SIGNATURE J Nigel
Barker
Noted Photographer Captures the Diversity of Beauty
SJM Q&A with
Cynthia Bailey INSIDE
DESTINATION
MONTRÉAL! Poised & Classic Misty Copeland Dances Her Way to the Top
A Conversation with
Essence Atkins
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IMWATCH.IT
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Editor’s Note
No matter the focus of your passion or expertise, there are many opportunities to make a positive difference in the lives of others. Every person has extraordinary talents and bona fide skills to not only achieve personal pursuits but also to build equity beyond the sphere of self. Whether your interest may be dance, fashion, music or entrepreneurship among others, now it is the time to map your journey, step out of your comfort zone, and leap into faith. Make it your mission to do you 100 percent! This issue of Signature J Magazine features dynamic individuals who embraced their chosen path with commitment and dedication to become respected leaders in their endeavors. More importantly, though, they use their talents to form a platform to positively influence the world around them. Be inspired from the journey of Misty Copeland whose determination solidified her place in the history of classical dance. Be motivated by Nigel Barker and his mastery of the camera to artistically reflect the beauty of the human spirit regardless of the backdrop. Develop the tenacity like Martha Wash to never compromise who you are and what you want to become. Page after page, SJM offers fascinating information and insight into people who are influential trendsetters in cultural venues such as entertainment, the arts, travel, food, beauty, fashion and more. I hope you will be motivated and inspired! Welcome to another exciting issue of Signature J Magazine! Enjoy, Malinda J. Pernell Editor-in-Chief info@signaturejmagazine.com
Photo Credit: Cover: Courtesy of Nigel Barker, Current Page Photo:Urban stay - Bassin Bonsecours skating rink, Vieux-Port de Montréal – Montréal
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Contributors CEO/CO-PUBLISHER AND FOUNDER JANET CRUZ CO-PUBLISHER RODNEY CRUZ PRESIDENT MAC SHIELDS VICE PRESIDENT JALA CRUZ EDITOR-IN-CHIEF MALINDA J. PERNELL LEAD GRAPHIC DESIGNER JALA CRUZ Contributing Writers Malinda J. Pernell, Rodney Cruz Images Courtesy Of: Nigel Barker John Paul Attaker Misty Copeland ImWatch bonjourquebec.com
Advertising Inquiries adsales@signaturejmagazine.com The views expressed by various contributors are not necessarily the views of the corporation or its owners; nor is the corporation or its owners liable for any typographical errors or omission contained herein. Nothing may be reprinted in whole or in part without written permission from publisher. Copyright 2011 Cruz Publishing, LLC. All Rights Reserved
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Photo Credit: Montréal skyline by night - - Montréal
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FASHION Elegance by Design: The Glamorous Style of John Paul Ataker
BEAUTY 16 Color Africa Glamorous: The Making of SuzieBeauty ENTERTAINMENT 12 Martha Wash Delivers Something Good for the Heart and Soul 20 Frenchie Davis: In Charge and In Control TRAVEL & LEISURE 24 Destination Montreal 30 MontrĂŠal Snow Village FOOD 36 The Culinary Enchantment Of Gastronomy
FEATURES
18 A Conversation with Essence Atkins 26 Poised and Classic: Misty Copeland Dances Her Way to the Top 32 The Story is in the Picture: A Snapshot of Nigel Barker 40 SJM Q&A with Cynthia Bailey
CONTENTS
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Photo Credit: Courtesy of John Paul Attaker
Elegance by Design
The Glamorous Style of
John Paul Ataker by Malinda Pernell
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Photo Credit: All photos:Courtesy of John Paul Attaker
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W
ell-known in the international fashion trade, the family name Ataker is recognized for its execution and mastery of meticulous tailoring. Respected by renowned European designers and prestigious fashion houses, the brand is synonymous with superior craftsmanship, precision fit and unmatched originality. With its remarkable reputation and team of talented designers and master tailors, the family-owned business eventually evolved into creating and designing fabrics with the launch of Nimet Ataker Textile. Because of the intricate, distinctive characteristics of its luxurious textiles, the company is widely celebrated as one of the premier wholesale manufacturers in Europe.
Inspired by the mesmerizing grandeur of opera, every garment captures and radiates the virtue of sophisticated glamour at its best. For the woman who embraces her femininity defined by regal elegance and cosmopolitan finesse, each original creation appeals to the ambiance of modern, yet graceful, charisma. “It is our intent that the contemporary woman who wears a John Paul Ataker dress feels like a queen, in essence and in style,” states Ataker. Earning accolades for its form flattering fit and creatively refined designs, the noteworthy house continues to make its emerging presence as a global fashion brand. Currently, preparation is underway for its highly anticipated major showing during the upcoming New York Fashion Week. “We feel rewarded when we see the John Paul Ataker collection on a catwalk or featured in a photo shoot,” says Ataker. “The ultimate goal is to stay unique and to connect that unique originality with commercial attitude.” As it undeniably exudes polished elegance by design, the John Paul Ataker collection is destined to solidify its standing as a major label worldwide.
As a natural progression, John Paul Ataker most recently expanded its standard of excellence and credentials by developing its first women’s clothing line. John Paul Ataker New York, which opened its salon doors in 2012, marks its first showroom appearance in the United States. Inside, the salon features an incredible collection of shunning gowns and dazzling dresses which currently is constructed in Europe, then shipped to the New York studio. With an emphasis on timeless elegance and superb design, the fashion line continues the trademark of the Ataker brand for fine textiles, immaculate tailoring and extraordinary designs. According to Kerime Ataker, co-founder and president, the creative fluidity between its design and aesthetic concepts reflects the harmonious, artistic collaboration of its textile designers and couturiers in crafting stunning, stylish apparel. “When the design is strong, there should be a clear aesthetic vision,” states Ataker. “When there is aesthetic, then you have an impressive design.”
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Martha
Wash HeartSoul Delivers Something Good for the
Interviewed by Rod Cruz
With nearly forty years in the entertainment arena, legendary vocal powerhouse Martha Wash continues to demonstrate the strength of her musical longevity. During the disco era, she came into prominence along with Izora Rhodes Armstead for their work as Two Tons O’ Fun, the featured background vocalists for famed performer Sylvester. During the 1980s, the duet, then renamed the Weather Girls, released its signature dance classic, It’s Raining Men, which propelled them into the international spotlight. After a successful run with the Weather Girls, Wash pursued a solo recording career that highlights numerous chart-topping hits. However, due to the lack of credit and appropriate royalties for singing vocals on such songs including Black Box’s Everybody Everybody and C+C Music Factory’s Gonna Make You Sweat (Everybody Dance Now) among others, she triumphantly sued, which ultimately led to mandatory vocal credits on albums and music videos.
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Photo Credit: Gor Meqaera
and
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Photo Credit: Gor Meqaera
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In addition to her astounding musical calling, Wash is known for her extensive social activism and philanthropy including her advocacy on behalf of autism, AID/HIV prevention, and gay rights. Most recently, Wash released her first studio album in twenty years on her label, Purple Rose Records. While an intentional departure from the dance sound widely associated with Wash, Something Good, which features adult contemporary music, reminds listeners of the commanding, powerful voice which made her famous, still in demand and popularity. She speaks exclusively with Signature J, offering her perspective about her latest venture, her remarkable career, and the evolving music industry.
SJM: Have you evolved into the type of artist who knows exactly what you want in terms of your music? Wash: Well, yes. Over the years, I have grown as an artist. I like all kinds of music, and I did not want to become an artist in one particular genre. I always have strived to be able to sing the type of music that I wanted to sing when dealing with record labels, especially years ago when you had to sing the music they wanted you to sing especially if you are making money for them. I believe the artist should grow and expand. Sometimes, it works, and sometimes it does not. But, they should be given the chance to grow and take the fans along on that journey. SJM: Have you received many requests to do collaboration work? Wash: No, I cannot say that I have. People reach out to me every now and then, but mostly, I have passed on these opportunities. However, I worked with a group, Doctor Hollywood, and performed several tracks for them. SJM: Who would you love to work with from a music recording standpoint? Wash: I would love to work with Aretha Franklin. It would be a dream comes true to work with her. SJM: What advice do you offer to aspiring artists who want to go into the music business? Wash: Be prepared for rejection, but do not let it stop you. If you have the passion and you feel you can deal with everything that comes with the business, stick with it. Get educated about the music business and learn as much as you can.
SJM: What inspired you to release new music? Wash: It has been a few years since I release a complete CD, and my manager said it is a good time to do it so we decided to get started on it. The CD is a departure from the type of music that people are used to me singing, but I am happy with the songs I have chosen for this new project. SJM: What do you ultimately want your legacy to be? Wash: I would like to leave people with a legacy of great music to inspire and empower, songs which will continue on after me. SJM: What do you think of the current state of music today? Wash: I think we need to have more music for the soul. There are many genres of music, and I like most of them. But, music today is more about what the record company wants people to hear, and many times that is not good to me. That is my personal opinion. SJM: What music are you listening to right now? Wash: I listen to a lot of gospel which is my roots. So, most of the time, it is what I am listening to. SJM: You worked with two legendary recording artists, Luther Vandross and Sylvester. What aspects made them great? Wash: I started working professionally with Sylvester as a singer. He was ahead of his time in terms of his musical talent and persona, but Sylvester never received the credit he deserved in the music industry. Luther was the consummate artist. When I worked with him, Luther always knew what he wanted and never settled for less.
SJM: Are you a fan of the reality music shows? Do you think this a viable option for an artist to break into the business? Wash: Yes because it offers exposure. I would say do it, and do it as best and as well as you can. The music business is not easy. You really have to stay in there and deal with all the craziness that comes with being in this business. SJM: What has been the secret to your success and longevity? Wash: This is what I have done for a long time so I am not sure what else I would do. I have been singing since I was a little girl. Several times I have thought about stopping, but I have held on and kept working. If the notoriety was not there, people would say, “Whatever happened to Martha Wash?” Well, Martha Wash continues to work! SJM: What do you for fun? Wash: I am not a club person so I do not go to the clubs. I like to catch up on movies. But, most of the time, I am working on my computer at home. It is funny that I fought against getting on Twitter, but eventually got on it about a year ago. I enjoy interacting with fans on Twitter. It is a good media tool to get your information out there. SJM: Is there anything else you would like our readers to know? Wash: I would like to thank my fans for all the support over the years and for making “It’s Raining Men” a cult classic. I hope when they hear the new CD, Something Good, they like it and that it inspire and empower them, and to say “I like that music it does something for me.”
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Color
Africa Glamorous
The Making of SuzieBeauty
As a seasoned beauty specialist, Suzie Wokabi recognized the need for affordable, high quality cosmetics which will embrace and enhance the natural beauty of African women, especially in Kenya where makeup is among the fastest growing beauty trends. In 2009, Wokabi, who worked as a professional makeup artist within the fashion industry in the United States, embarked on a creative journey in her homeland to craft an innovative cosmetic line specifically for the African market. Today, SuzieBeauty is the first Kenyan cosmetic line which features an array of revolutionary products designed specifically for the African woman. Although Wobaki initially developed over thirty products for the line, she launched nine specific items in the inauguration of the brand which included foundation, powder, concealer, eyeshadow, eye kohl, mascara, blush, lipstick and lip gloss. As African women are becoming more image savvy, SuzieBeauty strives to bridge the gap between superior quality and affordability. In an exclusive interview, Wokabi discusses her amazing journey as a trailblazing pioneer in the African beauty market and her groundbreaking brand, SuzieBeauty.
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SJM: How did you become interested in makeup? Wokabi: I have always had an interest in fashion and beauty. After graduating college with a major in International Relations, I moved from San Diego to New York City where my sister worked in the fashion industry and inspired me to try it. I wanted to pursue my options and worked in various facets of the industry. Makeup was one of them, and I fell in love with it. SJM: Explain the background on the development and concept of SuzieBeauty. Wokabi: As a freelance make-up artist, I operated under the name SuzieBeauty, and my website, www. suziebeauty.com, has been in existence since 2003. I returned to Kenya in 2007, and in 2009, I registered SuzieBeauty Ltd. as a company when I began to create the product line. While having a product line had always been a distant dream, due to the state of the Kenyan cosmetic retail industry, it became a reality sooner than expected.
SJM: As a makeup artist, what are the specific products and unique attributes you strived to incorporate in the line? Wokabi: Among the products developed for the line were liquid foundation with a SPF; loose powder and compact powder; powder eye shadows, and textured crème lipsticks. Because these products are important to my target market, the quality and feel had to be very specific with the correct staying power, texture, and color options. The concealer is a personal favorite because I have dark undereye circles and finding the perfect concealer has always been a challenge. I basically created that perfect concealer I have been looking for!
Photo Credit: Image of Suzie: Barbara Minishi; Images L&R: Courtesy of SuzieBeauty
by Malinda Pernell
SJM: Why was it important for you to launch SuzieBeauty? Wokabi: This was important because there was such a gaping hole in the market. There is no reason for us to lack products as the African woman is getting more savvy and sophisticated. We need our own local products instead of depending on international brands that are not even geared towards us, but that we have worshipped for so long. This is the first time it (a Kenyan cosmetic line) has been done, and I am so proud to be the one doing it and helping the local beauty industry grow. I am sure many more will come, and if they have the right attitude and true good intentions, the more the merrier!
SJM: What challenges, if any, did you encountered in developing and introducing your line? Wokabi: Developing the product line in the creative sense was an amazing experience. The business component is where it got a bit tricky. The main and biggest challenge throughout the process was, and is, the fundraising aspect. It was a capital intensive project and getting those funds took a very long time with much patience and perseverance. Also, our distribution has been a slight challenge, but we are working on perfecting it and making the product more widely available. SJM: Describe the African cosmetic landscape, specifically in Kenya. Who is your target market? Wokabi: Our target market is the growing middle class and the upper middle class. She is a woman who wants to look good and has some spending power, but still requires pocket friendly products. She does not have the luxury of traveling internationally much, if at all, so she requires great products accessible locally. The fashion industry growth has made beauty important, and more ladies are wearing makeup on a daily basis. We remain busy with fashion events, exhibits and expos. With the arrival of more magazines, there is work for makeup artists. Even corporates understand the need for professional grooming services, and we work with large companies on their annual reports, inhouse photo shoots, and television appearances among others. It is certainly an exciting time. SJM: Is the line available in the United States or any other countries? Are there plans for expansion? Wokabi: The line is currently available in Kenya, but we have an online store www.suziebeauty.com/shop and can deliver anywhere in the world if clients are willing to pay shipping costs. We definitely have grand expansion plans and initially plan to go fully countrywide, then regional, and continent-wide. International growth is part of our long-term goals. SJM: What are the future phases of SuzieBeauty? Wokabi: In addition to geographical expansion, we have more products and colors to introduce into the line. I am constantly developing products with plans to gradually introduce them to the line. SJM: You are considered an entrepreneurial pioneer. What advice would you give to someone who wants to start their own company? Wokabi: LOVE! LOVE! LOVE what you do!! Be ready, willing and able to live, eat, and breathe it. If I did not have this undying passion and adoration for all things beauty and SuzieBeauty, I would have thrown in the towel a long time ago. Business is tough, do not be fooled. Be prepared to learn many lessons in patience and perseverance. Things sometimes do not go according to plan so flexibility is vital. Go with the flow and enjoy the ride!
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Photo Credit: Alejandra Ayalde
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Actress Essence Atkins boasts a wide array of television and film credits. Currently, she plays Suzanne Kingston-Persons on the popularTBS television series, Are We There Yet? Other television credits include shows Mr. Box Office and Half & Half, among others. In addition to her regular and guest television roles, Atkins has appeared in various movies including Preacher’s Kid, Dance Flick, Love & Other Four Letter Words, and Deliver Us From Eva. She also co-stars in the recently released horror satire, A Haunted House, which showcases her spectrum of comedic skills. Atkins and husband, Jaime Mendez, whom she met through the online dating service, Match.com, are proud parents of a son, Varro Blair Mendez. She talks with Signature J about her journey as a mother, a wife and an actress.
Interviewed by Rod Cruz
SJM CHAT ROOM
A Conversation with Essence Atkins SJM: Describe working on the set of your most recent sitcom, Are We There Yet? Atkins: We shot in 13 months, in what normally would take most productions four and a half years to shoot, over 100 episodes. I had great time, and then I came home, had a baby and started working again. SJM: What is it like to balance being a mother, a wife, and having a career? Atkins: Once they become mothers, all working women have to strike a new balance as to how to find time for not only their husbands and children, but also for themselves. I always tell my friends who do not have children that the first 90 days of being a mother is like hazing. I was pretty sure at the end of it I would have some sort of tattoo stamped on my butt because I had survived over the 90 days. The sleep deprivation makes it very difficult, and there is a reason why it is a form of torture. My husband and I would joke with friends that we hated each other during those first 90 days. Everything we did would irritate the other, and it was just the lack of sleep even though we both were doing are our best and my husband was very hands-on. I would tell anyone, who is approaching this milestone, to be patient with yourself. It is not the movies, and it is not easy as there is no instruction manual that comes with your baby. No matter what, you are still working from scratch. SJM: How did you get it right with meeting your husband online? Atkins: There are a couple of reasons. One, I was not necessarily thinking that I would meet my husband online. My initial goal was to change the paradigm and meet people who were not in the entertainment industry. I loved the idea of going online and being able to be really specific on what I am looking for. Because I am on TV, I did not want people contacting me for disingenuous reasons so I did not post a picture. I was comfortable with searching myself and being the one who
made the first move. I went to Match. com in which you can do a mutual match search. Basically, it compares your “likes and wants” with others’ “likes and wants.” It does a percentage of how compatible you are, and then brings up “like” choices. I did that from time to time, scrolling through the pictures and reaching out to people. I wrote something personal based on their profile as opposed to linking or doing something like “hey, I think you’re cute.” There were these steps before a person saw who I was. What’s funny was when my husband saw my picture, he just thought I was cute. He didn’t know who I was, and it was his friend who “outed” me. SJM: What are some important things to know about meeting someone online? Atkins: The first thing is there must be honest and disclosure. I believe in honesty and disclosure, which seems ironic for someone who didn’t post their picture. In order for things to work, people have to be upfront about what they want and to be honest. My husband told me this horror story of a date he went on where the person said they were single. But, then, on the date, her phone rang, and it was her children calling. She was busted. Be honest and be smart. You have to vet them, and you have to take your time. The investment people don’t make is time. SJM: What do attribute to your staying power? Atkins: Work ethics. I have been fortunate and blessed. I don’t take those things for granted. If take you a look at my resume, you will see much of my work is with the same producers who hired me more than once. It’s about work ethics such as being on time and being professional. It’s about being thankful and about treating every single person on the set with dignity and respect. I make easy it say to yes in hiring me because I make it easy to be around me. One of the best complements I received came from one of the producers on the set of Are We There
Yet?, who said I was the most pleasant pregnant person to be around. This business is small, especially Black Hollywood. People will know who you are very quickly. They can know the good things or the bad things, it all depends on you. SJM: How was it working on your latest movie, A Haunted House? Atkins: It was really fun, and I had a great time. I had my son on Christmas Day, and about three weeks later, I got a call from Marlon Wayans about an audition. Because I just had a baby, I was not planning to audition for anything. But, I decided to go. While I didn’t have much to go on, I left the audition thinking I did pretty well. I didn’t hear anything until two weeks later. They loved what I did but said we know you just had a baby, are you up for it? I said as long as you find me a ten minutes space to pump, I am good. They were willing to accommodate me. Marlon was full of compliments, and he lets you try whatever comes to your head. He was open to ideas, suggestions and collaboration. Everyone was allowed to bring their A-game. SJM: What advice do you have for people who want to get into the business? Atkins: Study. Not that every great actor studies; but, for me, whenever I am not acting, I am in acting class. I love what I do. Always nurture your creativity even if you’re getting a paycheck. Your brand is the impression that you want to leave when you walk out the door. It should not be one of excuses, and it should not be one of someone who is not prepared. SJM: What do you do for fun? Atkins: I am a simple girl. I love to read and to spend lunch with friends. The thing I love most is spending time with people I care about. The simple times are the best. My husband and I have made a distinction between family time, baby and vacation time, adults.
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Fren
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In Charge and In Control
Photo Credit: Vevo images
nchie Davis
As a second season contestant of the popular Fox competition program, American Idol, a national audience was first introduced to the captivating voice of songstress Frenchie Davis. Her commanding performances on the show paved the way for her successful Broadway career, joining the company of the hit musical production, Rent. Davis later played the role of Effie in the West Coast touring production of Dreamgirls, and she also was a member of the 30th anniversary national tour of the musical revue, Ain’t Misbehavin, for which she earned a Grammy nomination. The incredible talent of the Howard University alum, again, took center stage with her appearances on NBC’s vocal competition series, The Voice. Davis recently released her first single, Love’s Got a Hold on Me, under her independent record label, Frenchie Davis Music Group. It is the featured track from her highly anticipated debut album which she is currently completing. For this newly acclaimed powerhouse singer and Broadway veteran, it marks her versatility and growth as a business-savvy artist. Davis shares with Signature J about her professional experiences and lessons learned from her amazing career journey.
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Photo Credit: L&R: Robert Ector
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SJM: Describe your experiences in performing on the music competition show, The Voice, as compared to American Idol? Davis: With The Voice, judges select you based solely on your voice. They don’t get to see you during your audition which, in itself, added whole another layer to the show when compared to American Idol. The Voice really changed the format of reality singing show competitions by picking judges who work with the singers and who are great vocalist themselves. For the contestant, it is much different to instead of having someone who is not a singer critiquing you and telling you how wonderful or terrible you are. There is a significant difference between that and someone who is an amazing vocalist in their own right and a working musician say to you, “this is how I think you can improve” and “this is how I can help.” The coaching aspect made The Voice different from American Idol. SJM: Have you had a chance to look at this season contests on any of the shows? Davis: No, I don’t really get a chance to watch them. It is the strangest thing as they have changed a lot over the years. Now, it’s pretty predictable because no matter how amazing the participants are, the competition reality shows have become more of a star vehicle for the judges. SJM: What advice do you have for participants on the reality singing competition shows? Davis: My advice would be to take it for what it is. It’s really great exposure. Also if you are an aspiring artist with a following, it’s good platform to build your brand or to take chances on changing your musical direction. You take advantage of the exposure, but you still will have a lot of work to do after the show is over. It’s not going to get easier, but more people will know who you are. Take advantage of every experience and opportunity you get to learn about both the business aspect and artistic aspect to become a better artist and business person because you have to be that to survive this business. I think education is really important, and I am really thankful I went to college. This business is unpredictable and not easy so you want to make sure you have options. Surrender to the fact you are going to hear “no” more than “yes.” SJM: How did attending Howard University mold you into the person you are today? Davis: My time at Howard is where I learned to really hustle and grind to make things happen because tuition at Howard is not cheap. Although I came from an educated family, I did not come from a wealthy family so I had to be creative with ways to pay the tuition and bills every semester. I was working two jobs while taking 18 credits, majoring in Theater. Howard’s Fine Arts program is amazing. The discipline I was able to develop from the program and the lessons I learned to become self-sufficient began at Howard. SJM: In what ways did your family stress the importance of education? Davis: The main thing my parents instilled in me was the importance of education. Although they never pressured me one direction or another, or what the focus of my education should be, they knew very early on that I loved the arts and loved to sing. But, their main point without an education, you don’t stand a chance. I grew up knowing that not getting an education was not an option.
SJM: Do you want to continue acting? Davis: Yes, theater is my first love. It’s where I fell in love with music, which was my major at Howard. Because many of the Broadway roles are either for the very young or the older actresses and I am in the middle, I am focusing on my recording career for now and will return to the theater in a few years. SJM: What prompted you to start your own record label? Davis: I think, at some point, when you have a dream or a goal, you realize you can’t wait any longer for someone else to come along and make it a reality. You have to take your own destiny into your hands. Shortly, after my time on The Voice, a friend of mine had a song in mind for me, and no else can sing it. So I went to a studio the next time I was in New York, and we recorded Love’s Got a Hold on Me. I had the option of waiting for a major label to believe in it, or take advantage of the exposure I received from The Voice along with money I saved from my Broadway appearances to start my own label and release it myself. I am learning everyday both artistically and academically. I feel like I am making my parents proud. SJM: Will you be adding other artists to your label? Davis: At some point, sure. Right now, though, I am focusing on my music. SJM: What you do for fun? Davis: Outside of music, I like to spend time with my friends and family. I really close to my sister and her children. I love hosting dinner parties, cooking, and wine tasting. I have the same best friends since I was fifteen years old, and I am still close with my friends from college. I keep it simple over here. It is family, friends, and cookouts. Also, I am a political news junkie. Because of my father’s human rights background, I follow political news religiously. I volunteer at the high school my nieces and nephew attend with their theater program and give voice lessons. I love to work with people. Also, I am human rights activist. SJM: Do you have a signature dish? Davis: I make really good homemade soups!
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DESTINATION Montréal BIENVENUE À MONTRÉAL!
As a premier global destination, Montréal, the largest city in the Canadian province of Quebec, reflects multicultural diversity and heritage that is unparalleled, a cutting-edge fusion of traditional old world flair and a joie de vivre, metropolitan vibe. An aesthetic platform of progressive personalities and artistic expressions, the energetically-charged city embodies a celebration of tradition and innovation. The captivating duality of the city offers an eclectic array of activities which will satisfy any preference, at any age, season to season. Montréal is recognized for its innovative ability to masterfully create an exuberant cosmopolitan lifestyle which showcases its bilingual culture and contemporary creativity, while honoring its customs. Highly praised as a trendsetter in such fields as the arts, culinary, science and technology, and architectural design, it receives worldwide accolades for its synthesis of traditional and modern.
Animated and pulsating, it is an active municipality with unique attractions, ranging from dance to theater, music and festivals, museums and exhibitions, and outdoor adventures. Indeed, the creative influence is prominent in various cultural arenas and areas throughout the city’s landscape.
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Montréal has distinguished communities which illuminate idiosyncratic identities, each celebrated for its distinctive juncture of historic, yet modern, charisma. Such picturesque districts as Old Montréal (Vieux-Montréal), a must-see historic paradise, and Plateau Mont-Royal, which consists of multicultural neighborhoods including the emerging artistic Mile End, the core of the independent Anglophone musical explosion, are representative of the convergence of the old and the new. As the essence of Montréal, the Downtown business district features a composite of varied activities embraced by a vibrant urban ambiance. Here, the renowned cultural forum, Quartier des Spectacles, which consists of over 80 cultural indoor and outdoor venues including 30 performance halls with an estimated 28,000 seats, hosts major productions and international events.
Photo Credit: Cityscape - Vieux-Québec / Old Québec – Québec
Without a doubt, Montréal has an enticing, multifaceted allure which embraces its historic and contemporary attributes, adding to its universal appeal that is unmatched. ***For more information, please visit www.bonjourquebec.com.***
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Poised
&
Classic
Misty Copeland
Dances Her Way to the Top by Malinda J. Pernell
With precise execution and a powerful command of the stage, Misty Copeland radiates a natural affinity for movement and a captivating elegance to become a critically-acclaimed ballerina who earns widespread accolades for her riveting performances and exceptional achievements. As the first Black soloist for the American Ballet Theater, one of the distinguished dance companies in the United States, in more than twenty years, Copeland accomplished her goals through absolute determination, unyielding dedication, and a genuine love for the art form. Yet, for this classically trained dance artist, it is a destiny that is still unfolding. Born in Kansas City, Missouri and raised in San Pedro, California, Copeland began her studies at the age of thirteen at the San Pedro Dance Center after discovering she had the physique and athleticism for the classical dance at a local Boys and Girls Club. Through her introduction to ballet, there was a spontaneous connection as she found an untapped artistic outlet. “My body was meant for it,” Copeland recalls. “The music, the discipline, the structure, yet freedom, was exactly what I needed, and I fell in love with it.” Her steadfast tenacity allowed Copeland to diligently hone her skills as a ballerina. At the age of fifteen, she won first place in the Music Center Spotlight Awards. She continued her studies on full scholarships at the Lauridsen Ballet Center, the San Francisco Ballet School, and the American Ballet Theatre (ABT) Summer Intensive, where Copeland was named ABT National Coca-Cola Scholar. She would later joined ABT’s Studio Company and eventually became a member of ABT’s Corps De Ballet in April 2001. In August 2007, she was promoted to the rank of soloist at the prestigious New York-based company. Her performances with the American Ballet Theatre include La Bayadere, The Firebird, Duo Concertant, and Le Corsaire among others. Her captivating stage presence caught the attention of Prince who handpicked her to appear in his “Crimson and Clover” video; and, Copeland was a featured guest performer during several of his concerts. In addition, recording artist Ne-Yo, documentary filmmaker, screenwriter and producer Morgan Spurlock and fashion designer Rachel Roy have sought her services. While Copeland embraces the dance with an unwavering passion, she readily admits the challenges and competitiveness within the world of ballet. “The dance arena is extremely competitive, but it is also something you learn to handle from the moment you start classes,” she explains. “Dancers are a rare breed, and we learn to handle all that comes with this art form from a young age.” Nevertheless, classical ballet is a dance artistry Copeland admires and respects. “As a professional, this is something I love to do and want to do.”
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Photo Credit: Gregg Delman
It is that spirit and motivation by which she secured her historic place. Still, Copeland acknowledges it is an arena that is not as exposed and understood in depth when compared to other art forms. As such, individuals tend to misinterpret her position and the significance of it. “Classical ballet is an elite art form, and as a Black woman, it is still uncharted territory,” she states. “There are so many prominent Black female dancers, who should be praised and encouraged as dancers who are people of color.” But, obtaining top ranks can be elusive for African American dancers. In fact, a Black female to be named a soloist in a top dance company has been done a few times, while the position of Prima Ballerina has yet to be filled by a Black woman. However, because of their place within an exclusive dance forum, it offers opportunities to serve as role models for others. As a member of that elite group of Black ballerinas, it is a role Copeland willingly accepts, serving as a mentor to the youth.
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When she is not performing on stage, Copeland is active with several professional ventures. She remains actively involved with her dancewear line, M by Misty, and she is planning to write a memoir which chronicles her journey from living in a motel room with her mother and five siblings to her rise to a soloist ballerina. Also, Copeland released a 2013 calendar which showcases her artistry as a ballerina. The calendar features spellbinding photographs of the dancer taken by renowned photographer Gregg Delman. “I really wanted to do something that was me,” she states. “It is not your typical ballerina in a tutu calendar.” According to Copeland, the calendar has an artistic flavor which focuses on the body, the beauty as a result of hard work and an effortless sensuality. “I am thirty years old and have so much under my belt now,” she states. “It is important for me to be able to express the artist that I am, and I believe we captured that.”
As to the future, Copeland is focused on expanding her boundaries as a ballerina. “I want to continue to grow and mature as a ballerina and an artist,” she stresses. “My goals are endless, and I never want to put a ceiling on them.” Receptive to all possibilities, she also will continue to strive to inspire people to be openminded and do something unexpected. Determined, passionate, and loyal, she embodies the essence of a ballerina, true to self, true to the profession. For Copeland, it is all about the dance.
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Classical ballet is an elite art form, and as a Black woman, it is still uncharted territory.
Photo Credit: Courtesy of Misty Copeland
She applauds the value of mentors and their positive influence as she credits those persons who made an impact in her life. “I don’t know where I would be without the incredible people who have been a part of my life,” she explains. “The Black women who have inspired and saved me from myself are countless.” Copeland pays homage to various
individuals and mentors for their encouragement and artistic inspiration including her mother, Prince, actress Victoria Rowell, author and television producer Susan Fales-Hill, publicist Gilda Squire, and ballet pioneer Raven Wilkinson.
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“At this point, I do consider myself to be a role model although it was never something I thought about,” she states. “But as I started to have interactions with fans and amazing aspiring dancers, and they indicated how much hope I have given them, that is when I realized I am a role model.” It is a responsibility she takes seriously. With a desire to make a difference in the lives of others, Copeland actively supports various youth empowerment organizations and charitable causes including the Rowell Foster Children’s Positive Plan and the Boys and Girls Club, where she now serves as a club ambassador. “Being a role model is something that I feel is a part of me now, and I understand the importance of it,” she explains. “Someone who grew up with my socioeconomic background does not typically end up in the ballet world, so if I can share my story or just be a brown face for children to relate to, I am there!” For her commitment, Copeland was inducted into the Boys and Girls Club National Hall of Fame in May 2012.
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L A É R T N MO
R E T N I LAR W
U C A T SPEC
Photo Credit: © MTOQ/Marco Michaud
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AG L L I V W SNO
Montréal is home to the first and only metropolitan ice complex in the world, the Snow Village. As an innovative winter attraction, the Snow Village, which debuted in January 2012, is part of the first ice hotel chain in the world which is based on a concept found in Finland and Norway. Constructed of ice and snow, the astounding Scandinavianinspired compound offers a unique winter experience. Located in Parc Jean-Drapeau, near downtown Montréal, a focal point of the complex is a distinctive ice hotel with ten standard guest rooms and fifteen prestige suites. In addition, the Village houses four polar igloos; a fully-heated panoramic igloo; exquisite snow sculptures; an ice bar with terrace seating; a conference centre of meeting rooms; an ice wedding chapel; and, a Nordic relaxation area with five hot tubs. Throughout the facilities, all of the furniture and themed décor also is made of ice. Other distinguishing aspects include a boutique, an ice maze, lighted ice tunnels and ice replicas of well-known landscapes throughout the world. During the 2013 winter, the site will reproduce the magnificent architecture of New York City. One of the main highlights of the Village is a fine dining restaurant, the Pommery Ice Restaurant, the only ice restaurant in North America. The restaurant is known for its gastronomical gourmet three-course menu and exceptional ice décor, offering guests an exclusive dining experience. Open from January to March, the Village allows visitors to enjoy various exhilarating winter activities such as dogsledding and sliding to Little Train rides and snow sculpting workshops for children. To add to the enhancement, architectural lighting effects projected onto the ice facilities translate into an incredible visual wonder. As a memorable seasonal adventure, the Snow Village is a preeminent escapade for winter fun! ***For more information, please visit www.bonjourquebec.com.***
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Photo Credit: Page 32 and 35: Courtesy of Nigel Barker
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The Story is in the Picture
by Malinda J. Pernell
A Snapshot of
Nigel Barker
Photographer, filmmaker, author, humanitarian, Nigel Barker is one of the most recognizable and prominent personalities within the fashion and entertainment arenas. His name is synonymous with fashion and beauty as his works have graced the covers of magazines worldwide. Although internationally celebrated as a preeminent fashion photographer, Barker likes to think of himself as a portrait photographer who parlays his keen use of the camera to capture the diversity of beauty. For this British-born photographer, it is all about who he is shooting. “I think the picture comes alive when you connect with the person,” explains Barker. “So, I am all about the emotions, capturing the allure and personality in order to make my photographs iconic and timeless.” He embraces his craft from a perspective to reveal qualities of beauty through the lens of a camera. But, Barker sees photography as an extension of storytelling. “It is mostly the story or narrative of what is happening at any given point that makes something interesting,” he states. “With my photography, that is what I am looking for; I am looking for that narrative.” Barker credits his former career as
a model to having empathy for his subjects, which he believes is key and crucial to a successful photo shoot. “It taught me a lot about what it is like to be on set; what it feels like to be the subject” he states. “As a result, I feel comfortable on both sides of the camera.” As a routine, prior to a photo shoot, Barker would have an assistant photograph him so he can feel what it will be like for the model when he photographs. “When I am shooting one of the models, I fully understand, and I am emerged in the whole experience as are they,” he further explains.
A noted director and producer, Barker is equally recognized for his documentaries with an altruistic tone, bringing attention to social causes and issues to the world audience. His entry into film was a natural progression. “As a photographer, you are shooting stills, and when you shooting motion, it just means more stills,” he states. “For me, I love the story, the narrative, and what is happening as it has to be coherent and it has to make sense.” His film credits include his highly acclaimed debut documentary, A Sealed Fate?, about seal hunting; Generation Free, a focus on the global fight against pediatric HIV/AIDS; and, Haiti: Hunger and Hope.
His fourth, and most recent, documentary, Dreams Are Not Forgotten, navigates the story on recovery efforts in Haiti. As his second film set in Haiti, it follows the daily life of three native residents living in the Bel-Air slum in Port-au-Prince after the devastating 2010 earthquake. “I would always look for hope and the ability to celebrate life even when things seem desperate,” Barker explains. “I tried to highlight the beauty, the life and the hope because that is something we often take for granted or do not realize it is really key to the human spirit.” The film has received accolades for its ability to capture the sense of pride amidst devastation. Barker stressed he wanted to document life in Haiti instead of the actual destruction within the country, emphasizing the film is not the differences but the similarities. “I wanted to show the human story,” he states. “We focus on the smiles; we focus on the integrity; we focus on the pride. We focus on the fact that people are making a difference and their sense of community.”
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the book is a creative collaboration between the singer and Barker. With photographs taken on Sony cameras, it was shot on location in Southern California featuring Swift in everyday casual, Hollywood glamour and performer chic themes. In November, ten copies of a limited edition book were personally autographed by Swift and Barker, donated by Sony and auctioned on eBay, with all proceeds to benefit the Boys & Girls Clubs of America.
He also authored the critically-acclaimed book, Nigel Barker’s Beauty Equation: Revealing a Better and More Beautiful You, which discusses the concept of beauty. According to Barker, the book is based on his experiences on a quest to find what truly makes each and every person beautiful. He recalls his epiphany when his son asked him the pivotal question, what is beauty? “It made me think about what I specifically look for when I say something is beautiful because it is not pretty or not necessarily attractive,” he says. “Beauty is much more powerful than that.” As he examined what constitutes beauty, he realized, as a photographer, the interior was, in fact, commanding the exterior. “To me, beauty comes from confidence, compassion, allure, motivation, energy, spontaneity, sense of humor, and a passion for life,” he explains. “That moment was the founding moment for writing the book.” The book leads the reader through a series of self-portraits and journaling challenges, which assist the readers to discover their inner beauty by building confidence and self-esteem, thus enhancing their exterior beauty. It is supplemented with an interactive website, www. beautyequation.com, featuring multiple blogs and activities. Barker stated that there are plans to launch a cosmetic and skincare line, Beauty Equation and BE Cosmetics.
His latest photography book, 8 Hours Taylor Swift, was recently released nationwide. The 34-page, oversized book features a collection of diverse photographs of the multi-Grammy award winning artist over a course of eight hours. Touted as one of the most extensive photo collections of Swift published to date,
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Known for his tenure as a photographer and judge on the show, America’s Next Top Model, Barker recently served as host of the television program, The Face, which premiered on the Oxygen network. The modeling competition series feature supermodels, Naomi Campbell, Coco Rocha and Karolina Kurkova, who serve as coaches to teams of contestants vying to become the face of ULTA Beauty, one of the fastest growing beauty retailers in the United States. The show offer viewers a realistic glimpse into the fashion and beauty industry as aspiring models are mentored through real life assignments including photo shoots and commercials. Barker is widely applauded for his charitable endeavors in which he spotlights the essence and beauty of the human spirit. “With my photography, I often have the ability to make a difference,” he says. “One of the things I really cherished about my twenty years as a photographer is the ability to change hearts and minds with a picture or film I might make.” His dedication to various social causes has allowed Barker to successfully infuse the art of photography with social responsibility. “My angle has always been to take a beautiful picture and to give an element of hope and humanity,” states Barker. “I can be spokesperson but also use photography to tell their story, to tell a message.” He actively supported such organizations as the Edeyo Foundation, the Elizabeth Glaser Pediatric AIDS Foundation, and the Humane Society of the United States among others. Barker also served as a celebrity ambassador for the Make-A-Wish Foundation; campaign shooter for Fashion Targets Breast Cancer®, an initiative of the Council of Fashion Designers of America; and, was the only male Champion for Girl Up™, an initiative of the United Nations Foundation. Barker praises his wife, Cristen, and their children, Jack and Jasmine, for being his platform of motivation. Likewise, he credits his crew for their professional and creative support. “I certainly am not a one-man band,” states Barker. “We enjoy the adventures we go on. Things are different and they change a lot, but we like it that way.”
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Photo Credit: Gastronomy
Gastronomy
The Culinary
ENCHANTMENT OF
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Gastronomy, trendy eateries, gourmet creations, ethnic cuisine and local specialties such as bagels and smoked meat sandwiches, Montréal is famous for its diverse culinary repertoire. Food is an integral component of the multicultural spirit of the city, reflecting the assortment of menus to satisfy any palate. Here, food is an art form and a way of life that truly represents the social richness and unique flavors of the area, making dining an exceptional, sensory experience that is unmatched. Montréal is emerging as a global leader in gastronomy, an innovative culinary phenomenon which embraces a holistic approach to food. As a culinary science, gastronomy explores and studies the taste and behavior of food. Through cuttingedge techniques and methods as well as state-of-the-art tools, flavors and presentations of traditional ingredients are transformed into innovative, savory culinary creations.
Throughout the year, Montréal hosts various food festivals including Montréal En Lumière, an annual gastronomic and wine tasting festival held in February. Recently, the inauguration of the first Taste MTL, the city’s version of Restaurant Week, took place. The annual event presents samplings of menus from dining establishments throughout the city. Indeed, Montréal is a place to enjoy the diversity of cuisine at its best. There is a definite spellbinding connection in which dining is an enchanted culinary adventure. As such, Montréal is recognized as a world-renowned destination for gastronomic cuisine. ***For more information, please visit www.bonjourquebec.com.***
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Photo Credit: Gastronomie - Festival Montréal en lumière – Montréal
Also known as progressive cuisine, the concept of gastronomy dominates the culinary landscape in Montréal, with more gastronomic restaurants and eateries than any other North American city. From fine dining restaurants to local bistros, culinary artists artistically master the scientific food discipline to present a variety of exciting, novel preparations, to the delight of food enthusiasts.
Q A SJM
&
Cynthia Bailey
MODEL ENTREPRENEUR CAST MEMBER OF REAL HOSEWIVES OF ATLANTA SJT: Is there a chance that The Bailey School of Fashion will have its own reality spinoff? Bailey: There has been some interest in making The Bailey School of Fashion a reality spin off. There is chance to have the modeling school as a spinoff reality show possibility. I would love that because it is such a part of my real life. SJT: Who influenced you to go into modeling? Bailey: I was in a beauty pageant and that was where the seed was planted. After that I wanted to give it a go and see what it was all about. It did not actually really become real to me and validated to be something I could actually really do until I was approached by Wilhelmina Models. SJT: Do you feel that opportunities for models of color are improving? Bailey: Absolutely, we are being represented more and more in the business. There are definitely barriers that have been broken. SJT: On the RHOA, you and your daughter appear to be very close. Does she have any interest in modeling or acting? Bailey: Yes, we are very close. I think my daughter does want to go into acting. Of course, I would love for her to go into modeling. But, I think she wants to go into her Dads footsteps of acting. SJT: How do you balance being a mother and wife with having a career (life balance)? Bailey: It is very hard. I know that my time is now. When you get an opportunity you have to be ready to go for it. It does take away time from my family but they understand that my time is now. I have to go for it now. SJT: What do you do for fun? Bailey: I like to relax, go to the movies, hang out with my daughter, husband and girlfriends, chill out with people I love and care about.
Photo Credit: laretta houston
SJT: If you had not gone into modeling—what other career path would you have chosen? Bailey: I probably would have done something in the public eye like a news anchor. I really cannot see myself doing something other than modeling or acting. SJT: Do you and Peter have any cooking tips that you can share with our readers? Bailey: Peter cooks more than I do. I am a great cook from Alabama. My biggest tip is not to use white Salt. I think too much is bad for you. SJT: Do you and Peter have any plans to write a couples cooking or relationship book? Bailey: Our relationship is very misunderstood. It is our chance to let everybody know and understand the dynamics of our relationship. Working on the book has brought us together as a couple. We both have totally different point of views.
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