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The best of the best Best Small Stand (49sqm or fewer): Moobo (Stand: 8-P400)

Best Medium Stand (50-199sqm): Aluvision (Stand: 8-K315)

It was standing room only at the Main Stage in Hall 8 yesterday evening as the winners of the ISE 2019 Stand Design Awards, organised by EXHIBITOR magazine, were unveiled.

EXHIBITOR editor Travis Stanton, who pointed out that he visited dozens of trade shows of all sizes in an average year, was effusive in his praise for the creativity and quality of many stands on the ISE show floor, calling the shortlisted stands ‘the best of the best’.

Every stand on the ISE show floor at RAI Amsterdam was automatically entered into the free competition and judged on-site by an international panel of designers and exhibition industry experts.

Finalists selected in each of the four size-based categories were notified on the show floor ahead of the awards ceremony.

The winners were: • Small (49sqm or fewer): Moobo • Medium (50-199sqm.): Aluvision • Large: (200-399sqm): Shure Distribution • XL: (400 sqm or more): NEC Display Solutions

“Celebrating exceptional experiential design has been a part of EXHIBITOR magazine’s DNA for more than three decades, and this is our third year organising the ISE Stand Design Awards competition,” said Stanton. “We’re incredibly proud of the programme itself, as well as each of the four remarkable exhibits that received this year’s awards.”

Best Large Stand (200-399sqm): Shure Distribution (Stand: 3-B110)

Stand Design Winners (main image, L-R): Mike Blackman, managing director, Integrated System Events; Michel Bars, marketing manager, Shure; Brigitte Kommer, manager marketing Europe, NEC Display Solutions; Chris Merrick, global marketing director, integrated systems, Shure; Daniela Steinhart, senior marketing specialist, marketing and business development, NEC Display Solutions; Beatriz Eiras, project manager, moobo; Claudio Castro, CEO/creative director, Moobo; Dirk Deleu, managing director, Aluvision; Ann Vancoillie, CEO, Aluvision; and Travis Stanton, editor of EXHIBITOR magazine.

Best XL Stand (400sqm or more): NEC Display Solutions (Stand: 5-R20)

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LED it be The eyes have it: one member of the ISE Daily team described Hall 12 as being ‘lit up like Times Square’, and this image of the Shenzhen Uniview LED stand (12-N60, 12-K62, 12-E30) certainly backs up that observation. The multi-LED display on the stand, complemented by the I Series interactive LED floor display, has been drawing (and stopping) plenty of traffic during the week.

AV can help hospitality tell its brand story The professional AV industry is expected to swell to more than $229 billion by 2023 and hospitality is one of the verticals to watch for, according to Sean Wargo, senior director of market intelligence at AVIXA. Wargo kicked off yesterday’s Hospitality Tech Summit at the Hotel Okura with AVIXA research showing that the hospitality sector is experiencing a better than average annual growth rate, forecast at six per cent between 2018 and 2023.

APAC will lead the way, according to Wargo, and will become the fastest growing region within this time period, commanding 35 per cent of total hospitality revenues globally. AVIXA believes that this spells fresh opportunities for AV firms to diversify their businesses and stay robust against the onslaught of recession.

“Pro AV and hospitality are coming together and there aren’t many installers currently working in this sector,” said Wargo. “Most of the time we think of the guestroom experience, but there’s so much more going on. It starts at the front door with digital signage and wayfinding – the AV industry can help enhance the guest experience from the outset.” Wargo added that while the hospitality sector

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was keen to invest in AV kit primarily to improve customer experience and satisfaction, in common with other verticals the sector also expressed a desire to communicate its brand story. “Promoting a company’s brand is by far and away the main reason all sectors are investing in AV solutions,” he added.

Wargo also pointed to the creative possibilities AV can now offer, using the nhow Amsterdam RAI hotel projection mapping event during ISE as a case in point.

“This kind of conceptual design is the perfect example of what our industry can bring to hospitality,” he added.

In terms of current AV spend within the hospitality sector, AVIXA research revealed that video displays came out on top, accounting for 34 per cent of total spend.

While scale of investment is lower in hospitality than verticals such as corporate and education, AVIXA research into the hospitality sector revealed that a sizeable percentage of project budgets – almost six per cent – goes on AV. Systems integrators also came out top in the ranking of project lead lists, above internal IT departments and facilities and operations managers.

Wargo: ‘Promoting a company’s brand is the main reason all sectors are investing in AV solutions’

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AV gets its game face on for eSports Rafal Mrzyglocki, chief executive of set design company Aram, spoke on ISE’s Main Stage yesterday about new event opportunities in eSports. “eSports is growing like crazy – there are bigger shows and also more medium and small sized shows happening too – there’s huge potential [in this sector] for the AV industry,” he said.

Mrzyglocki drew on his experience of producing the Intel Extreme Masters for the last four years, as well as a multitude of ESL’s live events worldwide – from a 500-seat fan stage in Warsaw to a 20,000-seater stadium in New York. Around 46 million unique viewers watched the 2017 Intel Extreme Masters, an eSports event held in Poland, which drew a record 173,000 fans to the multipurpose Spodek Arena.

To lure those ‘streamers’ out of their homes and to actual eSports events, he said more dedicated, purpose-built spaces were needed.

“Arena events are getting bigger – they are going to require stadiums soon – while there are many smaller and mid-sized tournaments growing throughout the world.”

According to Mrzyglock, much of the eSports work the firm carries out uses the same AV resources in terms of screens, lighting and audio, although there are certain

nuances that need to be accounted for. “It’s just like a show on stage, but you have players instead of artists and you need to remember that these players are the most important part of the show,” he said.

He added that there are o!en many players on stage at the same time, and that it’s important that the players are well lit, but not overheated, by LED lighting.

The organisers like to bring the live audience as close as possible to the audience, according to the designer: “although not too close, in case they start giving signals to the player”.

Designing the set so that it can be viewed well by people watching the game remotely – via Twitch or Facebook – is another consideration.

Because games follow a general narrative, Mrzyglocki added that his team tries to automate as many elements as possible. “Some of the graphics are pre-programmed, and if a player changes a weapon in-game we receive an automated prompt to show a shot of it on screen.”

He advised designers not to be tempted to use the same stage for different eSports. “Each game has its own rules and demands. PlayerUnknown’s Battlegrounds is very different to Fortnite – you can’t generally use one stage for two games.”

DisplayNet in race for zero frame latency DVIGEAR Stand: 1-M110 Drawing crowds on the DVIGear stand is a race simulator designed to demonstrate how the company’s DisplayNet matrix switching series delivers zero frame latency, 4K/60p, artefact-free video with USB extension support.

“It’s been so popular, the steering wheel broke on the second day and we had to go out and get a replacement,” laughed product manager Matthew Pulsipher.

New for ISE is the DN‘150, which Pulsipher said offers a new entry point into the DisplayNet AV-over-IP platform.

The DN‘150 is designed to offer the same zero latency and zero artefact 4K/60p video routing performance as the DN‘200 Series, but in a ‘value-oriented’ package.

The units support HDMI 2.0 with up to 12-bit colour and HDCP 2.2, and offer independent multi-layer routing of HDMI, analogue audio, IR, and RS-232 signals. DN‘150 series devices are compatible with all DN‘200 series devices, and can be deployed within the same system.

“A high level of interoperability between these products ensures the winning combination of performance and value in DisplayNet systems that utilise both product families,” said Pulsipher.

Mrzyglocki: ‘There is huge potential [in eSports] for the AV industry’ DVIGear product manager Matthew Pulsipher shows how it’s done

No need to speak up SENNHEISER Stand: 2-B50

The TeamConnect Ceiling 2 helps even the quietest meeting participants make themselves heard

Hearing everyone in a room is a perennial problem in meeting rooms – which Sennheiser is trying to resolve with the TeamConnect Ceiling 2.

Ann Vermont, public relations manager at Sennheiser, told the ISE Daily that the system has 28 microphones with automatic beam forming. The system will detect each different person – even if they’re moving around – and focus on their voice alone, while making the necessary adjustments for those who speak quietly or loudly. For larger or oddly shaped rooms, several ceiling microphones can be combined to ensure best coverage. TeamConnect Ceiling 2 can be used together with existing analogue conference systems or integrated into fully

digital systems, where it can also be controlled and monitored via an IP network. The ceiling microphone supports Power over Ethernet (PoE), Sennheiser Control Cockpit, Dante Domain Manager and the Crestron control platform. Via an open media protocol, TeamConnect Ceiling 2 can also be integrated into media and camera control systems.

Another important development being shown on the stand is the company’s latest focus on education. “Places of education need to have perfect sound, in order to perfectly hear the teacher or lecturer, even if the student is hearing-impaired,” explained Vermont.

MobileConnect is the new WiFi-based solution for hearing and uses the latest and most user-friendly technology possible. Operation is simple: the app for either iOS or Android is downloaded onto the mobile device, and the Personal Hearing Assistant then allows the user to adapt the sound to their individual hearing needs via the touchscreen on their phone.

Audio giant charts a new course HARMAN PROFESSIONAL Stand: 1-F5, 1-F10, 1-N5 A multi-year internal restructure at Harman Professional is now complete, and the company is poised to release a number of new products in 2019, said David Glaubke, director of global corporate communications – professional solutions.

The restructuring commenced before the acquisition of Harman by Samsung was announced in November 2016.

The primary result of the changes, said Glaubke, has been “the creation of three centres of competence: Aarhus in Denmark for lighting; Richardson, Texas for DSP, so!ware and electronics; and Northridge in California for acoustics”.

The new structure is expected to allow Harman to maximise the possibilities of its entire brand family, which includes

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iconic brands such as AKG, JBL and Studer. And although the acquisition by Samsung was undoubtedly one of pro-audio’s biggest business stories for several years, the impact dayto-day has apparently been fairly minimal. “Two years [since the deal] we are still operating as a separate company,” says Glaubke. “But what being owned by Samsung means is that we have access to a great deal of engineering and expertise [that can inform new product developments].”

And there are plenty of new products to be seen at ISE 2019, including the AKG CBL Series Boundary Layer Microphones.

Available in two coverage patterns to support a variety of meeting space sizes and shapes, these microphones are suitable for conference rooms, education spaces, and more.

The present momentum will continue, hinted Glaubke, with a “robust product roadmap” now in place across the portfolio.

Harman’s David Glaubke with one of the new AKG CBL boundary microphones

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Sport is not enough: Enhancing the fan experience Sports venues and fans have evolved so much in recent years that it’s no longer enough for fans to engage just with what’s happening in the field. That was the view of the How Technology Enhances The Fan Experience panel at yesterday’s AGORA conference, organised by MONDO | STADIA. Interestingly, both fans and venues are driving this expectation. Lukas Buhl, R&D acoustics, TW Audio, said: “Of course, the fan wants to have a great experience; the sport is not enough anymore. On the other side, sport isn’t the venue’s only focus either – they want to sell merchandise, offer advertising, and so on.”

When it comes to delivering this complete experience, a holistic approach to AV needs to be taken and venues

are increasingly wanting their video, lighting and sound to be integrated.

As Thierry Chapiteau, global segment director, Signify, said: “We work with a lot of customers and they all have the same vision – lighting, video and sound together. This creates a complete customer journey, from outside where the façade displays messages, then inside the bowl you can create endless combinations, not only for the people in the stadium, but also for zoning, so you can customise the mood to the game.”

Stephen Hogg, head of sports projects, d&b audiotechnik, agreed: “We’re also seeing this in the increase in sound and light shows at football games. We’re slowly joining up the

dots between sound, video and lighting to deliver a more holistic approach.”

Ultimately, however, the bottom line is where the success of fan engagement programmes is measured. James Keen, group marketing manager at Tripleplay, said: “Engagement is important because it ensures revenue keeps coming in.

Having said that, the better the experience, the more money you’ll make because it keeps people coming back. I think many sports are unusual in that you pay for a ticket in the hope that you’ll be entertained, but there’s no guarantee.

To create a wider experience around this protects you a bit more, brings people in earlier, keeps them here longer and ultimately encourages them to spend more.”

(L-R): Thierry Chapiteau, global segment director, Signify; Stephen Hogg, head of sports projects, d&b audiotechnik; Lukas Buhl, R&D acoustics, TW AUDiO; James Keen, group marketing manager, Tripleplay; and Martin Izzard, senior account manager, Red Lorry, Yellow Lorry

AED Group invests in PIXERA hardware and software

At ISE, Belgian AV solutions provider AED Group has announced its intention to invest heavily in AV Stumpfl’s new Pixera media server soſtware and hardware. With a total of six Pixera Two media servers, six Pixera One servers and 10 Pixera mini player units ordered at this event, the company will be Europe’s largest provider of AV Stumpfl media servers. The new Pixera server units ordered by AED Display will include VIOSO auto-calibration technology. (L-R): Horst Damoser, global business development manager, AV Stumpfl; Benjamin Fritsch, CEO, VIOSO; Dave Vos, product manager, AED Display; Fabian Stumpfl, CEO, AV Stumpfl; Thierry Heldenbergh, managing director, AED Display; Tobias Stumpfl, CEO, AV Stumpfl; Filip Van Vlem, PR and communications manager, AED Group. Stand: 1-H5, 1-H10

Happy trails 1TRAILER Stand: 8-E353 Lithuania’s 1Trailer is at ISE promoting its design and manufacture of all types of trailers, including trailers for LED screens, mobile LED screens and LED trailers.

The GF-AERO, for example, is a small-scale trailer made of lightweight glass fibre and suitable for concerts, trade shows, festivals and every other possibility you can imagine. The Co-Container, though large, takes just 15 minutes to set up by one person manually or through a wireless controller. It’s equipped with four outriggers for levelling and has numerous modifications to make every event memorable.

1Trailer also manufactures indoor and outdoor LED screens; media decorations and facades; rental LED wall panels and more.

Curving pixel pitch AOTO Stand: 12-C100 Shenzhen-based Aoto has launched a 1.9mm pixel pitch display at ISE this year.

The company is famous for its curved displays, which are o"en used in exhibitions and public displays, for either indoor or outdoor use. The screens are either front or rear serviceable in order to provide fast maintenance and offer seamless splicing for different resolutions. Pedro Pereira, sales and marketing manager for AOTO, told the ISE Daily:

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“The way in which they are manufactured means that they can be constructed flat, with a curved 90º angle, or at right angles.”

AOTO has four key strategic business units – LED display, banking electronics, lighting engineering, and sports operation. The company now offers a complete range of indoor and outdoor direct view LED display products, and is the first publicly held company in the LED display industry in China.

Trailers for every occasion: Catch 1Trailer outside ISE

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Will cost and lack of leadership derail D-Cinema’s second wave?

A lack of clear leadership and a cash-strapped studio system in the throes of consolidation are factors that threaten to hold back digital cinema’s second wave, according to renowned cinema industry consultant Michael Karagosian.

Speaking at ISE’s Digital Cinema Summit at the Hotel Okura on Wednesday a!ernoon, Karagosian, who was part of the team that launched Dolby Surround Sound, claimed that there’s been too much talk about new HDR systems and not enough talk about the problems that need solving for HDR to become a reality.

“We’re going to need a new way to manage colour... because it’s not likely that you are going to have the same dynamic range on all the screens,” he warned.

“Ten years from now, do we want a master for every type of dynamic range or do we want it to be managed in-room?

In the audio world, they are talking about mastering one immersive sound track and reproducing it on a variety of systems – we need to start thinking like that in the image world, because that’s what we’re moving towards,” he added.

Unlike the first wave of digital cinema, which saw vendors such as Texas Instruments and JVC as well as the Hollywood

studios [via the Digital Cinema Initiative] pave the way for standards, he says that there’s currently a lack of drive by any one party to push D-Cinema adoption conversations forward.

Karagosian argued that cost was another factor that threatens to derail D-Cinema’s progress.

While studios helped fund the first wave of digital cinema through a Virtual Print Agreement, which saw film distributors pay a subsidy based on the amount they saved on film prints, Karagosian claimed the industry would be reluctant to subsidise a second wave in the current climate.

“We are already seeing six studios collapse into five, and in the coming years I see this collapsing into four. This is a tough business, so to start giving money away to pay for new projectors is really crazy.”

He warned, however, that the Digital Cinema Initiative is already starting to specify “very expensive” forms of equipment.

“And as soon as you start specifying things, people are soon going to ask, ‘Well, aren’t you going to pay for it?’”

Karagosian – who was also a technology advisor for the National Association of Theatre Owners during the first wave

D-Cinema guru Michael Karagosian (L) with Summit chair Nick Dager

of digital adoption – predicted that HDR upgrades will occur primarily in exhibitors’ opening night premium large format (PLF) screens, with smaller screens going for the “lowest cost technology” that they can get away with: “and it’s unlikely to be HDR because that’s the economics of the business,” he added.

DSP prompts new partnership

Finger on the pulse

ADAM HALL GROUP/ XILICA Stand: 7-W200 / 7-S209

PULSE-EIGHT Stand: 9-B173

German manufacturer and distributor Adam Hall Group has announced a new technology partnership with Canadian DSP developer Xilica.

As part of this cooperation, Adam Hall Group is expanding the installation portfolio within its LD Systems brand in order to provide AV planners, integrators, installation service providers and end-users with a wide range of integrative solutions for fixed installation.

The Xilica partnership also makes it possible to further expand upon the functionality as well as the Universal Control approach of Xilica’s Designer So!ware as the central control platform for installation projects.

Donny Chow, managing director of Xilica, said: “With Universal Control we enable users to control products from various manufacturers via a central platform, without having to refer to expensive and time-consuming services from external specialists in order to establish a functional configuration.”

Gabriel Alonso Calvillo, integrated systems product manager at the Adam Hall Group, added: “Instead of confronting users with a completely new system that requires retraining, we can rely on Xilica Designer as a renowned so!ware solution. We can offer our customers a proven platform that will keep evolving with additional useful features and options in the future.”

British manufacturer PulseEight’s products help users share games consoles, Bluray players, set-top boxes and more around the home.

The products’ unique selling point is that sound Ellis: ‘no need for additional from installed speakers controllers or switches’ will always match what the screen is showing.

Martin Ellis, managing director, Pulse-Eight, told the ISE Daily this can happen without the need for any additional controllers or switches.

As a demonstration, screens on the stand are showing an action-packed movie, proving that even when sound is routed through its equipment, the system’s low latency means that the sound is perfectly synced. All of Pulse-Eight’s matrices feature full online monitoring, and offer installation tools such as link quality test and real-time temperature monitoring.

Also on the stand are products from the Zektor brand, including the ProAudio audio distribution range, which enables maximum audio distribution and controls including volume, balance, bass, treble and a five-band graphic equaliser on each of the eight zones, plus audio delay functions and digital-to-analogue conversion.

Xilica’s Donny Chow (leſt) and Adam Hall Group’s Gabriel Alonso Calvillo shake hands on the new agreement

ISE Show-stoppers The two standout projection events of ISE 2019 have been delighting show attendees all this week. Sviatovid by Bart Kresa, pictured le!, which features Panasonic projectors, has been on display outside Entrance C of the RAI Amsterdam, while a huge projection mapping display has taken place on the side of the nhow Amsterdam RAI hotel adjacent to the exhibition centre. The nhow project, pictured right, is the collaborative work of ISE and RAI Amsterdam, together with Technology Partners Green Hippo, LANG AG, Panasonic, and ProDisplay.

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Speakers should be heard, not seen ATLASIED Stand: 6-K160 ISE sees the introduction by AtlasIED of the SHS Strategically Hidden Speaker to an international audience for the first time. The SHS Series is claimed to fill a niche in commercial speakers, ‘merging superior sound quality with thoughtful design’ with the result that the speaker virtually disappears into the ceiling.

The concealed design of the SHS is achieved

by Adaptive Dispersion Lens Technology, a new, patented waveguide form. Only a 3in diameter lens and a micro trim ring are visible on the ceiling. The dispersion lens can be easily painted or replaced with material to match the ceiling, allowing the SHS to blend in without compromising the architectural aesthetic of the room.

Designed to deliver highly intelligible audio, the speaker has a two-way driver providing highdefinition sound. Sound exits the two-way transducer and passes through the patented adaptive dispersion lens for a smooth and uniform frequency response with, according to the company, no ‘hot spots’.

The speaker uses an integrated 32W 70V/100V transformer with a sealed enclosure above the ceiling for optimal bass response, and offers 180° dispersion for full coverage in any environment.

For hard-to-match environments, AtlasIED’s DesignLab custom print process uses a UV printer to replicate colours, textures, and patterns, enabling the SHS to blend into any environment, claims the company.

Xounts CEO and founder Oliver Richer: ‘Our system isn’t like the chicken sitting on the eggs, hiding everything away – powerful speakers inside the Xounts obelisk are combined with bright light and an eye-catching fabric cover, which will look great in photos online and on social media.’

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Making a splash HB-LASER Stand: 8-M300 For the first time, pixel-accurate videos and pictures can be combined in three dimensions, by using the height of a water fountain. 3D HydroMatrix is an exclusive patent-pending innovation from Germany’s HB-Laser. The minimal pixel pitch between the LED water fountain nozzles helps 3D visuals to form.

Lutz Bartl, managing director, said: “3D HydroMatrix opens up new design possibilities that have never been seen before. You can make animated sculptures out of water and light.”

3D HydroMatrix modules comprise 10 nozzles and 10 RGBW LEDs, each of which contains all the components necessary for water and lighting staging. The modules use 24V low voltage and can be placed in any arrangement and programmed to make three-dimensional vivid sculptural animations.

The company also makes technology for water fountain walls which make a splash at outdoor events. “The most common type is the water shield (hydro shield),” explained Lutz Bartl. “Water is pumped with very high pressure through a special nozzle that forces the water to the shape of a half circle. A hydro shield has an advantage, in that it is not visible when not needed, but can emerge when necessary. This

Bartl: ‘you can make animated sculptures made out of water and light’

makes it great for any kind of multimedia show application where laser or video is to be projected onto a large-scale surface, but the surface is not needed permanently.”

Water screens based on a waterfall principle can also be

The second coming of AVB AVB Stand: 7-C210 The resurgence of interest in Audio Video Bridging (AVB) networking was underlined by a presentation at ISE featuring some of the main players behind the open standard AVB-based Milan protocol.

In the works for more than two years, Milan was created by some of the prime movers behind the AVB-promoting AVnu Alliance. Accepting the pro AV market’s specific needs for moving time-sensitive video, audio and data across a network, Milan builds upon the foundation of AVB with interoperability at the application layer.

The result, say Milan’s proponents, will be a new generation of products that work together successfully at new levels of convenience, reliability and functionality.

Echoing the previous approach of the AVnu Alliance with regard to AVB, Milan will be supported by a specification and certification process designed to guarantee interoperability among Milan devices.

The benefits of the technology were explored in detail at the session, which also revealed details of some of the first related products. These include d&b audiotechnik’s DS20 audio network bridge – the company’s first product for connecting its loudspeaker systems to Milan – and Adamson Systems Engineering’s CS7p point source enclosure.

Absen makes pitch for perfect LED provision ABSEN Stand: 12-A64

d&b audiotechnik’s Henning Kaltheuner discusses the development of the new Milan protocol

The CS7p is the initial model in the new CS-Series, described as the world’s first family of mobile loudspeakers to feature onboard Class D amplification, DSP and Milan-ready network endpoints.

Speaking at the presentation, d&b head of strategic business development and market intelligence Henning Kaltheuner emphasised the desire of Milan’s supporters to proffer a generation of solutions “that can be on the market for many years” and therefore have the capability to accommodate users’ evolving demands.

Careers advice: Giles Sutton, SVP of industry engagement at CEDIA, addresses participants of this year’s ISE Future AV Professionals Programme, which took place yesterday. The well-established initiative, organised by ISE in conjunction with AVIXA and CEDIA, provides a valuable platform for students to gain an understanding of the inner workings of the AV industry, and potential career opportunities within the market.

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applied indoors. A line of fine drops builds a nearly invisible veil of water. This enables projections which seem to float free in space, an effect supported by the transparency of the water curtain.

The Absen stand this year is its biggest ever, covering 264sqm, the hero of which is the Fine Pixel Generation line of narrow pixel pitch displays.

Alex Couzins head of brand and marketing at Absen, told the ISE Daily: “In 2018, Absen manufactured some 240,000sqm of LED screens – the equivalent of just under one football pitch size every week.”

Couzins and his colleagues are also showing the latest LED solutions for retail, live events and entertainment, as well as OOH and sports venues, including the Polaris, Acclaim and N-Plus ranges.

Absen is partnering with a number of providers on its ISE stand and beyond: the company is using Pixera media servers from AV Stumpfl on its LED displays, and collaborating with Green Hippo/Notch on an interactive LED archway.

Couzins added that the company has established a new distributor deal with German company Kern & Stelly, giving it better access to the region’s corporate and rental markets. Absen’s team is helping to advise visitors about different use cases and giving one-to-one demonstrations, as well as hosting a presentation at 11:00 today and hosting drinks on the stand.

Alex Couzins: ‘Absen makes a football pitch of LED screens every week’

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This is rocket science ROCKETSIGN Stand: 8-P270 You can’t fail to spot the industrial design and solid build of LED display vendor Rocketsign. It has brought several kinds of LED screen to the show, including the Titan RT Series, for outdoor rental led display; Reaper RE, an all-functional LED display; and the Novid LT Series – an exhibit frame LED display with a new stacking system.

New to European visitors is the BLOX Series of exhibition frames for rental use which forms the main part of Rocketsign’s ISE presence in Hall 8. The HDBLOX, for example, are 62mm and 55mm deep frames in 496x496mm dimensions.

Rocketsign itself is a middle-sized LED display manufacturing company based in China which owns and manages all manufacturing. It prides itself on rigorous attention to quality control from soldering and temperature checks to testing the beam width, colour and brightness for each LED.

Smooth as clockwork: HDBLOX from Rocketsign

First marketing director for French audio company

Networked for sound

ACTIVE AUDIO Stand: 7-N190

DIRECTOUT Stand: 15-R267

French manufacturer Active Audio has confirmed the appointment of its first marketing and customer support director, Eric Grandmougin.

Grandmougin, who took up his role with the company on 1 January 2019, is well-known in the French AV marketplace for his own successful consultancy operation. In his new position at Active Audio, he will consult with the French manufacturer’s senior management and strategic committee on market trends and technologies.

He will also suggest new products for development, as well as provide assistance to distributors in the form of technical advice, commissioning and tuning for complex projects, and training.

Grandmougin said: “My first goal is to give distributors and consultants the tools to better understand the rich possibilities of Active Audio. The customer support and marketing actions are somewhat related because, when we put tools in place, we must first help users to become familiar with them.”

Pro audio connectivity, networking and bridging solution specialist DirectOut is celebrating its 10th anniversary this year. It is marking the occasion at ISE by showcasing its modular audio converter Prodigy MC, as well as the Globcon so!ware that now underpins all DirectOut products.

Globcon is a free, global control so!ware platform that was designed to manage all pieces of hardware on a network no matter what the brand. DirectOut has become an early adopter of the product, which chimes with its flexible approach to any audio standards that are available.

A public beta version of the so!ware is now available, and the official release of Globcon is expected to take place a!er ISE. Luca Giaroli, who is in charge of business development at DirectOut, describes the company as a problem solver that responds well to customer requests. DirectOut also now focuses on all vertical pro audio markets including broadcast, installed, studio and live sound.

On the dot SMART THINGS SOLUTIONS Stand: 15-S327

Eric Grandmougin (centre) celebrates joining Active Audio with Régis Cazin, APG and Active Audio (R) and Grégory Dapsanse, APG

12

Accessories specialist Smart things is showcasing a new inductive charger for mobile devices that should become commercially available in around May or June this year, depending on the certification process.

The sDot charger is designed to sit on a table top and charge a device without the need for cables or cords. It will support any device that is compliant with the Qi wireless charging standard. According to CEO Thomas Detemple, the advantage of sDot over other products is that it can be installed without the need to damage furniture. The charger works with a table thickness of up to 35mm.

Initially conceived as a B2C product, Smart things is now tending to focus on the B2B market, including segments such as hotels. The consumer market is also an option though, as the units are expected to cost around €99.

ISE Daily 2019

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News

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

Shape up for signage DATA MODUL Stand: 15-P265

Data Modul’s Kevin Schmidt (R) says demand for eye-catching displays is on the rise. Also with Schmidt is Data Modul’s Jörn Wittig

The new Glegend LED narrow pitch screen series is the latest innovation from Shenzhen GCL Electronics. The modular system can be used in concave or convex configurations, while a customisable colour grip at the back can also be used as a ladder. GCL has put 20 years of LED screen manufacture experience into this product, and it shows. Stand: 8-K280

Smart acquisition CONTROL4 Stand: 10-N130 Switzerland-based NEEO, creator of the smart home remote, has been acquired by Control4 to accelerate the corporation’s delivery of remotes, touch panels, keypads and other smart home devices.

Based in Bern, the NEEO product team has been led by the company’s founder Raphael Oberholzer and will be working with the Control4 engineering group in Salt Lake City on the development of the next generation of Control4 products. Oberholzer will take a leadership role in the development of Control4’s interaction devices and will report to Charlie Kindel, senior vice president, products and services, at Control4.

Oberholzer said: “From the start, it was obvious that both our companies are passionate for customercentric design. By joining the Control4 team, we can execute our shared vision to accelerate the creation of beautiful products consumers want in their smart home.” NEEO previously sold its smart home remote to homeowners online but is discontinuing all direct-

Raphael Oberholzer, NEEO founder (L) and Charlie Kindel, senior vice president, products and services, Control4

to-consumer distribution in connection with this transaction. Control4 will support existing NEEO customers via the company website (www.neeo.com) and plans to provide an upgrade path to make it easy for users to experience Control4’s broad array of smart home solutions.

Audio innovator in ISE debut HOLOPLOT Stand: 7-W199 Berlin-based audio hardware and software manufacturer Holoplot is exhibiting at ISE for the first time.

Speaking on day three of ISE 2019, marketing manager Ole Schnieders said that the show had been a “hugely encouraging experience” for the company. “We have been consistently busy since the start of the show,” he added. “It’s become very clear that this is a great show for us, bringing us into contact with the kind of potential customers we wish to meet.”

The company’s ability to support immersive audio deployments undoubtedly means it’s well-positioned as such installations become increasingly commonplace at live events and in fixed installations. For example, Holoplot’s ORION-Series sound system incorporates wave field synthesis (WFS) technology, making it highly flexible and suitable for speech-oriented projects and immersive soundscape creation, among other potential applications.

Algorithms allow the authentic reproduction of any sound object, while Holoplot’s beam steering encompasses both the vertical and horizontal planes. “The system has been attracting plenty of attention; we are very happy to be here at ISE,” added Schnieders.

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ISE Daily 2019

Holoplot’s Ole Schnieders, second from right, describes the company’s first appearance at ISE as “hugely encouraging”. Also with Schnieders are (L-R) Emad El-Saghir, Roman Sick, and Christoph Harm

Digital signage specialist Data Modul is showcasing several products in Hall 15 as it seeks to augment its range to meet the rising demand from customers for specially shaped screens and signage boards.

According to Kevin Schmidt, product marketing manager at Data Modul, the demand is being driven by a growing need for more eye-catching displays and presentations. Data Modul is in a position to provide a variety of form factors and screen types, with an emphasis on robust and sleek design.

Visitors to the Data Modul stand can view form factors ranging from large, horizontally stretched displays through to a new line of smaller and very slim displays that have been designed for retail shelving, for example. The company prides itself on its flexibility that is enabled by the use of masks or moulds that can easily be adapted to meet customer requirements.

The company provides all aspects of the display unit, from the housing through to touch screens and even the software to manage content on distributed displays. It also integrates some AI functionality to enable some personalisation of screens and sees gesture technology as a future area of interest.

Its biggest markets for sales are Europe’s German-speaking region (DACH) and the United States, and it also plans to focus on China as a next step.

Distribution made EZ VITEC Stand: 14-M200

Peter Hoffmann: ‘Even footage captured by body cams and drones can be co-ordinated using EZ TV’

Video encoding and streaming systems provider Vitec is showcasing the latest capabilities for its award-winning EZ TV IPTV and digital signage platform at ISE. Business development manager Peter Hoffmann told the ISE Daily that as the demand for co-ordinated data increases – such as at sports arenas – so do the demands on the distribution equipment. Vitec’s EZ TV platform is designed to integrate with any IT environment and run on all types of networks – LAN, WAN and wireless. With centralised creation, distribution and monitoring of live and on-demand content and digital signage, the platform streamlines the process of linear and non-linear workflows.

Its network-agnostic, modular architecture allows organisations to easily upgrade legacy systems or deploy a turnkey IPTV and signage solution for a new build, at a fraction of the cost of traditional digital signage solutions.

For sports and entertainment facilities, EZ TV can offer the most advanced fan experience while reducing the expense often associated with legacy solutions.

Vitec’s full motion video situational awareness and intelligence systems for field applications and unmanned aerial surveillance, meanwhile, provide a solution for high quality delivery, recording and management of live and ondemand video over IP networks.

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News

FRIDAY 8 FEBRUARY

Screen scene at Innes: Olivier David, CTO, and Sara Ben Lahbib, communications manager

For the latest show news and updates follow #ISE2019

Versatile messaging INNES Stand: 8-G272 Among a clutch of innovations at Innes is the Slate106, an electronic paper solution for digital signage. The 6in electronic ink screen sports many features, including Android and iOS applications for inserting messages on an office door, an NFC badge reader and the ability to send data to a phone. The SMH300 Hub device connects Slate106 displays to a corporate network and can receive a JavaScript application – for example, to connect to MS Exchange for room booking, or to a corporate directory such as LDAP/AD for names and functions of employees displayed on an office door. It has three touch buttons and is just 8mm in thickness.

Also from Innes at ISE 2019, the DMB400 media player is claimed by the company to be one of the most powerful media players on the market. Beyond the quality of its graphics engine, it stands out – the company claims – thanks to its ability to natively support PDF and PowerPoint files. It has an HDMI input and supports streaming formats such as RTSP, RTP/UDP and MPEGDASH. Support for Vesa MCCS and CEC allow easy monitoring and control of display screens, says Innes.

Integration expansion

Marketing director Megan Knedler shows how easily the Lever Lock manages cables

MIDDLE ATLANTIC Stand: 2-C50 Middle Atlantic Products – part of Legrand AV – has announced at ISE that it is expanding its global sales and support infrastructure with additional service and inventory in EMEA. This service expansion will, according to the company, better serve integration customers globally and help reduce lead times. Customers can also purchase from any of the brands within the Legrand AV portfolio with a single order and receive it in one shipment.

Steve Durkee, senior vice president and general manager for Legrand AV’s commercial division, said: “As our customers’ businesses grow and expand globally, it becomes even more important for partners like Legrand AV to be global as well.

“By expanding Middle Atlantic’s sales and support structure, we’re able to complement and support this growth, enabling our customers to create amazing AV experiences.”

Also on the stand is the Lever Lock cable management system, as well as an innovative solution which removes the need for racks of individually plugged-in power transformers. Marketing director Megan Knedler told the ISE Daily that this expansion of the company’s DC Power

Farewell, MicroTiles.

Hello, MicroTiles LED CHRISTIE Stand: 1-H70 Nearly a decade after the launch of its MicroTiles, Christie is introducing MicroTiles LED at ISE. Delivering P3 colour space, fully compliant HDR-10 and patented software that keeps the wall calibrated at 97% for greater uniformity, Christie MicroTiles LED is said to be suitable for broadcast sets, corporation venues, museums, retail, stadiums, arenas, and higher education. The new product is also claimed to be the first LED wall solution to integrate AVoIP via support for SDVoE. Ted Romanowitz, senior product manager, Christie, said: “Christie has been very successful with the MicroTiles brand – end customers and our integrators love it because it makes for an easy creative solution. With that in mind, Christie took everything great about MicroTiles and brought it to narrow pixel pitch LED.” MicroTiles LED is bezel-less, and currently features 1.5mm and 1.25mm pixel pitches, with the possibility of smaller pitches in the future. A low-profile ADA-compliant QuickMount system means that displays can be created in any shape and size, including 90° inside/outside corners and both concave and convex curves. Also featured is what the company describes as an auto-aging algorithm which runs automatically to ensure each tile is appropriately calibrated to give consistent image quality across a display, obviating the need for camera calibration.

MXC now available SHURE Stand: 3-B110

Distribution series removes one of the unreliable points in any installation – the transformer, which doubles as a plug – while also saving space. As many systems employ the same types of equipment, the latest DC Power Distribution allows for a high density of products with the same voltages.

The Microflex Complete (MXC) integrated audio conferencing solution is now available from Shure.

With its flush-mount and tabletop design, MXC encourages participants to view an agenda, control interpretation, and communicate with other attendees. Microflex Complete’s automatic or managed microphone activation modes enable meeting hosts to easily move between informal discussions or agenda-driven conferences and debates, claims Shure.

MXC is able to support multilingual meetings (up to 31 interpretation channels) and accommodate up to 3,800 participants. Productivity and engagement is enabled by features such as electronic voting, agenda handling, flexible microphone control, and a companion electronic name sign for speaker identification.

Chris Lyons, senior manager, integrated systems, global marketing with the MXC

Fishing for feedback GRASSFISH Stand: 14-M227 Imagine a world in which an IT system could identify not only that there is a person in front of a product display stand, but could also tell you when they were there, their gender, and even whether they were in a single or mixed gender group.

This world already exists, thanks to the software engineers at Grassfish of Austria.

The company’s portfolio ranges from traditional digital signage to automated sales, such as virtual shelf applications or interactive vending machines. It also provides training and consulting, as well as smart store applications. The latter aims to make stores intelligent by using sensor integrated digital touchpoints for customer engagement or supporting the in-store staff.

CEO Roland Grassberger told the ISE Daily that Grassfish recently worked with mobile phone company Orange to produce a virtual product stand, where customers

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Grassfish CEO Roland Grassberger helps companies to analyse customer behaviour

in a retail store can browse products and get information.

Grassberger claims Grassfish is now “the number one platform within the DACH region. We are very proud to call brands like BMW, Orange and Lufthansa our customers.”

ISE Daily 2019

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ShowEvents

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

How sophistication is driving change

Today’s half-day conference from blooloop looks at key developments in the attractions industry blooloop, the world’s leading online resource for professionals working in the visitor attractions sector, makes a welcome return to ISE following a successful 2018 debut with its blooloopLIVE event.

Today’s half-day conference, attractionsTECH, will analyse how AV technology is being used to transform the user experience in the theme park and attractions sector – including museums, water parks, zoos and cultural and heritage attractions.

Taking place at the nearby Hotel Okura, the four-hour event will look at some of the latest technologies, solutions and business strategies for the sector, with the aim of raising visitor numbers, visit duration and venue profitability.

“A key development in the attractions industry has seen many theme parks and visitor attractions utilising sophisticated technologies to make their rides and attractions even more engaging and memorable for the visitor,” said Charles Read, managing director of blooloop “This conference represents a great opportunity to hear from the operators and tech companies helping transform this business.”

That valuable insight comes from leading operators discussing the evolutions being seen today and what to expect in the future in the sector. Speakers include Matt Barton, CEO, 7thSense Design; Laurence Beckers, creative director, Alterface; Raphaël de Borman, entrepreneur and co-founder of Eventattitude; Martin Howe, member of the board of directors of the GSCA (Giant Screen Cinema Association)

and the DIGSS (Digital Immersive Giant Screen Specifications) Task Force; Chris Lange, creative director and head of Mack Solutions; and Dermot Quinn, COO, Digital Projection Limited.

Attendees will also hear a series of case studies from the leading tech companies on the success of selected ride, exhibits and attractions, and how they are developing

increasingly sophisticated and immersive experiences – such as through the use of VR, AR and MR – to create richer guest experiences. attractionsTECH by blooloop takes place today between 09:00 and 13:00 at the Hotel Okura. For more information, and to book, go to https://www.iseurope. org/show-event/blooloop/

Your last chance to win a drone If you haven’t yet made your way over to the Drone Arena in Hall 14, then today is your last chance to experience a full schedule of application-specific presentations and training sessions, small group and one-on-one information sessions, and a chance to return home from ISE with your own drone.

Stampede and sister division Exertis Pro AV Solutions have been giving away a drone at 14:00 on each day of the show, and this year have been offering more participating manufacturers, vertical market demonstrations, customised training and education than ever before, according to Stampede president and CEO Kevin Kelly.

“The Drone Arena offers a complete programme of product and information that is useful for both integrators and end-user customers. Our goal is to empower integrators to leave the 2019 Drone Arena ready to add drones to their business strategy.”

To enter the prize draw, show attendees can drop their business card into the raffle drum on Stand 14-A100, and they need not be present to win.

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ISE Daily 2019

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Show highlights today

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

CLOSING KEYNOTE: WHERE CREATIVITY MEETS TECHNOLOGY Tupac Martir, co-founder of Satore Studio, presents today’s Closing Keynote address and tells Paul Bray of his belief that technology should enhance the creative process, and not limit it

‘I started coding when I was six years old, so the whole tech side of things is very natural to me.

Artistic endeavour and technical management go hand in hand here’

Tupac Martir, the acclaimed multimedia artist and visual designer, will bring the curtain down on ISE’s 2019 conference and education programme when he delivers today’s Closing Keynote address.

Martir originally trained as a painter, and the stellar client list of his London-based studio, Satore, ranges from BMW and Dior to Beyoncé and Elton John.

“We do visual design for live entertainment using different techniques in arts, media and technology,” he explains. “Whether that’s video, lights, sets, or costumes, the important thing is that it’s creative.”

Martir sees no inherent tension between technology and creativity. “I started coding when I was six years old, so the whole tech side of things is very natural to me.

Artistic endeavour and technical management go hand in hand here.”

Asked whether the creative process begins with an artistic concept or a technology, he replies that it’s a bit of both. “I don’t always know whether seeing a certain technology has opened something in my subconscious to develop one of the stories I had in my head, or whether I

20

had an idea and eventually found the technology I needed to make it a reality. But I tend to believe – or I want to believe – that it’s more about drawing things up first and then finding how we can get technology to make them work.

I always draw everything before it goes into a machine, and I carry a sketchbook to note down ideas. Ideas brew in my subconscious until I need them, then I select the best technology that will allow me to enhance them.

“I’m a big believer in that type of workflow. If you make things on a machine you’re limited by the machine, not by your intelligence or creativity.”

Choosing technology that complements the job, enhancing rather than limiting the creative process, is critical for Martir. So in his Closing Keynote today, as well as showing some of his recent work, he plans to demonstrate the kind of tools that he and his studio would use to create just such a keynote presentation – the equivalent of a painter’s portrait of himself at the easel.

He clearly relishes the sleight-of-hand, and hints that his delivery may be as theatrical as his work. “Anyone who’s seen me talk knows I can’t stand still. When I gave the

keynote at USITT in 2016 I did 9,000 steps!” Asked about some of the technologies that excite him, Martir says: “I love motion capture and I’m very interested in AI and seeing where it will go.” He’s fascinated by the idea of sensors that can tell what your fingers and hands do, so you could create commands and control objects without ever touching them. Need to bring in a strobe? Just wave your hands in a certain way.

“I’m amazed by the amount of things that are starting to come to market for tracking,” he says. “I think tracking is really the future of this industry, just like automation once was the future. The integration of lighting, cameras, real time rendering – all those elements combined are creating worlds that three years ago would have been impossible.

“What interests me is how I can create a bridge between old and new technologies and, by combining them and finding a place in between them, generate something brand new that inhabits both worlds.”

The Closing Keynote takes place today at 12:00 in the Forum at the RAI Amsterdam.

ISE Daily 2019

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AssociationNews

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

Stand: 12-N110, 13-N110

AVIXA CTS certified members to hit 1,000 in Europe ‘Flourishing’ market has led to more members working towards the certification

By Jo Ruddock AVIXA, the Audiovisual and Integrated Experience Association, is pleased to announce that the number of Certified Technology Specialist (CTS) certifications in Europe is set to hit 1,000. For more than 30 years, AVIXA has administered the CTS programme, which is recognised worldwide as the leading AV specialist credential, helping businesses to elevate themselves and deliver value to their clients.

“The AV market is flourishing in the region, and we are thrilled that many industry members in the region are committing to professional development,” said Chris Lavelle, senior director of development Europe, AVIXA. “CTS holders across Europe are reaping the benefits of their hard work, with the programme allowing dedicated AV professionals to stand out from the crowd and prove their knowledge with the leading professional audiovisual certification. We would like to congratulate all our CTS holders for achieving this hard-earned qualification, and we look forward to seeing them utilise their knowledge to deliver outstanding integrated experiences.”

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Many CTS holders in Europe are also progressing further in their AV education and going on to achieve additional specialised credentials: CTS-D (Design) or CTS-I (Installation). All three certifications are ANSI accredited under the International Organization of Standardization (ISO) and the International Electrotechnical Commission (IEC) ISO/IEC 17024:2012 General Requirements for Bodies Operating Certification Schemes of Persons programme.

“CTS benefits both employee and the employer, but I feel that CTS benefits the employee most,” said Justin Paveley, CTS-D, CTS-I, engineering director, AVMI. “CTS has given me self-confidence, credibility and a technical proficiency that I wouldn’t have got elsewhere.”

“In our business model, we see our main selling point as being a source of expert AV knowledge,” said Marcus Boij, technical director, Informationsteknik Scandinavia AB. “Having CTS-certified staff has allowed us to demonstrate that knowledge and compete with much larger companies when pitching for high-profile tenders.

As a result, we have been successful with several of these bids, including at SEB Bank, which is the largest

AVIXA’s activities in Europe have increased in response to its growing membership

AV installation in Sweden. With CTS, we can show how serious we are about knowledge and education.”

Alex Sanfilippo, CTS-D, director of engineering at Kra"werk Living Technologies, said, “Our short- to midterm strategy is to establish a unified environment across all departments that interface on a technical level, where we all speak the same ‘AV language’. We have seen the benefit of this already and AVIXA Certification is the only platform in our industry that has such a broad range of certification and coverage.”

AVIXA’s activities in the region have increased in order to provide an enhanced offering to its growing European membership base. Recent recruits in the past 12 months include education program manager Jennifer Leutgeb and European marketing manager Peter Schaedel. Other developments include the promotion of Ben Barnard to regional manager for the UK and Ireland. Sarah Carless has also moved into a new role as member relations manager, with Gaby Smuts appointed as program coordinator. In addition, Valeria Rapa has been made programme coordinator in Italy on a permanent basis. www.avixa.org

ISE Daily 2019

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AssociationNews

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

Stand: 1-E10

CEDIA releases new white papers HDR video and indoor lighting are covered in the publications, which are available online now Human-centric lighting is just one topic covered in Quality of Light in the Home

By Jo Ruddock CEDIA has recently released two new white papers, An Integrator’s Guide to HDR Video and Quality of Light in the Home.

An Integrator’s Guide to HDR Video explores the fundamentals of HDR [high dynamic range] video and how it relates to human vision, and underlines HDR standards, formats and connectivity to ensure compatible system design and integration.

Walt Zerbe, senior director of technology and standards at CEDIA, explained: “We have seen incredible advances in HDR over the years to the point that it is an executable display option in home environments, but not without some guidance. This white paper is intended to provide a baseline knowledge of high dynamic range to assist with the specification and deployment of the consumer HDR video systems.”

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Quality of Light in the Home includes a deep dive into the effects of indoor lighting and colour temperature, and their considerations for designers and installers.

“Human-centric lighting is an area in which we are seeing rapid progress from a technology standpoint,” said Zerbe. “This white paper provides a great baseline for integrators to get familiar with the topic and to be able to talk to their clients about it.”

Quality of Light in the Home covers topics including the benefits and challenges of human-centric lighting technology, consumers’ personal control, wellness considerations for end users, and installation implications.

The new white paper continues the global association’s strategic focus on distilling complex and ever-changing technologies into more digestible formats for home technology professionals.

CEDIA volunteer Sam Woodward, a subject matter expert on lighting who serves as customer education leader for Lutron in London, previewed the new paper in a

recent CEDIA Tech Council Podcast. “As we’re now spending so much time indoors, we need to think about the way of making that environment as conducive to productivity, well-being and good health as possible,” he said in an episode titled All About Lighting. “So, human-centric lighting is all about people.”

Both of these new white papers are available for CEDIA members to download at no cost in the resource library and on the CEDIA Online Community. White papers can be purchased by non-members for $99 at cedia.net.

A key directive of CEDIA’s current strategy is creating standards, developing best practices and defining guidelines to elevate professionalism and drive member and industry success. With this in mind, CEDIA will be releasing a third white paper, The Integrator’s Guide to Resolution, shortly and is evaluating more than 30 other topics, with a goal of publishing six further white papers in 2019. www.cedia.net

ISE Daily 2019

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CELEBRATING THE YEAR’S BEST PRODUCTS

GLOBAL AWARDS 2018-19 visit www.eisa.eu for the winners

EISA is the unique collaboration of 55 member magazines and websites from 27 countries, specialising in all aspects of consumer electronics from mobile devices, home theatre display and audio products, photography, hi-fi and in-car entertainment. Now truly international with members in Australia, India, Canada, the Far East and USA, and still growing, the EISA Awards and official logo are your guide to the best in global consumer technology!

TESTED BY THE EXPERTS ■ WWW.EISA.EU

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18/01/2019 16:01 13:27 23/11/2018

FRIDAY 8 FEBRUARY

INSIGHT

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We’ve seen 4K, now expect 8K TVs/projectors As sure as 4K has now become mainstream, 8K will continue to develop and shouldn’t be ignored, writes Mark Craven For any new AV system, whether it’s a dedicated home theatre or more compact media room, a 4K display is now essential. A wide range of available sources from subscription streaming services and broadcast channels through Ultra HD Blu-ray and Kaleidescape systems means there’s no lack of content. The good news for system builders is that 2019 brings a bigger slate of 4K hardware (both projectors and flatscreen TVs) with improved performance.

For a large-scale cinema space, long-throw projectors remain the obvious option. New product lines from the likes of Sony, Epson and JVC continue to pack features that boost their installation flexibility, including motorised zoom/ focus, lens memory presets and colour management suites.

Yet under-the-hood improvements, such as Sony’s HDR Reference mode, are aiming to make these home cinema stalwarts a better fit for 4K HDR sources where light-level and contrast management are key to a picture perfect performance, and laser and LED alternatives to standard UHP lamps are adding performance finesse, not to mention quicker boot-up times and longer ‘lamp-life’. Meanwhile, the arrival of Texas Instruments’ 4K DLP solution in 2016 gave rise to an explosion of lower-cost 4K models ideal for smaller rooms and tighter wallets.

And then there are ultra-short-throw models, which allow for a large-screen experience to be added into a non-traditional environment. Line-of-sight and throw ratio problems are eradicated – all that’s needed is space for a screen (or a patch of white wall).

Complete remote monitoring for meeting spaces ASHTON BENTLEY Stand: 14-N100

abSee, a meeting room system monitoring platform, has been launched by Ashton Bentley in partnership with video communications cloud service specialist Pinnaca.

The platform provides a cloud, or on-premise, webbased overview of meeting room technology. This allows users to have full administration of their communication platforms, while being able to monitor in real time the audio-visual hardware and network, plus alerts. In addition, metrics enable greater understanding about how room systems are used and so improve ROI. All Ashton Bentley meeting spaces have the capability to be connected to abSee, so any estate of any given size can be covered through the subscription-based service.

Traditionally, monitoring services cover codec, bridge/MCU, cloud services and large control systems. However, all video collaboration systems require audio-visual and associated services to ‘wrap’ around the communication platform, and these are not monitored. As a minimum this includes display(s), audio system, input signal routing/processing, microphones, user interface, power and network

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Not every AV set-up demands a projector, of course, and flatscreen TVs no longer need to feel like a cinematic stepdown. Indeed, the native brightness capabilities of LED-lit LCD TVs and even their OLED rivals makes them arguably the go-to solution for a set-up where effective playback of HDR and wide colour content is a primary concern, particularly if Dolby Vision or HDR10+ support is desired. As usual, battles rage in this arena – OLED champions ‘true black’, while LCD marches ahead with brighter and more colour-rich displays.

Choosing a flatscreen solution, however, doesn’t always boil down to display technology – aesthetics, plus consideration of bonus features (voice control, advanced smart platforms able to integrate with whole home systems, in-built speaker systems), all come into play.

As you’ll no doubt be aware, in 2018 8K technology stopped being a dot on the horizon and became consumer reality, first with monitors from Sharp, then a range of QLED TVs from Samsung and JVC’s NX9 8K ‘e-shi"’ projector.

An absence of native 8K content provides ammunition for naysayers but ignores the benefits of 8K upscaling – there’s no need to wait for broadcast or broadband-delivered content to experience the technology’s greater detailing and improved colour gradation. And as sure as 4K has now become mainstream, 8K will continue to develop. Panel manufacture will ramp up this year and next, increasing hardware availability and reducing price tags. How long it stays a niche technology remains to be seen, but for a genuine, state-ofthe-art cinema room an 8K display shouldn’t be ignored.

Smarter things Z-WAVE ALLIANCE Stand: 9-E150

abSee has been launched following a strategic partnership with Pinnaca

management. This is the customer’s investment, normally covered under an expensive support contract.

Ashton Bentley meeting spaces monitored by abSee provide automated fault indications via email or link to a ticketing system, remote management and control, plus general user information for asset management and reports. This significantly reduces local support requirements, minimises system downtime and reduces operational costs.

All Ashton Bentley collaboration spaces work ‘out of the box’ as an easy-to-use presentation system with technology tables that house multiple laptop/auxiliary inputs, power and an intuitive user interface. Professional audio, a range of 4K display sizes and a central processor for system control and monitoring complete the package.

If required it is possible to integrate a VC platform and the system becomes a truly versatile communication and collaboration space. VC platforms include Cisco, Dolby, Logitech, Polycom, Skype for Business, StarLeaf, Teams, Yealink and Zoom.

The Toolkit provides information on the health and stability of Z-Wave networks

There is a growing IoT presence in the Z-Wave Pavilion this year, as alliance members introduce and demo their new to market innovations designed for European integrators.

Z-Wave offers over 2,600 interoperable smart solutions for integrators seeking a variety of brands to integrate in both commercial and residential applications. The system is backwards-compatible and provides high levels of security in every device, enabling integrators to offer the most secure products with the most diverse ecosystem of brands to their customers.

The Z-Wave Certified Installer Toolkit, which is also being demonstrated on the stand, provides the integrator community with information and graphics on the health and stability of new Z-Wave networks.

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Understanding the convenience of a full solutions provider As the world around us is becoming more convenient, from our voice-activated smart home products to facerecognition phones, the AV industry has similarly seen greater demand for convenience and one-stop-shop solutions. Organisations are increasingly looking for a single full solutions provider to solve their specific business needs.

Enabling businesses to streamline their efforts, this change of approach doesn’t really come as a surprise. Key to offering a complete service, however, is the understanding that there is no one-shoe-fits-all approach. For the education and healthcare markets, for example, interactive solutions are essential. Management so"ware meanwhile is of more interest to education and retail, whereas corporate is all about reliability.

Amid this range of services there are two of particular importance to any full solutions provider; interactivity and collaboration. We’ve seen the benefits of improving our offerings in these areas first-hand. Whether it’s our

Steve Chu, President, BenQ Europe

Setting the stage

interactive range of projectors or our wireless meeting room solution, InstaShow, our combination of interactive and collaborative products enables us to offer a complete range of services to businesses.

Finally, it’s important to remember the value of so"ware to any business looking for a full service. Unless a provider can develop so"ware fulfilling specific requirements for businesses, it can’t claim to be offering a total solution.

Hardware alone is no longer enough; so"ware is also required to enhance a company.

Investing in a full solutions provider means businesses have got the convenience of all of the above, in one place.

It’s no surprise then that streamlining and working with a single provider is quickly becoming the done thing for businesses everywhere.

BenQ is demonstrating its advanced projector and signage solutions during the company’s 10th consecutive year at ISE.

Stand: 1-N10

Safe and secure charging and storage

AV DROP Stand: 15-C370

LOXIT Stand: 11-G150

The modular backdrop system helps create visually striking stage set-ups for events

Modular backdrop system specialist AV Drop is showcasing the latest developments in the creation and assembly of stage structures for events. This year it is presenting a new starter kit for event organisers.

Exhibiting at ISE for the fourth time, the company says it prides itself on improving the reliability and versatility of its products each year.

Highlights of its range include self-standing walls that are up to 7.5m high. In the event industry, where scenography setups are still built by means of wood, hammers and nails, AV Drop says it provides a solid and cost-effective alternative made of resistant aluminium and fabric.

The latest mobile, tablet and laptop charging and security solutions from Loxit are on show at ISE 2019.

The key additions to the range are the Lapbank TL laptop trolley, which is designed with security in mind, and the Tabinet tablet storage unit. The Lapbank TL is lighter, has a smaller footprint and is more maneuverable than any previous Lapbank.

The Lapbank TL is easier to get into smaller spaces.

It requires less effort to move when fully loaded and has four grab handles, one at each corner, that are designed to respond to the lightest of touches.

It has a robust construction and is made from 1.5mm all welded, steel sheets. Security is helped by the use of high-quality hinges and seven lever safe locks that are protected by anti-jemmy bar devices. The Lapbank TL comes in a choice of vibrant colours that can match your brand or interior colour scheme.

The Loxit Tabinet is a slimline, wall mounted, secure storage solution for tablets and iPads, with built-in charging for devices. It is an unobtrusive sync, charge and storage solution for corridors, smaller offices, huddle areas and anywhere else where space is at a premium. An optional 10-digit combination lock access provides keyless access.

Mixer features powerful DSP

The Tabinet holds up to 10 tablet devices

RELACART Stand: 5-X120 First time exhibitor Relacart, an audio products manufacturer, is taking the opportunity to present the DAM-128D 12-channel Digital Automatic Mixer. Designed to work automatically, with no human intervention, it combines digital control technology and what the company says is a high-performance 40-bit floating point 450MHz digital signal processor.

With 12 inputs and eight outputs, each input channel can be individually adjusted for gain. Dante input channel conversion is supported alongside Dante output, with neither affecting the other.

The eight microphone input channels feature 48V phantom power, with independent mute control and phantom power control. The unit also features multi-stage frequency-adjustable high and low pass filters to deliver a better transient response.

Housed in a standard 1U metal chassis, LEDs on the aluminium front panel display audio frequency input and output status. An encoder with scale indication controls the volume of four master outputs and displays output volume. Indicators are also present for mute, distortion and output line/microphone.

The firmware for the DAM-128D can be updated online.

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KEITH DUTCH MANAGING DIRECTOR, EMEA, PEERLESS-AV

HDR Image Analyzer ships AJA VIDEO SYSTEMS Stand: 8-G100

Stand: 12-H90 In your opinion, what is the best thing about the ISE show?

ISE has become the biggest AV show in the world and one that everyone who’s anyone in the industry will be present at – to demonstrate their latest innovations, learn about upcoming trends, network with peers and acquire new business leads. It’s such an important event and the team at ISE have been highly successful in reaching out to new markets, as well as reinventing and refreshing the education programme and associated events.

What do you perceive to be the key developments in, or threats to, your market sector at the current time?

LED technology has matured considerably over recent years, and everyone is talking about where it can go next.

In the long term, LED is cheaper to run than traditional LCD. This year we’ve seen many visually remarkable installs

and over the next five years we will see more and more development, with increased outdoor integration such as external building wraps.

Why should attendees visit your stand at ISE 2019?

Peerless-AV is showcasing its outdoor AV expertise in Hall 12 with new High Bright Displays, kiosk solutions and LED concepts for outdoor digital signage. The Xtreme High Bright Outdoor Display will be put to the test in various impact and water demonstration scenarios to highlight their resilient, all-weather capabilities. Offering the highest environmental rating in its class (IP68), the widest operating temperature range (-35°C to 60°C), a high TNI panel, IK10-rated impactresistant safety glass, optical bonding and 2,500 nits of brightness, the Xtreme High Bright performs beyond expectations in any outdoor environment.

They can hear your Halo EM ACOUSTICS Stand: 7-W194 EM Acoustics has announced the launch of the third system in the Halo line array family, Halo-B. The move follows the introduction in early 2018 of the large-format Halo-A arena system.

As its name suggests, Halo-B sits between Halo-A and Halo-C in both physical size and overall system output.

Built on the same ‘maximum headroom’ design principles as Halo-A to ensure consistent performance across all SPL levels and consistent horizontal dispersion patterns across the operating frequency band, Halo-B is a twoway reflex-loaded line array element featuring dual 8in LF drivers and four 1in HF drive units.

The new system performs three core roles: firstly it’s a stand-alone system for small- to medium-format touring applications and small to medium-sized fixed installations; secondly it offers a companion system to Halo-A as delay, outfill and/or infill for larger shows; and thirdly as a companion to Halo-C where Halo-B is the main system and Halo-C acts as delay/fill.

A single Halo-B exhibits a flat, free-field frequency response from 65Hz to 20kHz (+/-3dB) and a phase

Halo-B may be the ‘most versatile system’ in the Halo line array family, according to manufacturer EM Acoustics

response which is +/- 20° between 150Hz and 18kHz. Due to the unique loading technique applied to the low frequency drivers, combined with the high frequency waveguide, the dispersion pattern control is maintained down to 350Hz. Festivals, stadiums, sports arenas, concert halls, theatres, houses of worship and corporate AV events are all potential applications for Halo-B, which also features a weather- and impact-resistant polyurethane coating as well as a touring-friendly, ultra-high tensile steel threepoint flying system with quick-release pins.

The device offers real-time HDR monitoring and analysis for 4K/UltraHD/2K/HD

HDR Image Analyzer, described as a real-time HDR monitoring and analysis solution, is now shipping.

Developed by AJA in partnership with Colorfront to help high dynamic range productions achieve more engaging visuals, HDR Image Analyzer features waveform, histogram and vectorscope monitoring and analysis of 4K/UltraHD/2K/HD, HDR and WCG content for production, post-production, QC and mastering.

The $15,995 appliance marries AJA’s video I/O with HDR analysis tools from Colorfront in a 1RU chassis. Onboard tools for monitoring and analysing include PQ and Hybrid Log Gamma (HLG) for 4K/UltraHD workflows. The unit takes in up to 4K sources across four 3G-SDI inputs and loops the video out, allowing analysis at any point in the production workflow.

It will also support display referred SDR (Rec.709), HDR ST 2084/PQ and HLG analysis and scene referred ARRI, Canon, Panasonic, RED and Sony camera colour spaces.

A commentator’s dream SONIFEX Stand: 10-K167

Queue avoidance kiosks FAMASETE Stand: 8-G357 The Portuguese manufacturer of multitouch interactive systems has launched a new line of interactive “fast and efficient” virtual payment solutions that can be applied in a wide variety of areas.

At ISE, Famasete is presenting a range of multi-touch kiosks (indoor and outdoor) that allow the consumer to make what it says will be “simple and quick” reservations and be able to purchase a product avoiding long queues.

Inês Barbosa at Famasete, said: “The solution allows the seller or chain of restaurants to improve their service to the public through innovative systems that promote the brand.

These stand-up Wingsys QX003PS kiosks can use different touchscreen displays, a ticket printer, 1D and 2D barcode scanners, high frequency smart card readers and a payment pinpad, among other solutions.”

The company is also highlighting the ‘Classroom of the Future’ a special project implemented by Famasete in several schools in different Portuguese municipalities. Various Wingsys solutions, such as interactive screens, digital multitouch tables, energy charging and storage trolleys, help promote digital learning.

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The Sonifex AVN-CU2-DANTE unit is intended for two commentators

Wingsys QX003PS kiosks can offer an efficient virtual payment solution

Among a host of Dante and AES67 AoIP Sonifex products making an appearance at ISE 2019 are two Dante-enabled commentator units.

The AVN-CU2-DANTE is designed for two commentators and uses Dante AoIP together with four wire connections, which enables it to bridge the gap between old and new technology. This allows ease of connectivity and functionality of AoIP together with the legacy connections needed to operate with the existing infrastructure in stadiums and sports grounds.

The unit has two mic/line inputs with a wide, adjustable gain range and +48V phantom power. It has two stereo headphone outputs with lockable jack sockets, suitable for operation by two commentators.

The AVN-CU4-DANTE is a dual version of the AVN-CU2DANTE, which provides four mic/line inputs and four stereo headphone outputs and is suitable for operation by three or four commentators. The feature set is as per the AVN-CU2DANTE with the following differences – it has a universal AC input, four on-air buttons, four page buttons, four cough buttons, eight talkback buttons and three user buttons.

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BACK AT Hilton Munich Airport, Germany

Europe’s leading strategy conference for the Digital Signage and Digital out of Home (DooH) industry

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• NETWORKING • WORKSHOPS • EXHIBITION • AWARDS 3-4 July 2019 Hilton Munich Airport, Germany Tickets and further information: digitalsignagesummit.org/europe A JOINT VENTURE OF:

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Huddle rooms: deal or no deal?

By sheer numbers, huddle rooms perhaps represent the single biggest opportunity in the market – but those numbers don’t tell the whole story, argues Ian McMurray Whenever I hear anyone talk about huddle rooms, my mind is taken back, for reasons that aren’t wholly clear to me, to a 1939 movie called Babes in Arms. You probably haven’t seen it. Only those who endured wet Sunday a!ernoons in the UK in the 1960s know what it’s like to regularly watch ancient Hollywood movies in black and white.

Starring Mickey Rooney and Judy Garland, the film describes how, in the face of competition from talking pictures and the decline of vaudeville, a group of children decide to put on a show by themselves. It features the immortal line “Let’s do the show right here”, which became pretty much a mainstay of so-called ‘backyard musicals’.

Actually, I do recall why I make that connection.

Typically, a show takes a lot of planning. It requires formal processes. It needs specialist equipment. Everyone has a designated role. So: very much like the business meetings we used to know. But now, much like the kids in Babes in Arms, anyone can have a meeting wherever and whenever they like, without all those encumbrances. We have pop-up meetings, just like we have pop-up shops and pop-up restaurants.

THE NEW MANTRA I’m talking, of course, about the huddle room phenomenon. In this brave new world in which collaboration is the new mantra, we can put on a meeting right here, right now. Well, we could; except that the art of communicating with each other without the support of technology appears to be a lost one. That’s especially true for millennials for whom digital devices represent some kind of life support system.

So, we need an electronic way of sharing; not only with those in the huddle room but, increasingly, with colleagues or customers somewhere else. A complex, expensive video conferencing suite is, of course, out of the question, which has given rise to a host of audiovisual systems designed to facilitate ad hoc, casual information exchange.

So far, so good. AV integrators have always thrived on providing support for meetings, from the simplest

Virtual sommelier lights the way ERGO CONCEPTS Stand: 8-C276 You’re in the wine store and you pick up a bottle of wine.

You haven’t got a clue whether it’s good with pasta, has the right nose or whether it’s worth the money? Mon Lumi to the rescue. Interactive illumination from this ‘smart lamp’ range will project just the information you need – you can let a ‘virtual sommelier’ help you with the right choice.

That’s one of a number of innovations from Ergo Concepts, the Nîmes-based digital agency behind Mon Lumi. These lamps are being presented at ISE designed for public areas such as malls, stores, hotels and bars.

Mon Lumi Object, for example, comes with object recognition. Pick up an item and have information about it projected by the smart lamp.

The Aktiv Lamp is based on movement detection for developing and playing various animated games for kids.

Mon Lumi Info is for mapping decoration and precise RFID product information.

Ergo’s Mon Lumi brand provides information, entertainment, decoration and interaction directly on tables, desks and floors by integrating all the required technology into a lamp.

In turn, claims co-founder Marc Judor, this gets rid of the constraints of heavy, bulky AV, or multitouch technologies.

The lamps come in several elegantly designed shapes and sizes, as well as applications ranging from simple mapping versions, to more sophisticated interactive mapping solutions and full blown virtual multitouch

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projector/screen combination all the way to all-singing, all-dancing boardroom suites. More meetings equals more opportunities, right?

Well: yes and no. Yes, back in 2015, the o!-quoted study

by Wainhouse Research opined that there might be as many as 50 million huddle rooms worldwide. That’s a lot of spaces to equip. But then again, no. The key characteristics of huddle room systems are that they are a) low cost, b) easy to install, and c) simple to use. It would be easy to conclude, therefore, that there’s a ton of business out there to be had; but with low revenue, low margin and low potential for value add. That goes somewhat counter to the historic integrator business model.

DOESN’T AUGUR WELL This was brought into sharp focus for me recently when I was talking to a major supplier of huddle room equipment about training. “One of our USPs,” he said, “is that our products are very easy to set up, so in most cases product training isn’t necessary.” So, to exaggerate for effect: the product just needs to be delivered, not installed, and users will get themselves up to speed. That doesn’t seem to augur well for the integrator community. In fact: why would the end user involve an integrator at all?

Huddle rooms, it seems reasonable to conclude, represent something of a paradigm shi! for integrators – and one they’re getting used to as the world becomes increasingly plug ’n’ play. Their role is becoming one of educator, of trusted advisor, perhaps in collaboration with specialists who can advise on not just equipment, but design, layout, acoustics, furnishing and so on. For end users, huddle rooms may appear to be somewhat trivial, and thus require minimal thought. The fact is that, the way businesses operate today, they are mission critical and require no less planning than a boardroom. They need an integrator, because those spaces really need to work.

In fact, looking back: drawing a parallel between the barn in which those kids put on their show and modern meeting spaces perhaps wasn’t such a clever idea a!er all.

Retrofit panels offer acoustic absorbency

Know your Merlot from your Malbec with the Mon Lumi lamp

ISINAC Stand: 5-Y88

menu selection applications. Some of these innovations, including the virtual sommelier have been installed at Le 4 Casino, a new concept store on the ChampsÉlysées in Paris.

Apart from showing off its products, Ergo Concepts is hoping ISE 2019 will help it find new potential distribution partners.

Acoustic panels can be fitted in restaurants to make speech more intelligible

First-time exhibitor Isinac is showcasing its range of acoustically absorbent panels. Designed for environments in which the potential for reverberation exists, making speech less intelligible – such as restaurants, call centres, hospitals, sports centres and schools – they can, says the company, be simply retrofitted in almost any space.

Reduction of echo of up to 70% is said to be possible.

The Spanish company offers a broad range of acoustic solutions, including self-adhesive panels as well as panels suspended via anchors, that are available in a range of shapes (square, hexagonal, circular, cylinders and cubes), colours, finishes and thicknesses. Additionally, custom products can be developed. The panels are also available using flame-retardant and anti-stain materials.

Also on show are samples of Ikla, Isinac’s range of photoabsorbent light fittings, and Absorberella, the objective of which is to reduce street noise.

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UFO lands at ISE AUDIO EXCELLENCE Stand: 1-Q110

Congard: “How can the sound come from the image displayed on a flat panel TV?”

A completely new sonic concept for large TVs and solid screens is being launched by Audio Excellence at ISE. ‘UFO’ is said to create the illusion that the sound is emanating directly from the centre of a hard-surfaced screen when, in fact, the speakers are placed elsewhere in the room.

Patrice Congard, CEO of Audio Excellence, said: “In 1996 I le" the sound reinforcement industry to focus on what I perceived as the main issue facing home cinema installations: the conventional solid projection screen was a physical barrier to the proper appreciation of a movie’s sound track. This has been solved with a new breed of woven acoustically transparent projection screens.

“However, today, as flat screen TVs grow in size, they have become a trending alternative for the drop-down projection screens traditionally used in a media room.

This immediately presents a problem: how can the sound come from the image displayed on a large rigid solid screen, like a flat panel TV?” The company says that it will potentially consider a limited number of licensing opportunities.

Power efficiency for retail NEXCOM INTERNATIONAL Stand: 8-E190 The latest lineup of scalable appliances from Nexcom demonstrated at ISE include intelligent power saving and monitoring, eCharging and an IoT dashboard.

Power and temperature management always gives retailers headaches but Nexcom’s solution could let them visualise the power consumption of each device.

The NISE50, powered by an Intel BayTrail CPU, works as a gateway and collects data from different sensors.

A"er analysing data, retailers could manage devices more efficiently.

The eCharging Station Engine, NISE3800, is a fanless computer designed for applications which demand high CPU and graphics performances. The appliance supports up to 16GB DDR4 memory and has several options for storage devices, for instance, M.3, HDD, mSATA or SSD. Nexcom NISE3800 supports a wide range of DC inputs and can be operated in an extended operating temperature between -5 and 55°C.

Eliot stays smart BTICINO Stand: 2-C50

BTicino’s voice control addon works with Google and Alexa

Smart devices specialist BTicino is confirming its strategy in the IoT industry at ISE, having joined the new Works with Legrand interoperable platform for systems integration.

A range of integrations are available for Eliot, the Legrand initiative dedicated to promoting the design and deployment of Legrand connected devices The MyHome_Up App allows the installer to set up the system just in few steps, while the end user can manage and customise functionality. The new Hometouch 7in touchscreen is able to control all MyHome_Up functions and can also be used as an internal video door entry unit.

It can also be managed remotely via the dedicated Door Entry app for iOS and Android devices.

In addition to the physical control through manual devices and the control with the App, it is also possible to use voice control, via Google Home and Amazon Alexa.

A new in-wall smart switches and power outlets range allow users to remotely control lights, rolling shutters and home appliances from a phone or via voice control.

No special wiring is required as all the devices are connected to the traditional electrical system.

Making light work of videowalls Power-up with Nexcom’s eCharging Station Engine

The Taiwanese firm is also developing an IoT Dashboard which visitors can see at ISE. This connects to customer’s different systems, for instance, ERP and CRM systems, POS system, digital signage and even power management systems to offer customer profile analysis, in-store hotspots, transaction analysis, popular goods analysis, power consumption analysis and much more.

LEYARD Stand: 12-F80

ISE debut for green-minded manufacturer GREEN AUDIO MANUFACTURING Stand: 5-S45 Making its international debut at ISE is Green Audio Manufacturing. The brainchild of North American distributor Sound Developments, Green Audio says it has rethought the delivery of CI consumables, eliminating the hours spent unpacking products and disposing of waste.

Instead, Green Audio delivers everyday products to integrators in bulk, reducing installation labour and keeping waste out of landfills. Dealers save time by accessing product more quickly and reduce their effort in disposal, the company believes, with 100% recyclable cardboard and paper as the only by-product of all Green Audio packaging.

Barry Wosk, president, Green Audio Manufacturing, said: “A"er almost 25 years in the CI business I continue to be shocked by the waste our products create. Retail packaging doesn’t make sense for today’s integrated systems, yet we still force our dealers to spend time unpacking and disposing of completely unnecessary packaging.”

Wosk says end users can also feel good knowing the production, transportation and disposal offers a reduced environmental footprint.

At ISE, Green Audio is launching with a mix of architectural speakers, cables and HDMI

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Everyday products are delivered in bulk for greater efficiency, lower environmental impact The VVR LED videowalls are aimed at the rental and staging market

extenders, with plans to expand its existing offerings and introduce new categories in 2019. The company also offers a private label speaker option starting with 48-unit MOQs.

The new VVR Series from Leyard and Planar is being showcased at ISE. The company says this family of indoor and outdoor LED videowall displays is designed to meet the fast-paced needs of the rental and staging industry.

The system features magnetically attachable cabinets for fast assembly, easy access to electronics for simple maintenance and a quick-lock system to support singleperson installation and handling.

The VVR Series can be used to create videowalls for almost any indoor or outdoor application, says the company, including live events, signage and billboards, and can be hung, wall-mounted, floor-mounted or used as faceted videowalls.

Joining the VVR Series at ISE are the company’s lightweight CarbonLight LED displays, which include a mesh design that delivers a highly transparent appearance with low wind resistance characteristics. Also on show are the VersaLight Series, which include an integrated mounting system that supports quick hanging and stacking rental and staging applications.

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New dimensions in audio AXIS COMMUNICATIONS Stand: 9-B146 Axis audio systems can be used in school play areas

Network video specialist Axis is showing what it describes as “new dimensions to commercial audio” at ISE this year.

The company’s audio solutions offer a range of possibilities within background music, public address and security applications.

Axis says it offers complete solutions, with each individual speaker an advanced audio system – controlled, monitored and powered via Ethernet. The system offers logical instead of physical zoning and every speaker can be part of multiple zones. Users can remotely monitor each speaker including quality of audio output and can include advanced scheduling of audio content.

Axis solutions are based on open standards for easy integration with other systems – from camera triggered audio announcements in individual speakers, to full SIP integration with VOIP telephony systems.

Also on show are examples of Axis’s video solutions, which can detect intruders and people moving in the wrong direction, and respond immediately with an audio message or an alarm via the speaker.

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Experience insane performance rendering NAVORI Stand: 8.E195 IPR, short for insane performance rendering, makes it possible to drive 8K video walls or four clusters of 4K digital signage displays from a single media player. It’s claimed as unique by Navori, resulting in “dramatic costsavings for systems integrators and end users”. It debuts here at ISE 2019.

IPR’s ‘insane’ performance rendering capabilities are based on Navori’s 64-bit player so!ware and optimised PC hardware, and requires a licence to operate on Navori’s QL2 content management system so!ware.

Jerome Moeri, CEO, Navori, said: “IPR is a breakthrough technology for delivering content resolution of this magnitude from a single PC. Systems integrators save on hardware, so!ware licensing and labour through a reduced installation footprint, and a technology that is simple to

configure and maintain compared to a filled server cabinet.”

Moeri expects that IPR will be of particular interest to retail businesses and restaurants. For example, IPR’s high-performance rendering will offer benefits for quickservice restaurants and entertainment venues that want to drive multiple menu boards and concessions. In retail, video walls in shopping windows can have four tiled 4K screens – with brilliantly crisp visuals – running off a single IPR-driven player. The same benefits apply to video wall installations in corporate and hospitality environments.

IPR adds further value by using only 20% of the CPU when displaying 8K content. What’s more, the company claims IPR can frame-accurately synchronise with any content type, including HTML5 and tickers, since the entire workflow is centralised on one workstation.

IPR software aims to accelerate rendering for digital signage

Expand your horizon.

Sennheiser Business Solutions Integrated Systems Europe | Amsterdam 5–8 February 2019 Hall 2 Booth B-50 www.sennheiser.com/ise

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Speakers for diamond geezers KHARMA Stand: 14-B185

The massive Kharma EV2 speaker includes a spike disc suspension system

Luxury high-end audio brand Kharma’s first year at ISE sees the company showing integrated AV systems alongside high-end loudspeakers, matching electronics and cables, and bespoke home cinema.

All the products and parts of the stand – such as flooring, ceiling, walls, lightning, AV furniture and accessories are designed and produced by Kharma in the Netherlands.

Highlights for the show are the Enigma Veyron EV2 and the Elegance Visionair, connected with Enigma Veyron cables.

Inside the EV2’s cabinet lies a triple array of 1in and 2in diamond tweeters, alongside the Kharma Omega-F 7in and 11in drivers.

This motor is located in a completely carbon chassis, and powers an ultra-stiff and light

carbon cone. Even the voice coil former is made of carbon fibre.

The job of isolating the massive EV2 from its environment is an important task: the design includes a spike disc suspension system sitting on a diamond surface. Minimal contact area is guaranteed through the extremely hard surfaces.

While marketing & media director Vivienne van Oosterum acknowledged that there are other high-end loudspeaker brands, or amplifier brands, or furniture brands, or acoustical engineering companies, she claims “nobody integrates all fields in an approach for high-end audio like Kharma integrates them.

“A thing of beauty is a joy forever,” she told the ISE Daily.

One-stop 3D shop SHENZHEN FRIDA LCD Stand: 14-C123

Pierre Mestrez, product marketing manager, Deltacast

Rising to the eSports challenge With continuously growing advertising revenues and global audience, eSports production has confirmed its importance for pro-AV and broadcast equipment manufacturers.

Building an appealing experience for thousands of fans sitting in the arena as well as for millions of online viewers requires an adequate use of the many content sources available to the production crew, and is clearly a challenge in eSports production.

Both similar to and different from a traditional sport production, eSports coverage is a live mix of POV cameras and game PC monitors, enhanced with other observer feeds and virtual cameras, and completed with pre-game and post-game analytics, data-driven graphic telestrations and player interviews.

Events of such commercial value require the recording, mixing and broadcasting systems to be capable of processing a large number of feeds in real time without compromising on quality and reliability.

Deltacast helps professional equipment manufacturers to design multichannel, multipurpose – and repurposable – appliances relevant for a large series of use cases, as well as address all eSports versatility challenges.

Deltacast Flex interface solutions enable high channel density with a small footprint and offer scalability and versatility with support for many different input and output formats, such as SDI, HDMI and DisplayPort by the way of on-the-fly interchangeable interface modules.

This new form of product allows for maximising the overall ROI as the appliance can be adapted to a wide variety of contexts at any moment. Flex also opens doors to other technologies, including IP (ex: 2110) in its hardware and so"ware flavour.

Stand: 8-M365

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A range of 3D LED fans are on display on the Shenzhen Frida LCD stand this year. The fans create a holographic effect – an image floating in mid-air as four LED blades spin.

Marketing director Arvin Li told the ISE Daily that the company can offer one-stop smart management platform solutions which make use of IoT technology. “Our products,” he said, “offer customers a value-added alternative to traditional LED screens.”

The company’s hero product, F1, is 50cm in diameter, with app and website management available, so that the hologram display can be created or managed from anywhere in the world.

Cable-free simplicity COLEDER Stand: 12-E30

Shenzhen Frida LCD 3D holographic fans can create floating mid-air images

The Coleder Ace Block’s cable-free installation design reduces failure points

Clearer sound promised by new mic amp technology DPA Stand: 7-X250 Shenzhen-based company Coleder is among the first LED display developers to innovate with cable-free connection technology. The Coleder Ace Block series has a surface flatness that is less than 0.1mm, which, the company claims, “guarantees that the image displayed will not be distorted by roughness”.

With the 3-6º curving design, Ace Block can be installed in any environment that needs a perfect curving display, claims Coleder. The company adds that there are no similar designs that could achieve similar curves in three different angles within a single cabinet – so that the display is able to form a 5m arc.

Cable-free connection is claimed to greatly reduce failure points and keep the screens simple and neat, while front install and maintenance should help save space. 4K HDR 10 is supported, along with 16-bit greyscale, 25,000:1 contrast ratio, and an ultra-high refresh rate. Ace Block supports module-base curving displays, 90º corner displays, including for wrapping around pillars.

The 4000 series lavalier and headset microphones featuring Core by DPA amplifier technology are on the DPA stand. Core was developed to create an even clearer sound from the ‘highest of the highs’ to the ‘lowest of the lows’, claims the company.

All Core miniature capsules offer expanded dynamic range and – as indicated by their IP58 certification – are durable and resistant to water and moisture, thanks to nano coating and hermetic sealing of their sensitive electronics.

ISE 2019 also finds DPA showing microphone products from its d:sign group that are targeted at the installation and conference markets. The group includes functional yet unobtrusive table top, ceiling and floor stand microphones that are designed to ensure ‘outstanding’ sound even in acoustically challenging spaces while delivering high speech intelligibility and clarity of voice in any room or situation.

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BIRGIT JACKSON COMMERCIAL DIRECTOR VISUAL SOLUTIONS, SHARP ELECTRONICS EUROPE

Seeing in 3D COLLAB ADVISOR Stand: 14-B100

Stand: 12-E100 In your opinion, what is the best thing about the ISE show?

ISE pushes the AV industry to demonstrate innovation and leadership. Every year the bar is raised for every exhibitor and we all benefit from that pressure, I think. We plan our major product announcements around ISE, so we get to li! the curtain on those new solutions and see the instant reaction from the community, which is a real privilege.

Showtime also means that many months of hard work planning our stand is over!

What do you perceive to be the key developments in, or threats to, your market sector at the current time?

For Sharp, the key developments are AI and 8K resolution.

We’re making displays smarter. A display is the ideal device to become more intelligent because it’s the centrepiece of the meeting room and your window to the rest of your team and the rest of the world. We’re leading on the development of 8K, we think it’s the next logical step towards having a

display that shows images that are as close as possible to reality. Sharp is building the 8K ecosystem of camera and display, to support the environment for 8K imaging to be spread in the same way that 4K evolved.

Why should attendees visit your stand at ISE 2019?

To see Sharp’s Windows Collaboration Display. It’s the next generation of interactive displays designed to support and improve teamwork. It’s ‘next generation’ because it includes an IoT sensor unit to monitor the meeting room environment.

Businesses will be able to use the data from the sensors to improve how they manage heating, cooling and room booking. It’s also ‘next generation’ because it makes video conferencing and communicating intuitive, you simply walk in, plug in and work together. We’re proud to be working with Microso! to develop this part of the Sharp smart office strategy. We also have new 4K ranges for digital signage on show and 8K demonstrations in our Innovation Area.

Launch of ‘true modular’ DSP products XILICA Stand: 7-S209 Canadian audio digital signal processor specialist Xilica has announced the introduction of the Solaro product line.

Formed around three initial products – QR1, FR1 and XIO – Solaro is a modular, card-frame-based DSP range conceived with the idea that integrators should be able to tailor processing to their projects’ precise needs, thereby eliminating waste and removing barriers to creativity.

FR1, the flagship 1U product, is an ultra-high-power cardframe with 40-bit floating-point DSP, 16 field-swappable card slots, 64x64 Dante capabilities, and optional acoustic echo cancellation (AEC) with a latency of 100ms and so!key activation.

QR1 is a quarter-rack-width DSP with eight individual, field-swappable card slots, optional bidirectional Dante, AEC

Comprising three initial products, Solaro is a new modular DSP range from Xilica

and PoE. QR1 was recently awarded 2018’s Most Innovative Product by the readers of Sound & Video Contractor. Solaro Series Option Cards are available in analogue in/out, GPIO, AES/EBU and AEC. Meanwhile, Solaro XIO is an I/O expansion frame, building on the initial card-count of a customer’s chosen DSP.

Transform any surface into an LED display FLYING SCREENS Stand: 9-D127 An innovative technology for manufacturing LED panels which allows attributes such as ultra-light weight, slim profiles and high flexibility, is being launched at the Flying Screens stand.

The company’s flexible LED modules can be combined to create custom-size screens which can be installed in unconventional locations such as on curved surfaces.

The company claims the technology allows design and features which are currently impossible to reach with traditional LED panels.

The sheet form factor displays combine the light weight of printed vinyl billboards with the advantages of LED displays, says the company. It offers a simple procedure for the transformation of any surface into a large-scale LED display without having to incorporate large mechanical supporting structures. A complete LED display is implemented into a single printed circuit board.

The resulting ultra-thin LED displays provide optimum volume to surface ratio, maximising heat dissipation by natural convection – no fans or any other moving parts are required.

CentrePoint helps make large-scale construction projects more efficient

3D construction site visualisations may be set to get easier, with the launch of Collab Advisor’s new online platform, CentrePoint.

The so!ware makes large-scale construction projects more efficient, and is, according to the company, “focused around clients’ global standards”.

It guides entire project teams through all phases of a build, while housing extra information within a central repository.

The so!ware is being demonstrated on two large interactive screens, so that stand visitors can see how it works; the stand also accommodates a huddle space to meet, chat and discuss how they can make the right decisions for each business case.

“CentrePoint is unique, given its tailored approach to each client and an absolute dedication to saving worker hours,” the company told the ISE Daily. “It is a fully serviced so!ware offering focused on the specific building standards and project needs of each client. We build a bespoke CentrePoint platform containing all their integral information, and as a client’s scope and decisions mature, we provide a dedicated support team.”

Front desk in control ELO TOUCH SOLUTIONS Stand: 8-E185 On show in Hall 8 is a new all-in-one front desk solution that combines Elo’s touchscreen and POS systems with business management so!ware from DaySmart So!ware.

This is targeted at small businesses such as hair salons, spas, pet grooming, and tattoo industries. The purpose-built solution is claimed to make it easier for owners to manage daily operations from scheduling, inventory, customer engagement, and POS – all from one device. DaySmart has a cloud infrastructure so business data can be accessed ‘from anywhere, at any time’.

Elo stated: “This joint touchscreen solution provides entrepreneurs and business owners with a multi-faceted solution to save time and make running their businesses easier, at a predictable and affordable monthly cost.”

Elo touchscreen solutions ‘simplify small business operations’

Flying Screens are lightweight, slim and highly flexible

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Building employee engagement FOUR WINDS INTERACTIVE Stand: 8-E335 The Visual Communications Cloud is being demonstrated

by Four Winds Interactive (FWI) to show how it might combat decreased productivity and revenue as well as bring increased turnover.

According to FWI, while employee engagement may seem like a large, nebulous issue, affecting organisational change is attainable if you start with clear, impactful visual communications.

One way it does this is by promoting event announcements such as social activities and training workshops. FWI advises that companies ensure their entire workforce knows about hosted events and improve attendance by showcasing that information across a network of screens.

Placed throughout a building, screens highlighting moderated social media posts can also help extend engagement beyond work hours. Integrate Twitter, Facebook and Instagram into the FWI Visual Communications network and let employees interact with a company whenever and wherever they want.

FWI claims its badging application empowers an entire workforce to recognise each other for exceptional performance, and then displays those accolades where everyone can see them.

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TV on the flip side MAIOR Stand: 15-U300 Motorised TV li" specialist Maior is demonstrating how its Maior Flip system provides a more elegant solution to the installation of TV sets within the home.

The company’s motorised TV li" system enables the television set to be integrated into the ceiling and lowers it to the desired position when required. The TV set can also rotate as a user leaves the room, allowing them to continue to watch a programme.

The Italy-based company also produces hinge and floor motorised TV li"s. Its aim is to eliminate stressful elements starting with the TV cables, which stay hidden inside the system. The mechanism can be controlled using remote control or wall-mounted buttons, and also interacts with home automation systems.

The motorised TV liſt system enables elements such as TV cables to be hidden from view

FWI demonstrates its Visual Communications Cloud at ISE

Signage that’s ahead of the game SIGNAGELIVE Stand: 8-C430

Signagelive delivering solutions for retail and the workplace

At ISE 2019, Signagelive is exhibiting how great a role digital signage can play in increasing commercial results.

Its stand has been designed to showcase the use of the firm’s platform to deliver solutions for retail and workplace (internal) communications.

The company is demonstrating how customers can use Signagelive’s cloud-based so"ware platform throughout their business from customer-facing retail digital signage and breakroom communications, through to visualising company data on sales floors and KPIs in manufacturing and warehousing.

Triggers including emergency messaging and remote control, as well as many of its new apps and interactive room booking, are being highlighted.

AV EMEA Stand: 1-Q113

Open for improved interpretation BOSCH SECURITY SYSTEMS Stand: 3-B100, 3-B90 The Dicentis Conference System from Bosch Security Systems has been expanded with the Dicentis Interpreter Desk, which is being showcased in Hall 3 at ISE 2019.

The desk was developed by observing and interviewing expert interpreters and technicians across the world in order to discover their key needs. These included more languages, more installation and configuration flexibility in interpreting systems, and the best possible user experience.

The desk’s ergonomic controls are designed to facilitate operation without looking at it, thus allowing interpreters to better observe the non-verbal communication of the speakers to help ensure the best possible interpretation. The Dicentis interpreter desk was also tested and optimised for visually impaired interpreters.

The desk separates the incoming and outgoing languages in two vertically aligned columns supported by a highcontrast screen for quick comprehension and intuitive operation. Three assignable buttons provide the interpreter with short-key functions for quick access to supporting functions such as ‘video select’. The HDMI output enables an external video screen to be added, so the interpreter can see the participant speaking or the participant’s presentation.

Echo Dot becomes audio source

Interpreters pictured using Dicentis Interpreter Desks

The Dicentis Conference System is an IP-based conference solution that supports up to 100 interpreted languages and uses internationally recognised encryption standards for all audio and data. It offers protection against eavesdropping, unauthorised access and data tampering. High-quality, realtime audio and control is ensured by Omneo IP technology, which also allows for easy system integration with thirdparty solutions. Omneo also enables the use of existing network infrastructure.

Following the recent launch of the Voice Dock – Vanguard’s first product in its new voice control systems family – the company is now adding the Vail amplifier to its line-up.

Showcased on the AV EMEA stand, the Vail amp is said to easily turn any Amazon Echo Dot into an in-wall audio source; it simply becomes the user’s in-wall volume control keypad, voice control and streaming music source. The Echo Dot Generation 2 model is now in stock; the Gen 3 and a Google Home model will follow soon, the company says.

The small, fully self-contained amplified assembly firmly holds the Dot in a wall dock that is said to allow for accurate voice intelligibility and convenient ‘light switch height’ access to the Dot’s surface controls.

Its 2 x 30W digital power amplifier can be connected to up to two pairs of any in-ceiling, in-wall or boxed speakers. As well as the input jack for the Echo Dot, it also features an input for an additional source as well as a subwoofer output.

The Vail amp turns any Amazon Echo Dot into an in-wall audio source

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Module provides fast-track to AoIP MERGING TECHNOLOGIES Stand: 7-P180 Pro-AV manufacturer Merging Technologies is using ISE 2019 to highlight its openness to enquiries from OEMs that may wish to use one of its Virtual Audio Devices (VAD) or the ZMAN network module for AES67/Ravenna ecosystems.

The compact ZMAN module can provide a fast-track solution to joining the ‘AoIP revolution’ and is pincompatible with the Brooklyn II Dante module. Offered in

Digital comms and wireless Unite at ISE BEYERDYNAMIC Stand: 1-M120

Jim Schanz, vice president of global sales, Integrated Systems, Shure Incorporated

A holistic approach to enterprise IT As the world of enterprise IT grows to cover all aspects of a company’s networked solutions, smarter solutions that control each phase of a product’s lifecycle will be essential. It’s no longer about creating standalone products that serve just one purpose in the AV or IT landscape. It’s about creating a holistic solution that serves a variety of purposes, all with the goal of providing end users with seamless control and flexibility from start to finish.

Shure has been proud to develop award-winning intelligent array microphones like the Microflex Advance 910 Ceiling Array, and wireless discussion systems such as Microflex Complete Wireless, that are quickly becoming the benchmark for the industry.

We have extended our conferencing portfolio further with audio network integration and signal processing devices. Now, the industry is moving towards increasingly intelligent solutions that manage the entire ecosystem from design and implementation to asset management and analytics.

We’ve therefore invested in tools like Designer 3.1 and our SystemOn Audio Asset Management So!ware which enable remote deployment and control of your products anytime, anywhere. We want to ensure that you can anticipate and fix a problem before it ever becomes one. By expanding capabilities into networked audio monitoring, control and metrics, our customers can more easily manage needs across their entire deployed audio ecosystem, including remote monitoring and securely controlling devices. Through it all, our number one priority is to ensure your needs are met now and in the future.

Stand: 3-B110

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The Unite digital wireless communication system is the centrepiece of beyerdynamic’s stand at ISE. Unite is a communication system designed for a wide range of applications – from guided tours with tour guides, through voice transmission for speeches, to interpreter applications. It can also be used for silent PA, to provide support for people with reduced hearing or vision, or as a wireless intercom system. With its large operating range and long battery life, beyerdynamic claims that Unite provides flawless performance even in demanding circumstances.

The four-channel access point Unite AP4 means Unite can be used in places where a fixed installation is needed. The analogue inputs and outputs are in Phoenix format. Unite AP4 also has a digital Dante interface that can provide power to the access point. Up to eight Unite AP4 access points can be synchronised for large systems, meaning up to 32 audio channels are available.

The Unite system uses a digital audio processor to optimise speech intelligibility. The frequency response is adjusted so that speech transmission is always clear and intelligible, while a noise-cancelling function removes background noise, further enhancing speech intelligibility.

Unite is a communication system designed for a wide range of applications

two versions depending on channel requirements – Z10 offering 64 x 64 and the Z20 256 x 256 – both share the same architecture with a simple mezzanine board for the application-specific circuitry. A comprehensive suite of drivers is offered, including a Linux ALSA version.

Ravenna/AES67 drivers can also be supplied as standalone OEM items for deployment in professional and consumer markets.

New projector is designed to be versatile CANON EUROPE Stand: 1-N30

The LX-MH502Z uses pixel shift technology to create 4K UHD resolution

One of a pair of new projectors from Canon making their first ISE appearance is the 4K resolution, 5,000 lumens, 50,000:1 contrast ratio LX-MH502Z. Weighing 9.3kg and featuring single chip DLP, it uses pixel shi! technology to create 4K UHD resolution (3840 x 2160) and is designed for integration in small or awkward installation environments. The laser diode and yellow phosphor light source facilitates 24/7 usage and allows the LX-MH502Z to be used in any 360° orientation.

Portrait projection is also possible to meet the needs of digital signage applications.

With a 1.6x zoom and wide lens shi!, the LX-MH502Z is said to offer versatility in installation for a wide variety of applications: it is capable of a lens shi! of +/- 60% vertical and +/-23% horizontal, allowing the image to be adjusted with no need to tilt or reposition the projector. It is capable of delivering images up to 6.5m wide.

The LX-MH502Z is equipped with two HDMI inputs, offering 4K/60p using a single HDMI cable, plus HDR and 4K at both 60p and 30p respectively.

Noise level is 35dB in eco mode, which also reduces brightness to 3,750 lumens.

Prepare to be wowed FUTURE AUTOMATION Stand: 5-R85 Visitors to the Future Automation stand at ISE will, the company hopes, be “wowed” by its new Servo Li!ing Technology. With functionality, speed and scalability unlike anything seen in the CI industry so far, the company claims, the technology is designed to allow ‘superfast’ movement of not only AV equipment, but also architectural features such as walls and doors.

Rob Luxton, marketing manager at Future Automation, said: “The speed of our new automation technology really has to be seen to be believed. At CEDIA Expo, we blew dealers’ minds by li!ing a 65in screen li! out of a cabinet and rotating it 180° in around four seconds. We’re really excited to bring this new technology to ISE to give our European dealers a chance to experience it first hand.”

Servo Lifting Technology is designed to allow ‘superfast’ movement of AV equipment

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Loudspeaker range expanded with ‘ultra-compact’ model

Speaker is ‘world’s thinnest’ EOGO SOUND Stand: 5-X54 For any company looking to expand its market coverage into Europe and beyond, ISE is a must-attend show – and that’s what brings first time exhibitor Eogo Sound and its Eogo Invisible Speaker to Amsterdam. For the past 13 years, the company has focused its efforts on its native market, opening some 200 demonstration centres throughout China, but it is now looking to bring its capabilities to a wider audience.

The Invisible Speaker, which the company claims to be the world’s thinnest at just 3.35cm, is designed to be completely concealed in the wall or ceiling. It is intended for both consumer applications such as home cinema or background music, or for professional applications in retail and restaurants.

Eogo Sound describes the speaker as an ‘area sound source’ rather than a ‘point sound source’. These attributes benefit from what Eogo Sound calls Polymeric

L-ACOUSTICS Stand: 7-X230 Making its debut at ISE 2019, X4i is an ‘ultra-compact’ coaxial loudspeaker for installation applications.

X4i is the smallest loudspeaker the company has ever manufactured; L-Acoustics says it offers the company’s ‘sonic signature’ in a 4in enclosure. With a depth of less than 10cm and weight of less than 1kg, the company says the X4i offers ease of integration into conventional construction structures.

X4i can be deployed in fill applications, complementing main L-Acoustics systems such as ARCS and Kiva in performing arts centres. Other uses include in-wall fill, stage lip-fill, rails, stair risers and under-balcony fills, among others.

The enclosure can also provide vocal reinforcement in settings such as conference rooms, museums and exhibits, and hospitality venues.

Combined with Syva Sub, X4i can provide a solution for indoor or outdoor background music in restaurants, bars, hotels and retail locations. The weather-resistant loudspeaker possesses an IP55 rating and becomes watertight with a rear sealing plate, facilitating integration in challenging climatic or outdoor environments.

Developed for flexibility of use, X4i is complemented by a range of mounting accessories. It can be experienced in demo room E103.

The Invisible Speaker range comprises seven models

Acoustic Transmission Fibre Powder, a patented solution designed primarily to solve the problem of wastage of sound quality caused by conventional putty powder – making the sound more real and vivid.

The Invisible Speaker range comprises seven models with rated power from 20W to 80W. All feature distortion levels of less than 0.1%.

Audio in the air

The goal of Jinwei’s newest cable is to produce ‘the ultimate’ in pure clean sound

JINWEI Stand: 5-V127 The TU-2000 is the latest in Jinwei’s Ultimate Series of high-end audio cables. The concept is built on three technologies: Jinwei’s patented TFC (twisted flat conductors); air built-in isolation; and DM-PETM (demagnetising polyethylene) dielectric. The goal is to produce the ‘ultimate pure clean sound performance’.

TFC is a new technology that uses a solid flat conductor that has a greater surface area than a conventional round conductor, allowing it to carry substantially more current. Jinwei’s layering and twisting procedure is said to maximise sound performance and minimise electrical interference.

Jinwei notes that air is an ideal dielectric, an excellent isolator providing an extremely clean signal path. As the company points out, however, it is almost impossible to keep the conductor in the air without any support. Jinwei has utilised its layering and twisting technology to give the conductor a stable central position, with nearly 90% of the conductor in contact with air only. This is said to provide both an even distribution and a smooth, natural presentation.

DM-PETM is described as a combination of demagnetising materials, effectively reducing electromagnetic interference and radio frequency interference. Flat solid conductors of high-purity silverplated free copper are used in six 14AWG (2sqmm) cores, aggregated into two 9AWG (6sqmm) cables.

L-Acoustics’ new X4i coaxial enclosure, pictured here with the existing (larger) 5XT

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US Decora Wall Plate debuts

Putting on the charm CHARMEX AV TECHNOLOGY Stand: 14-M135, 15-G250 Barcelona-based B2B communications technology supplier Charmex debuts at ISE with its latest audiovisual equipment, including LED displays, projectors and professional monitors, alongside digital solutions for video conferencing, digital signage and events. Also on show are technological devices for the digital classroom.

Santiago Verdú, CEO of Charmex, said: “We are excited to be part of this show for the first time in our more than 30 years. This is an ideal opportunity to show the brand and establish new alliances throughout the European region. We are a meeting point where Spanish integrators can be guided to the bigger booths

KANEXPRO Stand: 1-N15

Charmex debuts at ISE with its latest audiovisual equipment

of our partners and experience the best of the show.”

With headquarters in Barcelona and showrooms with completed equipment in Madrid, Barcelona, Lisbon, Bogotá and Medellín, the company has more than 3,000 active customers.

Fold out activity ELEMENT ONE Stand: 2-A30 The new Fold! motorised touchscreen is being shown on the Element One stand this year, alongside its full range of vertical retractable monitors, including Convers One, Convers Flex and Convers Blade.

Like a robotic arm, the 8mm Fold! touch monitor moves forward and, when extended, remains horizontal above the desk surface. The 17.3in display can even be used as a tablet, in a comfortable operating position and at any angle for the best view. The idea, says managing director Thorsten Nees, was to combine the best of all worlds: small installation footprint and comfortable flat usability.

Element One’s other integrated monitors, including Convers, Modis and Versis, will also be on the stand. Nees told the ISE Daily: “The design and the technology of the new Fold! proves what Element One believes beautiful

Announced last month by KanexPro, the US Decora Wall Plate Series is being featured on the company’s ISE stand.

It includes a double-gang HDMI 2.0 and USB-Wall Plate Switcher over HDBaseT and a double-gang 4K HDMI and USB 2.0 Wall Plate Switcher over HDBaseT. The KanexPro HDMI 2.0 and USB-C Wall Plate Switcher over HDBaseT is a 3 x 1 transmitter and switcher with the capability to switch two HDMI 2.0 outputs and one USB-C input to a remote display. Featuring IR and Power over HDBaseT), it can extend 4K/60Hz with 4:4:4 up to 40m over a single Cat5e/6/7 cable. Designed for courtrooms, classrooms, conference rooms or showrooms, the unit can extend audio and video from a remotely located HDMI source device.

The KanexPro HDMI and USB 2.0 Wall Plate over HDBaseT is a double-gang, 2 x 1 HDMI transmitter and receiver set featuring 4K/60Hz up to 40m. It is the end point for connecting over Ethernet to the receiver; it then automatically connects to the 4K display. The receiver features multi-point USB 2.0, which can be used as a KVM or for VTC applications.

The Fold! robot-like foldable 8mm monitor

engineering and design means. In addition, with its different types of Convers, Element One has a complete range of vertical retractable monitors, suitable for almost every project and budget.”

64-bit update to design/documentation tool STARDRAW Stand: 7-S187 Stardraw Design 7.3 – the latest version of the company’s design/documentation so"ware for AV systems integrators – is making its European debut at ISE 2019.

Available for download from the Stardraw.com website, SD7.3 boasts a ra" of new features based on user requests and feedback, as well as multiple performance enhancements.

One of the most significant is new 64-bit architecture.

The company claims this is able to manage huge and multiple imported DWG files ‘better than ever before’, as well as other resource-intensive non-native data formats including PDF, DXF and image files (PNG, JPG and so on).

Another enhancement is the new Feathering feature, sometimes called ‘Continuations’ or ‘Fly-offs’. This provides a graphical representation to indicate where a cable has come from – and is going to – in the event that

KanexPro’s US Decora Wall Plate Series is being featured on its ISE stand

it spans separate drawings or is noncontiguous in the same drawing. It consolidates the two cable objects into one ‘physical’ cable in the Cable Schedule to ensure that they aren’t double-counted in the project.

Stardraw Design 7.3 also adds the ability to import from an Excel spreadsheet, allowing users to add products into a project directly from a spreadsheet.

They may also export an equipment list into Excel and populate the products it contains with attribute values, for example IP addresses of products a"er commissioning in the field. The list can then be imported back into Stardraw to update the project file with these new attributes.

Other new features include monochrome import for even clearer drawings as well as high-resolution rendering.

A new feathering feature and Excel import ability are included in the latest version

New connections FIBERSMITH Stand: 15-Q310 Optical cable specialist FiberSmith is showcasing its latest AV connection solutions in Hall 15.

The new detachable HDMI 2.0 connector is designed for installation in narrow and curved spaces and comes with a small HDMI type D-head. Various types of detachable connectors – including HDMI type A, DisplayPort, DVI and HDMI type A with equaliser – can be used with the product, which is able to transmit 4K60Hz (4:4:4) UHD images up to 100m.

FiberSmith is also demonstrating SAVE, an on-site termination solution that enables it to upgrade, reuse or make active optical cables on site.

A plethora of detachable connectors can be used with the new FiberSmith AV cable

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Matchday action under control COLOSSEOEAS Stand: 8-S375 Components connected by the Colosseo Single Media Platform are being showcased in Hall 8.

The Colosseo Director HD, for example, is a full featured video control system and video processor for operating LED screens and scoreboards at sporting events with the focus on game presentation and marketing.

Colosseo’s Replay Workstation is controllable by one operator with triggers, automated actions, transitions, graphic overlays, tournament or league

slides and more. The 3D Visualizer and Game-Show Manager and Designer also operate on the top of the Single Media Platform, simplifying operation, maintenance and connections.

The Single Media Platform integrates all data in the venue and provides a base for advanced content generation. The company claims this makes it as easy as possible to automatically generate reusable content that game show operators can quickly incorporate into their live game presentation.

Colosseo Director HD is a full featured video control system

Enjoying some light relief SIGNIFY Stand: 9-A160 Delivering real-time operational transparency for hotels, Interact Hospitality is just one of a range of products on show on the stand of Signify (formerly Philips Lighting). The so!ware helps hotel operators to improve guest experiences while improving staff efficiency and saving energy.

Interact Office, the connected lighting system from Signify, enables users to harness IoT to transform a building and save. LED luminaires with integrated sensors collect anonymised data on lighting performance and how workers use the

workplace. This enables facilities managers to optimise the lighting, HVAC, cleaning and space usage to improve efficiency, reducing energy usage and cost.

Also on the stand is Philips Dynalite, which is used in more than 30,000 projects, and can be used in any application, on any scale. Latest innovations include a new capacitive touchscreen. The new Philips Dynalite ZigBee gateway, meanwhile, adds wireless lighting control to the Dynalite system. This gateway creates a mesh network for communication with up to 25 wireless Dali broadcast controllers.

A smart connected lighting system at The Edge in Amsterdam helps create a more comfortable environment

#makeCTScount VISIT STAND 12-N110 AVIXA.ORG

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Revolutionising audio and video ESTREEMO Stand: 14-C125

Estreemo is launching a range of audio and video devices at ISE

Italian developer Empirya is presenting its spin off Estreemo at ISE this year.

Estreemo is launching with a new series of audio and video hardware devices which it says will “revolutionise the shooting, directing and streaming video market sectors”.

The company’s Director Pro products are hardware devices for live production but are not limited to acquiring and streaming. The company claims they enable the customer to minimise costs related to the different phases of directing, editing, post-production and video publishing, and can interface with third-party external systems such as audio-conferencing systems, home automation devices or Cloud APIs. Director Pro devices can capture video and audio (over IP or via physical interfaces) based on real-time events acquired from the scene and using configurable policies. They can also perform audio/video direction, control display and devices in the meeting room, or stream directly to YouTube or Facebook Live.

For the latest show news and updates follow #ISE2019

A landmark in facial and object recognition VSBLTY Stand: 8-S360 Display technology on show from Vsblty marries motion graphics or interactive brand messaging with facial recognition and measurement technology that records engagement rates, interactions, sentiment and real-time behavioural analytics.

Vsblty Vector, for example, detects one or more human faces in an image along with face attributes which contain machine learning-based predictions of facial features. The face attribute features are: age, gender, pose, smile and facial hair. The company said that its facial recognition can calculate 27 ‘landmarks’ for each face in an image and even recognise partial views of faces. It will return a confidence score about how likely it is that the two faces belong to one person and can search national and regional detection databases to identify known persons of interest for public safety.

Vsblty transforms digital place-based media

Signal management and signage on show SYSCOMTEC Stand: 8-E120 Munich-based distributor Syscomtec is showcasing a variety of products at ISE from BrightSign, CYP, DynaScan, easescreen, Icron, ProDVX and RGB Spectrum.

For example, it has the new EL5363 HDMI + USB 2.0 extender set from Icron Technologies (now part of Maxim Integrated). This offers uncompressed video and USB 2.0 transmission of 4Kp30, 1080p and 1920x1200, 3D with deep colour as well as CEC and HDCP up to 100m with a single Cat5e/6/7 cable. It is suitable for use in medical technology, video production, home automation and room booking as well as interactive digital signage solutions and industrial control systems.

High-quality digital signage displays are new in Syscomtec’s product portfolio. From manufacturer ProDVX come displays equipped with ARM Cortex A17 and Quad Core processors, RJ45 LAN, USB, and Micro USB connectors as well as eMMC flash memory. The 7in to 32in displays are available with metal and plastic housings or frameless for wall mounting. All models are fanless and designed for 24/7 usage.

Also on stand is the new XT1144 player from BrightSign, shown in addition to the complete Series 4 of players. The XT1144 is a 4K and full HD player with 4K upscaling and dual decoder. It enables simultaneous playback of native 4K, HD and live TV content and supports HTML5, PoE+, GPIO, M.2 SSD interface, analogue/digital audio and RSS feeds as well as Dolby Vision and HDR10+. The XT1144 features HDMI 2.0 input and output, RS232, two USB ports, LAN, dual USB for touchscreens and a 3.5mm IR out.

Going further: the EL5363 HDMI + USB 2.0 extender set from Icron Technologies

RANE Stand: 7-E190

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HDMI cables achieve 18Gbps data rate

IN-AKUSTIK Stand: 5-R97

New DSP designed for easy plug and play Rane Corporation, part of InMusic, has announced the introduction of its Zonetech multi-zone commercial audio processor and DRZH wall control.

Zonetech features six inputs and six outputs for multizone audio distribution and control. Powered by exclusive Rane Halogen Lite so"ware, it requires no programming, enabling operation to be quick and intuitive.

An additional wireless input for Bluetooth AD2P 4.0 is provided to receive streaming audio from any smartphone or tablet. A contact closure for emergency ‘mute all’ enables

A pilot programme was recently introduced at Gun Lake Casino in Wayland, Michigan in the US. Jay Hutton, CEO of Vsblty, explained: “The pilot integrates all aspects of our technology portfolio, using Proactive Digital Displays with our three so"ware platforms, DataCaptor, VisionCaptor and Vsblty Vector. This so"ware is designed to not only enhance the guest experience, but to create a virtual perimeter around the casino floor to analyse player behaviours, further gamify player engagement, all while augmenting security operations to make Gun Lake even safer.”

One feature of Vector is proprietary object recognition that identifies assault weapons and can notify security upon detection. Hutton added: “This is the advantage of AI and machine learning giving security and surveillance a new friend – the marketing department.”

integration with alarm systems. All zones have balanced outputs and the sixth zone can work in stereo or crossover mode – easily selectable from the front-panel display.

Independent source selection and volume control for each zone is achieved with Rane’s DRZH wall-control, which comes in an elegant glassy finish to suit all decors. A master remote port accommodates the RAN DR6 7in coloured touchscreen for overall control, while an Ethernet port enables the Zonetech to be accessed and controlled via WiFi from any web browser.

HDMI cables are available in lengths up to 100m

By using professional fibre optic technology, inakustik’s new Profi HDMI Micro 2.0 LWL cables can achieve data rates of up to 18Gbps at distances up to 100m.

Thanks to the detachable HDMI micro adapter, they are said to be perfect for easy laying in empty conduits. The cables support 4K video formats at 50 or 60Hz as well as HDR; transmission also includes HDCP 2.2 copy protection and EDID display data. The cabling hardware complies with the CE standard and the REACH and RoHS directives.

Plugs and adapters are made of metal, have a precise guide rail and can be fastened together so they form a solid mechanical unit a"er installation. The cables are said to be highly flexible with a diameter of just 4mm and the routing-direction markings are designed to make installing them straightforward.

The cables have a uniform anthracite-coloured design and are available in 10m, 15m, 20m and 30m lengths as well as in 50m, 70m and 100m lengths on reels.

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2020 AMSTERDAM | RAI

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Keeping everyone in the loop with Audioropa HUMANTECHNIK Stand: 7-W223

The new generation of Class D Loop Drivers aims to ease integration of induction loop technology

Responding in particular to the needs of hearing-impaired and deaf people in noisy environments, Humantechnik is introducing a new generation of Class D Loop Driver induction loop technology, Audioropa, at ISE 2019.

The amplifiers – which provide inductive audio signals through a wire loop laid out in the room – are compatible with PA systems of all sorts. Users of hearing aids and cochlea-implants can switch their devices to direct inductive reception and thereby avoid acoustic interference completely.

The new technology is likely to resonate with operators and suppliers of PA systems for events, traffic applications and cultural centres, who will be aware that they are o"en able to reach only 90% of their audience with current systems.

High performance audio technology combined with comprehensive service is one of the claims made on behalf of the Audioropa solutions portfolio.

The Rail way to combined audio and lighting K-ARRAY Stand: 7-X223, 7-Y195 K-array has combined its audio capabilities with high-end lighting technology in the form of the Rail, a 1.2m line of warm, homogeneous linear LED lights with full-range cone drivers. To adapt to a variety of needs, the line comes with a host of combinations to cover a wide range of applications.

The Rail line provides a selection of different direct light distribution: Symmetric, to spread the light equally in all directions; Asymmetrical, where the light is directed sideways to one side of the vertical plane; Mini Spot, which creates a fixed spotlight; and Electrified Track, where magnetic spotlights are adjustable to point in the desired direction.

There is also the possibility of adding indirect lighting to the top of the unit of the aforementioned models for complete lighting coverage.

All Rail options come with three sets of 1 x 5in glass fibre audio transducers made for maximum excursion.

The full-range speakers mean that there is no need for subwoofers, for example in the provision of background music in small rooms.

A total of 12 Rail units can be driven by one channel of the small four-channel Kommander-KA02 amplifier, so a total

K-array’s Rail is a 1.2m line of linear LED lights and full-range cone drivers

Intevi’s mobile application for control via handheld device

The Intevi IDT Range is a hardware and so"ware solution for the delivery of digital video streams and managed content over an IP network to TV displays and PCs. The modular head end supports both terrestrial and satellite feeds with support for DVB T/T2/S/S2/C/QAM and ATSC. Encoded feeds such as satellite decoders, cameras or DVD players in SD or full HD can also be handled by the system. The multi-user web-based central management system allows for control and, through the portal, users can configure and manage all the hardware through a single interface.

Templates can be applied to brand the TV channels and the messages or alerts can be sent to individual groups or all screens. Set-top boxes are managed in groups, enabling unique channel line ups, templates and defaults to be set and controlled centrally.

A mobile application extends this control to a user’s handheld device. Active widgets provide HTML integration for live feeds such as news, weather, RSS and more. Alerts can be triggered for important information and custom messages posted over the live TV or template.

TRUECONF Stand: 11-C160

of 48 Rails can be powered by this unit, which boasts plug and play capabilities with Bluetooth connectivity, USB ports and mini jack input.

If more powerful sound is needed, the Rails can be combined with a larger Kommander amp. They are also compatible with all K-array subwoofer lines to extend the low-range frequency.

Rail models – all of which are available in black or white – are driven at 24V.

ZF FRIEDRICHSHAFEN Stand: 9-B115

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INTEVI Stand: 8-N300

Rooms with a view

Power station Based on a Bluetooth 5-certified Systemin-Package (SIP) from ON Semiconductor, ZF Friedrichshafen’s Energy Harvesting Generator is being demonstrated on the switch manufacturer’s stand.

Incorporated with the RSL10 SIP module, it allows designers to develop bespoke wireless control solutions for a wide range of low-cost, low-energy applications including control solutions in buildings, home systems automation, lighting, shutter control, healthcare, alarm systems, fall detection or vehicle counting.

Because of its low energy usage, the switch can be used with the rapidly growing number of applications for Bluetooth Low Energy communications. With no batteries required, the company claims the switch offers users an ‘almost infinite’ product lifetime, with no pollution, no recycling, no maintenance costs and a great deal of flexibility

IPTV made easy

Visitors to Hall 11 have the opportunity to experience the latest products and solutions from TrueConf first-hand.

The company – a video conferencing and collaboration provider – has announced the upcoming release of TrueConf Room, a so"ware-based conference room solution that provides integrated 4K video conferencing experiences for corporate meeting rooms.

Another show highlight is TrueConf Kiosk, a clickto-call solution for self-service systems which has been recently released as an open source application for video kiosks. Visitors to TrueConf’s stand can also witness the latest TrueConf Server features.

Dmitry Odintsov, chief business development officer at TrueConf, said: “We’re proud to unveil our new solutions for smart workplaces, meeting rooms and customer service systems to the global ISE community. We have expanded and diversified our video conferencing and AV portfolio and are excited to celebrate our sixth time at ISE with new customers, partners and installation professionals.”

The RSL10 SIP module is compatible with Bluetooth 5.0

with locating the device. The Bluetooth 5 module offers ultra-low power consumption, high data throughput, long range and improved coexistence with other transmissions systems.

Odintsov: ‘We have expanded our video conferencing and AV portfolio’

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INSIGHT

Virtual reality: look beyond the goggles ISE is an ideal opportunity to scope out the latest in new virtual reality applications, and how they can be of benefit to your business. Steve Montgomery explores the new reality of VR for AV companies Virtual reality applications are receiving a lot of attention at the moment and the technology looks like it is here to stay. The majority of applications rely on head-mounted goggles or smartphones and are primarily aimed at consumers. Futuresource forecasts high sales of personal VR devices this year. “2019 will see global head-mounted display sales hit 72 million units of which mobile and head-mounted units will represent 88%,” said Carl Hibbert.

As with other mainstream consumer products, there is a spin-off into the pro-AV market that opens up new opportunities for system designers, integrators and content creators. Virtual reality applications using goggles are starting to appear in retail, museums and other AV sectors.

Exciting new VR applications are appearing that are not constricted to enclosed head-mounted displays.

Virtual reality applications can be considered to be any situation that attempts to simulate a real or fantasy world to a viewer; no matter how it is presented. This can be a large LCD wall, bank of video screens, curved projection surface or an allencompassing CAVE facility.

Some of the latest collaboration and conferencing systems are picking up on this idea: by placing images of remote attendees at the end of a conference table so that they appear to be present in the same meeting.

Others allow distant users to interact on a touchscreen in an office thousands of miles away as though they were standing alongside local users.

As audiovisual professionals searching for business, we should be looking further afield; to address market sectors beyond our normal sphere of activity. For example, the oil and construction industries and

Telescopic view for control rooms NOVUS DAHLE Stand: 8-C320 Professional accessories for control rooms are being fielded by Novus Dahle at ISE 2019. Notably, the German company’s Novus TSS telescope solution is being introduced to visitors. The company says the arms can be optimally positioned “in any conceivable constellation” for two or more flatscreens. This means that screens can be pushed together without a visible gap between them. It relieves eyestrain and prevents disturbing distractions, states the firm.

Additionally, the arms offer the ability to mount monitors flat with a small distance to the edge of a table, without hitting partition walls or interfering with heightadjustable tables. The result is plenty of space on the desk with a perfect monitor configuration, claims the company.

Novus is also demonstrating how to optimise the use of existing space with what it describes as practical solutions that turn the office into a convenient and comfortable place to work in.

the military use projected virtual reality systems to train staff in situations that are difficult to simulate physically, or do not yet exist. These are o#en formed from extensive multi-projector installations in dedicated buildings.

In the broadcast industry, many studio sets are virtual creations, existing only within the computers that generate the graphics and the minds of the creatives producing them. ITV’s ‘Cathedral of Football’ studio in Red Square was largely created by moveable backdrop LED panels to ‘transport’ pundits instantly from central Moscow to football stadiums around the country and back again. Virtual images on the screens change in response to camera movements to create a realistic three-dimensional transmission.

The world’s largest automotive manufacturers are switching away from expensive life-size clay models of concept cars, preferring to share and alter new car designs on massive, narrow-pitch LED walls; collaboratively and in real time.

The air traffic industry is transforming operations through the use of remote towers. Controllers watch live images from unmanned airports hundreds of kilometres away on 360o displays and speak to pilots to guide them into the skies.

Many of the companies that create hardware, so#ware and applications for these uses operate outside the core AV sector and won’t be exhibiting at ISE. Several are multinational organisations, but many are small, niche and highly creative start-ups.

There will be many commercial opportunities open to professional AV practitioners who seek them out.

Others will be present. These include companies such as Holovis with projection CAVEs; Christie who

build massive flight simulators for Boeing; 7th Sense and Green Hippo who make the powerful media servers needed for real-time visualisation; Viscon immersive projection systems; and Immersive Studio for VR content.

It is well worth taking time at the show to search them out, talk through the possibilities and win new business in virtual reality applications; not just beyond the goggles, but beyond our normal sphere of activity.

Affordable preamp/DAC enjoys ISE debut PARASOUND Stand: 1-Q115 Making its ISE debut is the New Classic 200 preamp/DAC from Parasound. It represents, according to the company, a new generation of affordable, high performance audio – a market sector on which Parasound has focused for the past 35 years.

At the heart of the 200 is an all-analogue signal path which includes analogue bass management with high and low pass outputs. The 200 has connections for almost any source, according to Parasound, including an MM/MC phono input, home theatre bypass, USB, coax, optical and

a front panel aux with an automatic 12dB ‘gain bump’.

The built-in DAC features a Burr-Brown 192kHz 24-bit DAC from the Halo P 5. Custom install features include a turn-on volume preset, a favourite volume setting, two-way RS232 serial port, rear panel IR input and a 12V output trigger. The front panel LCD display allows the input names to be changed and is designed to provide easy control. The back-lit remote enables adjustment of the bass, treble, subwoofer trim, subwoofer on/off and balance.

The New Classic 200 preamp/DAC features an all-analogue signal path

Making the connection SURE-FIRE ELECTRICAL Stand: 15-C120

Novus shows new TSS telescope solutions

Interconnection technology specialist Sure-Fire Electrical is launching several new products at ISE, including an HDMI/DP active optical cable with CPR/CMP cable jacket. In addition, Sure-Fire is also about to launch an HDMI 2.1 cable.

Sure-Fire works with customer segments including retailers, distributors and integrators. The company says its ambition drives it to develop different categories of products, and ensures its products meet guidelines set by various organisations, as well as all specifications defined by its partners.

Sure-Fire helps to connect clients in several market segments

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PROFESSIONAL DEVELOPMENT

FLASHTRACKS AVIXA FlashTracks are free 20-minute education sessions held on stand 13-N110, and are designed for AV professionals of all experience levels

FlashTracks are for AVIXA members only. You can sign up for free at membership.avixa.org.

Download the app and log in to show your proof of membership

AVIXA FlashTracks are organised into four tracks. To help you choose your sessions, use the key below to identify the topics of most interest to you

AV-IT

Emerging Trends

Design

User Experience

11:00

13:00

Twenty-minute design school: DISCAS

Building a mentoring culture in the AV industry

Speaker: Chuck Espinoza, CTS-D, CTS-I, AVIXA What is DISCAS and how is it applied? A breakdown of the standard, the application of the standard and why it is important to AV professionals.

Speaker: Jeremy Caldera, CTS-D, CTS-I, IAS Technology The business case for mentoring is clear.

Mentorship advances careers, and those who mentor drive retention at AV companies.

Learn from Jeremy Caldera, CTS-D, CTS-I, how easily traditional and peer-to-peer mentoring can have an immediate impact on the culture at your company.

11:30

The challenges of AV/IT on network integration

12:00

Twenty-minute tech manager school: Training path

Speaker: Chuck Espinoza, CTS-D, CTS-I, AVIXA In today’s market, good personnel management can mean the difference between a team that performs well and sticks together, or one that produces poorly and has frequent turnover. In this session, we will discuss techniques to put your people on the right path for advancement, while at the same time, filling skills gaps in your enterprise.

12:30

Networking fast track: Why do I need to know about multicast?

Speaker: Laurent Masia, SDVoE Alliance/Netgear As more AV distribution moves to IT infrastructure, it is critical for AV system designers and installers to understand some of the basic networking protocols that make this possible. Multicast is a crucial technology that allows high bandwidth streams to move around a network without overwhelming the entire network. This session will explore what multicasting is, and why it is necessary for any practical AV-over-IP solution; how to identify tools for configuring and troubleshooting multicast networks; and understanding the difference between multicasting and VLANs, and how they interact.

50

13:30

Mapping experience in AV design

FRIDAY

FRIDAY

Speaker: Reinaldo Pargas, CTS, AVM This session will demonstrate the design work involved on AV+IT integration, considering the use of technologies such as SDVoE, HDBaseT and Dante among others, sharing passive infrastructure and active IT devices.

Related aspects will also be shown, including AV/IT responsibility matrix and troubleshooting. AVM has been involved in network design for AV devices since 2003 and last year delivered a Cultural Center in Sao Paulo where AV/IT has achieved a unique level.

Speaker: Ryan Howard, Storied Systems ‘Experience’ is the new AV – and for good reason. It refocuses our efforts on the humans instead of the machines. But how, exactly, does it do that? We will start with defining ‘experience’ in the AV context.

Then we will take a look at how to map the experiential requirements of a project so that all stakeholders can align to the nuances and opportunities. Experiences can be mapped against pairs of qualitative descriptions, such as emotive/informative, that help establish clear technical, operational, creative and business requirements. This improves stakeholder understanding, consensus and elevates the AV conversation. In the end, we will find that experientially focused design is about stakeholder education and navigating our own technical biases. This session will define ‘experience’ inclusively and functionally; establish how experience fits into the AV value proposition; identify key qualitative axes to which experiences can be mapped; and explore how to turn that experience map into stakeholder impact.

14:00

The OSI model

Speaker: Matt Dodd, Clavia Group The Open Systems Interconnection (OSI) model is the framework of data networking, and as integrators of IPbased products, you should be comfortable when explaining how a packet of data moves from one host to the next referencing the OSI. If you can’t, come along to this 20-minute session and we will show you how to do it. This basic networking knowledge will give you clarity and confidence when selling and installing IP solutions in your projects.

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ProfessionalDevelopment

14:30

FRIDAY

AI for AV: an outlook

Speaker: Christopher Jaynes, PhD, Mersive Technologies Inc Recent advances in machine learning have gained significant attention from the general public, and rightly so. Computers are now able to recognise and respond to just about any natural language, guess at what movies and songs we’d like, and even drive our cars. So what does this have to do with the AV industry? Well, plenty. AV, by definition, provides the visual and auditory experience in the workplace, commercial venues, education and even our homes. In short, AV builds the user-interface to our environments and that user-interface will be heavily influenced by AI. The influence of AI on AV is already

apparent. Intelligent virtual assistants are already showing up in conference rooms supporting room-booking and analytics, and becoming important features of large-scale AV deployments. We’ll outline these use cases and provide a short tutorial that covers the basics of machine-learning technologies and how they can be used to improve AV control systems. Finally, we’ll detail real-world use cases where predictive analytics were made possible. Delegates will: understand the stateof-the-art when it comes to commercial uses of AI; see how AI is already influencing AV deployment decisions through analytics; and have a short introduction to machine learning algorithms.

PROFESSIONAL DEVELOPMENT

SESSIONS

FRIDAY

11:00-12:00 - Room 301

The CEDIA Designer Workshop [free to attend]

Speaker: Guy Singleton, the CEDIA Designer Join founder Guy Singleton as he demonstrates the world’s first home cinema and media room design so"ware that was built by home cinema designers for home cinema designers. Enter your design information and the so"ware will create a technically perfect home cinema or media room

with full documentation, rendered to-scale visuals of the finished cinema, and a 3D CAD model. Technically correct designs include the latest in immersive audio and the product database includes products from the finest manufacturers.

TALKS

CEDIA Talks are 20-minute sessions presented by industry thought leaders, and are free to attend with no registration necessary 14:00 – Stand 1-E20 What does AI actually mean?

This session will define the important terms, the gradual shi! towards broad general AI, and how this will affect the experiences and solutions that we’ll be delivering to our customers in the future.

Speakers: Rich Green and Peter Aylett

IPVDS-700-ED: IP Video Wall Controller Supports 100/1000 base-T TCP/IP network with CAT5e or CAT6 cable with PoE feature Transmits up to 4K resolution(3840x2160) at 30Hz or 1080p at 60Hz with Analog/HDMI audio WWW.OPTICIS.COM .OPTICIS.COM

Booth 5-S82 EXHIBITOR BOOTH HALL 5, U60

Supports Multiple Video Wall feature controlling up to 9 different video walls in one PC software Supports fast switching / low video latency Provides up to 256 displays (1x256 to 16x16) with multi-sources & multicating features Provides control PC software for Video Wall and individual displays ; preview, drag & drop layout with mouse, bezel correction in 0.1mm unit and preset schedule Provides crop feature of display source on PC software to use cropped area as display source

OPTICIS HQ OPTICIS OPTI Q 7F, 166, Jeongjail-ro, AV over IP Bundang-g ng-gu u, Su S ungnam-si, Gyunggi-do, ggi-do, 13558 South South Korea Bundang-gu, Sungnam-si, Tel: +82 31 719-8033 Fax: 031-791-8032 Email: tosales@opticis.com

#4-U20 #4-U 4 20 4-U Virttual Matrix

Mul� cas�ng

PoE feature

Control room

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PROFESSIONAL DEVELOPMENT

For the latest show news and updates follow #ISE2019

TODAY’S MAIN STAGE SESSIONS

New for ISE 2019, the Main Stage hosts a broad range of educational and thought leadership presentations, produced by AVIXA, CEDIA, ISE, and AV Magazine. It is located in a central position in Hall 8 [8-E400] and features a bespoke design from ISE partner improve. Sessions are free to attend and no advance booking is required

11:00-11:30

13:30-14:00

Creating the perfect event experience

How to transition to everything-as-a-service

Brad Grimes, senior director of communications, AVIXA; Christopher Wegner, Amptown

11:30-12:00

How to win a CEDIA Award

Geoff Meads, managing director, Presto AV

12:00-12:30

Audio panel debate: what impact will the 700MHz clearance have on the industry?

Andy Tapley, sound supervisor, BBC Studioworks; Tuomo GeorgeTolonen, senior director, Pro Audio Western Europe, Shure; Alan March, senior manager spectrum affairs and system design, research and innovation, Sennheiser; Terry Tew, managing director, Terry Tew Sound & Light; Jonathan Edwards, broadcast and RF co-ordinator, Terry Tew Sound & Light

12:30-13:00

Robert Rosier, CEO/CTO, TPEX International BV

14:00-14:30

So"ware defined survival

Patrick Murray, owner, CTS (Controlhaus Systems Design)

14:30-15:00

How to ‘digest’ spaghetti IT

Marius van Hoegaerden, managing consultant, Hoegaerden Management Consultancy (HMC)

15:00-16:00

AV network security

Tim Albright, founder, AV Nation; Keren Lipshitz, director, head of control and solutions division, Kramer; Chris Fitzsimmons, product manager, Biamp; John Pavlik, director, architecture and design, Crestron Electronics

Stufish: evolving from stage design to theatre and theme park architecture and back again

Maciej Woroniecki, partner, Stufish; Alicia Tkacz, partner, Stufish

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ProfessionalDevelopment

FRIDAY 8 FEBRUARY

EXHIBITOR TRAINING SESSIONS Barco

Room D501/D504

09:30-15:00 (D504)

Simulation and fixed installation projectors: private demos

Visitors will be able to get hands-on with Barco’s G60, FL40, FS40 and F80 projectors for fixed installation.

09:30-09:55 (D501)

What’s new about ClickShare

This session offers a demo and hands-on training with the CSE-200+, the new ClickShare app, and the CS-100 huddle.

10:05-10:30 (D501)

Focus on XMS-110

Functionality demo and hands-on training aimed at resellers and end users.

11:15-11:40 (D501)

ClickShare IT-friendly new features

Introduction to new features such as the network integration principle, SNMP support, 802.1x and certifications.

d&b audiotechnik

Room E105/106

Void Acoustics

Room E108

10:00-11:00, 12:00-13:00, 14:00-15:00

10:00-10:30

Audio demonstration

The d&b news session

Audio demonstrations including products from the Arcline, Air, Venu, Cyclone and Nexus series.

10:30-11:00

The d&b product listening session 12:00-12:45

The d&b Soundscape L-Acoustics

Room E103

10:00-11:00, 12:00-13:00, 14:00-15:00, 16:00-17:00

L-ISA presentation

L-Acoustics is presenting the latest addition to its installation product range for the first time at ISE 2019, as well as highlighting improvements to so"ware and networking within the ecosystem of the company’s existing product lines. Additionally, an update on the latest developments surrounding the L-ISA Immersive Hyperreal Sound technology will be provided via an overview of recent success stories.

11:50-12:15 (D501)

ClickShare vision roadmap

Barco offers a glance at the future of ClickShare.

Martin Audio

Room E104

11:00-12:00, 13:00-14:00

Loudspeaker demonstration

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PERSPECTIVES

News

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

Which technology do you think will have the greatest impact on the industry over the next five years – and why?

Updated firmware for popular VA system

TOA Electronics Europe is exhibiting the VX-3000 EN54-certified voice alarm system

TOA ELECTRONICS EUROPE Stand: 7-N205 Zhenzhi Wu R&D director, Shenzhen Aoto

Chris Axford international sales & marketing director, Digital Projection

The Mini LED and Micro LED will be the leading-edge technology in the next five years. Major manufacturers regard Mini LED as the outpost of Micro LED. Mini LED has outstanding contrast and good production efficiency in the field of LED large screen splicing. Aoto’s patented mini four-in-one LED application has been commercialised at intervals below p1.0.

As a projector manufacturer, we think projectors will continue to have a major impact on the industry, especially as they get brighter with even higher resolution – such as our 40,000 Lumen 8K resolution projector, which is getting its worldwide preview here. With regard to 8K and 4K, both of these have been key drivers in our development roadmap and ISE gives us the opportunity to show an array of these products to the wider AV community.

Stand: 12-C90, 12-C100

Stand: 1-F70

Speakers target high-performance media rooms

At ISE 2019, TOA Electronics Europe is exhibiting a host of integrated solutions geared towards the needs of building security and communications applications. These include voice alarm systems that align to EN54 European standards.

TOA highlights its ability to provide a comprehensive range of audio and voice alarm solutions, accommodating the needs of everything from restaurants and retail outlets to large complexes such as industrial plants and airports.

Specific solutions on display at ISE include the EN54certified voice alarm system, VX-3000, which now benefits from updated firmware and can be combined with the new compact version of the VX-3000, the VX-3308WM, which can be mounted on a wall.

For additional security in speaker deployments, TOA is showcasing its Line Monitoring and Loop Isolator solutions. Additionally, in co-operation with AviaVox, TOA is exhibiting what it describes as a state-of-the-art solution for generating and controlling multilingual announcements at airports.

It’s your show(room)

WISDOM AUDIO Stand: 5-U130

VIDERO Stand: 8-E212 Speakers are available in high gloss black and high gloss white

The P2m and P4m on-wall loudspeakers and S10 subwoofer are being demonstrated by Wisdom Audio at ISE. Targeting high-performance media rooms and living spaces, the new range of on-wall models is said to bring flexibility to the existing Insight in-wall range as well as providing superior clarity and dynamics.

The line-up consists of three models available in two finishes (high gloss black and high gloss white). The P4m features a six-bar orientable planar magnetic driver (the same as the Sage

Dante in, Dante out APART AUDIO Stand: 1-H140 The APDI analogue audio to Dante audio converter from Apart Audio is designed to enable any analogue audio device to be connected to a Dante network. A balanced or unbalanced, stereo or dual mono line level signal is simply connected to the RCA or Euroblock input of the APDI and a

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ICS7-a) paired with two 5in drivers. Mounted vertically, the P4m is designed to match the height of the most popular thin 65in TVs, while the rear portion of the cabinet allows for cable management to keep a clean look. The P2m features the same six-bar orientable planar magnetic driver paired with a single 5in driver. Both P2m and P4m can be used horizontally by rotating the PMD module 90°.

The S10 is a slim, in-room matching 10in passive subwoofer that can be used freestanding, up-firing or down-firing.

single RJ45 cable connects to Dante audio networking.

APDI is Dante Device Manager compatible. Input channels one and two have a rotary gain control and clip LED indicator on the rear designed to allow easy configuration of the input signal. On the front of the unit there is also a clipoverload and signal -40dB LED indicator displaying the current audio signal status.

Also on show is the APDO Dante audio to analogue audio converter, which enables audio to be sent to any analogue audio device over any Dante audio network via an RJ45 Dante connection to the device.

The digital signage and brand experience company is demonstrating a solution for showrooms where actions can trigger sound, video or product-specific merchandising.

Videro’s so"ware suite enables user apps that can post photos, videos and web content onto the walls and fixtures of a room. It can then encourage visitors to interact with that content by tapping a table, or placing an item on a shelf, or pulling open a drawer.

The company explains that first users pick a display, from wall-to-wall video tiles, LED shelf tags, touch tables, magic mirrors, projection-lit furnishings or AV show controls. Plug in the Videro MediaPlayer to any standard hardware and it is ready to playback all audio, video, web and interactive content on the chosen display. Users can design, arrange and schedule content in Videro Composer, track which content is on which display, and verify that the right campaign is running on the right screen.

Videro’s soſtware suite enables advanced display interaction

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News

AMD turbo boosts display AOPEN Stand: 8-C255 The demand for digital signage solutions has increased drastically with the rapid adoption of 4K panels and similar rich content and new technologies. That’s the background to a recent technical alliance with AMD to embed its Ryzen processors in Aopen’s digital signage solutions.

The DE6340 is the first Aopen digital signage player to introduce AMD Ryzen Embedded processors with four 4K outputs and HDR support for power-efficient solutions.

As the successor of the DE6140, this new player aims for four-panel video walls and UHD menu boards.

Stan Tsui, head of the channel and customer division at Aopen, said: “Thanks to a strong headway in visual applications we are able to offer a more customerfocused product range with new technologies, such as the powerful Ryzen processors and Radeon graphics with Eyefinity technology, for maximum flexibility for our customers.”

The DE6340 features AiCU, which is said to reduce legacy costs associated with management and maintenance. AiCU enables remote control (power, BIOS settings and Windows functions) and advanced system

Four 4K outputs power Aopen’s digital signage solutions

data recording. It stores maintenance, location and project data for troubleshooting and reporting, while the Super RTC simplifies scheduling power on/off cycles for enhanced power-saving.

Aopen’s Digital Engine digital signage players are designed to deliver three, four, or six screen solutions for QSR menu boards, videowalls, digital advertisement and traffic/information displays.

Boxing clever for IP and 4K BLACK BOX Stand: 10-P155 Among the standout products on the Black Box stand is the Radian Flex fully so#ware-based video wall processing platform. The company claims it delivers future-proof flexibility and scalability in digital signage, corporate, education and mission-critical visualisation applications.

The so#ware allows the display of high-quality content from multiple sources across multi-screen display walls ‘in any configuration’, claims Black Box. The platform’s video engine supports 4K 60fps video up to a resolution of more than one billion pixels, thus helping to future-proof it for 8K resolutions.

Black Box is also featuring its Emerald 4K and Emerald SE (Standard Edition) transmitter-receiver pairs for connecting workstations with remote computers and servers over

The Radian Flex software-based video wall processing platform

distances up to 10km over single-mode fibre, or even further over IP. The Emerald SE units give users a point of entry into KVM-over-IP and support a measured, cost-effective migration to enterprise KVM matrix switching through a licence upgrade.

The company is demoing how its iCOMPEL interactive digital signage platform with system-on-chip technology empowers users to build signage, stream content from websites and visualise timetables, events and useful wayfinding or emergency messages. The platform supports 4K Ultra HD/HD and is said to simplify the creation and playout of HTML5-based content.

Black Box is also showcasing its solutions for system and room control, HDMI-over-IP distribution and display, and meeting room booking and management.

Dynamic data visualisation VENTUZ TECHNOLOGY Stand: 8-K330 The abundance of data at our disposal is posing new challenges for graphic visualisation concepts in presentations, events and permanent installations.

Ventuz Technology, developer of 3D real-time motion graphics solutions, has chosen ISE 2019 to showcase its newest toolsets of smart and dynamic visualisation workflows for live data.

Erik Beaumont, CEO of Ventuz Technology, said: “Years of poor presentation techniques have le# audiences under the impression that data is boring.

Our goal is to breath life into data visualisations and bring back the excitement. With the latest releases of Ventuz X, we have introduced a completely new method for the dynamic visualisation of data in the form of a particle system.”

He continued: “Data-driven particles allow users to visualise complex data, such as characteristics of client groups, growth patterns and more, in the form of dynamic point clouds. By linking the live data source directly to the particle system, the audience can watch shi#s and changes as they occur and get a

Joining the dots Dynamic visualisation of data in the form of a particle system

HOYLU Stand: 15-S305 Collaborative specialist Hoylu is demonstrating how its products are able to bring together people and their ideas even when they are not in the same building.

Its branded Connected Workspaces solutions are designed to offer flexibility for nearly every industry including construction, higher education, engineering, consulting, consumer products and many more. The aim is to enable quicker decision making, reduced travel and a more productive connected work environment.

Connected workspaces enable people to share ideas wherever they are

much more accurate idea of what the meaning is behindthe numbers.”

Data can come from a multitude of sources. These include bidirectional communication with databases – MS-SQL, ODBC, OleDB, Oracle and MySQL – but also more amendable file formats like Excel, TXT files or XML. In addition, users can integrate other data sources by scripting their own API. Naturally, the internet – the largest source for data in the world – can be used to drive Ventuz content as well. Here, the integrated web browser allows direct access, while RSS and JSON feeds as well as social media integration can bring live information into any given project.

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News

FRIDAY 8 FEBRUARY

For the latest show news and updates follow #ISE2019

GEO M product family completed with M12 NEXO Stand: 3-C112

A cluster of three Nexo GEO M12 line arrays

The GEO M12 line array from Nexo gets its first European outing at ISE 2019 and completes the company’s GEO M range of sound reinforcement systems.

Denis Baudier, sales director at Nexo, said: “The ‘Big Twelve’ is a logical complement to our M Series range.

It is packed with design features that we premiered on the GEO M10 and also benefits from patented technological and structural innovations that derive from our flagship STM Series modular line array.”

The GEO M12 is almost twice as powerful as Nexo’s earlier 12in line array cabinet, the GEO S12, but it offers 3dB more in passive and 6dB more in active mode.

The M12 line array module, which contains a premium 12in neodymium LF driver paired with a 1.4in titanium diaphragm HF driver, is offered with two vertical dispersions, the 10° GEO M1210 and the 20° GEO M1220. Horizontal directivity is 80° by default for both modules, but by adding an optional Configurable Directivity Device (the Nexo-patented CDD) it can be changed in seconds to 120°, using a magnetic fixing system.

Although the GEO M12 is partnered by the dedicated MSUB18 sub-bass cabinet it shares the same phase response as other Nexo speakers, so it can be teamed with any Nexo sub without requiring complex adjustment.

As with any Nexo product, amplification is via Nexo’s NXAMP4x4 TDcontroller, running with up to three M12 cabinets per channel. The system can be controlled over a network using a Dante, Ethersound or AES/EBU digital expansion card.

Big sound, small size AUDIO INNOVATIONS Stand: 14-C187 Big in sound, small in size, the new AI-120 and AI-100 loudspeakers from Audio Innovations are presented on its stand this year.

Chris de Gier, co-owner of Audio Innovations, said: “Speakers can beautiful, yet at the same time are a difficult topic because the better they sound, the bigger they usually are. With our new loudspeakers, this dilemma comes to an end.”

According to de Gier, the Audio Innovations speakers have a sound that is “balanced and dynamic, almost completely independently of the listening position”. This makes them useful not only for office environments, such as boardrooms or meeting rooms, but also for home audio – anywhere from 2.1 to 7.1 solutions.

“Whether you are right in front of the loudspeaker or a few metres away, the noise level varies considerably less than with conventional speakers,” continued de Gier.

“This also affects the spatial sense, because the typical stereo triangle with the ‘sweet spot’ – the best listening location – is missing.”

The new AI-120 and AI-100 loudspeakers are fit for corporate or residential use

Installed Sound

from the smallest up to the largest venues

Apart Audio solutions used in Felix Pakhuis - Antwerp, Belgium

Community Professional Loudspeakers solutions used in the Tychy City Stadium - Tychy, Poland

Visit Apart Audio & Community Professional Loudspeakers at ISE in Hall 1 Stand H140 Apart Audio & Community Professional Loudspeakers are brands of Audioprof Group International NV

Audioprof G R O U P

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I N T E R N A T I O N A L

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Interference-free, flexible sound CONTACTA Stand: 3-C104 The latest infrared and radio frequency wireless assistive listening technologies are being demoed in Hall 3 by Contacta.

The systems utilise infrared and radio frequency to provide clear sound to those who require it, allowing the transmission of individual sound sources to multiple receivers.

Contacta says its infrared (IR) systems are designed for when confidentiality is key or multiple transmission signals are in proximity. They send interference-free sound wirelessly in line of sight to users’ provided receivers.

The company claims its radio frequency (RF) systems are useful for guided group

tours, simultaneous interpretation or other group communication situations.

They allow transmission through walls or ceilings and provide flexibility in both range and group size.

Both systems can be equipped with a variety of listening options, including earphones and inductive neck loops for hearing aids. There are also flexible microphone options to suit indoor or outdoor environments. The wireless systems allow buildings and environments to be more accessible for those with hearing loss, providing the inclusivity many need to engage and communicate freely.

Part of an IR listening system from Contacta

Subwoofer for smaller spaces MEYER SOUND Stand: 1-M90 Introduced in December 2018, the USW-210P Compact Narrow Subwoofer from Meyer Sound is a self-powered loudspeaker providing what the company describes as robust forceful low-frequency reproduction in a slender form factor.

It is said to be ideally suited to space-restricted installations or very small performance stages.

According to the company, the dual 10in driver configuration produces greater output than typical single 12in designs, making the USW210P a preferred alternative wherever convincing bass power must be combined with minimal cabinet width and depth.

Pablo Espinosa, vice

The USW-210P Compact Narrow Subwoofer features a dual 10in driver configuration

president and chief loudspeaker designer at Meyer Sound, said: “We created it for a customer who wanted superior, full-range music reproduction in retail outlets. Because their architect and interior designer had limited the dimensions allowed for loudspeakers, we made the USW-210P to fit the space. It exceeded all performance expectations and we decided to make it available in our product line.”

The USW-210P has an operating frequency range of 30Hz to 140Hz with a conservatively rated linear peak SPL of 126dB free field at 1m using pink noise.

The long, slender bass reflex cabinet employs the same port design as Meyer Sound’s flagship 1100LFC low frequency control element for high efficiency and low port distortion.

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FRIDAY 8 FEBRUARY

Keep cool on the edge ASUS Stand: 8-K390

For the latest show news and updates follow #ISE2019

Streaming local audio to mobile BARIX Stand: 8-G275

It’s a sync: AudioPoint 3.0 streams audio to smartphones and mobile devices over local WiFi

Designed for high performance and silent operation in harsh environments, the PE200U is claimed to be capable of achieving full CPU utilisation while being cooled by a fanless thermal solution in a sealed enclosure.

This Asus edge computer includes features intended to ensure optimal performance and the flexibility to adapt to the surrounding environment, to configure easily with a wide range of power inputs (12 to 24V), operating temperatures (-20° to 60°), diversified I/O interface and expansion such as POE and GPIO for multiple vertical markets.

Asus claims the PE200U is built for reliability and offers a TCO-optimised solution for artificial intelligence of things (AIoT) computing.

The PE200U offers silent and cool edge computer capabilities

A bell with an IP brain DOORBIRD Stand: 9-B147 Berlin-based Bird Home Automation Group is showing its latest D2101KV IP video door intercom at ISE. The new model is equipped with one call button and a multifunctional keypad which makes it ideal for single-family homes, hotels and commercial spaces that require a safe and efficient access control solution.

The D2101KV IP is the first DoorBird product that combines a doorbell with an integrated keypad. The backlit call button operates as a doorbell or an automatic door opener within individually set time windows.

The system provides visitor history, and push notifications to a smart device or IP phone are available. In addition, PIN codes, scheduling and permissions for the integrated keypad can be managed in the DoorBird app. The user can generate and assign PIN codes from anywhere in the world to grant access to the premises to visitors or service providers. The integrated keypad can also send HTTP requests to home automation systems to trigger events, such as arming a burglar alarm or controlling motorised window shutters.

DoorBird video door intercoms are suited to homes, hotels, and commercial spaces

The AudioPoint 3.0 audio-to-mobile platform can stream to as many as 250 simultaneous mobile listeners with the lowest possible latency, claims Barix. The solution combines new hardware with free iOS and Android apps, to stream audio to smartphones and mobile devices over local WiFi in sync with associated digital displays.

Reducing the solution’s latency to tighten lip sync even further, the latest version amplifies AudioPoint’s benefits for enhancing digital signage while enabling new live translation.

This makes it useful for presentation support use cases in corporate and educational settings. It can also serve

as a direct-to-listener personal audio delivery system for volume-sensitive environments such as hotel lobbies or noisy locations such as live performance venues and sports bars.

Live streams are enabled when consumers connect their mobile devices to a WiFi access point on the same network as the AudioPoint 3.0 encoder hardware unit and the Barix Audio Signage app – available in app stores or via a QR code displayed on site. Consumers can select between available audio channels in the app, letting them choose between languages or switch to the soundtrack of another nearby local display screen.

Orion Hybrid stars at ISE CLF LIGHTING Stand: 15-R290, 7-Z190

The CLF Orion Hybrid is billed as an ‘all-in-one workhorse’ by its maker, CLF Lighting

New from European lighting brand CLF Lighting is the CLF Orion Hybrid, which is described by the manufacturer as a multi-functional and powerful hybrid system.

The all-in-one workhorse incorporates a wide lens which facilitates large mid-air effects, while the 471W Osram light source provides a bright and punchy beam that can be zoomed from 2° to 42°. Colours can be mixed smoothly by using the CMY wheels, although a fixed colour wheel is also available.

Effects include a fixed and rotating gobo wheel, both equipped with auto-focus when zooming. In addition, two prism wheels and an animation wheel are also part of the feature package, and two linear frosts can be combined for maximum flexibility.

Hotspot control enables smooth projection, while a high CRI filter is available for television and theatre applications.

Touchscreen technology on the table EYEFACTIVE Stand: 8-K430 The new Taurus MultiTouch table combines a 3M MetalMesh, which can detect 80 touch points simultaneously, with eyefactive’s tracking technologies which make it also possible to detect objects.

You can touch this: Taurus offers a combination of interactive technologies

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It’s the latest generation premium touchscreen table from the German developer, which comes with a 65in variant with UHD resolution and a 55in version with either HD or UHD. Multi-touch tables are of course accessible from multiple sides, making them ideal for interactive consulting situations and sharing multiuser applications – standing or sitting. The tech is also effectively used as a presentation tool as well as for collaborative teamwork.

On large interactive systems such as those from eyefactive, several users can simultaneously play multiuser games with each other. The touchscreen content management so#ware AppSuite comes pre-installed on the Taurus touchscreen table. Users can download new apps and updates via eyefactive’s online store for customisable touchscreen so#ware.

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MeetTheTeam

EDITORSANDCONTRIBUTORS James McKeown has been a B2B editor and journalist in the media and technology sectors for more than 15 years, and is currently group content director of Future plc’s B2B division. He has overseen the ISE Daily’s production since 2017, and has also served as editorial director of the IBC Daily and BVE Daily, and as editor-in-chief of broadcast title, TVBEurope.

Michael Burns has been a writer, editor and creative content producer for the past 20 years, working in the design, film, broadcast, audio and VR/ interactive sectors. His work can regularly be found in publications and online, including Broadcast, British Cinematographer, Digital Arts, IBC365, SVG Europe, Televisual, The IBC Daily, and more. He works as a writer and producer for digital agencies and conferences, and keeps an enthusiastic eye on VFX, design, animation and immersive content at www.firedbydesign.com Jo Ruddock has been writing about the AV industry for almost a decade, including eight years as managing editor of Installation. She has been involved in the production of the ISE Daily since 2010 and has experience on a number of other Daily newspapers, including The AES Daily, BVE Daily and IBC Daily.

David Davies has been writing about professional AV and broadcast technology for 17 years. He is editor of Sports Video Group (SVG) Europe and continues to contribute to a host of trade publications, including PSNEurope, PSNLive, Installation and Audio Media International. He has also been a part of the team for The AES Daily, The IBC Daily and, since 2005, The ISE Daily, for which he served as executive editor (on-site) in 2013. In addition, he is active as a copywriter and sub-editor.

Steve Fairclough is a freelance editorial consultant who has covered the worlds of photography, filmmaking, imaging technology and audio in print and online for over 30 years. He is the former editor of What Camera?, Amateur Photographer and Hi-Fi News magazines and is the former editor-in-chief of the pro imaging website Canon Professional Network (CPN).

He has been writing about photography since 1987 and has interviewed many of the world’s top photographers, including Sir Don McCullin, Steve McCurry, Martin Parr, Albert Watson and Terry O’Neill.

Elliot Herman is a journalist, editor and PR agent, who has focused on lighting, sound and AV technology since 2005. A!er a short stint as a paramedic in London, he moved to Berlin in 2012, where, in addition to writing, he now also works as a relocation agent for www.sorted.berlin, helping people move to the city so they can enjoy it as much as he does. He has a cat called Albee, and a tattoo of a pet rat on his shoulder.

Despite being an English literature graduate, Ian McMurray joined the computer industry when 4K was enough memory to write a multi-user accounting suite. In 1996, however, he was asked to become European marketing manager for TI’s nascent DLP business, and was active in bringing the new technology to the attention of projector, display and TV manufacturers as well as potential end users throughout the region. He became a freelance writer in 2003, since which time he has contributed a monthly feature to Installation magazine as well as writing extensively for the ISE Daily.

Anne Morris is a freelance journalist and translator. She has been covering the telecoms market for over 20 years, and has worked for various publications including Total Telecom, Light Reading, FierceWireless and SDxCentral. In recent years she has extended her remit to the broadcast industry, covering events such as IBC and ISE. Adrian Pennington is a journalist, editor and commentator on film, TV and AV production He has produced and chaired conference sessions, co-written a book on stereoscopic 3D, edited several publications and is copywriter of marketing materials for the industry.

Ann-Marie Corvin is a Londonbased freelance journalist and editor with more than 20 years’ experience producing B2B content predominantly for technology and entertainment titles. She’s held senior positions at Broadcast magazine, Architects’ Journal and Televisual; cut her teeth reporting for Media Week and is now a regular contributor to Broadcast TECH, TVBEurope, FEED magazine and IBC365. She is a trade show regular, covering for dailies during the IBC show and the Cannes Film Festival.

Paul Bray has worked in and written about the technology sector for more than three decades. He read modern history at Oxford and worked as a so!ware engineer before retraining as a journalist. A!er two years as deputy editor of Which Computer? he went freelance in 1991.

He is a regular contributor to AV Magazine and has written for many publications including the Daily and Sunday Telegraph, The Sunday Times, The Guardian, Computing, Director, Nasdaq International and the Hutchinson Encyclopaedia.

Mark Craven is the editor of Home Cinema Choice magazine, the UK’s leading publication dedicated to home theatre audio and video, published 13 times a year since 1996. He also serves as the Home Theatre Video expert group manager for EISA – the European Sound and Imaging Association.

Personal interests include 4K Blu-ray, the Fast & Furious franchise and subwoofers that threaten structural damage to his house.

Margot Douaihy is a writer, storyteller and instructor who has reported on the professional AV industry for 18 years. She currently serves as the editor-at-large of AV Technology magazine which won the title of Best Media Brand in the 2018 Jesse H. Neal Awards.

Kevin Hogan is a managing director of content, education, at Future plc where he is editor of education technology title, Tech&Learning. Kevin has a wealth of experience as editor of various education, technology and business publications and has been an active trade journalist for more than 25 years.

Jez Ford is editor of Sound+Image magazine in Australia, and group editor of Australian Hi-Fi, both of which joined EISA in 2017 as part of its global expansion. Prior to heading Down Under for a life of seafood and sun, Jez’s three decades of tech journalism has included editorships of UK publications Electronics Today International, Audiophile, What Hi-Fi?, and Stuff.

Steve Montgomery has been involved in the professional AV and broadcast industry for over 20 years, and still works as a consultant and system integrator in large screen and digital signage installations and distributed video systems.

He has written for a wide variety of specialist pro-AV and broadcast magazines, covering a variety of topics from the perspective of users and integrators. He also assists manufacturers in creating readable marketing and technical support material.

Based in Antwerp, Belgium, Jamie Biesemans has been writing about technology and business for 20+ years, focusing on audio, consumer electronics, IT companies, so!ware, smart home applications and hardware. He is editor-in-chief of FWD Magazine, part of the Benelux-based FWD Network, which encompasses among others HiFi.nl and smarthomemagazine.be, and writes for newspapers and retail publications.

He is also the manager of the Expert Group for Hi-Fi products of EISA, the organisation behind the global EISA Awards.

Michael Garwood is a highly experienced B2B technology journalist and editor. With a career spanning more than 15 years, Michael has a background and a specialist knowledge in some of the world’s leading industries, including telecoms, virtual reality, artificial intelligence and AV.

The Official ISE Daily Team EDITORIAL DIRECTOR James McKeown james.mckeown@futurenet.com EXECUTIVE EDITORS Michael Burns Jo Ruddock HALL REPORTERS David Davies, Steve Fairclough, Elliot Herman, Ian McMurray, Anne Morris, Adrian Pennington SHOW REPORTERS Ann-Marie Corvin, Jo Ruddock WRITERS Paul Bray, Jo Ruddock GUEST COLUMNISTS Mark Craven, David Davies, Margot Douaihy, Kevin Hogan Jez Ford, Ian McMurray, Steve Montgomery PHOTOGRAPHERS Sander Ruijg +31 61472 4493 Dorian Broekhuyse +31 68178 8289 ON-SITE EDITORS Michael Garwood Duncan Proctor NEWSLETTER SUB-EDITOR Duncan Proctor GROUP SALES MANAGER Andrew Leggatt andrew.leggatt@futurenet.com DESIGN Jat Garcha PRODUCTION MANAGER Alistair Taylor GROUP CONTENT DIRECTOR, B2B James McKeown GROUP COMMERCIAL DIRECTOR, B2B Ryan O’Donnell MANAGING DESIGN DIRECTOR Nicole Cobban MD/SVP: Christine Shaw CHIEF REVENUE OFFICER: Luke Edson CHIEF CONTENT OFFICER: Joe Territo CHIEF MARKETING OFFICER: Wendy Lissau HEAD OF PRODUCTION: Mark Constance PRINTED BY Partnion, Marc van Riet +31 61362 4321 All contents © 2019 Future Publishing or published under licence. All rights reserved. No part of this publication may be used, stored, transmitted or reproduced in any way without prior written permission of the publisher.

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Issue 215 /October 2018

AV INTEGRATION IN A NETWORKED WORLD

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Beware the AVoIP hype

Without due thought, AV over IP solutions can falter

Right place, right time

Holovis is well placed for the experience-creation era

Common thread

Broadcast and AV - is convergence on the horizon?

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Switched on to the latest smart building control EELECTRON SPA Stand: 9-F120

The latest KNX capacitive switches, thermostats and actuators for smart building control are being shown by Eelectron at ISE. The 9025 range, which is suitable for residential, hotel and office buildings, comes in a glass finish and has between two and 10 channel buttons.

Each Capacitive KNX Switch button can be configured to manage power, dimming, shutters and venetian blind control, scene recall and control, and objects sequences.

The device includes a two-stage Room Temperature Controller with integrated PI to control heating and

The 9025 switch range from Eelectron is suitable for residential, hotel and office buildings

cooling equipment; it is also possible to connect an additional NTC temperature probe to perform a direct temperature measurement.

The Room Temperature Controller/Humidistat meanwhile is a KNX room temperature controller that includes seven configurable capacitive buttons. A version with integrated temperature and relative humidity sensor is available for controlling actuators for ambient humidity control. An RGB LED bar on the front allows users to see the thermostat operating mode or feedback.

News

Analyse that INNOVA BILISIM Stand: 15-R302 Turk Telekom subsidiary Innova is showcasing so$ware/hardware production, content management and servicing under the Kiosk brand with a focus on the newly launched digital signage application DS Analytics.

Engineered by Kiosk Innova’s specialists, the DS Suite solution and DS Analytics serve up customised content to viewers and enable enterprises to analyse customer profiles and make detailed assessments on aspects such as the most-watched content and viewing durations.

With Innova’s DS Analytics, it’s also possible to customise content according to viewer demographics and weather data as well as modify content automatically.

Ensuring that businesses obtain reliable data on customers and products, DS Analytics serves as a guide in their sales planning by eliminating the need for demand analyses and surveys in locations of interest.

Extreme big screen action FRONT PICTURES Stand: 12-H20 The latest version of Screenberry media serving technology is being demonstrated on the company’s ISE stand. The platform offers high-resolution media playback in real time, which the company claims is perfect for stage screens, multimedia installations, dome projection and 3D mapping.

The server supports media playback up to 8 х 8K 30fps/8 х 4K 60fps or 32 full HD layers at 30fps with canvas up to 32K x 32K. A high frame rate (120, 240fps) and custom frame rates are also supported.

The five-stage automatic calibration allows users to seamlessly blend and align projectors in minutes on such extreme setups like domes, spheres, panoramas or custom-shaped screens. The server’s node-based architecture permits a great number of layouts, configurations and control scenarios.

At the Front Pictures stand, visitors can test the Screenberry interface and check out automatic calibration and media playback capabilities on a 3m dome as well as on a multi-screen installation from partner LED manufacturer EKTA.

A Screenberry media server controls 16 projectors to illuminate the Melody Maker Hotel in Cancun, Mexico DS Suite and DS Analytics provide tools to analyse and customise content

Boxes for smarter retail JWIPC Stand: 8-S285

Intelligent and personalised retail management systems

Yuri Kostenko, CEO of Front Pictures, said: “Screenberry has absorbed more than 15 years of experience in developing and implementing innovative visual solutions for show business and advertising. The server was built with the utmost flexibility and reliability in mind to cope with any media and screen type.”

Creating a pathway for success with KNX INTESIS Stand: 9-F120 KNX gateways are being introduced on the Intesis stand in Hall 9.

For a number of years now, Intesis has been working to increase its presence in building automation events, with the main goal of promoting the IntesisBox, which covers a range of multi-protocol integration and air conditioning gateways.

Oriol Cervelló, product management manager at Intesis So$ware, said: “We decided to join the ISE exhibition this year due to our success here in the past. Apart from being able to show our new products, other companies present at ISE are interesting for the exploration of new synergies.”

With more than 17 years of experience, Intesis’s focus is on the home and building automation market in more than 100 countries.

“2019 promises to be an exciting year for Intesis,” continued Cervelló. “The new generation of gateways

Intesis introduces a new generation of KNX gateways

launched in the middle of 2017, combined with the new innovations planned for this year, seems likely to bring significant success to the company.”

Matching the retail industry’s need for more intelligent and diversified development trends, China’s JWIPC has released the new K- and M-series retail PC boxes at ISE 2019.

With dual LAN and multiple serial ports, the company says the K-series meets the need of the retail self-service equipment industry. It addresses small businesses and retail point-of-sale main points with flexible configuration options, and the need for a cost-effective solution.

The M-series retail PC box supports full HD and UHD resolution, along with Intel Movidius VPU AI module for face recognition and data analysis. Playing high-definition video to attract customers’ attention, alongside collecting and analysing customer data, this, explains JWIPC, creates more intelligent and personalised retail management systems.

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Product Spotlight at ISE Sponsored content

Fibre 24Gbps HDMI cables with detachable headshell METRA HOME THEATER GROUP Stand: 1-Q80 A removable headshell with a small connector cover and hook makes pulling these cables through conduit easy.

The hybrid active optical fibre technology supports up to 24Gbps bandwidth for 4K@60Hz and HDR, compatible with ARC, eARC and all of the current HDMI specifications.

Available from 9 to 79m.

For the latest show news and updates follow #ISE2019

4K video switcher debuts ROLAND Stand: 3-B145 The wraps are coming off the V-600UHD Multi-Format Video Switcher from Roland’s Pro A/V Division.

The unit delivers 4K image quality, with scaling and format conversion provided on each of the V-600UHD’s inputs. This allows simultaneous use of full HD and high-pixel-density 4K sources, while also offering simultaneous output of 4K and 1080p resolutions.

The V-600UHD employs HDR technology to preserve the details in the darkest and brightest areas of an image. The company says that for image magnification (IMAG), the HDR approach makes it easier to achieve eye-pleasing,

well-balanced stage lighting without oversaturated imaging. It supports BT.2020, as well as the RGB and BT.709 standards, in order to display the widest range of visible colours for a higher level of realism and improved colour accuracy, especially for red and yellow colour ranges.

With full 60Hz frame rate support, the V-600UHD also helps to deliver a smooth, crisp video image without the blur that appears with fast motion when only using a 30Hz refresh rates.

The V-600UHD offers 24bit 48kHz audio processing. Using the V-600UHD’s audio follows video functionality, audio can be de-embedded from the currently selected source and sent to an external sound mixer. The Roland V-600UHD switcher will be available during Q2 2019.

wwww.metrahometheater.com

ZyPer Management Platform 2.0 ZEEVEE Stand: 10-S130 The ZyPer Management Platform (ZMP) is designed around a single core concept – configure, not programme.

The ZMP provides a powerful feature set, including auto discovery of ZyPer endpoints, intuitive multiview and videowall configurations, as well as a powerful API leveraged by third-party controllers. Available in standard, enterprise, and VMware configurations. www.zeevee.com/products/av-over-ip/management/

DynaScan 100in UHD 4K premium indoor LCD – DI100ST2 DYNASCAN TECHNOLOGY Stand: 12-K50, 12-K30 The DI100ST2 is a 100in premium professional LCD for indoor applications featuring a 700 nit UHD 4K image. With a wide color gamut and True Color calibration, this display features exceptional color reproduction. An integrated Android based media player with WiFi offers users a complete media platform.

The V-600UHD offers scaling and format conversion on each input

New wall mount range launched UNICOL Stand: 1.N120 British manufacturer Unicol is launching its new wall mount range at ISE. spearheaded by the VertiSlide Serviceable Cassette Mount. Currently available in two versions (VTS1 & VTS2), the VertiSlide suppports screens between 40-100in with a weight of up to 90kg.

Designed and tested with integrators, clients and consultants, the VertiSlide is intended to allow users to tidily and comfortably store their devices behind the wall-mounted screen.

Utilising a controlled li"-and-lower 19in rack tray, users can easily swap-in and swap-out any old or broken devices. The equipment tray can

be separated from the main cassette so that devices can be assembled and attached prior to installation, meaning only one installer, support staff member or user is needed when replacing devices – thus reducing the screen’s downtime. Once replaced and closed, the tray can be locked with its built-in barrel lock, keeping all devices secure.

Specifically manufactured for the user’s choice of screen, the VertiSlide li"-and-lower cassette tray sits neatly behind any screen while allowing for easy withdrawal when required. The built-in cable management keeps cabling hidden and tidy regardless of whether the cassette is open or closed. Side infill panels are also available if required.

The VertiSlide is suitable for screens between 40-100in with a weight of up to 90kg

www.dynascandisplay.com info@dynascandisplay.com

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Projecting an all-in-one offering VIEWSONIC Stand: 1-N125 The latest range of LED-based all-in-one projectors is being presented on the ViewSonic stand. With three models delivering three different throw distances, all feature built-in Harman Kardon speakers. Designed to declutter the living space and maximise screen size, each projector is an all-inone home theatre system at what Viewsonic claims is an affordable price.

Capable of playing 4K UHD content, the projectors have a built-in media player and WiFi to stream content directly from popular platforms. The X series will, the company says, be compatible with Amazon Echo voice control as well as Bluetooth. To offer users what it claims is a smooth

and responsive touch and writing experience, ViewSonic is presenting a new generation of ViewBoard, its interactive flat panel display series with touch technologies designed to match the user’s natural writing style. ViewSonic incorporates InGlass touch into its IFP7560 ViewBoard along with security authentication and collaboration tools. The company is also previewing its IFP70 series that integrates projective capacitive touch (PCAP) technology.

Also featured on the ViewSonic stand is what it describes as a monitor-experiencing area where visitors can try the full range of business touch monitors, office monitors and VP series professional monitors.

News

Multiroom audio goes wireless NEWTEC DESIGN AUDIO Stand: 5-Y70

NewTec Smart Audio allows unlimited speakers, zones and audio sources

The ViewBoard flat panel display series features touch technologies

Celebratory A-D/D-A converter RME Stand: 7-K250

None more black: The anniversary edition of RME’s ADI-2 Pro FS is limited to just 500 pieces

The RME team has announced the availability of its anniversary reference A-D/D-A converter, ADI-2 Pro FS, in a special Black Edition that is strictly limited to 500 pieces.

The ADI-2 Pro FS is a USB 2.0 DAC, interface and a highend headphone amplifier. Its design, unique specifications, user features and ability to deliver crystal transparency make it suitable for mastering and measurement applications, as well a useful tool for audiophiles everywhere, according to RME. The converter possesses high-grade components and intelligent circuitry throughout its half-rack design. With RME’s fresh concept in plug and play the comprehensive feature set is designed to be easy to set up and use. Based on current connections the ADI-2 Pro FS will automatically

Screen fest PHILIPS PDS Stand: 10-K170

switch to A-D/D-A converter, USB interface or analogue preamp mode. A specific mode can be set if required.

The ADI-2 Pro FS offers sample rates of up to 768kHz for both A-D (two) and D-A (four) channels of conversion.

Designing seamless customer experiences ACRELEC GROUP Stand: 15-D265, 15-E370 The latest digital signage and CMS solutions are on show from Acrelec Group at ISE. As technology advances, quick-service restaurant operators and retailers have the opportunity to select from a range of systems which help to personalise the customer experience. Each of these products serve establishments and their visitors in various ways. However, challenges can arise when programs don’t integrate.

According to Acrelec, good retail/restaurant technology serves two objectives: to simplify the work of operators and offer more comfort, freedom and personalisation for customers. But if systems have been implemented in isolation, they will typically require increased maintenance and support and may create an inconsistent experience for customers.

New content channels include menuboards, selfordering kiosks, drive thru, mobile ordering and delivery

Designed for any environment in which networked audio is required, NewTec’s Smart Audio is being demonstrated at ISE. The system comprises active WiFi speakers and scalable control units. From one device, any number of multi-room speakers, zones and digital audio sources can be individually controlled and managed. Different music can be distributed to different areas, and the system enables individual settings such as treble, bass or volume per loudspeaker or the setting up of special audio zones. A separate app can centralise and control various requirements and functions directly from a smartphone or tablet. Thanks to a user-friendly interface, the app can be used easily from the first application. The system can be set up and operated without internet access.

Users can connect as many speakers as they like and unlimited audio zones can also be created. NewTec Smart Audio also allows a range of audio sources to be connected.

services, and each of these products increases the need for content management – which can be overwhelming if the systems don’t communicate well with each other.

The unification of programs through an open architecture system allows operators to enjoy the same freedom and comfort they hope to provide for customers. The industry has been feeling the challenges associated with isolated channels for some time. Open architecture systems provide better interconnectivity between POS so#ware and these other platforms. This helps stores to face these challenges and embrace new long-term growth opportunities.

The ultimate goal is automation, which builds upon the unification experience provided by open architecture systems to allow for increased personalisation and a more ambitious customer experience. The key is constructing a strong technological ecosystem, with services that work in tandem with each other.

A 75in model is a new addition to the high-performance D-Line series of digital displays from Philips Professional Display Solutions (PDS).

The 75in D-Line display is designed for use in a range of settings, including retail and public venues. It incorporates the (7.1.2 Nougat) version of the Android OS as Philips PDS continues its strategy of extending the Android OS throughout its display ranges.

An array of displays, solutions and bespoke system demos with so#ware partners also feature on the stand in Hall 10.

Philips PDS is showcasing its Signage and Pro TV solutions, aligned across a wide array of verticals, including corporate, hospitality and transportation.

Visitors will have the opportunity to experience end-toend solutions and an upgraded version of the company’s CMND content and management so#ware system.

A 75in D-Line display in use in a shop

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Making an Impact on the PA/VA market 4EVAC Stand: 7-T194

4EVAC division manager Albert Van Der Hout with the new Impact modular system

Voice alarm (VA) and public address (PA) expert 4EVAC is showcasing its new Impact system at ISE 2019.

Previewed at last year’s ISE, Impact has already made an impression as the latest addition to 4EVAC’s range of modular systems, which include the Compact 500 and LoopDrive.

Impact incorporates 4EVAC’s signatory modular control and monitoring products that deliver secure communications to wide areas. A key feature is their redundancy, which enables evacuation instructions and general announcements to be broadcast even if the carrier network becomes damaged or faulty.

The Impact concept takes existing 4EVAC products, including the DCA-2.500 amplifier and 4EVAC Manager programming application, and integrates them with a new Controller to create what the company says is a powerful compact system. Impact is able to distribute messages over multiple loudspeaker lines to more zones using fewer amplifiers.

The DCA-2.500 amplifier itself sits in a 2U, 19in rack.

Providing a transformer isolated for 100V and 50V outputs, the amp can also be bridged into a total output of 1000W. The DCA-2.500 is a D-Class unit and conforms to the EN54-16 and EN54-4 standards.

Spatial sound processor makes ISE debut AMADEUS Stand: 5-W88 Making its ISE debut is the Holophonix spatial sound processor from first-time exhibitor Amadeus. Designed for live sound spatialisation and immersive audio experiences, the Holophonix processor brings together several different techniques including wave field synthesis, high-order ambisonics, distance-based amplitude panning and more, enabling intuitive placement and movement of sources in a 2D and/or 3D space.

“Development of the Holophonix system is undoubtedly the most ambitious and the most exciting project we have initiated for a very long time,” said Michel Deluc, R&D manager, Amadeus.

The Holophonix processor is housed in a 3U height chassis, machined from aluminium and anodised. Its front panel is machined in three dimensions from an aluminium block, with its style drawn from the aesthetic and technical aspects of Amadeus’ audiophile hi-fi product development.

The hardware is described as fully redundant, comprising dual redundant power supply units and solid-state drives for complete reliability. Holophonix is Dante-compatible and can integrate with standard commercial DAW so"ware as well as Dante-enabled devices, providing an added control layer.

Bringing live streaming to life ROLAND Stand: 3-B145

The Roland VR-1HD streaming mixer for multi-camera broadcasting

The Roland VR-1HD – a mixer that’s designed to help bring live streaming videos to life – was unveiled in January 2019 and is being showcased at ISE 2019.

Users can connect, switch and stream cameras, presentations, game play, smartphones and tablets with VR-1HD’s HDMI inputs. Each of the three inputs of the VR1HD accepts HD and computer video resolutions.

Embedded audio can be mixed with line inputs and two XLR microphone inputs. The mixer allows users to go hands-free and headset-free while live streaming with a top mounted mic input, so creators can use a gooseneck microphone and operate the VR-1HD with dedicated controls.

VR-1HD’s video editing so"ware provides Scene Switching functionality, allowing users to instantly switch between ‘scenes’ with smooth transitions for a professional finish.

The mixer lets creators preset up to five scenes that they can later use while live streaming videos and performances.

The VR-1HD has three auto switching technologies, including Video Follows Audio, which provides users with the capability to switch cameras based on who is speaking into the microphone. If both participants speak, or remain silent at once, the VR-1HD can switch to a wide shot capturing both performers. The two other auto switching options are Beat Sync Switching, which listens to the tempo of a performance and automatically selects which camera inputs to switch between, and Auto Scan, which gives users the ability to pre-set a specific time for switching between sources.

Building smarter systems LEGRAND INTEGRATED SOLUTIONS Stand: 2-C50 Helping ISE visitors to meet their most challenging control and automation project demands is Legrand Integrated Solutions. The company’s range on show includes the Nuvo Player, which allows complete control of audio systems and functions, as well as the Vantage EQ73TBTI-II/Equinox 7in LCD touchscreen, which is always on and always available.

“The growth of the market for connected integrated devices is opening up a new era for the building sector,” the company told the ISE Daily. “That’s why we want to combine the experience we’ve built over the many years in the integration world with the wide range of Legrand products and offer tailored support for automation projects.”

The company’s solutions are focused across commercial, residential, hotel and marine sectors. The

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Legrand’s solutions aim to make a home smarter

Legrand Integration Solutions team are on hand in Hall 2 to advise on the best integration products for every type of project, using not only Vantage-Nuvo products but also other group brands such as QMotion, BTicino and Projecta.

The Holophonix is designed for live sound spatialisation and immersive audio

Wireless presentation solution launched BENQ Stand: 1-N10 ISE sees the launch of BenQ’s latest wireless presentation solution, the InstaShow WDC20.

Now with support for mobile devices, greater interactivity and a four-screen split option, the plugand-play InstaShow WDC20 is the follow-up to the company’s InstaShow WDC10, and allows multiple users to run presentations wirelessly from a single device.

The InstaShow WDC20 is said to be compatible with all mobile devices and operating systems, and any display with an HDMI port including BenQ’s projectors, interactive flat panels and monitors. It features AES128-bit security encryption.

Also on display are a range of products that BenQ says highlights its commitment to deliver the best possible service to customers. Examples include its IFP cloud-based solutions, as well as the Google Jamboard, a cloud-based digital whiteboard that enables users to create, present and save ideas on its display. BenQ is the exclusive channel partner of Jamboard.

The InstaShow WDC20 allows multiple users to run presentations wirelessly from a single device

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Shots from the show

FRIDAY 8 FEBRUARY

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A favourite of the ISE Daily team is The Massive Curve of Nature, comprised of curved LG OLED screens, which has been wowing show attendees in Hall 12 this week. Stand: 12-K90

Build a complete studio camera chain with a Blackmagic URSA Broadcast live production camera, a fibre converter and control panel. You can probably spot why this found favour with the ISE Daily team... Stand: 3-C140

A truly collaborative effort on the LANG AG stand where the company’s TOR and fluxTouch Gen 3 PCAP solutions are being used to interactively mix the colour for AV Stumpfl’s Pixera project mapping sofware, projected by a Christie D4K40-RGB. Stand: 1-H50

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Christie Mystique so"ware automatically aligns, blends and maintains multi-projector displays, and caught the eye of the ISE Daily team with this impressive wolf’s head installation. Stand: 1-H70

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