2022 OUR SEASON OF ANNIVERSARIES CELEBRATING 10 YEARS OF LIVE ARTS AND 40 YEARS OF THE BILL T. JONES/ARNIE ZANE COMPANY
SAUL WILLIAMS & FRIENDS THE MOTHERBOARD SUITE RELEASED JAN 15, 730PM Original music by Saul Williams Directed by Bill T. Jones With choreography by Maria Bauman, Kayla Farrish, Marjani Forté-Saunders, d. Sabela grimes, Jasmine Hearn and Shamel Pitts|TRIBE Performed by Saul Williams and Aku Orraca-Tetteh and Maria Bauman, Morgan Bobrow-Williams, Kayla Farrish, Marjani Forté-Saunders, d. Sabela grimes, Jasmine Hearn and Samantha Spies Scenic & Projection Design by Jasmine Murrell Lighting Design by Serena Wong Alexander Allen, Stage Manager Sound Engineer Zach Prewitt Costume Design by Athena Kokoronis (Maria Bauman & Samantha Speis, Jasmine Hearn) and Kayla Farrish, Marjani Forte-Saunders, d. Sabela grimes, and Shamel Pitts. Headpieces by Jasmine Murrell Produced by New York Live Arts Filmed by Essay Video Live Ideas Festival House Crew: Patrick Calhoun, Sound Supervisor John Anselmo, Master Electrician Tom Goehring, Technical Director Olivia Reddick, Light Board Operator Mae Frankeberger, Production Coordinator
Spoken Word Saul Williams These MTHRFKRS Cast Order of Time Jasmine Hearn Horn of the Clock-Bike Marjani Forte Saunders Think Like They Book Say Choreography by Shamel Pitts | TRIBE, Performed by Morgan Bobrow-Williams People Above the Moon Kayla Farrish Down For Some Ignorance Maria Bauman & Samantha Speis Encrypted and Vulnerable Jasmine Hearn We get what you deserve d. Sabela grimes The Noise Came From Here Marjani Forté-Saunders & Cast View the Lyrics here. Cover image by Maria Baranova Running time: 40 mins We acknowledge and pay respect to Lenape people, elders, and ancestors past, present, and coming in the future. We acknowledge Indigenous people who may be present right now. We acknowledge and offer deep gratitude to Lenapehoking where we are now - the land, and waters of the Lenape homeland.
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FUNDING The Motherboard Suite premiered during Live Ideas 2021 / AlteredWorlds: Black Utopia and The Age of Acceleration and has received three Bessies – Best Production and Best Performer for Grimes and Hearn. Support for Live Ideas was provided by: Partners for New Performance: Julie Orlando (Chair), Alexes Hazen, Linda Hirschon, Andrea Rosen, Nina Stricker. Blanchette Hooker Rockefeller Fund, Joseph and Joan Cullman Foundation for the Arts, Ford Foundation, Mertz Gilmore Foundation, Google, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, The Poss Family Foundation, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation. Live Ideas received public funds from Humanities New York, New York City Department of Cultural Affairs in partnership with City Council with special thanks to Council Member Corey Johnson.
BIOGRAPHIES Bill T. Jones (Artistic Director/ Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts) is the recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed FELA!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation CALLAWAY Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography forThe Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur “Genius” Award. In 2010, Mr. Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Mr. Jones “An Irreplaceable Dance Treasure.” Mr. Jones choreographed and performed worldwide with his
late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Mr. Jones is the Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting, and educating. Saul Williams has been breaking ground since his debut album, Amethyst Rock Star, was released in 2001 and executive produced by Rick Rubin. After gaining global fame for his poetry and writings at the turn of the century, Williams has performed in over 30 countries and read in over 300 universities, with invitations that have spanned from the White House, the Sydney Opera House, Lincoln Center, The Louvre, The Getty Center, Queen Elizabeth Hall, to countless, villages, townships, community centers, and prisons across the world. The Newburgh, New York native gained a BA from Morehouse and an MFA from Tisch, and has gone on to record with Nine Inch Nails and Allen Ginsburg, as well as countless film and television appearances.
Williams’ most recent musical release, “Encrypted & Vulnerable” is the first album he’s ever categorized as ‘spoken word’ and is the second in a series of three albums and part of the multi-tiered MartyrLoserKing project. The album is selfproduced by Williams, mixed by Warp artist Gonjasufi and features contributions from Dave Sitek, My Brightest Diamond, Grammy-winning trumpet player Christian Scott (Atoms For Peace), astrophysicist Bianca Rhym, producer King Britt, Orko Eloheim, Thavius Beck, CX KiDTRONiK, Paul Whiteman and Lippie. The album also acts as the score to his directorial debut musical, ‘Neptune Frost’, executive produced by Stephen Hendel based on the graphic novel Williams will be releasing in 2020 about African hackers living in a village made of upcycled computer parts. Of the album, Williams explains: “Encrypted & Vulnerable is simultaneously a personal and intimately optimistic takedown on struggle, defiance, awareness, aloneness, and a takedown of heteronormative capitalistic patriarchal authoritarian politics in topics ranging from love, technology, religion, war, to migration.”
Marjani Forté-Saunders is a Mother, choreographer, performer, community organizer. She is a 2020 recipient of the Foundation of Contemporary Arts Grants for Artists Award, and a 3 time NY Dance & Performance/Bessie Award winning choreographer and performer: she is one of twentyone Black Womyn and Gender Non-Conforming artists curated by Eva Yaa Asantewaa, now operating as the collective Skeleton Architecture, to receive the 2017 Bessie Award for Outstanding Performance, and a two-time Bessie Award winner for her latest work Memoirs of a… Unicorn (Outstanding Visual Design & Outstanding Production). Marjani is honored to be an inaugural recipient of the 3 distinguishing fellowships: UBW Choreographic Center Fellowship (2017), Jerome Artist Fellowship (2018), and the DanceUSA Artist Fellowship (2019), as well as a 2 time Princess Grace Foundation awardee. Her work has been incubated in residencies at New York Live Arts, MANCC, LMCC Extended Life Residency invited by the late and mighty Sam Miller, BAX, 651 Arts, and Movement Research. Her latest work, Memoirs of a.. Unicorn recently had its international premiere
in Brussels, Belgium at the Beursschouwburg Festival 2019 and will be presenting in Berlin at the Sophienseale in October 2020. Her work as an artist and organizer is informed by years in anti-racist organizer training with the People’s Institute for Survival and Beyond and as a lead facilitator with UBW’s Builders Organizers and Leaders through Dance. Anchored in a steady collaboration with partner and composer Everett Asis Saunders (New Music USA Awardee), the duo has emerged as 7NMS| Marjani Forte & Everett Saunders (abbv. 7NMS| M + E). Their new project A Prophet’s Tale has been awarded residencies at BARD College (Jan 2019), The Petronio Residency Center (Sept 2019), Baryshnikov Arts Center (Nov 2019), The Yard (May 2020), and an inaugural Space Grant at the Brooklyn Academy of Music (July 2020). They are also founding directors of ART & POWER (2018) an emerging platform for artists, writers, scientists, spiritualists, and scholars mobilizing regional and international communities through the transformative power of art, philosophy, spirituality, and practice.
Commercially, Saunders has worked as Movement Coach/ Creative Movement Director/and Choreographer with Sundance Award Winning director Kahlil Joseph (PROCESS, Pantene ProV -“Strong Is Beautiful”, and FLYPAPER), and on Joseph’s video installation FLYPAPER at the New Museum featuring Ben Vereen and StoryBoard P. She has also worked with Director Kevin Willmott on the feature film The 24th, Kevin Everson’s short film Black Bus Stop and Tracee Ellis Ross’ product launch video campaign for her new haircare line, PATTERNS . As an extension of her choreography, and with support from the SURDNA Foundation Thriving Cultures Grant, FortéSaunders curated a threemonth exhibit at the Museum of Contemporary African Diaspora Art in Brooklyn, NY titled being Here… in Memory focusing on trauma and its historic impact on systematically oppressed communities and bodies. Saunders was a touring artist for five years, with Urban Bush Women Dance Company (UBW) and one of two artists ever to perform Blondell Cumming’s American Masterpiece Chicken Soup. She continues to facilitate workshops for UBW’s BOLD Teaching Network, offering
UBWs unique approach to dance training and community engagement. Humbly, she defines her work by its lineage stemming from culturally rich, vibrant, historic, loving, irreverent conjurers! Marjani is honored to be joining this power collective of artists and visionaries as part of Live Arts’ Live Ideas 2021, AlteredWorlds: Black Utopia and The Age of Acceleration. Kayla Farrish/Decent Structures Arts is an emerging company combining filmmaking, storytelling, dance theater performance, and sound score. The company has been commissioned by Gibney Dance Inc (2020-2021), Louis Armstrong House Museum (2020), Danspace Project Inc (2019), Pepatian and BAAD! (2018), and beyond. Farrish has been supported by creative residencies including Gibney Spotlight: New Voices, Barysnikov Arts Center (2020), Keshet Makers Space Experience, BAX Space Grant (2019), Pepatian Dance Your Future (2018), and Chez Bushwick (2017). Pieces sprouted outwards including “Black Bodies Sonata”, “The New Frontier (my dear America)” evening length and film, “With grit From, Grace”, “Spectacle” Film and
Live Production evening length work, and anticipated “Martyr’s Fiction” that continued to push boundaries of form, voice, scene, narrative in an array of cinematic mediums. Her work has performed at venues like Judson Church, Danspace, Jacob’s Pillow, BAAD!, film festivals, and beyond. In addition, Farrish has freelanced with companies including Sleep No More NYC, Kyle Abraham/AIM, Marjani Forte/7NMS, Kate Weare Company, Helen Simoneau Danse, Company SBB, Dendy/Donovan Projects, Arthur Aviles, Rashuan Mitchell/Silas Reiner, Nicole Von Arx, Danielle Russo, and others. d. Sabela grimes aka Ovasoul7, 2017 County of Los Angeles Performing Arts Fellow and 2014 United States Artists Rockefeller Fellow, is a transmedia storyteller whose creative practice draws directly from a mix of socio-historical observation, self-examination and speculative exploration through layers of interconnected sonic, visual and kinesthetic arrangements. Previous work, ELECTROGYNOUS, declares that Black gender qualities are infinite, multidimensional and distinct manifestations of wombniversal consciousness. His current project, Dark Matter Messages, dreams Octavia E. Butler’s body of work into modular
multidisciplinary performance/ installation experience(s) that include “minting” digital art using blockchain technology. Each experience realizes quantum Blackness as a means to play within the nowness of recurring futures. On faculty at USC’s Glorya Kaufman School of Dance, he continues to cultivate, Funkamental MediKinetics, a movement system that draws on the layered dance training, community building, and spiritual practices evident in Black vernacular and Hip Hop/Street dance forms. Maria Bauman is a “Bessie” award winning multi-disciplinary artist and community organizer from Jacksonville, FL. She has been honored widely as an Urban Bush Women Choreographic Fellow, Jerome Foundation Alternate Fellow, 2021 BRIC Arts Fellow, Redtail Arts 2021 Artist in Residence and Columbia College Chicago 2020 Artist in Residence among others. She is also a sought-after facilitator and speaker on the topics of social justice practices within performing arts, embodied and arts-based leadership development, and racial equity in the arts. Bauman creates bold and honest artworks for her company, MBDance, based on physical and emotional power,
insistence on equity, and intimacy. In particular, Bauman’s site responsive dance work centers the non-linear and linear stories and bodies of Black queer people in multiple immersive ritual settings. She draws on her study of English literature, capoeira, improvisation, dancing in living rooms and nightclubs, as well as concert dance classes to embody interconnectedness, joy, and tenacity. Bauman brings the same tenets to organizing to undo racism in the arts and beyond with ACRE (Artists Co-creating Real Equity), the grassroots group she co-founded with Sarita Covington and Nathan Trice and she is also a mentor with Queer Art Mentorship Project. Latest artwork: www.desire.mbdance.net Samantha Speis, Co-Artistic Director of Urban Bush Women, is a mother and movement improviser intrigued with rigor, risk, and experimentation. She has worked with Gesel Mason, The Dance Exchange, Jumatatu Poe, Deborah Hay (as part of the Sweet Day curated by Ralph Lemon at the MoMA), Baba Israel, Marjani Forte, and Liz Lerman. Speis was the recipient of the Alvin Ailey New Directions Choreography Lab and was awarded a Bessie for Outstanding Performer. Her work
has been featured at the Kennedy Center, Long Island University, Joyce SoHo, Hollins University, BAAD, Danspace Project, BAM, Dixon Place, BRIC, Dance Place, and The Kelly Strayhorn Theater. Speis has developed a teaching practice that explores pelvic mobility as the root of powerful locomotion and as a point of connection to the stories, experiences and lineages that reside in each of us. She has been a guest artist and teacher throughout the U.S., South America, Senegal, and Europe. Recent projects include Walking with Trane co-choreographed with Jawole Willa Jo Zollar and her collaboration with Chanon Judson-Johnson and Raelle Myrick-Hodges on Hair and Other Stories. Jasmine Hearn is from the ancestral lands of the Karankawa and Atapake people, now known as Houston, TX. A interdisciplinary artist, director, choreographer, organizer, teaching artist, and a 2017 Bessie award winning performer with Skeleton Architecture, they have crafted and shared collaborative dance theater performances rooted in identity, memory, and the facilitation of creative space for feelings and fantasy. They are currently a company member with Urban Bush Women
and a 2019 Jerome Foundation Jerome Hill Fellow. Jasmine has creatively collaborated with multidisciplinary artists, Solange Knowles, Alisha B. Wormsley, Vanessa German, Ayanah Moor, Staycee Pearl, Holly Bass, slowdanger, BANDPortier, and Jennifer Nagle Myers, which have produced solo and collective dance choreography or performances at the Guggenheim Museum, The Getty Center, Venice Biennale 2019, the Ford Foundation, New York Live Arts, and the Houston Arts Alliance. Their commitment to dance is an expansive practice that includes performance, collaboration, sound, and garmentry. Shamel Pitts 2020 Guggenheim Fellow Shamel Pitts is a performance artist, choreographer, conceptual artist, dancer, spoken word artist, and teacher. Born in Brooklyn New York, Shamel began his dance training at LaGuardia High School for Music & Art and the Performing Arts and, simultaneously, at The Ailey School. He is 2003 YoungArts Finalist and a first prize (level 1) winner of the YoungArts competition. Shamel then went on to receive his BFA in Dance from The Juilliard School and was awarded the Martha Hill Award for excellence in dance. He
began his dance career in Mikhail Baryshnikov’s Hell’s Kitchen Dance and BJM_Danse Montreal. Shamel danced with Batsheva Dance Company for 7 years, under the artistic direction of Ohad Naharin and is a certified teacher of Gaga movement language. Shamel has created a triptych of award winning multidisciplinary performance art works known as his “BLACK series” which has been performed and toured extensively to many festivals around the world since 2016. He is an adjunct at The Juilliard School and has been an artist in residence at Harvard University. Shamel is the choreographer of the play “Help” by acclaimed poet and playwright Claudia Rankine, directed by Taibi Magar, and commissioned at The Shed in New York. He is the recipient of a 2018 Princess Grace Award in Choreography, a 2019 NYSCA/ NYFA Artist Fellowship Award winner in Choreography, and a 2020 Jacob’s Pillow artist in residence. Shamel is the artistic director/founder of TRIBE, a New York based multidisciplinary arts collective. TRIBE is a 92Y Harkness Dance Center’s Artist In Residence for the 2020-2021 season. Shamel Pitts | TRIBE is also a New York Live Arts Live Feed artist in residence. For more information, visit www.shamelpitts.com
www.itsatribe.org. Morgan Bobrow-Williams is an interdisciplinary and transdisciplinary, conceptual and performance artist creating work at the intersection of movement/ dance, live performance, music, film, photography, collage, sculpture, and installation. Born and raised in Augusta, Georgia, Morgan began training in the performing arts, primarily in dance, at John S. Davidson Fine Arts Magnet School. They moved to New York City to attend Marymount Manhattan College from 2014-2018 and received a BFA in Dance Performance with a concentration in Choreography. After college Morgan went on to dance as a full-time company member at Staatstheater Kassel in Germany under the direction of Johannes Wieland from 2018-2020. While working at Staatstheater Kassel Morgan also choreographed a solo work on company dancer Alison Adnet entitled HYPHEN in 2019 and in 2020 created a film, STANKONIA3000, in which they were the director, performer, editor, and composer. In January 2020 Morgan began the conceptualization of The Running Project (TRP), a research and development piece that lives as a continuous and evolving gallery of interdisciplinary and transdisciplinary art works and
live performances, centered on developing vocabulary that engages with and investigates the multi-dimensional embodiment of the BIPOC identity running. As the initiation for TRP they were a 2020 Tanz Farm Artist in Residence and will continue with a second residency this Spring 2021. To learn more about Morgan and his work visit morganbobrowwilliams.com.
2022 Virtual Artery features performances that recently premiered in our theater. All video is available from its release through Jan 31. Christopher Williams, NARCISSUS Released Jan 13th Colleen Thomas, light & desire Released Jan 14th Saul Williams & Friends, The Motherboard Suite Released Jan 15th Raja Feather Kelly | the feath3r theory, WEDNESDAY Released Jan 16th Kenyon Adams, PRAYERS OF THE PEOPLE Released Jan 17th
LIVE ARTS CONTRIBUTORS New York Live Arts is deeply grateful to all the individuals listed below for their vital gifts to New York Live Arts over the last year: $500,000 and higher Anonymous Slobodan Randjelović & Jon Stryker $100,000-$499,999 Eleanor Friedman Ruth & Stephen Hendel Alex Katz Foundation Ellen M. Poss Jane Bovingdon Semel & Terry Semel / Semel Charitable Foundation $50,000 - $99,999 Anonymous Lorraine Gallard & Richard Levy Suzanne Karpas $25,000 - $49,999 Anonymous Patricia Blanchet / Ed Bradley Family Foundation David Dechman & Michel Mercure Zoe Eskin Adam Flatto Helen & Peter Haje Alexes Hazen James C. Hormel & Michael P. Nguyen in memory of Linda Grass Shapiro Charla Jones Amy Newman & Bud Shulman Barbara & Alan D. Marks Randy Polumbo / Plant Construction Matthew Putman Alanna Rutherford Starry Night Fund at The Chicago Community Foundation Diana Wege / Wege Foundation $10,000 - $24,999 Colleen Keegan Julie Orlando Andrea Rosen Ruby Shang Nina & Gabriel Stricker Leslie Weinberger
$5,000 - $9,999 Deborah Hellman & Derek Brown Paula Cooper & Jack Macrae Caroline & Paul Cronson Claire Danes & Hugh Dancy Anne Delaney Agnes Gund Bill T. Jones & Bjorn Amelan Jeffrey B. & Wendy Liszt Robert Longo Deborah Ronnen Melissa Schiff Soros Cindy Sherman Temple St. Clair & Paul Engler Kristalina & Jack Taylor Williams Family Foundation $1,000 - $4,999 Jody & John Arnhold | Arnhold Foundation Anonymous The Angelson Family Foundation Jonathan J. Cohen Charitable Fund Jeannie Colbert Kim Cullen Emily Dalton Joan Davidson Lil & Jim DeMarse Dobkin Family Foundation Margaret Doyle John Fitzgibbon Mimi Garrard Judith & Steven Gluckstern Michael & Deborah Goldberg Thomas & Barbara Gottschalk Jeanine Heriveaux Jenny Holzer Otho Kerr Spike Lee Nancy Meyer & Marc Weiss Susan Micari Meridee Moore & Kevin King Thomas Nichols & Daniel Chadburn Mark O’Donnell Deborah Pines Rita Salzman The Susan Stein Shiva Foundation Catharine R. Stimpson Megumi & Bruce Williams Timothy Wu & Eric Murphy
$500 - $999 Arthur Aviles Timothy Benning The Marshall Frankel Foundation Sharon Gerstel Tom Hennes Lauren Hutton Olivia Katz Kenneth Machlin Wayne Norbeck John Sansone Deborah Swiderski Gifts and commitments between 7/1/2020-6/30/2021 Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, The Brant Foundation, Inc., Joseph and Joan Cullman Foundation for the Arts, Dance/ NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Samuel M. Levy Family Foundation, The John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, National Performance Network, New England Foundation for the Arts, NYC COVID-19 Response & Impact Fund in the New York Community Trust, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation, Tides Foundation Corporate support for New York Live Arts includes Con Edison, Google, Otter AI, Tito’s Handmade Vodka. Public support for New York Live Arts is from Humanities New York, National Endowment for the Arts, New York City Department of Correction, New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts.
STAFF & BOARD Artistic Leadership
Executive Leadership
Board of Directors
Bill T. Jones Artistic Director
Kim Cullen Executive Director & CEO
Stephen Hendel Co-Chair
Janet Wong Associate Artistic Director
Ali Burke Chief of Staff
Richard H. Levy Co-Chair
Programming, Producing & Engagement
Development
Helen Haje Vice Chair
Dave Archuletta Chief Development Officer
Slobodan RandjeloviĆ Vice Chair
Erin Baskin Institutional Giving Manager
Alan D. Marks Treasurer
Candystore Development Assistant
Alanna Rutherford Secretary
Kyle Maude Producing Director Hannah Emerson Producer Veronica Falborn Producer Production Hillery Makatura Director of Production Zaire Baptiste Interim Technical Director Carson Gross Lighting Manager Chanel Pinnock Production Manager Creative Director Bjorn G. Amelan Community Engagement & Education Bianca Bailey Community Engagement & Education Manager Communications Tyler Ashley Director of Communications Hannah Seiden Communications Coordinator Liliana Dirks-Goodman Graphic Designer Pentagram Pro-Bono Branding
Hans Rasch Institutional Giving Assistant Finance Nupur Dey Director of Finance Manathus Dey Finance Associate Operations
Bill T. Jones Artistic Director Ex-Officio Kim Cullen Chief Executive Officer Ex-Officio Willard Ahdritz Bjorn Amelan Sarah Arison Aimee Meredith Cox LaToya Ruby Frazier Charla Jones
Gregory English Operations Manager
Colleen Keegan
Aneudy Pilier Paulino Custodial Coordinator
Amy Newman
Adalid Nunez-Mendoza Custodial Assistant Human Resources ADP TotalSource Legal Services Lowenstein Sandler, PC Pro-Bono Counsel Bill T. Jones/Arnie Zane Company Barrington Hinds, Dean Michael Husted, Jada Jenai, Shane Larson, s. Lumbert, Danielle Marshall, Nayaa Opong, Marie Paspe, Jacoby Pruitt, Huiwang Zhang
Darnell L. Moore Randy Polumbo Ellen M. Poss Matthew Putman Jane Bovingdon Semel Ruby Shang Catharine R. Stimpson Diana Wege Board Emeritus Derek Brown Terence Dougherty Eleanor Friedman Advisory Council Margaret Doyle, Chair Alberta Arthurs
Randjelović/Stryker Resident Commissioned Artist
Beverly D’Anne Lisa Frigand
Faye Driscoll
Jenette Kahn Susan Micari Alton Murray Lorraine Gallard Lois Greenfield Martha Sherman
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