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Natural Products in Medicinal Chemistry

Volume 60

Series Editors: R. Mannhold, H. Kubinyi, G. Folkers

Methods and Principles in Medicinal Chemistry

NaturalProductsin MedicinalChemistry

RelatedTitles

MethodsandPrinciplesinMedicinalChemistry

EditedbyR.Mannhold,H.Kubinyi,G.Folkers

EditorialBoard

H.Buschmann,H.Timmerman,H.vandeWaterbeemd,T.Wieland

PreviousVolumesofthisSeries:

Lackey,Karen/Roth,Bruce(Eds.)

MedicinalChemistryApproaches toPersonalizedMedicine

2014

ISBN:978-3-527-33394-3

Vol.59

Brown,Nathan(Ed.)

ScaffoldHoppinginMedicinal Chemistry

2014

ISBN:978-3-527-33364-6

Vol.58

Hoffmann,Rémy/Gohier,Arnaud/ Pospisil,Pavel(Eds.)

DataMininginDrugDiscovery

2014

ISBN:978-3-527-32984-7

Vol.57

Dömling,Alexander(Ed.)

Protein-ProteinInteractionsin DrugDiscovery

2013

ISBN:978-3-527-33107-9

Vol.56

Kalgutkar,AmitS./Dalvie,Deepak/ Obach,R.Scott/Smith,DennisA. ReactiveDrugMetabolites

2012

ISBN:978-3-527-33085-0

Vol.55

Brown,Nathan(Ed.) BioisosteresinMedicinal Chemistry

2012

ISBN:978-3-527-33015-7

Vol.54

Gohlke,Holger(Ed.)

Protein-LigandInteractions

2012

ISBN:978-3-527-32966-3 Vol.53

Kappe,C.Oliver/Stadler,Alexander/ Dallinger,Doris MicrowavesinOrganicand MedicinalChemistry

Second,CompletelyRevisedand EnlargedEdition

2012

ISBN:978-3-527-33185-7 Vol.52

Smith,DennisA./Allerton,Charlotte/ Kalgutkar,AmitS./vandeWaterbeemd, Han/Walker,DonK. Pharmacokineticsand MetabolisminDrugDesign

Third,RevisedandUpdatedEdition

2012

ISBN:978-3-527-32954-0 Vol.51

DeClercq,Erik(Ed.) AntiviralDrugStrategies

2011

ISBN:978-3-527-32696-9 Vol.50

NaturalProductsinMedicinalChemistry

Series Editors

Prof. Dr. Raimund Mannhold Rosenweg 7 40489 Düsseldorf Germany mannhold@uni-duesseldorf.de

Prof. Dr Hugo Kubinyi Donnersbergstrasse 9 67256 Weisenheim am Sand Germany kubinyi@t-online.de

Prof. Dr. Gerd Folkers Collegium Helveticum STW/ETH Zurich 8092 Zurich Switzerland Volume Editor

Prof. Dr. Stephen Hanessian University of Montreal Department of Chemistry H3C 3J7 NK Canada Cover Description

The cover depicts the interplay between structure, function, chirality, molecular recognition, and the fascinating world of Nature’s macrobiomolecules.

(Conception by Stephen Hanessian)

All books published by Wiley-VCH are carefully produced Nevertheless, authors, editors, and publisher do not warrant the information contained in these books, including this book, to be free of errors. Readers are advised to keep in mind that statements, data, illustrations, procedural details or other items may inadvertently be inaccurate

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# 2014Wiley-VCHVerlagGmbH&Co.KGaA, Boschstr.12,69469Weinheim,Germany

Allrightsreserved(includingthoseoftranslationinto otherlanguages).Nopartofthisbookmaybe reproducedinanyform – byphotoprinting, microfilm,oranyothermeans – nortransmittedor translatedintoamachinelanguagewithoutwritten permissionfromthepublishers.Registerednames, trademarks,etc.usedinthisbook,evenwhennot speci ficallymarkedassuch,arenottobeconsidered unprotectedbylaw.

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Printedonacid-freepaper

Contents

ListofContributors XV

Preface XIX

PersonalForeword XXI

PartOneNaturalProductsasSourcesofPotentialDrugsandSystematic CompoundCollections 1

1NaturalProductsasDrugsandLeadstoDrugs:AnIntroductionand PerspectiveasoftheEndof2012 3 DavidJ.NewmanandGordonM.Cragg

1.1Introduction 3

1.2TheSponge-DerivedNucleosideLinktoDrugs 5

1.3InitialRecognitionofMicrobialSecondaryMetabolites asAntibacterialDrugs 8

1.4 b-LactamsofAllClasses 9

1.5TetracyclineDerivatives 12

1.6GlycopeptideAntibacterials 13

1.7LipopeptideAntibacterials 16

1.8MacrolideAntibiotics 18

1.9PleuromutilinDerivatives 19

1.10PrivilegedStructures 21

1.11TheOriginoftheBenzodiazepines 21

1.12Benzopyrans:ASourceofUnusualAntibacterialand OtherAgents 22

1.13MultipleEnzymaticInhibitorsfromRelativelySimpleNatural ProductSecondaryMetabolites 23

1.14AVariationonBIOS:The “Inside–Out” Approach 26

1.15OtherPrivilegedStructures 26

1.16PrivilegedStructuresasInhibitorsofProtein–Protein Interactions 27

1.17UnderprivilegedScaffolds 30

1.18SoWhereShouldOneLookintheTwenty-FirstCenturyforNovel StructuresfromNaturalSources? 31

1.19Conclusions 33 References 33

2NaturalProduct-DerivedandNaturalProduct-InspiredCompound Collections 43

StefanoRizzo,VijayWakchaure,andHerbertWaldmann 2.1Introduction 43

2.2ModernApproachestoProduceNaturalProductLibraries 44

2.3PrefractionatedNaturalProductLibraries 45

2.4LibrariesofPureNaturalProducts 46

2.5SemisyntheticLibrariesofNaturalProduct-DerivedCompounds 46

2.6SyntheticLibrariesofNaturalProduct-InspiredCompounds 47

2.6.1Solid-PhaseTechniques 48

2.6.2Solution-PhaseTechniques 50

2.6.3Solid-SupportedReagentsandScavengers 55

2.6.4TaggingApproach 58

2.7CompoundCollectionswithCarbocyclicCoreStructures 60

2.7.1Illudin-InspiredCompoundCollection 60

2.7.2Lapochol-InspiredNaphthoquinoneCollection 61

2.7.3ACompoundCollectionwithDecalinCoreStructure 62

2.8CompoundCollectionswithOxa-HeterocyclicScaffolds 63

2.8.1Carpanone-InspiredCompoundCollection 63

2.8.2Calanolide-InspiredCompoundCollection 64

2.8.3Benzopyran-InspiredCompoundCollection 65

2.9CompoundCollectionswithAza-HeterocyclicScaffolds 66

2.9.1Solution-PhaseSynthesisof( )MarinopyrroleAanda CorrespondingLibrary 66

2.9.2Alkaloid/Terpenoid-InspiredCompoundCollection 67

2.10MacrocyclicCompoundCollections 68

2.10.1MacrosphelideA-InspiredCompoundCollection 68

2.10.2Solid-PhaseSynthesisofAnalogsofErythromycinA 69

2.10.3AnAldol-BasedBuild/Couple/PairStrategyfortheSynthesisof MacrocyclesandMedium-SizedRings 71

2.11Outlook 72 References 73

PartTwoFromMarketedDrugstoDesignedAnalogsandClinical Candidates 81

3ChemistryandBiologyofEpothilones 83 Karl-HeinzAltmannandDieterSchinzer

3.1Introduction:DiscoveryandBiologicalActivity 83

3.2SynthesisofNaturalEpothilones 86

3.3SynthesisandBiologicalActivityofNon-naturalEpothilones 90

3.3.1SemisyntheticDerivatives 90

3.3.2FullySyntheticAnalogs 92

3.3.2.1Polyketide-BasedMacrocycles 92

3.3.2.2Aza-Epothilones(Azathilones) 109

3.3.2.3HybridStructuresandAcyclicAnalogs 112

3.4ConformationalStudiesandPharmacophoreModeling 114

3.5Conclusions 115 References 115

4Taxol,Taxoids,andRelatedTaxanes 127

IwaoOjima,AnushreeKamath,andJoshuaD.Seitz

4.1IntroductionandHistoricalBackground 127

4.1.1DiscoveryofTaxol(Paclitaxel):AnEpoch-MakingAnticancer DrugfromNature 127

4.1.2TaxaneFamily 128

4.1.3SourcesandMethodsofProduction 129

4.1.3.1ExtractionfromYewTrees 129

4.1.3.2Semisynthesis 129

4.1.3.3TotalSynthesis 130

4.1.3.4BiotechnologyProcesses 131

4.1.4ClinicalDevelopmentofTaxol(Taxol1) 131

4.2MechanismofActionandDrugResistance 132

4.2.1Taxol,CellCycleArrest,andApoptosis 132

4.2.2DrugResistancetoTaxol 133

4.3Structure–ActivityRelationships(SAR)ofTaxol 133

4.3.1SARofTaxol 133

4.3.2ChemicalModifi cationsofTaxol:TaxolDerivatives andTaxoids 134

4.3.2.1ModificationsintheC13SideChain 134

4.3.2.2ModificationintheBaccatinComponent 135

4.3.2.3ProdrugsofTaxol 140

4.4StructuralandChemicalBiologyofTaxol 141

4.4.1BioactiveConformationofTaxol 141

4.4.2Microtubule-BindingKineticsofTaxol 145

4.5New-GenerationTaxoidsfrom10-DAB 145

4.5.1Taxoidsfrom10-DAB 145

4.5.2Taxoidsfrom14b-HydroxybaccatinIII 148

4.5.3Taxoidsfrom9-DihydrobaccatinIII 149

4.6TaxoidsinClinicalDevelopment 150

4.6.1Docetaxel(Taxotere1,RP56976) 150

4.6.2Cabazitaxel(Jevtana1,RPR116258A,XRP6258) 153

4.6.3Larotaxel(XRP9881,RPR109881) 153

4.6.4Ortataxel(SB-T-101131,IDN5109,BAY59-8862,ISN5109) 154

4.6.5Tesetaxel(DJ-927) 154

4.6.6Milataxel(MAC-321,TL139) 155

4.7NewApplicationsofTaxanes 155

4.7.1Taxane-BasedMDRReversalAgents 155

4.7.2TaxanesasAntiangiogenicAgents 156

4.7.3TaxanesasAntitubercularAgents 157

4.8ConclusionsandPerspective 158 References 159

5CamptothecinandAnalogs 181 GiuseppeGiannini

5.1Introduction 181

5.2BiologyActivity 185

5.2.1CamptothecinActsonEukaryoticTop1 187

5.2.2DrugResistanceandTopoisomeraseMutation 189

5.2.3Camptothecin:BeyondtheTopoisomeraseI 190

5.2.4Off-LabelInvestigation 190

5.3CamptothecininClinicalUseandUnderClinicalTrials 190

5.3.1Homocamptothecin 203

5.4Chemistry 204

5.4.1TotalSyntheses 205

5.4.2SynthesesofSomeRepresentativeCamptothecinDerivatives 207

5.5Structure–ActivityRelationship 210

5.6XenograftStudies 211

5.7Prodrug/Targeting 212

5.8DevelopmentsofModernChromatographicMethodsAppliedto CPT 214

5.9ConclusionsandPerspectives 214 References 215

6AShortHistoryoftheDiscoveryandDevelopmentofNaltrexoneand OtherMorphineDerivatives 225 VimalVargheseandTomasHudlicky

6.1Introduction 225

6.2HistoryandDevelopment 226

6.3Pharmacology 238

6.4Structure–ActivityRelationshipofMorphineanditsAnalogs 240

6.5ConclusionsandOutlook 244 References 244

7LincosamideAntibacterials 251 HardwinO’Dowd,AliceL.Erwin,andJasonG.Lewis

7.1Introduction 251

7.2MechanismofAction 253

7.3AntibacterialSpectrum 254

7.4Resistance 257

7.5PseudomembranousColitis 258

7.6Next-GenerationLincosamides 259

7.7Conclusions 264 References 264

8PlatensimycinandPlatencin 271

ArunK.GhoshandKaiXi

8.1IntroductionandHistoricalBackground 271

8.2DiscoveryandBioactivitiesofPlatensimycinandPlatencin 272

8.3TotalandFormalSynthesesofPlatensimycin 278

8.4TotalandFormalSynthesesofPlatencin 283

8.5AnalogsofPlatensimycinandPlatencin 287

8.6ConclusionsandPerspective 295 References 296

9FromNaturalProducttoNewDiabetesTherapy:Phlorizinandthe DiscoveryofSGLT2InhibitorClinicalCandidates 301 VincentMascittiandRalphP.Robinson

9.1Introduction 301

9.2Phlorizin:ADrugLeadfromAppleTrees 302

9.3Phlorizin:MechanismofAction 304

9.4Phlorizin,SGLTs,andDiabetes 306

9.5PhlorizinAnalogs: O-Glucosides 306

9.6PhlorizinAnalogs: C-Glucosides 309

9.7 C-Glucosides:AglyconeModifications 314

9.8 C-Glucosides:SugarModifications 316

9.9Conclusions 325 References 325

10AeruginosinsasThrombinInhibitors 333

JuanR.DelValle,EricTherrien,andStephenHanessian

10.1Introduction 333

10.2TargetingtheBloodCoagulationCascade 333

10.3StructureofThrombin 335

10.4TheAeruginosinFamily 336

10.4.1Aeruginosin298AandRelatedMicrocystissp.Peptides 336

10.4.2OscillarinandRelatedOscillatoriasp.Peptides 339

10.4.3DysinosinAandRelatedPeptidesfromDysidaedaeSponges 340

10.4.4StructurallyRelatedAntithrombinPeptideNaturalProducts 342

10.4.5CloseAnalogsofAntithromboticAeruginosins 344

10.5MimickingNature 346

10.5.1The50-YearChallenge 348

10.5.2PeptideAnalogs 350

10.5.3Peptidomimetics 352

10.6Conclusions 355

References 356

PartThreeNaturalProductsasanIncentiveforEnablingTechnologies 365

11MacrolidesandAntifungalsviaBiotransformation 367

AaronE.MayandChaitanKhosla

11.1IntroductiontoPolyketidesandTheirActivity 367

11.2MechanismofPolyketideBiosynthesis 367

11.2.1Erythromycin 371

11.2.2Avermectin/Doramectin 377

11.2.3Tetracyclines 381

11.2.4Salinosporamides 385

11.3Conclusions 391

References 392

12UnnaturalNucleosideAnalogsforAntisenseTherapy 403 PunitP.SethandEricE.Swayze

12.1NatureUsesNucleicAcidPolymersforStorage,Transfer,Synthesis, andRegulationofGeneticInformation 403

12.2TheAntisenseApproachtoDrugDiscovery 404

12.3TheMedicinalChemistryApproachtoOligonucleotide Drugs 406

12.4StructuralFeaturesofDNAandRNADuplexes 407

12.5ImprovingBindingAffinityofOligonucleotidesbyStructuralMimicry ofRNA 410

12.5.120 -ModifiedRNA 411

12.5.1.120 -O-MeRNA 411

12.5.1.220 -O-MethoxyethylRNA 412

12.5.1.320 -FluoroRNA 413

12.5.220 ,40 -BridgedNucleicAcids 414

12.5.2.120 ,40 -ConstrainedMOEand20 ,40 -ConstrainedEthylBNA 415

12.5.2.250 -Me-LNA 416

12.5.2.3CarbocyclicLNAAnalogs 417

12.5.2.4Ring-ExpandedBNAAnalogs 417

12.5.2.5 a-L-BridgedNucleicAcids 418

12.5.3HexitolNucleicAcids 420

12.6ImprovingBindingAffinityofOligonucleotidesbyConformational RestraintofDNA – theBicyclo-andTricyclo-DNAClassofNucleicAcid Analogs 421

12.7ImprovingBindingAffinityofOligonucleotidesbyConformational RestraintofthePhosphodiesterBackbone – a,b-ConstrainedNucleic Acids 423

12.8NaturallyOccurringBackboneModifications 424

12.8.1ThePhosphorothioateModification 425

12.9NaturallyOccurringHeterocycleModifications 426

12.9.15-SubstitutedPyrimidineAnalogs 427

12.10Outlook 428 References 429

13HybridNaturalProducts 441

KeisukeSuzukiandYoshizumiYasui

13.1Introduction 441

13.2Staurosporines(AminoAcid–SugarHybrids) 444

13.2.1Occurrence 444

13.2.2Bioactivity 445

13.2.3Biosynthesis 446

13.2.4Synthesis 446

13.2.5MedicinalChemistry 447

13.3Lincomycins(AminoAcid–SugarHybrids) 448

13.3.1Occurrence 448

13.3.2Bioactivity 448

13.3.3Biosynthesis 448

13.3.4MedicinalChemistry 449

13.4Madindolines(AminoAcid–PolyketideHybrids) 449

13.4.1Occurrence 449

13.4.2Bioactivity 450

13.4.3Synthesis 451

13.5Kainoids(AminoAcid–TerpeneHybrids) 451

13.5.1Occurrence 451

13.5.2Bioactivity 451

13.5.3Biosynthesis 453

13.5.4Synthesis 453

13.5.5MedicinalChemistry 453

13.6Benanomicin–PradimicinAntibiotics(Sugar–PolyketideHybrids) 455

13.6.1Occurrence 455

13.6.2Bioactivity 455

13.6.3MedicinalChemistry 456

13.6.4Synthesis 457

13.7Angucyclines(Sugar–PolyketideHybrids) 457

13.7.1OccurrenceandBiosynthesis 457

13.7.2Bioactivity 459

13.7.3Synthesis 460

13.8Furaquinocins(Polyketide–TerpeneHybrids) 462

13.8.1Occurrence 462

13.8.2Biosynthesis 464

13.8.3Synthesis 464

13.9 Conclusions 467 References 467

14RethinkingtheRoleofNaturalProducts:Function-OrientedSynthesis, Bryostatin,andBryologs 475

PaulA.Wender,AlisonC.Donnelly,BrianA.Loy,KatherineE.Near,and DarylStaveness

14.1Introduction 475

14.2IntroductiontoFunction-OrientedSynthesis 476

14.2.1RepresentativeExamplesofFunction-OrientedSynthesis 478

14.3IntroductiontoBryostatin 489

14.4BryostatinTotalSyntheses 493

14.4.1TotalSynthesesofBryostatins2,3,and7(1990–2000) 493

14.4.2TotalSynthesisofBryostatin16(2008) 494

14.4.3TotalSynthesisofBryostatin1(2011) 495

14.4.4TotalSynthesisofBryostatin9(2011) 495

14.4.5TotalSynthesisofBryostatin7(2011) 495

14.5ApplicationofFOStotheBryostatinScaffold 496

14.5.1InitialPharmacophoricInvestigationsontheBryostatinScaffold 498

14.5.2DesignoftheFirstSyntheticallyAccessibleFunctionalBryostatin Analogs 500

14.5.3InitialPreclinicalInvestigationsofFunctionalBryostatinAnalogs 508

14.5.4Des-A-RingAnalogs 510

14.5.5C13-FunctionalizedAnalogs 514

14.5.6B-RingDioxolaneAnalog 516

14.5.7C20Analogs 518

14.5.8C7Analogs 520

14.5.9A-RingFunctionalizedBryostatinAnalogs 522

14.5.10NewMethodology:Prins-DrivenMacrocyclizationTowardB-RingPyran Analogs 527

14.5.11A-RingFunctionalizedAnalogsandInductionofLatentHIV Expression 529

14.6Conclusions 533 References 533

15CyclopamineandCongeners 545

PhilippHeretschandAthanassiosGiannis

15.1Introduction 545

15.2TheDiscoveryofCyclopamine 545

15.3AccessibilityofCyclopamine 547

15.4TheHedgehogSignalingPathway 549

15.5MedicalRelevanceofCyclopamineandtheHedgehogSignaling Pathway 551

15.5.1ModelsofCancerInvolvingtheHedgehogSignalingPathway 551

15.5.2HedgehogSignalingPathwayInhibitorsfortheTreatmentofPancreatic Cancer,Myelofibrosis,andChondrosarcoma 552

15.5.3ProdrugsofCyclopamine 555

15.6FurtherModulatorsoftheHedgehogSignalingPathway 556

15.7SummaryandOutlook 558

References 558

PartFiveNature:TheProvider,theEnticer,andtheHealer 565

16Hybrids,Congeners,Mimics,andConstrainedVariantsSpanning30 YearsofNaturalProductsChemistry:APersonalRetrospective 567 StephenHanessian

16.1Introduction 567

16.2Structure-BasedOrganicSynthesis 570

16.3Nucleosides 572

16.3.1Quantamycin 572

16.3.2MalayamycinA 573

16.3.3Hydantocidin 573

16.4 b-Lactams 576

16.4.1AnalogDesign 576

16.4.2Unnatural b-Lactams 577

16.5Morphinomimetics 579

16.6HistoneDeacetylaseInhibitors 580

16.6.1AcyclicInhibitors 581

16.6.2MacrocyclicInhibitors 582

16.7PactamycinAnalogs 583

16.8Aeruginosins:FromNaturalProductstoAchiralAnalogs 586

16.8.1Structure-BasedHybridsandTruncatedAnalogs 586

16.8.2ConstrainedPeptidomimetics 589

16.8.3AchiralInhibitors 589

16.9AvermectinB1a andBafilomycinA1 591

16.10BafilomycinA1 592

16.113-N,N-DimethylaminoLincomycin 594

16.12OxazolidinoneKetolideMimetics 595

16.13Epilogue 596

References 598

Index 611

ListofContributors

Karl-HeinzAltmann ETHZurich InstituteofPharmaceuticalSciences DepartmentofChemistryand AppliedBiosciences Wolfgang-Pauli-Str.10 HCIH405 8093Z € urich Switzerland

GordonM.Cragg DCTDandFNLCR NaturalProductsBranch DevelopmentalTherapeutics Program Frederick,MD21702 USA

JuanR.DelValle MoffittCancerCenter DrugDiscoveryDepartment 12902MagnoliaDr. Tampa,FL33612 USA

AlisonC.Donnelly StanfordUniversity DepartmentsofChemistryand ChemicalandSystemsBiology 337CampusDr Stanford,CA94305 USA

AliceL.Erwin ErwinConsulting 110CollegeAvenue#2 Somerville,MA02144 USA

ArunK.Ghosh PurdueUniversity DepartmentofChemistryand DepartmentofMedicinalChemistry 560OvalDrive WestLafayette,IN47907-2084 USA

GiuseppeGiannini RDCorporateSigma-TauIndustrie FarmaceuticheRiuniteS.p.A. 00040Pomezia,Rome Italy

AthanassiosGiannis UniversityofLeipzig InstituteforOrganicChemistry Johannisallee29 04103Leipzig Germany

StephenHanessian UniversitedeMontreal DepartmentofChemistry C.P.6128,SuccursaleCentre-Ville Montreal,QuebecH3C3J7 Canada

PhilippHeretsch RiceUniversity BioScienceResearchCollaborative 6500MainStreet Houston,TX77030

USA

TomasHudlicky BrockUniversity DepartmentofChemistryandCentre forBiotechnology

500GlenridgeAvenue St.Catharines,OntarioL2S3A1 Canada

AnushreeKamath StateUniversityofNewYork DepartmentofChemistryand InstituteofChemicalBiology& DrugDiscovery StonyBrook,NY11794-3400

USA

ChaitanKhosla StanfordUniversity DepartmentsofChemistry,Chemical Engineering,andBiochemistry 380RothWay Stanford,CA94305

USA

JasonG.Lewis Ardelyx 34175ArdenwoodBlvd.,Suite100 Fremont,CA94555

USA

BrianA.Loy StanfordUniversity DepartmentsofChemistryand ChemicalandSystemsBiology Stanford,CA94305

USA

VincentMascitti PfizerGlobalR&D GrotonLaboratories EasterPointRoad Groton,CT06340

USA

AaronE.May StanfordUniversity DepartmentsofChemistry,Chemical Engineering,andBiochemistry 380RothWay Stanford,CA94305

USA

KatherineE.Near StanfordUniversity DepartmentsofChemistryand ChemicalandSystemsBiology 337CampusDr Stanford,CA94305

USA

DavidJ.Newman DCTDandFNLCR NaturalProductsBranch DevelopmentalTherapeutics Program Frederick,MD21702

USA

HardwinO’Dowd VertexPharmaceuticals 130WaverlyStreet Cambridge,MA02139

USA

IwaoOjima StateUniversityofNewYork DepartmentofChemistryand InstituteofChemicalBiology& DrugDiscovery StonyBrook,NY11794-3400

USA

StefanoRizzo

MaxPlanckInstituteof MolecularPhysiology DepartmentofChemicalBiology Otto-Hahn-Str.11 44227Dortmund

Germany

RalphP.Robinson PfizerGlobalR&D GrotonLaboratories EasterPointRoad Groton,CT06340 USA

DieterSchinzer

Otto-von-GuerickeUniversit€ at Magdeburg ChemischesInstitut Lehrstuhlf € urOrganischeChemie Universitatsplatz2 39106Magdeburg Germany

JoshuaD.Seitz StateUniversityofNewYork DepartmentofChemistryand InstituteofChemicalBiology& DrugDiscovery StonyBrook,NY11794-3400 USA

PunitP.Seth IsisPharmaceuticals DepartmentofMedicinalChemistry 2855GazelleCourt Carlsbad,CA92010 USA

DarylStaveness StanfordUniversity DepartmentsofChemistryand ChemicalandSystemsBiology 337CampusDr Stanford,CA94305 USA

ListofContributors j XVII

KeisukeSuzuki TokyoInstituteofTechnology DepartmentofChemistry 2-12-1,O-okayama Meguro-ku,Tokyo152-8551 Japan

EricE.Swayze IsisPharmaceuticals 2855GazelleCourt Carlsbad,CA92010 USA

EricTherrien MolecularForecasterInc. 969Marc‐AureleFortin Laval,QuebecH7L6H9 Canada

VimalVarghese BrockUniversity DepartmentofChemistryand CentreforBiotechnology 500GlenridgeAvenue St.Catharines,OntarioL2S3A1 Canada

VijayWakchaure

MaxPlanckInstituteof MolecularPhysiology DepartmentofChemicalBiology Otto-Hahn-Str.11 44227Dortmund Germany

HerbertWaldmann MaxPlanckInstituteof MolecularPhysiology DepartmentofChemicalBiology Otto-Hahn-Str.11 44227Dortmund Germany

PaulA.Wender StanfordUniversity DepartmentsofChemistryand ChemicalandSystemsBiology

337CampusDr Stanford,CA94305

USA

KaiXi PurdueUniversity DepartmentofChemistryand DepartmentofMedicinalChemistry

560OvalDrive WestLafayette,IN47907-2084

USA

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Preface

TheEbersPapyrus,originatingfromabout1500BC,isoneoftheoldestdocuments thatdescribetheuseofnaturalproductsforhealingdiseases.Severalherbsare describedinitsabout700remediesandmagicalformulas,forexample,thesquill (Urgineamaritima)againstdropsy(edemacausedbycardiacinsuffi ciency).Indeed, thisplantcontainscardiacglycosidesthatarebeneficialinsuchacondition.Another importantdocument,fromthe firstcenturyAD,isthebookDeMateriaMedicaof theGreekphysicianDioscurides.Itlistsabout600medicinalplants,35animal products,and90minerals.Obviously,thesecollectionsofremediesresultedfrom theaccumulatedexperienceofearliermillennia.Notallcontainedinformationis reliable;inlatercenturies,thewheathadtobeseparatedfromthechaff,ataskthat stilltodayisnotcompletelyaccomplishedifweconsidersomanymarketedherbal preparationswithoutproventherapeuticvalue.Ontheotherhand,opium,thefeverloweringbarkoftheCinchonatree,thefoxglove(Digitalispurpurea),andmanyother herbaldrugsremainedintherapy,laterbeingreplacedbytheisolatedactive principlesmorphine,quinine,digitoxin,andothers.

Themainsourcesofdrugsfromnatureorleadstructuresforsuchdrugsare plants,microorganisms,animals,andhumans.Plantsprovidedrugsandlead structuresforthetreatmentofalargevarietyofdifferentdiseases.Microorganisms yieldmainlyantibioticsbutalsoothertherapeuticprinciples,forexample,the importantstatins.Animaltoxinsalmostexclusivelyserveaspharmacologicaltools, buthumanneurotransmittersandhormoneswere,andstillare,valuableleadsfor morepotentandselectiveanalogs,sometimesevenwithinversepharmacological activities.Themainadvantageofmanynaturalproductsistheirthree-dimensional structure,avoidingthe “flatness” ofsomanysyntheticcompounds,andtheirhigh degreeofchemicaldiversity,goingfarbeyondthecreativityoforganicchemists. However,thisisalsotheirmaindisadvantage,besidestheproblemsofaccessibility (considertheearlyproblemsintaxolsupply);duetothecomplexityoftheir structures,chemicalvariationisoftensodifficultandcostlythatpharmacompanies hesitatetoinvestintheiroptimization.Ontheotherhand,naturalproducts, whetherresultingfromplantsorfrommicroorganisms,areexcellentleadstructures,fromtheviewpointofligand–targetinteractions.Intheirbiosynthesis,all plantsecondarymetaboliteshavealready “seen” thebindingsiteofaprotein;thus, theirstructuralfeaturesandpropertiesmediatetheinteractionwithproteins.In

addition,manyofthesecompoundsserveacertainpurpose;theyprotectaplantthat cannotrunawayinsightofapredator,becausetheyarebitter,sharp,orslightlytoxic (onlybadexperiencetrainsthepredatortoavoidacertainplant – adeadanimal cannotlearnanymore!).Correspondingly,inevolution,theplantsproducingsuch compoundshadabetterchancetosurviveandtoreproduce.Microorganismsneed antibioticstocompetewithothermicroorganisms.Lastbutnotleast,animaland humanactiveprinciplesareperfectleadstructuresbecausetheyactatendogenous receptorsandothertherapeuticallyrelevanttargets.

Therearealreadynumerousbooksontheroleofnaturalproductsindrug research – therefore,whypresentanotherone?Thesimplereasonisthatnatural productswerenotonlyimportantinthepast.Taxol,thestatins,artemisinin,and epothilonearejustafewexamplesofnaturalproductsthatrecentlyyielded importantandsuccessfulnewdrugsandmanymoreareunderactiveinvestigation. Arecentpublicationanalyzedtheoriginof1073newchemicalentities(small molecules,excludingbiologicals)oftheyears1981–2010[1]:6%ofthesedrugswere naturalproductsthemselves,28%werederivativesofnaturalproducts,14%were characterizedasmimicsofnaturalproducts,and16%assyntheticswhosepharmacophorewasderivedfromanaturalproduct.Intotal,almost2/3ofthenewly introduceddrugsoriginatedinsomemannerfromanaturalproduct!Thispredominanceofnaturalproductsisevenmorepronouncedintheareaofanticancerdrugs andinthe fieldofantibiotics.

WeareverygratefultoStephenHanessian,aworld-leadingexpertinthe fieldof naturalproductchemistry,forundertakingthetasktoeditthisbookwithsomany chaptersonrecentdevelopmentsandsuccessstories.Inaddition,wearegratefulto allchapterauthorsfortheirexcellentwork,whichprovidesacomprehensive overviewofcurrentresearchonnewdrugsfromnaturalproducts.Finally,we wouldliketothankFrankWeinreichandHeikeNotheofWiley-VCHVerlagGmbH fortheirongoingcommitmenttoourbookseriesMethodsandPrinciplesin MedicinalChemistry.

October2013

Dusseldorf,Germany

RaimundMannhold WeisenheimamSand,Germany HugoKubinyi Zurich,Switzerland GerdFolkers

Reference

1 Newman,D.J.andCragg,G.M.(2012) Naturalproductsassourcesofnewdrugs overthe30yearsfrom1981to2010. JournalofNaturalProducts, 75,311–335.

PersonalForeword

Naturehasbeenanabundantsourceofbioactivecompoundsformillennia.Modern sciencehasunraveledthecomplexmoleculararchitecturesofnaturalproductsoften possessinganunusualassortmentoffunctionalgroupsthatwouldhavedefiedall oddsonlyafewdecadesago.

Naturehasalsobeentheprovider,theenticer,andthehealer.Indeed,someofthe mostimpressivecontributionstothe fieldoforganicchemistryhavebeenassociated withthedesignandtotalsynthesisofnaturalproducts.Thesamecouldbesaidoftheir biologicalactivities,modeofaction,andtherapeuticvalue.Thesemajoradvancesat theinterfacebetweenthechemistryandbiologyofnaturalproductshaveshowcased thecourage,resolve,and,aboveall,thepassionofdedicatedscientists.

Asthetitleitselfreflects,thisbookisdedicatedtotheimportanceofnatural productsinmedicinalchemistry.Structuredinto fivethematicparts,thebook consistsof16chapters,eachcontributedbyexpertsinthe field,whohaveadmirably writtenabouttheirseminalcontributionsovertheyearstoaddressdiverseaspectsof naturalproductsinchemistryandbiology.The fivethemescoverprincipallythe importanceofnaturalproductsasdrugs,platformsforbothchemicalandgenetic modificationstocreatenewerentities,uniquecollectionsofbiogeneticallydiverse compounds,andinspirationpointsforthedesignandsynthesisofsurrogates, mimics,hybrids,andchimeras.

Ithankallthecontributorsfortheireffortsandcollegialityinmakingthisavery specialvolumethatwillbepedagogicallyandpracticallyinformativetostudentsand professionalsalike.

October16,2013

StephenHanessian

NaturalProductsinMedicinalChemistry,FirstEdition.EditedbyStephenHanessian. 2014Wiley-VCHVerlagGmbH&Co.KGaA.Published2014byWiley-VCHVerlagGmbH&Co.KGaA.

NaturalProductsasDrugsandLeadstoDrugs:AnIntroduction andPerspectiveasoftheEndof20121)

1.1 Introduction

Twoveryfrequentcomments(togetherorseparately)thathavebeenmade,in writingandverbally,overthelast15–20yearscanbesummarizedasfollows:

Theuse(orpursuit)ofnaturalproductsaseitherdrugsorasleadstonew chemistrythatwillleadtodrugsisnowpasse,andthatwhatisneededisthe useofveryhigh-throughputscreens,coupledtolargenumbersofnovel moleculesproducedbycombinatorialchemistry.

Thecleveruseofcomputationalmethodsto fi tcompoundsintotheactive sitesoftheenzyme(orreceptor)ofinterestwillpermitthederivationoflarge numbersofdrugstobediscoveredandthencommercializedrapidlyasaresult.

Wethinkthatperhapsthebestanswertocommentssuchasthesecanbeseenin twosimplegraphicalmodelsshowninFigures1.1and1.2.InFigure1.1,wehave plottedthenumberofsmall ie meaninguptoroughly45aminoacidresidues,with Byetta1 beingtheupperlimit,againstthenumberof “N” and “S ” classificationsas definedinRef.[1]fromJanuary1,1981throughDecember31,2012.InFigure1.2,we havetakenthetotalnumberof “N-related” approveddrugsoverthesametimeframe asapercentageoftheapproveddrugsforthatyear.Themeanpercentageperyearof “N-deriveddrugs” thestandarddeviationoverthistimeframeis33.4 8.9%,andin 2010,50%ofthe18approvedsmall-moleculedrugswereinthiscategory. Whatmustbeborneinmindisthatthesearethemostconservative figuresaswe onlycountadrugonce,intheUnitedStatesifitwas firstapprovedbytheFDA (FoodandDrugAdministration)ortheapprovingcountry’sequivalentoftheFDA. Thus,compoundsthataresubsequentlyapprovedforanotherdiseaseeitherinthe sameorinadifferentcountry,orwhosepharmaceuticalpropertiesareextendedby slowreleaseorbycombinationwithotheragents,arenotcountedagain.Thereare afewexceptionstothisgeneralrulesuchastheuseofnanoparticle-associated

1) Theopinionsexpressedinthischapterarethoseofauthors,andnotoftheUSGovernment.

NaturalProductsinMedicinalChemistry,FirstEdition.EditedbyStephenHanessian. 2014Wiley-VCHVerlagGmbH&Co.KGaA.Published2014byWiley-VCHVerlagGmbH&Co.KGaA.

Figure1.1 Numbersofnaturalproduct-related(NplusS )smallmoleculesperyear(1981—2012).

albuminsinthecaseofsomeversionsofTaxol1 andcombinationsofdifferent modifi edinsulins,butthese,however,accountforlessthan0.3%ofabout1500 compounds(smallandlarge)approvedinthelast32years.

InFigure1.3,wehaveshownthebreakdownbycategory,againusingthe classificationsusedpreviously[1]ofalldrugsandsmalldrugsapprovedover thelast32yearsfromJanuary1,1981throughDecember31,2012,whichshould bestudiedbytheinterestedreader.Again,ifonelooksatthesediagrams,therole ofnaturalproductstructuresasleads(N-andS -linkedmaterials)isstillvery signifi cantandevenin2011–2012,41ofthe62small-moleculedrugsfellintothese categories(datanotshownbutavailablefromtheauthorsonrequest).

Inaddition,inFigure1.4,asbefitsauthorsfromtheUSNationalCancerInstitute (NCI),wehaveshownthebreakdownforallantitumordrugsfromthebeginningof chemotherapytreatmentsinthemid-1930s,usingvariationsonthemustardgasused inwarfareinWorldWarI,throughtothelargenumberoftyrosineproteinkinase inhibitorsapprovedinthelastfewyears, withalmostallbeingisosteresofATPand bindingattheATPsite.Asalreadymentioned,inthe2011–2012NtoS breakdown, 16ofthe18small-moleculeantitumordrugsfellintotheseclassifications.The isosterelinkwasreconfirmedbyanexcellentpresentationgivenbyFabbro[2]of NovartisattherecentNAD2012Meeting inOlomouc,theCzechRepublicinJuly

Figure1.2 Percentageofnaturalproductrelated(N)smallmoleculesperyear(1981—2012).

1.2TheSponge-DerivedNucleosideLinktoDrugs 5

2012.Finallyinthissection,theinfluenceofnaturalproductstructuresonantitumor agentsissuchthatifonesumsthe “N-related” thentheansweris89or47%,withthe “S -related” equaling38or20%overall.Thus,onecanseethatnaturalproductrelatedcompoundsinthisdiseasecategoryequal67%ofallapprovedsmall-molecule drugentitiesinthistimeframe.Althoughnotshown,comparable figuresarealso seenforanti-infectiveagentsoverthe 32-yeartimeframecoveredbyFigure1.3 (wehavenotgonebacktothelate1930sforthesedata,butmaywelldosointime).

1.2

TheSponge-DerivedNucleosideLinktoDrugs

Untilaboutthe1960s,itwasaxiomaticthatifyouwishedtomakeabiologicallyactive nucleoside-derivedmolecule,youcouldmodifythebaseincludingsubstitutionsthat

Figure1.3 Sourcesofallapproveddrugs1981—2012.

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Henry Beauclerc removed his dwelling from the river margin to the crest of hill, building the First King’s House. This pile extended from the Devil’s tower to the Watch tower, now renamed Victoria tower. A part of Beauclerc’s edifice remains in massive walls of the Devil’s tower, and a cutting through the chalk, sustained by Norman masonry, leading from a shaft under the Queen’s apartment to the southern ditch.

Henry of Winchester, a man of higher genius as an architect, built the Second King’s House, sweeping into his lines the lower ground, which he covered by walls and towers, including Winchester tower, and the whole curtain by Curfew tower and Salisbury tower, round to the Lieutenant’s lodgings, now called Henry the Third’s tower. The Second King’s House, long since ruined and removed, stood on the site of the present cloisters. Much of Henry of Winchester’s work remains; in fact, the circuit of the lower ward is mainly his, both walls and towers, from the Devil’s tower, touching the upper ward, round to Curfew tower in the north-west angle of the lower ward.

Edward of Windsor built the Third King’s House, fronting towards the north, and gave the upper ward its final shape. On introducing a new patron saint to Windsor, Edward removed his own lodging, and renounced the lower ward entirely to the service of St. George. First came the chapel of St. George; next came the College of St. George; then came the Canons of St. George; lastly, came the Poor Knights of St. George. The central ground was given up to the chapel, and the adjoining quarter to the college. From Curfew tower to the Lieutenant’s lodgings, all the ground was consecrated to the saint. The first tower, reckoning from the south, became Garter House, the second Chancellor’s tower, the third Garter tower, while the land within the walls was covered by residences for the military knights. An area equal to the upper baily was surrendered to his patron saint.

Edward of York rebuilt St. George’s Chapel on a larger scale; for Edward of York had heavy sins to weigh him down, and pressing need for saintly help.

Henry of Richmond roofed that chapel, built a “new tower” in the King’s House, and made a fair causeway from Windsor to London— the first road ever made between the castle and the capital.

Queen Elizabeth built the gallery which bears her name, and raised the great terraces above the Thames. Before her time the scarp was rough and steep: she built this solid wall, and laid this level road.

George the Fourth raised the Norman keep in height, flanked the park entrance with another tower, opened St. George’s gate, buttressed the North-east tower, and called his new edifice Brunswick tower.

Like Queen Elizabeth, Queen Victoria has devoted her attention rather to the slopes and gardens than the structure; but the few additions of her reign have been effected with a proper reverence for the ancient pile. Her Majesty has cleared off slum and tenement from the slopes, and opened the southern terrace, just as Elizabeth opened the northern terrace. Work has been done in cloister and chapel. As Henry of Richmond made a road from Windsor to London, Queen Victoria has brought two railways to her castle gates.

Since the days of Edward of Windsor the Castle hill has kept the triple character—upper ward, middle ward, and lower ward—baily of the King, baily of the keep, and baily of St. George—the residence of our sovereign, the symbol of our power, the altar of our saint.

Royal Windsor (London, 1879).

THE CATHEDRAL OF COLOGNE.

ERNEST BRETON.

WE are now in the middle of the Tenth Century and in the city of Cologne; for several hours a man has been sitting upon the banks of a river, flowing majestically at the base of those ramparts which sixty years ago were erected by Philip von Heinsberg, and for several hours his thoughtful brow has not been lifted. This man was the first master-workman of his time; three centuries later he was called the prince of architects. The Archbishop of Cologne had said to him: “Master, we must build a cathedral here which will surpass all the buildings of the world in grandeur and magnificence.” The artist replied: “I will do it;” and now he was pondering over ways of accomplishing his promise about which he was frightened. At this moment he was trying to think out a marvellous plan which would give lustre to his country and immortalize his name; but nothing came into his mind worthy of the prodigy he was trying to conceive and could not create.

An unknown old man now approached and sat beside him, regarding him with a mocking air, as if he rejoiced in his perplexity and despair; every now and then he gave a little, dry cough, and when he had attracted the attention of the artist, he rapidly traced on the sand with a ring some lines which he immediately effaced. These lines formed exactly that plan which always escaped the artist and whose fugitive image he could not seize.

“You would like to have this plan?” asked the old man.

“I would give all I possess for it.”

“I exact nothing. The building that you construct will be the envy and the eternal despair of all your successors, the admiration of

centuries to come, and your brilliant and celebrated name will be known to the most remote generations. Your life will be long; you will pass it in glory, wealth, and pleasure. For all that I only ask for your soul when your life draws to its close.”

“Vade retro Satanas!” cried the agitated artist. “Better the nothingness of oblivion than eternal damnation.”

“Patience,” said Satan, “reflect: we shall see,” and he vanished. The master-workman returned to his humble dwelling, sadder and more dreamful than when he left it; he could not close his eyes all night. Glory, wealth, and pleasure for many long years, and all that for one word! In vain he tried to shake himself free from the fatal temptation; at every moment, at every step he again saw the tempter showing him his transitory plan; he succumbed.

“To-morrow, at midnight,” said Satan, “go to that spot and I will bring you the plan and the pact that you must sign.”

The artist returned to the city, divided between remorse and dreams of pride and ambition. Remorse conquered, and before the appointed hour he had told everything to his confessor. “It will be a master-stroke,” said the latter, “to deceive Satan himself and snatch the famous plan from him without paying the price of your soul,” and he sketched out the line of conduct that he should follow.

At the appointed hour the two parties stood face to face. “Here,” said Satan, “are the plan and pact; take it and sign it.” Quick as lightning the master-workman snatched the plan with one hand and with the other he brandished a piece of the True Cross, which the wily confessor had given to him. “I am vanquished,” cried Satan, “but you will reap little benefit through your treachery. Your name will be unknown and your work will never be completed.”

Such is the legend of the Cathedral of Cologne. I have told it here so that the admiration of the Middle Ages for this plan, which could not be considered the work of any human genius, may be measured, and for six centuries the sinister prediction of Satan has held good.4

At the north-east end of the elevation occupied by the ancient Colonia Agrippina, in the spot where the choir of the Cathedral raises its magnificent pinnacles, there existed in very remote ages a Roman Castellum. At a later period this was replaced by a palace of the French kings, which Charlemagne gave to his chancellor and confessor Hildebold....

The Cathedral of Cologne was one of the most ancient seats of Christianity in Germany; it contained in its jurisdiction the capital of Charlemagne’s Empire, the city where the Emperors were crowned. In the Twelfth Century, Frederick Barbarossa enriched it with one of those sacred treasures which in a time of faith attracted entire populations and gave birth to the gigantic enterprises which seem so incredible in our positive and sceptical age. All eyes were turned to the Holy Land, and the pilgrims of Germany, as well as of other countries, before undertaking this perilous voyage came by the thousands to the tomb of the Magi, to pray to God that the same star which guided the Three Wise Men to Christ’s cradle might lead them to his tomb. The celebrity and wealth of the Cologne Cathedral was greatly due to the custom of the Emperors visiting it after their coronation. Thus, from the moment it was in possession of the sacred relics, everything combined to augment its splendour; princes, emperors, and people of all classes were eager to add to its treasures. Therefore, it was only a natural consequence to erect on the site of the old Cathedral of St. Peter a building more vast and magnificent, and which would accord better with its important destiny The Archbishop Angebert, Count of Altena and Berg, upon whom Frederick II. conferred the dignity of vicar of the empire, conceived the first idea; but at about the age of forty he was assassinated by his cousin, the Count of Ysembourg, in 1225, and the enterprise was abandoned. Finally, a great fire devoured the Cathedral in 1248 and its immediate reconstruction was indispensable....

THE CATHEDRAL OF COLOGNE

Everyone knows that almost all churches of the pointed arch which occupied several centuries in building show the special mark of the periods in which their various additions were constructed; this is not the case with the Cathedral of Cologne, which is peculiar in the fact that its foundations and its additions were all constructed on one and the same plan, which preserves the original design, and therefore it presents a rare and admirable unity.

On the side of the Rhine, or rather on the Margreten, between the Trankgass and the Domhof, the choir of the basilica offers the most imposing effect. It is only from this side that the edifice seems to have an end. The end of the roof, edged in all its length by an open-worked ridge, is surmounted by an enormous cross, nine

metres high, finished with a fleur-de-lis at each extremity This cross, weighing 694 kil., was only placed there on August 3, 1825, but it was long in existence, having been, it is said, presented to the church by Marie de’ Medici. In the centre of the transept there rose a bell-tower, 65 metres high, which was demolished in 1812. The plan carries a superb flèche of stone, open-worked like the spires of the façade, and about 100 metres high.

Fifteen flying-buttresses on each side proceed from the central window and sustain the choir, leaning against the buttresses and surmounted by elegant pyramids. Each of these pyramids carries twelve niches destined to hold angels two metres high, many of which have been restored lately by Wilhelm Imhoff. The upper part of the flying-buttresses, at the point where they meet the balustrade of the roof, is crowned by another and more simple pyramid. Finally, between these flying-buttresses in the upper part of the wall of the choir, magnificent mullioned windows are disclosed. The entire edifice is covered with gargoyles, each more bizarre than the other....

Entering the cathedral by the door at the foot of the northern tower, you find yourself in the double-lower northern nave. The first bays do not contain altars, but their windows reveal magnificent panes, of the beginning of the Sixteenth Century. The Archbishop Herman von Hesse, the Chapter, the City, and many noble families united to have them painted by the most distinguished artists of the period, which was the apogee of Art in Germany; and therefore here are many of the most admirable chefs d’œuvre of glass-painting....

The Chapel of the Kings is almost entirely occupied by the building erected in 1688 and ornamented by Ionic pilasters of marble, and which, shut in by grilles and many locks, contains the marvellous reliquary in which are preserved the relics of the Three Magi. According to Buttler, these relics were found by Saint Helena, mother of Constantine, during her pilgrimage to the Holy Land; she carried them carefully to Constantinople. Soon afterwards the Archbishop Eustorge, to whom the Emperor had presented them, brought them to Milan, where they were deposited in the church subsequently consecrated to the same Eustorge, who was canonized. When Frederick Barbarossa invaded the town in 1163,

Reinald von Dassile, Archbishop of Cologne, received them as a reward for the services which he had rendered to the Emperor during the siege. At the same time Reinald obtained several relics of the Maccabees, of the Saints Apollinaris, Felix, Nabor, Gregory di Spoletto, etc. He, himself, accompanied this treasure, which crossed Switzerland in triumph, descended the Rhine to Remagen, where he gave it to Philip of Heinsberg, then provost of the Chapter.

On July 23, 1164, the relics were deposited in the ancient cathedral, from which they were transferred to the new one; they were guarded there simply by an iron grille until the Archbishop Maximilian Heinrich constructed the building which encloses them today, upon whose pediment you see sculptured in marble, by Michael Van der Voorst of Antwerp, the Adoration of the Magi, Saint Felix, Saint Nabor, and two female figures guarding the arms of the Metropolitan Chapter, in the midst of which figure those of the Archbishop Maximilian Heinrich. On the frieze you read the inscription: “Tribus ab oriente regibus devicto in agnitione veri numinis capitulum metropol erexit.” Above the grilled window, which is opened during grand ceremonies to permit the people to see the reliquary, is written:

“Corpora sanctorum recubant hic terna magorum; Ex his sublatum nihil est alibive locatum.”

Finally, above the reliquary placed to the right and left between the columns one reads: “Et apertis thesauris suis obtulerunt munera.”

In 1794 the relics were carried to the treasury of Arnsberg, then to Prague, where the three crowns of diamonds were sold, and finally to Frankfort-on-the-Main. When they were brought back in 1804, the reliquary was repaired and put in its old place. This reliquary, a chef d’œuvre of Twelfth Century orfèvrerie, is of gilded copper with the exception of the front, which is of pure gold; its form is that of a tomb; its length 1 m. 85, its breadth 1 m. at the base, its height 1 m. 50; on the side turned to the west you see represented

the Adoration of the Magi and the baptism of Jesus Christ. Above the sculpture is a kind of lid which may be raised, permitting you to see the skulls of the Three Kings ornamented with golden crowns garnished with Bohemian stones,—a kind of garnet; in the pediment is the image of the Divine Judge sitting between two angels who hold the attributes of the Passion; the two busts above represent Gabriel and Raphael; and, finally, an enormous topaz occupies the summit of the pediment. The right side of the reliquary is ornamented with images of the prophets, Moses, Jonah, David, Daniel, Amos, and Obadiah. The apostles Paul, Philip, Simon, Thomas, and Judas Thaddeus are placed in six niches above. In the left side you see the prophets Ezekiel, Jeremiah, Nahum, Solomon, Joel, and Aaron, and the apostles Bartholomew, Matthew, John the Lesser, Andrew, Peter, and John the Great. The back of the monument presents the flagellation of Jesus Christ, the Virgin Mary, Saint John, the Saviour on the Cross, Saint Felix, Saint Nabor, the Archbishop Reinald and eight busts of angels. The monument is surmounted by an openwork ridge of copper lace. This magnificent reliquary is covered with more than 1,500 precious stones and antique cameos representing subjects which are not exactly Christian such as the apotheosis of an Emperor, two heads of Medusa, a head of Hercules, one of Alexander, etc. Behind the reliquary is a bas-relief in marble 1 m. 33 in height and 1 m. 40 in length, representing the solemn removal of the relics. The bas-reliefs of richly-gilt bronze, placed below the windows which occupy the back of the chapel, represent the Adoration of the Magi: these were the gift of Jacques de Croy, Duke of Cambrai in 1516. This window is ornamented with beautiful panes of the Thirteenth Century, representing various subjects of sacred history.

Jules Gaillhabaud, Monuments anciens et modernes (Paris, 1865).

THE PALACE OF VERSAILLES.

AUGUSTUS J. C. HARE.

THE first palace of Versailles was a hunting-lodge built by Louis XIII. at the angle of the present Rue de la Pompe and Avenue de SaintCloud. This he afterwards found too small, and built, in 1627, a moated castle, on the site of a windmill in which he had once taken shelter for the night. The buildings of this château still exist, respected, as the home of his father, in all the alterations of Louis XIV., and they form the centre of the present place. In 1632 Louis XIII. became seigneur of Versailles by purchase from François de Gondi, Archbishop of Paris.

THE PALACE OF VERSAILLES.

The immense works which Louis XIV. undertook here, and which were carried out by the architect Mansart, were begun in 1661, and in 1682 the residence of the Court was definitely fixed at Versailles, connected by new roads with the capital. Colbert made a last effort to keep the king at Paris, and to divert the immense sums which were being swallowed up in Versailles to the completion of the Louvre. The very dulness of the site of Versailles, leaving everything to be created, was an extra attraction in the eyes of Louis XIV. The great difficulty to be contended with in the creation of Versailles was the want of water, and this, after various other attempts had failed, it was hoped to overcome by a canal which was to bring the waters of the Eure to the royal residence. In 1681 22,000 soldiers and 6,000 horses were employed in this work, with such results of sickness that the troops encamped at Maintenon, where the chief part of the work was, became unfit for any service. On October 12, 1678, Mme. de Sévigné writes to Bussy-Rabutin:—

“The king wishes to go to Versailles; but it seems that God does not, to judge from the difficulty of getting the buildings ready for occupation and the dreadful mortality of the workmen who are carried away every night in waggons filled with the dead. This terrible occurrence is kept secret so as not to create alarm and not to decry the air of this favori sans mérite. You know this bon mot of Versailles.”

Nine millions were expended in the Aqueduct of Maintenon, of which the ruins are still to be seen, then it was interrupted by the war of 1688, and the works were never continued. Instead, all the water of the pools and the snow falling on the plain between Rambouillet and Versailles was brought to the latter by a series of subterranean watercourses.

No difficulties, however—not even pestilence, or the ruin of the country by the enormous cost—were allowed to interfere with “les plaisirs du roi.” The palace rose, and its gigantic gardens were peopled with statues, its woods with villages.

Under Louis XV. Versailles was chiefly remarkable as being the scene of the extravagance of Mme. de Pompadour and the turpitude of Mme. du Barry. Mme. Campan has described for us the life, the very dull life, there of “Mesdames,” daughters of the king. Yet, till the great Revolution, since which it has been only a shadow of its former self, the town of Versailles drew all its life from the château.

Approaching from the town on entering the grille of the palace from the Place d’Armes we find ourselves in the vast Cour des Statues—“solennelle et morne.” In the centre is an equestrian statue of Louis XIV. by Petitot and Cartellier. Many of the surrounding statues were brought from the Pont de la Concorde at Paris. Two projecting wings shut in the Cour Royale, and separate it from the Cour des Princes on the left, and the Cour de la Chapelle on the right. Beyond the Cour Royale, deeply recessed amongst later buildings is the court called, from its pavement, the Cour de Marbre, surrounded by the little old red château of Louis XIII.

The Cour de Marbre was sometimes used as a theatre under Louis XIV., and the opera of Alcestis was given there. It has a peculiar interest, for no stranger can look up at the balcony of the first floor without recalling Marie Antoinette presenting herself there, alone, to the fury of the people, October 6, 1789.

The palace of Versailles has never been inhabited by royalty since the chain of carriages drove into this court on October 6, to convey Louis XVI. and his family to Paris.

From the Grande Cour the gardens may be reached by passages either from the Cour des Princes on the left, or from the Cour de la Chapelle on the right. This palace has had three chapels in turn. The first, built by Louis XIII., was close to the marble staircase. The second, built by Louis XIV., occupied the site of the existing Salon d’Hercule. The present chapel, built 1699–1710, is the last work of Mansart.

Here we may think of Bossuet, thundering before Louis XIV., “les royaumes meurent, sire, comme les rois,” and of the words of Massillon, “Si Jésus-Christ paraissait dans ce temple, au milieu de cette assemblée, la plus auguste de l’univers, pour vous juger, pour faire le terrible discernement,” etc. Here we may imagine Louis XIV. daily assisting at the Mass, and his courtiers, especially the ladies, attending also to flatter him, but gladly escaping, if they thought he would not be there....

All the furniture of Versailles was sold during the Revolution (in 1793), and, though a few pieces have been recovered, the palace is for the most part unfurnished, and little more than a vast picturegallery. From the antechamber of the chapel open two galleries on the ground floor of the north wing. One is the Galerie des Sculptures; the other, divided by different rooms looking on the garden, is the Galerie de l’Histoire de France. The first six rooms of the latter formed the apartments of the Duc de Maine, the much indulged son of Louis XIV. and Mme. de Maintenon.

At the end of the gallery (but only to be entered now from the Rue des Réservoirs) is the Salle de l’Opéra. In spite of the passion of Louis XIV. for dramatic representations, no theatre was built in the

palace during his reign. Some of the plays of Molière and Racine were acted in improvised theatres in the park; others, in the halls of the palace, without scenery or costumes; the Athalie of Racine, before the King and Mme. de Maintenon, by the young ladies of Saint-Cyr. The present Opera House was begun by Jacques AngeGabriel under Louis XV. for Mme. de Pompadour and finished for Mme. du Barry.

The Opera House was inaugurated on the marriage of the Dauphin with Marie Antoinette, and nineteen years after was the scene of that banquet, the incidents of which were represented in a manner so fatal to the monarchy, given by the body-guard of the king to the officers of a regiment which had arrived from Flanders....

The garden front of the palace has not yet experienced the soothing power of age: it looks almost new; two hundred years hence it will be magnificent. The long lines of the building, with its two vast wings, are only broken by the top of the chapel rising above the wing on the left.

The rich masses of green formed by the clipped yews at the sides of the gardens have the happiest effect, and contrast vividly with the dark background of chestnuts, of which the lower part is trimmed, but the upper falls in masses of heavy shade, above the brilliant gardens with their population of statues. These grounds are the masterpiece of Lenôtre, and of geometrical gardening, decorated with vases, fountains, and orange-trees. Lovers of the natural may find great fault with these artificial gardens, but there is much that is grandiose and noble in them; and, as Voltaire says: “Il est plus facile de critiquer Versailles que de le refaire.”

The gardens need the enlivenment of the figures, for which they were intended as a background, in the gay Courts of Louis XIV. and Louis XV. as represented in the pictures of Watteau; but the Memoirs of the time enable us to repeople them with a thousand forms which have long been dust, centring around the great king, “Se promenant dans ses jardins de Versailles, dans son fauteuil à roues.”

The sight of the magnificent terraces in front of the palace will recall the nocturnal promenades of the Court, so much

misrepresented by the enemies of Marie Antoinette.

Very stately is the view down the main avenue—great fountains of many figures in the foreground; then the brilliant Tapis Vert, between masses of rich wood; then the Bassin d’Apollon, and the great canal extending to distant meadows and lines of natural poplars.

Days near Paris (London, 1887)

THE CATHEDRAL OF LINCOLN.

THOMAS FROGNALL DIBDIN.

WELCOME to Lincoln! Upwards of twenty summer suns have rolled their bright and genial courses since my first visit to this ancient city, —or rather, to this venerable Cathedral: for the former seems to be merged in the latter. There is no proportion between them. A population of only twelve thousand inhabitants and scarcely more than an ordinary sprinkling of low commonplace brick-houses, are but inharmonious accessories to an ecclesiastical edifice, built upon the summit of a steep and lofty hill—pointing upwards with its three beautiful and massive towers towards heaven, and stretching longways with its lofty nave, choir, ladye-chapel, side chapels, and double transepts. For site, there is no Cathedral to my knowledge which approaches it....

WEST FRONT OF THE CATHEDRAL OF LINCOLN

Upon a comparative estimation with the Cathedral of York, Lincoln may be called a volume of more extensive instruction; and the antiquary clings to its pages with a more varied delight. The surface or exterior of Lincoln Cathedral presents at least four perfect specimens of the succeeding styles of the first four orders of Gothic architecture. The greater part of the front may be as old as the time of its founder, Bishop Remigius,5 at the end of the Eleventh Century: but even here may be traced invasions and intermixtures, up to the Fifteenth Century. The large indented windows are of this latter period, and exhibit a frightful heresy. The western towers carry you to the end of the Twelfth Century: then succeeds a wonderful extent of Early English, or the pointed arch. The transepts begin with the Thirteenth, and come down to the middle of the Fourteenth Century; and the interior, especially the choir and the side aisles, abounds with the most exquisitely varied specimens of that period. Fruits, flowers, vegetables, insects, capriccios of every description, encircle the arches or shafts, and sparkle upon the capitals of pillars. Even down to the reign of Henry VIII. there are two private chapels, to the left of the smaller south porch, on entrance, which are perfect gems of art.

Where a building is so diversified, as well as vast, it is difficult to be methodical; but the reader ought to know, as soon as possible, that there are here not only two sets of transepts, as at York, but that the larger transept is the longest in England, being not less than two hundred and fifty feet in length. The window of the south transept is circular, and so large as to be twenty-two feet in diameter; bestudded with ancient stained glass, now become somewhat darkened by time, and standing in immediate need of cleaning and repairing. I remember, on my first visit to this Cathedral, threading the whole of the clerestory on the south side, and coming immediately under this magnificent window, which astonished me from its size and decorations. Still, for simplicity as well as beauty of effect, the delicately ornamented lancet windows of the north transept of York Cathedral have clearly a decided preference. One wonders how these windows, both at York and at this place, escaped destruction from Cromwell’s soldiers.... The Galilee, to the left of the larger south

transept, is a most genuine and delicious specimen of Early English architecture. In this feature, York, upon comparison, is both petty and repulsive.

Wherever the eye strays or the imagination catches a point upon which it may revel in building up an ingenious hypothesis, the exterior of Lincoln Cathedral (some five hundred feet in length) is a never failing source of gratification....

Let us turn to the grand western front; and whatever be the adulterations of the component parts, let us admire its width and simplicity;—the rude carvings, or rather sculpture, commemorative of the life of the founder, St. Remigius: and although horrified by the indented windows, of the perpendicular style, let us pause again and again before we enter at the side-aisle door. All the three doors are too low; but see what a height and what a space this front occupies! It was standing on this spot, that Corio, my dear departed friend— some twenty years ago—assured me he remained almost from sunset to dawn of day, as the whole of the front was steeped in the soft silvery light of an autumnal full moon. He had seen nothing before so grand. He had felt nothing before so stirring. The planets and stars, as they rolled in their silent and glittering orbits, and in a subdued lustre, over the roof of the nave, gave peculiar zest to the grandeur of the whole scene: add to which, the awfully deepening sounds of Great Tom6 made his very soul to vibrate! Here, as that bell struck the hour of two, seemed to sit the shrouded figures of Remigius, Bloet, and Geoffrey Plantagenet,7 who, saluting each other in formal prostrations, quickly vanished at the sound “into thin air.” The cock crew; the sun rose; and with it all enchantment was at an end. Life has few purer, yet more delirious enjoyments, than this....

The reader may here, perhaps, expect something like the institution of a comparison between these two great rival Cathedrals of Lincoln and York; although he will have observed many points in common between them to have been previously settled. The preference to Lincoln is given chiefly from its minute and varied detail; while its position impresses you at first sight, with such

mingled awe and admiration, that you cannot divest yourself of this impression, on a more dispassionately critical survey of its component parts. The versed antiquary adheres to Lincoln, and would build his nest within one of the crocketted pinnacles of the western towers—that he might hence command a view of the great central tower; and, abroad of the straight Roman road running to Barton, and the glittering waters of the broad and distant Humber. But for one human being of this stamp, you would have one hundred collecting within and without the great rival at York. Its vastness, its space, its effulgence of light and breadth of effect: its imposing simplicity, by the comparative paucity of minute ornament—its lofty lantern, shining, as it were, at heaven’s gate, on the summit of the central tower: and, above all, the soul-awakening devotion kindled by a survey of its vast and matchless choir leave not a shadow of doubt behind, respecting the decided superiority of this latter edifice.

A Bibliographical, Antiquarian, and Picturesque Tour in the Northern Counties of England and in Scotland (London, 1838).

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