Moodboards - FCP Process Creative Concept Brief

CREATIVE CONCEPT

References

Fig 6 Dazed Digital, (2015). Okasian. [image] Available at: http://www.dazeddigital.com/music/article/28548/1/howokasian-is-pushing-korean-hip-hop-forward [Accessed 20 Nov. 2015].

MOODBOARD 1 Fig 1 Dolce & Gabbana, (2006). Dolce & Gabbana Ad 2006. [online image] Available at: https://www.creativeclub. co.uk/fs.aspx [Accessed 15 Nov. 2015].

Fig 2 Abercrombie & Fitch, (2012). Abercrombie & Fitch Ad 2012. [online image] Available at: http://www.cosmopolitan.com/style-beauty/fashion/a32197/abercrombie-or-gay-porn/?src=TrueAnth_COSMO_TW&utm_campaign=trueanthem&utm_content=55f6bcab04d3010c59000001&utm_medium=trueanthem&utm_source=twitter [Accessed 15 Nov. 2015].

Fig 3 Caravaggio, (1600-01), The Conversion of St. Paul [painting] From: Caravaggio, M. and Kitson, M. (1967).

The Complete Paintings of Caravaggio. New York: Abrams.

Fig 4 Guido Reni, (1616). The Martyrdom of St. Sebastian. [image] Available at: https://www.bostonathenaeum.org/ about/publications/selections-acquired-tastes/martyrdom-saint-sebastian [Accessed 15 Nov. 2015].

Fig 5 Fight Club. (1999). [film] David Fincher.

Fig 6 Nicolas Poussin, (1628-29), Poussin’s The Martyrdom of St. Erasmus [painting] From: Blunt, A. (1967). Nicolas Poussin. New York: Pantheon.

Fig 7 Zachary Quinto Network, (n.d.). Zachary Quinto: August Man. [image] Available at: http://zach-quinto.com/ photos/displayimage.php?album=746&pid=45128#top_display_media [Accessed 16 Nov. 2015].

Fig 7 YouTube, (2015). Keith Ape - 잊지마 (It G Ma) (feat. JayAllDay, Loota, Okasian & Kohh) [Official Video]. [video] Available at: https://www.youtube.com/watch?v=DPC9erC5WqU [Accessed 20 Nov. 2015].

Fig 8 Dazed Digital, (2014). FK Twiggs. [image] Available at: http://www.dazeddigital.com/artsandculture/article/20032/1/dazed-summer-2014?utm_source=Link&utm_medium=Link&utm_campaign=RSSFeed&utm_term=dazed-summer-2014&utm_reader=feedly [Accessed 20 Nov. 2015].

Fig 9 Dazed Digital Korea, (2015). Symbolic Hands. [image] Available at: http://kr.dazeddigital.com/2015/09/24/because-i-am-different/ [Accessed 20 Nov. 2015].

Fig 10 Dazed Digital Korea, (2015). Symbolic Hands. [image] Available at: http://kr.dazeddigital.com/2015/09/24/because-i-am-different/ [Accessed 20 Nov. 2015].

Fig 11 Dazed Digital Korea, (2015). Male Black and White Image. [image] Available at: http://kr.dazeddigital. com/2015/09/24/because-i-am-different/ [Accessed 20 Nov. 2015].

MOODBOARD 3 Fig 1 Lichtenstein, R. (1978). Stepping Out. [Oil and magna on canvas] From: Alloway, L. and Lichtenstein, R. (1983).

Roy Lichtenstein. New York: Abbeville Press.

Fig 2 Warhol, A. (1962), Do it Yourself (Violin). [Oil on canvas] From: Ratcliff, C. and Warhol, A. (1983). Andy Warhol.

New York: Abbeville Press.

Fig 8 Schneider, Triumph of Darkness, [painting] 1896.

Fig 3 Lichtenstein, R. (1964), White Cloud. [Oil and magna on canvas] From: Alloway, L. and Lichtenstein, R. (1983).

Roy Lichtenstein. New York: Abbeville Press.

Fig 9 Bernini, Model for the Nile. [sculpture] 1649-50. Available at: http://www.dallasartsrevue.com/art-crit/Here_ Lately/Bernini_at_the_Kimbell/Birnini-Bozetti.html [Accessed 16 Nov. 2015].

Fig 4 Lichtenstein, R. (1964), Frightened Girl. [Oil on canvas] From: Alloway, L. and Lichtenstein, R. (1983). Roy Lichtenstein. New York: Abbeville Press.

Fig 10 Caravaggio, (1602), Amor Victorious [painting] From: Caravaggio, M. and Kitson, M. (1967). The Complete Paintings of Caravaggio. New York: Abrams.

Fig 5 Hirst, D. (1987), 8 Pans. [installation] From: Gallagher, A. and Hirst, D. (2012). Damien Hirst. London: Tate Publishing.

Fig 11 Maurice. (1987). [film] James Ivory.

Fig 6 Hirst, D. (1994), Anthraquinone-1-Diazonium Chloride. [House hold gloss on canvas] From: Gallagher, A. and Hirst, D. (2012). Damien Hirst. London: Tate Publishing.

MOODBOARD 2 Fig 1 Dazed Digital, (2015). Dazed logo. [image] Available at: http://www.dazeddigital.com/photography [Accessed 20 Nov. 2015].

Fig 7 Hirst, D. (1991), Acetic Anhydride. [House hold gloss on canvas] From: Gallagher, A. and Hirst, D. (2012). Damien Hirst. London: Tate Publishing.

Fig 2 Burbridge, R. “It Came from the Sky.” Dazed & Confused Magazine. June 2011. Pg 99.

Fig 8: Hirst, D. (1986), Spot Painting. [House hold gloss on board] From: Gallagher, A. and Hirst, D. (2012). Damien Hirst. London: Tate Publishing.

Fig 3 Helios Capdevila Studio, (n.d.). Dazed & Confused font. [image] Available at: http://www.capdevila.co.uk/ work/dazedandconfused.html [Accessed 20 Nov. 2015].

Fig 9: Signac, P. (1893), The Harbour of St. Tropez – Tartanes with Flags Flying. [Oil on canvas] From: Cachin, F. and Signac, P. (1971). Paul Signac. Greenwich, Conn.: New York Graphic Society.

Fig 4 Gray, A. “What’s inside the mind of a skater/ security guard?” Dazed & Confused Magazine. July 2006. Pg 116-117

Fig 10: Seurat, G. (1883-85), Sunday Afternoon on the Ile De La Grande-Jatte. [ Oil on canvas] From: Fry, R. and Seurat, G. (1971). Seurat (2nd Ed), [London]: Phaidon Publishers; distributed by New York Graphic Society Publishers, Greenwich, Conn.

Fig 5 AnOther, (2015). Follow AnOther on Instagram. [image] Available at: http://www.anothermag.com/art-photography [Accessed 20 Nov. 2015].

Fig 11: Seurat, G. (1889), The Eiffel Tower. [Oil on canvas] From: Fry, R. and Seurat, G. (1971). Seurat (2nd Ed), [London]: Phaidon Publishers; distributed by New York Graphic Society Publishers, Greenwich, Conn.

Fig 12: Seurat, G. (1890), Trees and Boats. [Oil on canvas] From: Fry, R. and Seurat, G. (1971). Seurat (2nd Ed), [London]: Phaidon Publishers; distributed by New York Graphic Society Publishers, Greenwich, Conn.

Fig 13: Twicsy, (2012). Concrete Wall Screen Pattern, M Street, Washington D.C.. [online image] Available at: http://twicsy. com/i/33cjxc [Accessed 26 Nov. 2015].

Fig 14: Dee Zeen Magazine, (2012). Stadtmuseum Rapperswil-Jona Extention & Renovation by MLZD. [image] Available at: http://www.dezeen.com/2012/02/07/stadtmuseum-rapperswil-jona-extension-and-renovation-by-mlzd/ [Accessed 26 Nov. 2015].

Fig 15: Flickr, (2009). Lumenhaus Eclipsis System Metal Shutter by Virginia Tech. [image] Available at: https://www.flickr.com/ photos/mcdanielism/3965275648 [Accessed 26 Nov. 2015].

Fig 16 Kusama, Y. (1968), Self-Obliteration by Dots. [Performance Art] From: Hoptman, L., Kusama, Y., Tatehata, A. and Kultermann, U. (2000). Yayoi Kusama. London: Phaidon.

Fig 17 Kusama, Y. (1965), Phalli’s Field. [Installation] From: Hoptman, L., Kusama, Y., Tatehata, A. and Kultermann, U. (2000).

Yayoi Kusama. London: Phaidon.

Fig 18 Kusama, Y. (1998), Repetitive Vision. [Installation] From: Hoptman, L., Kusama, Y., Tatehata, A. and Kultermann, U. (2000). Yayoi Kusama. London: Phaidon.

Fig 19 Kusama, Y. (1959-64), Driving Image (detail). [Installation] From: Hoptman, L., Kusama, Y., Tatehata, A. and Kultermann, U. (2000). Yayoi Kusama. London: Phaidon.

MOODBOARD 4 Fig 1 Mills, N H. (2015) Waitrose Mock Up (front). [digital image].

Fig 2 Mills, N H. (2015) Waitrose Mock Up (back). [digital image].

Fig 3 Mills, N H. (2015) Aldi Mock Up (front). [digital image].

Fig 4 Mills, N H. (2015) Aldi Mock up (back). [digital image].