OUR SEASON OF ANNIVERSARIES CELEBRATING 10 YEARS OF LIVE ARTS AND 40 YEARS OF THE BILL T. JONES/ARNIE ZANE COMPANY
RANDJELOVIĆ/STRYKER RESIDENT COMMISSIONED ARTIST
Raja Feather Kelly | the feather theory WEDNESDAY WORLD PREMIERE DEC 1-4, 8-10, 2021 Written, Choreographed and Directed by Raja Feather Kelly
Performed by Alexandria Giroux, Amy Hoàng, Ashley Chavonne, Chris Bell, Claire Gieringer, Collin Kelly, Jordan King Lighting Design by Tuçe Yasak Sound Design by Raja Feather Kelly Lighting Programer Roya Abab Set Design by You-Shin Chen Scenic Associate: Ant Ma Scenic Design Assistant: Yizhu Pan Costume Design: Brandi Holt and Jordan King Videography by Laura Snow Photography by Kate Enman Assistant Director: Colm Summers Music by Various Artists Additional Music by Christoph Mateka Production Sound : Tye Hunt Fitzgerald Production Assistants: Ami Gernux and Emma Denson Running time: 2 hours Haze and strobe Lights are used throughout the performance
ASL Interpreting provided by Body Language Productions on Dec 9. Interpreting team include: Juana Aguilar: Performance Interpreter Candace Davider: Performance Interpreter Brandon Kazen-Maddox: Performance Interpreter and Coordinator Shelly Guy: Director of ASL
NOW ON VIEW! EDEN: ME/US/HER(2020) Eden: Me/Us/Her features video essays about Elizabeth Debbie Eden by Laura Snow and Raja Feather Kelly and photographs from the creation of WEDNESDAY from Kate Enman. Enjoy this presentation and your experience at Live Arts?
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We acknowledge and pay respect to Lenape people, elders, and ancestors past, present, and coming in the future. We acknowledge Indigenous people who may be present right now. We acknowledge and offer deep gratitude to Lenapehoking where we are now - the land, and waters of the Lenape homeland.
PROGRAM NOTE The archive is in fashion right now--the conceptual archive. The practical archives, bound by time & space, is less fashionable, more work-a-day. It’s the site of managing collections of records, of stuff: the business of ordering, describing, cataloging, showing off to researchers and visitors. As Director of Archives at the LGBT Community Center, I’m in a spreadsheet or a Google doc as often as paging through a set of letters, or taking care of an old scrapbook. Since 1990 it’s been our mission to collect and make available the history of LGBTQ+ New Yorkers, firmly rooted in community. Welcoming people to the archives brings home the point of it all. Raja Feather Kelly first visited in December 2019 to view Liz Eden’s papers, sharing plans of a story from her perspective for once. Her perspective was right there on the page, in the scripts, the affidavits, the fading photos from an extravagant extralegal wedding. Or, was it? What collection, or story, can make claim to the whole of a person? Light-years have passed since then, and Raja and the feath3r theory have beautifully turned the premise of perspective, Eden’s or anyone’s, on its head. The conceptual archive meets the practical. Her collection consists of just four folders of material: 2.5 linear inches. After donation in 1990 (only our sixth gift), we did the work of organizing, cataloging and preserving her papers. We’ve welcomed scholars and community members in for research. We’ve, finally, removed her deadname from the finding aid. It doesn’t end there. the feath3r theory connects with Eden and all of us by going toward the tension inherent to archives. Liz Eden is impossibly more than 2.5 linear inches. Who can speak for her? Who will speak for us? --Cait McCarthy (they/them), Director of Archives at The LGBT Center, archive@gaycenter.org
SPECIAL THANKS I would like to thank the original cast and company: Rachel Pritzlaff, Ami Gernux, and Aaron Moses Robin. I would like to thank the second company and the ensemble that came together on Oct 2019 to help create this work. I would like to thank my confidant Sara Gurevich. I would like to thank my husband, my grandmother and my sisters. I would like to thank Remy. I would like to thank Branden, Lileana, especially Michael. Big thank you and gratitude to Joan Finkelstein at the Wheelhouse, Angela and Colleen at Creative Capital, the wonderful people at the Watermill, Susan Dunn, John Robinson, Karen Bonk, and our wonderful kickstarter supporters! Thank you to my amazing board of directors, Tim Gilligan, Charmaine Warren, Laura Snow, and the new incredible newbies: Cynthia Tate, Torya Beard, and Lauren Morrow. Thank you to the entire team at New York Live Arts. Thank You to my Lucien’s Zayan. Thank you to Roya. Thank you to my company; the feath3r theory. Thank You, Myle, Jannah, and Jave, Dyler. Thank you Lou. Thank You CJ, Sophie, Emil and Emily. Thank You, Eden.
FUNDING WEDNESDAY was commissioned by New York Live Arts and premieres as part of the Randjelović/Stryker Resident Commissioned Artist Program (RCA), with lead support from Andrew W. Mellon Foundation. WEDNESDAY was created in part through a 4 week residency supported by the Andrew W. Mellon foundation. Additional support for WEDNESDAY provided by a creative retreat at The Wheelhouse, a Jerome Hill Artist Fellowship grant from the Jerome Foundation, The Watermill Center’s laboratory for performance, and a residency at Mercury Store.
ABOUT RCA Since its inception, the Randjelović/Stryker Resident Commissioned Artist program has received lead support from Andrew W. Mellon Foundation and has been named for lead donors Jon Stryker and New York Live Arts board Vice-chair Slobodan Randjelović. Since the creation of the program in 2011, Randjelović/Stryker Resident Commissioned Artists have been Yasuko Yokoshi, Kyle Abraham (MacArthur Genius Fellow 2013), Okwui Okpokwasili (MacArthur Genius Fellow 2018), RoseAnne Spradlin, Raja Feather Kelly, and Faye Driscoll.
COMING SOON! Spring 2022 season
OUR SEASON OF ANNIVERSARIES Bill T. Jones/Arnie Zane Company, photo by Maria Baranova
BIOGRAPHIES Choreographer/Director Raja Feather Kelly is the artistic director of the feath3r theory, the dance-theatre-media company that he founded in 2009. Raja is a Creative Associate at The Juilliard School, and has been awarded a Creative Capital Award (2019), a National Dance Project Production Grant (2019), a Breakout Award from the Stage Directors and Choreographers Foundation (2018), Dance Magazine’s inaugural Harkness Promise Award (2018), the Solange MacArthur Award for New Choreography (2016), and is a three-time Princess Grace Award winner (2017, 2018, 2019) and twotime Lucille Lortel Award nominee (2019, 2020). In 2020 he was an Obie Award winner and Outer Critics Circle Award honoree for choreography for the Pulitzerwinning musical A Strange Loop. He was born in Fort Hood, Texas and holds a B.A. in Dance and English from Connecticut College.
Choreography Fellowship, a HERE Arts Fellowship, 2018 Creator-inResidence at Kickstarter, and a Choreography Fellowship at the Center for Ballet and the Arts at NYU. He has been granted a 2019–2021 National Dance Project Production Grant and was featured on the cover of the February 2020 issue of Dance Magazine.
Over the past decade he has created fifteen evening-length works with his company the feath3r theory to critical acclaim. Most recently, UGLY (Black Queer Zoo) at The Bushwick Starr, and We May Never Dance Again® at The Invisible Dog in Brooklyn. Professionally, Raja has performed with Reggie Wilson/ Fist and Heel Performance Group, David Dorfman Dance, Kyle Abraham|Abraham.In.Motion, and zoe | juniper. He has also managed a number of dance companies: Race Dance, Kyle Abraham/ Abraham.In.Motion, zoe | juniper, Raja has been named as the 2019– and Reggie Wilson/Fist and Heel 2020 Randjelović/Stryker Resident Performance Group. Commissioned Artist at New York Live Arts and is an inaugural In 2020, Kelly made his Jerome Hill Artist Fellow. Raja has directorial debut at New York also been awarded a New York City’s Second Stage Theatre Dance Performance Bessie Award, with We’re Gonna Die. Since a Bessie Schonberg Fellowship at 2016, Raja has choreographed The Yard, a DanceWEB Scholarship, extensively for Off-Broadway a New York Foundation for the Arts theatre in New York City, most
notably for Signature Theatre, Soho Rep, New York Theatre Workshop, and Playwrights Horizons. Kelly is the 2019 SDCF Joe A. Callaway Award finalist for outstanding choreography of A Strange Loop (Playwrights Horizons and winner of the 2020 Pulitzer Prize for Drama) and Fairview (Soho Rep, Berkeley Rep, TFANA and winner of the 2019 Pulitzer Prize for Drama). Frequent collaborators include: Lileana Blain-Cruz, Branden Jacobs-Jenkins, Sarah Benson, and Lila Neugebauer. Other theatre credits include choreography for Skittles Commercial: The Musical (Town Hall), The Chronicles of Cardigan and Khente (SohoRep), Everyday Afroplay (JACK), GURLS (Princeton University, Yale Repertory Theatre), Electric Lucifer (The Kitchen), Lempicka (Williamstown Theatre Festival), The House That Will Not Stand (New York Theatre Workshop), Fireflies (Atlantic Theatre Company), If Pretty Hurts Ugly Must Be a Muhfucka (Playwrights Horizons, nominated for the 2019 Lucille Lortel Award and the 2019 Chita Rivera Award for Outstanding Choreography), The Good Swimmer (BAM), and Faust (Opera Omaha). Colm Summers is an Irish theater and opera director based between New York and Dublin.
He is a playwright and essayist. This is Summers third outing with The Feath3r Theory. Recent work includes: love is hard and definitely (probably) worth it by Johnny Lloyd at Clubbed Thumb and La Clemenza di Tito by Milo Rau at Grand Théâtre de Genève, Switzerland. Coming up: The Inheritance by Matthew Lopez (dir. Mike Donohoe) at the Geffen Playhouse, Los Angeles in 2022. He was recently selected for the Pan Pan International Mentorship, Dublin, where he will develop his new work When David Buckel Saved the World, an alternative history of the future - in which we save the world. www. colmsummers.com Tuçe Yasak has been following light in NYC since 2009, creating over 100 site-specific light installations for performance in the US and abroad. Light, movement and architecture intertwine in Yasak’s work to support space-making and story-telling. She received the 2018 and 2019 BESSIE for Outstanding Visual Design with her lighting design for ...Memoirs of a... Unicorn by Marjani ForteSaunders and Oba Qween Baba King Baba by Ni’Ja Whitson. This Bridge Called My Ass by Miguel Gutierrez, JoyUS JustUS by Contra Tiempo, We’re Gonna Die by Young Jean Lee, M---ER by Autumn Knight
are some of her recent works. Her Light Journals were presented in March 2021 by Ars Nova NY and she is currently developing her first individual installation Wall. Tuçe -celebrating her 7th year anniversary of collaboration with Raja Feather Kelly and the feath3r theory- is honored to be a part of WEDNESDAY and she loves Eden, feath3rs and mirror balls. www.micoLUCO.com
immersively in storytelling. Coming from a different culture and background of literature training, her approach to design is interdisciplinary and inclusive. She has worked on Samuel at The Tank, written by Alexis Roblan, directed by Dara Malina. Mover and Shaker directed by Brandon Dirden; A Woman of No Importance directed by Janet Zarish; God’s Ear directed by Jackson Gay. More on: yihsuanma.wixsite.com/ant-setdesign
You-Shin Chen is a USA-based Taiwanese scenic designer. As a theatre collaborator, she is committed to diversity and humanity. You-Shin centers humans, both the characters and the viewers, and their experiences in her process of creating a threedimensional space. Recipient of the 2019 Daryl Roth Creative Spirit Award at The Lilly Awards & Lucille Lortel Award for Outstanding Scenic Design in 2020. Recent credits include UGLY & The KILL ONE Race (Raja Feather Kelly & the feath3r theory); Mlima’s Tale (St. Louis Rep); Troy Anthony’s The Revival: It Is Our Duty (The Shed); Walden (TheaterWorks Hartford); Mrs. Murray’s Menagerie (ArsNova). www.youshinchen.com
Yizhu Pan is a China-born set and production designer currently based in New York City.She is the co-founder of Huangyuan Production Studio in Hangzhou, China. Her theater work credits include Free Spirits (Pamela Berlin), Odyssey (Scott Illingworth), Watermelon Eating Contest (Stevie Walker-Webb). She also assisted Samuel (Dara Malina), Sounds of The Silk Road (Gabriel Barre). She has designed many short films and has designed commercials for companies including Shiseido, NetEase, and Alibaba. Her background in textile design and graphic design is an essential part of her interdisciplinary skillset.
Yi-Hsuan Ma (Ant Ma) is a Taiwanese, scenic and production designer. Ma is interested in exploring and involving the audience’s participation
Kate Enman: Born and based in Brooklyn, Kate is a photography artist. Her work has been published in The New York Times, Time Out New York, and Ain’t
Bad Magazine. Having studied in arts and cultural management and shot in Tel Aviv, Rome, and from Pratt Institute and has New York City, she is currently been working with the feath3r passionate about analog theory since 2019. Holt has been photography - particularly of the a professional illustrator and 35mm variety. Kate delights in fashion designer for the past documenting the world around her, 8 years. Ugly pt 3: Blue which while specializing in portraiture, premiered in Vienna, Austria in dance and still-life. She has August 2021 was her costume recently started her own studio in design debut. Bushwick with her many cats, and continues to look for ways to get Tye Hunt Fitzgerald is a Canadian work done in the bath. born reinforcement and conceptual sound designer and Laura Snow is a documentary engineer based in New York City. filmmaker, Director of Media Design credits include: The Full for New York City Ballet and Monty, The 25th Annual Putnam video collaborator of the feath3r County Spelling Bee (Skylight theory since 2012. Snow most Music Theater), Matilda The recently produced and edited Musical (New Arts), Floyd Collins, Playwright Horizon & the feath3r Wilder Shorts (Lenfest Center theory’s The KILL ONE Race, as For The Arts). Associate Credit well as collaborated on video for Include: Cullud Wattah, The Parts 2 and 3 of the UGLY series, Vagrant Trilogy, The Micheals, HYSTERIA & BLUE, premiering at White Noise, Eve’s Song (The New York Live Arts and Impulstanz Public), Seize The King (Classical Dance Festival. Laura has Theater of Harlem), A Soldiers associate produced documentary Play (Roundabout-Broadway), series and films for PBS, VICE, Alice By Heart (MCC). MFA Sound Discovery and CNN, as well as the Design Yale School of Drama. feature documentary, NEWTOWN (2016). Laura’s solo directorial work Roya Abab, born in Seattle, WA, is includes the short documentaries a New York based lighting designer LEAVE-TAKING (2016) and and programmer. She has been RETURN TO FORM (2021). the Associate Lighting Director of the Alvin Ailey American Dance Brandi Holt is the company Theater since 2011. In her time at manager for the feath3r theory AAADT she has had the pleasure of and executive assistant to Raja working with some of the world’s Feather Kelly. She holds a masters top choreographers and designers.
She greatly enjoys programming for anything from live music to busking a dance party. Ami Elizabeth Gernux, comes from Western MA and lives, performs, learns, works, thrifts, makes soap and the occasional garment in Brooklyn, NY. She is psyched to have worked with Jim Findlay, David Dorfman, Bebe Miller, and Third Rail Projects and finds great joy in costume/makeup design, dried flowers, and wool. Gernux has been a member of the feath3r theory since 2013.
Amy Hoàng (she/her) is a relatively new resident of Brooklyn. Hoàng received her BFA in Dance from the University of North Texas and relocated soon after. Hoàng joined the company in October 2019 and has since been a part of other projects such as The McCarthy Era (live and animated version) and The KILL ONE Race. Aside from dance, Hoàng watches anime, paints (@hotboypaintings), plays the piano, and writes poetry.
Ashley Chavonne is a Detroit native, Brooklyn based performer/ Emma Denson moved to New York instructor and graduate of The Ohio State University. Chavonne in 2020 after graduating with a has worked with Bebe Miller, theatre degree from Mississippi Kathleen Hermesdorf, Detroit State University. She currently Dance Collective, Penny Godboldo assists Colm Summers on his for the PG Institute and Jana Hicks work, most recently a playwriting and Marijke Eliasberg for The workshop with Columbia Next Stage Project. Chavonne University. Recent work: Grudges (Knowledge Workings Theatre Co., began working with Raja Feather Kelly | the feath3r theory in 2019 Assistant Director). Upcoming: and is currently a teaching artist Top Hate (Director, Knowledge and performer with Treehouse Workings Theatre Co.), Psychic Advisor (Assistant Director, Dir. by Shakers Dance Theater Company. Colm Summers) Chris Bell (@chrisbelldances), originally from the Eastside PERFORMERS of San Antonio, Texas. MFA Alexandria Giroux attended New School for the Arts and Academics. (Case Western Reserve) & BS (Lamar) in Dance and because She has danced with Ashleigh he likes camping and the beach Leite, Michou Szabo and apprenticed for Stephen Petronio. a BS in Geology (Lamar). Along with ‘the feath3r theory’ Bell She has been with The Feath3r currently makes work with Eryc Theory since 2018.
Taylor Dance and is a frequent collaborator with (and former choreographic assistant to) Mark Dendy. Bell starred in, Theater in Quarantine’s Mute Swan written by Pulitzer-prize finalist Madeleine George, direction/ choreography by KatieRose McLaughlin. He teaches for Roundabout Theater Company, Marquis Studios, TADA! Youth Theaters, and Marble Collegiate Church, where he’s also the resident choreographer. chrisbelldances.com Claire Gieringer (they/she) is a river nymph, forest faerie, and queer cowgrrrl living, learning, and loving on occupied Lenape and Canarsie land (colonially referred to as Brooklyn). Her artistic and spiritual work explores ownership/ agency of the gender nonconforming body, shapeshifting, boundaries, goddexx mythology, pleasure, erotic labor, spiritual channeling, dissolution of karmic contracts, lunar, solar, and earth based rituals, and the healing of generational wounds, abuse and trauma. In their spare time, you can find Claire making semi-holy pilgrimages up mountains, saying thank you to mirrors, and sending prayers to the moon. Collin Kelly is a 6th generation Montanan, choreographer, dancer, and 500 hr CYT. He studied at The
Royal Winnipeg Ballet School and holds a B.F.A. from The University of Montana. Collin has shown his choreographic work at Ars Nova (2021 AntFest Artist), Theatre in Quarantine, New York Live Arts (2018/2019 Fresh Tracks Artist), Brooklyn Arts Exchange ( 2017/2018 Upstart Artist), Triskelion Arts, Eden’s Expressway, Movement Research at Judson Church, and Dixon Place. He has performed regularly with the feath3r theory since 2015. In his other life, he works as an Account Manager for Justworks. collintkelly.com Jordan King is a multi-disciplinary creative with experience across an array of media, including exhibition curation, makeup design, and performance. King considers herself shaped by drag performance and the traditions of trans performers in cabaret/ burlesque spaces. Jordan is simultaneously an artist, archivist, and historian, her practice rooted in archival research and intergenerational connectivity among trans femmes and queer elders.
LIVE ARTS CONTRIBUTORS New York Live Arts is deeply grateful to all the individuals listed below for their vital gifts to New York Live Arts over the last year: $500,000 and higher Anonymous Slobodan Randjelović & Jon Stryker $100,000-$499,999 Eleanor Friedman Ruth & Stephen Hendel Alex Katz Foundation Ellen M. Poss Jane Bovingdon Semel & Terry Semel / Semel Charitable Foundation $50,000 - $99,999 Anonymous Lorraine Gallard & Richard Levy Suzanne Karpas $25,000 - $49,999 Anonymous Patricia Blanchet / Ed Bradley Family Foundation David Dechman & Michel Mercure Zoe Eskin Adam Flatto Helen & Peter Haje Alexes Hazen James C. Hormel & Michael P. Nguyen in memory of Linda Grass Shapiro Charla Jones Amy Newman & Bud Shulman Barbara & Alan D. Marks Randy Polumbo / Plant Construction Matthew Putman Alanna Rutherford Starry Night Fund at The Chicago Community Foundation Diana Wege / Wege Foundation $10,000 - $24,999 Colleen Keegan Julie Orlando Andrea Rosen Ruby Shang Nina & Gabriel Stricker Leslie Weinberger
$5,000 - $9,999 Deborah Hellman & Derek Brown Paula Cooper & Jack Macrae Caroline & Paul Cronson Claire Danes & Hugh Dancy Anne Delaney Agnes Gund Bill T. Jones & Bjorn Amelan Jeffrey B. & Wendy Liszt Robert Longo Deborah Ronnen Melissa Schiff Soros Cindy Sherman Temple St. Clair & Paul Engler Kristalina & Jack Taylor Williams Family Foundation $1,000 - $4,999 Jody & John Arnhold | Arnhold Foundation Anonymous The Angelson Family Foundation Jonathan J. Cohen Charitable Fund Jeannie Colbert Kim Cullen Emily Dalton Joan Davidson Lil & Jim DeMarse Dobkin Family Foundation Margaret Doyle John Fitzgibbon Mimi Garrard Judith & Steven Gluckstern Michael & Deborah Goldberg Thomas & Barbara Gottschalk Jeanine Heriveaux Jenny Holzer Otho Kerr Spike Lee Nancy Meyer & Marc Weiss Susan Micari Meridee Moore & Kevin King Thomas Nichols & Daniel Chadburn Mark O’Donnell Deborah Pines Rita Salzman The Susan Stein Shiva Foundation Catharine R. Stimpson Megumi & Bruce Williams Timothy Wu & Eric Murphy
$500 - $999 Arthur Aviles Timothy Benning The Marshall Frankel Foundation Sharon Gerstel Tom Hennes Lauren Hutton Olivia Katz Kenneth Machlin Wayne Norbeck John Sansone Deborah Swiderski Gifts and commitments between 7/1/2020-6/30/2021 Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, The Brant Foundation, Inc., Joseph and Joan Cullman Foundation for the Arts, Dance/ NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Samuel M. Levy Family Foundation, The John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, National Performance Network, New England Foundation for the Arts, NYC COVID-19 Response & Impact Fund in the New York Community Trust, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation, Tides Foundation Corporate support for New York Live Arts includes Con Edison, Google, Otter AI, Tito’s Handmade Vodka. Public support for New York Live Arts is from Humanities New York, National Endowment for the Arts, New York City Department of Correction, New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts.
STAFF & BOARD Artistic Leadership
Executive Leadership
Board of Directors
Bill T. Jones Artistic Director
Kim Cullen Executive Director & CEO
Stephen Hendel Co-Chair
Janet Wong Associate Artistic Director
Development
Richard H. Levy Co-Chair
Dave Archuletta Chief Development Officer
Helen Haje Vice Chair
Kyle Maude Producing Director
Ali Burke Individual Giving & Special Events Manager
Slobodan RandjeloviĆ Vice Chair
Hannah Emerson Producer
Erin Baskin Institutional Giving Manager
Veronica Falborn Producer
Candystore Development Assistant
Production
Hans Rasch Institutional Giving Assistant
Hillery Makatura Director of Production
Finance
Bjorn Amelan
Carson Gross Lighting Manager
Nupur Dey Director of Finance
Sarah Arison
Chanel Pinnock Production Coordinator
Manathus Dey Finance Associate
LaToya Ruby Frazier
Creative Director
Operations
Bjorn G. Amelan
Gregory English Operations Manager
Community Engagement & Education
Aneudy Pilier Paulino Custodial Coordinator
Randy Polumbo
Bianca Bailey Community Engagement & Education Manager
Adalid Nunez-Mendoza Custodial Assistant
Matthew Putman
Programming, Producing & Engagement
Human Resources Communications Tyler Ashley Director of Communications Hannah Seiden Communications Coordinator Liliana Dirks-Goodman Graphic Designer Pentagram Pro-Bono Branding Randjelović/Stryker Resident Commissioned Artist
ADP TotalSource
Alan Marks Treasurer Alanna Rutherford Secretary Bill T. Jones Artistic Director Ex-Officio Kim Cullen Chief Executive Officer Ex-Officio
Aimee Meredith Cox Charla Jones Colleen Keegan Darnell L. Moore Amy Newman Ellen M. Poss Jane Bovingdon Semel Ruby Shang Catharine R. Stimpson Diana Wege
Legal Services
Board Emeritus
Lowenstein Sandler, PC Pro-Bono Counsel
Derek Brown
Bill T. Jones/Arnie Zane Company
Eleanor Friedman
Barrington Hinds, Dean Michael Husted, Jada Jenai, Shane Larson, s. Lumbert, Danielle Marshall, Nayaa Opong, Marie Paspe, Jacoby Pruitt, Huiwang Zhang
Faye Driscoll
Terence Dougherty
Advisory Council Margaret Doyle, Chair Alberta Arthurs Beverly D’Anne Lisa Frigand
Raja Feather Kelly
Jenette Kahn Susan Micari Alton Murray Lorraine Gallard Lois Greenfield
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