Trichis - Voorjaar 2023 by New Book Collective

VOORJAARSCATALOGUS 2023

De afbeelding op deze pagina staat in de Grote Nederlandse Kunstkalender 2023 op 7 september. Fotografie: Gaby Fling (gabyfling.nl)

De Grote Nederlandse Kunstkalender 2024

NL24

De GNKK’s zijn al jaren een groot succes. Daarom verschijnt voor 2024 opnieuw een landelijke variant. Een geheel nieuwe redactie bestaande uit specialisten in beeldende kunst, design, mode, illustratie, poëzie, fotografie, architectuur en grafisch ontwerp, selecteerde voor 2024 elke dag een nieuw, bijzonder werk. Deze werken worden gebundeld in een lijvige, bijna 3 kilo wegende full colour scheurkalender. Elke dag een vers stuk kunst aan de muur, op tafel of op het boekenezeltje.

Podium voor kunstenaars De kalender biedt een podium aan gerenommeerd én aanstormend talent. Voor kunstenaars is het dé manier om hun werk aan een breed publiek te presenteren. Breed palet aan kunst De kalender toont op een originele manier het veelzijdige aanbod van kunst in Nederland. De kunstenaars worden geselecteerd door een elk jaar wisselend team van kunstkenners uit verschillende disciplines. Dit waarborgt de kwaliteit en diversiteit van de kunstwerken in de kalender.

DE GROTE NEDERLANDSE KUNSTKALENDER 2023 SILVIA B. YANNICK S ESCAPE SILVIA-B.COM The latest series Entanglement stems from the balancing act of contemporary life. A series reflecting on both the drama and the joy of human life on earth in the Anthropocene. In these sculptures the boundaries between nature and culture become fluid as the bare skin of debarked trees blends seamlessly into that of human adolescents. They are intertwined in their vulnerability and yet their will to blossom in most uncertain future. 01 DONDERDAG 2022. Polyester, iron powder, colour resin and wax. 35x15x30 cm. e @simon_schrikker OSCAR PETERS THE SAVAGE OSCARPETERS.COM Oscar Peters is kinetic sculptor and builds large scale installations, like wooden rollercoasters and other dangerous contraptions. His fascination is with this simulation of violence, flirting with danger, without ever actually getting hurt. Th idea of putting yourself at risk is often more interesting than actually being in danger. 09 ZONDAG OKTOBER GROTE NEDERLANDSE KUNSTKALENDER 2023 2022. e @chrisversteeg CHRIS VERSTEEG As kid loved to draw stuff, go out skateboarding and being up no good. In the early nineties got in touch with graffit and that my true love for years. had great time painting, climbing fences, running, ending in late night bars, sleeping outside nd traveling most of Europe, making friends for life. After graduating from the GLR continued studies at the WdK in Rotterdam, but dropped out aft 1,5 years to start working. Best choice ever! Nowadays spent most of my time in the office, working on illustrations, magazines, books, paintings and researching recipes, but from time to time sneak out to paint. My work, both digital and manual, is clean style, mixed with natural and industrial touches without losing some of those important graffiti and big city life elements. kunstkalender.indd 15-08-2022 08 ZONDAG TPB_GNKK 2023 23-09-2022 DE GROTE NEDERLANDSE KUNSTKALENDER 2023 KOEN VERMEULE TANZ KOENVERMEULE.NL JULI 01 ZATERDAG 2019. Oil/canvas. 150x200 cm. Collection AKZO Nobel Art Foundation. e @vermeulekoen Pioniers succesvol 10 |2022. ART COLLART HOLD THAT THOUGHT AND OTHER ART BOOKS ARTCOLLART.NL Capturedreflectionsofendlesslyevolving(art)stories. ZONDAG 23-09-2022 13:55 APRIL DE GROTE NEDERLANDSE KUNSTKALENDER 2022.Print.257x257mm. community. Love for connect the online with the offline world. am ZEE, result-or TC-22113 TPB_GNKK 04_april.indd 2 NOVEMBER GROTE NEDERLANDSE KUNSTKALENDER 2022.Carvedwood.56x37,5x13cm.Photograph:GalerieRonMandos. INTI HERNANDEZ IN PURSUIT OF MY FULL EXPRESSION INTIHERNANDEZ.COMThis work of art is ‘romantic visual poem’. It tells of the artist’s dream to be able to write letters that hold the wisdom o give our life a better course. The title: In pursuit of my full expression, speaks of a search for something not yet found. The piece has also social media expression. In this way be an object for someone to collect and work of art for many to enjoy. 03 VRIJDAG TC-22113 TPB_GNKK 2023 11_november.indd FEBRUARI MINA ABOUZAHRA ABOUZAHRA & RIETVELD MINAABOUZAHRA.COM Mina Abouzahra is designer and furniture maker specialized in Moroccan crafts. Growing up in two worlds Iconic Dutch Design and traditional Moroccan craftsmanship blend seamlessly in the Abouzahra x Rietveld chair. In this chair the designer combined the minimalistic Rietveld frame of 1959 chair with richly decorated handwoven Moroccan carpet. Resulting in celebration of diversity and inclusiveness in both art and life. Chair covered with a vintage Moroccan woven fabric. 70x50x78 cm, sitting height: 43 cm. e @minaabouzahra G /Mina.Abouzahra 01 WOENSDAG Het Stimuleringsfonds ondersteunt ontwerpers en makers werkzaam binnen vormgeving, stimuleringsfonds.nl DE DAG VAN Oilpaintonpanel.90x67,5cm. e @NiekHendrix HENDRIX NIEKHENDRIX.COM 23-09-2022 10 JULI |2022.ConventodeSantoDomingodeBonaval,SantiagodeCompostela.Inkjetprintondibondwithplexi.Edition10(+2a.p.).Sizes100x67cm and180x120cm.e@silviozangariniG/SilvioZangariniArtworks SILVIO ZANGARINI · DOMINGO DE ANDRADE’S TRIPLE STAIRCASE · SILVIOZANGARINI.COM Myworksetsupafluidtiebetweenthespectatorandtherecollectionofaspace,ofaperson.Mypracticeisaplayfuland lightspelltogodeepandgetlost.Throughmypictures,Ishowmyunderstandingofreality:anever-changingmultifaceted relationship.StunningStaircasesblurthelinebetweendifferentrealities.Whilethesedistortedimagesofstaircasesleaveyou dizzyandconfused,theyalsoinspireanewviewoftheworld,andofcourse,anewinterpretation. MAANDAG TC-22113TPB_GNKK202307_juli.indd 10 23-09-2022 13:49 2018. Sizes from 40x60 to 70x105 cm. e @van_bennekom TC-22113 TPB_GNKK 04_april.indd 232022. 40x17x13 cm. e @jonatdeelstra. G 23-09-2022 11 SEPTEMBER DE GROTE NEDERLANDSE KUNSTKALENDER MAANDAG ANNEBET PHILIPS T-CHAIR ANNEBETPHILIPS.COM Annebet’s work is known for its bold shapes, unexpected elements, and strong graphic tone. She loves to approach something familiar in an unexpected and playful way. Add to that her love for contrasting black and white and there you’ll have it: designs with an optimistic approach, tad of humor and an almost cartoon-like signature. Designs that put the extra the ordinary. Made to leave smile on your face. 09_september.indd 23-09-2022 2022.Framedultrachromeprintandplasticfoilwithmuseumglass.118x150cm. TC-22113TPB_GNKK202308_augustus.indd 1 23-09-2022 13:44 12 MEI 2015 – 2017. Cardboard. 150x135x135 cm. Photograph: damian griffiths. e DE GROTE NEDERLANDSE KUNSTKALENDER JEROEN CREMERS END OF A SYSTEM JEROENCREMERS.COM converge in his artworks to form new worldview in which modernist stylistic influences effortlessly merge with the history of ancient Egypt or other civilisations of antiquity. His artwork used to show enlarged body parts and utensils in cardboard, a kind of ‘Wonderland’, as VRIJDAG TC-22113 TPB_GNKK 2023 05_mei.indd 12 23-09-2022 13:28 MAART DE GROTE NEDERLANDSE KUNSTKALENDER 2023 CHRIS RIJK CERAMIC OBJECTS CHRISRIJK.NL planet in terms of intelligence. Chris Rijk extends helping hand to the far future by describing the present-day on ceramic vessels and plates for that material will prove to be an ideal time capsule in, say, 3023. It will paint picture that is very private, very incomplete and false all together, but who cares about the truth? 05 ZONDAG 2020.Variablesizes. e @hanswithoos G /hans.withoos TC-22113TPB_GNKK2023 FEBRUARI GROTE NEDERLANDSE KUNSTKALENDER 2023 2022. Ink on Chinese paper. 87x64 cm. e @hermadewit HERMA DE WIT-OROBIO DE CASTRO MONOTYPE HERMADEWIT.NL Herma Wit-Orobio de Castro’s works, her bronze sculptures and objects, drawings, etchings, and monotypes, to her deep personal connection with nature. Her intense studies of mainly isolated fragments of flora reveal the emotional marvel and interpretation involved in the poetic hint of abstraction the artist reaches for. A visual poetry mysterious balance between power and fragility, between eternal and the ephemeral. 06 MAANDAG 02_februari.indd 10 DECEMBER DE GROTE NEDERLANDSE KUNSTKALENDER 2023 2019. Dutch Pavilion, Venice ‘Measurements of Presence’ curated by Benno Tempel. Cotton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica SR, Hudson Amstel NL). 975 x 340 260 cm. Photograph: Aatjan Renders. Collection: Kunstmuseum Den Haag. e @remy.jungerman G /remyjungerman REMY JUNGERMAN VISITING DEITIES REMYJUNGERMAN.COM his work, Jungerman explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African Diaspor and 20th century Modernism. In bringing seemingly disparate visual languages into conversation, Jungerman’s work challenges the established art historical As art and culture critic Greg Tate has remarked: Jungerman’s work leaps boldly and adroitly into the epistemological gap between culturally confident Maroon self-knowledge and the Dutch learning curve around all things Jungerman, Afropean and Eurocentric. His installation rans-ethnically enharmonic and post-colonially universal in the same breath. ZONDAG TC-22113 TPB_GNKK 12_december.indd 10 23-09-2022 11 ZATERDAG TC-22113 TPB_GNKK MILAN HOFMANS A STARRING ROLE FOR MISS WIM AFTER ALL? TABSCH.NL The exhibition ‘Tabsch! 1958 1996, shameless revelations of popular magazine’ (2018), includes 38 works – mainly photograph (transparencies in light boxes), but also magazine covers and articles, 3D objects, paintings, costume and four dioramas. 01 ZONDAG 09 DINSDAG DAGKALENDER

DE GROTE NEDERLANDSE KUNSTKALENDER 2024 verschijnt oktober 2024 / ISBN 9789492881724 / NUR 14 & 640 / gelijmd, gebrocheerd / 372 pagina’s / 29,7 x 34 cm / € 49,95

/ KUNST

9 789492 881724 DE

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ELKE DAG EEN VERS STUK KUNST AAN DE MUUR, OP TAFEL OF OP HET BOEKENEZELTJE.

VOORJAARSCATALOGUS 2023 DE GROTE NEDERLANDSE KUNSTKALENDER 2022. Gypsum. 80x70x70 cm. Photograph: Ester Grass Vergara. e AOAO STUDIO (ALICJA STRZYZYNSKA, ONUR ISERI) AOAO.NL Ikigai is a sculptural pendant lamp made out of gypsum. Artists employed their own distinctive layering method to create patter marble. This sculpture was created using the Japanese concept of Ikigai, which means the ‘cause for being’. The lamp represents and discover your own meaning. TC-22113 TPB_GNKK 2023 06_juni.indd 15 DEGROTENEDERLANDSEKUNSTKALENDER ·2023 /MickLaRock MICK LA ROCK (AILEEN MIDDEL) · HANGING INSTALLATION WITH TURQUOISE ACCENTS) · MICKLAROCK.COM MickLaRock(AileenMiddel,Groningen,1970)isoneofEurope’sfirstandmostwellknownfemalegraffitiartists.Shestarted in1983.InhercontemporaryartLaRockalienateseveryelementofheroldgraffitinameintominimalistabstraction,awayfro composition.Herpost-graffitiisaresultofthequestion:Whatdoesaletterdowhenitdoesn’thavetobereadanymore? 19 SEPTEMBER DE GROTE NEDERLANDSE KUNSTKALENDER 2021. Mixed media on canvas. 250x200 cm. Photograph: Studio Tromp. e G toe, terug te zien in zowel de als op onze gangen. Eenmaal binnen blijf je geprikkeld door prachtige Meesterwerken! 15 FEBRUARI DE GROTE NEDERLANDSE KUNSTKALENDER 2022. Fine Art Print. 94x134 cm. LARISSA AMBACHTSHEER BLUE FRUITY LANDSCAPE · LARISSAAMBACHTSHEER.COM Larissa Ambachtsheer is a visual artist with green heart. She is interested in topics related to human behaviour; consciousness and sustainability. awareness, about important changes in the world, started as a young WWF ranger. Food plays a big part in her work. ‘My parents always told me to not play with my food. What if do?’ This statement is characteristic for her photographic series ‘You Choose, Seduce’. WOENSDAG VIDEO u 0:55 MIN Project 2.0 Gallery, a gallery of modern art in The Hague with a strong focus on photography. Visit us at Noordeinde 57, The Hague. www.project20.nl/ @project2.0gallery DE DAG VAN TC-22113 TPB_GNKK 02_februari.indd 15 13 2018.FromtheseriesAStrangeInvasion.Analoguephotography. e@annebeentjes ANNE BEENTJES In El Huizache, a dusty town in the state of San Luis Potosí (Mexico), 400 people live at a distance of only 3 kilometres from dump. In the nineties 55.000 tons of industrial chemicals were illegally buried in this land. To reveal what we can’t see, us on my film to portray this contaminated area and its inhabitants. DONDERDAG TC-22113TPB_GNKK 04_april.indd 13 2021. Drawing, ink. 21x29 cm. e @liesbethmende TC-22113 TPB_GNKK 2023 09_september.indd 21 23-09-2022 omes FEBRUARI DE GROTE NEDERLANDSE KUNSTKALENDER 2021.Woventapestry(linen,cotton).170x477cm. e @suzettebousema SUZETTE BOUSEMA SUPER ORGANISM SUZETTEBOUSEMA.NL In collaboration with scientists Suzette Bousema visualizes contemporary environmental topics. Planetary conditions and our place in them the starting point in her work; the way humans interfere with nature and how we relate to the earth on an individual level. ‘Super Organism’ is a multimedia project about the below-ground fungal network through which almost all plants are connected. Commonly described as the ‘internet’ of the forest, this project explores how we can connect to this hidden network, using all our senses. 02 DONDERDAG VIDEO u TC-22113TPB_GNKK 02_februari.indd 23-09-2022 12 VRIJDAG 2020.Rotterdam.Inkonwall.Wallpaintingover8wallsandceiling.Photograph:LuukSmits. GUIDO DE BOER FORWARD, ONWARD, UPWARD GUIDODEBOER.INFO ThisworkislocatedonthetopflooroftheWereldmuseuminRotterdam.Itconnectsthepermanent(old)collectionwiththeroo contemporaryobjectsandculturesaredisplayed.Itplacesthestoryoftheoldcollectioninacontemporaryperspective.Every isasteptothenext.Thisisnotwithoutstruggle.Eventuallyyoulookbackandseetheperspective.Toreadthetext,youne ofdiscoveryandsolvethepuzzle. 23-09-2022 13:01 THOM PUCKEY OPTICS THOMPUCKEY.COM This marble sculpture shows a naked woman kneeling and leaning forward on a cloth-draped chair. Using a flashlight she lights up geometric shape a cone – whose image travels through a lens she’s holding in her other hand. Through this camera obscura, the image of the cone is projected onto the cloth on the inside of the chair. The sculpture combines the perfection of technique and material with light, space and geometry, and with a provocative glimpse into a private world. Pioniers in professioneel en succesvol ondernemen! 23-09-2022 course. way it can 27 DECEMBER GROTE NEDERLANDSE KUNSTKALENDER 2023 Marie Cecile Thijs is Rotterdam based photographer. Portraits of people, animals, flowers and food, all bearing her unmistaka signature. Stillness is key. The models in the White Collar series are portrayed ‘wearing’ an actual 17th-century antique ruff from collection of the Rijksmuseum Amsterdam. Since this collar very delicate, was photographed by Marie Cecile Thijs – under special conditions at Rijksmuseum, and was later digitally added to her models. Works in the White Collar series are included in collections of the Rijksmuseum Amsterdam, the Museum of Photographic Arts San Diego (MOPA) and the National Museum History and in Luxembourg (Mnha). 10 JANUARI /hans.withoos HANS WITHOOS MAKING MILKY WAVES HANSWITHOOS.COM MakingMilkyWaves from the series Food from the Earth AnexquisitefusionofthephotographicpaintingsofHans Withoos and the centuryartofhisancestorsMathiasWithoosandhischildren.Amixed-racegirlissittinginfront Theofamixed-countrylandscape,consistingofpartsofAmersfoortandHoornwithFrenchmountainsinthebackground. whichlinendress,designedinco-operationwithAlMamounBenmira,showsacloudyseascapelikethelandscapein sheissitting. DINSDAG #07 W-B are silent witness emotional speak 11 2022. Digital mixed media on archival cotton rag. 60x90 cm. Copy: 2/11. e @lusyn.art LUSYN OASIS (FROM THE SERIES WHEN YOU LEAST EXPECT IT) INSTAGRAM.COM/LUSYN.ART Every day we are surrounded by unique nature phenomena and tight line play. Lusyn digitalses these observations and edits them until they become final product. Lusyn creates unique abstract art pieces that tell different stories, which are complementary within each series Seeking for calm in chaos. You have been struggling. You have been to dark places, you never give up. You will keep on going, no matter how hard it is One day you are crawling of misery but when you look up, you see hope. You see purpose. Everything looks different now and it’s beautiful. DE GROTE NEDERLANDSE KUNSTKALENDER 2023 ZATERDAG TPB_GNKK 03_maart.indd 11 13 JULI DE GROTE NEDERLANDSE KUNSTKALENDER 2019. e @Ted_Noten ATELIER TED NOTEN REPLICA’S TEDNOTEN.COM Since the early stage of 3D-printing Ted Noten loves to challenge this technology. Paper Replica’s is one of them, for which he chose the earlier stage of 3-printing the so-called 2,5 printing. Sheets of paper glued on top of each other mechanically shaped. Mainly is a way for him to archive his works since 2006, but also to discuss if reproduction could compete with the original ones. About a 100 works of his oeuvre are paperized. Due to the fact that everything had to digitalized, an animation movie was made. DONDERDAG DECEMBER DE GROTE NEDERLANDSE KUNSTKALENDER 2016. Odesa, Ukraine. 594x841 mm. /photography.alex.blanco ALEX BLANCO MOTHER WITH TOMATOES ALEXBLANCO.NL Alex Blanco (1988, Ukraine) currently resides in The Netherlands. She has masters degree in Film Photographic studies from Leiden University. This portrait belongs to the series Meat, Fish & Aubergine Caviar (2016-2019) which shows her parents’ life in Odesa, Ukraine before the invasion. The project reflects on the country and the city culture but also shows how photography can become tool for transformation and contribute to genuine human connection 01 VRIJDAG TC-22113 TPB_GNKK 12_december.indd OKTOBER GROTE NEDERLANDSE KUNSTKALENDER 2023 MARLOU FERNANDA FOR WHAT IS RIGHT MARLOUFERNANDA.COM The work of self-taught artist Marlou Fernanda centres around a fearless navigation of colour. Her art frequently features ch herself. Fernanda is also the subject of her own performative, documentary-like short films, which address everything from fait loneliness to the creative process. Fernanda also works as performance artist, set designer and creative director. She has created performances for the Foam Amsterdam and Museum Boijmans van Beuningen, had solo exhibition in Kunsthal Rotterdam and worked a creative director for 04 WOENSDAG 2022.Dallas.e@iwanbaan. architecture architecturalphotographer vernaculararchitectureandplace-making 09 DINSDAG TC-22113TPB_GNKK202305_mei.indd 9 23-09-2022 13:28 APRIL NEDERLANDSE KUNSTKALENDER 08 2022. Pencil on paper. 28x21 cm. e INSTAGRAM.COM/MAARTENTEKENT Maarten Bakker draws anything his inspiration radar catches: squares, markets, railway stations, ships, people, villages, cities, animals, industrial landscapes, old cars in barns, views out windows of boring meeting rooms and occasionally a dead bird. Always by observation and directly the spot. TPB_GNKK 2023 04_april.indd 13:26 ROB BOUWMAN UNTITLED RobBouwman’sartdrawsonthetraditionofthoseartistsfromthe effectofimagesoveritscontentanditsform.Withtheirradicallyopticallyoriented awayfromanysocialreferences.Representativesofcolourfieldpaintingconcentratedon tunnel-likestructures,likethree-dimensionalfurrowsortubes,isinrealitysmoothlikeamirror. DINSDAG 06 TC-22113TPB_GNKK202306_juni.indd 23-09-2022 13:35 14 JANUARI GROTE NEDERLANDSE KUNSTKALENDER 2020.UltraChomeprint.125x175cm. e @sjoerdknibbeler SJOERD KNIBBELER IN ELEMENTS (WNW-ESE) SJOERDKNIBBELER.COMIn Elements is inspired by ideas on solar geo-engineering: proposals to artificially cool the Planet by reflecting Sunlight back into space. Thi could be done by applying layer of aerosols in the upper atmosphere. Given that solar geo-engineering does not exist (yet), decided to try it myself. To inevitably fail at the attempt, yet to inquire, visualize and question the complexities concerning the idea. ZATERDAG TC-22113 TPB_GNKK 2023 01_januari.indd 14 10 2020.Inkandliquidwatercolour.257x257mm.ForRealmag.nr7,Anatomievandeweemoed(anatomyofmelancholy).e@helen_van_vlietG/HelenvanVliet HELEN VAN VLIET IN MIST HELENVANVLIET.NL Asanillustratorformagazines,newspapersandchildren’sbookssometimesthereisastorythatmovesyouextra. ThomasVerbogtwrotethestory‘Inmist’,forthemagazine REALmag.ontheanatomyofmelancholy.Itwassobeautiful that couldn’tstopdrawing, madeseveraldrawingstogowithit.Thisistheonethatwasprintedinthemagazine.couldmakeexactlywhatIfeltinmyheart, wanttodothatmuchmoreoften. VRIJDAG TC-22113TPB_GNKK202311_november.indd

DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE

This book describes how Customs have searched and found ultimately a proper balance between seemingly contradicting tasks: on the one hand stopping international trade at the border to collect taxes and protect society’s safety and security, on the other hand minimizing logistic delays and facilitating legitimate trade as much as possible. Theories on law enforcement, enriched with best practices from the Netherlands Customs Administration over the past decades, ideas on public - private partnership, on the necessity of continuous training and education of customs professionals, on the need of cooperation with other government agencies and scientiﬁc institutes when smartening enforcement while minimizing logistic delays – they all show how Customs nowadays are more and more able to look ‘inside anywhere’ and collect ‘insights everywhere’.

The book provides for a unique glance into the world of Customs, being of an utmost value for customs and trade compliance professionals both in the public and the private sector all over the world. And for those who prefer to look forward, this book describes how a possible future of the world of Customs and its procedures can look like on the longer term, with the application of technology innovations as well as an upgrade of the current legal system of Customs’ supervision to ‘Customs’ Supervision 2.0’.

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DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE

42 43 CUSTOMS SUPERVISION SUPERVISION LEVELS PROVISION INTERVENTION CORRECTION REPERCUSSION ENFORCEMENT TOOLS Figure 5 Customs Supervision Pyramid Conceptual framework PART –THE BEDROCK Supervision is the range of activities carried out by Customs to ensure that the rules laid down in legislation are observed and the objectives pursued. Supervision is carried out on four supervisory levels Service Provision Intervention Correction Repercussion. Within these supervision levels, specific enforcement instruments used for each level. This can be represented schematically as follows: Figure 5 shows, first of all, that all the activities carried out by Customs to ensure the correct application of the laws and regulations and compliance with the obligations and formalities laid down in them can be classified as Supervision Supervision, then, entails more than 'checking whether the rules are being complied with, followed by corrective or punitive action if not'. Supervision is the sum of all activities in the areas of Service Provision, Intervention, Correction and Repercussion and of all enforcement instruments used in these areas. The figure also shows in line with the theory of responsive supervision developed by Ayers and Braithwaithe that the group of members of the public and businesses confronted with the various supervision levels becomes smaller as a higher, 'heavier' supervision level is reached. Each member of the public and business can claim 'Service Provision'; 'Intervention' is only exercised on the group of members of the public and businesses that generate an actual crossborder movement of goods, 'Correction' is only applied if it emerges that the rules are not being complied with, and 'Repercussion' is limited to the group of members of the public and businesses that have (seriously) broken the rules. A further explanation of the supervision pyramid, to clarify the terms used in it: 1] Through Service Provision Customs aims to support members of the public and businesses as much as possible in complying with their obligations and meeting the formalities. Service provision is thus an important instrument for promoting the compliance of members of the public and businesses, i.e. the extent to which they voluntarily and of their own accord fulfil their obligations. Adequate Service Provision by Customs supports compliance by members of the public and businesses. Activities that can be undertaken within the framework of Service Provision include informing members of the public and businesses about the relevant laws and regulations and consulting with groups of citizens and businesses about their application. But this may also include adequate physical, telephone and digital accessibility, the availability of a digital counter for submitting declarations electronically, the (partially) pre-completed Customs declaration and the representation of the interests of members of the public and businesses in the development of legislation and regulations. All these activities can be regarded as enforcement instruments they raise awareness of the regulations among members of the public and businesses and make it easier to apply them. They increase the willingness to comply and thus the extent to which the goals envisaged by the legislation in question are achieved. Service Provision is more than a service-oriented attitude of the enforcement organisation. Service Provision consists of all concrete activities that enable members of the public and businesses to fulfil their obligations easily. This often cuts both ways: adequate service provision makes it easier for members of the public and businesses to comply with their obligations and formalities and makes it easier for Customs to detect shortcomings. It can inform the members of the public and businesses concerned; they, in turn, can solve the problem themselves. As an example, it is a form of Service Provision when Customs applies business rules in the electronic declaration process; this makes it possible to check a declaration for completeness and inconsistencies. In cases such as these, the declaration may be rejected. For the members of the public and companies involved, this reduces the administrative burden since they can easily correct their declarations themselves and will not face a formal correction of the declaration by Customs and the time-consuming procedures that will entail. At the same time, Customs has seen a reduction in the 'burden of supervision': the proportion of correct declarations is developing positively, so that less intervention is required. 2] At another level of supervision, that of Intervention Customs checks whether members of the public and businesses have correctly and fully complied with the legal obligations and formalities applicable to them. For this check, Customs intervenes in the cross-border flow of goods, stopping it for a short or longer 148 PART II THE VISION 149 CUSTOMS The enablers of the Pushing Boundaries Vision In the drawings below, the distinction between the 'traditional' system of reporting and supplying data within the Single Window concept is explained: REPORT FEEDBACK REPORT FEEDBACK REPORT FEEDBACK REPORT FEEDBACK Without a Single Window, an economic operator will have to make as many notifications as there are inspection services involved in the cross-border movement of goods. The procedures and IT systems prescribed by the respective inspection services must be used for each notification. Each report is responded to separately by each inspectorate. 1, 2, 3, 4 1, 2, 3, SINGLE WINDOW PORT COMMUNITY SYSTEM 2 Figure 25 Notifications without Single Window Figure 26 Using a single window This is different when using a Single Window: data only needs to be provided once - possibly via a port community system and the inspection services all use this data, each for their own purposes. The feedback will also be through the Single Window, but there will be as many feedback reports as inspectorates involved. In this version of the Single Window, the advantage is at the 'front end' (the process of providing data to the government) and not at the 'back end' (the process of reporting the research results). In the ideal application of a Single Window where one of the cooperating administrations takes the lead and sees to the internal coordination before feedback process. The economic operator only has to provide data once, there is one feedback moment, and controls to be carried out are coordinated and take place at the same time wherever possible. [r] port community system is an electronic platform within 'community' of a seaport or airport, to which all parties that a role within this community (so not only the parties that have to provide data to the government) are connected. Well-known examples in the Netherlands are Portbase in the port of Rotterdam and Cargonaut at Schiphol Airport. 260 PART III –BUILDING BLOCKS 261 CUSTOMS concerns Customs employees, but also employees of the logistics business, and not only at lower secondary and secondary vocational education levels, but also higher professional education and even academic education levels. The term 'customs professional' also made its appearance around this time. This term was used to describe the need for highly qualified professionals who have in-depth knowledge of the relevant processes within logistics and customs in the supervision of international trade and can link these different processes together. This customs professional can be employed by Customs, but also by a logistics operator. This also means that Customs and the economic operators involved in international trade actually need the same kind of specialist for this specific field of work and that (potential) employees of both Customs and the logistics industry can very well be trained together within the same learning environment, where they are taught the same knowledge, skills and attitudes. This learning environment would have to be built from scratch, as existing in-house training did not provide for the training of such customs professionals, nor was there a suitable alternative available on the market. 7.4.2. COMPETENCIES OF THE CUSTOMS PROFESSIONAL Before setting up a common learning environment, another question needs to be answered: what competencies should the customs professional possess? Another precedes this question: what competencies should 'the average customs officer' possess? Two 'standards' are available for answering both questions: the EU Customs Competency Framework of the European Commission, and the Professional Standards of the World Customs Organisation. Both are outlined below. 7.4.2.1. EU CUSTOMS COMPETENCY FRAMEWORK The EU Customs Competency Framework (abbreviated as CCF) was created in 2014 as a result of a study (2011) into the possibility of developing a uniform customs training programme at an academic level within the EU. This study found that although the customs administrations of the EU Member States offer a significant number of training courses, their content is not always future-proof. The training material does not automatically train customs professionals in the competencies they need to adequately deal with the major changes that have taken place in the international movement of goods and its supervision. However, these changes have significantly changed the nature of the 'customs profession' and the supervision of cross-border goods movement. This has led to a significant change in the needs of all parties working in that field, both on the public and private sides. In the report Feasibility study on a potential EU academic programme for the customs profession the EU subsequently drew a number of conclusions: The labour factor and its continuous development is the critical success factor for the future of customs in Europe In view of this development, a uniform description of the competencies of the staff of the customs administrations within the EU is necessary Academic education in the customs field is more than necessary. That uniform description is the CFF, which was developed in cooperation between the EU, representatives of the customs administrations of the EU Member States, representatives of logistics operators within the EU involved in cross-border trade in goods and the World Customs Organisation. It consists of two parts: one for the public sector, i.e. the customs administrations of the EU Member States, and one for the private sector, i.e. EU economic operators involved in cross-border trade of goods to or from the EU. After all, both sectors employ 'customs professionals'. The CFF not only describes 'job profiles' of public and private sector employees working in the field of cross-border trade of goods. It is also a tool that can be used in the context of recruitment and selection of future employees, matching the training content with the competencies these employees need, and exchanging best practices on training within the EU (see Figure 16). IMPROVED LEARNING INITIAVES training needs and gaps Training investment SUCCESSION identification of expected critical vacancies Identification of employee IMPROVED GAP competencies required Migration of best practices and tools for successful perfor Enhanced individual organisational development STRATEGIC WORKFORCE resource decisions Matching organisational values and competencies to HIGH(ER) Identification of behaviours for high Migration of Best Practices COMPETENCY FRAMEWORK Figure 16 EU Customs Competency Framework (CFF) Cooperation

ECONOMIE/HANDEL

CUSTOMS

Dit boek biedt een uniek inzicht in de wereld van de Nederlandse douane. Daarmee is het van grote waarde voor professionals in de douane, handel en logistiek waar ook ter wereld, zowel in de publiek-private sector als in het bedrijfsleven. Voor hen die liever vooruitkijken dan achterom, geeft dit boek bovendien een visie op de langetermijntoekomst van de douane. De toepassing van nieuwe technische innovaties komt, net als een upgrade van de huidige douaneregels naar een 2.0-versie, ruimschoots aan bod in dit boek.

CUSTOMS Inside anywhere, insights everywhere verschijnt 1 januari 2023 / auteurs: Frank Heijmann en John Peters / ISBN 9789492881755 / NUR 600 / hardcover / 400 pagina’s / € 102,95

DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE

5 TRICHIS VOORJAARSCATALOGUS 2023

9 789492 881755 Inside Anywhere, Insights Everywhere DIT IS EEN BELANGRIJKE PUBLICATIE. EEN VISIE OP DE LANGETERMIJNTOEKOMST VAN DE DOUANE. DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE DOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANEDOUANE Inside Anywhere, Insights Everywhere CUSTOMS FRANK HEIJMANN JOHN PETERS FRANK HEIJMANN JOHN PETERS

WAT KAN ER NOU MISGAAN?

Tweeëntwintig operaties in acht jaar

WAT KAN ER NOU MISGAAN?

In Wat kan er nou misgaan? beschrijft Marijn van den Biggelaar de zwaarste periode in haar leven tot dusver. Tussen 2014 en 2022 doorstond ze 14 schouderoperaties, 5 operaties aan haar heup, 2 knie-operaties en 1 schildklieroperatie. Ze liep 96 weken met een mitella, meer dan 6 maanden op krukken, en ging onder het mes bij specialisten in verschillende Europese en Amerikaanse ziekenhuizen. De meeste ingrepen en revalidaties brachten een volledig herstel helaas nooit dichterbij.

Nu, bijna tien jaar verder, lijkt de goede afloop van dit medische drama dan toch werkelijk in zicht. Met een schouder- en heupprothese die eindelijk redelijk naar behoren functioneren, slaagt Marijn erin de draad weer op te pakken van het gewone leven. Zij toont daarmee aan over enorm veel veerkracht te beschikken. In dit aangrijpende, persoonlijke relaas kijkt ze terug op de psychische en fysieke strijd die dit alles met zich meebracht. Een periode waarin ze tevens vier dierbare familieleden verloor en noodgedwongen een weg moest vinden tussen immens verdriet en niet-aflatende pijn. Marijn richt zich in dit boek met concrete adviezen en tips ook op lotgenoten in vergelijkbare omstandigheden. Haar credo: informeer je als patiënt altijd goed, ben mondig en wees vooral moedig. Achter de deur van elke spreekkamer kunnen zich immers nieuwe kansen op genezing voordoen.

WAT KAN ER NOU MISGAAN? Tweeëntwintig operaties in acht jaar verschijnt 1 januari 2023 / auteur: Marijn van den Biggelaar / ISBN 9789492881694 / NUR 402 / hardcover / 17x24 cm / 160 pagina’s / € 24,95

GEZONDHEID

9 789492 881694

WAT KAN ER NOU MISGAAN?

Marijn van den Biggelaar Marijn van den Biggelaar Tweeëntwintig operaties in acht jaar

1. 2.

7 TRICHIS VOORJAARSCATALOGUS 2023 AANGRIJPEND, PERSOONLIJK RELAAS. DE AUTEUR KIJKT TERUG OP DE PSYCHISCHE EN FYSIEKE STRIJD DIE DIT MEDISCHE DRAMA MET ZICH MEEBRACHT. 1. Voor De Val - 2013 2. Tot

en niet verder - 2022 3. De verandering

2022 Schouderblad Opperarmbeen Bekken

hier

in mij -

1972-1973

Dagboek van de bekerwinnaar

In de roerige vroege jaren ’70 - Vietnam, Watergate, oliecrisis, Koude Oorlog- leidt ook NAC een onrustig bestaan. Dat kenmerkt zich door sportieve hoogteen dieptepunten, het ontstaan van de Spionkop en verscheidene zeer diepe crises op financieel en bestuurlijk vlak die het voortbestaan van de vereniging ernstig in gevaar brengen. Maar hoe diep de ellende ook is, steeds herrijst NAC als een feniks uit de as. Het seizoen 1972-1973, onderwerp van dit boek, is de perfecte belichaming van NAC in die tijd. Bijna failliet, bijna gedegradeerd, supportersrellen, maar tegen álle verwachtingen in versloeg de ultieme underdog verscheidene topfavorieten in het bekertoernooi, uitmondend in de ultieme climax: een zinderende finale op Hemelvaartsdag in De Kuip. ‘Donderdagavond om half elf werd in het Feijenoordstadion een band gesmeed tussen NAC en zijn supporters, die heel moeilijk te verbreken zal zijn.’

9 TRICHIS VOORJAARSCATALOGUS 2023 1972-1973 Dagboek van de bekerwinnaar verschijnt 1 mei 2023 / auteurs: Marcel van Es, John de Leeuw, Ronald Sträter en Wilbert Weterings / ISBN 9789492881731 / NUR 489 / softcover / 252 pagina’s / 17 x 24 cm / € 24,95 9 789492 881731

SPORT

NAC WINT DE BEKER: DE UNDERDOG OVERSTIJGT ZICHZELF.

De Rijenaar

verbinding met mensen. Dat blijkt uit alle ontmoetingen in dit bijzondere boek: Patricia kijkt en maakt documentaire foto’s van haar plaats genoten. Door haar lens zien we dat deze Rijenaars stuk voor stuk alledaagse helden zijn. De gesprek ken die zij met hen voerde geven verdieping en achtergrond bij de beelden – uit het leven gegrepen, ontroerend en oprecht.

DE RIJENAAR 8 portretten van alledaagse helden verschijnt 1 januari 2023/ auteur: Patricia Mallens / ISBN 9789492881687 / NUR 520 / softcover / 84 pagina’s / 24 x 17 cm / € 22,95

10 REGIONAAL

Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Hugo Borst Ernest van der Kwast Maike Meijer

Hugo Sanneke

9 789492 881687 8 portretten

helden 9 789492

Het dorp Rijen is met bijna 17.000 inwoners de grootste plaats van de gemeente Gilze en Rijen. Het ligt in Brabant, tussen Breda en Tilburg en ten noorden van de A58. Een dorp zoals er ogenschijnlijk zovele zijn, maar voor wie goed kijkt en luistert, blijkt het dorp een thuis te bieden aan bijzondere mensen. Observeren en fotograferen, dat doet Patricia Mallens-van de Waart(1974). Deze geboren en getogen Zeeuwse woont sinds 2003 in Rijen, waar ze haar eigen fotostudio heeft en werkt als familie- en huwelijksfotograaf. Ze beschrijft zichzelf als enthousiast en als een pietlut wat fotograﬁe betreft. Ze kan naar eigen zeggen uren turen en fotograferen in het veld (macrofotograﬁe). Ze is getrouwd en moeder van B-Jay (15 jaar), die in dit boek op de foto staat bij juf Monique. Patricia staat graag in verbinding met mensen. Dat blijkt uit alle ontmoetingen in dit bijzondere boek: Patricia kijkt en maakt documentaire foto’s van haar plaatsgenoten. Door haar lens zien we dat deze Rijenaars stuk voor stuk alledaagse helden zijn. De gesprekken die zij met hen voerde geven verdieping en achtergrond bij de beelden – uit het leven gegrepen, ontroerend en oprecht.

Sanneke van Hassel Adnan Alaoda

van alledaagse

881687

8 portretten van alledaagse helden 8 portretten van alledaagse helden trichis PATRICIA MALLENS De Rijenaar TP-22427 TPB_Dagboek van de Reijenaar 240 x 170 mm rug - cover.indd Alle pagina's 21-10-2022 16:03

PATRICIA MALLENS

11 TRICHIS VOORJAARSCATALOGUS 2023 REEDS VERSCHENEN / ONZE TOPPERS VERENIGINGEN VERANDEREN ISBN 978-94-92077-12-7 / € 26,00 ONKRUIDBOEK ISBN 978-94-92881-10-6 / € 22,95 NATUURWIJN ISBN 978-94-92881-56-4 / € 22,99 HET BEEST IN ONS ISBN 978-94-92881-67-0 / € 22,95 12X WIJN WEEKENDJE WEG IN NL ISBN 978-94-92881-44-1 / € 24,95 WIJNLOVERS, LEVENSGENIETERS EN WEEKENDJESWEGLIEFHEBBERS! Dit boek gidst je naar de meest bijzondere wijngaarden in Nederland. En dat is écht niet alleen in Limburg. Door klimaatsverandering en verdergaande professionalisering zijn er inmiddels wijngaarden in alle provincies. Tot aan Groningen en Friesland toe. Maak kennis met bevlogen wijnmakers in elk van de 12 provincies en proef de vele fraaie witte, rode, rosé, mousserende en parelwijnen die Nederland rijk is. 12X Wijn Weekendje Weg in NL toont de authentieke wereld van Nederlandse wijn. Ik ben alvast vooruit gereisd en kwam terug met eerlijke verhalen van onze eigen wijnboeren. Maar ook met een premium selectie van de fijnste adresjes voor lunch en diner en tips voor bijzondere overnachtingen.’ Peetra van der Knaap, Register Vinoloog 9 789492 881441 12X WIJN WEEKENDJE WEG IN NL Ontdek de buitengewone wereld van de Nederlandse wijn TP21400 TPB_Wijn_Weekend_Weg_Cover 2807.indd Alle pagina's 04-02-21 09:44 In Het beest in ons vertellen vijfentwintig dieren uit de collectie van het Natuurhistorisch Museum Rotterdam een actueel verhaal. Van albatros tot zeepaardje, van mammoet tot zalm, bekende auteurs schreven voor elk van hen een monoloog. Alle dieren vertellen een verhaal over hoe zij omgaan met uitdagingen uit de mensenwereld, zoals migratie, mindfulness, vrije seks of de woningcrisis. Immers, veel van wat wij als menselijke eigenschappen of gedrag beschouwen, is dieren niet vreemd. Ook dieren kennen emancipatie, homoseksualiteit, gulzigheid en genderfluïditeit. Een peper-en-zoutvlinder vertelt over aanpassingsvermogen (door Paulien Cornelisse) en een tweestippelig lieveheersbeestje spreekt zich uit over racisme (door Ahmed Aboutaleb). De verhalen van Het beest in ons vormen een handreiking van het dierenrijk aan de mens en zijn zelfgecreëerde uitdagingen. Speciaal voor liefhebbers van literatuur, natuurhistorie en journalistiek, en voor iedereen die gewoon van dierenverhalen houdt. Auteurs Ahmed Aboutaleb, Özcan Akyol, Abdelkader Benali, Mohammed Benzakour, Hanna Bervoets, Gershwin Bonevacia, Alex Boogers, Hugo Borst, Paulien Cornelisse, Bibi Dumon Tak, Babs Gons, Sanneke van Hassel, Marjolijn van Heemstra, Raoul de Jong, Wilfried de Jong, Tim Kamps, Ernest van der Kwast, Eva Meijer, Maike Meijer, Ester Naomi Perquin, Elvin Post, Jelle Reumer, Elfie Tromp, Selm Merel Wenselaers en Tommy Wieringa trichis

Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Hugo Borst Ernest van der Kwast Maike Meijer Abdelkader Benali Tim Kamps Marjolein van Heemstra Mohammed Benzakour Alex Boogers Ester Naomi Perquin Raoul de Jong Sanneke van Hassel Adnan Alaoda Paulien Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie Tromp Tommy Wieringa Splinter Chabot Hanna Bervoets Kees Moeliker Sanneke van Hassel Adnan Alaoda Paulien Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie Tromp Tommy Wieringa Splinter Chabot Hanna Bervoets Kees Moeliker Sanneke van Hassel Adnan Alaoda Paulien Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie Tromp Tommy Wieringa Splinter Chabot Hanna Bervoets Kees Moeliker Sanneke van Hassel Adnan Alaoda Paulien Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie Tromp WilfriedChabot Hanna Bervoets Kees Moeliker Sanneke van Hassel Adnan Alaoda Paulien Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie Tromp Tommy Wieringa Splinter Chabot Hanna Bervoets Kees Moeliker Sanneke van Hassel Hanna Bervoets Kees Moeliker

Alaoda

Cornelisse Midas Dekkers Ahmed Aboutaleb Elfie

Wieringa

HET BEEST IN ONS 25 SCHRIJVERS GEVEN DIEREN EEN STEM trichis NATUUR WIJN EEN HELDER VERHAAL OVER TROEBELE WIJN NIELS VAN LAATUM SCHUDDEN VOOR GEBRUIK! NATUURWIJN EEN HELDER VERHAAL OVER TROEBELE WIJN

Het leert je niet alleen onkruid te herkennen, maar ook te benutten, en er zelfs van te genieten. Zo kun je van je vijand een vriend maken. Deze praktische gids bevat karakterschetsen van veelvoorkomende onkruiden en woekerende tuinen moestuinplanten. Met extra aandacht voor de meest hardnekkige soorten als brandnetel, zevenblad en heermoes. Daarnaast vind je vele bestrijdingstips en recepten. Dit is ook een boek dat je mee de tuin in neemt om te ontdekken wat je nog niet eerder had gezien. Bovendien is het een inspirerend leesboek ders, kwekers, koks, kunstenaars en onderzoekers. Arjan Ederveen schreef het voorwoord. Reeds meer dan 10.000 exemplaren verkocht! 9 789492 881106 Voor onkruidminnaars en onkruidhaters ON Suze Peters - Lot te Stekelenburg Ca roline Zeevat trichis 3 4 2 5 1

Gershwin Bonevacia Hugo Borst

Paulien

Tromp Tommy

Splinter

Chabot

Hanna Bervoets Kees Moeliker

Iedere tuinier kent de strijd tegen onkruid. Toch is onkruid veel meer dan een ongewenste gast in je tuin. Onkruidboek zal je blik verruimen.

TRICHIS Goudsesingel 194 3011 KD Rotterdam 010 477 85 25 info@trichis.nl www.trichisboeken.nl Michiel Houdijk uitgever Jan Laban uitgever Vertegenwoordiging boekhandels Nederland en België NEW BOOK COLLECTIVE Maarten Richel, Rutger Vos, Niels Koemans, Tjamke van Hekken & Dian van der Zande p/a Niasstraat 6d 3531 WP Utrecht 020 – 226 02 38 www.newbookcollective.com De afbeelding op deze pagina staat in de Grote Nederlandse Kunstkalender 2023 op 25 september. Fotografie: Maarten Laupman (laupman.nl)