Len Wallis Audio Headlines #Autumn 2014

The Newsletter of Len Wallis Audio

IN THIS ISSUE

Yamaha’s high-end CD/amplifier duo PLUS: New Focal Aria 900 NAD’s stand-up digital range B&W CM10 loudspeakers Bose SoundTouch systems Rega’s latest RP10 turntable

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lenwallisaudio.com.au

Autumn 2014

EDITED BY GEOFF FORGIE

LEN’S FRENCH NIGHT! See page 11 for details of our upcoming French night — join us for an evening of Liberté, Fraternité, and a soupçon of Frivolité! Plus, of course, music from the new and proudly French Focal Aria 900 Series loudspeakers!

CONTENTS 04 Editorial

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The products at the Consumer Electronics Show in Las Vegas are new, but are they always better?

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Yamaha’s high-end duo

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Marantz premium network player Rugged build meets reference-class electronics in the NA-11S1 Network Audio Player and DAC.

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Duntech – return of a legend The DSM-15 marks the return of the famous brand, a bookshelf speaker with a beautiful integrated stand.

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B&M CM10 flagship The CM series sits above B&W’s 600 Series, and is topped by the new CM10, a stunning performer.

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Sony’s 4K projection As the Ultra HD scene ramps up, Sony’s 4K projector delivers cinema-quality images in your own home.

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Cocktail Audio X30 A CD ripper and server and streamer and tuner and amp!

Just add speakers to this all-in-one solution.

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Tivoli Audio Music System Two+ The Music System Two+ replaces CD with Bluetooth streaming, in addition to FM and digital radio tuners.

Audio Physic Step 25 A superb compact monitor speaker that exemplifies Audio Physic’s motto “No loss of fine detail”.

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Bose’s sure touch with SoundTouch Bose has set a new course, adding streaming abilities to a range of new products, all with app control.

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AktiMate Blue active speakers The new Blue isn’t Blue, but has Bluetooth streaming...

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Rega: the evolution of revolution Rega announces the RP10, extending the company’s unique design philosophies further than ever before.

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JBL Bluetooth speakers The Flip and Charge – small but effective speakers.

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NAD phono with USB out A phono stage which doubles as LP or cassette archiver.

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Musical Fidelity V-90 components These units are small, but offer high quality results.

Also the new MF100 headphones and EB-33 earbuds.

JVC’s affordable projectors JVC remains at the forefront of projector development, with remarkable prices for such fine performers.

Sonos’ baby speaker The latest Play:1 powered network speaker.

NAD – upright citizens!

NAD’s classic 3020 is reborn in digital and vertical form, alongside a new DAC and network amplifier.

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Focal Aria 900 loudspeakers

A new ‘Flax’ sandwich driver arrives to adorn the new Aria 900 Series from French speaker company Focal.

B&O’s wolf in Bauhaus clothing The remarkable Bang & Olufsen Beoplay A9 powered speaker, plus headphones from B&O, B&W and Focal.

The A-S3000 amplifier and CD-S3000 CD player are high-class components capable of something special.

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Torus power conditioning Top-notch power for your system — and we have limited stock available at hugely reduced prices.

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AKG / Sennheiser specials Great products at some special prices...

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CES report Krell, Naim, Focal, NAD, Meridian and Peachtree news from the greatest electronics show on Earth.

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Marantz / Arcam specials Special prices on these fine components and accessories!

64 Burns Bay Road, Lane Cove NSW 2066 Telephone 02 9427 6755 sales@lenwallisaudio.com.au TRADING HOURS Monday Tuesday Wednesday Friday: 9 to 5.30 Thursday: 9 to 8; Saturday: 9 to 5; Sunday: closed www.lenwallisaudio.com.au

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EDITORIAL BY LEN WALLIS Panasonic’s stand at CES 2014 — plenty of 4K, but no plasma

REVERSE ENGINEERING

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anuary is an important time for this industry – it is the month when manufacturers, distributors, retailers, press, reviewers and anyone else associated with the industry descends on Las Vegas for the annual Consumer Electronics Show (CES), still the largest show of its kind in the world.

As usual, the show this year was dominated by TV screens. This year the press reports from the show highlighted an unusual twist which speaks volumes about this industry (and about the effectiveness of marketing).

This must be one of the only industries in the world where we insist on taking products to market that are inferior to the one that preceded it. It is generally acknowledged now that Beta video was better than VHS, and despite the popularity of MP3 music there can be no argument against it being inferior to CD, which is in turn inferior to vinyl (and I vividly remember the furore when the specialist dealers dared to suggest this when CD was initially released).

The same has happened with TV. Plasma was the first flat-panel format to market, and despite the fact that the

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original releases were undoubtedly inferior to CRT which preceded it, the product has developed to be an excellent technology.

Then LCD was released, which was, and still is, inferior to plasma. It did have some advantages over plasma, but not in terms of picture quality, which surely is what TV is all about. This was then followed by LED TV (the name is misleading to start with) which, in my opinion at least, is yet another backward step.

Unfortunately much of this is now irrelevant, as Panasonic, the last bastion of plasma, have now ceased production of the technology – despite producing what many consider to be the finest TV screen ever to grace our shores, eclipsing even the legendary Pioneer Kuro series — I am referring to the outstanding ‘60VTa’ series, available in both 55” and 65” sizes.

What prompted this article is that despite the so-called advancements in technologies, the reports coming out of Vegas are peppered with comments such as “Panasonic claims its new 4K TVs offer plasma-like picture quality” and varying commentators suggesting that the new, and soon to be a commercial reality, OLED (Organic Light Emitting Diode) technology

will render plasma-like quality. Yet both of these technologies are vastly more expensive than plasma.

So, once again, we are looking to new technologies to return us to past performance levels. If in (obviously recent) hindsight, plasma was so good, why did the buying public — plus journalists, retailers etc. — eagerly jump on the LCD and then LED bandwagon?

Is it an ingrained notion that because a technology is newer it must be better, or do we all simply follow the marketing spin that comes from these vast organisations, and blindly accept it as truth?

We at Len Wallis Audio have always maintained that you should first and foremost trust your own eyes (and ears).

If you do not have the confidence to do this, then find a dealer in whom you have enough trust to take their recommendation.

The good news is that, despite the fact that Panasonic have now ceased production of plasma televisions, we still have stocks. The bizarre twist is that in many cases they are priced below the LED/LCD alternatives. This could be your last chance!

YAMAHA

YAMAHA’S HIGH-END DUO A-S3000 INTEGRATED AMPLIFIER & CD-S3000 CD/SACD PLAYER

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e gave a quick heads-up that these were on the way in our last ‘Headlines’ magazine, and can now cover them in a bit more detail.

Since the A-S3000 amplifier ($8999) arrived in-store it has been dubbed magnificent in every way, a true highperformance integrated amplifier – and sales started to happen right away. While it is modestly rated at 120w x 2 into 8 ohms, and 170w x 2 into 4 ohms, make no mistake, it will drive most speakers with ease and do it with absolutely mind-boggling finesse. In recent times Yamaha have worked on stereo amplifiers

with fully-balanced circuitry, such as the A-S2000, and this new model follows that path but at a higher level of both style and performance.

Yes, that styling is going to win a lot of friends, since there’s nothing dearer to the hearts of traditional stereo hi-fi people than a front panel which glows with the warm light from two large VU meters!

You’ll only find them these days on a handful of top-line amplifiers, most of them costing considerably more than the Yamaha. But that’s just the glamour side

of things. Under the bonnet, as they say, lurk the numerous design features and high-class components that deliver the audio quality.

Realising that the fabulous new amplifier would need a companion, Yamaha ensured that the CD-S3000 CD/SACD player ($7499) was built in the same no-compromise fashion as the A-S3000. Every aspect has been reexamined, from the vibration-absorbing feet (with optional spikes or pads supplied) through the chassis, the special disc-drive mechanism and the construction of the printed circuit boards with integrated power supplies. Nothing has been left untouched by the designers in order to achieve the ultimate in refined sound quality. This player includes a top-quality ESS 9018 DAC, and there are three digital inputs (USB, Coaxial and Optical) which means the CD-S3000 can operate as an independent DAC for the processing of other digital sources at the highest level into analogue signals for your amplifier, handling streams up to 24-bit/192kHz.

YAMAHA’S NETWORKED STEREO RECEIVER You can buy a perfectly good Yamaha Stereo Receiver in the R-S500 for $799, but for an extra $100 you can get a whole range of exciting extra benefits from the R-N500 ($899, right). It has similar power, but adds Network Connection and four digital inputs. This has a lot of exciting possibilities — radio stations from around the world via the internet (AM/FM are in there too), and playback of stored music from your home computer and any NAS drives. AirPlay allows you to stream music from your Apple device straight into the receiver wirelessly, while control can be achieved via the Yamaha control app – a free download for your smartphone or tablet.

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MARANTZ

MARANTZ PREMIUM NETWORK PLAYER

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etwork players have been on a roll for some time now, and there’s no doubt that the future of audio is intertwined with high quality digital files. It follows that there needs to be something which is the equivalent of the high-end disc player to ensure that high resolution music is played back in the best form possible.

Marantz have risen to the challenge, as you’d expect from this company with their record of superb players dating back to the early days of CD, and flowing onwards to SACD/CD players of note.

The NA-11S1 ($5690) is such a player.

In their words it is a “reference-class Network Audio Player and DAC, which includes a host of internet streaming and device connectivity options. Equipped with exclusive Marantz technologies, including the use of multiple HDAM (Hyper Dynamic Amplifier Module) devices, the NA-11S1 includes connectivity to a range of portable devices and it also includes PC connectivity, all easily controlled with the supplied remote as well as with your iOS or Android smartphone, thanks to the available Marantz Remote App. “A host of Marantz digital technologies combine to deliver the ultimate audio experience. The NA-11S1 is equipped with

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dual master audio clock generators with jitter reduction for numerous sampling frequencies and bit depths, up to 192kHz, 24 bits. A number of audio file types are supported, including WAV, WMA, MP3, MPEG-4 AAC, FLAC and ALAC, as well as DSD over PCM.”

Connections The player’s LAN port, USB, and AirPlay can all be used. The DACs are “high resolution audiophile quality, operating in differential mode for the lowest noise and widest dynamic range. The critical post-D/A current-to-voltage conversion is handled by the latest Marantz HDAM-SA2 devices, which feature precision discrete components in lieu of standard op amp chips. The final analogue output stage features additional HDAM devices, and there are two output choices – unbalanced (RCA) and balanced (XLR). The balanced outputs also feature a phase-inversion

option for compatibility with any XLRequipped pre-amp.

“Dual (optical and coaxial) outputs are provided for connection to other components, and there are also dual digital inputs that let you use the NA-11S1 as a DAC with other digital audio sources.

There’s also a high-quality dedicated headphone amplifier, which features its own output stage that’s also equipped with HDAM-SA2 devices along with a precision variable analogue volume control.”

Construction As befits its reference-class status, the NA-11S1 features a rugged chassis with internal copper-plated surfaces. The thick 5mm top panel can easily support the weight of an additional component, and the dual-layer bottom plate and die-cast aluminium cabinet feet provide solid rigidity along with additional resistance from external vibrations. The beefy power supply features a high current toroidal power transformer with multiple oxygenfree copper (OFC) secondary windings, and is housed in a copper-plated enclosure for maximum shielding. Multiple separate circuit boards ensure minimal interference between analogue and digital stages.

FOCAL

FOCAL ARIA 900 SPEAKERS

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he term ‘sandwich’ in reference to speaker cone structure has been around since the venerable Leak Sandwich 600 speakers of the 1960s, many of which were used by the ABC. They used polystyrene foam and layers of foil.

In the modern era, Focal have developed and improved the concept, taking it all the way to the top of the Utopia range, using a more technological multi-layered material (the ‘W’ Sandwich) that combines two layers of fibreglass over a foam core. This design has served well for around two decades, but the new Aria 900 speakers take a different approach.

The Aria 900 speaker series uses a new Flax or ‘F’ Sandwich, which has a layer of natural flax fibre between two thin layers of clear fibreglass. As usual, the key factors are strength, lightness and rigidity.

The 800V series are now going to fade out and be replaced by the Aria 900.

Stock of this series will start to appear very soon – we’ve had some demo stock only at the time of writing.

The Aria 906 bookshelf loudspeaker (Walnut $1399 or $1699 for Gloss Black) fills the gap left by the 806V and 807V, and is a highly capable two-way reflex standmount or ‘bookshelf’ speaker, using one 165mm Flax woofer and one 25mm aluminium/magnesium alloy inverteddome tweeter. Having an efficiency of 89.5dB and power handling of from 25w to 120w, it gives a frequency response of 55Hz to 28kHz, with a low-range 47Hz at -6dB. The 906 is faithful to the DNA of the Aria range — refined high-end acoustics combined with excellent perceived value thanks to the use of noble materials.

This 2-way loudspeaker allows users to enjoy all the qualities of the ‘Flax’ cone: neutrality, presence and finesse.

The Aria 926 (Walnut $3299; Black Gloss $3699) embodies the home 3-way

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Focal Aria 936

FOCAL

floor-standing loudspeaker, with two 165mm Flax woofers, one 165mm Flax bass-mid, and a 25mm aluminium/ magnesium alloy inverted-dome tweeter.

The vital statistics are efficiency of 91.5dB, frequency range of 45Hz-28kHz (with a -6dB lower range of 37Hz), and power handling of 40-250w. This assures you of a full-bodied sound for music or movies, and at the same time the ability to present fine details in all their delicacy but with proper balance across the full frequency range.

This musical and expressive loudspeaker is easy to install and all kinds of music lovers will be thrilled with its acoustic qualities.

The Aria 926 is by definition an affordable audiophile loudspeaker. The cabinets are a substantial size, designed with vibration minimisation as a priority, along with nonparallel side walls to minimise internal resonances. There are two reflex ports, one forward and one down-firing.

The Aria 936 (main image left, Walnut $3999, Black Gloss $4499) is a 3-way loudspeaker featuring an elegant design and small footprint, yet still including three 165mm Flax woofers, one 165mm Flax bass-mid, and a 25mm aluminium/ magnesium alloy inverted-dome tweeter.

Efficiency is slightly higher still at 92dB, frequency range 39Hz-28kHz (with a -6dB lower range of 32Hz), and power handling 50-300w, again assuring a very full-bodied sound for music or movies, coupled with

the usual Focal accuracy. Very linear and with impressive dynamics thanks to these three woofers, it is intended for listening in stereo, but is also ideal for setting up a spectacular Home Cinema system.

The Aria 948 ($4999/$5499, pictured right) takes things to the next level! This model breaks away from the mediumsized bass drivers of the others and goes to twin 210mm Flax Sandwich woofers, with 165mm midrange and the 25mm inverted-dome tweeter. The cabinet is large, measuring 1150x371x420mm (hwd), with forward and downward-firing reflex ports. Having a -6dB reach down to 31Hz, you can be sure of hearing all the bass in most program material, be it music or movie soundtracks. Power handing from 50w to 350w combined with great efficiency of 92.5dB means these speakers can be used with a variety of amplifiers, although it will remain true that larger amplifiers usually deliver superior control over bass, dynamics, and ultimately also distortion-free sound, being relatively unstressed by the need to play sometimes at higher volumes. And sometimes higher volumes with everything remaining just right is one of the benefits of the larger speaker as a species! Focal call the 948 a “return to true acoustic qualities”, meaning unfussed, easy and natural presentation, a lifelike representation of the music or drama.

Focal Aria 948

Focal Aria 906

FOCAL SUB AIR Subwoofers have come in a variety of shapes apart from the common rectangular shape, or cube.

We’ve had the almost spherical B&W PV1, the Focal Dome, the Sonos “donut” SUB, and Bose have done the longer, lower shape for their various Lifestyle systems.

With the Sub Air, Focal have gone for a flattened design which lends itself to against-the-wall placement, although flat on the floor is another option. This will appeal to a lot of customers for either the space saving or the “hiding it away” benefits.

To make things even more convenient, it operates wirelessly, so there’s no need to run an interconnect to it. All it needs is power, and this in turn opens up more possibilities for placement without worrying about cable runs.

A small transmitting unit is attached to your amplifier’s sub-out or pre-out socket, and the unit is set for syncing by pushing a micro switch on the transmitter. Once the red light flashes, a button on the bottom of the Sub Air is pushed until sync occurs and the flashing red stays on.

The Sub Air can be used with any of the Focal satellite speakers, Dome or Bird series, or the Chorus bookshelf models. In fact it could be used with a wide range of smaller speakers, regardless of brand.

The 21cm paper coned woofer is powered by a 150w amplifier, and has a frequency range of 40Hz to 200Hz. Finish is gloss black or gloss white.

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NAD

D7050 network amplifier

D1050 DAC

D3020 integrated amplifier

NAD – UPRIGHT CITIZENS

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he trio of ‘D’ components from NAD offer the right mixture of digital technology and musicality in a form which readily lends itself to use in a desktop location (vertical placement), or in a conventional horizontal stowage as part of a stereo system.

Return of the 3020 The D3020 integrated amplifier draws together two strands of NAD history. Their original 3020 stereo amplifier made their name back in the early days, achieving legendary status as a no-frills, good value, great-sounding amp. That famous model is invoked by the new D3020, which draws upon the other strand, which is NAD’s more recent mastery of the art of building fabulous-sounding digital amplifiers. Their M2 amplifier is not cheap at $7699, but it has been recognised as one of the best products on the market at any price.

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The D3020 at a mere $699 will deliver an honest 30w x 2 channels into 8 ohms, so is powerful enough to drive most common types of speaker, although those with efficiency rated at 89dB or higher are to be preferred. There’s a DAC built in, capable of using sampling rates up to 24-bit/96kHz. Inputs include asynchronous USB, Bluetooth, analogue stereo, optical and coaxial digital. Apart from the speaker outputs there’s a headphone output, too.

D7050 network amplifier For something with more power and more features, the D7050 Network Amplifier ($1299) is almost a modern interpretation of the traditional stereo receiver – that is to say it’s an amplifier with Internet Radio and Network Streaming capabilities, though falls short in not having a DAB+ tuner. Most stations can, however, be received via the web these days.

The asynchronous USB input can connect directly to your computer to get the highest quality audio playback of material up to 24-bit/96kHz, and up to 24-bit/192kHz via the network connection. There’s also Bluetooth (aptX) and Apple AirPlay for wireless input, and inbuilt Wi-Fi for connection to your home network. Other connections include two coaxial and two optical inputs. (Being alldigital, there are no analogue inputs.)

The rated power is 50w x 2 into 4 ohms, which should be adequate for most common speakers. A headphone amplifier (3.5mm socket) is included, using a high quality volume control.

FRENCH NIGHT!

The D1050 DAC ($699) is built with reference back to the superb NAD M51 DAC, regarded by many as the best buy in high-end DACs on the market.

The obvious giveaway detail on the D1050, indicating how serious NAD are with this product, is the balanced XLR output option on the back panel. This is only found on upmarket, full-width models, but here it is on a DAC costing less than half the price of those full-size component DACs. There are five inputs, including asynchronous USB, 2 x coaxial and 2 x optical. The USB and coaxial digital inputs will support sampling rates up to 192kHz, while the optical does (as is normal) up to 96kHz. As NAD themselves say: “The digital processing of the D1050 features Delta/Sigma architecture with active oversampling filters. This technique effectively reduces out of band noise while maintaining linear phase response and virtual elimination of filter ringing in the pass band. This assures detailed and extended high frequency response while taking full advantage of the extended response of recordings sampled at 88.2 kHz and above.

“NAD packs a lot of premium high spec parts inside the D 1050 but premium parts need optimal implementation to get the actual performance they promise. This is where NAD expertise with both digital and analogue circuits shows its true value. Ultra short, impedance-controlled signal paths are made possible by multi-layer circuit boards and micro-miniaturized surface mount components soldered with leadfree, high silver content solder.

These details all contribute to the remarkable performance of this advanced DAC.”

DATE: TUESDAY 25 MARCH TIME: 6.00PM FREE OF CHARGE PLEASE CONTACT MEENA OR AMY ON 02 9427 6755 TO RESERVE YOUR PLACE

Photo: Tristan Nitot

NAD’s D1050 DAC

LEN’S FRENCH NIGHT!

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romotional evenings at Len Wallis Audio are always popular, being both informal and informative. To create an evening of Liberté, Fraternité, with a dash of Frivolité, we are having a French-themed evening on 25 March at 6.00pm to show off the new Focal Aria 900 series speakers, which feature that very French product, Flax, as the strengthening fibre in the woofers and midrange drivers.

There will be French wines, food (including cheeses), and of course music. Please contact Meena or Amy on 02 9247 6755 to reserve your place, free of charge.

As you may be aware, Focal is a very successful speaker manufacturer based in St Etienne. They are proudly French, as you would expect, and they do all their own Research & Development, manufacture all their own drivers, build cabinets, assemble – in short, they do the lot.

The new Flax Sandwich drivers represent another amazing innovation from this very clever company. Full details are on the preceding pages, but there’s no substitute for hearing what they can do for yourself, so we hope you can make it along to this special evening.

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DUNTECH

RETURN OF A LEGEND

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untech were the premium speaker company in Australia during the 1990s, but gradually faded away after John Dunlavy returned to the USA and established Dunlavy Labs over there. The company soldiered on for some years, but eventually the rights to the name and designs were bought up by Orpheus, who can build any of the famous models to order.

The DSM-15 ($8950) marks the return of the famous Duntech brand with an all-new design, the first for many years. This is a completely new design incorporating modern drivers (and design theory) and is put together in a craftsmanlike fashion using only the best in materials, such as the American walnut finish.

The stands are fillable, and have a granite base plate.

This is a bookshelf speaker, although it comes with a beautifully integrated columnar stand. It is a two-way design with a 5� bass driver and 1� tweeter, selling for $8,950 the pair, although we note that they will sell for much more than this in the overseas markets.

Immediately apparent is the construction quality of these speakers. Considerable time and effort (and I assume money) were taken to get the correct shape and curvature in the timber. Sound quality is excellent. There is a notable lack of coloration of any kind, while the overall impression is of a lifelike sound, an uncanny presence of the performers on a very realistically cast soundstage.

At 89dB they may not require the biggest available amplifier to drive them, but like most high-end speakers they will continue to repay the additional investment in higher quality amplifiers with an improvement to the sound. The manufacturer recommends a minimum of 60w per channel, with an upper limit of 500w! Duntech are also releasing a set of custom-designed valve monoblocks and matching pre-amplifier, so anyone wanting the perfect match can get it!

To many audiophiles the two-way bookshelf-sized speaker is the ultimate, having simplicity of crossover, speed of reaction and accuracy in fine detail. The Duntech DSM-15 is destined to join the ranks of the legendary monitor speakers for the same reasons, plus the benefits of modern technologies and design expertise.

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BOWERS & WILKINS

CM10 FLAGSHIP

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he CM series sits above B&W’s 600 series and below the 800 series, and has become increasingly popular as people come to appreciate the many virtues of the speakers in this range. They have a unique combination of silky treble, enticing mid-range presence and deep but well controlled bass. Nothing is either overdone or left in any way lacking; they have a beautifully balanced character.

There are two bookshelf models, two centres, and now three floor-standing models to choose from. We’ve covered most of them before, but the CM10 ($5500) is the most recent arrival, and is something special. It is now the flagship of the series, giving those customers who would like to a chance to step towards the performance level of the 804 Diamond, but at a considerably lower price.

It is an all-new design that incorporates the proven aspects of the CM9, and then adds further technical innovations.

The tweeter is mounted on top of the cabinet, as has been done with other premium B&W speakers in the past and the present. The tweeter has a new ‘double-dome’ construction, which gives improved performance. It uses a structure trialled successfully in the PM1, and this, combined with improvements to the midrange and bass sections, gives a speaker which has been summarised as “a big-hitter in the audio world. It outclasses the CM9 in every respect.”

[Tristan Francois at Digitalversus.com] There are three bass drivers, extending the bass performance over that of the CM9, the new design yielding higher sensitivity and power handling – 90dB sensitivity, 8 ohms impedance, and a recommended power range of anywhere from 30w to 300w. The Kevlar FST midrange, using 800-Series style drawbar fixing, has been decoupled and

Late Newsflash: B&W are bringing out a new series of DM600 speakers, to be known as the S2 range. These will be available very soon and will be priced above the current series.

CM10 SPECIFICATIONS Design: three-way vented cabinet Recommended amplifier power: 30w-300w Frequency response: 45Hz48kHz (±3dB), -6dB at 28Hz Sensitivity: 90dB Impedance: 8 ohms nominal, 3.1 lowest Colours: Gloss Black, Satin White, Rosenut, Wenge Dimensions: 1087x200x337mm (no plinth) Weight: 33.5kg repositioned. And there is a stronger tweeter mesh, for improved protection of tweeter against physical damage.

The speakers can be used with or without the supplied plinths, which have a larger footprint than the speaker and add stability. There are four high quality finishes (see right): Gloss Black, Satin White, Rosenut and Wenge.

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SONY

SONY’S 4K PROJECTION

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he Ultra HD scene is about to ramp up, and Sony have come up with an absolutely gorgeous 4K projector at a much lower price than the top-of-the-range model.

The new VLP-VW500ES ($13,999) incorporates a host of advanced features, including automatically recalibrating itself over time, while delivering such fine-grained detail in the images that you can walk right up to the screen and see minute details instead of pixels.

With 4096×2160 resolution and 200,000:1 contrast, the picture quality you enjoy at home will be as good as the cinemas, many of which have been running 4K for some time. Even your older material on DVD, and your recent Blu-rays, will be upscaled for better quality via the powerful processing built into the Sony projector.

Lamp brightness will not be an issue either, with 1700 ANSI Lumens on tap.

4K at 60 frames per second: The Sony can display up to 60 frames per second in 4K (at colour signal YUV 4:2:0). It’s the new 4K standard and is much higher than the earlier 24p. The result is a smoother image with superior colour and realism.

Advanced SXRD panels: 4K digital drive panels minimise the space between pixels in every frame with an incredible response rate of 2.5-milliseconds. That’s much faster, and more stable, than an LCD TV and produces ultra-smooth, dot-free pictures with natural, fluid movement – whatever the action.

Reality Creation: Upscales your movies to 4K, so that you can see current fullHD Blu-ray or DVD movies upscaled for a 4K experience. Reality Creation is a Super Resolution technology that radically enhances full-HD content, upscaling even 3D movies for 4K. Triluminos Display: The VPL-VW500’s optical engine and SXRD panels incorporate Sony’s Triluminous Display technology to produce a much broader colour

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range, reproducing more tones and textures than a standard projector system.

New Motionflow: Includes ‘Combination’ mode, using ‘Film Projection’ and ‘Motion Enhancer’, adding frames to reduce blur and maintain brightness in thrilling, fastmoving scenes. Cinema purists can choose ‘True Cinema’ to retain the original 24 frames per second.

Industry-standard RF 3D compatible: A built-in RF transmitter synchronises with any RF 3D glasses for wider coverage, greater stability, and no cable.

Wider zoom and shift lens: A 2.06× motorised zoom lens and wide lens shift range of 85% vertical and 31% horizontal gives greater installation flexibility – even when the ceiling is very high.

Auto calibration: After extended periods, colour can be automatically calibrated to the original factory condition. There’s no need for extra calibration equipment or cameras; a built-in colour sensor stores all the necessary information.

Suitable for home automation: RS232 interface, RJ45 control, and IR-IN terminal.

JVC

JVC’S AFFORDABLE PROJECTORS

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rojection remains the most satisfying means of creating a large screen experience to match that of actually going to the cinema. Having all the comforts of home is a real bonus! The first full-HD projectors (1920x1080) we saw in the Theatre Room here were up around the $15,000 mark, but now you can enjoy even the latest Ultra-HD 4K picture (up to 4096x2160) for a fraction of that.

JVC have been at the forefront of projector developments for a long time to such a degree that Meridian used JVC as a basis for their own high-end projector, and they have a lot of in-house technology they can use not just in their top models, but allow to trickle down to cheaper models over time.

The JVC DLA-X500R ($5999) delivers stunning picture detail at an unprecedented value thanks to JVC’s exclusive 4K e-shift3 technology, which accepts Native 4K 60p through the 4K-enabled HDMI inputs and up-converts existing 1080p sources to 4K. The three discrete D-ILA devices in the DLA-X500R produce a stable image with no flicker and a class-leading 60,000:1 Native Contrast Ratio for peak whites and deep blacks.

For 2014, JVC adds an Intelligent Lens Aperture which results in a Dynamic Contrast Ratio of 600,000:1. While the DLA-X500R looks fantastic right out of the box, you can optimise it to your room by using the on-screen gamma control, 7-Axis Colour Management System, High Precision Pixel Alignment and more.

Take that impressive contrast figure of the DLA-X500R and double it – yes, we’re talking 1,200,000:1 for this next model up, the DLA-X700R ($8499). That’s even more important than how it handles 4K inputs, which are going to be thin on the ground for some time yet. Then for good measure, they’ve reduced the space between the pixels by a staggering 40%, so the image is extra smooth.

There’s also the DLA-X35 – not as new as the above models, and HD not 4K, but what a package of features it has for the price of $3499!

Thanks to JVC’s original D-ILA driving method, Frame Addressing reproduces more colourful and vivid 3D video content with reduced crosstalk (image overlapping). What’s more, this technology incorporates newly developed driving circuitry that helps to drastically improve image brightness.

The Pixel Adjust function allows users to precisely correct colour deviation in 1/16-pixel increments, while flexible installation is possible thanks to the ±80% vertical, ±34% horizontal powered lensshift function and high-performance 2x zoom lens with motorised focus.

15

Access to true sound!

The new generation of Chorus 700 loudspeakers offers a design and quality which stand up to the expectations of today’s music lovers: remarkable audio performance combined with increased perceived value and elegance. It symbolises access to Focal quality, technologies and sound, in line with the previous range. Ideal for Home Cinema configuration, Chorus 700 reflects our values more than ever: Innovation, Tradition, Performance, Pleasure… this is “the Spirit of Sound”

Available at Len Wallis Audio 02 9427 6755 64 Burns Bay Road Lane Cove NSW 2066

Focal is distributed by Audio Marketing T: 02 9882 3877 F: 02 9882 3944 E: info@audiomarketing.com.au W: www.audiomarketing.com.au

COCKTAIL AUDIO

WHAT A RIPPER/SERVER/ STREAMER/TUNER/AMP!

W

ith the increased usage of music stored around the home network and from web-based services, the notion of combining everything you use on a daily basis into one component has been gaining ground at the high quality end of the hi-fi market. Cocktail Audio’s little X10 (at $599 without speakers) represents a budget-price entry into this world, but the newer X30 ($1,899) steps up to a higher level of construction, amplifier power and playback quality.

You can rip your CDs directly to the inbuilt HDD storage. You can listen to music from around your local network, or to Internet Radio. When the firmware is upgraded (date to be advised) you’ll

be able to access online libraries of vast quantities of music. Or you can simply listen to a CD or FM radio, just as you’re used to doing.

It only needs speakers added, and we have plenty of options for you there. In fact it will be the speakers that determine just how good this system is going to sound. Spending a bit more on speakers always yields a noticeable improvement in audio quality.

COCKTAIL X30 FEATURES • All-in-one smart HD Music Server, Network Streamer, CD Storage (Ripper)/50w Stereo Amplifier • Audio codecs supported: APE/CUE, HD FLAC, HD WAV, MP3, FLAC, WAV, WMA, M4A, AAC, ALAC, AIFF, AIF, Ogg Vorbis, PCM, PLS, M3U (and more)

• Inputs: LAN, USB, stereo analogue, coaxial, AES/EBU and optical digital, CD player, FM, Wireless (via optional dongle) • Outputs: Speakers, analogue stereo, coaxial & optical digital, HDMI (video) • Equipped with a 700MHz MIPS host CPU (Processor) • Burr-Brown PCM1792a DAC chip • Powerful TI stereo digital amplifier • Isolated power source circuit design for digital parts and analogue parts • High-speed optical disc drive for quick ripping • 5-inch full colour screen for intuitive graphical user interface • FM radio tuner • Internet Radio (online music services to be added later) • Recording with max 192kHz sampling rate • Max capacity storage installation for 3.5 inch & 2.5 inch SATA hard disk and SSD • Versatile network solution for 24bit/192kHz hi-res streaming playback and file management • Customised Web Interface and free UPnP apps for remote controlling • Rugged chassis construction with 8mm thick aluminium front with a metal chassis

17

TIVOLI AUDIO

TIVOLI MUSIC SYSTEM TWO+

S

queezing ever more hi-fi performance and functionality into what is essentially a ‘table radio’ sized chassis has proven to be a popular move for various companies.

Tivoli Audio have now updated their Music System to cover the latest trends.

Based off the all-in-one Music System, the Music System Two+ ($949) has all of the same features except the integrated CD player — if you prefer to store data instead of CDs, then Tivoli Audio has you covered with the Music System Two+.

You can stream with Bluetooth from any

18

enabled computer, smartphone or tablet to the Music System Two+ without the use of wires or cables.

The Music System’s separate amplifiers, custom drivers and adjustable bottomfiring subwoofer have all been retained in the Two+’s design. Other engineering traits include SpacePhase wide mode for an expansive soundstage, and dual rearfiring bass ports, which deliver extended bass response.

Additional features include DAB+ and FM radio tuners, an easy-to-see large display with backlight control, auto-set

digital clock with battery back-up, fullfunction remote control, snooze and sleep timers, and dual independent alarms.

MUSIC SYSTEM TWO+ FEATURES • Excellent high-fidelity stereo sound and bass response • Integrated, down-firing subwoofer • Hand-crafted, furniture-grade wood cabinets for beauty and sound • DAB+/FM radio • Play music wirelessly through the Music System Two+ with Bluetooth (version 2.1+EDR); 9-metre reception range • Auxiliary input and front panel stereo headphone output • Feature-rich yet easy to use • Dual, independent alarms with Snooze function • Display backlight adjustment • Auto-set digital clock with battery back-up • Frequency Hopping Spread Spectrum (FHSS) results in low-to-no noise interference with other wireless devices • Full-function remote control

TORUS POWER

TORUS POWER CONDITIONING VERY LIMITED STOCK – TO CLEAR AT HUGELY REDUCED PRICES! AVR Models:

• CS4AVRAUS (4 amp, 4 outlets): was $5,299, now $1,699 • CS8AVRAUS (8 amp, 5 outlets): was $7,699 now $2,699 • CS16AVRAUS (16 amp): was $9,999, now $2,999

FEATURES • Clean AC Power and Noise Filtration • Series Mode Surge Suppression that really works • High Instantaneous Current Capability • Input Current Limiting • Ethernet and RS232 controllable

CS Models

T

orus AVR (Automatic Voltage Regulation) models combine power conditioning and voltage regulation in one efficient highperformance unit. Like all Torus Power products, the AVR series provides true isolation, using massive toroidal transformers and series-mode surge suppression to protect all your connected equipment from the risk of severe power line surges.

The AVRs are full-feature power conditioners, isolating and protecting a system while providing microprocessorcontrolled stable output voltage to keep equipment running in the optimal range of 230V AC ±10V for any input voltage ranging from 160V to 260V.

undue stress, prolonging equipment life, enhancing performance, and providing peace of mind.

Torus Power products also use the finest, most sophisticated surge suppression technology available. Series Mode Surge Suppression does not shunt the spike to ground like MOVs do, so preventing ground contamination.

Torus Power uses Plitron’s LoNo (Low Noise) transformer design technology, eliminating audible noise in the power transformer regardless of line conditions, DC offset and over-voltage. Torus Power products perform at the NC10 level (measured on the standard Noise Criterion curve), which makes them suitable for use in very quiet environments such as professional recording and broadcast studios, as well as the most demanding consumer audio video systems.

Five power levels are available – 4, 8, 16, 30, and 45 amp models (we are stocking mainly the 4 and 8 amp models, but others may be ordered).

Automatic Voltage Regulation (AVR) continuously monitors incoming mains to detect high and low line conditions, and then seamlessly and instantaneously triggers compensating circuitry to ensure the voltages powering your equipment are always optimal. Your equipment is always powered by a stable input voltage, allowing components to function without

Torus CS Series Power Conditioners provide a full-feature power conditioner, isolating and protecting your system, though without voltage regulation or networking. They offer true isolation, using massive toroidal transformers, protecting all connected equipment from the risk of severe power line surges using series-mode surge suppression.

CS Models: • CS4AUS (4 amp, 6 outlets): was $3,499, now $1,299 • CS8AUS (8 amp, 5 outlets): was $5,899, now $1,999 • CS16AUS (16 amp, 8 outlets): was $6,999, now $2,229

19

BANG & OLUFSEN

B&O’S WOLF IN BAUHAUS CLOTHING

B

ang & Olufsen have always had a flair for design, and the various Jacob Jensen models remain classics of an earlier age. They have continued to employ top designers over the years and most of their products remain iconic to this day.

It’s fair to say that the Beoplay A9’s looks are, to say the least, different – but it will win praise, and it is an intriguing object, one which performs at a high level. It will be pleasing to many, in a number of ways.

The A9 powered speaker ($2690) looks decidedly like a satellite dish, and at 700mm diameter it’s not exactly small, although it is quite slim. The size is essential,

20

allowing it to deliver room-filling sound at high volumes when required, and deep bass. The circular cabinet houses one 8”/20cm woofer, two 3”/75mm midranges and two 20mm tweeters.

These are driven by multiple class D amplifiers, amounting to a total of 480w, impressive to those who like high power, though really it’s the quality of the sound, together with the ability to punch out a full frequency range, that wins the day.

It could be the only sound system you need in a large room or an open-plan area, while the combination of a plain circular front and the “Eames era” wooden legs won’t look out of place with modern décor.

Inputs: AirPlay or streaming via DLNA from your network, plus direct inputs of optical or stereo analogue (2 x RCA).

Finish: White is standard, but alternative grille colours are available to purchase in Grey, Green, Red, Black or Brown.

B&O Headphones H6 The range of headphones available has never been better, and this latest Beoplay H6 model from Bang & Olufsen ($499) fits into a category which is enjoying special favour. They are a full-size over-ear headphone, with a slim headband and the option of using a control pod to listen to your iPhone’s music.

Trim is genuine leather, and the ear padding is very comfortable. The overall appearance is typically B&O, with economy of line, machined aluminium backs on the earcups, and of course the leather finishing touches — with colour options of Black, Dark Green and Silver/ Tan, subject to stock.

Sound quality is warm and detailed (without harshness) and well balanced.

Being able to use either a standard lead or one with the iPhone control pod is a plus, and wearer comfort is very good.

An unusual add-on is a 3.5mm outlet on one cup which allows a friend to piggy-back on your sound!

A stylish headphone, well suited to either home or on-the-go usage.

B&W / FOCAL / SONOS B&W P7 headphones B&W have a new “top of the range” headphone in the P7 ($549), which shares the family resemblance of the P3 and P5, particularly the leather finish of the P5, but are larger, circumaural (around the ear) and are intended to be accurate full-range musical headphones, but with a nod to portability. Their sound quality is precise and illuminating in the all-important midrange and treble, while bass response is tightly controlled, deep and dynamic.

Being closed-back and close-fitting, most ambient noise is screened out. Two cords are supplied, one with the Apple threebutton microphone in line for those who want to use the headphones with their iPhone. The styling, which includes superb brushed aluminium and steel fittings, is universally admired. These are fantastic headphones with multiple personalities – great at home, unbeatable on the move.

Focal Spirit Pro headphones Focal have also added a new model, the Spirit Pro ($499). Like B&W’s set above, it’s a move upwards, in this case representing major upgrade to sound quality over the Spirit One, and they are already being recommended online to professionals who want a really accurate closed-back headphone for monitoring purposes – or for anyone at all who wants that level of truth in sound reproduction.

Lightweight mylar-titanium diaphragms with neodymium magnets give speed and life to recordings without any overlay of boosted response in any area of the extremely wide frequency range, 5Hz22kHz. The closed back design shuts out a lot of ambient noise, while the ‘memory foam’ earpads ensure longterm comfort.

SONOS’ BABY SPEAKER

O

thers have tried but none has equalled the success of Sonos when it comes to streaming music and internet radio around the house with a minimum of fuss and a maximum of flexibility.

Sonos have a new and relatively small powered speaker called the Play:1, which at $299 is well priced and will have various applications. To beginners, this and a Sonos Bridge offer the cheapest entry to date into the world of audio streaming, with one of the best control interfaces around via either your computer or any number of Apple or Android touch-screen devices using the free apps.

For existing systems the Play:1 can be a useful extra speaker, perhaps for the kids’ rooms, or an easily portable unit around the home. Alternatively, a pair can be used as the rear effects in a Playbar surround set-up (right). You could even create a dynamic sub/sat stereo system with two of these and a Sonos Subwoofer – this would have a lot of clout, and integrate into a room with low visibility.

The range of Sonos components has grown into a very flexible mix’n’match

arsenal. Being able to adapt existing systems by adding a Connect, or to use almost any pair of speakers with a Connect:Amp gives great adaptability as well as choice of quality level. There are also regular software updates to add new functions The Play:1 is a welcome addition to the repertoire and is guaranteed to be a success. The only problem we’ve had is getting enough stock!

Note: Flexson have stepped up and produced a range of wall brackets and floor stands to suit all of the Sonos Play: models.

21

AUDIO PHYSIC

SMALL STEP – OR GREAT LEAP?

T

he Audio Physic Step 25 ($3100 in timber, $3700 Gloss Black) is making a name for itself as a superb compact two-way monitor speaker. It uses some very advanced parts, such as the Hyper-Holographic Cone (HHC) drivers which Audio Physic came up with for their top models like the Caldera and Reference series. The tweeter (HHCT II) is a lightweight cone using a mixture of aluminium and ceramic stiffening.

The results are speed and accuracy such that every detail is not only delivered, but produced so realistically that you’d think you were there. Of course there’s not the bass extension and force you get from a large multi-driver speaker, so there’s some lightening of the deeper textures. But the soundstage, midrange and fine detail are

22

so good that the music communicates beautifully. This speaker exemplifies Audio Physic’s motto: “No Loss Of Fine Detail”.

Neil Gader of The Absolute Sound was mightily impressed: “All this adds up to make the Step 25 something special.

Easily one of the most transparent small speakers I’ve hosted recently, its image and soundstage reproduction are so specific, timbres and tonal colors and microdynamics so alive and focused, that when I compare the sonic picture that the Step 25 casts against most other speakers it’s as if I’d just had a pair of cataracts removed.”

STEP 25 SPECIFICATIONS • Frequency response: 55Hz-33kHz • Impedance: 8 ohms • Sensitivity: 87dB • Dimensions: 320x175x250mm (hwd)

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BOSE / AKTIMATE

BOSE’S SURE TOUCH WITH SOUNDTOUCH

B

ose have set a new course for themselves, and the SoundTouch powered speakers are the first wave in what will gradually be an across-platform capability — namely wireless streaming of music to any room in your home or place of business.

The SoundTouch 30 ($899) is the largest of the initial offering, and like the larger SoundDock it has a room-filling sound, achieved with ease.

Once installed, using the SoundTouch app, you can enjoy sourcing your music from local or internet places, and sending it to any room. Control the system directly using one-touch presets for your favourite sources or playlists, or use the control app on your Apple or Android device.

The suite of powered speakers also includes the SoundTouch 20 ($549) and the SoundTouch Portable ($549 – battery or mains power), which have

similar features but are smaller models.

Bose is including the wireless streaming facility in other new models this year, up to and including their Lifestyle surround sound systems. The range of internetbased music libraries which can be accessed will expand, as will the ability to play more types of music file. To begin with the SoundTouch series will play MP3, WMA and AAC formats, with plans to add Apple Lossless and Ogg Vorbis.

This new approach will please all Bose fans, but may take a while yet to be fully implemented across the range. As far as we are aware, the new streaming system is not retro-fittable to previous models.

SOUNDTOUCH FEATURES • Wireless connection via your home Wi-Fi network to Internet radio, Pandora and your music library.

• One-touch access to your music with six personalised presets.

• Rich, powerful sound fills the largest areas of your home.

• Free SoundTouch app for your computer, smartphone or tablet.

AKTIMATE BLUE SOUND & IMAGE AWARDS 2014 Award Winner: ‘System Solutions’ category

A

ktiMate have been overhauling their range of active speakers progressively, while at the same time moving production to better factories.

The results so far have been excellent in terms of both sound quality and reliability.

The Micros at $430 are very lively and engaging, while the Mini above them at $685 adds depth to the performance.

You’ll get even more of that with the new Blue ($1200), the biggest in the range and also sporting a Bluetooth input, plus a set of analogue and digital inputs, meaning that you can use these speakers with a wide range of other equipment.

24

While this speaker is similar in size to the older AktiMate Maxi, the features are very different. The system is based around the latest Bluetooth technology – hence the choice of name for this model. But the array of the back-panel inputs — both analogue and digital, including USB — offers a wide variety of listening options.

The similarities to the Maxi, apart from size, are that it continues to have an amplifier in the active of the two speakers with a power output of 60W into its own

4-ohm speaker load. It still has a 165mm mid/bass speaker with an offset 25mm tweeter, although changing away from the metal dome to a soft dome, as used in the newer AktiMate Mini+ and Micro.

They are available in a choice of black, white or this red high gloss, and the supplied remote is small and user-friendly.

REGA

REGA RP10 – THE EVOLUTION OF REVOLUTION

R

ega’s approach to turntable and arm design follows their own strong belief that massive construction is not the answer, but clever design is. The new RP10 – $7699 including the superb Apheta cartridge – has a long list of innovative design features, and since it is so new on the market at the time of writing, we’ll let them tell the story.

“Rega’s design philosophy extends further than ever before with advanced components built around our radical new plinth design. The new RB2000 tonearm, a ceramic flywheel effect platter and the custom RP10 power supply (allowing total control and accuracy over both motor vibration and speed performance) guarantee the highest level of performance from a Rega turntable to date.”

Tonearm. The RB2000 tonearm pushes the boundaries of tonearm design, using improved bearings, hand selected to be an interference fit with the paired spindle, matching both the inside and outside diameters. The entire tonearm structure is designed to have the minimum of mechanical joints while using the stiffest materials in all critical areas.

Dual bracing. A super lightweight plinth combined with a double brace mounted specifically where the increased rigidity is required (between the tonearm mounting and the main hub bearing) forms a structurally sound ‘stressed beam’ assembly, preventing energy absorption and unwanted resonances. The RP10 takes this double brace to the next level, with Rega obsessively reducing resonant properties by using two different materials for the new stressed beam. The top layer is magnesium and the bottom layer is phenolic (two of the lightest and stiffest materials available). Incorporating two different materials into the brace structure lowers their ability to pick up unwanted airborne vibrations, decreasing the natural frequency of each other by self damping.

Super flywheel effect ceramic platter. The RP10 uses a custom ceramic flywheel effect platter produced from ceramic oxide powder which is compressed, fired and diamond cut to ensure perfect accuracy and flatness across the surface. The new platter features a modified construction over the previous P9 version with improved coupling to the sub platter.

24V low-noise motor. The motor is a high specification, 24V twin phase synchronous unit controlled by Rega’s unique and innovative RP10-PSU power supply. The motor drives the CNC machined pulley, sub-platter and hubbearing assembly via the twin belt drive.

Each motor is individually hand tuned to its own custom power supply in the factory, minimising vibration and motor noise to ensure optimum performance.

Skeletal plinth design with polyolefin foam core. Rega has always researched methods of producing light but stiff and rigid plinths, pioneering the use of a stressed skin structure for the plinth. This uses two layers of phenolic resin with a lightweight particle or fibre board sandwiched between the skins. This technique has been used in in many applications where stiff, light structures are needed, such as an aircraft wing or a Formula 1 chassis.

25

JBL / NAD

MUSICAL FIDELITY HEADPHONES/EARBUDS

JBL BLUETOOTH SPEAKERS The JBL Flip ($129, above right) is part of the new wave of small but effective speakers you can take anywhere. It’s a bit smaller and a bit less powerful in the bass region than the similar but larger JBL Charge speaker, but costs less and will suit anyone looking for a minimalsize speaker you can use anywhere.

It can take the Bluetooth signal from your phone, iPod touch or iPad, or any of the various devices on the market these days, or a physical Aux connection via 3.5mm socket. It can be set up horizontally or vertically. A charger is supplied, along with a carry bag. The battery power will last about five hours, depending on how loud you play it!

The JBL Charge ($199) is the larger of JBL’s small battery-powered Bluetooth speakers. With the Charge you get more bass response, longer battery life (7-10 hours, though again it depends on the volume you play at), and a USB socket that can be used to recharge your phone or other small devices – noting that this is more of a back-up function, the audio quality and compactness being the main event. As with the Flip, it can be used horizontally or vertically, taking care not to place it on the end with the reflex port! Apart from Bluetooth, it can take a signal from its Aux 3.5mm input. This one comes in a choice of Blue, Green or Grey.

NAD PHONO WITH USB OUT The new PP4 from NAD, priced at $279, is another fantastic value-for-money proposition. Firstly, it’s a phono stage which can handle MC or MM cartridges, stepping the signal up to line level for input to any available line-level input on your amplifier, but secondly it includes a DAC which converts the analogue signal to digital via the USB out, enabling you to digitise your treasured vinyl collections

26

to a PC or Mac. There is also a line input to allow for the transfer of cassette tapes. The PP4 comes with VinylStudio Lite Software for ripping LPs and burning audio CDs. As part of NAD’s commitment to the environment, the PP4 features a more efficient ‘green’ power supply that reduces power consumption, further assisted by the PP4’s Auto Power Down feature when not in use.

From the beginning the MF-100s ($229) were designed to be true to Musical Fidelity’s heritage, a commitment to music and value for money.

The MF-100’s drive units have been designed from the ground up to give a flat and wide frequency response with low distortion, to give a completely natural, stress-free sound.

The MF-100’s earpads are a subtle combination of fine materials and refined design, the leather earpads designed for maximum comfort, with a spare pair of extra comfortable Alcantara pads also included. At the same time they give excellent sound isolation, forming a firm seal which ensures deep powerful and clear bass.

SPECIFICATIONS • Impedance: 64ohm ±15% • Sensitivity: 98dB ±3dB • Max. input power: 25mW • Frequency range: 20Hz-20kHz • Driver dimension: 41mm dynamic type

The EB-33 earbuds ($149) were designed to make a natural lifelike sound, with a wide and flat frequency response with low distortion. They are light, comfortable for long listening sessions, and durable.

The EB-33s are made from high quality, earth friendly materials, and use hightech neodymium magnets and a large 13.5mm drive unit which gives high sensitivity, low distortion and wide bandwidth for lifelike neutrality.

SPECIFICATIONS • Impedance: 16ohm ±15% • Sensitivity: 105dB ±3dB • Rated power: 10mW • Frequency range: 20Hz-20kHz • Driver: 13.5mm dynamic type

MUSICAL FIDELITY

MUSICAL FIDELITY V-90 COMPONENTS

M

usical Fidelity’s new V-90 mini components replace the previous V series.

The functionality remains similar, so you’ll get the same inputs and outputs, but the range has been updated in casework and incorporates various other mods. The first batch includes the V90-LPS, V90-DAC, and the V90-HPA (headphone amplifier).

The basic approach of the V series and now the V-90 series is to use excellent internal componentry, keep it small and simple to reduce costs, but deliver high quality results. The V-90 all-metal chassis has been upgraded to a more conventional layout and finished in crystal shot-blasted “moonstone”.

The V90-LPS phono stage ($279, above) has separate inputs for Moving Magnet and Moving Coil cartridges, and a switch to select between those. This is a very low distortion small signal amplifier, with a perfect RIAA curve applied to the signal so that LP records are reproduced as they should be. Performance parameters are as follows: • Input impedance: 47kohm (MM), 100-ohm (MC) • Input sensitivity: 3.0mV (MM), 400µV (MC) - for 300mV out • Total harmonic distortion: 0.01% (MM/MC) - @ 1kHz, 300mV out • Frequency response: +0, –0.1dB, 20Hz to 20kHz

• Signal/noise ratio (A weighted): >80dB (MM), >80dB (MC) • Input overload margin: 15dB (MM), 22dB (MC) • RIAA response: ±0.25dB The V90-DAC ($399) is a high quality 32-bit 192kHz DAC which keeps the performance maximised while minimising the expense. It accepts digital inputs via two coaxial, one optical and one USB socket, with output via stereo RCA (unbalanced). Cosmetics are very good, but not extravagant; the finish is crystal bead shotblast, fine texture moonstone, while close attention is paid to the fit of the casework. Internally, the PCB has been kept small to reduce costs, but the active components are of the best quality available.

The technical performance of the V90DAC is on a par with any other DAC at any price. Jitter is about 12pps, s/n ratio is -116dB (‘A’ weighted), linearity is +0.2dB at -116dB, stereo separation is -104dB

at 1kHz, frequency response is ruler flat and distortion is 0.00025% at 1kHz and 0.0003% at 20kHz. These technical figures are state-ofthe-art, and ensure completely neutral and accurate digital-to-analogue conversion of any digital input.

• Jitter: <12 picoseconds peak to peak • THD(+ noise): <0.004% 20Hz to 20kHz • Frequency response: +0, –0.1dB, 20Hz to 20kHz • Crosstalk: -104dB, 20Hz to 20kHz • Signal/noise ratio: -116dB, 20Hz to 20kHz The V90-HPA headphone amplifier ($359, below) can take in analogue stereo signals, or digital via USB at up to 24-bit/96kHz. It has two outputs, one 3.5mm and one full size 6.3mm.

It will drive any headphone, from 10 ohms to 600 ohms impedance, and has very low distortion of less than 0.005%. The frequency response is very wide at 20Hz-80kHz, and the dynamic range is 109dB. Once again the diminutive dimensions of 170x47x102mm (whd) give no clue to the performance. With the everincreasing popularity of headphones, ways to improve their sound in a small form and at low cost are highly desirable, and this one has all that covered.

27

SENNHEISER / VIBRAPODS

VIBRAPODS

SENNHEISER HDVD 800

H

eadphone users have never had it so good!

There are some fabulous headphones on the market today, including the Sennheiser HD800. But to get these high-end headphones to produce their best quality sound, a dedicated amplifier is required. This applies to a lot of moderately priced headphones as well, but the subject of this piece is definitely high-end!

The Sennheiser HDVD 800 headphone amp ($2399) is able to connect with digital sources via coaxial, optical, USB or AES-EBU (XLR) and is equipped with a high-quality Burr-Brown digital/analogue converter (DAC) that converts digital audio data into analogue signals with a resolution of 24 bits and a sampling rate of up to 192kHz. In addition to the balanced (XLR) stereo analogue inputs,

28

the HDVD 800 also has unbalanced analogue stereo inputs (RCA); incoming signals are balanced before further processing takes place. The analogue “out” sockets are balanced XLR only.

The front panel features an input selector, volume control and two sets of two headphone outputs: one pair for the conventional 6.3mm stereo jacks, and the other for balanced L+R, which you can use if you have an appropriate cable adaptor.

For any further fine tuning of output levels you require, there’s also a small Gain adjusting screw on the back panel.

To show off the quality ingredients which have gone into this very fine headphone amplifier, Sennheiser’s designers have put a window in the top of the HDVD 800, so you can look at the topography within!

Vibrapods have been designed with a cunning approach to soaking up the internal vibes that all sorts of players generate with their motors and transport mechanisms, as well as those coming up through the furniture from other things. The Vibrapods ($39.95 per set of 4, plus $5 postage to anywhere in Australia) are replacement feet for your various components which can be attached (after removing the original, screwed-on feet) or on which they can simply sit. The structure is a bit like a donut, with external walls of whatever thickness suits the weight of the component, to give more or less resilience. There are five models to accommodate various weights: Model 1 (0.9-1.3kg), Model 2 (1.8-3.6kg), Model 3 (3.6-5.46kg), Model 4 (6.35-8.16kg), Model 5 (9.9-12.7kg).

As an alternative to the Vibrapod feet, or even for use in concert with them, there are the Vibrapod Cones, which suit heavier items such as amplifiers and speakers, being weight tolerant up to 25kg. Some reviewers have pointed out that the improvements differ from Vibrapod foot to cone, and that in some cases you might want to use both, stacked.

Again, given the price of $11.90 each, no problem. There’s no doubt that isolation works, and these are a neat and cost-effective solution.

SPIN-CLEAN / AKG

AKG K550 SPECIAL

SPIN-CLEAN YOUR LPs It’s nothing short of amazing how long the LP has been around and that it still holds a place dear to many of us, despite requiring a bit of maintenance and careful setup to get the best out of it. Surface noise was always the thing we most wanted to fix, and the methods of cleaning and de-static-ing that have been marketed over the years are countless.

There has been nothing in between cheap cleaning pads and the top-line cleaning machines (which can be up around $1000) until now: the Spin-Clean Record Washer Mk2 ($135) is now available and has received acclaim from audiophile magazines like The Absolute Sound and Stereophile, among others.

It is essentially a narrow tank to contain clean water and a small quantity of special cleaning fluid. Two rollers support the 12” LP (with positions for other sizes) and two brushes in the middle do the cleaning while you rotate the record three times clockwise and three times anti-clockwise.

The Spin-Clean fluid is applied directly onto the brushes, which get the dirt and other matter out of the grooves. The

dirt goes into the water then, due to the chemical action of the cleaning fluid, sinks to the bottom of the tank. This means (a) it doesn’t re-attach to the LP, and (b) you can use the same mixture for more LPs. Each batch of water/fluid additive is said to be good for up to 50 LPs. Your initial batch will be enough for 700 cleans! The fluid contains no alkalines, soap solutions or phosphates, and is bio-degradeable.

Each LP has to be wiped dry with one of the reusable lint-free cloths provided.

Will your LPs be completely silent after cleaning? That depends on the state of the vinyl itself, and what damage might be present in the grooves. But you can be sure that noise caused by dirt will be greatly reduced if not eliminated.

Spare rollers, brushes, drying cloths and refills can all be purchased separately as follow-on buys as you use the initial supplies up. The starter kit includes the washer basin and lid, two rollers, two brushes, 4 oz. Cleaning Fluid concentrate, and two reusable drying cloths.

Every home blessed with a record collection needs this beaut little device!

Praised as closed-back headphones that sound as good as open-backed ones, the AKG K550 do a great job on audio as well as providing the isolation from surrounding noises that the closed-back design enables.

AKG are renowned for getting great top-end detail and spaciousness into their products, and while the high-end K701/702 are deemed by some people to be a bit lighter in the bass than they want, the K550s are definitely more bassy and warmer in sound.

At present you can get both a good price on the K550 (was $469, down to $399!) and a free bonus pair of the little but capable sporty K316, perfect for anyone on the move, with their over-the-ear hooks.

K550 SPECIFICATIONS • Type: Dynamic, closed-back • Frequency range: 12Hz-28kHz • Sensitivity: 114dB • Impedance: 32 ohms • Colour: Matt Black • Weight: 305g • Cable: 2.82m

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CES 2014 REPORT Product Roundup

CES 2014 REPORT

T

he Las Vegas CES is always in January, attracting a lot of interest for what is revealed about the up and coming products for this year. But don’t get too excited too early is the message!

Some of the products shown will only arrive here late in 2014, if they get to Australia at all. Some may never make it to the market at all, there or here!

That doesn’t apply to the fine products mentioned in the round-up here, however, which are all from reputable and reliable companies!

Many expect this to be a big year for 4K TV, and there were a lot of

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them being shown. Some were curved OLED screens, while Sony took a new slant on the large-screen projector, with their console model that can sit on the floor right near the wall or screen, and project up and out at an extreme angle. It’s very neat and bound to have appeal, but will also be a bit pricey, probably around $US35k.

Over the years, the show has expanded exponentially to include all sorts of things apart from mainstream audio and video. Phones and smart watches and other “worn” things are flavour of the month now, and they were out in force.

The serious audio has its own area at the Venetian, and one of the best reports on all the exhibitors there can be seen at Stereophile’s website, at this link: bit.ly/1m9XKnu

Krell have a new range of amplifiers coming, but they will be much later this year. There are seven models in all, using their new iBias Class A technology to maximise the benefits of clarity that class A gives, while being as sparing as possible with the power consumed and heat produced. They’ll include 375w and 575w monoblocks and a 7 x 200w theatre amp. Ethernet connections will allow remote monitoring of heat and other parameters.

Naim showed their huge new “Statement” amplifier (NAC S1 and two NAP S1 monoblocks, below left) which can deliver 740w per channel into 8 ohms. This was driving Focal Stella Utopias, and this combo made a big impression on John Atkinson of ‘Stereophile’: “The sound in this room, with the Statement driving Focal Stella Utopia speakers, was one of the best I experienced at the 2014 CES, with an enormous dynamic range and the feeling that you could follow reverberation tails on a recording like John Rutter’s Requiem down for ever into the ultimate silence.”

Focal, whose Utopia speakers were the companions to the Naim amp at the show, also had their Easya powered floor-standing speakers. No delivery date at this stage.

NAD’s Master Series M12, a DAC/pre-amp combination, was there too, and it is likely to hit the US market at $US3499. A new M22 digital-hybrid power amplifier was nearby, said to be $US2499, but not much info has been published on it to date.

Meridian were there with the 557 power amplifier, reintroduced (below), and also the Prime Headphone Amplifier, which we have already had a play with.

Peachtree have a Nova 220 integrated at 220w x 2 into 8 ohms, 440w x 2 into 4 ohms, and capable of taking hi-res digital feeds, but it is uncertain whether this will get to Australia.

MARANTZ / ARCAM SPECIALS!

MARANTZ SLIMLINE NR1604 AV RECEIVER:

SOUNDSTYLE EQUIPMENT RACKS (various)

The Marantz NR1604 is a versatile 7-channel home theatre receiver with network capabilities in a slim-line body that delivers spacious, realistic surround sound from a wide variety of sources.

This receiver features support for nextgeneration TV displays capable of displaying 4K Ultra HD video. Along with 4K Ultra HD and 3D pass-through the NR1604 also features video upscaling technology to 4K Ultra HD. The network functions of the NR1604 let you enjoy the music library of Apple devices using AirPlay, and a wide variety of content such as Spotify music streaming. With the network functions you can also use your Android or iOS device to operate the NR1604 via the available Marantz Remote App. In addition, multizone functionality means you can even output music from the main room to a different room. Full product details are on our website.

XS310 (wide): was $1199, now $599 LS100: was $1099, now $599 ST310 (wide): was $1499, now $599

was $1150, now $899

MARANTZ SLIMLINE NR1504 AV RECEIVER was $840, now $699

ARCAM SOLO MINI was $1399, now $999

ARCAM DRDOCK

Stereophile Recommended Component, 2013 - Class C

was $398, now $199

“... far more musically natural than average home-component high fidelity; products in this class are of high quality but still affordable.”

The drDock from Arcam pushes the performance boundaries of iPod docking offering greater connectivity, wider compatibility and even better sound through a direct digital connection to the docked device.

Thanks to an ingenious new physical format, the drDock is able to accommodate iPads as well as iPods and iPhones, allowing an even wider range of apps and services to benefit from Arcam’s legendary sound quality.

The drDock’s talents aren’t just limited to audio. An HDMI video output allows you to playback your favourite films and TV programmes directly to your home TV. The drDock also comes with its own IR remote handset.

The Solo Mini (pictured below) is based on the Solo, reduced in size but still integrating amplifier, CD player and FM/ DAB+ radio tuner, with five sets of line level inputs and a USB to take direct feed from MP3 players; alternatively the Arcam rLead or rDock can be used to connect an iPod, iPhone etc. It also has clock/alarm functions and a remote control, just to be complete. At 25w x 2 the Mini still has enough drive to be matched to the Arcam Muso speakers, or any other speaker of good efficiency.

The Marantz NR1504 is another slimline receiver, this time offering five channels but still with network capabilities that let you enjoy free internet radio as well as online streaming services such as Spotify. This receiver also supports AirPlay, streaming from the music library in your iPhone, iPod touch or iPad. With the Marantz Remote App you can easily operate the NR1504 from an Android or iOS device. Again full product details are on our website.

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www.marantz.com.au Distributed by QualiFi Pty Ltd 24 Lionel Rd Mt Waverley Vic 3149, (03) 8542 1122 sales@qualifi.com.au, www.qualifi.com.au

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