",$;+#)").+,& %6/$9&+#&#()".0&$;"7($&"00+8&5+#&)%(&+;;+#)6,.)<&)+&7+,,(7)&6,-(#3#+6,-=& >%.$&#($0)$&.,&.,-.?.-6"0$&,+)&%"?(&)+&#($6#5"7(&.,&+#-(#&)+&)#"?(0&5#+:&+,(& ;+.,)&)+&",+)%(#=
'%(,&#("0&($)")(&.$&%"#-&?(#<&:"#@()"/0(&/6)&)%(#(&.$&"&$)#67)6#(&)%")&7",& ,+)&/(&:+?(-&+#&-(:+0.$%(-&$67%&"$&"&#(0.3.+6$&.,$).)6).+,9&/<&-(?(0+;.,3& 6,-(#,(")%&)%(&0+$)&#("0&($)")(&7",&/(&#(3".,(-&8.)%.,&)%(&;+;60")(-&"#("=
!"
!"#$%&'(")%(#&*+,-.).+,$
12.$.,3&*+,-.).+,$
/0"%&/0"%&/0"%
/0"%&/0"%&/0"%
%#&368*4&%6#
!"#$%&'
@-3$.(B"-&."3
!"#$%&'(3"5-#$(&6(+"(-#(%5763&-#&(2-4&63(%#(7*$.%#1(7"67,"(-#8($"39%4"$( *#8"3136*#8:(;63("0-57,"(%#(&."(4-$"(62(<636#&6=(%#(638"3(&6(3",%"9"(&."( 46#1"$&%6#(62(&."($&3""&$(-+69"(136*#8=(&."(>?<@($'$&"5(4-5"(%#&6(7,-4"( .",7%#1(%#8%9%8*-,$(&3-9",(-+6*&(&."(4%&'(+",6A(136*#8:
)#4,"5"#&(A"-&."3(-,$6(7,-'$(-(,-31"(2-4&36(%#(7*$.%#1(7"6,"(+",6A(136*#8:( C#8"3136*#8(4%&%"$(4-#($-9"(."-&(-#8(466,%#1(-$(&."(&"57"3-&*3"($&-'( 3",-&%9",'(46#$&-#&:(<3-9",%#1(+",6A(136*#8(-,$6(736&"4&$(%#8%9%8*-,$(2365( 46#8%&%6#$($*4.(-$($&635$=(3-%#=(-#8($#6A:
!"#$%&'()$$*"$
/0%$%#1()#23-$&3*4&*3"
+,-.(+,-.(+,-.
+,-.(+,-.(+,-.
!"
program
Program
program
Layout Program Connectivity
17 18
16
Program
SU Layout
The typical layout of subsurface urbanism consists program
of: retail, transportation, public space and parking. Public
spaces
are
used
to
connect
retail,
transportation and parking. These public spaces allow for multi-function use. The layout to the left shows a typical program
RETAIL
configuration within the subsurface realm.
The
largest
and
components
are
usually
retail
transportation. Parking is a vital component, as it allows for patrons utilizing services within the underground city to store their vehicles. The sectional perspective to the right is showing connections between the program components of transportation and underground public space.
PARKING
In addition to metro/train service, transportation access includes bus and taxi service. Underground
TRANSPORTATION
services
public
such
as
space ticket
typically booths,
includes turnstyles,
information kiosks, restrooms, food courts, and
PUBLIC SPACE
recreational spaces. It also serves as a connection hub between the street level and transportation components.
17
Program Program Connectivity
SU
program
PUBLIC SPACE
TRANSPORTATION
18
Program
program
SU Program Connectivity
RETAIL
PUBLIC SPACE PARKING
TRANSPORTATION 19
program
RETAIL
The diagram on the left shows how parking is easily accesed through street level, allowing for circulation between the public space and retail components. The diagram to the right shows how a retail anchor store allows the connection from the street level to the underground city.
PUBLIC SPACE
TRANSPORTATION 20
circulation
Circulation
circulation
Connection Methods Sprawl Layout Organized Layout
23 27 28
22
Circulation
circulation
SU Connection Methods
Escalators 23
circulation
Stairs
24
Circulation
circulation
SU Connection Methods
Elevators 25
circulation
Conveyors
Ramps 26
Circulation
circulation
SU Layouts
Program
Sprawled Circulation
27
circulation
Program
Organized Circulation 28
!"#$%&'&#!%
("#$%&'&#!%
!"#$%&'&#!%
((((()*"+',$()#-%'-$ (((((.%/$"-"!*%/()#-%'-$ (((((0'11#%-()&'"&$-#$2 ((((()#&$()&"'&$-#$2 (((((3!2#&#!%'4()&"'&$-#$2
56 55 57 58 97
(((
!"
*"#$%&'&#!%
!"#$%&'&#!%
() (+",'-$.(#/%'/$
/*!"
%
#$'%
0 ( ' $ /
!"
",$
! 1 , # ' $
/ " ( * 2 %
0 ( ' $ /
!"#$
)*(
&'(
+(,&,%* .*(*
"#$
/*!"
%
#$'%
",$
/
;#)4,'9*<#0%'0$
!"#$
*( ) ( &' )*( %+(,%
*( &,%* ) ( &' +(,%+(,!"#$ .*(* &,%* +(,&,%* .*(* &,%* .*(* .*(*
="!&"1.#%0 <#0%'0$
<&'%.*<#0%'0$
&'(
?/$"6$'.*<#0%'0$
>"!1%.*<#0%'0$
@',,*<#0%'0$
()*+!)&*"$&'#,*)&!"$)*-"'%.*'-!/$*0"!1%.2*1%.$"0"!1%.*3#&#$)*3'%*-$0#%*&!*4"!+!&$*'%.*.#"$3&* #%.#/#.1',)*5#&6*)$,$3&*)#0%*4!)#&#!%#%0)7*8')$*)&1.9*$:'+4,$)*4"!/$*#%6$"$%&*1)$*'-!/$* 0"!1%.*)#0%'0$*#%*!".$"*&!*."'5*#%.#/#.1',)*#%7 !"
!"#$%&'&#!%
0 /!*!/"#0 $ ( 1 " ( '%",$ , ( !"#$ ' # * ' 0 ! $ / 0 2 $ ' !"#$ / % 1 " ( $ ( / , ( ' ' # * $ 2 $ ' / % $
(
)* ( ' &
*"#$%&'&#!%
() )%+$","!-%+.(#,%',$
+)
($%!
)*"!
!"#$%&'&#!%
+
! . / 0
,"*-
!"#$%"&'
!!
+
BRAN
D
BRAN
SIGN D
BRAN
D
N o t e Wall Signage
Overhead Signage
orientation
Door Signage
MARK
MARK
NAVIGATE NAVIGATE Ground Signage
Stand Signage
Typical signage underground can generally be found on all faces of the space: the walls, ground, and ceiling, with the addition of stand signage that can be placed temporariliy. These signs are typically used in order to navigate individuals within the space, leading them to not only pro grams and services, but emergency egress and branding as well. 34
*"#$%&'&#!%
() )%+$","!-%+.(#,%',$
!"#$
! " /01.2#%3
/@1.H.B01
!"#$%&'&#!%
@01.2#%
! "
C"!&"-+#%,.(#,%6
4"'#55$.(#,%6
D#6-'5.(#,%6
D#6-'5.C"!&"-+#%,.6#,%6.=-6&.>$.E5'A$+.@01.!". =!"$.:"!=.,"!-%+.-%+$".7F7.(#,%',$.G!+$6.+-$. &!.9$'+.9$#,9&.A5$'"'%A$3
7+8-6&$+.&!.&9$.9'%+.9$#,9&.!:.'%.#%+#;#+-'5<. 4"'#55$.6#,%6.=-6&."$='#%.>$&?$$%./@.#%A9$6.&!.B0. #%A9$63
D#6-'5.6#,%6.&9'&.+!.%!&.E"!&"-+$.:"!=.&9$.?'55. =-6&.>$.E!6#&#!%$+.'&.5$'6&./0.#%A9$6.:"!=.&9$. ,"!-%+3
!"
01231)4
-1)5/021-
*26.
*+1*7,)-+25
1.87+1.6
()*+,+-+./
>?#@$9A%B$"="!A%B9C"!="'D;9"$D#'%9EA#&$9;#D#@'"9&!9&?!;$9!F9&?$9'G!H$9 ="!A%BI9;#=%'=$9A%B$"="!A%B9G$:!D$;9D!"$9@#D#&$B9;A$9&!9C"!="'DJ95'H#K ='&#!%'@9;#=%'=$9G$:!D$;9C"!D#%$%&9A%B$"="!A%B9';9'9D$'%;9&!9%'H#='&$9 #%B#H#BA'@;9&?"!A=?9&?$9A%B$"="!A%B9;<;&$D9';9!"#$%&'&#!%9#;9@!;&9BA$9&!9@':L9 !F9;#=%I9;A""!A%B#%=9$MC!;A"$9!F9F':'B$;9'%B9C"!="'D;I9'%B9@!;;9!F9;&"$$&9 ;#=%'=$J
6.0.56.5-925901231)4
!"#$%&'&#!%
5$:$;;'"<9/#=%'=$
!"
*"#$%&'&#!%
() +',,#%-.(&"'&$-#$/
($":#2$/
!"#$%&'&#!%
4"!-"'6/
01.($2&#!%'3.4#2&!"#'3.+',,#%5./$2&#!%'3./#-%'-$.6',.7$3,/.-8#9$.#%9#:#98'3.&7"!8-7.,#2&!"#'3/.'%9./$2&#!%/;.<7$.'9:'%&'-= $/.!>./827.'./?/&$6.7$3,.!%$.9$:$3!,.'./$%/$.!>.&7$./,'2$.3'?!8&.&7"!8-7.&7$.6',;.@2!%/.8/$9. !"#$%&&#"'!#(%)*#+,-.)$,+#%*/#0-"1-%(+#$%*#%&+"#2,#$&%++)3,/#%*/#"-),*!,/#!4-"'14#+)()&%-)!),+# >!".$'/#$"."$>$"$%2$;.<7$.9!A%/#9$.&!.&7#/.6',./?/&$6.7!A$:$".#/.&7'&.#&.2'%.!%3?./7!A.'./$2= &#!%.!>.&7$.$%&#"$.8%9$"-"!8%9./?/&$6.'%9.!%3?.!"#$%&.#%9#:#98'3/.A#&7#%.&7$.8%9$"-"!8%9.2#&?B. 9#/'//!2#'&$9.A#&7.&7$.'C!:$.-"!8%9; !"
!"#$%&'&#!%
C!"!%&!
+4#8'/!
?')#3'<
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
*"#$%&'&#!%
!"#$%&'&#!%
() (#&$+(&"'&$,#$-
* ) ' & ( $%&'
$ & , #"+(
!"#
!"
($&)!"*+,"#$%&'&#!% -.//$001.2+!"#$%&'&#!%+)#&3#%+'+2'"4$"+%$&)!"*+5.0&+#%/2.6$+&3'&+!1+'+1$)+ 5'#%+&3"!.431'"$07+83$0$+5'#%+'2#4%$6+9'&30+)3#/3+&$%6+&!+:$+)#6$"+ #%+6#5$%0#!%+'%6+/!%%$/&+)#&3+9$"9$%6#/.2'"+0&"$$&0+3$290+#%6#;#6.'20+ %';#4'&$+&3$#"+)'<+&3"!.43+&3$+.%6$"4"!.%6+/#&<+5!"$+$'0#2<7+=0+9$!92$+ !"#$%&#'&()*&+%',&#-$&,(.)&/'%%.*'%&#-$0&%$/"(.,&(&1$)1$&'+&#-$.%&"'/(#.')& #%+&3$+2'"4$"+%$&)!"*7+ 8'#9$#+>%6$"4"!.%6+?'22
!"#$%&'&#!%
8$%B#%+C3#*'4'#
@$#9A#4+>%6$"4"!.%6+?'22
!"
*"#$%&'&#!%
!"#$%&'&#!%
() (#&$+(&"'&$,#$-
!"
(!)$* (!)$*+*&#,,+"$-#'%+!%$+!.+&/$+-!*&+0"!-#%'%&+1'2*+!.+!"#$%&'&#!%+3%)$"4 5"!3%)6+7/$*$+'"$*+3*3',,2+8!%*#*&+!.+'+,'"5$"+039,#8+*0'8$+.!"+'**$-4 9,2+!"+',,!1+.!"+*!-$+)'2,#5/&+&!+0$%$&"'&$+9'8:+#%&!+&/$+3%)$"5"!3%)+ *2*&$-6++
;',,+(!)$
!"#$%&'&#!%
?@AB+(!)$C+;!%&"$',
<$#0=#5+>%)$"5"!3%)+;',,+(!)$
!"
*"#$%&'&#!%
!"#$%&'&#!%
() (#&$+(&"'&$,#$-
!"
()$*#'+,-.$ ()$*#'+,/.$,"$0$".,',1#.&#%*&,2#&3,&3$,%$&2!"45,63#.,*!/+1,7$,'*3#$8$1, 79,$#&3$",',+'":$,'..$;7+9,'"$',2#&3#%,&3$,.9.&$;,!",#&,*!/+1,7$,1!%$,79, !"#$%&'()!$(*$+,#-./-$,0(10&2+$!"0()1"()!$&$-#0!&.3$-(00.4(0$(0$&0#&5$6(0$ $<';)+$=,'%,$%&#"$,"$&'#+,*!""#1!",*!/+1,3!/.$,2!;'%>.,:!!1.,23#+$,&3$, *!""#1!",)$")$%1#*/+'",*!/+1,.$"8$,0!!15,?9,1!#%:,.!,0"$@/$%&,8#.#&!"., '"$,'7+$,&!,!"#$%&,&3$;.$+$8.,&3"!/:3,4%!2+$:$,!0,/.$,#%,"$+'&#!%3#),&!, &3$,$'*3,!&3$"5
63$,A!/8$,B%&"'%*$
!"#$%&'&#!%
63$'&$"
!!
*"#$%&'&#!%
!"#$%&'&#!%
() (#&$+(&"'&$,#$-
!"
!0,63-*2%7"3-19 !0,63-*2%;"3-19%)31<3-%1<0%'-.0,8,"'-.%=31$%*,0%36;",1*-1%-"1%"-2$%*9%*% 60*-9%>",%08,099%('1%1<0$%*29"%<02;%",30-1%1<0%3-.3?3.'*2%)31<%1<03,%;"93@ 13"-%1"%1<0%*("?0%8,"'-.%="-.313"-9%*9%6"91%10,63-*2%;"3-19%10-.%1"%(0% 2*,80%9=*20%*-=<",%91",09%9'=<%*9%A320-0B9C%D*=$B9C%",%:2""63-8.*209%",% 6*E",%1,*-9;",1*13"-%<'(9%9'=<%*9%+,*-.%/0-1,*2%&1*13"-F !"#$"%&'()*$
:2""63-8.*209
40)%5",#%&'()*$
",30-1*13"-
!0,63-*2%7,"8,*69
+,*-.%/0-1,*2%&1*13"-
!"
*"#$%&'&#!%
!"#$%&'&#!%
() +!,#&#!%'-.(&"'&$/#$,
!"#$%&'()&*#(+,,(
!"
4."33/%03 56/#*'$,',6*'7"7*%,',6/3',*86%/9)*'/3'"%#:'/7;#*7*%,*&'</,6/%',)%%*#3' $3'$'<$:',"'3:7="#/>*',6*'8."33/%0'"?'=".&*.32',6/3'3,.$,*0:'8$%'=*' $&)3,*&',"'6*#;'"./*%,';*&*3,./$%3'</,6/%')%&*.0")%&'8/,/*3'=:'/7;#:/%0' ,6*',6*'8."33/%03'"?'%*/06=".6""&3'".'3,.**,3'$="@*'0.")%&A
!"##$%&'()%%*#'+,$,*'-".&*.
"./*%,$,/"%
-/0'1/02'-"3,"%
!"
*"#$%&'&#!%
!"#$%&'&#!%
() +!,#&#!%'-.(&"'&$/#$,
!"
Material Change A change in material versus a constant use of one material may also orient individuals within a site. These changes can relate an even higher level of information by showing shifts in program or resemble the changes in the city above. A common example of this may be the use of tile in subway stations at the present.
Metro Mall Underground Shop
orientation
Ploshchad Vosstaniya Mall, Russia
Osaka Station Mall
50
*"#$%&'&#!%
!"#$%&'&#!%
() +!,#&#!%'-.(&"'&$/#$,
!"
3-%*+ !$$/*-5;&-52-?-28#$+&4/&;#-5&#&?-%*&/@&40%&/84+-2%&%5?-:/5A%54&*/8$2& #$+/&0%$B&-5&/:-%54-5;&40%A&4/&40%&*/:$2&/84+-2%&/@&40%&852%:;:/852&1-46C& <8:40%:A/:%(&40-+&4%105-D8%&#+$/&/:-%54+&-52-?-28#$&#+&4/&40%&4-A%&#+&40%& !"#$%&'%$("%)*+"!,!&)*+%-.$/%.#%0.,($"+%1/%2!$.3-.20%0.,($.*,4%
!"#$%#&'#$$(&)#*#+#,-
=-#5&952%:;:/852&'#$$(&>0-5#
.$/+010#2&3/++4#5-6#&'#$$(&78++-#
/:-%54#4-/5
952%:;:/852&'#$$&.#:-+(&<:#51%
!"
*"#$%&'&#!%
!"#$%&'&#!%
() +!,#&#!%'-.(&"'&$/#$,
!"
("#%)#%)*&+$*,'-'.$*/!0% (1*2"#%)#%)*&+$*3'-'.$*!3*4$1*5&"6-&6"$5*3"!7*'2!8$*.!0%*&!*&+$*6%.$"9 )"!6%.*5#&$:*#%.#8#.6';5*'"$*'2;$*&!*6%.$"5&'%.*&+$#"*<!5#&#!%#%)*6%.$"9 )"!6%.*#%*"$;'&#!%5+#<*&!*0+$"$*&+$1*'"$*0#&+*&+$*-#&1*'2!8$=
!"#$%&'&#!%
!"
*"#$%&'&#!%
!"#$%&'&#!%
() +!,#&#!%'-.(&"'&$/#$,
!!
B&(+.)'+6$P8+*+D
B(C)&$:)D8D/$0+1$23(4
;3($>)&'$:?$@$0)8./$0+1$23(4
#)((78&9$:&/$0+1$23(4
!"#$%&'()&*+$,-()./$0+1$23(4
E37)$F3DG36+G7)&D4)7)/$"-DD8)
A8?+$B&6+(9(3-&6/$0+1$23(4
#8'8.8&4$;3-&')8&/$<8&9)=3(+
5()&6$#+&'().$#.3*4/$0+1$23(4
3(8+&')'83&
"+.)'8&9$'3$<-((3-&68&9$#3&68'83&D
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
systems
Systems
59 61 62 63 65 67 69 71 73 75 77 79 81
systems
Beneath The Surface Layering Deep Water Structure Electric Cable Water Steam Gas Transportation Sewage Natural Lighting Artificial Lighting
58
59
systems
The space beneath the city-dwellerâ&#x20AC;&#x2122;s feet is almost always taken for granted. The volume of space underneath the city is filled with many systems that are essential to human occupation. The utilities and various networks that are hidden beneath the surface are the life-lines that keep the city operating and allow for such high populations to coexist.
Systems Beneath The Surface
SU
systems
60
Systems
SU Layering
STRUCTURE ELECTRIC CABLE WATER STEAM
0-50 FEET
GAS ABANDONED LIGHTING TRANSPORTATION
systems
50-200 FEET
SEWAGE DIASTEM
DEEP WATER
61
200-800 FEET
Systems Deep Water
SU
Deep Water Systems transport fresh water from distant reservoirs to the central city. The water is usually displaced as a result of the massive tunnelâ&#x20AC;&#x2122;s established angle so that gravity is the driving force. These tunnels can be hundreds of miles long and have a diameter as wide as the surrounding natural materials may permit. This modern form of the aqueduct may be located as far down in the earth as 800 feet. Sometimes, in order to speed water flow, the tunnelâ&#x20AC;&#x2122;s diameter shrinks as it approaches its final destination in the urban setting. systems
62
Systems
SU Structure
FLOATING FOUNDATION
TYPICAL FRICTION PILES Stability is created by the pressure or friction developed between the surface of the pile and the soil which it is forced into. The concrete cap atop the piles acts as a footing. Used when soil conditions are unstable.
SLURRY WALL WITH TIEBACK
FLOATING FOUNDATIONS Used when soil conditions are unstable and when the area of the site is great enough to carry the distributed load.
systems
SLURRY WALL WITH TIEBACK Holds back surrounding earth to maintain pressure and enclose the site. Used in areas with a high water table.
63
STEEL ENCASED CONCRETE
REINFORCED CONCRETE
SOLID CONCRETE
WOOD WITH CONCRETE CAP
TYPICAL BEARING PILES
TYPICAL PIERS
Transmit their load directly down through their base into lower stratum. Used when solid bearing material is reachable beneath soil. This may be as deep as 200 feet.
Transmit most of their load through their base into solid bearing material. A column of any shape is removed from earth and infilled with concrete. If a pier does not reach solid bearing material, it is belled out to increase load distribution.
systems
PIPE PILE
PILE REINFORCED WITH STEEL BEAM
“H” PILE
PIER WITH LINING
REINFORCED PIER WITH LINING
PIER WITH BELL
64
systems
5
4
2
65
3
Systems Electric
SU
1. Electricity is typically produced at a power plant and transfered through thick cables enclosed in pressurized pipes within concrete ducts to transformer stations around the city. From here it is carried through smaller cables all around the city. 2. Primary ducts separate at manholes where they are easily accessed. 3. Secondary ducts bring power to transformer vaults. 4. Transformer vaults reduce voltage to the necessary amount used for each building. 5. Power is directed from manhole to light posts and other forms of powered utilities.
66
systems
1
systems
5
4
3
2
67
Systems Cable
SU
systems
1. A main cable contains as much as 6000 wires, allowing for 3000 simoultaneous conversations to occur in the area this cable is servicing. These wires are wrapped together in aluminum and coated in neoprene. 2. Main cables separate at manholes where they are easily accessed. 3. Secondary cables bring telephone operations to buildings. 4. Tertiary cables permit signals to reach city utilities. 5. Traffic lights, crosswalk signs, phone booths, emergency phones and alarms use these cables to function properly and regularly.
1 68
systems
6
5
4 3
69
Systems Water
SU
2
1 systems
1. Water taken from the deep water system is stored in local reservoirs or tanks then brought into areas through regular pressure main pipes which rely on gravity to permit flow. 2. High pressure main pipes allow for excess water to be pumped at any point in the case of an emergency. 3. Valves control pressure and allow water to escape for use. 4. Manholes connect main pipes to submain pipes and permit easy access. 5. Submain pipes bring water to branch lines. 6. Branch lines carry water to buildings, fire hydrants, and fountains. 70
systems
5
4
71
2
3
Systems Steam
SU
1. Steam produced by electric power plants is brought into the area through main pipes encased in thick concrete as to not destroy other utilities. 2. Steam is collected and distributed in manholes. 3. A small pipe drains collected condersation into sewage system. 4. Secondary pipes bring steam into buildings where it is used for heating or sometimes run under sidewalks to melt snow and collected ice. 5. Valves control pressure and the release of steam.
72
systems
1
systems
4
2
3
73
Systems Gas
SU
1
systems
1. 2. 3. 4.
Gas travels through steel or thick plastic pipes from pockets of natural gas, hundreds of feet below the surface. Valves control gas flow or completely shut the pipe down in the case of an emergency. Branch pipes carry gas into buildings where it is used for temperature control, hot water, and cooking. Branch valves control or prevent gas flow into invidual buildings.
74
systems
5
6
75
Systems Transportation
SU
1
2
3
4
systems
1. 2. 3. 4. 5. 6.
The subway head-house signifies the station location and is the main entrance into the system. The station mezzanine is where passengers purchase tickets and enter through turnstyles toward the train. The station platform allows the train to stop for loading and unloading its passengers. Subway trains transfer people all around a city. Usually, the bigger the city or the more populated it is, the bigger the transportation system. Ventilation shafts circulate air in and out of the subway station with massive high-powered fans. Emergency exit stairs allow passengers to escape in the case of an emergency.
76
systems
5
4
3
2
77
Systems Sewage
Main sewer tunnels remove dirty water and waste from the urban area. Manholes permit workers to easily access the sewage system. Sometimes clay pipes are used to transfer waste because of their resistance to their chemical properties. Waste that buildings produce flow through branch pipes into the main arteries of the sewer. Catch basins collect rain water natural waste, and sometimes even polluted materials.
systems
1. 2. 3. 4. 5.
SU
1
78
7
4
5
6
1
10
2 3
8
9
12
systems
11
13
1. Exterior Light Well: Allows for light to penetrate beyond the surface and reach multiple levels below grade. Typically between two spaces of underground space or between structural edge and faced retaining wall. 2. Mirrors: Light is manipulated and directed into spaces below the surface by setting the mirrors at optimal angles to reduce the need for artificial lighting.
79
Systems Natural Lighting
SU
3. Light Shelf: Usually white or reflective, light shelves “bounce” light into spaces while also acting as a rain shield. 4. Glass Block Skylight: Their cut and form refract and collect light, causing them to glow. They are also strong enough to have pedestrians walk on top of them at surface level. 5. Raised Surface Skylight: The subsurface structure’s roof is raised at areas most effective to introduce natural light. 6. Sloped Skylight: Most typical form of skylight. Permits light infiltration and denies rain collection. 7. Surface Level: Raising the level immediately below grade to breach the surface permits light to pierce underground. 8. Interior Windows: Indirect light can reach deeper spaces in any direction. 9. Atrium: The most effective way of bringing light underground while providing a comfortable public space. systems
10. Floor Break: Allows light to continuously beam to lower levels. 11. Reflective Floor: Light is able to extend deeper within a space, allowing for indirect light in adjacent spaces. 12. Reflective Ceiling: Works with other reflective surfaces to extend the depth of light penetration. 13. Reflective Wall: Intensifies natual light as well as artificial light.
80
$ #
! & %
systems
"
81
Systems Artificial Lighting
!
"
#
$
&
%
SU
systems
1. Overhead Flouresant Lighting 2. Light Polls 3. Pendant Lighting 4. Recessed Lighting 5. Track Lighting 6. Wall Sconces 82
code
Code
Subsurface Space Diagram Compartmentation Emergency Power Elevators & Lobbies Occupant Load Means of Egress Emergency Controls
85 87 89 91 93 95 97 code
84
Code
SU Subsurface Space Diagram
UNEXCAVATED EXISTING BUILDING FOOTPRINT SUBSURFACE
ROADWAY
COMMON SPACE
PARKING
PARKING
UNDEVELOPED SPACE
PARKING
code
ROADWAY
PARKING
EXIT PASSAGEWAY
85
SUBSURFACE RETAIL
ROADWAY ROADWAY
PARKING
ROADWAY
PARKING
code
UNDEVELOPED SPACE Undeveloped Space has been mined but has not been altered for the use of advanced industrial capacity, technological sophistication, or economic productivity.
DEVELOPED SPACE Developed Space is the area of a subterranean space that has been altered for the use of advanced industrial capacity, technological sophistication, or economic productivity.
PARKING PARKING PARKING PARKING
EXISTING BUILDING FOOTPRINT In many cases of subsurface urbanism, existing buildings on the surface are translated below grade to produce additional square footage for the owner. In this case the existing building facade is brought below grade to create the space shown to the left.
PARKING
ROADWAY
PARKING 86
Code
SU Compartmentation
LEVEL -1
-10’ LEVEL -2
-20’ UNIT 1
SUBSURFACE
LEVEL -3
-30’
code
BUILDING SERVICES
Compartmentation is required when an underground building has exceeded 30 feet below the level of exit discharge. Compartmentation requires that each unit is separated by smoke barriers and is serviced independently from one another. As the depth increases to 60 feet or more, the depth shall be divided into two separate, equal compartments or units. As shown in the above diagram.
87
LEVEL -1
-10’ LEVEL -2
-20’ UNIT 1
LEVEL -3
-30’ LEVEL -4
-40’
LEVEL -6
-60’
UNIT 2
SUBSURFACE
LEVEL -5
-50’
code
BUILDING SERVICES 88
Code
SU Emergency Power STAND BY GENERATOR
LEVEL -1
-10’ LEVEL -2
-20’ UNIT 1
SUBSURFACE
LEVEL -3
-30’
code
BUILDING SERVICES
Emergency Power Generation is required for each seperate compartment. The following loads require emergency power, Emergency Voice/ alarm communication systems, Fire alarm systems, Automatic fire detection systems, Elevator car lighting systems, Means of egress and exit sign illumination.
89
STAND BY GENERATOR
LEVEL -1
-10’ LEVEL -2
-20’ UNIT 1
LEVEL -3
-30’ LEVEL -4
-40’
LEVEL -6
-60’
UNIT 2
SUBSURFACE
LEVEL -5
-50’
code
BUILDING SERVICES 90
Code
SU Elevator and Lobbies ELEVATOR
LEVEL -1
-10’ LEVEL -2
-20’
code
UNIT 1
SUBSURFACE
LEVEL -3
-30’
Where elevators are provided, each compartment shall have direct access to an elevator. Where an elevator serves more than one compartment, an elevator lobby shall be provided and shall be separated from each compartment by a smoke barrier.
91
ELEVATOR
LOBBIES
LEVEL -1
-10’ LEVEL -2
-20’ UNIT 1
LEVEL -3
-30’ LEVEL -4
-40’
LEVEL -6
UNIT 2
SUBSURFACE
LEVEL -5
-50’ -60’
code
92
Code
SU Occupant Load
ASSEMBLY
PARKING
200 SF
15 SF
5 SF
PUBLIC SPACE U
code
ST PA N AN R KI D N N IN G G G N SP AR R AC AG T E E D C
O
C
E
T
A
E
93
200 SF
300 SF
30 SF
G N KI
code
R PA
E
G
AR
AT
P
SH
IP
L IA
S EA
C ER
S
AR
M M
O
O
K, C
E AG
O ST
/C
O
R O O FL
E, AG
AD
R O ST
R G
E
E
AC
E AR
EN H TC KI C
C
R
EN TR ED AT ED TR
S
U
C
O N
60 SF
200 SF
15 SF 7 SF 5 SF
FL N O AS N
O N C
N IN G ST AN D
PARKING MERCANTILE KITCHEN ASSEMBLY
RETAIL
94
Code
SU Means of Egress
O L T PAN
0 5 F AD O
CO CU 0’
AN 30
code
XITS N
E TH O MOR
OF E ATION
SEPAR
95
0 0 0 1 0 TO
D A O L T N A P CCU
+ 0 0 0 OF 1
O 0’
AN 30
E TH O MOR
code
XITS N
OF E ATION
SEPAR
96
Code
SU Emergency Controls
SIGN
BRAN
D
N o t e
MARK
code
NAVIGATE
97
Illuminated Exit Signs
code
Indoor Fire Suppression Systems
Automatic Sprinklers
Illuminated Exit Path 98
Surface Broaching
Surface Hole Head House Surface Peel Double Loaded Surface Void Interlocking Distortion
101 103 105 107 109 111 113
100
Surface
SU Surface Hole The easiest way of breaching the surface datum is by simply removing a section of the existing surface plane. This allows for little urban intervention and that is architecturally required is some indication that there is an access way down to the subsurface. This is typically done with guardrails around the hole and some sort of signage. The photos to the right depict three common ways of creating an unconditioned hole. This type of entrance is typically used
Selected Precedent Name: Paris Metro Stop
for subways that do not require any type of
Architect: H. Guimard
air conditioning. Stairs lead down from the
Location: Paris, FR
surface directly to platforms with gates as
Status: Completed
the only means of security. Conditioned spaces do not use these entrances since there is an insufficient amount of street front-
Lafayette Avenue
age for retail or commercial use.
Twentythird Street
These types of entrances remain unas-
Architect: -
sociated with the street facade and reside in
Location: New York, New York
parks and the edge of sidewalks. The intent
Status: Completed
is a direct connection with the surface that retains the distinction of surfaces.
surface
Name: New York Metro stops
101
Entrance Indication
Surface Hole
102
surface
Subsurface Level
Surface
SU Head Houses The Head House is as typical as the Surface Hole. This however attemtps to create more of a presence and integration with the urban plane. The Head Hose can be either closed and conditioned or open and undconditioned. Examples of both are to the right. This allows for a higher degree of security and a more comfortable underground connection. Similar to the Surface Hole these are
Name: Boston T Stations
typically, as you can see, not associated with
Copley Square, Boylston Street
the street pattern, either on the edge of the
Park Street, Boston Common
sidewalk or in park areas. The benefit of the Head House style
Park Street, Tremont Street Architect: -
connections that there is more oppurtunity
Location: Boston, MA
for identity and branding of what exists
Status: Completed
below. What makes this different from an uncondition hole is that a Head House has the ability to establish a facade on the existing urban surface. This creates a better sense of connection of the Subsurface and Surface.
surface
Selected Precedent
103
Head House
104
surface
Subsurface Level
Surface
SU Surface Peel This integration is a hybrid of the Surface Hole and Head House. This simulta-neously creates a facade on the surface but also minimizes the impact of the intervention on the surface plane. The scale and directionality of this intervention creates different effects on the city. At the scale of a public park an etire edge from one perspective could exist as a facade, but from the opposite perspective it stil retains the image of part of the existing
Selected Precedent Name: Dewey Square
surface datum. it is the directionality that is
Architect: Machado Silvetti
important when integrating this into the
Location: Boston, MA
urban fabric, which direction wants figure
Status: Completed
and which direction wants ground? The examples shown are what predominantly exist now which only interact on the
Architect:Norman Foster
perceptional level of the peel. They seem as
Location: Bilbao, Spain
though they creep out of the Subsurface as
Status: Completed
some still separate from the Surface.
surface
Name: Subway Entrance
105
Altered Surface
Exposed Facade
106
surface
Subsurface Level
Surface
SU Double Loaded This method establishes a void space to try and connect the Surface and Subsurface. The Subsurface exposes itself to the surface which allows for the circulation measures to connect it. This creates another surface level of street facade, in its traditional sense, with an unlimited back of house. The presence within these spaces, since they are slightly removed from the Surface, is more privatized and smaller scale but still part of the Surface. The direct relationship between the Surface and Subsurface creates a continuity between the two. It makes unclear where the
Name: Newbury Street Shops Life is Good Kashmir Shu Uemura
surface datum is so as to make the
Architect: -
Subsurface easier to occupy and access.
Location: Boston, MA
The depth of these spaces needs to associate itself with the scale of a human using one flight of stairs or a length of ramp. Any deeper it loses its association with the surface. Typically it is seen in older dense cities that used it as a strategy for gaining street frontage for retail districts.
surface
Selected Precedent
107
Status: Completed
Surface Facade
Subsurface Facade
108
surface
Subsurface Level
Surface
SU Surface Void A void space in this instance is used again to intervene with the Surface. The void is created to exploit the defined surface datum. The Surface datum here is given depth, the depth is the distance between the Subsurface and the resulted Supersurface condition. This establishes two different spaces connected through the surface zone. On the micro scale the idea of the facade is inverted and two distinct facades are cre-
Name: Filenes, Formerly
ated. The cieling above the surface acts as a
Architect: Daniel H. Burnham & Co
facade to the Supersurface whereas the
Location: Boston, MA
Surface itself is the facade for the
Status: Completed
Subsurface. This scenario denies the Surface of its traditional condition as a base for the urban realm. It serves only as part of a vertical urban condition that requires a Subsurface and Supersurface interaction. The impact of this on the fabric of an existing city would be that of pblic open space. High desnity with almost no percentage of built land. The void spaceâ&#x20AC;&#x2122;s shape is directly effected by the shape of the Supersurface, the Subsurface still has freedom to shape itself in the poche of the earth.
surface
Selected Precedent
109
Supersurface
Void Space
Horizontal Facades
110
surface
Subsurface Level
Surface
SU Interlocking
This intervention exploits a void space again, which, in conjunction with a defined architectural object, create a connection between the Subsurface and Surface spaces. The object can exist in many different forms, a building, circulation piece, or simply a sculptural gesture. The scale of the void needs to be large enough to occupy and require a perceptual connection with the surface plane. The object with the void has a clearly
Name: Stonybrook T Station
defined base within the Subsurface space,
Architect: -
however, since the surface datum is so
Location: Jamaica Plain, MA
strongly defined by the context, there also
Status: Completed
exists a pseudo base at the surface level. This pseudo base is where the connections over the void occur. The multiple readins of base also give rise to multiple readings of facade as well. Facades in this instance can exist solely for the Subsurface space, solely for the Surface, or both simultaneously. Depending on how you use the facade the connection of the Surface to the Subsurface can be either a complex interacting whole, or two separate entities defined by the surface datum.
surface
Selected Precedent
111
Street Facade
Void Space
Subsurface Facade
112
surface
Subsurface Level
Surface
SU Distortion
The scenario here deconstructs the perception of where the Surface actually exists. It incorporates several different planes that act as surface datums. These surfaces can exists above or below the existing contextual datum which, when grouped together, undefines where the original surface exists. The subtlety of the undulation of the planes is key here, if it is too rough the ground plane becomes more perceptable, too soft and the internal occupiable space diminishes due to
Selected Precedent Name: La Place des Arts
daylight restrictions. Each undulated surface
Architect: David, Barott and Boulv
is a source of natural daylight inside.
Location: Montreal, Canada
The issue regarding facade dimishes
Status: Completed
with the defined surface datum. The number of individual facacdes is a direct result of the number of newly established surfaces. The
Architect: Kallmann Mckinnell and White
treatment of these whether it is ambigous or
Location: Boston, MA
articulate doesnt have much impact to thier
Status: Completed
realted to the whole. The number of parts has to be large enough to create an ambigous texture to deconstruct the perception of the ground plane. This strategy helps reduce the amount of unoccupiable surface created by most traditional buildings. It also helps mitigate the issue of going underground by distorting the perception of what is ground and what is not.
surface
Name: Boston City Hall
113
Supersurface Level
Surface Level
114
surface
Subsurface Level
SUBSURFACE URBANISM ARCH G691 GRADUATE DEGREE PROJECT STUDIO FALL 2009 This publication has been prepared as part of a five week graduate thesis studio assignment in the Northeastern University School of Architecture for the Fall 2009 Architecture G691 course. Other publications in this series include urban retail, office, and parking garage typologies, all produced by graduate students in the Northeastern University architecture program.