2022 OUR SEASON OF ANNIVERSARIES CELEBRATING 10 YEARS OF LIVE ARTS AND 40 YEARS OF THE BILL T. JONES/ARNIE ZANE COMPANY
Raja Feather Kelly | the feath3r theory WEDNESDAY RELEASED JAN 16, 730PM Written, Choreographed and Directed by Raja Feather Kelly Performed by Alexandria Giroux, Amy Hoàng, Ashley Chavonne, Chris Bell, Claire Gieringer, Collin Kelly, Jordan King Lighting Design by Tuçe Yasak Sound Design by Raja Feather Kelly Lighting Programer Roya Abab Set Design by You-Shin Chen Scenic Associate: Ant Ma Scenic Design Assistant: Yizhu Pan Costume Design: Brandi Holt and Jordan King Videography by Laura Snow Photography by Kate Enman Assistant Director: Colm Summers Music by Various Artists Additional Music by Christoph Mateka Production Sound : Tye Hunt Fitzgerald Production Assistants: Ami Gernux and Emma Denson Haze and strobe Lights are used throughout the performance Cover image by Kate Enman
Running time: 2 hours WEDNESDAY premiered December 2021 at New York Live Arts. Enjoy this presentation and your experience at Live Arts?
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FUNDING WEDNESDAY was commissioned by New York Live Arts and premiered as part of the Randjelović/Stryker Resident Commissioned Artist Program (RCA), with lead support from Andrew W. Mellon Foundation. WEDNESDAY was the recipient of a 2019 Creative Capital Award. WEDNESDAY was created in part through a 4 week residency supported by the Andrew W. Mellon foundation. Additional support for WEDNESDAY provided by a creative retreat at The Wheelhouse, a Jerome Hill Artist Fellowship grant from the Jerome Foundation, The Watermill Center’s laboratory for performance, and a residency at Mercury Store.
We acknowledge and pay respect to Lenape people, elders, and ancestors past, present, and coming in the future. We acknowledge Indigenous people who may be present right now. We acknowledge and offer deep gratitude to Lenapehoking where we are now - the land, and waters of the Lenape homeland.
ABOUT RCA Since its inception, the Randjelović/Stryker Resident Commissioned Artist program has received lead support from Andrew W. Mellon Foundation and has been named for lead donors Jon Stryker and New York Live Arts board Vice-chair Slobodan Randjelović. Since the creation of the program in 2011, Randjelović/Stryker Resident Commissioned Artists have been Yasuko Yokoshi, Kyle Abraham (MacArthur Genius Fellow 2013), Okwui Okpokwasili (MacArthur Genius Fellow 2018), RoseAnne Spradlin, Raja Feather Kelly, and Faye Driscoll.
PROGRAM NOTE The archive is in fashion right now--the conceptual archive. The practical archives, bound by time & space, is less fashionable, more work-a-day. It’s the site of managing collections of records, of stuff: the business of ordering, describing, cataloging, showing off to researchers and visitors. As Director of Archives at the LGBT Community Center, I’m in a spreadsheet or a Google doc as often as paging through a set of letters, or taking care of an old scrapbook. Since 1990 it’s been our mission to collect and make available the history of LGBTQ+ New Yorkers, firmly rooted in community. Welcoming people to the archives brings home the point of it all. Raja Feather Kelly first visited in December 2019 to view Liz Eden’s papers, sharing plans of a story from her perspective for once. Her perspective was right there on the page, in the scripts, the affidavits, the fading photos from an extravagant extralegal wedding. Or, was it? What collection, or story, can make claim to the whole of a person? Light-years have passed since then, and Raja and the feath3r theory have beautifully turned the premise of perspective, Eden’s or anyone’s, on its head. The conceptual archive meets the practical. Her collection consists of just four folders of material: 2.5 linear inches. After donation in 1990 (only our sixth gift), we did the work of organizing, cataloging and preserving her papers. We’ve welcomed scholars and community members in for research. We’ve, finally, removed her deadname from the finding aid. It doesn’t end there. the feath3r theory connects with Eden and all of us by going toward the tension inherent to archives. Liz Eden is impossibly more than 2.5 linear inches. Who can speak for her? Who will speak for us? --Cait McCarthy (they/them), Director of Archives at The LGBT Center, archive@gaycenter.org
SPECIAL THANKS I would like to thank the original cast and company: Rachel Pritzlaff, Ami Gernux, and Aaron Moses Robin. I would like to thank the second company and the ensemble that came together on Oct 2019 to help create this work. I would like to thank my confidant Sara Gurevich. I would like to thank my husband, my grandmother and my sisters. I would like to thank Remy. I would like to thank Branden, Lileana, especially Michael. Big thank you and gratitude to Joan Finkelstein at the Wheelhouse, Angela and Colleen at Creative Capital, the wonderful people at the Watermill, Susan Dunn, John Robinson, Karen Bonk, and our wonderful kickstarter supporters! Thank you to my amazing board of directors, Tim Gilligan, Charmaine Warren, Laura Snow, and the new incredible newbies: Cynthia Tate, Torya Beard, and Lauren Morrow. Thank you to the entire team at New York Live Arts. Thank You to my Lucien’s Zayan. Thank you to Roya. Thank you to my company; the feath3r theory. Thank You, Myle, Jannah, and Jave, Dyler. Thank you Lou. Thank You CJ, Sophie, Emil and Emily. Thank You, Eden.
BIOGRAPHIES Choreographer/Director Raja Feather Kelly is the artistic director of the feath3r theory, the dance-theatre-media company that he founded in 2009. Raja is a Creative Associate at The Juilliard School, and has been awarded a Creative Capital Award (2019), a National Dance Project Production Grant (2019), a Breakout Award from the Stage Directors and Choreographers Foundation (2018), Dance Magazine’s inaugural Harkness Promise Award (2018), the Solange MacArthur Award for New Choreography (2016), and is a three-time Princess Grace Award winner (2017, 2018, 2019) and twotime Lucille Lortel Award nominee (2019, 2020). In 2020 he was an Obie Award winner and Outer Critics Circle Award honoree for choreography for the Pulitzerwinning musical A Strange Loop. He was born in Fort Hood, Texas and holds a B.A. in Dance and English from Connecticut College. Raja has been named as the 2019– 2020 Randjelović/Stryker Resident Commissioned Artist at New York Live Arts and is an inaugural Jerome Hill Artist Fellow. Raja has also been awarded a New York Dance Performance Bessie Award, a Bessie Schonberg Fellowship at The Yard, a DanceWEB Scholarship, a New York Foundation for the Arts
Choreography Fellowship, a HERE Arts Fellowship, 2018 Creator-inResidence at Kickstarter, and a Choreography Fellowship at the Center for Ballet and the Arts at NYU. He has been granted a 2019–2021 National Dance Project Production Grant and was featured on the cover of the February 2020 issue of Dance Magazine. Over the past decade he has created fifteen evening-length works with his company the feath3r theory to critical acclaim. Most recently, UGLY (Black Queer Zoo) at The Bushwick Starr, and We May Never Dance Again® at The Invisible Dog in Brooklyn. Professionally, Raja has performed with Reggie Wilson/ Fist and Heel Performance Group, David Dorfman Dance, Kyle Abraham|Abraham.In.Motion, and zoe | juniper. He has also managed a number of dance companies: Race Dance, Kyle Abraham/ Abraham.In.Motion, zoe | juniper, and Reggie Wilson/Fist and Heel Performance Group. In 2020, Kelly made his directorial debut at New York City’s Second Stage Theatre with We’re Gonna Die. Since 2016, Raja has choreographed extensively for OffBroadway theatre in New York City, most notably for Signature Theatre,
Soho Rep, New York Theatre Workshop, and Playwrights Horizons. Kelly is the 2019 SDCF Joe A. Callaway Award finalist for outstanding choreography of A Strange Loop (Playwrights Horizons and winner of the 2020 Pulitzer Prize for Drama) and Fairview (Soho Rep, Berkeley Rep, TFANA and winner of the 2019 Pulitzer Prize for Drama). Frequent collaborators include: Lileana Blain-Cruz, Branden Jacobs-Jenkins, Sarah Benson, and Lila Neugebauer. Other theatre credits include choreography for Skittles Commercial: The Musical (Town Hall), The Chronicles of Cardigan and Khente (SohoRep), Everyday Afroplay (JACK), GURLS (Princeton University, Yale Repertory Theatre), Electric Lucifer (The Kitchen), Lempicka (Williamstown Theatre Festival), The House That Will Not Stand (New York Theatre Workshop), Fireflies (Atlantic Theatre Company), If Pretty Hurts Ugly Must Be a Muhfucka (Playwrights Horizons, nominated for the 2019 Lucille Lortel Award and the 2019 Chita Rivera Award for Outstanding Choreography), The Good Swimmer (BAM), and Faust (Opera Omaha). Colm Summers is an Irish theater and opera director based between New York and Dublin. He is a playwright and essayist.
This is Summers third outing with The Feath3r Theory. Recent work includes: love is hard and definitely (probably) worth it by Johnny Lloyd at Clubbed Thumb and La Clemenza di Tito by Milo Rau at Grand Théâtre de Genève, Switzerland. Coming up: The Inheritance by Matthew Lopez (dir. Mike Donohoe) at the Geffen Playhouse, Los Angeles in 2022. He was recently selected for the Pan Pan International Mentorship, Dublin, where he will develop his new work When David Buckel Saved the World, an alternative history of the future - in which we save the world. colmsummers.com Tuçe Yasak has been following light in NYC since 2009, creating over 100 site-specific light installations for performance in the US and abroad. Light, movement and architecture intertwine in Yasak’s work to support space-making and story-telling. She received the 2018 and 2019 BESSIE for Outstanding Visual Design with her lighting design for ...Memoirs of a... Unicorn by Marjani ForteSaunders and Oba Qween Baba King Baba by Ni’Ja Whitson. This Bridge Called My Ass by Miguel Gutierrez, JoyUS JustUS by Contra Tiempo, We’re Gonna Die by Young Jean Lee, M---ER by Autumn Knight are some of her recent works. Her
Light Journals were presented in March 2021 by Ars Nova NY and she is currently developing her first individual installation Wall. Tuçe -celebrating her 7th year anniversary of collaboration with Raja Feather Kelly and the feath3r theory- is honored to be a part of WEDNESDAY and she loves Eden, feath3rs and mirror balls. micoLUCO.com
Coming from a different culture and background of literature training, her approach to design is interdisciplinary and inclusive. She has worked on Samuel at The Tank, written by Alexis Roblan, directed by Dara Malina. Mover and Shaker directed by Brandon Dirden; A Woman of No Importance directed by Janet Zarish; God’s Ear directed by Jackson Gay. More on: yihsuanma.wixsite.com/antsetdesign
You-Shin Chen is a USA-based Taiwanese scenic designer. As a theatre collaborator, she is Yizhu Pan is a China-born committed to diversity and set and production designer humanity. You-Shin centers currently based in New York humans, both the characters and City. She is the co-founder of the viewers, and their experiences Huangyuan Production Studio in her process of creating a in Hangzhou, China. Her theater threedimensional space. Recipient work credits include Free Spirits of the 2019 Daryl Roth Creative (Pamela Berlin), Odyssey (Scott Spirit Award at The Lilly Awards Illingworth), Watermelon Eating & Lucille Lortel Award for Contest (Stevie Walker-Webb). Outstanding Scenic Design in 2020. She also assisted Samuel (Dara Recent credits include UGLY & The Malina), Sounds of The Silk Road KILL ONE Race (Raja Feather Kelly (Gabriel Barre). She has designed & the feath3r theory); Mlima’s Tale many short films and has designed (St. Louis Rep); Troy Anthony’s The commercials for companies Revival: It Is Our Duty (The Shed); including Shiseido, NetEase, Walden (TheaterWorks Hartford); and Alibaba. Her background Mrs. Murray’s Menagerie in textile design and graphic (ArsNova). youshinchen.com design is an essential part of her interdisciplinary skillset. Yi-Hsuan Ma (Ant Ma) is a Taiwanese, scenic and production Kate Enman: Born and based in designer. Ma is interested Brooklyn, Kate is a photography in exploring and involving artist. Her work has been the audience’s participation published in The New York Times, immersively in storytelling. Time Out New York, and Ain’t
Bad Magazine. Having studied and shot in Tel Aviv, Rome, and New York City, she is currently passionate about analog photography - particularly of the 35mm variety. Kate delights in documenting the world around her, while specializing in portraiture, dance and still-life. She has recently started her own studio in Bushwick with her many cats, and continues to look for ways to get work done in the bath.
in arts and cultural management from Pratt Institute and has been working with the feath3r theory since 2019. Holt has been a professional illustrator and fashion designer for the past 8 years. Ugly pt 3: Blue which premiered in Vienna, Austria in August 2021 was her costume design debut.
Tye Hunt Fitzgerald is a Canadian born reinforcement and conceptual sound designer and engineer based in New York City. Laura Snow is a documentary Design credits include: The Full filmmaker, Director of Media Monty, The 25th Annual Putnam for New York City Ballet and County Spelling Bee (Skylight video collaborator of the feath3r Music Theater), Matilda The theory since 2012. Snow most Musical (New Arts), Floyd Collins, recently produced and edited Wilder Shorts (Lenfest Center Playwright Horizon & the feath3r For The Arts). Associate Credit theory’s The KILL ONE Race, as Include: Cullud Wattah, The well as collaborated on video for Vagrant Trilogy, The Micheals, Parts 2 and 3 of the UGLY series, White Noise, Eve’s Song (The HYSTERIA & BLUE, premiering at New York Live Arts and Impulstanz Public), Seize The King (Classical Theater of Harlem), A Soldiers Dance Festival. Laura has Play (Roundabout-Broadway), associate produced documentary Alice By Heart (MCC). MFA Sound series and films for PBS, VICE, Design Yale School of Drama. Discovery and CNN, as well as the Roya Abab, born in Seattle, WA, is feature documentary, NEWTOWN (2016). Laura’s solo directorial work a New York based lighting designer and programmer. She has been includes the short documentaries the Associate Lighting Director of LEAVE-TAKING (2016) and the Alvin Ailey American Dance RETURN TO FORM (2021). Theater since 2011. In her time at AAADT she has had the pleasure of Brandi Holt is the company working with some of the world’s manager for the feath3r theory top choreographers and designers. and executive assistant to Raja She greatly enjoys programming Feather Kelly. She holds a masters
for anything from live music to busking a dance party. Ami Elizabeth Gernux, comes from Western MA and lives, performs, learns, works, thrifts, makes soap and the occasional garment in Brooklyn, NY. She is psyched to have worked with Jim Findlay, David Dorfman, Bebe Miller, and Third Rail Projects and finds great joy in costume/makeup design, dried flowers, and wool. Gernux has been a member of the feath3r theory since 2013. Emma Denson moved to New York in 2020 after graduating with a theatre degree from Mississippi State University. She currently assists Colm Summers on his work, most recently a playwriting workshop with Columbia University. Recent work: Grudges (Knowledge Workings Theatre Co., Assistant Director). Upcoming: Top Hate (Director, Knowledge Workings Theatre Co.), Psychic Advisor (Assistant Director, Dir. by Colm Summers) PERFORMERS Alexandria Giroux attended New School for the Arts and Academics. She has danced with Ashleigh Leite, Michou Szabo and apprenticed for Stephen Petronio. She has been with The Feath3r Theory since 2018.
Amy Hoàng (she/her) is a relatively new resident of Brooklyn. Hoàng received her BFA in Dance from the University of North Texas and relocated soon after. Hoàng joined the company in October 2019 and has since been a part of other projects such as The McCarthy Era (live and animated version) and The KILL ONE Race. Aside from dance, Hoàng watches anime, paints (@hotboypaintings), plays the piano, and writes poetry. Ashley Chavonne is a Detroit native, Brooklyn based performer/ instructor and graduate of The Ohio State University. Chavonne has worked with Bebe Miller, Kathleen Hermesdorf, Detroit Dance Collective, Penny Godboldo for the PG Institute and Jana Hicks and Marijke Eliasberg for The Next Stage Project. Chavonne began working with Raja Feather Kelly | the feath3r theory in 2019 and is currently a teaching artist and performer with Treehouse Shakers Dance Theater Company. Chris Bell (@chrisbelldances), originally from the Eastside of San Antonio, Texas. MFA (Case Western Reserve) & BS (Lamar) in Dance and because he likes camping and the beach a BS in Geology (Lamar). Along with ‘the feath3r theory’ Bell currently makes work with Eryc Taylor Dance and is a frequent
collaborator with (and former choreographic assistant to) Mark Dendy. Bell starred in, Theater in Quarantine’s Mute Swan written by Pulitzer-prize finalist Madeleine George, direction/ choreography by KatieRose McLaughlin. He teaches for Roundabout Theater Company, Marquis Studios, TADA! Youth Theaters, and Marble Collegiate Church, where he’s also the resident choreographer. chrisbelldances.com Claire Gieringer (they/she) is a river nymph, forest faerie, and queer cowgrrrl living, learning, and loving on occupied Lenape and Canarsie land (colonially referred to as Brooklyn). Her artistic and spiritual work explores ownership/ agency of the gender nonconforming body, shapeshifting, boundaries, goddexx mythology, pleasure, erotic labor, spiritual channeling, dissolution of karmic contracts, lunar, solar, and earth based rituals, and the healing of generational wounds, abuse and trauma. In their spare time, you can find Claire making semi-holy pilgrimages up mountains, saying thank you to mirrors, and sending prayers to the moon. Collin Kelly is a 6th generation Montanan, choreographer, dancer, and 500 hr CYT. He studied at The
Royal Winnipeg Ballet School and holds a B.F.A. from The University of Montana. Collin has shown his choreographic work at Ars Nova (2021 AntFest Artist), Theatre in Quarantine, New York Live Arts (2018/2019 Fresh Tracks Artist), Brooklyn Arts Exchange ( 2017/2018 Upstart Artist), Triskelion Arts, Eden’s Expressway, Movement Research at Judson Church, and Dixon Place. He has performed regularly with the feath3r theory since 2015. In his other life, he works as an Account Manager for Justworks. collintkelly.com Jordan King is a multi-disciplinary creative with experience across an array of media, including exhibition curation, makeup design, and performance. King considers herself shaped by drag performance and the traditions of trans performers in cabaret/ burlesque spaces. Jordan is simultaneously an artist, archivist, and historian, her practice rooted in archival research and intergenerational connectivity among trans femmes and queer elders.
2022 Virtual Artery features performances that recently premiered in our theater. All video is available from its release through Jan 31. Christopher Williams, NARCISSUS Released Jan 13th Colleen Thomas, light & desire Released Jan 14th Saul Williams & Friends, The Motherboard Suite Released Jan 15th Raja Feather Kelly | the feath3r theory, WEDNESDAY Released Jan 16th Kenyon Adams, PRAYERS OF THE PEOPLE Released Jan 17th
LIVE ARTS CONTRIBUTORS New York Live Arts is deeply grateful to all the individuals listed below for their vital gifts to New York Live Arts over the last year: $500,000 and higher Anonymous Slobodan Randjelović & Jon Stryker $100,000-$499,999 Eleanor Friedman Ruth & Stephen Hendel Alex Katz Foundation Ellen M. Poss Jane Bovingdon Semel & Terry Semel / Semel Charitable Foundation $50,000 - $99,999 Anonymous Lorraine Gallard & Richard Levy Suzanne Karpas $25,000 - $49,999 Anonymous Patricia Blanchet / Ed Bradley Family Foundation David Dechman & Michel Mercure Zoe Eskin Adam Flatto Helen & Peter Haje Alexes Hazen James C. Hormel & Michael P. Nguyen in memory of Linda Grass Shapiro Charla Jones Amy Newman & Bud Shulman Barbara & Alan D. Marks Randy Polumbo / Plant Construction Matthew Putman Alanna Rutherford Starry Night Fund at The Chicago Community Foundation Diana Wege / Wege Foundation $10,000 - $24,999 Colleen Keegan Julie Orlando Andrea Rosen Ruby Shang Nina & Gabriel Stricker Leslie Weinberger
$5,000 - $9,999 Deborah Hellman & Derek Brown Paula Cooper & Jack Macrae Caroline & Paul Cronson Claire Danes & Hugh Dancy Anne Delaney Agnes Gund Bill T. Jones & Bjorn Amelan Jeffrey B. & Wendy Liszt Robert Longo Deborah Ronnen Melissa Schiff Soros Cindy Sherman Temple St. Clair & Paul Engler Kristalina & Jack Taylor Williams Family Foundation $1,000 - $4,999 Jody & John Arnhold | Arnhold Foundation Anonymous The Angelson Family Foundation Jonathan J. Cohen Charitable Fund Jeannie Colbert Kim Cullen Emily Dalton Joan Davidson Lil & Jim DeMarse Dobkin Family Foundation Margaret Doyle John Fitzgibbon Mimi Garrard Judith & Steven Gluckstern Michael & Deborah Goldberg Thomas & Barbara Gottschalk Jeanine Heriveaux Jenny Holzer Otho Kerr Spike Lee Nancy Meyer & Marc Weiss Susan Micari Meridee Moore & Kevin King Thomas Nichols & Daniel Chadburn Mark O’Donnell Deborah Pines Rita Salzman The Susan Stein Shiva Foundation Catharine R. Stimpson Megumi & Bruce Williams Timothy Wu & Eric Murphy
$500 - $999 Arthur Aviles Timothy Benning The Marshall Frankel Foundation Sharon Gerstel Tom Hennes Lauren Hutton Olivia Katz Kenneth Machlin Wayne Norbeck John Sansone Deborah Swiderski Gifts and commitments between 7/1/2020-6/30/2021 Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, The Brant Foundation, Inc., Joseph and Joan Cullman Foundation for the Arts, Dance/ NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Samuel M. Levy Family Foundation, The John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, National Performance Network, New England Foundation for the Arts, NYC COVID-19 Response & Impact Fund in the New York Community Trust, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation, Tides Foundation Corporate support for New York Live Arts includes Con Edison, Google, Otter AI, Tito’s Handmade Vodka. Public support for New York Live Arts is from Humanities New York, National Endowment for the Arts, New York City Department of Correction, New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts.
STAFF & BOARD Artistic Leadership
Executive Leadership
Board of Directors
Bill T. Jones Artistic Director
Kim Cullen Executive Director & CEO
Stephen Hendel Co-Chair
Janet Wong Associate Artistic Director
Ali Burke Chief of Staff
Richard H. Levy Co-Chair
Programming, Producing & Engagement
Development
Helen Haje Vice Chair
Dave Archuletta Chief Development Officer
Slobodan RandjeloviĆ Vice Chair
Erin Baskin Institutional Giving Manager
Alan D. Marks Treasurer
Candystore Development Assistant
Alanna Rutherford Secretary
Kyle Maude Producing Director Hannah Emerson Producer Veronica Falborn Producer Production Hillery Makatura Director of Production Zaire Baptiste Interim Technical Director Carson Gross Lighting Manager Chanel Pinnock Production Manager Creative Director Bjorn G. Amelan Community Engagement & Education Bianca Bailey Community Engagement & Education Manager Communications Tyler Ashley Director of Communications Hannah Seiden Communications Coordinator Liliana Dirks-Goodman Graphic Designer Pentagram Pro-Bono Branding
Hans Rasch Institutional Giving Assistant Finance Nupur Dey Director of Finance Manathus Dey Finance Associate Operations
Bill T. Jones Artistic Director Ex-Officio Kim Cullen Chief Executive Officer Ex-Officio Willard Ahdritz Bjorn Amelan Sarah Arison Aimee Meredith Cox LaToya Ruby Frazier Charla Jones
Gregory English Operations Manager
Colleen Keegan
Aneudy Pilier Paulino Custodial Coordinator
Amy Newman
Adalid Nunez-Mendoza Custodial Assistant Human Resources ADP TotalSource Legal Services Lowenstein Sandler, PC Pro-Bono Counsel Bill T. Jones/Arnie Zane Company Barrington Hinds, Dean Michael Husted, Jada Jenai, Shane Larson, s. Lumbert, Danielle Marshall, Nayaa Opong, Marie Paspe, Jacoby Pruitt, Huiwang Zhang
Darnell L. Moore Randy Polumbo Ellen M. Poss Matthew Putman Jane Bovingdon Semel Ruby Shang Catharine R. Stimpson Diana Wege Board Emeritus Derek Brown Terence Dougherty Eleanor Friedman Advisory Council Margaret Doyle, Chair Alberta Arthurs
Randjelović/Stryker Resident Commissioned Artist
Beverly D’Anne Lisa Frigand
Faye Driscoll
Jenette Kahn Susan Micari Alton Murray Lorraine Gallard Lois Greenfield Martha Sherman
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