Bill T. Jones/Arnie Zane Company - Curriculum II Program

Musical excerpts from:

Jonathan King: Everyone’s Gone to the Moon

Bessie Jones: Oh Death

Morton Feldman: Only Nina Simone: Human Touch Daniel Bernard Roumain: Estella, J & M

Ivory Coast: Chant D’homme Accompagné D’Une Cloche (Funeral Chant)

Bessie Jones and the Georgia Sea Island Singers: Beulah Land Bessie Jones and the Georgia Sea Island Singers: Buzzard Lope

Trevor Morris: Mano e Mano

Richard Wagner: Das Rheingold: Prelude

Programming & Production Staff

Kyle Maude, Producing Director Serena Wong, Lighting Supervisor Megan Dechaine, Production Stage Manager Shay Watson, Sound Supervisor Zaire Baptiste, Technical Director

New York Live Arts dedicates our performances of Curriculum II to Jedediah Wheeler of Peak Performances at Montclair State University for his tireless support of the work of the Bill T. Jones/Arnie Zane Company.

FUNDING

Curriculum II is commissioned and produced by New York Live Arts with commissioning support from PEAK Performances at Montclair State University in Montclair, NJ and the American Dance Festival. Curriculum II premiered with PEAK Performances in June 2022. Created with support from the Made in Wickenburg Residency Program at the Del E. Webb Center for the Performing Arts in Wickenburg, Arizona with funding from the R.H. Johnson Foundation and The Welk Foundation.

The creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anonymous (2), Anne Delaney, Zoe Eskin, Eleanor Friedman, Ruth & Stephen Hendel, Michael P.N.A. Hormel in Loving Memory of Jim Hormel, Suzanne Karpas, Ellen Poss, Jane Bovingdon Semel, in memory of Linda G. Shapiro, Slobodan Randjelović & Jon Stryker.

Special thanks to Tommy McCall.

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We acknowledge and pay respect to Lenape people, elders, and ancestors past, present, and coming in the future. We acknowledge Indigenous people who may be present right now. We acknowledge and offer deep gratitude to Lenapehoking where we are now - the land, and waters of the Lenape homeland.

COMPANY HISTORY

Over the past 40 years the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 40 countries on every major continent. In 2011, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director and Janet Wong is the Associate Artistic Director. The repertory of the Bill T. Jones/Arnie Zane Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically driven works as well as works using a variety of texts. Some of its most celebrated creations are evening length works including Last Supper at Uncle Tom’s Cabin/The Promised Land (1990, Next Wave Festival at the Brooklyn Academy of Music); Still/Here (1994, Biennale de la Danse in Lyon, France); We Set Out Early… Visibility Was Poor (1996, Hancher Auditorium, Iowa City, IA); You Walk? (2000, European Capital of Culture 2000, Bologna, Italy); Blind Date (2006, Peak Performances at Montclair State University); Chapel/Chapter (2006, Harlem Stage Gatehouse); Fondly Do We Hope… Fervently Do We Pray (2009, Ravinia Festival, Highland Park, IL); Another Evening: Venice/Arsenale (2010, La Biennale di Venezia, Venice, Italy); Story/Time (2012, Peak Performances); A Rite (2013, Carolina Performing Arts at the University of North Carolina-Chapel Hill); Deep Blue Sea (2021, Park Avenue Armory).

BIOGRAPHIES

BILL T. JONES (Artistic Director/ Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts) is recipient of the 2022 Lucille Lortel Award for Outstanding Choreography for Black No More; 2014 Doris Duke Performing Artist Award; 2013 National Medal of Arts; 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Jones “An Irreplaceable Dance

Treasure.” Bill has been nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting, and educating.

ARNIE ZANE (Co-Founder/ Choreographer) (1948-1988) was a native New Yorker born in the Bronx and educated at the State University of New York (SUNY) at Binghamton. In 1971, Arnie Zane and Bill T. Jones began their long collaboration in choreography and in 1973 formed the American Dance Asylum in Binghamton with Lois Welk. Mr. Zane’s first recognition in the arts came as a photographer when he received a Creative Artists Public Service (CAPS) Fellowship in 1973. Mr. Zane was the recipient of a second CAPS Fellowship in 1981 for choreography, as well as two

Choreographic Fellowships from the National Endowment for the Arts (1983 and 1984). In 1980, Mr. Zane was co-recipient, with Bill T. Jones, of the German Critics Award for his work, Blauvelt Mountain. Rotary Action, a duet with Mr. Jones, was filmed for television, co-produced by WGBH-TV Boston and Channel 4 in London.

PERFORMERS

BARRINGTON HINDS (performer) is from West Palm Beach, Florida. He began his training at the School of Ballet Florida under the direction of Marie Hale. Hinds holds a BFA in dance from SUNY Purchase College and has worked professionally with VERB Ballets, Northwest Professional Dance Project, and the national tour of Twyla Tharp’s Broadway show, Movin’ Out. In 2011 Hinds was honored as a finalist for the Clive Barnes Award for young talent in dance. He has worked with leading choreographers including Laurie Stallings, Edgar Zendejas, Sarah Slipper, Helen Pickett, Thaddeus Davis, and Cherylyn Lavagnino to name a few. Hinds has also danced with the Stephen Petronio Company and has freelanced in commercial, TV, and print work. In addition Hinds is also a choreographer and teacher. His work has been shown at Purchase College, Dixon Place, Warwick

Summer Festival, Arts On Site, and The Tank. Barrington has been a Performer with the Bill T. Jones/ Arnie Zane Company since 2017. You can follow him @bar_hinds and his website barringtonhinds.com

JADA JENAI (performer & company manager) was born and raised in Brooklyn, New York. She has worked professionally with A.I.M by Kyle Abraham, Helen Simoneau, Peridance Contemporary Dance Company, and Wyckoff Collective. Jenai earned a BFA in Dance from SUNY Purchase Conservatory of Dance, studying under Jonathan Ridel, Kyle Abraham, Kevin Wynn, and Dylan Crossman, and Jean Freebury (Merce Cunningham Change of Address). She also studied at Western Australia Academy for Performing Arts and Springboard Danse Montreal, working with Jonathan Alsberry and Shamel Pitts. Jenai attended Fiorello H. LaGuardia High School and is a freelance model. Jada joined the Bill T. Jones/Arnie Zane Company in 2021 and became company manager in 2022.

SHANE LARSON (performer) was raised in Minnesota, where he received his early training at the St. Paul Conservatory for Performing Artists. He graduated from NYU’s Tisch School of the

Arts, with a BFA in Dance and a minor in Child and Adolescent Mental Health Studies. He also studied at SEAD in Austria. Since living in New York City, he’s branched out to collaborate with punk musicians, film makers, improvisational music ensembles, and site-specific visual artists. He is also a multimedia video artist who makes collage-based work about memory. Shane joined the Company in 2015.

S. LUMBERT (performer) is a transgender dance artist currently based in Lenapehoking (Brooklyn, NY). s. is committed to a practice of navigating how to be in zis body as a person who experiences chronic illness, and is interested in cultivating accessible spaces in dance. s. collaborates in live performance and in film with Marie Lloyd Paspe and musician Treya Lam, rehearses with and performs for Huiwang Zhang in collaboration with zimself and Nayaa Opong, and has been in process with and performed for Marion Spencer. s. has been working with the Bill T. Jones/ Arnie Zane Company since 2018.

Alliance, and City Gate Dance Theater. In 2019, she graduated summa cum laude from the Ailey/ Fordham B.F.A. program, studying dance & Pre-Health for Physical Therapy. During her time at Ailey/ Fordham, Ms. Marshall had the opportunity to perform works by her colleagues and notable choreographers such as Adam Barruch, Amy Hall Garner, and Maxine Steinman. Marshall is also a certified Horton instructor. Danielle joined the Bill T. Jones/ Arnie Zane Company in 2021.

DANIELLE MARSHALL (performer) is a native of Atlanta, GA. She received her early dance training from DeKalb School of the Arts, Phusion Performing Arts

MARIE LLOYD PASPE (performer) is originally from Bellingham, MA and Mississauga, Canada, currently based in Brooklyn, NY. Marie received her BFA from the Ailey/Fordham Program in 2016, studying abroad in Israel with Kibbutz Contemporary Dance Company in 2015 and Springboard Danse Montreal in 2017. She toured with Carolyn Dorfman Dance and worked with choreographers Peter Chu, Renee Jaworski, and Rami Be’er. Her choreography, vocal work, and movement direction for stage and film were presented in the Philippines, Berlin, Israel, and across the U.S. Marie’s ongoing practices are rooted in FilipinxAmerican diasporic work and somatic-based healing. Paspe joined the Bill T. Jones/Arnie Zane Company in 2018.

JACOBY PRUITT (performer) began his dance training in Miami, FL where he attended New World School of the Arts. He is a graduate of NYU’s Tisch School of Dance and is a recipient of the Martha Hill Dance Fund’s “Young Professional Award”. He has worked professionally with Ailey II, Company XIV, Sean Curran Company, and the Metropolitan Opera Ballet among various other freelance projects. His tv/film credits include Good Morning America, Comedy Central’s Alternatino, and the In the Heights film. Jacoby joined the Bill T. Jones/ Arnie Zane Company in 2021.

PHILIP STROM (guest performer) is a movement artist from Washington State. While pursing his BFA at NYU’s Tisch School of the Arts, he danced in work by Crystal Pite, Sonya Tayeh, Ronald K. Brown, and Paul Taylor. Since graduating he has performed with Andrea Ward, Bennyroyce Dance, Cherylyn Lavagnino Dance, Gabrielle Johnson + Artists, inDance (Hari Krishnan), & RyderDance. He participated in Spingboard Danse Montreal’s 2018 project, performing in original works by Maxine Doyle of Punchdrunk, and Emese Nagy of MA•ZE. Philip is an Artistic Associate of Bennyroyce Royon,

having staged his work at Rutgers University and assisted him in processes & teaching at The Juilliard School, Ballet Hispánico, Joffrey Ballet School, Peridance Center, and Gibney Dance. As a creator Philip maintains an ongoing choreographic research process, “Silhouette Series”, since 2019. Philip is excited to be joining the Bill T. Jones/ Arnie Zane Company as a Guest Artist in 2023.

NAYAA OPONG (performer) is from Cherry Hill, New Jersey. She began her dance training at The Bowman School of Dance and later continued at Eleone Dance Unlimited. Nayaa chose to further her studies at Mason Gross School of the ArtsRutgers University, where she earned a B.F.A. in Dance and was able to spend a semester at The Jerusalem Academy of Music and Dance. Since graduating in May 2019, she performs with Hysterica Jazz Dance and has begun working with the BIRDHOUSE artist collective. Nayaa joined the Bill T. Jones/ Arnie Zane Company in 2019.

HUIWANG ZHANG (performer) has been a member of the Company since 2017. He was nominated an “outstanding performer” by the Bessies

(Zhang imbues commitment with focus, and connects time together through sensitized and accumulated gestures) for his performance of “Our Labyrinth” directed by Lee Mingwei and Bill T. Jones at the Metropolitan Museum of Art. He earned his MFA from the University of Utah under the mentorship of Stephen Koester. 张慧望，江⻄九江⼈，

COLLABORATOR & GUEST ARTISTS

LIZ PRINCE (Installation and Costume Designer) designs costumes for dance, theater and film and has had the great pleasure of designing for Bill T. Jones since 1991. Her work has been exhibited at the New York Public Library for the Performing Arts, 2011 Prague Quadrennial of Performance Design and Space, Cleveland Center for Contemporary Art, Rockland Center for the Arts and Snug Harbor Cultural Center. She received a 1990 New York Dance and Performance Award (BESSIE) and a 2008 Charles Flint Kellogg Arts and Letters Award from Bard College. She teaches costume design at SUNY Purchase College Manhattanville College, and Sarah Lawrence College.

DAVID VAN TIEGHEM (Music and Sound Designer) Selected

Broadway: How I Learned to Drive, Burn This, Doubt, Heisenberg, The Gin Game, The Lyons, Romeo and Juliet, The Big Knife, Reckless, Arcadia, The Normal Heart, After Miss Julie, A Behanding in Spokane, A Man for All Seasons, Inherit the Wind, Judgment at Nuremberg, The Crucible, Three Days of Rain, An Enemy of the People, The Good Body. Selected Off-Broadway: Wit, Incognito, Plenty, Sabina, Henry V, Corpus Christi, The Piano Lesson, The Grey Zone. Dance: Twyla Tharp, STREB, Doug Varone, Pilobolus, Boston Ballet, Michael Moschen. Film/ TV: Buried Prayers, Working Girls, Me To Play, Penn & Teller. Percussionist: Laurie Anderson, Talking Heads, Brian Eno, Steve Reich, Arthur Russell, Pink Floyd, Nona Hendryx, Ryuichi Sakamoto, Robert Ashley, Peter Gordon. Solo Performances: Carnegie Hall, Alice Tully Hall, BAM, the Knitting Factory, Town Hall, Jacob’s Pillow, Whitney Museum, Venice Biennale, David Letterman. Albums: “Thrown for a Loop,” “Strange Cargo,” “Safety in Numbers,” “These Things Happen.” vantieghem.com

ROBERT WIERZEL (Lighting Designer) has worked with artists in theatre, dance, new music, opera and museums, on

stages throughout the country and abroad. He has worked with choreographer Bill T. Jones and his company since 1985. Projects include Blind Date, Another Evening: I Bow Down, Still/Here, You Walk?, Last Supper at Uncle Tom’s Cabin/The Promised Land, How To Walk An Elephant, and We Set Out Early… Visibility Was Poor. Other works with Bill T. Jones include projects at the Guthrie Theatre, Lyon Opera Ballet, Deutsche Oper Berlin, Boston Ballet, Boston Lyric Opera, the Welsh dance company Diversions, and London’s Contemporary Dance Trust. Robert has also worked with choreographers Trisha Brown, Doug Varone, Donna Uchizono, Larry Goldhuber, Heidi Latsky, Sean Curran, Molissa Fenley, Susan Marshall, Margo Sappington, Alonzo King and JoAnn Fregalette-Jansen. Additional credits include national and international opera companies, Broadway, and regional theater. Mr. Wierzel is currently on the faculty of New York University’s Tisch School of the Arts and The Yale School of Drama.

JANET WONG (Associate Artistic Director and Projection Designer) was born in Hong Kong and trained in Hong Kong and London. Upon graduation she joined the

Berlin Ballet where she first met Bill when he was invited to choreograph on the company. In 1993, she moved to New York to pursue other interests. Ms. Wong became Rehearsal Director of the Company in 1996, Associate Artistic Director in August 2006 and Associate Artistic Director of New York Live Arts in 2016.

COMPANY

ZAIRE BAPTISTE (Technical Director) is an award-winning multidisciplinary creative, producing content in the music video, narrative, branded, and experiential markets. Zaire’s work in film and television, have led to a 2018 Telly award, a 2019 Davy Award, and 2021 Dot Com and W3 awards. As a creative, Zaire is 1/3rd of the founders of The Spot for Art, a Brooklyn art gallery that uses Art Therapy and color theory in its work. With 10+ years of technical director experience Zaire has led projects for the likes of Norman Lear, the international foundry, and numerous off broadway productions. @zairebaptiste @thespotforart

MEGAN DECHAINE (Production Stage Manager) is a New York City based stage manager originally from Washington State.

She graduated from Western Washington University with a B.A. in Theatre. She has worked with the American Dance Festival, Sleep No More, Mimi Garrard Dance, Jody Oberfelder Projects, The Anthropologists, Sara Juli, Time Lapse Dance, Dance Lab NY, Eric Taylor Dance, University of the Arts Winter and Spring Dance Series, Bellingham Repertory Dance, Kuntz and Company, Bellingham Theatre Works, and iDiOM Theater. Megan joined the Company in 2022.

KYLE MAUDE (Producing Director) graduated from Drake University with a B.F.A. in Theatre. She has worked with Ballet Tech/ Feld Ballets New York, The Royal Ballet School of London, BuglisiForeman Dance, and Lesbian Pulp-o-Rama! Ms. Maude joined the Company in 2003 and served as the Company’s Production Stage Manager for ten years, then Director of Producing and Touring for three years before becoming Producing Director for New York Live Arts in 2016.

SHAY WHATSON (Sound Supervisor) Leshay “Shay” Watson, Recording and live sound engineer since 2012. Graduated from the Institute of Audio Research in 2015,

since graduation she has had the privilege to work at some amazing venues like Apollo Theater, Jazz at Lincoln Center, The Shed, Barclay Center, PlayStation Theater, Lehman College. She has also worked with many popular artists and on TV shows like Showtime at the Apollo, Kelly Clarkson, 2021 Heisman, Wildin Out, Law and Order SVU, The Marvelous Mrs. Maisel and many more.

SERENA WONG (Lighting Supervisor) is a Brooklyn-based freelance lighting designer for theater, opera, and dance. Her designs have been seen at New York Live Arts, Danspace, Irondale Arts Center, and Jacob’s Pillow. She is the resident lighting designer for New York Theatre Ballet and enjoys beekeeping and bread baking.

LIVE ARTS CONTRIBUTORS

New York Live Arts is deeply grateful to all the individuals listed below for their vital gifts to New York Live Arts over the last year:

$1MM and higher

Slobodan Randjelović & Jon Stryker

$500,000-$999,999

Anonymous

$100,000-$499,999

Anonymous

Eleanor Friedman

Ruth & Stephen Hendel

Alex Katz Foundation

Ellen M. Poss

Jane Bovingdon Semel & Terry Semel | Semel Charitable Foundation

$50,000 - $99,999

Jody & John Arnhold | Arnhold Foundation

Lorraine Gallard & Richard Levy

Helen & Peter Haje

Suzanne Karpas Barbara & Alan D. Marks Matthew Putman

$25,000 - $49,999

Ylva Cavalli-Björkman & Willard Ahdritz

David Dechman & Michel Mercure

Zoe Eskin

Adam Flatto

Agnes Gund

Michael P.N.A. Hormel in memory of Linda Grass Shapiro Charla Jones

Colleen Keegan Darnell L. Moore

Amy Newman & Bud Shulman

Alanna Rutherford

Jennifer & Jonathan Soros

Starry Night Fund at The Chicago Community Foundation Diana Wege | Wege Foundation

$10,000 - $24,999

Caroline & Paul Cronson

Claire Danes & Hugh Dancy

Alexes Hazen

Julie Orlando

Andrea Rosen

Nina & Gabriel Stricker

Pat Stryker

$5,000 - $9,999

Patricia Blanchet | Ed Bradley Family Foundation

Paula Cooper & Jack Macrae

Joan Davidson

Anne Delaney

Laura & Richard Hunt

Glenn Ligon

Jeffrey B. & Wendy Liszt

Robert Longo

Margaret Morton Jeffrey Schneider

Melissa Schiff Soros

Cindy Sherman Catharine R. Stimpson

Kristalina & Jack Taylor Billie Tsien & Tod Williams Steve Wilson

$1,000 - $4,999

Derrick Adams Rosio Alvarez & Jennifer Brody

Anonymous

Alberta Arthurs

The Brant Foundation, Inc.

Jill Brienza

Catherine & Paul Buttenwieser

Reggie Browne Carmine Boccuzzi

Rose C. Cali in Memory of John J. Cali Jeannie Colbert

Joan Davidson

Lil & Jim DeMarse

Beth Rudin DeWoody

Dobkin Family Foundation

Margaret Doyle

Terence Dougherty & Pierre Duleyrie

Gina Duncan

Nancy & Stephen Gabriel Mimi Garrard

Michael & Deborah Goldberg

Thomas & Barbara Gottschalk

Deborah Hellman & Derek Brown

Tom Hennes

Jenny Holzer

Scott Hudziak

Joanie Johnson

Judy Johnson

The Joyce Theater Foundation Emil Kang Amir Karby

Hedy Klineman

Oscar Mack

Nancy Meyer & Marc Weiss

Susan Micari

Linda Murray

Wangechi Mutu

Samira Nasr

Richard Plepler

Randy Polumbo | Plant Construction

Margaret Selby

Jeffrey Seller

Céline Semaan & Colin Vernon

Caroline Shapiro & Peter Frey

Shinique Smith

Temple St. Clair & Paul Engler

The Susan Stein Shiva Foundation

Mickalene Thomas

Robyn Trani

JP Versace

James J. Williams, III

Jacqueline Woodson Timothy Wu & Eric Murphy

$500 - $999

Stewart Adelson

Mary Ann Ashley

Arthur Aviles

Carol Bryce-Buchanan

John Fitzgibbon

William Floyd

Jeremy Henderson

Karen B. Hopkins

Brinton T. & Francis C. Parson, Jr Robert Ross

John Sansone

Ellynne Skove

Deborah Swiderski Wade Turnbull Gilbert Williams

Gifts and commitments between 7/1/2021-6/30/2022

Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, The Brant Foundation, Inc., Joseph and Joan Cullman Foundation for the Arts, Dance/ NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Samuel M. Levy Family Foundation, The John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, National Performance Network, New England Foundation for the Arts, NYC COVID-19 Response & Impact Fund in the New York Community Trust, One World Fund, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation, Tides Foundation

Corporate support for New York Live Arts includes Con Edison, Google, Tito’s Handmade Vodka.

Public support for New York Live Arts is from Humanities New York, National Endowment for the Arts, New York City Department of Correction, New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts.

Front

Board of Directors

Stephen Hendel Co-Chair

Richard H. Levy Co-Chair

Helen Haje Vice Chair

Slobodan RandjeloviĆ Vice Chair

Alan Marks

Treasurer Bill T. Jones

Artistic Director Ex-Officio Kim Cullen

Chief Executive Officer Ex-Officio Bjorn Amelan

Willard Ahdritz

Sarah Arison

Aimee Meredith Cox

LaToya Ruby Frazier

Charla Jones

Colleen Keegan

Darnell L. Moore

Amy Newman

Randy Polumbo

Ellen M. Poss Matthew Putman

Jane Bovingdon Semel Ruby Shang Catharine R. Stimpson

Board Emeritus

Derek Brown

Terence Dougherty Eleanor Friedman Advisory Council

Margaret Doyle, Chair Alberta Arthurs

Beverly D’Anne Lisa Frigand

Jenette Kahn Susan Micari Alton Murray Lorraine Gallard Lois Greenfield Martha Sherman