02 June – 11 June 2017
WELCOME TO
INCOMING FESTIVAL 2017! Once again, we have been scouring the country to find the best emerging theatre companies making the most innovative, moving and tantalising work. We are delighted to share this amazing line-up of companies and shows with you, as we launch the most diverse and exciting Incoming Festival yet. This year features 20 shows from 19 companies based across the UK – we’ve got representatives from Hull, London, Glasgow, Manchester, Bristol, Plymouth, Newcastle, Lancaster, Sheffield and the Midlands. With four transfers straight from the National Student Drama Festival, a handful of premieres and some returning favourite companies, there really is something for everyone across the ten days, whether you’re after comedy, tragedy or a dance party… Every ticket across the whole week is still just £5, to make sure Incoming remains as accessible as possible. We look forward to welcoming you to New Diorama in June. Eleanor, Jake and David Incoming Festival Directors
HOW TO BOOK Tickets for all shows cost just £5 and can be booked via New Diorama’s website at newdiorama.com or from the Box Office (14:00 –18:00) on 0207 383 9034. Information on how to book for workshops will be announced on the Incoming Festival website soon: incomingfestival.com
Incoming Festival gratefully acknowledges the support of: Arts Council England, Equity, Little Angel Theatre, Mobius PR, and individual supporters.
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Cover Photo: Matt Austin
FESTIVAL DIARY
Wednesday 7 June 19:00 | There Shall Be Fireworks 20:30 | Bonenkai
Friday 2 June 19:00 | The Jurassic Parks 20:30 | Skeletons (Or, How I Learned to Love Fucking Up)
19:00 | Nothing Is Coming, The Pixels Are Hugh 19:00 | Sea Wall*
Thursday 8 June 18:00 | Sea Wall*
20:30 | Sea Wall*
Saturday 3 June 19:00 | Under My Thumb 20:30 | We Are Ian
*This is a site-specific performance, and will be performed in a pub close to New Diorama Theatre. The exact location will be annouced closer to the performance time.
Sunday 4 June 19:00 | Bare Skin On Briny Waters 20:30 | All Of Me
Friday 9 June 19:00 | Buzz: A New Musical 20:30 | Daniel
Monday 5 June 19:00 | Nel 20:30 | Dracula
Saturday 10 June 19:00 | Sad Little Man 20:30 | Thick Skin
Tuesday 6 June 19:00 | Western? 20:30 | Sci-fi?
Sunday 11 June 19:00 | Celebration 20:30 | The Murderer
Workshop DIARY
Thursday 8 June 10:00 – 12:00 Introduction to PR Mobius PR | £3
Wednesday 7 June 10:00 – 12:00 Devising Theatre Kill The Beast | £3 14:00 – 16:00 Introduction to Producing Jake Orr | £3
14:00 – 17:00 Fundraising Masterclass David Byrne | £12 Saturday 9 June 10:00 – 13:00 Making Comic Theatre Clown Funeral | £3 Sunday 10 June 14:00 – 17:00 Collaborative Theatre Making SuperBolt Theatre | £3 3
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Time Out
Friday, 2 June | 19:00
The Jurassic Parks Superbolt Theatre The Jurassic Parks is a sell out, multi award-winning, laugh-out-loud spin on Spielberg’s classic. Welcome to the unlikely setting of Lyme Regis Community Centre, where the Park Family – Terry, Jade and Noah – embark on a journey to a misty past. When things go wrong, family feuds are faced with the rapturous roar of DIY dinosaurs. A theatrical celebration of cinematic nostalgia and a moving reminder of the ones we love. Superbolt is an award-winning international theatre ensemble founded at the Jacques Lecoq Theatre School in Paris. Irs work tours internationally, playing to people of all ages and backgrounds. It devises all of its work collaboratively using diverse theatrical styles to create popular stories with humour and heart. Current productions include Mars Actually and The Jurassic Parks. Past productions include Centralia, Piatto Finale and The Uncanny Valley.
@superboltplays www.superbolttheatre.com 4
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The Stage
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The List
“A laugh-out-loud hoot” Sunday Times
HHHH “Brilliant physical comedians... a brilliantly written script” What’s On Stage
“A hilarious send-up of the burgeoning life-coach industry” LondonTheatre1
Friday, 2 June | 20:30
Skeletons (Or, How I Learned to Love Fucking Up)
“A great sense of risk-taking” Owen Calvert-Jones, Head of Theatre & Artist Development at Ovalhouse
Performance Anxiety The self-help industry is valued at more than £6bn a year. We all want to be healthier, wealthier, more successful – and we’re willing to pay for it. Welcome to the age of the TED talk, The Secret and ‘positive thinking’. But in a society obsessed with individual success at any cost, can embracing failure be a form of resistance? Skeletons (Or, How I Learned to Love Fucking Up) invites audiences to step into a self-help seminar gone wrong. Expect live games, cringeworthy confessions and surreal self-help mantras as we take on society’s ‘cult of success’ in a confrontational live performance. Performance Anxiety was formed in 2015 by UK-based writers and performers Lee Anderson and Adam Loxley. It plays with audiences to create performances that are unapologetically live, messy and confrontational. It plunders pop culture, politics and the company’s personal lives in order to ask big questions about who are we and where we are going.
@anxietyperform
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HHHH “Mesmerising... Culture Clash are worth watching for how they bring new thinking and new challenges to the theatre” Broadway Baby
Saturday, 3 June | 19:00
Under My Thumb Culture Clash Theatre
In a dystopian present, five women are imprisoned for crimes against society. Brought together by a common enemy and facing indefinite incarceration, their one remaining dignity is their continuing belief in their own innocence. The arrival of yet another prisoner seems no surprise, just another woman brought down by the world outside. But is she all that she seems? Written by Cassiah Joski-Jethi, this uncompromising tale of a broken society and those who dare to defy it was shortlisted for the RED Women’s Theatre Awards in 2016. Its subsequent development has been supported by Female Arts and Arts Council England. Established in 2015 by Serin Ibrahim and Cassandra Hercules, Culture Clash Theatre was born out of a desire to explore contemporary socio-political issues in Britain, and to tell the stories of individuals most disadvantaged or overlooked in today’s society. Winners of the Mark Ralston Enterprise Award and supported by Greenwich Theatre.
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@cultureclashuk www.cultureclashtheatre.com
HHHH “A brilliant piece” South London Press “A compelling, meaningful and important piece... a masterpiece” Maritime Radio
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“Be Ian, be you but really, just be in this audience”
Saturday, 3 June | 20:30
We Are Ian In Bed With My Brother 1989. Manchester. A frenzy of drugs, beats and bucket hats. Illegal raves. Acid parties… Just jumping up and down in a field and sticking up two fingers to Thatcher. Remember it? We don’t. We weren’t even born. But Ian was. And Ian does remember. We’ve got f*ck all now. So, we’re going back to 1989. We’re gonna get off our peanuts. We’re gonna bounce around like idiots. And Ian’s going to show us how. We’re mad fer it. And you will be too. Let’s party… Supported by Arts Council England. Developed with the support of the Bike Shed Theatre and the Pleasance's Charlie Hartill Fund for Theatre.
A Younger Theatre
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“Demonstrates how having a dance can be a defiantly political act... You need to experience it for yourselves.” Three Weeks
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“You won’t see anything else like it” Broadway Baby
HHHHH “A kind of lunatic Dadaist ballet... Precisely choreographed and impressively skilful” StageTalk
In Bed With My Brother is Nora, Dora and Kat. We are three performance makers and three best friends. We use real-life stories. We make a massive song and dance of the mundane, a messy, multimedia mish-mash of clowning, dance routines and lip-syncing. We don’t use scripts. We’re not always sure exactly what it is we do. We’re just glad that this threesome wasn’t a one night stand.
@inbedwithmybro www.inbedwithmybrother.co.uk Photo: Matt Austin
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Sunday, 4 June | 19:00
Bare Skin On Briny Waters Bellow Theatre Annie finds herself on a clifftop. She says she’s fine but she can’t quite get her story straight. Sat by her side, Sophie covers the bruises on her neck. She thinks everything might just be alright, because it’s amazing what you get used to, isn’t it? Underscored with live folk music, Bare Skin on Briny Waters is a story about survival and escape. It’s about two young women standing on a cliff edge, steadily being blown on an unexpected course. A supported artist of Hull Truck Theatre, and one of New Diorama Theatre’s Emerging Companies, Bellow Theatre is a Hull based new writing company rooted in brave and stirring storytelling. It champions the downtrodden, forgotten, excluded or silenced. Its work is intimate and moving, and celebrates DIY aesthetics.
@bellowtheatre www.bellowtheatre.com Photo: Sarah Hollich
“Gently poetic, salt tinged storytelling” Lyn Gardner “A rare and innovative piece of new writing... heartwrenching... as poignant as it is beautiful” Broadway Baby on Billy Through The Window “Crafted with care and beautifully performed”
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The Scotsman on Billy Through The Window
Sunday, 4 June | 20:30
All of Me Anything Other
“When it’s working, you won’t even pay attention to the time; there is no time, there is just that win.” Gareth, not by his own admission, is a loner. Recently fired from his job as a travel agent, he recounts the story of his downfall; the death of his father, a spiraling gambling habit, and the man responsible for it all – his ex-boss, and once friend, Derrick Wentworth. All of Me is a dark comedy about loneliness, loss and coping. Anything Other explores divisive subjects and puts underrepresented voices at the centre of its work. It brings people together from different ends of society because it thinks that negotiating the sticky uncertain middle is where great stories come from.
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“A short and snappy play that pushes the boundary of new writing” A Younger Theatre
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“I was both touched and thrilled by this exciting and hard-hitting (in more ways than one) production” LondonTheatre1
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“There is much to admire about this well-crafted play” TV Bomb
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@anythingother www.anythingother.com Photo: The Other Richard
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HHHH Monday, 5 June | 19:00
Nel
Scratch Works Meet Nel, a foley artist. Don't know what that is? Not many do. Nel brings films to life through sound. In her world, an epic fight scene is a symphony of snapping celery and frozen cabbages. Nel is good at this stuff – it's the rest of her life that's a disaster... Her cat’s died and she accidentally poisoned her fish. She needs a friend and perhaps a change of shoes. Using a beautifully crafted mix of live music, onstage foley artistry and physical theatre, Scratchworks presents Nel’s touching story about identity, friendship and what it means to be an introvert. Scratchworks is a physical ensemble of four women who create playful, accessible theatre from scratch. Founded in Exeter in 2013, the company creates original stories and combines a range of different theatrical styles and disciplines to bring performances to life. Recipients of the NSDF award for ‘Best Overall Body of Creative Work’ at the Edinburgh Fringe 2013, its productions have toured across the UK. Scratchworks is supported by Arts Council England and The Barbican, Plymouth, and is Associate Artist of The Bike Shed Theatre and The Exeter Phoenix.
@scratchworksc www.scratchworkstheatre.co.uk Photo: Matt Austin
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“Charming and inventive” The Stage
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“Nel will knock your socks off” Inter:Mission Bristol
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“Joyous, sad and surreal. Nel is for anyone who has ever found it hard to make a friend” Reviews Hub “A love song to imagination... not to be missed” Plymouth Herald
Monday, 5 June | 20:30
Dracula Let Them Call It Mischief
We all know the Dracula story... or do we? Join the first Romanian immigrant as he strikes fear into the male establishment with some surprising consequences. Five actors take on lots of characters in this funny, fast-paced retelling of the classic Gothic tale. Expect “a genuine treat” (The Stage) from the company described as "laugh out loud funny" (What’s On Stage) and "annoyingly talented" (Theatre Bubble).
HHHHH “Side-splittingly funny” Theatre News
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Edinburgh Reporter
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“A joyous night of quintessentially British comedy... catch this hilarious gem whilst you can” My Theatre Mates
Fresh from sell-out runs in Edinburgh, London and Brighton this side-splittingly funny show returns to London for one night only! Let Them Call It Mischief makes bold, imaginative and energetic theatre.
@mischieftweets www.callitmischief.com
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Tuesday, 6 June | 19:00
WESTERN? Sleeping Trees
Sleeping Trees find themselves slowly crisping under the sun of the Wild West, as gun-slinger Harry Sudds takes on bulls, scorpions and many other animals largely found in America. With another live score performed by the handsome and ever-mysterious Ben Hales, the Sleeping Trees stamp their fast, physical and surreal brand of comedy on to one of the most revered film genres of all time. Sleeping Trees is a multi-award winning, three-piece, comedy trio that spends its time creating surreal, physical and fast-paced comedy. Photo: Mark Dawson Photography
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“The lovechild of Monty Python and the League of Gentlemen” Time Out
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“With a script that steers left field of convention and indulges every whim, Sleeping Trees have created a lawless comedic style of their own” Broadway Baby
Tuesday, 6 June | 20:30
Sci-fi? Sleeping Trees
Sleeping Trees boldly choose to end their movie trilogy with the third show in the series, Sci-Fi? At a time where ancient planet Plutopia rules the galaxy, farmer Charlie Sprog is dragged from his quiet home planet and given one simple mission: SAVE THE UNIVERSE FROM TOTAL DESTRUCTION. Accompanied by an inter-cosmic and highly sensual musical score, the Sleeping Trees invite you to join them on a journey into the deep and infinite unknown. So strap on your helmets, jump into your spacesuits, complete the necessary six years of training required by NASA to fly into space, and THEN grab yourself a ticket!
@wesleepingtrees www.thesleepingtrees.co.uk Photo: Rosie Powell
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“Another physically elastic, impeccably scored and endlessly energetic trawl through genre’s murky waters” Fest
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“A blockbuster hour of cleverly scripted fast laughs and energetic comedy” The List
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Wednesday, 7 June | 19:00
There Shall Be Fireworks The Plasticine Men Inspired by the path to Afghanistan, well trodden down the ages by Western merchants, missionaries, hippies and soldiers, There Shall Be Fireworks unearths a startling true story from a 200-year-old cemetery in Kabul known as Kabre Gora (‘the Graveyard of Foreigners'). It's a send-off hosted by an American stockbroker turned statesman, thwarted in a wildly ambitious plan to change the world for good. In a fragile solo, haunted by hope and misadventure, he bids farewell once again to the land that he loves. The Plasticine Men are Bristol-based theatre makers Simon Day and Martin Bonger. Working closely with brilliant artists from a range of disciplines, the company searches for stories together that beg to be told onstage, crafting shows of heart and consequence that get under the skin. Supported using public funding by Arts Council England. Further support and funding from Peggy Ramsay Foundation, Bath Spa University College of Liberal Arts, Theatre Bristol, The Bike Shed Theatre and New Diorama Theatre's Emerging Companies Programme.
@plasticinemen www.theplasticinemen.co.uk Photo: Guy Sanders
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“Vivid, bold and engaging... an intense and vibrant piece of modern theatre” Stage Talk “A beautifully crafted piece of no-frills physical theatre”
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The Guardian on Keepers
Wednesday, 7 June | 20:30
Bonenkai The Letter Room
“Today is a day to forget everything, an unforgettable celebration of forgetting and it has to be a party.” Club Bonenkai is the feverish love child of The Letter Room, both an explosive show and a speakeasy cabaret party, full of hot and heavy live music. A Bonenkai is a Japanese drinking tradition dedicated to the art of forgetting: forgetting your life, your fears, the state of the world right now, forgetting whatever you wish.
“They’re all superb musicians and their brand of dirty gypsy folk reverberates through the walls” The Stage
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“The creativity of this storytelling is a joy” A Younger Theatre on The Ballad of Little Johnnie Wylo
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“A great piece of adventurous theatre” Broadway Baby on The Ballad of Little Johnnie Wylo
The Letter Room will be performing original material, twisting classic covers and throwing the party to end all parties. The Letter Room is a theatre company in the North East telling stories full of raucous live music. It is committed to creating fearless, boundary breaking music theatre that captures the energy of a night out and the intimacy of live performance.
@theletterroom www.theletterroomtheatre.co.uk Photo: Joe Hayden
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“Beyond the cutting edge to the thinnest part of the blade... in short, it was fucking sensational” Noises Off
Thursday, 8 June | 19:00
Winner of the NSDF Judges Award (Design) 2017
Nothing is Coming, the Pixels are Huge Theatre 42 What makes a life? Looking back at the future, five people wade through thousands of lives. Remembering a time when vertical farms were abundant and iris transplants were on trend. It is set in the future. It is happening now. It is witty, it is unsettling, it is bleakly human. This is every time I left. This is every time I stayed. This is every cup of tea I’ve made. This is everyone I ever loved. A technological spectacle about how we don’t know how to deal with the world we are building. Nothing is Coming, the Pixels are Huge. Theatre 42 is a collaboration of five artists, working together to respond to the rapidly changing world they’ve found themselves in. They make work that is bleak in content but sugar coated in game-like visuals. And damn, it ain’t half pretty.
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@theatre_42 www.theatre42.co.uk
Thursday, 8 June 18:00 | 19:00 | 20:30
Sea Wall
“Hidden gem... takes intimacy to the level of highly personal” Fringe Review “Intimate, heart-breaking… a deep-tissue massage for your brain”
Heroes Theatre
Exeunt
Alex’s life is going swimmingly – great kid, happy marriage, good job – until everything is swept from him in one devastating moment.
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Simon Stephens’ acclaimed monologue is a portrait of grief, guilt and the still waters that run deep in us all. Heroes Theatre’s intimate new production invites audiences to share a story over a drink in the back room of the pub. Sea Wall is pint-sized theatre that packs a crushing emotional punch.
“There’s a deep artistry here and a searing vividness of imagination that leaves audiences shocked and subtly changed” The Scotsman on The Pitchfork Disney
Heroes Theatre stages brilliant contemporary plays and the text-based theatre of tomorrow. Led by Eve Nicol, Heroes Theatre has presented work in pubs, pools, fields, festivals and stages across Scotland. It wants to exorcise demons and make humans feel more human, by sharing cathartic stories of heartbreak, horror and hope. This is a site-specific performance, and will be performed in a pub close to New Diorama Theatre. The exact location will be annouced closer to the performance time.
@heroestheatre www.heroestheatre.com
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“You should sell your own Grandma to get tickets” Theatre Bubble
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Friday, 9 June | 19:00
Buzz: A New Musical
EdFringeReview
Fat Rascal Theatre
LastMinuteTheatreTickets
Winner of the 2016 Eddies Award, the sell-out hit Buzz is a hilarious musical journey through the history of the vibrator, and a brutally honest story of a singleton’s quest to fall back in love with herself.
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Bridget Jones meets The Book of Mormon. Sex Ed just got a revamp. Fat Rascal Theatre strives to create fresh and funny feminist musical theatre. It wants to create theatre which people are going to want to see for fun, but it wants them to leave feeling ready to take on the world. The company believes that theatre should always aim to inspire, educate or liberate, and should be available to everybody.
@wearefatrascal www.fatrascaltheatre.com
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“A non-stop, action-packed romp” Broadway Baby
“Disturbingly brilliant... a black diamond” Sunday Times
Friday, 9 June | 20:30
Daniel Footprint Theatre
Footprint’s debut production follows those left behind when an 18 year old boy is sentenced and imprisoned for the possession of 50,000 indecent images of children. Daniel explores the unheard stories of the family and friends who are forced to deal with the aftermath. Footprint was the winner of the NSDF 2016 Award for Creative Collaboration and Daniel has recently sold out the Royal Exchange Studio Theatre in Manchester.
“Impressively nuanced and complex” Exeunt
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“An exceptional work of art that deserves a great deal of attention” Broadway Baby
HHHHH “A triumph”
EdFringe Review
Footprint is a Sheffield-based emerging devised company. Collaboration is at the heart of its practice, with collective interests and experiences allowing the work to constantly evolve. It prioritises the creative process over the final performance and shares an enthusiasm in interrogating the performer’s relation to the audience.
@_footprint www.footprinttheatre.com
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Saturday, 10 June | 19:00
Sad Little Man Pub Corner Poets “Stop me if you’ve heard this one before...” Sad Little Man is a stand-up tragedy set performed by the mind of a young man in shock. Described as “a stunning, bittersweet story” and “theatrically beautiful” by Noises Off Magazine, a combination of performance poetry, physical theatre and projection tell the story of the many lives of Lee and someone he loves. Written by Josh Overton, winner of The Times Playwriting Award 2015, and created by the Pub Corner Poets, Total Theatre Emerging company 2015 award nominees. Pub Corner Poets mash slam poetry with sonic storytelling, projection vj-ing and live music to create one-of-a-kind live theatre events. Tackling big themes from the dusty corner of your local pub, or performing gigs in pop-up venues or theatre studios, the company presents physical scores alongside performance poetry text. Pub Corner Poets receive support from New Diorama Theatre, The New Wolsey Theatre and Hull Truck Theatre.
@pubcornerpoets www.pubcornerpoets.co.uk Photo: The Other Richard
“There is already a buzz around both the company and writer Josh Overton” Lyn Gardner “It is something really quite beautiful”
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Noises Off
“Disgracefully good”
Saturday, 10 June | 20:30
Thick Skin Poor Michelle “You shouldn’t feel like your life is over at 25, should you?” Jess is telling jokes to half empty rooms. Pete is making a film about his girlfriend, Naomi. Oli is doing all he can to distract himself from the Most Boring Job in The World. A new play by Caitlin McEwan (Soho Writer’s Lab 2015/16) about a generation who have been told the world is theirs for the taking, and what happens when they discover that isn’t the case. Recipient of the Buzz Goodbody Directors Award, The Samuel French New Play Award, and the Spotlight Most Promising Actor Award at the 2017 National Student Drama Festival.
Erica Whyman
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“Complex and sophisticated” LondonTheatre1 on Harry
HHHHH “Hilarious and pretty heartbreaking at the same time”
SugarScape on Harry
Samuel French New Play Award Buzz Goodbody Director Award Spotlight Most Promising Actor AWARD
Poor Michelle is a female-led new writing theatre company based in London. Its work tackles cultural issues with a sense of irreverence, to expose the truth and complexity in the everyday. Its mission is to make you laugh, and to make you question the world and the people around you.
@poormichelle_ www.poormichelle.co.uk Photo: Aenne Pallasca & Giulia Delprato
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“It’s play that makes you want them to keep playing” Noises Off
The Sunday Times Playwriting Award The Festgoer’s Award
Sunday, 11 June | 19:00
Celebration Emergency Chorus “Let’s all celebrate and have a good time” – Kool and the Gang The world’s been getting us down lately. It feels like everything is slowly unravelling, a ball of string hurtling down a hill in painful slow-motion, everyone clutching the frayed end of the roll as if that were helping. The future is murky and uncertain. Amidst global crises and 24-hour rolling news, we’re taking Kool and the Gang’s advice. Part-theatre, part-dance party, part-funeral, Celebration aims to give anyone who can’t quite believe the world they live in, something to believe in. Emergency Chorus makes live performance which engages with the contemporary moment with energy and playfulness.
@emergencychorus Photo: Giulia Delprato
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Sunday, 11 June | 20:30
The Murderer Clown Funeral
“I have a Murderer in my house. It's all perfectly fine.” In a world where citizens rehabilitate criminals, the Murderer and the Carer go for coffee and play badminton. Based on Luke Kennard’s darkly comic poem, The Murderer follows the story of an unlikely pair learning how to live together, and asks how easy it is to forgive someone, how our society deals with care, and to what extent our obsessions can consume us.
“Sometimes a bit of quiet, wry reflection can be pretty great [...] that’s what we get here, and I liked it very much” Andrew Haydon, Postcards from the Gods “Innovative movement and a thought-provoking script” Broadway Baby “Unusual, poetic take on crime rehabilitation hits the spot” The Stage
Featuring original music, subtle physical theatre and surreal humour, Clown Funeral brings the isolated and offbeat world of The Murderer to life.
Clown Funeral is an emerging theatre company based in the West Midlands. It combines new writing, devising and dark humour to tell human stories set in inhuman worlds. Clown Funeral is a New Diorama 2016/17 Graduate Emerging Company. Shortlisted for National Student Drama Festival 2016 Edinburgh Award
@theclownfuneral www.clownfuneraltheatrecompany.co.uk Photo: Christina Owen
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FINDING US
By tube: New Diorama Theatre is within walking distance of: Great Portland Street Station (5 mins walk); Warren Street Station (5 mins walk); Euston Square (5 mins walk); Euston (10 mins walk); Regents Park (8 mins walk); Kings Cross (15 mins walk). By bus: New Diorama is on the following bus routes: 18, 27, 30, 88, 205, 453, C2, N18.
By train: New Diorama is within walking distance of both Kings Cross St. Pancras (15 mins walk) and Euston station (10 mins walk). By car: Full directions from your location can be found using our postcode (NW1 3BF) but please note there is no parking at the theatre and Regent’s Place Estate is pedestrianised. By bike: There are a number of bike stands on Regent’s Place Estate.
design & print: cruciblecreative.co.uk
New Diorama Theatre is based at the heart of Regent’s Place, London NW1 which can be found on the Euston Road at the top of Tottenham Court Road, between Warren Street and Great Portland Street tube stations.