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Emotions in Europe 1517 1914 Volume I Reformations 1517 1602 1 Edition Katie Barclay François Soyer
e right of Katie Barclay and François Soyer to be identified as the authors of the editorial material, and of the authors for their individual apters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, meanical, or other means, now known or hereaer invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
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ISBN: 978-0-367-21095-3 (set)
eISBN: 978-0-429-26546-4 (set)
ISBN: 978-1-032-00740-3 (volume I)
eISBN: 978-1-003-17538-4 (volume I)
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CONTENTS
Acknowledgements
List of figures
General introduction
Introduction to Volume I PART 1
e Self
1 Excerpts from the Spiritual Diary of Saint Ignatius de Loyola (1491–1556)
2 Gerolamo Cardano (1501–1576), De Vita Propria
3 Excerpt from the Autobiography of Saint Teresa of Ávila (1515–1582)
4 Selected Excerpts from the Diary of the Puritan Riard Rogers (1550?–1618) (April 1588–November 1589)
5 Excerpts from the Memoirs of Marguerite de Valois (1553–1615)
6 omas Plaer (1499–1582), The Autobiography of Thomas Platter, a Schoolmaster of the Sixteenth Century
7 omas Wya (1503–1542), The Poetical Works of Sir Thomas Wyatt
8 Love and Melanolic Poems of Joaim du Bellay (1522–1560)
PART 2
Family and community
9 Excerpts from The Registers of the Consistory of Geneva in the Time of Calvin, Volume I: 1542–1544
10 Leers of Catherine de Medici (1519–1589), Excerpted from Lettres De Catherine de Medicis
11 Leers of Philip II (1556–1598) to his Daughter Catalina, Duess of Savoy (1567–1597), 10 and 27 April 1586
12 Pierre de L’Estoile (1546–1611)
13 Jean Bodin (c. 1529/1530–1596), Six Books of the Commonwealth by Jean Bodin
14 Fray Luis de León (1527–1591), La Perfecta Casada
15 Franz Hogenberg (1535–1590), Stump Petter
16 Forged leers of the Jews of Spain and Constantinople, in Julín de Medrano, La Silva Curiosa
PART 3
Religion
17 Martin Luther (1483–1546), ‘A Treatise on Good Works’
18 Katharina Sütz Zell (1497/8–1562), ‘Letter to the Suffering Women of the community of Kentzingen, who believe in Christ, Sisters with me in Jesus Christ’
19 Philip Melanthon (1497–1560), Apology of the [Augsburg] Confession. Article IV: Of Love and the Fulfillment of the Law
20 Erasmus (1469–1536), Ecclesiastes: On the Art of Preaching
21 John Calvin (1509–1564), The Institutes of the Christian Religion
22 Martin Luther (1483–1546), ‘Melanoly’ , from Luther’s Table Talk
23 Ignacio de Loyola (1491–1556), ‘Spiritual Exercises’
24 John Foxe (1516/17–1587), Book of Martyrs/Acts and Monuments
25 Teresa of Ávila (1515–1582), The Interior Castle
PART 4
Politics and law
26 Niccolò di Bernardo dei Maiavelli (1469–1527), The Prince
27 Bartolomé de las Casas (1484–1566), The Tears of the Indians being an Historical and True Account of the Cruel Massacres and Slaughters of above Twenty Millions of Innocent People committed by the Spaniards in the islands of Hispaniola, Cuba, Jamaica, &c.: as also in the continent of Mexico, Peru, & other places of the West–Indies, to the total destruction of those countries written in Spanish by Casaus, an eye–witness of those things; and made English by J.P.
28 Hernán Cortés (1485–1547), Letters of Cortés: Five Letters of Relation to the Emperor Charles V
29 Bernal Dίaz del Castillo (1496–1584), The Memoirs of the Conquistador Bernal Diaz del Castillo: Written by Himself Containing a True and Full Account of the Discovery and Conquest of Mexico and New Spain
30 Charles V (1500–1588), Abdication Speech and Ceremony of Emperor Charles V, 1555, in Prudencio de Sandoval, Historia de la vida y hechos del emperador Carlos V. máximo
31 Justus Lipsius (1547–1606), Two bookes of constancie
32 Pedro de Ribadeneyra (1527–1611), Ecclesiastical History of the Schism of the Kingdom of England
33 Inquisitorial Trial of Bartholomeu Domingues, Inq. Lisbon, no. 12447 (1589) and summaries of trials
34 Petitions made to the arter Sessions in England
PART 5
Science and philosophy
35 Selected Excerpts from Juan Luis Vives (1493–1540), De Anima et Vita
36 Ambroise Paré (1510–1590), The Workes of that Famous Chirurgion Ambrose Parey translated out of Latine and compared with the French. by Th: Johnson
37 Selected Extracts from Guy Du Faur De Pibrac (1529–1584), Discours de l’Ire et comme il la faut modérer
38 Miel de Montaigne (1533–1592), ‘Of Sadness or Sorrow’, ‘That We Laugh or Cry for the Same Thing’ and ‘Of Anger’
39 Juan Huarte de San Juan (1529–1588), The Examination of Mens Wits. In Whicch, by Discouering the Varietie of Natures, is shewed for what Profession each one is Apt, and how far he shall Profit Therein
40 Timothy Bright (c. 1551–1616), A Treatise of Melancholie. Containing the Causes thereof, & Reasons of the Strange Effects it Worketh in our Minds and Bodies
41 André du Laurens (1558–1609), A Discourse of the Preseruation of the Sight: of Melancholike Diseases; of Rheumes, and of Old Age
42 omas Wright (1561–1624), The Passions of the Minde in Generall. Corrected, enlarged, and with Sundry New Discourses Augmented
43 Leonhard urneysser (1531–1595/6), ‘e Four Humoral Temperaments’
PART 6
Art and Culture
44 Albret Dürer (1471–1528), Head of a Weeping Cherub
45 Hans Holbein (1497–1543), The Dance of Death
46 entin Metsys (1543–1589), Christ as the Man of Sorrows
47 Anonymous, The Magdalene Weeping
48 Lucas Crana the Elder (1472–1553), Melancholia
49 Hélisenne de Crenne (1551–1552), Les Angoisses douloureuses qui procèdent d’amours (e Torments of Love)
50 François Rabelais (d. 1553), Gargantua and Pantagruel (1546), in Francois Rabelais’ Five Books of the Lives, Heroic Deeds and Sayings of Gargantua and his Son Pantagruel
51 Martin Luther (1483–1546), Abbildung des Bapstum (Depiction of the Papacy)
52 Various Prints of Massacres
53 Sofonisba Anguissola (c. 1532–1625), Old Woman Studying the Alphabet with a Laughing Girl (1550s) and Asdrubale Bitten by a Crawfish
54 El Greco (Doménikos eotokópoulos, 1541–1614), The Tears of Saint Peter or Penitent Saint Peter
ACKNOWLEDGEMENTS
is project was inspired by our time working together at the Adelaide node of the ARC Centre of Excellence in the History of Emotions, and the collegial and intellectual networks gained from that experience. We would like to thank many of our colleagues in the centre and beyond for the resear that highlighted the importance of particular sources, for offering us source material for this collection, for eing translations, and more. We are particularly grateful to: Susan Broomhall; Kirk Essary; Nina Koefoed; Ina Lindblom; Dolly MacKinnon, Una McIlvenna; Dana Rehn; Yann Rodier; Deborah Simonton; Raisa Toivo; Kaarle Wirta; and Ghil’ad Zuermann.
anks also to the various arives and collections that have made their materials available for this collection. We also thank our families for their support and patience, particularly during 2020 – a trying year for everyone.
FIGURES
15.1 Franz Hogenberg, Stump Petter, 1589, Cologne woodcut, Deutse Fotothek, Saxon State Library/State and University Library, Dresden
43.1 Leonhard urneysser, The Four Humoral Temperaments, 1574, woodcut on paper, book illustration in Quinta essentia, Deutse Fotothek, Saxon State Library/State and University Library, Dresden
44.1 Albret Dürer, Head of a Weeping Cherub (Weinender Engelknabe), 1521, German sket on paper
45.1 Hans Holbein, e Abbess, The Dance of Death, 1523–1525, Basel woodcut, courtesy of Rijksmuseum, Amsterdam
45.2 Hans Holbein, e Monk, The Dance of Death, 1523–1525, Basel woodcut, courtesy of Rijksmuseum, Amsterdam
45.3 Hans Holbein, e Child, The Dance of Death, 1523–1525, Basel woodcut, courtesy of Rijksmuseum, Amsterdam
46.1 entin Metsys, Christ as the Man of Sorrows, c. 1520–1525, Belgium, oil on panel, e J. Paul Gey Museum, digital image courtesy of the Gey ’ s Open Content Program
47.1 Anonymous, The Magdalene Weeping, 1525, oil on oak, National Gallery, London
48.1 Lucas Crana the Elder, Melancholia, 1532, German oil on panel, Statens Museum for Kunst, Denmark
51.1 Martin Luther, e Birth and Origin of the Pope, Abbildung des Bapstum (Depiction of the Papacy), 1545, Wienberg, wood print and book illustration, Berlin State Library
51.2 Martin Luther, Here the Kissing of the Pope’ s Feet Is Taunted, Abbildung des Bapstum (Depiction of the Papacy), 1545, Wienberg,
wood print and book illustration, Berlin State Library
52.1 Detail from Frans Hoogenberg, The Massacre at Wassy, 1562, Geneva eting
52.2 Frans Hogenberg, The Massacre at Naarden, 1572, Geneva eting, Museum Boijmans Van Beuningen
52.3 Detail of Frans Hogenberg, The Spanish Fury at Antwerp, 1576, Geneva eting
52.4 eodor de Bry, Spanish soldiers hanging, burning and murdering Native Americans, eting, in Joos van Winghe, Las Casas, A Short Account of the Destruction of the Indies (1552), printed in Frankfurt, 1598 (reprinted Heidelberg, 1664), Peace Palace Library
52.5 Print illustration for Riard Verstegen and Adrianus Huberti, Theatre Des Cruautez Des Hereticques De Nostre Temps (Antwerp: ez Adrien Hubert, 1588), p. 37, courtesy of Ghent University Library
53.1 Sofonisba Anguissola, Old Woman Studying the Alphabet with a Laughing Girl, 1550s, Bla alk with white on paper, Galleria degli Uffizi
53.2 Sofonisba Anguissola, Asdrubale Bitten by a Crawfish, 1550s, Bla alk with arcoal on paper, National Museum of Capodimonte
54.1 El Greco, The Tears of Saint Peter or Penitent Saint Peter, 1580s–1590s, oil on canvas, Bowes Museum
GENERAL INTRODUCTION
Katie Barclay and François Soyer
e history of emotions is a flourishing field that seeks to understand how emotions, and things that resemble them in historic societies, are defined and categorised in different times and places, and what difference that makes to human experience. Solars working in this area have come from a range of disciplines – history, art history, music, film studies, theatre, philosophy, literary studies, linguistics, anthropology, sociology, and more –producing an array of studies that deploy a wide variety of sources and methodological approaes. As with other historical topics, there is no single type of source useful for uncovering emotions. Rather emotions, or something like them, can be found in most areas of life and so can be found in all sorts of source materials. is four-volume collection of sources for the history of emotions provides a diverse range of sources that survive for Europe and its empires between 1517 and 1914.
Given the scope of the topic, it cannot hope to capture every type of source, or indeed represent every group. Rather, the collection collates a range of sources where emotions, passions, affections and similar experiences were explored or used by individuals and groups, with the goal of providing a resource that acts as a starting point for conducting resear in the history of emotions. e sources, grouped into thematic sections, are intended to highlight how emotions might be identified in sources of different periods, and the themes and issues to whi emotions solarship offers insight. ere are now several resources that provide methodologies and approaes to working with emotions in historical sources and this
collection is designed to be used alongside them, for those seeking to expand their skills and knowledge in this area.1 is general introduction to the volumes complements this work by offering a brief overview of what the history of emotions is, the way solarship has developed in the field (especially in relation to the thematic sections that order the collection), some methodologies and approaes that are helpful when working with sources and finally some insight into the scope and logic of the four volumes. Ea volume, divided by historical period, contains its own separate introduction that places its sources in their specific contexts.
What is the history of emotions?
What is an emotion? e answer may appear simple: emotions are feelings like love, joy, anger or fear, but an emotion has been defined by psyological resear variously as a feeling in the body, a mental state that results in a specific physiological reaction and behaviour, or a cognitive judgment caused by a stimulus resulting in an emotion. Emotions have been divided into two categories by contemporary science: ‘basic’ emotions associated with facial and gestural displays of emotions su as joy, sadness and anger, for example, and ‘complex’ emotions, su as surprise, hate, shame and contempt. Mixed or even seemingly conflicting emotional states have also been identified, for instance fear and awe, or horror and fascination.2 Nevertheless, there still remains mu to learn about emotions and scientists continue to seek to understand their origins and how they relate to the body. A comprehensive review of the existing scientific data produced by neuroscientists recently concluded that there exists lile concrete evidence proving that emotion categories originate in a particular section or area of the brain, but how they are produced through the body is still a topic of exploration.3 Whilst historians of emotions are interested in emotions as su and how they have been understood at different historical
moments, their focus extends further to consider another question: how have emotions shaped individuals, societies and cultures in the past?
Compared to other historical methodologies, the history of emotions is a relatively recent development. In the first half of the twentieth century, a number of eminent solars pointed to the significance of emotions as drivers of historical ange. Seeking to account for the rise of Nazism, the Fren historian Lucien Febvre encouraged his fellow historians to study emotions and the ‘irrational’ , what he termed the history of ‘sensibility’ (sensibilité). Febvre passionately argued in 1941 that ‘the emotional life [is] always ready to overflow into the intellectual life…[; people might say:] e history of hate, the history of fear, the history of cruelty, the history of love; stop bothering us with this unexciting literature! But that unexciting literature […] will tomorrow have turned the universe into a fetid arnel house’ . 4 Even before Febvre, Johan Huizinga and Nobert Elias were influenced by Freudian psyoanalysis to assign a major role to emotions in a perceived shi from the medieval to the modern period. Elias, in particular, perceived the ange from a Middle Ages aracterised by anger and violence to a more genteel modern period as part of a ‘civilising process ’ driven by the emotion of shame.5
Whilst su early theories about the role of emotions in historical ange are now subject to considerable critique among historians, the history of emotions continues to thrive as a historical methodology. Resear monographs, edited collections of apters and peer-reviewed articles on topics related to the emotions in history are appearing in seemingly everincreasing numbers.6 Resear institutes devoted to the history of emotions have appeared in Europe and Australia. Historians have increasingly engaged in interdisciplinary collaboration with neuroscientists and psyologists to further our understanding of emotions or mental states as part of a broader biocultural historicism.
Since the 1980s, the historians Peter and Carol Stearns, Barbara Rosenwein and William Reddy have authored influential studies and elaborated concepts that have helped to shape the history of emotions. e Stearnses coined the term ‘emotionology’ to define ‘the aitudes or standards
that a society, or a definable group within society, maintains towards basic emotions, and their appropriate expression; ways that institutions reflect and encourage these aitudes in human conduct’ . 7 eir published work on the emotionology of anger in the history of the United States has provided solars with an exemplar and provoked debate about the possible class bias in that work’ s use of primary sources.8 Barbara Rosenwein, on the other hand, has critiqued the emphasis on standards in emotionology and focused instead on the concept of ‘emotional communities’ , groups of individuals bound together by ‘systems of feeling’ where emotions are understood and valued, or not, in the same way.9 Su emotional communities, Rosenwein contends, can be identified through a careful analysis of wrien texts. Finally, Reddy pioneered the concept of ‘emotional regimes’ , whi he defined as a set of normative emotions as well as the official rituals, practices and emotional expressions that are used to express and inculcate them.10
Historians of emotions are confronted by, and seek to come to grips with, important and allenging questions about the nature of emotions. Are emotions universal mental states, whi is to say biological and identical among all humans? Are they socially and culturally constructed, and therefore shaped by an individual’ s specific cultural and/or social baground? In her work on the emotion of fear, the historian Joanna Bourke has noted the complexity of this issue.
Fear is felt, and although the emotion of fear cannot be reduced to the sensation of fear, nevertheless, it is not present without sensation In noting that the body is not simply a shell through whi emotions are expressed, the social contructivists are correct. Discourse shapes bodies. However, bodies also shape discourse: people are ‘weak or pale with fright’ , ‘paralysed by fear’ and ‘illed by terror.’ e feeling of fear may be independent of social construction, a one-sided process. […] Nevertheless, emotions are fundamentally constituted.11
To the thorny issue of nature versus nurture can be added even more questions. Are emotions shaped by time and place? Did a sixteenth-century European experience love, anger or fear differently from a twentieth-century European? Did the words used in past centuries to convey mental states
have the same meanings when compared to those used today, even when those words are the same ones? How did the meanings aaed to words shape the experience of emotion and vice versa? Finally, to what extent are emotions really drivers of political, religious, cultural and social ange?
To answer these questions, or at least to formulate theories that could help us answer them and allenge many assumptions about emotions in the past, historians of emotions work with a wide variety of source evidence: words (texts/poetry), pictures (paintings, movies, posters), sound (effect of music on people). ey sear for, and analyse ‘emotives’ (expressions that produce emotions), ‘emotional habitus’ (the embodied, partly unconscious emotional disposition of a group) and ‘emotional practices’ (the things that we do to produce emotion, involving the self (as body and mind), language, material artefacts, the environment and other people). It is perhaps unsurprising that, given the diverse range of sources used, the history of emotions gathers together historians with a remarkable variety of approaes. Some historians analyse ‘emotion words’ and how they anged.12 Other solars have explored the history of medicine and ideas for evidence of anges in the way that people understood emotions and body to be related or how people practiced emotions in everyday life in a variety of different contexts (for instance in religious and political rituals, in private writings or in courtrooms). Some historians of the emotions have focused their resear on a historical analysis of emotional norms and rules. More recently, the methodological spectrum of the history of emotions has expanded to include performative, constructivist and practice theory approaes.13
Whilst the history of emotions seeks to study the emotions of individuals in the past, it also seeks to foster a beer understanding of what can be termed ‘collective emotions’ in history. is is a particularly problematic subject. ‘Mental structural-ists’ su as Sigmund Freud (1856–1939) and Carl Jung (1875–1961) accepted the existence of a collective unconscious and they thus contended that collective mental states could influence individuals. For these early psyologists, there existed ‘universals’ and ‘ aretypes’ of the human mind that, like instincts, could trigger su collective mental states.
Examples of su ‘collective mental states’ were ‘ war fever’ or the collective love for the leader that seems to power personality cults.14 More recently, some psyologists have interpreted collective emotional states as a form of mass sociogenic illness: a medical condition similarly affecting numerous individuals within a wider group.15 Yet the concept of a collective mental state is problematic for historians since it is difficult to obtain conclusive primary source evidence supporting the notion that individuals who appear to be involved in a ‘collective mental state’ actually experience the same emotion.16
Even though it is difficult to establish the existence of collective mental states using historical primary source evidence, there can be no doubt that those who exercise power in human societies have believed in their existence and sought to foster or enforce su collective emotional states. Historians of emotions have elaborated upon this concept by examining the role that emotions have played in the formation of communal identities or ‘emotional communities’ . In his work on the emotions, the historian and anthropologist Reddy has coined the phrase ‘emotional regimes’ to describe su a situation, in whi ‘ any enduring political regime must establish as an essential element a normative order for emotions’ . 17 is is particularly significant for historians studying Europe in the period covered by these four volumes, whi witnessed the rise of national states and national identities against the context of the Reformation, imperial expansion, Absolutism, the Enlightenment and the Industrial Revolution. Between 1517 and 1914, secular and religious authorities invested considerable resources and efforts into aempts to shape the emotions of their subjects to bring about (or alternatively to prevent) social, religious or political ange.
e centuries covered in the first and second volumes of this sourcebook witnessed the growth of the modern European state system and what historians have described as the process of ‘confessionalisation’ . 18 Across both Catholic and Protestant Europe, rulers sought to secure the unity and loyalty of their subjects, and therefore their hold on power, by promoting among them a homogeneity of religious belief. By way of illustration, the
Jesuit theologian and political theorist Juan de Mariana argued in his 1599 Latin treatise on royal government that a shared faith was the only ‘social bond’ (societatis vinculum) that could maintain social order in a kingdom and that la of religious unity was a path that would inevitably lead to anary.19 Emotions su as love, fear, hatred and disgust were (and are) crucial to defining who belongs within a religious community and who does not, and so played a significant role in how this ‘social bond’ of faith was understood. Moreover, the period covered by the third and fourth volumes saw the rise of national identities and nation-states. In 1983, Benedict Anderson published Imagined Communities: Reflections on the Origin and Spread of Nationalism ¸arguing that the origins of modern nationalism are to be found in mass vernacular literacy, the movement to abolish the ideas of rule by divine right and hereditary monary and the emergence of printing press capitalism.20 Historians of emotion will add to this that it is impossible to understand national identities as anything but emotional communities sustained by ritual practices and supposed cultural and/or ethnic affinities. Indeed, what are national communities if not emotional communities? As this example suggests, collective emotions are important, not only because they move emotion from the personal to the social, but because they are therefore central to explaining historical ange. In this sense, emotions are not just interesting experiences that provide insight into the intersection between the biological and the cultural but key to a broad range of historical subfields and themes.
Historical emotions
A solarship on the history of emotions is growing rapidly across time and increasingly around the globe. Doing justice to su a diversity of work and the sources they deploy is beyond the scope of a single source compilation, and so this collection seled on Europe and its empire between 1517 and
1914. is in part reflects that this period has now a ri and established secondary literature on the topic, that has in many ways led the field, marked now in a range of general introductions and surveys to this topic.21 is is particularly the case when we turn to the themes used to organise the collection: the self, family and community, religion, politics and law, science and philosophy, and art and culture. Viewed through these lenses, the role of emotion in biological and personal experience is significant, but as central is how the study of emotions brings insight into the operations of groups and societies, to the exercise of power, to systems of belief and values, to the production of knowledge and ideas, and to human expression in its diverse forms.
Both emotions and the ‘self’ are relatively novel concepts used to explore the human as a sensate and self-reflective creature. Yet if su labels have emerged only in the last few centuries, nonetheless Europeans have aended to what makes the person, including explorations of mind and body, emotions, passions and affections, motivation and will, intention, and many other similar concepts that seek to locate what makes the human. e history of emotions has contributed to a broader conversation about the nature of the self in different historical moments, whilst drawing aention to the important role that emotions have played in shaping concepts like will, motivation, morality, judgements, imagination and the capacity of the body to interpret information.22 Mental health and illness has been significant to discussions here, where ‘disordered’ emotions have not only caused people distressing symptoms but also been used as meanisms of control and exclusion of those whose emotional world is seen as disruptive or disorderly.23 Over 400 years and the various language groups that distinguish Europe, historians have drawn aention to the various words associated the self and emotion, explaining what they mean in context, and how they have developed over time. Significant here has been a history of passions, affections and later emotions themselves, all concepts with distinct meanings in different times and places, as well as the history of how people experience individual emotions like melanoly, jealousy, love or compassion.
As well as exploring ideas about the self, historians have also sought to explore how they were applied in everyday life or in specific contexts, like the practice of the faith, or by people of different genders, races or even ages. Words and ideas ange over time, and so has how these knowledges shaped individual behaviours. Emotions are also things that people have sought to manage in various ways, using a range of tools to train the self to feel and so behave in different ways. An interest in emotion management has placed significant aention on the history of prescriptive and self-help literature, a form that existed across this period, if anging in style and the nature of advice given.24 However, perhaps the predominant source to whi a history of the self and emotion has drawn aention has been what are called ‘narratives of self’ , the diaries, leers, oral histories and other forms of personal testimony where people offered an accounting of the self. If prescriptive literature sees some significant continuities, narratives of self can vary enormously over time. Diaries are rare in the sixteenth century, but expand dramatically in the following centuries. Leers are an ancient form, but survival rates for different groups vary enormously, limiting whose voices are heard, and their uses evolve. Oral histories and similar data are a product of new scientific collecting activities from the late nineteenth century onwards. Su tenologies, and how they were produced, shape the selves that could be narrated and so a ri vein of solarship explores how su accounts relate to the embodied experience of emotion by individuals.25
Personal experiences of emotions, as this might suggest, are closely associated with ideas about what emotions are and how they work. Prescriptive literature provided a useful source of information about how su ideas were communicated to ordinary people, as does a history of religious teaings. But to understand how knowledge about emotion was developed and anged over time, historians have tended to turn to a formal body of religious, philosophic and scientific writings. Mu of this work was produced in formal ‘academic’ contexts, su as the theological writings of monks, the philosophical texts of academics, or the experiments produced by scientists in laboratories, and so reflects the ideas of those who had access to education, time to write and think, and means of publishing their ideas.
When these ideas are compared, however, it is possible to art a trajectory of anging ideas about the mind, body and emotion, as the emotions moved from the sphere of religious life to a secular philosophy and eventually to the laboratory. Here historians have emphasised both anges from passions and affections to modern categories of emotion, and new ideas of the body as the humoural model declined in favour of vitalities, nerves, senses and so forth.26
For all of the period 1517 to 1914, a focus on formal solarship gave especial authority to the ideas of men, and typically elite and highly educated men, about emotion, with implications for the knowledge produced. As a number of solars have shown, ideas about emotion were oen used to delimitate women as especially emotional or irrational, and so to limit their role in public life. Increasingly, especially with imperial expansion, similar stereotypical beliefs were applied to other racial groups, where emotional expression was oen used to categorise people as ‘civilised’ or otherwise. is picture should not be overstated. In all periods, a small number of elite women or ethnic minorities – a group that grew with every century – tried to intervene in su conversations, not least to counter their own oppression. In some areas, like education and ild development, they even became particularly influential.27
Historians seeking to widen this conversation on what emotion is in particular contexts have therefore sought to expand definitions of what counts as formal knowledge about emotion. is has included looking at branes of knowledge that were influential at the time, but later discredited and therefore underplayed in formal histories of science and medicine. An important example here is the nineteenth-century practice of phrenology, a qua science but extremely popular during the period.28 Folk knowledges and practices also offer suggestive potential, although remaining an understudied area of resear for emotions.29 e knowledges and beliefs of minority groups provide insight into subcultures or alternative systems of information. Significantly, su histories oen bring a broader range of voices – those of women, minority groups, different cultures – into sight, not
only democratising solarship but highlighting how ideas that we later, in hindsight, recognise as important competed with a ri diversity of others during particular historical periods.
As this might suggest, ideas about emotions are produced by groups and societies. is idea has been especially critical for historians of emotion who have understood the experience of emotion to be shaped not only by formal knowledges of how the body works but by socially agreed ideas and norms about how, when and by whom emotion should be expressed, what that looks like on the body, whether su emotion is moral or immoral, ‘negative’ or ‘positive’ , how others should respond to su emotional expression, and so forth. e practice or performance of emotion for most historians is understood as socially constituted and so therefore informed by the culture and society in whi it is experienced. Emotion is also an experience that mediates the relationship within the group. Family is here perhaps a central unit, whi for all of the period of this study in Europe was expected to be a site of emotion. Family members were expected to love one another and show associated emotions that might include loyalty, obedience, trust, compassion and care; family members, ideally at least, should conversely not experience anger or hate towards one another. In practice, as a range of historians show, family was a location where people felt and expressed the full gamut of emotional experience available in any given period, and where the expression and experience of su emotion was informed by cultural ideas about what was appropriate or otherwise, as well as what an emotion – say love – meant.30 Familial emotions were also influenced by anging ideas about the role of family within philosophical and scientific writings, where parental love became a critical emotion that ensured the survival of the species and where ild-rearing practices produced the emotionally mature adult.31
A key idea in the solarship of emotions is that some emotions are especially ‘social’ and so designed to mediate group relationships, through providing an emotional connection between individuals. Significant emotions here include love, especially caritas or neighbourly love, compassion, pity, sympathy and later empathy. Different terms held
different resonances at particular historic moments, but they share the quality of allowing, to greater or lesser degree, for people to commiserate with another and so to encourage people to act together to relieve suffering or reduce harm.32 For contemporary scientists, su feeling has biological value in ensuring human survival, but other periods too prized su feeling as especially moral or ethical. If this is the case, emotion could also be antisocial, with selfish and competitive feelings placing people in competition, sometimes encouraging violence or conflict.33 Following the lead of these variously sociable emotions, historians, then, have been especially interested in exploring the role of emotion in different group activities, as well as how these were informed by specific contexts.
In many respects, a solarship on religious emotion and another on law and politics are a subset of these larger questions around group feeling. Emotion has long been significant to religion in Europe, where the experience of the divine, or of moral rectitude, was understood as an embodied experience. As a result, people engaged in a range of activities to try and produce certain feelings associated with the divine, su as joy or peace, or to avoid those that were associated with sin, like anger or lust. ese might include personal devotional practices, including prayer, worship, keeping a spiritual diary, acts of arity, reading and many others. ey also included group events and rituals, su as aending religious services, group singing and worship, listening to a sermon, reading or teaing, prayer, religious processions and engaging in ritual practices.34 Some environments, like ures, were designed to promote religious devotion, through their aritecture, but also by including moving paintings of religious scenes designed to direct the emotions of their audiences.35 Religious rituals have oen been of special interest to historians because they were designed to shape emotional experience, not simply through imagination or ideas, but through embodied practices, su as moving the body, eating or fasting, mortifications of the flesh or similar visceral experiences.36 us, a history of religious ritual has provided important insight, not only into a key part of the lives of most people during the period
1517 to 1914 and how that anged over time, but also to how people imagined emotions to operate in general.
Religious rituals and experiences were also critical to group dynamics. Not only did religious identities fragment and reform repeatedly in the centuries under study here, but they were key to the formation of communities and their boundaries. us religious practices were oen designed to consolidate the group – inducing feeling as part of a group activity was designed to consolidate affective connections within the community and to reinforce a sense of cohesiveness. In this sense, religious practice oen overlapped significantly with political identities, and indeed many states and their monar co-opted religious rituals to consolidate their own power. For example, a king might hold public baptisms of converts to reinforce his own authority. As this suggests, many rulers during this period were acutely aware of the importance of deploying rituals to produce political and group identities, including that of the nation itself.37
Increasingly these activities were designed to bring together diverse communities, whether that was people of various religions, of different languages and regions, or – and especially as Europeans moved aggressively into the rest of the globe – people of different races and cultures. Yet, these were not the only political tools available. Propaganda, political writings, speees and other forms of rhetoric were all designed to persuade individuals and groups of the nature of authority and its appropriate seat.38
More broadly, and following Reddy’ s lead, the polity itself could be defined by the experience and valuation of emotion, where emotions viewed as wrong or antisocial could be prohibited in law or discouraged through less formal meanisms, like shunning. us a history of emotions has aended to how the management and control of emotion has been used to produce power relationships, and their role in acts of resistance and negotiation.39 e role of emotions in the law is a growing field, not least in Anglophone contexts where the law was seen to be the rational counterpart to feeling.40 Who could experience particular emotions, or indeed control their emotions, has also been explored as a site of contest for social groups
limited from power due to their supposed emotionality. us women used claims to their rationality to gain access to political power, and enslaved peoples highlighted their sensibility to argue for human rights. Emotions have played an important role in the history of rights-making, with social emotions like empathy seen to be deployed to persuade people to expand rights.41 Conversely, su humanitarian emotions have also vested power in some groups, like the middle class or imperial authorities, over those who they are seen to ‘help’ or ‘ care for’ , like the poor or indigenous communities.42
If emotions are implicated in the production of power and the oppression of individuals and groups, their significance to communication meant they could also be critical to art and culture, where people sought to describe, imagine, reinvent and encourage humanity, including their feelings. In European culture, the efficacy of most formal art forms, not unlike religious belief, has been related to its capacity to move an audience. Some types of art were expressly designed with this purpose, while by the nineteenth century, philosophers were exploring art as emotion itself. Instrumental music was considered a special form of art, situated outside of language; for some eighteenth-century philosophers, music was the original meanism for communicating before the invention of language – here people used the capacity of music to move people as a form of communication.43
Across the period covered in these volumes, people explored how to effectively represent human emotions in different art forms – whether on the body in paintings or in ways that ‘felt’ real to readers of novels. Art could also provide a pedagogic function, whether in encouraging religious devotion and so godly feeling, or in providing examples of emotional behaviour that people could use to expand their emotional range.44 As a result, art and culture has been used by historians of emotions not only to further our understanding of emotion in the realm of creative life but also for its insights into how communities imagined emotions to work in a range of contexts. Paintings of emotional expression on faces and bodies provide evidence of emotional gestures and expressions; instructions for expressive
dance or the stage highlight how people should move or gesture to display emotion; the elaborate scenes described in novels provide insight into how people imagined emotions to work in particular contexts, su as courtship or during a riot. If art and literature requires to be explored sensitively – like fiction today, not all art was meant to reflect ‘real’ life – it nonetheless can provide access to a range of human experiences that oen don’t survive elsewhere.
Art and culture are an area where significant variations and inventions in genre can be traced over time. us, styles in portraiture evolve significantly, sometimes for tenical reasons (e.g., new paints are invented) and sometimes because artistic fashions ange; expressive writing adapts, with poetry and drama moving aside for an increase in prose works. e expansion of some art forms, like drama or music, reflects that these practices moved outside the field of religious practice into more everyday cultural expressions. Explorations of art and culture therefore raise particularly interesting questions for historians as to the role of genre in shaping the expression of emotion, and where the historian has to ask whether a ange in a description of emotion reflected anging social practice or simply the evolution of artistic style and its associated emotional expression. Yet, if art and culture perhaps highlight su questions, su issues are pertinent for all sources. us, if a wide secondary literature in this field highlights the exciting range of directions that resear can take in this field, new historians also want to ensure they approa their sources with appropriate concepts, methods and theories.
Sources and methods
As a form of historical resear, the history of emotions shares many methodological concerns with the rest of the field, where primary sources –the data that survives from a period whi we wish to understand – are the
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is becoming every day more clear If, through any honest difference of opinion upon important matters of policy, the leaders of these two forces should fail to co-operate in the future, it would be deplorable indeed. But if either one of the two should, whether through avoidable misunderstanding or because of the decline in an intelligent and conscientious desire for the good of Korea, refuse to co-operate, the refusal would be no less of a misfortune; it would be also worthy to be called a crime.
CHAPTER XVIII
JULY, 1907, AND AFTERWARD
A telegram from The Hague to the Orient, bearing date of July 1, 1907, announced the arrival of three Koreans at the place of Peace Conference, and the publication over their signatures, in a French paper called The Peace Conference Times, of an open letter addressed to the delegates of all the Powers. In their letter these men claimed to have been authorized by the Emperor, in a document bearing his seal, to take part in the Conference as the delegates of Korea. In this connection they repeated the time-worn falsehoods as to the conditions under which the Treaty of November, 1905, was signed, and as to the present treatment accorded by the Japanese to the ruler and people of Korea. In view of these alleged facts they made in behalf of their country an appeal for pity and for relief to all the foreign delegates. As was inevitable from the beginning, the efforts of this deputation at The Hague came to naught; and after the death of one of their number they departed to carry on their mission of appeal, first in England and afterward in the United States. So thoroughly discredited, however, had the word of such Koreans and of their “foreign friends” already become in the hearing of all acquainted with the facts, that the mission met with as little real success in these other foreign countries as at The Hague. So far as its original purpose was concerned, it ended in failure— miserable and complete. But in Korea itself the results were by no means transient or trivial.
The news of the appearance of the so-called Korean delegates at the World’s Peace Conference was received in Seoul on July 3d. It will be remembered (see p. 83 f.) that—to quote from the Seoul Press of the next day—“when Mr. H. B. Hulbert left for Europe under peculiar circumstances, there were rumors that he was charged by the Emperor of Korea with some political mission to The Hague.” This paper then goes on to say that it did not attach much importance to the rumor at the time, being unable to reconcile such an enterprise with the reputation for shrewdness of the chief foreign
commissioner, and also “with the expressions of good will and friendship which the Emperor of Korea has repeated to Japan and her Representative over and over again.” But there were even more important reasons why the rumor should seem antecedently incredible. No one of the present Cabinet, or of the previously existing Cabinet, appeared to have any knowledge of so serious an affair of State; no one of either of these bodies had even been consulted by His Majesty about the possibility of such an undertaking. “Even the best informed did not dream that a step so palpably useless and treacherous would be taken.” The conclusion followed that, if the rumor proved true, the act was ascribable to the Emperor alone, as “instigated no doubt by the coterie of irresponsible native counsellors and their obscure foreign coadjutors whose mischievous advice has already so often led His Majesty astray.” Such a movement was rendered all the more untimely, not to say unnecessary, because under the new Ministry and the wise and kindly leadership of the Residency-General, all the foreign and domestic affairs of the country were now proceeding in the most orderly and satisfactory manner. Whatever ground for protest and appeal against the treatment of Korea by the Japanese Government may have existed in the past, everything in the situation of the spring and early summer of 1907 called for hopeful and active co-operation on the part of all forces interested in the welfare of the land. The stirring of the elements always ready for riot, sedition, arson, and bloodshed, was, under the circumstances, both a folly and a crime.
On the morning of the same day on which the news of the affair at The Hague reached Seoul, the Emperor sent the Minister of the Imperial Household to Marquis Ito with a message disavowing all responsibility for the delegation and for the protest addressed by it to the Peace Conference. This was precisely what the delegation had already informed all Europe His Korean Majesty would certainly do. But then there was their word against the Emperor’s word; and they claimed that the document in their possession bore the Imperial seal. There was, moreover, for the very few who knew the circumstances under which the alleged foreign member of the delegation left Seoul, the previous private confession of His Majesty made—to be sure— only after repeated private denials. The situation was, therefore, so
far as the testimony of Koreans went, rather complex. His Majesty was now publicly denying what he had formerly, in private, both affirmed and denied; his delegates were publicly affirming what he was publicly denying, but had previously, in private, both denied and affirmed. To the Minister of the Imperial Household Marquis Ito replied that, in view of all the circumstances which had come to his knowledge—not the least significant of which was the public declaration of the Imperial sanction, made by the delegation and supported by its offer to submit its credentials to the inspection of the Conference—the force of His Majesty’s disavowal was weakened. At any rate, the situation had now become so grave that the only course the Resident-General could pursue was to submit the whole matter to his own Government and await its decision.[100]
The news from The Hague at once provoked a lively discussion on the part of the Japanese press and the political parties as to the proper treatment of Korea and her Emperor for this breach of treaty faith. Meetings were held by the leaders of the principal parties to determine the policy which should, in their judgment, be followed by the Government; and several of the more prominent statesmen allowed themselves to be interviewed for publication of their views upon this important national affair. Count Okuma was reported as having suggested that His Majesty of Korea, in case he had authorized a scheme so lacking in common sense, could not be in his right mind, and might, not improperly, be placed under restraint. Count Inouye, whose successful management of Korean affairs at the close of the Chino-Japan war entitled his judgment to public confidence, thought that if the Emperor could be induced, or compelled, to come to Japan and see for himself what Japan had done by way of recent developments, and what Japan wished to do for Korea, he would voluntarily cease from his unfriendly and treacherous policy.[101] Of the political bodies, the Constitutionalists, or party now in control of the Government, took the entire matter most quietly, and expressed itself as entirely ready to leave the whole situation in the hands of the Resident-General, as advised or instructed by the Tokyo authorities. Prime Minister Saionji, to whose cool judgment and quiet temper the nation is greatly indebted at all
times for allaying tendencies to undue excitement, assured the Daido delegates, on July 12th, that the policy toward Korea had already been established and that there was really no need of making “much fuss” over the matter. The Progressives, or strongest anti-Government party, took the most vehement position of urgency for prompt action and for punitive measures. Some of its papers went so far as again to call in question the entire policy of Marquis Ito, with its plan for securing a peaceful development of Korea under a Japanese Protectorate; but only a few called for immediate forcible annexation.
On the whole, and considering the great and repeated provocations offered to Japan by the Korean Emperor and his Government, the Japanese nation kept its temper in a truly admirable way. While agreeing that some means must at last be found to stop the interference of His Majesty of Korea with all attempts to reform internal affairs, and the better in the future to control foreign intrigues, the general opinion favored strongly an increased confidence in the character and policy of the existing Residency-General. The situation in Japan itself was faithfully described as follows in the Japan Times, in its issue of July 14th:
The Hague Deputation question continues to attract serious attention. The whole Press is practically unanimous in urging the adoption of such measures as would effectively prevent the recurrence of similar incidents. The matter has also been taken up by nearly all the important political parties, and the attitude adopted by them is tantamount to an endorsement of the view so unanimously expressed through the newspaper organs. Very little attempt has been made, however, to point out in a concrete form the line of action to be taken. It is evident that, although a small section of the Press unfavorably criticizes Marquis Ito’s leniency in dealing with the Emperor, the important organs of opinion have so much confidence in His Excellency’s ability to cope with the situation with his characteristic wisdom and efficiency, that
they do not think it necessary to trouble him with suggestions at to matters of procedure and detail.
The Tokyo Government acted with promptness and decision in dealing with this latest phase of the everlasting Korean problem. On July 16th it was publicly announced that the Government had determined to “go along with the opinion of the people,” and adopt “a strong line of action toward Korea.” Viscount Hayashi, Minister for Foreign Affairs, was forthwith appointed to convey in person the views of the Government to His Excellency Marquis Ito, and was commissioned with the disposal of Korean affairs after consultation with the Marquis on the spot. Hayashi bore with him several somewhat different plans, among which decision was to be reached after his arrival at Seoul; but all of them contemplated leaving the details very largely to the Resident-General. It is pertinent to say, with authority, in this connection, that none of these plans included, much less suggested or required, the abdication of the Emperor; although, as we have already seen, Marquis Ito had become quite conclusively convinced that the reform of Korean affairs could never be accomplished with the co-operation of the present ruler of the land, or, indeed, otherwise than in spite of his utmost opposition.
Meantime there was a great stir taking place among the members of the different political factions in Seoul. The Emperor himself, now that his own foolish treachery had been brought to light, was daily becoming more alarmed. The Court intriguers of necessity shared in this growing alarm. Before the departure of Viscount Hayashi, the Imperial Government of Japan had received a telegram from Mr. Motono, Minister in St. Petersburg, which stated that the new RussoJapanese Convention would recognize Japan’s rights in Korea even more completely than the Peace of Portsmouth had done. The fact, now made evident to the Korean officials, that the backs of all the nations were turned toward the verbal and practical falsehoods of their Emperor and of his intriguing foreign friends, and that the judgment of all those wise in respect of Korean history and Korean characteristics saw no hope for their country except through the aid of Japan, tended as a matter of course to deepen this alarm. And
when the determination of the Japanese Government to send one of its Cabinet Ministers to Korea, in order at once and finally to put an end to Korea’s power, in treachery, intrigue, and assassination, to work her own woe and to jeopard the peace of the Far East, was made known, the consternation in Seoul officialdom reached its height.
The only persons among the Koreans who could be relied upon in any measure to save the country from well-merited punishment for this last act of insane treachery on the part of the Emperor and his Court were the newly appointed Korean Cabinet. It was a great piece of good fortune for Korea that this Cabinet had previously been appointed and pledged to fidelity to the interests of the whole country rather than to connivance at His Majesty’s intriguing ways. On the whole, in this extreme emergency, the Korean Government behaved wisely, patriotically, and in a way to secure the crown and the people against the worst results of the Emperor’s policy. They began their efforts, indeed, in the vain attempt to discover the plans of the Japanese Government through the Resident-General and to get His Excellency’s advice upon the best course of action on their part in order to meet these plans. But Marquis Ito refrained alike from indicating the steps which would probably be taken by Japan and also from advising as to the steps which it was best for Korea to take.
The Korean Ministers were by this time holding daily conferences of several hours in length. The result of these conferences was the conclusion on their part that the abdication of the Emperor offered the only escape from the direful condition in which he had himself placed his country As early, therefore, as an audience on the 6th of July, they began collectively and individually to urge upon His Majesty the advisability of this step. There is no doubt that they gave this advice the more heartily because, apart from the present dilemma, they were profoundly convinced that he was a bad and dangerous ruler, and that comparatively little could be done for the improvement of Korean affairs as long as he sat upon the throne of Korea. The occasion was opportune, then, for terminating such weak misrule and perversion of Imperial power.
Viscount Hayashi arrived at Seoul on the evening of July 18th. In the afternoon of the same day Marquis Ito visited the Palace at the request of the Korean Emperor. He found that His Majesty had no suggestions to make as to the solution of the grave problem before the two governments: His Majesty continued, however, to disavow the Hague delegation and to suggest the severe punishment of its members.[102] The more important reason for the request for this interview appeared when the Emperor stated that his Cabinet were urging him to abdicate and suggested that he supposed they were prompted to do so by Marquis Ito. This the Marquis emphatically denied: so far as the Resident-General was concerned, the Korean Cabinet were in all respects acting on their own initiative. His Excellency was himself still awaiting the decision of his own Government at Tokyo; and until that was announced he had nothing to say as to what Japan was likely to do. Moreover, since he was not a subject of the Emperor of Korea he should refrain from advising His Majesty in any way about the matter of his abdication.[103]
Meantime the Korean Cabinet continued to press upon the Emperor the necessity of his abdication in the interests of the country at large. On Wednesday, July 17th, they proceeded in a body to the Palace, where His Majesty is said to have kept them waiting for their audience with him for nearly three hours. At this audience, however, they again explained the nature of the present crisis, and again besought him to save his country by sacrificing the crown for himself. After a prolonged interview they are said to have left the Emperor much enraged and still refusing. But on the next day the Cabinet Ministers repaired again to the Palace at a quarter to five in the afternoon. Before this meeting could be over the train bearing the Viscount Hayashi would roll into the South-Gate Station. The whole affair was culminating; the national crisis was imminent. For more than three hours the Ministers pressed for their Sovereign’s abdication, with a most bold and insistent attitude. It was after eleven o’clock that evening when the Emperor began to show signs of giving way, and ordered summons to be issued to assemble the Elder Statesmen. These men soon arrived at the Palace and held a secret conference among themselves, during which they, too, arrived
at the decision that there was really no alternative for the Emperor; he should yield to the advice of his Ministers; and the throne was at once memorialized to this effect. At three o’clock on the morning of the nineteenth the Emperor agreed to retire in favor of the Crown Prince, and a decree announcing this fact was published in the Official Gazette at a later hour the same morning.
From about ten o’clock on Thursday night the people began to assemble in front of the Palace. By one o’clock in the morning of Friday the crowd had become dense and began to show threatening signs of a riotous character; but they dispersed by degrees without serious incidents, until at dawn scarcely one hundred men were remaining in the neighborhood. Rumors of the Emperor’s abdication were spread abroad after sunrise; and again the crowd of excited people increased in front of the main gate of the Palace and in the streets adjoining. A hand-bill, circulated from the same source of so much pernicious misinformation—namely, the native edition of the Korean Daily News—which asserted that the Emperor had been deposed and was going to be carried off to Japan by Viscount Hayashi, added greatly to the popular excitement. The Korean police, under Police Adviser Maruyama, however, had the matter well in hand; and having been earnestly advised by the ResidentGeneral to avoid all unnecessary harshness, they succeeded in dispersing the people with only a few trifling encounters. In the work of restoring order and preventing riot and bloodshed, the police were doubtless greatly assisted by a timely downpour of rain. For of all people under the sun it is probable that a Korean crowd of men, with their expensive and cherished crinoline hats and their lustrous white raiment, most object to getting thoroughly wet. Patriotism of the intensest heat can scarcely bear this natural process of cooling.
At 7.15 . . on July 19th the Korean Minister of Justice called on the Resident-General and delivered to him the following message from His Majesty:
In abdicating my throne I acted in obedience to the dictate of my conviction; my action was not the result of any outside advice or pressure.
During the past ten years I have had an intention to cause the Crown Prince to conduct the affairs of State, but, no opportunity presenting itself, my intention has to this day remained unrealized. Believing, however, that such opportunity has now arrived, I have abdicated in favor of the Crown Prince. In taking this step I have followed a natural order of things, and its consummation is a matter of congratulation for the sake of my dynasty and country. Yet I am grieved to have to observe that some of my ignorant subjects, laboring under a mistaken conception of my motives and in access of wanton indignation, may be betrayed into acts of violence. In reliance, therefore, upon the ResidentGeneral, I entrust him with the power of preventing or suppressing such acts of violence.
This appeal to the Residency-General to preserve order in Seoul was made in view of events which had occurred earlier in the afternoon of the same day. About a quarter to four a Japanese military officer on horseback was stopped by the mob while passing in front of the main gate of the Palace; and when the Japanese policemen in the Korean service came to his rescue and attempted to open a path for him through the crowd, both they and the officer were more or less seriously wounded by stones. The mob, on being dispersed, retreated in the neighborhood of Chong-no. Here a party of Korean soldiers, who had deserted from the barracks since the previous night, joined the crowds under the command of an officer. Soon after five o’clock these soldiers, without either provocation or warning, fired a succession of volleys upon a party of police officers, killing and wounding more than a score; whereupon the fury of the mob broke out anew, and several more were killed and wounded on both sides. The total number of police officers who lost their lives in this way was ten, and some thirty or more others were more or less severely wounded.[104] After this dastardly action the Korean soldiers ran away.
As to the unprovoked character of this deplorable incident the testimony of eye-witnesses is quite conclusive. Dr. George Heber
Jones, who was on the spot soon after the first sound of firing, says: “In fact all through the excitement I was impressed with the moderation and self-control shown by the public officers in dealing with the crowds which had been surging about them since Thursday night. Their conduct was admirable.” After narrating the experiences of himself and his companion as they came upon the dead and wounded lying in the streets and alleys of the district, the wrecked police-boxes and the officers covered with blood, this witness goes on to say: “The Pyeng-yang soldiers in the barracks just north of Chong-no, becoming restive, in the afternoon broke into the magazine of their barracks and supplied themselves with ammunition. One company of them then broke out, and under command—it is said, of a captain who was mounted—suddenly appeared at Chong-no and without warning began firing on the policemen who were trying to preserve order in the crowds.... A mania of destruction took possession of the people for a time, and there are reports of assaults on Japanese civilians in various parts of the city; and from what I personally witnessed there is little doubt of this, that the scenes of violence which occurred in 1884 were repeated yesterday.”[105]
As a result of the Emperor’s request following upon this outbreak of serious disorder, the city of Seoul was put in charge of Japanese police and gendarmes. A strong body of Japanese troops was posted outside the Palace, and four machine guns were placed in front of the Taihan or Main Gate. A battalion of infantry was summoned from Pyeng-yang, and a squadron of the artillery regiment at Yong-san. The riotous outbreaks were now mainly directed against those Korean officials who had brought about the abdication of the Emperor. Over one thousand rioters assembled near the Kwang-song Gate and, after a short debate, proceeded to assault and set on fire the residence of the Prime Minister, Mr. Yi Wan-yong. In spite of the efforts of the Japanese troops and gendarmes, as well as of the fire brigades, a large portion of the residence was destroyed. Part of a Korean battalion also assaulted the prison at Chong-no, where the headquarters of the Japanese police had been established, but were driven away. At 6 . . of
Tuesday, July 23d, a huge crowd assembled and “passed resolutions” that at sunset the headquarters of the Il Chin-hoi, or party most prominent in its demand for reforms, should be set on fire, and after this several other buildings were marked for destruction. These attempts were, however, frustrated; but the villas of Mr. Yi Kun-tak and Mr. Yi Chi-yung, the former Ministers of War and of Home Affairs, outside the small East Gate, were burned. Finally, these demonstrations of rowdyism came to a point of cessation, and the usual order of Seoul was restored. During the period of rioting the Korean crowd was, as usual, tolerably impartial in the distribution of its favors; in addition to Japanese and Koreans, a few Chinese and other foreigners were assaulted or shot at.
All these events made it entirely obvious, even to the most prejudiced observer, that the Korean Government was still as incapable of securing and preserving order in times of popular excitement as it has ever been. It could not guarantee the safety of its own officials or of foreigners of any nationality, without outside assistance. Unless the controlling influence of the Japanese authorities had been exercised, there cannot be the slightest doubt that a frightful reign of anarchy and bloodshed would have ensued upon the abdication of the Emperor; and no one acquainted with the Korean mob, when once let loose, will venture to predict how many, and whom, it might have involved. Thus far these authorities had done nothing beyond lending an indispensable support and assistance to the Korean Government. They were acting wholly in its interests as centralized in the newly declared Emperor and in the Cabinet Ministers. One other thing, however, was also made equally obvious. The Korean army could not be trusted; its continuance as at present constituted was an intolerable menace to both governments, as well as to the interests of the people at large. It was intrinsically worthless for the legitimate purposes of an army, and dangerous in the extreme as a force to provoke and to intensify all manner of lawlessness. If it had not been for the mutinous action of these undisciplined troops, who became centres of all the forces of sedition, arson, and murder, there would probably have been little or no bloodshed connected with the events of July, 1907.
It should not be forgotten that the Korean Ministers were influenced by patriotic motives in unanimously and urgently demanding the abdication of the Emperor.[106] It immediately became evident, however, that His Majesty did not intend really to abdicate, but that he was continuing his old tricks of intrigue, doubledealing, and instigating assassination. There was well-founded suspicion—to quote a statement based on trustworthy information— that “the unfortunate incident of Friday last and the mutinous spirit prevailing among the Korean troops were the result of an understanding between the ex-Emperor and his abettors and supporters in Seoul.” There was even proof of a conspiracy to have the Korean troops rise in a body, kill the entire Korean Cabinet, and rescue from their dominating influence his “oppressed” Majesty. Whatever may be the full measure of truth as to these and other secret intrigues and plots for sedition and murder, certain actions were publicly avowed that were unmistakably in open defiance of the new Emperor and his Ministers, as well as complete proof that by abdication His Majesty meant something quite different from what the word was properly held to signify. [This Korean word was indeed capable of two interpretations; it was, however, the term customarily employed to signify the relinquishment of Imperial control and responsibility, while at the same time “saving the face” of the person abdicating and often increasing his real influence for evil.]
At midnight on Saturday, July 20th, the ex-Emperor summoned to the Palace and personally appointed Pak Yong-hio to be “Minister of the Imperial Household.”[107] Upon this Mr. Pak had the impudence to call upon Marquis Ito on the following Sunday morning and announce his appointment. It is probable that he did not meet with a very cordial reception, or succeed well in impressing His Excellency with the dignity and value of his new office. Not satisfied with this practical retraction of his own deposition of Imperial functions, when the Cabinet submitted to the Throne for Imperial signature a draft of an edict calling upon the people to keep peace and order, the exEmperor prohibited his son, now the reigning Emperor, from signing it and insisted that the edict should be issued in his own name. In view of all this manœuvering, the Cabinet Ministers spent another
whole night closeted with the ex-Emperor: they emerged from this new contention with a renewed and perfectly positive declaration of abdication. At the same time the new Emperor issued over his own name an edict in which his subjects were warned against all disloyalty to him, and were exhorted to turn their energies, in reliance upon his guidance, to the advancement of civilization and of the national interests.
Nothing could, of course, be done toward settlement of the problem of future relations between the Governments of Korea and Japan until public order was restored. But speculation was eager and varied as to what would then take place: for neither had the Marquis Ito disclosed his views upon this subject, nor had the instructions of Minister Hayashi been made known to the public. The telegrams which came into Seoul from all quarters showed that the civilized world, both diplomatic and business, expected the out-andout annexation of Korea by Japan, and the consequent dethronement of the Imperial house. The Koreans themselves expected little less; in addition to this they feared the immediate and open humiliation of having the ex-Emperor carried off to the enemies’ country. Indeed, it was this severe calamity which the Korean Cabinet hoped to mitigate by procuring His Majesty’s abdication. In the same hope the most numerous of the several Korean societies of an alleged patriotic character—the Il Chin-hoi, or “All-for-Progress Society”—sent in a petition, or “pathetic memorial,” to the Residency-General. After acknowledging “the policy of mildness and conciliation” which had won for His Excellency the hearts of the Korean people, the memorial proceeds in substance as follows: “The offence which the Emperor has committed in connection with the Hague question is great as a mountain; His Majesty has been very deficient in having a proper sense of what he owes to Japan. But what fault is there in the people who know nothing about the affair? Or what culpability in the land and soil of Korea? They are in no way related to the dynasty of Korea. When we think over these things we cannot stop the flow of tears in a thousand drops. Your Excellency, we pray you to have mercy on the mountains and seas of Korea and to place in a position of safety the 20,000,000 souls, the 3,000,000 homesteads, and the nation of 500
years,” [The customary expedient of Korean rhetoric is to be noted in doubling the number of the population of the peninsula.]
It has been said of the Japanese that they treat no one else so generously as their defeated and prostrate enemy. However this may be, it is matter of historical truth that after some particularly aggravating offence from Korea, what Western nations generally would regard as an excess of chivalric and totally unappreciated kindness has quite uniformly characterized the treatment accorded to this country by the Japanese Government. The Bismarckian policy of “making your enemy cough up all you can when you have him by the throat” has never been the policy of Japan in dealing with the peninsula. And yet, at last, it should have been perfectly evident to every true friend of both countries that the Korean Government— traditionally corrupt, cruel, and regardless of the Korean nation— must no longer be allowed to stand between this nation and the plans for bringing it into an improved internal condition and into safer relations with foreign Powers. That formal annexation was never contemplated by the Tokyo Government became evident when, on the evening of July 21st, a congratulatory telegram was received by the new Emperor from His Imperial Majesty, the Emperor of Japan. To this telegram a reply was sent on the next day, which read, in effect, as follows: “By the order of my Imperial father I have ascended the throne at this difficult crisis, and being conscious of my unworthiness, I am filled with apprehensions. I beg Your Majesty to accept my profound thanks for Your Majesty’s courteous telegram of congratulations. I warmly reciprocate Your Majesty’s wishes for still more intimate relationship between the two countries and between our Imperial Houses.”
After a number of consultations between Minister Hayashi and the Residency-General, and between the Japanese representatives and the Korean Cabinet (who, in their turn, consulted among themselves and with the new Emperor), at noon of Wednesday, July 24th, Marquis Ito handed over to the Korean Government a document conveying Japan’s proposals as the basis of a new JapaneseKorean agreement. After the Korean Ministers had again conferred with one another, the Premier and the Minister of War, at four o’clock