Capitol File - 2015 - Issue 3 - Summer - Art of the City - Maggie Michael by Niche Media Holdings, LLC

ANNIVERSARY YEAR

ART OF THE CITY

EMERGING ARTISTS AND CAPITAL CULTURE

PLUS THE NEW FRENCH AMBASSADOR FOO FIGHTERS RETURN ISLAND-INSPIRED FASHION FISH MARKET TREASURES

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NICHE MEDIA HOLDINGS, LLC

COVER ARTIST: MAGGIE MICHAEL

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FRONT RUNNER The 1974 Folklife Festival featured traditional Native American games like the blanket toss—a main event in the World Eskimo Indian Olympics.

Diverse as Folk

When ornithologist S. Dillon Ripley came to the Smithsonian as its secretary in 1964, his agenda was to liven up “very dull” museums as well as the little-used National Mall, which he called “Forest Lawn on the Potomac.” He hired impresario James Morris and folk music aficionado Ralph Rinzler who would, in Ripley’s words, “Take the instruments out of their glass cases and let them sing” at the first Folklife Festival, held on the Mall in 1967, almost 50 years ago. That Festival, a four-day event held over the Fourth of July holiday, featured musicians and artisans from around the United States, demonstrating a variety of Appalachian, Puerto Rican, African American, Native American, and ethnic European traditions. The Festival drew hundreds of thousands of visitors, praise from members of Congress, and effusive press: “Fresh air for the Nation’s Attic,” gushed The New York Times; “A ball on the Mall,” toasted The Washington Post. Although the Festival did have its doubters, the public embraced its spirit as the Smithsonian came alive. The purpose was to illustrate the diversity and beauty of long-lived traditions still practiced in many communities across the United States, but often ignored or taken for granted.

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The Festival expanded to include international artists, and visitors themselves participated—as they sang, danced, ate, and ritualized with people of many cultures. The Festival grew in popularity and size, especially in the 1976 US Bicentennial. That’s when I was hired by Rinzler to work with musicians and craftsmen from India and Pakistan. I was amazed by what seemed like a party on the Mall given by scholars, and animated by the world’s finest exemplars of the world’s cultural traditions. For decades, I helped host New Mexican weavers and New York bagel makers and thousands of others on the Mall, including the Dalai Lama, and Yo-Yo Ma playing his cello—in Bermuda shorts—along with musicians from dozens of countries along the Silk Road. After almost five decades, the Festival has not only inspired a million visitors a year, but it has also generated scholarly research resulting in scores of books and recordings, provided a model for other large-scale public presentations, and helped utilize local cultural heritage for positive civic, economic, and educational purposes around the world. This year’s Festival takes place June 24–28 and July 1–5 on the National Mall, between Third and Fourth Sts. NW, 202-633-6440; festival.si.edu. CF

photography by the SmithSonian inStitution archiveS

for almost half a century, the folklife festival has made a point of celebrating the country’s rich and varied cultural traditions, says smithsonian under secretary RichaRd uRin.

L amour Crisscut

contents

summer 2015

Summer’s sizzling resortwear is the perfect passport to islandinspired style.

// front runner

16 // letter from the editor-in-Chief

18 // letter from the publisher

20 // ... Without Whom

this issue Would not have been possible

22 // the list 55 // invited

style 28 // monumental style Canali’s new creative consultant, Andrea Pompilio, plans to step up the district’s suiting game.

30 // baCk in the saddle Equestrian-inspired accessories take charge right out of the gate this summer.

32 // style spotlight Ferragamo unveils a custom footwear program for men; CityCenterDC gets a stylish new look from Vince and Louis Vuitton; Brooks Brothers’ new tropical and nautical prints; and sunglasses come full circle for summer.

arrangement

Everything’s coming up roses for Washington women who are serious about their skincare.

36 // aqua-tiCk Swiss water-resistant timepieces provide sport and style this season.

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PhotograPhy by randall Slavin

34 // floral

A SINGLE CITY BLOCK. HIGHLY ADVANCED STYLE.

summer 2015

DC bartenders put a new spin on teatime with tea-infused cocktails.

Ambassador Gérard Araud brings a sense of finesse to DC’s politics as usual.

The Grill Room’s menu gets a sweet upgrade with the arrival of Frank Ruta and Aggie Chin.

culture

taste

41 // It’s A HArd rock LIfe

62 // cApeLLA comebAck

As Imagine Dragons embark on an epic summer tour, they share the behind-the-fame struggles that inspire their music.

Frank Ruta and Aggie Chin reunite to breathe new life into The Grill Room at the Capella.

44 // cuLture spotLIgHt Cinematic special effects ignite a new staging of Peter Pan; four outdoor movie series offer plenty of opportunities for star gazing; the world’s rarest postage stamp at the National Postal Museum; golfng for the Tiger Woods Foundation; and Once and The Book of Mormon light up The Kennedy Center.

46 // Le dIpLomAte Ambassador Gérard Araud brings charm, sophistication, and savoir faire to Washington.

50 // tInker tAILor HusbAnd wIfe

District elite William and Lynda Webster celebrate big anniversaries in love and work.

52 // A soLdIer’s best frIend The organization K9s for Warriors is changing wounded veterans’ lives, one dog at a time.

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64 // A renAIssAnce on tHe wAter

Years ago a foodie destination, the Georgetown dining scene sees rebirth.

66 // teA pArty tIppLes This summer, tea gets an extra kick with infusion cocktails.

68 // tAste spotLIgHt Nick Stefanelli debuts a new Italian concept; David Guas’s new grill guide; a roundup of dog-friendly happy hours; and Pennsylvania 6 and Mastro’s Steakhouse hone the art of American regional cuisine.

PhotograPhy by Conor Doherty (ambassaDor arauD); Jonathan timmes (Dessert, CoCktail)

contents

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contents

summer 2015

With her series of abstract paintings, Maggie Michael finds bold, powerful ways to organize the world around her.

features 70 // Fresh expression Maggie Michael is making a name for herself locally and nationwide with her original approach to abstract art. By Kriston Capps Photography by Shane McCauley

76 // sonic boom To celebrate their 20th anniversary, The Foo Fighters roll into RFK Stadium on the Fourth of July with an all-star roster of guests. For the band, it’s a milestone, and for Dave Grohl, it’s a homecoming. By Deborah L. Martin

80 // paradise Found

88 // big Fish The shuckers, anglers, trawlers, and vendors of Main Avenue Fish Market have become an essential part of DC’s landscape. By Amy Moeller Photography by Melissa Golden

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photography by Shane Mccauley

Inspired by the Caribbean getaway Baha Mar, Washington women are embracing the heat this summer with tropical prints and fowing silhouettes. Photography by Randall Slavin

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contents

summer 2015

haute property 97 // THE NEw NEuTRal Forgoing typical pops of color, a Potomac home gets prepped for summer with sophisticated splashes of fresh pattern and modern texture.

100 // alfREsCO upgRadEs Local experts discuss how outdoor sanctuaries provide owners with peace of mind—and a smart investment.

104 // wEll away Three retreats provide the perfect respite from the din of the District.

FreeLy SpeaKING 112 // aN aRTful TuRNaROuNd

104

Deerfield Health Retreat and Spa in the Poconos offers a quick getaway from DC.

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ON THE COVER:

Colored Ground Series (Orange): How to Make (Frame) a Black Rainbow by Maggie Michael, 2014, courtesy of the artist

photography courtesy of DeerfielD spa

DC’s vibrant cultural scene is inspiring a new generation of art lovers.

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elizaBeth e. thorP Editor-in-Chief Managing Editor oussaMa zahr Art Director allison FleMinG Photo Editor reBecca sahn Associate Editor aMy Moeller Senior Fashion Editor Faye Power Copy Editor Johanna Mattsson Research Editor Karen Mccree

suzy JacoBs Publisher Associate Publisher Meredith Merrill Account Executive Fendy Mesy Director of Event Marketing laura Mullen Event Marketing Coordinator Blair GottFried Sales Assistant erin Gleason

NICHE MEDIA HOLDINGS, LLC Senior Vice President and Editorial Director Mandi norwood Vice President of Creative and Fashion ann sonG Creative Director nicole a. wolFson nadBoy Executive Fashion Director saMantha yanKs ART AND pHOTO

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Associate Fashion Editor casey trudeau Assistant Fashion Editors connor childers, lisa Ferrandino Entertainment and Bookings Editor Juliet izon COpY AND RESEARCH

Copy and Research Manager wendie PecharsKy Copy Editors david Fairhurst, Julia steiner Research Editors leslie alexander, JaMes Buss, Judy deyounG, ava williaMs EDITORIAL OpERATIONS

Director of Editorial Operations deBorah l. Martin Director of Editorial Relations Matthew stewart Executive Editorial Assistant christina cleMente Online Executive Editor caitlin rohan Online Editors anna Ben yehuda, tricia carr Online Editorial Assistant catherine ParK Senior Managing Editors danine alati, Karen rose, Jill sieracKi Managing Editors JenniFer deMeritt, Murat oztasKin Shelter and Design Editor sue hostetler Timepiece Editor roBerta naas

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Account Directors susan aBraMs, Michele addison, claire carlin, Michelle chala, Kathleen FleMinG, victoria henry, Karen levine, norMa Montalvo, devon Moore, JeFFrey nicholson, shannon PastuszaK, Mia Pierre-Jacques, valerie roBles, JiM sMith, Jessica zivKovitch Account Executives susana araGon, lauren BroGna, MorGan cliFFord, Janelle driscoll, vince durocher, JaMie Fox, irena hall, saMantha harris, sarah hecKler, catherine Kuchar, Julia Mazur, riley o’neill, Mary rueGG, erin salins, JacKie van Meter Sales Support and Development eMMa BehrinGer, ana BlaGoJevic, Kristine Guevarra, dara hirsh, eMery holton, Kara Kearns, Michelle Mass, nichole Maurer, rue McBride, elizaBeth Mitchell, stePhen ostrowsKi, Michelle Petrillo, alexandra winter MARKETING, pROMOTIONS, AND pubLIC RELATIONS

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EDITORS-IN-CHIEF

J.P. anderson (Michigan Avenue), sPencer BecK (Los Angeles Confidential), andrea Bennett (Vegas), Kathy BlacKwell (Austin Way), Kristin detterline (Philadelphia Style), lisa PierPont (Boston Common), catherine saBino (Gotham), Jared shaPiro (Ocean Drive), daMien williaMson (Executive Editor, Aspen Peak), saMantha yanKs (Hamptons) pubLISHERS

John M. colaBelli (Philadelphia Style), louis F. delone (Austin Way), dawn duBois (Gotham), alexandra halPerin (Aspen Peak), deBra halPert (Hamptons), Glen Kelley (Boston Common), courtland lantaFF (Ocean Drive), alison Miller (Los Angeles Confidential), dan uslan (Michigan Avenue), JoseF vann (Vegas)

Managing Partner Jane Gale Chairman and Director of Photography JeFF Gale Chief Operating Officer Maria Blondeaux Senior Vice President and Chief Financial Officer John P. Kushnir Chief Executive Officer Katherine nicholls Copyright 2015 by Niche Media Holdings, LLC. All rights reserved. Capitol File magazine is published six times per year. Reproduction without permission of the publisher is prohibited. The publisher and editors are not responsible for unsolicited material and it will be treated as unconditionally assigned for publication subject to Capitol File magazine’s right to edit. Return postage must accompany all manuscripts, photographs, and drawings. To order a subscription, please call 866-891-3144. For customer service, please inquire at capitolfile@pubservice.com. To distribute Capitol File at your business, please e-mail magazinerequest@nichemedia.net. Capitol File magazine is published by Niche Media Holdings, LLC., a division of Greengale Publishing, LLC. 1301 Pennsylvania Avenue NW, Suite 925, Washington, DC 20004 T: 202-293-8025 F: 202-293-8022 niche m edia holdings: 711 Third Avenue, Suite 501, New York, NY 10017 T: 646-835-5200 F: 212-780-0003

cap itol file:

C103051

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I M AG I N E EN J OY I N G THE HOME BUYING AND

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With President Obama, The Blacklist’s Megan Boone, and the First Lady at the White House Correspondents’ Association Dinner; with Vice President Biden, a longtime advocate for victims of domestic abuse, and his daughter in law Kathleen Biden at The DC Volunteer Lawyers Project’s “Voices Against Violence” event.

With Cecily Strong at Capitol File’s WHCA welcome reception at the British Embassy.

ExhalE. We just finished our spring sprint, including our White House Correspondents’ Association dinner weekend. A 48-hour dash that included 10 events, five dresses, three babysitters, two makeup artists, a VIP meet and greet with President Obama and the First Lady, one lost mobile phone, and several bottles of Veuve later, I can breathe. Speaking of France’s finest exports, I had the great honor to interview Ambassador Gérard Araud, head political envoy from France to the United States. He is a diplomatic breath of fresh air—outspoken, smart, insightful, and unfiltered. Read more about Ambassador Araud on page 46. Back to White House Correspondents’ weekend: Capitol File hosted our second WHCA welcome reception with British Ambassador and Lady Westmacott at their private residence. Our cohost was our recent cover star, Saturday Night Live favorite, and host of the 2015 WHCA dinner, Cecily Strong. Our VIP guests included Valerie Jarrett, Secretary of Defense Ash Carter, SNL producer Lorne Michaels, NBC’s Andrea Mitchell, and The Walking Dead’s Norman Reedus and Lauren Cohan. All had a bloody smashing time! I’m excited to put my swollen feet up and enjoy

the slower pace of summer—relishing meals alfresco, getting crabs at the fish market at the Wharf (see our feature on the historic fish market on page 88), and attending baseball games at Nats Stadium. In the spirit of this special Arts issue, when it’s too hot outside, I’ll visit my favorite museums in Washington: the Sackler, the National Museum of Women in the Arts, and the National Portrait Gallery. I will definitely be visiting the studio of Maggie Michael, our brilliantly talented cover artist, who earned her Master of Fine Arts from American University in 2002 and has called Washington her home ever since. We are all obsessed with her abstract but relatable use of color. Read more about Michael’s artistic vision and the burgeoning DC art scene on page 70. Cheers to summer!

elizabeth e . thorp

Follow me on Twitter at @elizabethethorp and on capitolfile-magazine.com

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Letter from the editor-in-Chief

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LETTER from the Publisher

// this issue //

ON MY RADAR

FROM LEFT: With Mulberry’s Johanan Merino and Washington

Nationals wives Heather Zimmerman, Erica May Scherzer, and Erika Williams. INSET: With Kelley Paul and her husband, Senator Rand Paul, at Eno Wine Bar celebrating the release of her new book.

A DECADE AGO, I had two small children, and my husband and I were working full-time. Weekends in Washington were just the thing to tire out our kids, and our favorite destination was the National Zoo. I would push the stroller up that monstrous hill to get my exercise in for the day, the kids got some fresh air, and we all got to enjoy visiting exotic animals. Tai Shan, the new panda cub, was born that year, and he captivated DC. Watching him bond with his momma and hit his milestones was magical. My kids are older now and our lives are full of lacrosse and basketball practice, school, and other teenage busyness. We do not spend as much of our free time at the zoo or the other wonderful Smithsonian museums. But this summer, I have made it a goal to make it to at least one part of the Smithsonian once per month—to reconnect with the

magic we found there with our young children, who were just beginning to discover the world and its mysteries. And we are also branching out to discover the performing arts around the city. The Capital Fringe Festival is celebrating 10 years of bringing together DC’s creative community. The Festival begins July 9 and will run through August 2. With 129 groups performing at locations throughout the city, there will surely be something for everyone. As we continue to celebrate our 10th anniversary year at Capitol File, how will you reconnect to the magic in the world around you? Join me in exploring the world residing in our backyard!

SUZY JACOBS PUBLISH ER

Follow me on Twitter at @suzyjacobsdc and visit capitolfile-magazine.com

CAPITOLFILE-MAGAZINE.COM

3 This summer in the city I cannot wait to enjoy... 1. Mastro’s Steakhouse just opened right up the street from the Capitol File ofﬁce, and we cannot get enough of the seafood. 2. Chamber Dance Project kicks off its 2015 season June 24. Having never seen them, I am so looking forward to experiencing something new in the city! 3. The exhibition “In the Light of the Past: Celebrating 25 Years of Photography” at the National Gallery of Art (May 3–July 26) honors the gallery’s commitment to the art of photography.

PHOTOGRAPHY BY ASICOPHOTO/JOY ASICO (MERINO); PAUL MORIGI/GETTY IMAGES FOR CAPITOL FILE MAGAZINE (PAUL); COURTESY OF MASTRO’S (FOOD); PAUL WEGNER (DANCER); COURTESY OF NATIONAL GALLERY OF ART, WASHINGTON (FORT PECK DAM, MONTANA)

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Kriston Capps writer Kriston Capps is a critic and reporter. He is a staff writer for CityLab, where he writes about housing and other urban topics. He worked previously as a senior editor for Architect magazine. His essays and reporting have appeared in The Atlantic, New York Magazine, The Washington Post, Artforum, Slate, and other publications, and he reviews art for the Washington City Paper. Capps divides his weekends between smoking barbecue and visiting art galleries. He is an eighth-generation Texan, but he hangs his hat in Washington, DC. He wrote this issue’s cover story about DC-based painter Maggie Michael (page 70). Summer in DC wouldn’t be complete without… Cycling between the National Mall and the local biergarten. District dining: Fish tacos at the Argonaut or anything that Thai X-ing is serving. Favorite DC destination: It’s a tie: permanent galleries at the Phillips Collection or the bar at the Black Cat. His inspiration: Every article written by my friends in journalism. Favorite artist right now: Sam Gilliam. Best thing about writing this story: Visiting a new space I’d walked past and never given a second thought. Most diffcult thing about writing this story: Letting go and handing it over to my patient editor.

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// summer 2015

Jonathan tiMMes

Melissa Golden

riChard Kurin

photographer

writer

Based in DC’s historic Georgetown neighborhood, Jonathan Timmes specializes in portrait, food and beverage, music, and sport photography for clients ranging from Sports Illustrated to The Washington Post Magazine. He likes to laugh on set and inspire the creative risktaking process. For this issue, he photographed “Capella Comeback” (page 62).

As an editorial photographer, Melissa Golden spends her days bending the laws of light, space, and time. She shoots the kinds of things you’re not supposed to talk about at the dinner table, like politics, religion, and money. She shot our feature on the Maine Avenue Fish Market (page 88).

Richard Kurin is the Smithsonian Institution’s under secretary for history, art, and culture. He oversees most of the organization’s museums and several of its research and outreach programs. Previously, he was director of the Smithsonian’s Center for Folklife and Cultural Heritage. Kurin has received numerous awards for his work and written several books, including his most recent, The Smithsonian’s History of America in 101 Objects. He wrote this issue’s Front Runner (page 4) about the Smithsonian’s Folklife Festival.

Behind the shoot: The restaurant had to prepare for a last-minute VIP party, so the shoot involved a little improvisation and a lot of collaboration. Summer in DC wouldn’t be complete without… Catching a game at Nats Park—hands down! Favorite DC destination: It’s hard to call the Holocaust Museum “my favorite destination,” but it’s possibly the most powerful and important experience the city offers. Favorite meal in DC: Anything and everything culturally authentic. I love the diversity of the DC food scene. His inspiration: Passion, culture, and honesty. Dream shoot: I’d love to make a portrait of the Dalai Lama. What do you do when not photographing for Capitol File? I’m a dad. I may even be good at it.

Behind the shoot: I watched a crawfsh make a daring escape. After managing to get out of the tub brimming with his compatriots, he crawled across ice and squid, made it to the edge, and threw himself over. He landed on his back on the deck. After a few seconds, he began to rock side-to-side, gaining enough momentum to roll over the edge and into the river, where I can only imagine he’s living happily to this day. Summer in DC wouldn’t be complete without... A rooftop pool for escaping the mosquitoes and tourists. Favorite DC destination: The Library of Congress is a magical place. Favorite meal in DC: Not in DC proper, but lunch at the Eden Center is always spot-on. Her inspiration: I took all the “Choose Your Own Adventure” books I read as a kid to heart. Dream shoot: An animal sanctuary for slow lorises.

Summer in DC wouldn’t be complete without… The Folklife Festival! (What else?) A memorable moment at the festival: The procession of 25,000 Native people for the opening of the American Indian museum in 2004. Favorite meal in DC: José Andrés’s tapas at Zaytinya. Favorite DC destination: The National Mall. His inspiration: My family, Smithsonian colleagues, and artists from around the world. Most diffcult thing about writing this story: Limiting myself to only a few capsule descriptions of great events over the decades.

photography by Eli MEir Kaplan/WondErful MachinE for architEct (capps)

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the list summer 2015

Jon Chocklett

Beau Biden

Michael Hickey

Michael Katigbak

Misty Copeland

Iman Butler

Lindsay Reishman

Gregg Pitts

Susan Fisher Sterling

Lizzie Edgeworth Cantacuzene

Dmitri Chekaldin

Jenny Bilfield

Olivier Valette

Max Scherzer

Johanan Merino

Michelle Giannini

Hillary Clinton

Damian Ruth

Megan Eichenberg

Kate Fralin

Maureen Dwyer

Jeremy Bernard

Gizem White

Lauren Fisher

Dara McLeod

Brooklyn Mack

Jennifer Sergent

Jeb Bush

Eunice Garcia

Ryan Zagata

Jake Lefebure

Ilya Alter

Denise Nguyen

Caroline Adler

Joe Lockhart

David Carmona

Megan Montenaro

Erica Scherzer

Brian McNair

Mathilde Thomas

Johnny So

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A Forgotten Mansion Becomes a Dazzling Hotel The Ivy Hotel, Baltimore By Erin Garrett-Metz

n the corner of Biddle and Calvert Streets, in Baltimore’s historic

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was languishing.

glamour, all brought into being by local artists and craftspeople.

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STYLE Tastemaker Designer Andrea Pompilio brings hisbrings inventive Pompilio his approach approach to menswear inventive classics to Canali. to menswear classics to Canali.

Monumental Style

As CAnAli Arrives At CityCenterDC, the tAiloring titAn’s new CreAtive ConsultAnt, AndreA PomPilio, plAns to step up the DistriCt’s suiting gAme. by lauren bernstein

In a city full of three-button suits and microprint ties, every man’s outfit is his calling card, and the men of Capitol Hill are getting a well-tailored leg up with the opening of Italian menswear boutique Canali at CityCenterDC. For more than 80 years, the name Canali has been synonymous with impeccable Italian craftsmanship, luxury fabrics, and, most of all, a unique custom tailoring experience. But newly tapped creative consultant Andrea Pompilio is pushing the envelope for the historic brand with his penchant for patterns and inventive takes on classic pieces that are so adored by fans of his eponymous label, which he launched in 2010. Pompilio’s Canali represents “a unique intersection between heritage and innovation,” he says. “It’s the art of tailoring intertwined flawlessly with an aesthetic that reacts and caters for today’s lifestyle.” In the District, that lifestyle may lean towards conservative attire, but the designer’s cuttingedge creativity is impressively wearable. “DC is full of discerning clients,” says Pompilio, “gentlemen looking for elegant and understated

photography courtesy of canali

continued on page 28

capitolfile-magazine.com 27

STYLE Tastemaker

clockwise from above: Canali’s store entrance on I Street NW; the brand’s calfskin macro zip bag ($2,970); a look from Andrea Pompilio’s Spring/Summer 2015 collection for Canali.

ways of expressing themselves through exquisite tailoring and premium quality garments.” Pompilio’s personal favorite from the Spring 2015 collection is a vibrant tangerine nubuck car coat, but for those who prefer the understated in their everyday expressions, the designer recommends a well-chosen pocket square—“never matched to the tie!”—or a colorful pair of socks. Ultimately, Pompilio’s goal when designing for the modern

28 capitolfile-magazine.com

man, he says, is “to create versatile and interchangeable pieces that combine craftsmanship, comfort, performance, and elegance.” Such versatility is exactly what Washingtonians will find at the 1,600-square-foot boutique, which is divided into two spaces—each dedicated to different aspects of the Canali collections, from formal attire to premium sportswear and accessories. The brand’s emphasis on all things Italian—the company

regards the phrase “Made in Italy” as more of a mantra than a label in a T-shirt—is appropriately reflected in the store’s interior design, from imported marble and precious timbers to backlit etched glass panels featuring the signature Canali texture, adding a sense of modernity and lightness to the space. The boutique is certainly a jewel in CityCenterDC’s crown, alongside such forthcoming high-end heavy hitters as Dior, Hermès, David Yurman, and Louis Vuitton.

But when it comes to attention to detail, Canali distinguishes itself with its made-to-measure tailoring experience, Su Misura. It begins with a thorough consultation with a Master Tailor focused on the client’s tastes and needs, followed by a fitting that hits upon the cuts and shapes that best suit the client’s posture and lifestyle. Clients then choose from a selection of 500-plus fabrics and any number of finishes, from buttons to belt loops. The

result: a one-of-a-kind suit complete with each customer’s name embroidered on the label. Such a commitment to distinctive tailoring has always been at the core of the Canali brand, and is a passion Pompilio shares. “Canali and Andrea Pompilio have many things in common, from a love of fine handcraft and detail to a determination to achieve extraordinary quality,” he says. “It’s any designer’s dream.” 978 I St. NW; 202-545-6579; canali.com CF

photography courtesy of canali

“DC is full of DisCerning Clients—gentlemen looking for elegant anD unDerstateD ways of expressing themselves.” —andrea pompilio

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Back in the Saddle

EquEstrian-inspirEd accEssoriEs takE chargE right out of thE gatE this summEr. photography by jeff crawford styling by faye power

30 capitolfile-magazine.com

Dapper Dressage Crisp, romantic whites balance out bold browns. Blouse, Chanel ($7,300). Tysons Galleria, 703-8470555; chanel.com. Breeches ($990) and crop ($475), Hermès. Tysons Corner at Fairfax Square, 703-5064546; hermes.com. Alare belt, Max Mara ($335). Tysons Galleria, 703-5566962; maxmara.com. Boots, Marc Jacobs ($1,290). marcjacobs.com. Helmet, stylist’s own

ProP styling by ElizabEth osbornE for hallEy rEsourcEs hair and MakEuP by JEssi buttErfiEld for ExclusivE artists MgMt using chanEl and altErna hair carE ModEl: carME b for ElitE nyc

STYLE Accessories

A Bit of Hardware

Strapped In

Sleek metals provide a cool contrast with supple suedes.

Rich saddle browns complement sleek silhouettes this season.

Model: Valery Lessard for Parts Models

Buckle Up

Cavalier Classics

Simple, luxurious staples are a summer standout.

Modern accents add a competitive edge.

1. Intreccio metal knot clutch, Bottega Veneta ($3,480). Tysons Galleria, 703-442-3138; bottegaveneta.com. Faye medium shoulder bag, Chloé ($1,950). Neiman Marcus, Mazza Gallerie, 202-966-9700; neiman marcus.com. 2. Horsebit bracelet in aged silver and gold, Gucci ($2,150). The Collection at Chevy Chase, 301-986-8902; gucci.com. H Hour watch, Hermès ($2,725). CityCenterDC, 202-789-4341; hermes.com. Lexington graphic sandal, Paul Andrew ($795). Saks Fifth Avenue, 5555 Wisconsin Ave., 301-657-9000; saks.com. 3. High-heel bootie, Gucci ($1,100). see above. 4. Globe Box bag, Valentino Garavani ($2,195). Saks Fifth Avenue, see above

capitolfile-magazine.com 31

Style Spotlight debut

LittLe Luxuries

Drive It Home

need it now

district men step out in style with FERRAGAMO’s custom drivers. In homage to artisanal craftsmanship, Salvatore Ferragamo debuts the MTO (made-to-order) Driver customization program, which allows each customer to personalize the house’s signature men’s shoe to his tastes. Blending the look of Ferragamo’s classic moccasin with a driving shoe, the Driver is available in over 100 permutations, with upper body colors ranging from classic black to flame red, and sole colors such as navy and cherry. Customers can also choose personalized lettering. Each pair is finished with the brand’s iconic Gancio hardware—symbolizing the wrought iron of the Florentine Palazzo Spini Feroni—available in polished gold, brushed palladio, metallic blue, or graphite. It’s the perfect addition to the worldly gentleman’s wardrobe. 1001 H St. NW, 202-289-6610; driver.ferragamo.com cf

// on trend //

full circle

Steven Alan ($195). Steven Alan, 3319 Cady’s Alley NW, 202-333-0250; stevenalan.com

CAPiTolFilE-MAGAziNE.CoM

CityCenterDC is upping its style game with Louis Vuitton’s new location, offering Washington’s most fashionable shoppers leather goods from Nicolas Ghesquière’s Pre-Fall collection as well as handbags, footwear, and travel pieces. Heavily infuenced by the 1970s, the accessories range from the edgy feel of the Charlotte fat boot to the feminine appeal of a gold metallic ankle strap sandal with a foral pattern. Customers can also expect to see key pieces such as the women’s Petite Malle in bordeaux leather and the new Christopher PM Epi leather noir backpack for men—the perfect adornments for the season’s style scene. The new accessories shop, which opens in August, offers personalization services including monogramming and hot stamping to customize guests’ favorite pieces. 943 Palmer Alley NW; louisvuitton.com

Downtown ChiC

Vince is bringing its cool, effortless style to downtown DC. Fans of the label’s modern aesthetic will be able to shop the frst Pre-Fall collection from Natalie Ratabesi, the brand’s newly appointed creative director of women’s design. Work-appropriate pieces are a major focus for the CityCenterDC location, providing the most seamless way to bring any offce dweller from desk to dinner. 1093 Palmer Alley NW, 202-730-0157; vince.com

tropiCaL triumph

Classic American clothier Brooks Brothers is teaming up with pattern expert Reyn Spooner to create an island-inspired line for men, women, and children. The collection fuses Brooks Brothers’ refned style with Spooner’s whimsical reverse-print fabrics for a relaxed yet put-together look that is perfect for summer. 1201 Connecticut Ave. NW, 202-659-4650; brooksbrothers.com

Petite Malle in bordeaux leather and monogram canvas, Louis Vuitton ($5,200).

Make a throwback statement with round, ’70s-inspired sunglasses.

Oxydo ($98). Solstice Sunglasses, Tysons Corner, 703-918-0391; solsticesunglasses.com

Etnia Barcelona ($345). Klessman & Rosenblatt, 1800 K St. NW, 202-331-7566; etniabarcelona.com

Gucci ($395). The Collection at Chevy Chase, 301-986-8902; gucci.com

Fendi ($395). Solstice Sunglasses, Tysons Corner, 703-918-0391; solsticesunglasses.com

2 - TO 4 - B E D RO O M RE S I D E N C E S D E S I G N E D B Y D E B O RA H B E RK E PA RT N E R S

C O N C I E RG E A N D A M E N I T Y S E RV I C E S B Y A B I G A I L M I C H A E L S C O N C I E RG E

3 . 3 AC RE S O F L U S H LY- L AN D S CAP E D G RO U N D S B Y M I C H A E L V E RGA S O N L AN D S CAP E ARC H I T E C T S

S A L E S C O M M E N C E FA L L 2 0 1 5

STYLE You, Even Better With its relaxation lounge and extensive menu of body and facial treatments, the spa at the Four Seasons is the perfect place to cleanse, hydrate, and rejuvenate; Moroccanoil’s Fleur de Rose collection offers a complete skincare regimen; Carmen Tal, cofounder of Moroccanoil.

Floral Arrangement

EvErything’s coming up rosEs for washington womEn who arE sErious about thEir skincarE. by matt stewart

“consumers are looking for integrity and high performance.” —carmen tal

34 capitolfile-magazine.com

In the past, skincare treatments and appointments with trained aestheticians were considered by many women to be only for special occasions. But today the axiom “an ounce of prevention is worth a pound of cure” is taken to heart. The fact that women are much savvier about doing right by their derma is reflected in global skincare sales, which are expected to reach $121 billion by 2016. In a marketplace full of products and promises, there are many misconceptions about skincare. “Many women start to take skincare seriously when it is too late,” says Julia Boeminghaus, spa manager at the Four Seasons Washington. “They need to begin no later than their mid- to late-20s. The most important elements of good skincare are to cleanse, exfoliate, and hydrate. Especially here in Washington because we have cold winters and hot summers, so in each season the skin can be put under stress.” The demand for innovative products, quality ingredients, and measurable results is key for women investing both their time and money into skincare. Since bursting onto the beauty scene in 2006 with a single hair treatment, Moroccanoil has built a loyal following

worldwide. The recently released Fleur de Rose collection is Moroccanoil’s second foray into luxury skincare (the first was Originale) and is composed of six products—a rich body soufflé; a hydrating body butter; a body buff that exfoliates and moisturizes with argan oil; an “on the go” hand lotion; and a gentle cleansing bar. Together, they provide women with a complete skincare regimen. “Today, consumers are more knowledgeable about ingredients than ever before,” says Carmen Tal, Moroccanoil’s cofounder. “They are looking for integrity and high performance. Our formulas consist of the finest quality ingredients available [and] offer a complete regimen to help exfoliate, cleanse, and hydrate. I believe those three steps are so important in creating beautiful skin.” Fleur de Rose is also one of Moroccanoil’s most personal offerings due to Tal’s love of rose. “I worked with a talented aromatherapist who was extremely knowledgeable about essential oils and fragrances,” Tal shares. “When I told her what I was looking for, she knew exactly where to go with it. We came to realize that it was the damask rose scent that really captured me. Our product development and R & D teams then worked for several years to develop and perfect the collection.” According to Boeminghaus, the collection is already a hit at the Four Seasons. “Rose is a very popular scent right now, though getting it just right is a big challenge,” she says. “At the Four Seasons, we have a strong Middle Eastern clientele who loves rose. This will go over very well with women who like the soft, rich aroma of an exotic summer garden.” Moroccanoil Fleur de Rose is available at Four Seasons Hotel Spa. 2800 Pennsylvania Ave., 202-342-0444; moroccanoil.com cf

photography by Michael Kleinberg (Spa); courteSy of Moroccanoil (fleur de roSe, tal)

clockwise from top:

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STYLE Time Honored

AquA-Tick

Summer in DC means time on the water and a rising tide of sports with splash. Whether you’re at the helm of a sailboat, diving for sunken treasure, or body surfing along the shore, today’s watch brands are ready to go as deep as you want. Each piece offers water-resistance plus additional features such as helium release valves to allow it to remain submerged for greater lengths of time. These pieces can weather the sea, salt, and sand with gusto while still looking good on the wrist, making them a functional and fashionable style statement. CF For more watch features and expanded coverage, go to capitolfile-magazine.com/watches.

36 capitolfile-magazine.com

clockwise from top: From Hermès, this Clipper Sport watch ($4,625) is crafted in titanium and steel with a blue rubber strap. It is powered by a mechanical self-winding movement and is water-resistant to 100 meters. Hermès at CityCenterDC, 944 Palmer Alley NW, 202-789-4341; hermes.com

Cartier’s Calibre de Cartier Diver watch ($8,950) is crafted in stainless steel with an ADLC (amorphous diamond-like carbon)

coating and a black rubber strap. It houses the self-winding manufacture caliber 1904 MC and is water-resistant to 300 meters. Cartier, The Collection at Chevy Chase, 5471 Wisconsin Ave., Chevy Chase, 301-654-5858; cartier.us From Bulova, this Sea King Limited Edition watch ($1,595) is crafted in titanium and is powered by an automatic movement. The watch has a helium release valve and is water-resistant to 1,000 meters. It is created in a

numbered edition of 500 pieces and is accompanied by a certificate of authenticity. Henry’s Jewelers, 1760 Columbia Road, 202-986-0635; bulova.com Inspired by a watch from 1928, the Hamilton Khaki Navy Sub Auto chrono ($1,995) is crafted in stainless steel and powered by an automatic movement. The 43mm watch is water-resistant to 300 meters. Secrète Jewelry, 1607 Connecticut Ave. NW, 202-588-7275; shop.hamilton.com

This Omega Seamaster Ploprof watch ($9,450) is crafted in stainless steel and houses the Omega Co-Axial movement. The watch is a COSC-certified chronometer with a helium escape valve and antireflective treatment on both sides of the sapphire for easy underwater reading. It is water-resistant to 1,200 meters. Omega Boutique at Tysons Galleria, 2001 International Dr., 571-633-9710; omegawatches.com

Styling by terry lewiS

washington is awash in the latest swiss water-resistant timepieces that provide both sport and style this season. by roberta naas photography by jeff crawford

Photography’s Finest in the Nation’s Capital The Memory of Time Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund Through September 13 Vera Lutter, Ca’ del Duca Sforza, Venice II: January 13 – 14, 2008, 2008, three gelatin silver paper negatives, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund. © Vera Lutter, Courtesy Gagosian Gallery, New York

American Moments Photographs from The Phillips Collection June 6 – September 13

In Light of the Past Twenty-Five Years of Photography at the National Gallery of Art

The exhibition is presented by Altria. Generous support is provided by the Share Fund. Esther Bubley, General Service Department, 30 Rockefeller Plaza, New York City, c. 1950s, gelatin silver print, Gift of Cam and Wanda Garner, 2012, The Phillips Collection, Washington, DC. © Standard Oil (New Jersey) Collection, Photographic Archives, University of Louisville

Through July 26 Organized by the National Gallery of Art Made possible through the generous support of the Trellis Fund Roger Fenton, Fruit and Flowers, 1860, albumen print, National Gallery of Art, Washington, Paul Mellon Fund

National Gallery of Art Members enjoy free unlimited admission and discounts 1600 21st Street NW Tuesday – Saturday 10 – 5, Sunday noon – 7, Thursday extended hours 5 – 8:30, closed Mondays Phone 202.387.2151 www.phillipscollection.org

Admission is always free On the National Mall at Sixth Street and Constitution Avenue NW Monday – Saturday 10 – 5, Sunday 11 – 6 Phone 202.737.4215 www.nga.gov

Spend your day in style at the Quicken Loans National The Quicken Loans National, the DMV’s PGA TOUR event, is moving to Robert Trent Jones Golf Club this summer, July 28 – August 2. Not only will this year’s event feature Tiger Woods, Rickie Fowler, Justin Rose and the world’s best golfers, it will be a summertime escape unlike any event in town. Not sure how to spend your day at the 2015 Quicken Loans National? Don’t worry, we have you covered.

BEFORE THE TOURNAMENT Buy your ticket! Visit QLNational.com for ticket information.

9:00 AM Arrive at Robert Trent Jones Golf Club in Prince William County, Virginia. Need parking? Purchase your spot at Jiffy Lube Live in advance and save!

9:17 AM Grab a coffee at a concession stand and catch the early round action at the frst tee.

11:26 AM Time for brunch, right? Order a Bloody Mary at the GREY GOOSE Lounge located on No. 18.

12:14 PM Getting hungry? Enjoy incredible food from Ruth’s Chris Steak House or any number of menu options around the course.

12:38 PM Keep the fun going in your private Cabana as you play tailgate style games at The Lawn, the social scene spot of the Quicken Loans National.

2:04 PM Cool off with a drink and indoor seating to watch hole-in-one attempts on the 19th hole and live coverage of the $1 million 16th hole at the Quicken Loans Hole-in-One House.

3:01 PM Catch groups fnish their rounds while sitting alongside the beautiful Lake Manassas adjacent to No. 18.

3:37 PM Head to the Summer Music Stage at the Main Entrance for live music and happy-hour fun to close out your day at the Quicken Loans National!

BE A PART OF THE SCENE AT THIS YEAR’S QUICKEN LOANS NATIONAL VISIT QLNATIONAL.COM FOR TICKET INFORMATION

Today’s video games are changing the way students learn Video games are providing future innovators with the critical STEM skills they need to succeed in today’s technology-driven workforce and bolster our country’s competitiveness. The Entertainment Software Association proudly uses games and game design to engage students on STEM subjects through programs including the National STEM Video Game Challenge and the ESA LOFT Innovation Fellowship. To learn more about these programs and how video games are enhancing education, go to www.theESA.com.

CULTURE Hottest Ticket Imagine Dragons rocketed to stardom with the single “Radioactive,” and are looking to consolidate their success with a new album.

photography by Jeff gale

It’s a Hard Rock Life

As ImagIne Dragons embArk on An epic summer tour, including A stop At the verizon center, the bAnd shAres the behind-the-fAme struggles thAt inspire their music. by lisa pierpont

Imagine Dragons are no strangers to the unexpected. The band—guitarist Wayne “Wing” Sermon, bassist Ben McKee, drummer Daniel Platzman, and lead singer Dan Reynolds—did not plan to win a Grammy in 2014 or sell 2.5 million copies of their first album, night Visions. And they certainly never predicted they would make history performing

a live song in a Target-sponsored commercial break during the Grammys, either. (The production involved a 360-degree screen, LED jewelry, helicopter shots, and 22 cameras.) “It’s been one surprise after another,” says Sermon of their journey thus far. So when the musician says that the Smoke + Mirrors summer tour (also the name of their continued on page 42

capitolfile-magazine.com 41

CULtURe hottest ticket Best in show The not-to-be-missed events we’re circling on our calendars.

taylor SwiFt playS natS par

Bandmates Daniel Platzman, Wayne Sermon, Dan Reynolds, and Ben McKee play 39 cities in 58 days as part of their Smoke + Mirrors summer tour.

“For our touriNg CreW, We baSiCally Stole the beSt SouNd eNgiNeerS aNd teChS From the 9:30 Club iN dC. NoW they are helpiNg uS CoNquer StageS all oVer the World.” —wayne sermon chart-topping sophomore album) will boast “things that have never been done before,” you better believe it. He can’t go into detail—trade secrets and all—but says there will be more lights (“Hundreds!”), speakers, and galactic visual effects on July 6 at DC’s Verizon Center—a tour stop that has them particularly excited. “DC is great. Our favorite thing about it is the people though,” McKee says. “Our core touring crew is built around three Washingtonians. We basically stole the best sound engineers and techs from the 9:30 Club, and now Scott, Jared, and Erik are out on the road helping us to conquer stages all over the world. I know they’re excited to get back home for a show.” “Band life may seem glamorous—and it is, sometimes—but we sure didn’t start out that way,” says Sermon, who cofounded the band just six years ago with Reynolds in Las Vegas. Before that, he was studying at Boston’s Berklee

42 capitolfile-magazine.com

College of Music, where he met McKee. “He was the guy in the front row asking all of the questions,” Sermon says. “I was the one in the back row being quiet.” The pair took to practicing together, along with fellow classmate Platzman. “It’s a given that everyone can play at Berklee,” Sermon says, “but we got along.” When he joined forces with Reynolds to form a band, Sermon picked up the phone and called two guys: McKee and Platzman. “It cannot be overestimated how much you need to like your bandmates. They have to be your family.” The quartet came up with the name Imagine Dragons—an anagram based on a top-secret group of words that even family members don’t know—and started performing at tiny joints around Sin City. “We’d play four-, five-hour gigs and split the $400 pay between us,” says Sermon. “It was grueling, but we earned our chops.” They also picked up fans, lots of them, followed by a record deal. The Dragons produce a powerful hook,

delivering one haunting yet catchy anthem after another. Each track is laced with Reynolds’s moods, both bright and dark, his voice roaring lyrics of apocalypse, dreams, demons, and fame. “Dan writes lyrics like journal entries,” Sermon says. “They are deep thoughts and extremely honest. He documents the hard stuff—sudden fame, the loneliness of touring. It’s therapy for him. It’s raw, but it’s real. We had no idea we would blow up to this extent. Our music is true to us. We write music that we would be okay with playing hundreds of times, over and over.” This June to August, the band will perform in 39 cities in 58 days, with barely one day off per week. In DC, they hope to play tourist. “I have a feeling you’ll be able to find us strolling around the National Mall,” McKee says, “or exploring the halls of the Smithsonian.” July 6 at 7:30 pm at the Verizon Center, 601 F St. NW. For tickets, call 202-397-7328, or visit ticketmaster.com. cf

Seth MacFarlane coMeS to charM city The Family Guy creator teams up with the Baltimore Symphony Orchestra for a night of singing and comedy. July 16, Joseph Meyerhoff Symphony Hall; bsomusic.org

hootie and the oSborneS Maryland’s Brothers Osborne open for former Hootie and the Blowfsh front man-turned-country music star Darius Rucker. August 22, Merriweather Post Pavilion, Columbia; merriweathermusic.com

photography by jeff gale (imagine dragons); Chinafotopress/Chinafotopress via getty images (swift); gabe ginsberg/wireimage (maCfarlane); riCk diamond/getty images for ieba (brothers osborne)

from left:

Those lucky enough to snag tickets can catch the pop princess as she shakes into town for two nights. July 13–14, Nationals Stadium; washington.nationals.mlb.com

culture spotlight // can’t-miss moments // 1

roundup

ALFRESCO CINEMA Four outdoor movie series provide plentiful opportunities for star gazing this summer.

ONE-CENt WONdER

The world’s rarest postage stamp, the 1856 British Guiana One-Cent Magenta (pictured), is now on display through winter 2018 at the National Postal Museum. Illustrated with a three-masted ship and the colony’s motto in Latin (“We give and expect in return”), the stamp is the only major rarity absent from Queen Elizabeth II’s Royal Philatelic Collection. 2 Massachusetts Ave. NE, 202-633-5555; postalmuseum.si.edu

Union Market Drive-In Pay homage to the ’80s and ’90s with classics like Pretty Woman and Jurassic Park, Fridays at 8 pm beginning June 5. unionmarketdc.com

cinematic special effects ignite a new staging of peter pan. Threesixty Theatre’s spectacular production of J.M. Barrie’s Peter Pan, which had its premiere in London’s Kensington Gardens in 2009, soars into the DC area on June 24 for the start of its US tour. The one-of-a-kind theatrical experience, which takes place in a 100-foot-high tent, combines the intimacy of a theater-in-the-round with eye-popping surround CGI projections and flying sequences. The tent’s interior, covered with more than 15,000 square feet of high-resolution projection space, invites audience members to immerse themselves in the show’s visual landscape. Through August 16, 1971 Chain Bridge Road, Tysons Corner, VA, 877-407-8497; peterpantheshow.com cf

Capitol Riverfront Outdoor Movie Series At Canal Park, this Thursday night series celebrates characters whose decisions shape the world, space, and time, starting with Back to the Future on June 4. capitolriverfront.org Screen on the Green Screen on the Green invites viewers to watch movies among the monuments on the National Mall weekly in July and August. hbo.com/screenonthegreen

TWO FOR THE SHOW With an astounding 17 Tony Awards between them, The Book of Mormon and Once make their DC debuts in concurrent runs at The Kennedy Center this summer. Long on spectacle and big ensemble numbers, Mormon lays claim to the Opera

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tEEINg OFF

This summer, the DMV’s premier PGA event, Quicken Loans National, moves to the Robert Trent Jones GC in Gainesville, Virginia. Hosted by Tiger Woods, the four-day tournament, which benefts the Tiger Woods Foundation, invites 120 top golfers globally to compete for the title and a $6.5 million purse. July 27–August 2; tigerwoodsfoundation.org

Broadway comes to DC with the arrival of Once and The Book of Mormon.

House in June; Once, a moodier piece set in a Dublin bar and steeped in the folk music tradition, arrives at Eisenhower Theater in July. Both musicals play until mid-August, proving that theater lovers need not run off to New York to sample

back-to-back performances of the best Broadway has to offer. The Book of Mormon runs June 16–August 16, and Once runs July 7–August 16. The John F. Kennedy Center for the Performing Arts, 2700 F St. NW, 202-467-4600; kennedy-center.org

A Trip to Neverland

NoMa Summer Screen Dance-filled movies fit the bill this summer, every Wednesday until August 12 starting at dusk. nomabid. org/noma-summer-screen

culture International Infuence Ambassador Gérard Araud describes Americans—who sent the French hundreds of letters in response to the Charlie Hebdo tragedy—as “compassionate people.”

Le Diplomate As he ApproAches the one-yeAr mArk in his post, AmbAssAdor GérArd ArAud tAlks climAte chAnge, Charlie hebdo, And whAt mAkes AmericA greAt. by elizabeth e. thorp

What are your objectives during your tenure in DC? Ambassador Gérard Araud: [In December 2015,] France is going to host a major UN conference on climate change. My mission is to mobilize continued on page 48

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photography by Conor Doherty

Gérard Araud, the ambassador from France to the United States, is the picture of French savoir faire. It would be a cliché to say if it weren’t so true. When we meet for our interview—a week after I canceled our first appointment, owing to a respiratory infection that made me feel like a Black Plague victim—I am full of apologies. He dispels my unease with a wink and a smile, saying, “Are you sure you did not have too much fun over the weekend, and that is why perhaps you canceled?” Yes, the French ambassador is charming. He is also transparent and forthright, making him a rarity in diplomatic circles (and fun to follow on Twitter). With the first anniversary of his appointment approaching in September, Araud sat down with capitol File to discuss his goals, charlie Hebdo, and his gorgeous, newly renovated residence.

Culture International Infuence

“AMeRICANs ARe PosITIve. You sAY, ‘THeRe Is A PRobleM; We CAN oveRCoMe IT.’ IT’s THe RooT oF AMeRICAN gReATNess.” —gérard araud all the support that we can have on an issue—corporations, the local authorities, the engineers—so I am traveling a lot, spreading the gospel of climate change. I am amazed every time I cross the Beltway to discover how much the Americans, the real Americans, are committed to fighting climate change. the last time you had a post in dc, the first Bush was in office. ga: Yes, Reagan, too. I arrived in ’87 in Washington, and I left in ’91. The city has dramatically improved. [Back then,] driving to Union Station, for instance, you really couldn’t stop. It was dangerous. And now with the Convention Center, the Verizon Center, Downtown, it’s trendy. Now 14th Street is the place to be, but it used to be the street not to cross. What has been your worst day on the job? ga: When I was told about the [Charlie Hebdo] terrorist attacks. The best day was, in a sense, the day after, when President Obama came to the French Embassy to sign the condolence book. He made a very moving message, and we chatted a bit. It was a very strong signal of the FrenchAmerican friendship. it’s been four months since the attack. how is France? ga: The French people must send a clear message that we are not going to be intimidated. We are a democracy and a united people. But the long-term problems are still there. We have had more than

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1,400 French people [go] to Syria…. Most of them are coming back radicalized and trained. As you go to Paris you will see—[there are] soldiers protecting synagogues and temples—we are aware, and we are ready to fight it. americans, especially people from dc and new York who lived through 9/11, felt Charlie Hebdo deeply. ga: We have been astounded by the American reaction…. We have received thousands of messages on the website of the embassy and received hundreds of letters. I was very keen to answer each of them…. It was very moving, and perhaps I’m not used to saying, the Americans are really compassionate people. We the French have felt it. What have you come to like most about americans? least? ga: Americans are positive. No moaning… whining. You simply say, “Okay, there is a problem; we can overcome it.” It’s really the root of American greatness. And the worst trait is your coffee. [Laughs] The only thing that I will never adjust to is the American coffee. It is much better [now] thanks to Starbucks. In the ’80s, the coffee, it was a sort of syrup. do you get paltry american vacation time, or will you holiday during the month of august like most French? ga: We have a house in Greece and have gone there for 20 years. So I’ll stay there for a few weeks doing—and that’s not American—doing nothing.

the French connection The ambassador shares a taste of his American life. aFter hours:

“[In] Washington— which is frankly a bit funny for Parisians— everything is very early. The dinners are at 6:30 or 7 pm, which means that it’s over at 9:30 or 10. I go to bed at midnight, [so] I have two hours to read and write. That’s my relaxing time.” gastronomie:

“I do not want to go to a French restaurant. I am living in a French restaurant! I [recently] discovered Rogue 24. It’s very good, because it’s very different. The place—and also what you eat—is very, very creative. It’s in a back alley; you have to fnd it.”

French restoration:

“I chose the colors of the dining room [in the ambassador’s residence] against the [wishes of the] Parisian decorators, and it was one of the big fghts in my diplomatic life. They wanted beige— I decided on color, and I like it. I wanted the house to have a refection of the French taste and be a magnet to invite people in.” love longdistance:

“My partner’s in DC now, but we have an apartment in New York, and he’s shuttling between New York and Washington. He’s a photographer.”

PhotograPhy by Conor Doherty (resiDenCe); Jim Watson/aFP/getty images (obama)

Ambassador Araud, photographed in his newly renovated residence. right: The ambassador looks on as President Obama signs the condolence book following the Charlie Hebdo attack.

Americans need activity, I don’t…. My only activity is to choose which restaurant, and there are only a few, so the choice is easy. i follow you on twitter and enjoy your feed. You are very direct, which is not a very French trait, is it? ga: I have been asked by my authorities to have a personal Twitter account, so the question raised [was], “What is the use of having an account if it’s not a reflection of my personality?” I am also trying to understand this new [social media] culture. So, I’m in a sense… this Twitter account is a bit of an experiment. I’m really tiptoeing on some red lines. [Laughs] i find it refreshing! ga: You’re not the only one—an ambassador, we’re supposed to be stiff. And as an ambassador, the job is in a sense the reflection of your personality. So that’s my personality. I’m from the South, so I guess it explains a bit of what I’m doing. cf

culture Dynamic Duo

Tinker Tailor Husband Wife

former cia and fBi director william webster and wife lynda celeBrate Big anniversaries in love and work. by steve clemons

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was also a crossroads for spies. “In hotel management she managed to volunteer and be very helpful in the dealings of foreign agents who were prowling around in our city,” the judge says. “Lynda made her own contribution to the nation in her own way.” After her stint at the Intercontinental, Lynda started her own marketing and events firm, The Webster Group, which has raised staggering amounts of money for nonprofits like Save the Children. Having lost a dear friend on September 11, 2001, she also helped raise the $22 million needed for the Pentagon memorial. Her firm was noted by Inc. magazine as one of the nation’s fastest growing companies in 2014. She says that in the beginning if she had known she would be producing events as large as 40,000 people, she “would have hid under the table.” Now on her bucket list is producing events for an Olympics or Super Bowl. Lynda says that her job is “all about good intelligence.” “I like brokering relationships,” she says. “If a friend is passionate about something, I’m delighted to try to connect that friend to something that might fit. I won’t twist arms to get people to just give money to a cause.” When asked what they do for fun, Mr. and Mrs.

Webster say that they “live for Fridays…going to our weekend place [near the Inn at Little Washington] with two dogs and a cat and hiking and fishing, and sitting on the porch drinking wine.” The DC super agents have a great life. But Judge Webster says, “I still get traffic tickets.” Without missing a beat, Mrs. Webster replies, “Because you don’t read the signs, dear....” cf

power pairing Lynda Webster shares the couple’s favorite pastimes. dine around:

“When in town, we love to sit outside at the Chevy Chase Club. [Our] favorite restaurants are Cafe Milano and 1789. We are big on service, and those restaurants do it well.” inspiration point:

“To recharge our batteries, we seek the

outdoors—Battery Kimble Park, the National Arboretum. To recharge our souls, we head to church. To inspire or be inspired, we head to the Mall, especially the Lincoln Memorial.” one love:

“We both love tennis. Bill at 91 still plays two or three times a week!”

photography by abby greenawalt

If Washington were to have a real “Mr. and Mrs. Smith,” a Brangelina-style couple who appear ordinary—they get traffic tickets and carry their own groceries—but were really top-of-their-game CIA operatives, it would be Mr. and Mrs. Webster, sans the weapons and assassination orders (I think). Judge William Webster and wife Lynda, who this year celebrate 25 years of marriage and 10 years of The Webster Group, stand out as one of the country’s great power pairings. Growing up in the suburbs of St. Louis, William armed himself with a law degree and soon found himself ascending as a District Court and then US Appeals Court judge, earning a reputation as a tough-minded, common-sense deployer of the law. President Jimmy Carter made him the third director of the FBI, tasking him with crippling the very active New York mafia scene. After a decade, President Ronald Reagan moved the judge from the FBI to the CIA, making him the first and only person to serve in both roles. William’s mission was in part to build channels of communication between the two intelligence empires and, in his words, “reestablish the American people’s trust in these institutions…to tell the truth when it could be told and not substitute a lie when it couldn’t.” Whenever there is national security trouble, William seems to save the day. After the tragic Fort Hood slayings, he led the inquiry commission for the FBI. Today, he chairs the Homeland Security Advisory Council. Lynda says he was so effective in restoring integrity and confidence in the agencies because “the man doesn’t operate in gray—he is black and white ethically…. People know he is being straight with them.” Lynda herself—the Angelina to William’s Brad Pitt—came to DC from Illinois wanting to join the CIA. William says, “She came fully equipped, passing all the tests including the security issues, except [she] had a childhood health issue they feared might reemerge and break her cover.” She nevertheless found another way to play a role, as head of sales and then marketing for Washington’s historic Willard Intercontinental Hotel—at the time a grand gem that

A place for sick kids to feel a little less like sick kids. If you’re sick in the hospital, you can’t go out to play like other kids. But at Children’s National, we’re transforming a 7,200-square-foot gravel rooftop into a healing garden — to give our young patients and their families access to sunshine, blue sky, and fresh air. Sometimes that really is the best medicine of all. Learn more at www.childrensnational.org/healinggarden HONORARY CHAIRS FIRST LADY MICHELLE OBAMA MRS. LAURA BUSH FORMER SECRETARY OF STATE HILLARY RODHAM CLINTON MRS. BARBARA BUSH MRS. NANCY REAGAN MRS. ROSALYNN CARTER SPECIAL THANKS TO HEATHER AND ANDY FLORANCE AND THE TEAM AT COSTAR GROUP, INC., FOR PLANTING THE FIRST SEEDS TO MAKE THIS DREAM COME TRUE.

culture Spirit of Generosity Jason Haag—Marine Corps officer, husband, and father—is comforted by his service dog, Axel, who helps the wounded veteran on his path to recovery.

A Soldier’S BeSt Friend

The United States is one of the best at building and training young men and women to fight and win wars all over the globe. That’s what we have been trained to do from the day we arrived at basic training. But the one thing—the biggest thing—we hardly ever thought about is how to make soldiers whole again after fighting these wars—how to help the men and women who fought so selflessly for our freedom to reintegrate, to turn the switch off, and to be civilians again. I am a Marine Corps officer, a husband, and a father. I have dedicated nearly 13 years of my life to the Corps. I have completed numerous combat deployments to both Afghanistan and Iraq. I have done this as an enlisted man and as an officer, an infantryman, and a logistician. I have led men into combat, and helped defend this country to the utmost of my abilities. But I am also a wounded veteran, both physically and mentally. Fortunately, there are people out there who have stepped up to the great challenge of helping soldiers such as myself: K9s for Warriors helped me heal from my post-traumatic stress disorder (PTSD) and traumatic brain injury (TBI), and saved my life.

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On the outside, I was a high-functioning, very successful Marine, decorated with combat awards, and promoted consistently. Life from the outside looked exceptionally good. But inside me and within the walls of my house, it was terrifying. I was falling apart. After two combat tours, I couldn’t sleep; I had constant nightmares; I was drinking heavily; I was abusing prescription pain pills for my injuries. And I was screaming and fighting with my wife and kids. I was a train wreck outside of work. After my third combat tour, it got even worse. Everything came crashing down around me. I’d reached my breaking point. I shut myself off from everyone: friends, family, fellow Marines. I secluded myself in my basement so I didn’t have to come out into the world where I didn’t feel safe. I tried to get help at one of the Behavior Health clinics. I sat there crying my eyes out, shaking, and asking for help, but the front desk told me they didn’t have any appointments and to come back tomorrow. Is it a wonder we lose 22 veterans a day to suicide—a veteran every 65 minutes? Once I finally did get “help,” all they did was throw drugs at me. At my

photography by Moshe ZusMan

As K9s for WArriors prepAres for its AnnuAl DC gAlA, mArine jason haag reveAls hoW the orgAnizAtion is ChAnging WounDeD veterAns’ lives, one Dog At A time.

Charity register

K9s for Warriors held its inaugural gala at the Omni Shoreham Hotel last year. inset: 95 percent of the program’s canines are rescued from shelters before being trained as service dogs.

Opportunities to give. Drive Four the Cure

The 15th annual Drive Four the Cure golf tournament, presented by the Four Seasons Hotel Washington on an 18-hole championship golf course, supports cancer research programs at the Washington Cancer Institute at Medstar Washington Hospital Center. Prizes will be given for the top three foursomes, the male and female closest to the pin, and the longest drive. When: June 22 at 10 am Where: TPC Potomac at Avenel Farm, 10000 Oaklyn Dr., Potomac Contact: 202-944-9163

PeP rally unDer the StarS Gala

lowest point I was on 32 different medications, 12 of which were narcotics. And I continued to abuse them—and to drink heavily as well. I wouldn’t say that I was suicidal. I never thought about putting a gun in my mouth or driving my car into a tree. But I had given up. I didn’t care if I woke up or not. And I do not know how many times I was one pill away from overdosing. The system’s therapies, counseling, and drugs were of little good, and I was a shell of my former self. Something had to be done, but none of these “treatments” even came close. My family was in ruins; I hadn’t seen a smile on my children’s faces in over a year and my wife of 14 years was about to walk out. At that point, something fairly miraculous happened. I found K9s for Warriors—a lifesaving, life-changing organization that provided me with my service dog, Axel. He saved my life, no doubt about it. He also saved my family. The K9s for Warriors program rescues 95 percent of its dogs from shelters, and the canines are trained for three to nine months in the Warriors program. Axel was two days from being euthanized himself— so we were both saved. In 2012, I left my basement, got on a plane to the Warriors facility in Ponte Vedra Beach, Florida, and met Axel. For three weeks I bonded with him—learning all the commands and how to use Axel for my disabilities, in public, at home, and on an airplane. You name it—we did it. At the end of the training, we got on a plane, and I went to my son’s lacrosse game— it was my first time attending in over a year. I walked into K9s for Warriors in 2012 on 32 medications and hopelessly addicted to narcotics. Within six months, I was down to two medications—both of which I need for my TBI—and completely off all nar-

Generation Hope, an organization aimed at helping teen parents in the DC area fnish college, invites attendees at this year’s gala to dress in their best black tie paired with college memorabilia. In celebration of education and the organization’s mission, all proceeds from the gala beneft Generation Hope. When: June 26 Where: Georgetown University Hotel and Conference Center, 3800 Reservoir Road NW Contact: 202-656-8705; supportgenerationhope.org

“If I had to pIck the best thIng that axel has brought back Into my lIfe, It would be the smIles on the faces of my wIfe and chIldren.” —jason haag

cotics. I have not touched them since. Now I travel the country and speak on national television about PTSD and the lifesaving effects of K9s for Warriors and service dogs like Axel. I’ve gone from “I” to “We.” If I had to pick the best thing that the gift of Axel has brought back into my life, it would be the smiles on the faces of my wife and children—knowing I’m on the path to recovery. We are a family again—Axel included—and we will tell our story a thousand times if it saves just one veteran. Because you never leave anyone behind—not on the battlefield, and not here at home. K9s for Warriors hosts its second annual DC gala in the fall. To learn more, or to find ways to get involved with K9s for Warriors, visit k9sforwarriors.org. cf

yellow ribbon FunD/army navy Country Club GolF ClaSSiC Enjoy a day of golf, cocktails, dinner, and awards at the eight annual golf tournament of the Yellow Ribbon Fund, which provides practical support to injured service members and their families while they’re at Walter Reed National Military Medical Center and Fort Belvoir Community Hospital, and after they return to their hometowns. Teams of three can register for $5,000 and will be paired with a veteran to play as their fourth. When: July 13 Where: Army Navy Country Club, Arlington Contact: Judy Tart, 240-223-1180; judy@yellowribbonfund.org

brew at the Zoo Friends of the National Zoo’s (FONZ) annual Brew at the Zoo event boasts beer samples from more than 60 craft breweries and live entertainment, including games and animal demonstrations. Funds raised support care and conservation of the National Smithsonian Zoo and all of its inhabitants. When: July 23 Where: National Zoo, 3001 Connecticut Ave. NW Contact: 202-633-4888; nationalzoo.si.edu

capitolfile-magazine.com 53

“Inova Children’s Hospital didn’t just save Jamie’s life. They saved our family.” Join Andrew & Julie Gerstel as a member of the Inova Children’s Hospital Ziai Ambassadors Society to make a diference in your community. When your child is ill and getting sicker by the minute, you want to get her help immediately. The Gerstels rushed Jamie to Inova Children’s Hospital in Fairfax — the one closest to them. They had no way of knowing that a world renowned pediatric neurosurgeon was available, or that the Pediatric Intensive Care Unit at Inova Children’s is the only unit of its kind in Northern Virginia, capable of the specialized care that a child needs following an emergency craniectomy. The Gerstels also couldn’t have foreseen the care from Inova Children’s social workers and child-life services that helped their whole family through Jamie’s rehab and recovery. Knowing what they know now, the Gerstels are giving back and helping other families as members of Inova Children’s Ziai Ambassadors Society. You can help, too, by supporting the research and care of sick children in Northern Virginia.

Learn more at

ambassadors@inova.org

ZIAI

AMBASSADORS

SOCIETY

invited

Live from DC… photography by getty/Kris Connor

Capitol File celebrates 101 years of the white house correspondents’ association.

Cecily Strong in Mulberry’s Carla textured stretch wool dress at the British Ambassador’s Residence.

In partnership with the Entertainment Software Association and Mulberry, Capitol File hosted its annual welcome reception at the British Ambassador’s Residence to celebrate the White House Correspondents’ Dinner Weekend on Friday, April 24. The 2015 WHCD host, Cecily Strong of NBC’s Saturday Night Live, arrived in style courtesy of Bentley Tysons to celebrate her Capitol File Spring issue cover. Ambassador and Lady Westmacott welcomed an array of notable guests, including SNL creator Lorne Michaels, cast members of The Walking Dead, Secretary of CoNTiNueD oN page 56

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INVITED // style spotlight //

ALL ABOARD AS CELEBRITIES DESCENDED ON THE CAPITAL FOR THE WHITE HOUSE CORRESPONDENTS’ DINNER WEEKEND, WE SAW A RETURN John and Jackie Mingé

Thomas Roberts and Patrick Abner

TO HOLLYWOOD

Janie Gale and Valerie Jarrett

GLAMOUR WITH LAVISH GOWNS AND DRAMATIC TRAINS. Laverne Cox in Ines Di Santo

Defense Ashton Carter, Valerie Jarrett, Andrea Mitchell, and Dana Bash and Spencer Garrett, among others. Partygoers created custom leather bracelets at Mulberry’s craft bar and showcased their gaming prowess at ESA’s video game stations as they sipped cocktails by Diageo and mingled in the ballroom and patio, exquisitely styled by Syzygy Events International and MultiFlor. Lorne Michaels and Andrea Mitchell

Ivanka Trump in Zac Posen Wendy Adeler Hall and Holly Standefer

Lady and Ambassador Westmacott with Rhonda and Michael Gallagher of ESA

Sophia Bush in Monique Lhuillier

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The Walking Dead’s Lauren Cohan and Norman Reedus Bentley Tysons provided luxury VIP transportation.

PHOTOGRAPHY BY GEARSHIFT.TV; GETTY/KRISCONNOR; GETTY/LARRYFRENCH

Amb. Stuart and Gwen Holliday with Amb. Peter Selfridge

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Hon. Elizabeth Bagley, Sen. Tom Udall, and Meryl Streep

FAPE AWARDS DINNER (FAPE) honored cellist Yo-Yo Ma with the Leonore and Walter Annenberg Award for Diplomacy through the Arts at the organization’s Annual Events dinner and reception at

the State Department in April. Nearly 250 guests, including Jeff Koons, Meryl Streep, Adrienne Arsht, and Capitol File editor-inchief Elizabeth Thorp, joined Secretary of State John Kerry to celebrate FAPE’s continued support of the arts.

Maureen Orth, Queen Noor Al-Hussein, and Sen. Chris Coons

Mariella Trager and Ginny Grenham

Casilda Hevia

Ann Marchant, Aubrey Sarvis, and Frederica Valanos

REFUGEES INTERNATIONAL REFUGEES INTERNATIONAL HOSTED its 36th annual

anniversary dinner at the Mellon Auditorium with returning host and activist Matt Dillon. The exclusive awards ceremony and celebration honored RI’s founder Sue Morton, journalist Maureen Orth, human rights activist Tun Khin, and Senator Chris Coons, each of whom has demonstrated extraordinary leadership and commitment to remedy displacement crises around the world and improve the lives of displaced people. Matt Dillon and Roberta Mastromichele

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Luke Russert, Liz Vasily, Kevin Swanson, and Brooke Jones

PHOTOGRAPHY COURTESY OF FAPE (FAPE); TONY BROWN/IMIJINATION PHOTOGRAPHY (REFUGEES)

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MORE THAN 350 guests and benefactors of

the Kalorama-based arts organization Sitar Arts Center gathered to fête its 15th anniversary at the Howard Theatre. Honoring longtime supporters Greg Albright, Sandra Masur, Steven Smith, and Capital for Children, the celebration featured performances by Sitar students and a silent auction.

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Inova’s new Women’s Hospital during a special spring luncheon and fashion presentation led by Neiman Marcus’s fashion director of women’s accessories, Ana Maria Pimentel. Cohosts Angie Goff and Elizabeth Thorp invited guests to learn more about Inova’s longstanding dedication to women and children’s health before sitting down for the spring-inspired luncheon.

Neiman Marcus’s Ana Maria Pimentel

Dr. Alex Naini and Angie Goff Sissy Yates

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taste this Issue: Georgetown

Capella ComebaCk

Frank ruta and aggie Chin reunite to breathe new liFe into the Grill room at the Capella. by nevin martell When one kitchen door closes, another opens. So it was for James Beard Award-winning chef Frank Ruta, who last April unexpectedly shuttered Palena, his revered restaurant in Cleveland Park. For the next year, gastro enthusiasts buzzed eagerly about where the one-time White House chef might appear next. After hosting several rapturously received prix fixe dinners at Mark Furstenberg’s Bread Furst, the wandering toque settled down as the executive chef at The Grill Room inside boutique Georgetown hotel the Capella. It may seem like a dramatic shift for Ruta, but the 70-seat space was a perfect fit. “I was hoping to be somewhere that wasn’t Downtown, but still gets a lot of traffic,” he says. “And the dining room is beautiful and just the right size. Of course, you go through the pros and cons in your head, but after talking with everybody who owns and manages the hotel, it just made sense.” Ruta didn’t arrive alone. He brought along his pastry chef, Aggie Chin, who handled the blue-ribbon baked goods at Palena. “Her style of dessert is in tune with the way

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photography by Jonathan timmes; opposite page: photography by Jonathan timmes (ruta, dining room, dessert); courtesy of capella (champagne)

The Grill Room’s Yukon Gold potato and nettle gnocchi is tossed with fava beans and shimeji mushrooms.

raise a glass Wine expert Keith goldston completes the Capella’s lineup. Keith Goldston, formerly of Bryan Voltaggio’s Range, is the Capella’s new director of wine. “It’s an opportunity to be a part of something clockwise from left:

Executive Chef Frank Ruta and Executive Pastry Chef Aggie Chin; The Georgetowner layers chocolate, marshmallow, and custard into a single throwback confection; The Grill Room’s interior at the Capella. bottom right: Taittinger Champagne, offered at Capella.

special,” he says. “When you hear other chefs talk about Frank Ruta, they do it in hushed tones.” As for the wine list, he says, “There’s going to be a little bit from everywhere, with a focus on small, family-owned boutique producers. And there will be a fair number of classics. If

I look to cook on the savory side,” he says. “It’s simple but elegant, tasty, and creative.” Their partnership is built on an even footing that is rare to find. “I feel like a lot of times, pastry gets overlooked,” says Chin. “However, Frank has a good understanding of what it takes and what people need to execute it well, so he has a lot of respect for it. He always makes sure that we get the freshest eggs and dairy in the pastry kitchen, because he knows every little bit makes a difference.” The duo wants to build on their previous successes rather than replicate them in their newest venue, where they also handle room service and catering for the private dining spaces. “We don’t want to copy Palena,” insists Ruta. There will be less of an Italian influence at play. Instead, the classically-trained chef will go back to his roots

as he changes the offerings weekly to spotlight the seasons. For Palena obsessives, there are a few familiar faces on the menu, each slightly tweaked. A revamp of Ruta’s endlessly worshipped burger is here—now topped with truffled cheese and a slather of house-made mayo enriched with garlic and mustard—as are versions of his Yukon Gold potato gnocchi and roasted chicken. Fans curious about the new direction of Ruta’s menu can look forward to elegant compositions, such as the trio of suckling pig—roasted loin, stuffed breast, and braised shoulder—complemented with roasted apples and braised beets. Chin’s desserts are equal parts whimsy and decadence. The early standout is The Georgetowner, an elegant riff on movie snacks. To evoke a candy bar, she lays a dense

“the dining room at the capella is beautiful and just the right size. it just made sense.” —frank ruta

I’m only going to have one Chianti on the list, it’s going to be one of the greatest Chiantis you’ve ever had.” One permanent fxture of the wine program is the Taittinger Champagne trolley. For an effervescent evening, Goldston

chocolate torte foundation, then builds on layers of cocoa nib marshmallows, milk chocolate Bavarian cream, and caramelized milk chocolate custard before topping it with chocolate tiles, gold leaf, and caramel sauce. Cracker Jack-style caramelized Rice Krispies and buttered-popcorn ice cream complete the cinematic homage. As if that weren’t enough, all meals end with a flurry of her dainty petit fours—caramels, macarons, pâtes de fruits,

and chocolate bonbons. As the pair settles into their new home, Ruta sees their work as an ongoing process. “At Palena, we made everything in house—everything,” he says. “We made the vinegar, bread, and charcuterie. We’re still trying to figure out how much we can do ourselves here.” Operational concerns aside, the powerhouse duo is focused on simply putting out great food—one magnificent plate at a time. 1050 31st St. NW, 202-6172424; capellahotels.com CF

recommends a stem or two from the tableside minibar. Rich with big berry favors and a crisp acidity, the Prestige rosé is a sublime sipper on a summer’s eve.

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TASTE CuiScene

A Renaissance on the Water

YEARS AGO A FOODIE DESTINATION, THE GEORGETOWN DINING SCENE SEES REBIRTH.

THE FRENCH WAY ORANGE ANCHOR True to its nautical setting, Orange Anchor offers up a panoply of seafood dishes, such as pepper-crusted tuna and twin lobster tails in rum beurre blanc (SHOWN).

THE ALEX This underground cocktail lounge turns out ﬁ rst-rate nibbles, such as the kale Caesar salad, to complement speakeasy-inspired drinks like The Blind Tiger (Wigle’s Ginever, Pimm’s blackberry and elderﬂower liqueur, and maraschino liqueur).

CHEZ BILLY SUD A fresh monument to French cuisine, Chez Billy Sud expands upon classic offerings, such as the duck conﬁt (SHOWN), with Basque-tinged dishes like the spiced lamb sausage with white beans, kale, and piquillo peppers.

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Chef and partner Brendan L’Etoile of Chez Billy Sud (1039 31st St. NW; 202-965-2606; chezbillysud.com) considers himself a classicist—most of the time. “I’m very old-fashioned in terms of the process for making a dish and the technique,” he says. “But when it comes to plating, I try to be more playful. That way the food is less stuffy and more approachable.” Red wine poached duck egg appears in a nest of sautéed mushrooms, while duck conﬁt arrives coronating a throne of root vegetables. When the restaurant opened last October, it showcased Provençal-style cuisine, but now L’Etoile is taking more inspiration from the Spanish-accented Basque region. Either way, c’est bon!

YUM, YUM, YUM, AND A BOTTLE OF RUM It made good business sense for Reese Gardner to metaphorically dock his latest venture in Washington Harbour development—but he was equally motivated on a personal level. As an avid boater on the Potomac since moving to the District 15 years ago, the restaurateur opened Orange Anchor (3050 K St. NW, 202-802-9990; orangeanchordc.com) as the ultimate waterfront clubhouse. (Boaters can tie up at the Harbour

on a first-come, first-served basis.) “I wanted it to have a nautical, preppy feel,” says Gardner, who also owns Second State and Irish Whiskey Public House. Buoys, mirrored portholes, and anchor-motif wallpaper decorate the seaworthy space. Corporate Executive Chef Allan Javery focuses on scratch-made casual American fare, like pan-seared chicken with brown ale butter sauce and pecan-crusted trout. To quench the thirst of sailors and landlubbers alike, there are nearly 30 rums and a variety of tropical-inflected cocktails available. In keeping with the nautical theme, beers are only available in cans and by draught, since the quickest way to ruin a trip on the water is with a broken glass on deck.

GOING UNDERGROUND To find The Alex (1075 Thomas Jefferson St. NW, 202-337-0900; thegrahamgeorgetown.com), a steampunk-styled subterranean boîte, you need to go through the lobby of the Graham hotel and descend past walls chalked up with Mad Genius doodles. The slender, sepia-lit space is decorated with reclaimed and repurposed elements designed to echo the era and accomplishments of the establishment’s namesake: Alexander Graham Bell, inventor of the telephone. The menu is overseen by fresh-faced Executive Chef Hassan Artis, who is looking to make a name for himself at the boutique hotel. “I want to do home cooking kicked up a notch,” he says. The ubiquitous kale Caesar makes a welcome appearance—not overdressed, just enough lemony pep—and there’s a simply done, pan-seared chicken breast balancing on plump potatoes roasted just right. We’re sure Bell would offer a ringing endorsement. CF

PHOTOGRAPHY BY JONATHAN TIMMES (LOBSTER, SALAD); PATRICK ONOFRE (DUCK); COURTESY OF ORANGE ANCHOR (RESTAURANT INTERIOR)

In the not-so-distant past, Georgetown restaurants focused on pleasing tourists rather than foodies. There were notable exceptions—Bourbon Steak, Farmers Fishers Bakers, and Fiola Mare all shine brightly—but they were outliers. Thankfully, a flurry of high-profile restaurant openings has guaranteed that epicureans will once again flock to the recherché waterfront neighborhood.

BY NEVIN MARTELL

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taste Cheers!

Drink Me:

Hanami, courtesy of St. Regis 2 oz. gin 1 oz. house-made raspberry simple syrup ½ .5 oz. lemon juice 1 egg white Lemon verbena dust Combine all ingredients in a shaker flled with ice. Shake vigorously and strain into a coupe glass. Garnish with lemon verbena dust.

Tea ParTy TiPPles

This summer, Tea geTs an exTra kick wiTh infusion cockTails. by kayleigh kulp

Who says you can’t have afternoon tea and happy hour at the same time? District bartenders are taking advantage of artisanal teas’ myriad flavors to brighten and liven more summertime cocktails than ever before. “I don’t think you can get the combination of earthiness and nuttiness from anything but teas,” says Dante Datta, head bartender at Rasika West End (1190 New Hampshire Ave. NW, 202-466-2500). “It’s akin to some whiskies,” he explains. In his Manisha cocktail, Datta combines brewed Darjeeling tea with bitter Averna liqueur, curry spiced syrup, and lemon juice. Served hot in the winter and cold in the summer, the Darjeeling variety’s slight tannins, he says, add a richness that “binds everything together.”

66 capitolfile-magazine.com

For a totally different flavor, St. Regis (923 16th St. NW, 202-638-2626) bartender Andrew Cassedy garnishes the Hanami, a gin cocktail composed of raspberry simple syrup, lemon juice, and egg white, with homemade lemon verbena powder. And across the way in Chinatown, Daikaya (705 Sixth St. NW, 202-589-1600) beverage director Jamie MacBain concocted the Tea Myself & I with Kintaro Japanese barley shochu, Thai lemongrass and mint syrup, lemon, and hojicha tea, giving it an effervescent texture with a carbon dioxide charger. “You get the roasted-ness from the barley and the refreshing Thai lemongrass notes. You want to have a second one,” MacBain says. “Tea brings an acidity and astringency that help balance out cocktails.” Because there are thousands of tea flavor profiles, bartenders can find one that works with everything from vodka to whiskey. The Palisades cocktail at 701 Restaurant (701 Pennsylvania Ave. NW, 202-393-0701) uses hibiscus and Earl Grey tea with rhubarb bitters and Leopold Bros. peach whiskey. Other barkeeps opt to infuse the base spirits with tea. Ripple’s (3417 Connecticut Ave. NW, 202-244-7995) Caroline Blundell combines a house-infused chamomile vodka with grapefruit thyme soda and thyme simple syrup. “The tea flavor is definitely super potent [by infusion],” she says. Steeping a high quality loose leaf tea—such as local favorite Teaism’s (multiple locations; teaism.com) Quiet Evening—in the vodka allows her to simplify her production process, because she would otherwise source and assemble several herbs herself to achieve the flavor she seeks. Meanwhile at El Centro D.F. (1819 14th St. NW, 202328-3131) the homemade lemon verbena tea-infused tequila offers a complex herbal twist in a margarita, which assistant general manager Mike McDonald says is a subtle introduction to tea cocktails and is reminiscent “of sitting on the porch and drinking lemon tea.” Time to grab a glass and a rocking chair—or rather, a seat at the bar. cf

PhotograPhy by Jonathan timmes

The Hanami cocktail at the St. Regis pairs gin with flavors of raspberry and lemon in a fruity concoction that’s perfect for summer.

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taste spotlight buy the book

guas’s grill

Nic StefaNelli strikes out on his own with a new italian concept. Chef Nick Stefanelli, a James Beard Foundation “Rising Star” nominee, is opening his first solo venture, Masseria, early this summer near Union Market. Born and raised in Maryland, Stefanelli made a name for himself at a number of restaurants specializing in Italian cuisine (Maestro in McLean, Fiamma in New York, and Bibiana in DC), where he developed his modern take on classic Italian fare. The new freestanding space will combine the industrial look of nearby Union Market and the feel of the Italian countryside (“masseria” refers to the farmhouses located on country estates in the Puglia region). Guests can look forward to coastal-inspired Italian dishes and quaint seating for 60, including a courtyard. 1340 Fourth St. NE; masseria-dc.com CF

// roundup //

// new in town //

stEakhousE staplEs

Mastro’s Steakhouse opens its second East Coast location, boasting a menu of premium steaks, family-style side dishes, homemade desserts, and unique indulgences, like the lobster mashed potatoes. 600 13th St. NW; mastrosrestaurants.com

Downtown Expansion

From the team that brought you City Tap House comes Pennsylvania 6 this summer. The American contemporary restaurant will feature a 70-foot bar and regional fare like lobster rolls (pictured) and monkfsh osso buco. 1350 I St. NW; pennsylvania6dc.com Fire up the grill with David Guas’s latest.

yappy hour

’Tis The season for dining alfresco wiTh fur friends.

Summer in DC means dog-friendly happy hours galore. Art and Soul’s (415 New Jersey Ave. NW, 202393-7777; artandsouldc.com) Pooch Patio menu, available during lunch and dinner hours, includes the Happy Puppy, a three-ounce grilled steak, or the Gravy Train beef tips with rice. Piazza Beer Garden (7401 Woodmont Ave., Bethesda, 202-841-9114; piazzabeergarden.com) serves up American and Italian-inspired fare, craft beers, and dog treats on its outdoor patio (weekdays from 4–7 pm). Mio Restaurant (1110 Vermont Ave. NW, 202-955-0075; miorestaurant.com) offers Puerto Rican-inspired empanadas and salmon sliders, as well as complimentary dog biscuits with the purchase of a cocktail.

CAPITolFIlE-MAGAzInE.CoM

photography by Joshua Cogan (stefanelli)

Going Solo

debut

Just in time for summer barbecues, chef and restaurateur David Guas, the host of Travel Channel’s American Grilled, has released his latest cookbook, Grill Nation: 200 Surefire Recipes, Tips, and Techniques to Grill Like a Pro (Oxmoor House, $24.95). Recipes range from smoked pork tenderloin with sweet and spicy guava BBQ sauce to Cowboy cast-iron cornbread with charred jalapeñohoney butter. For the home-cooking averse, the New Orleans native also recently opened his second Bayou Bakery, Coffee Bar & Eatery at Hill Center at the old Naval Hospital on Capitol Hill. 901 Pennsylvania Ave. SE, 202-664-5307; bayoubakerydc.com

Contemporary ballet with an edge... and live music June 24–28 The Lansburgh Theatre Tickets: chamberdance.org 202.547.1122 Harman or Lansburgh Box Ofﬁces

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With her original approach to abstract art, Maggie Michael has been a rising star in DCâ&#x20AC;&#x2122;s art world, but as she prepares for a major show at the American University Museum, the painter is due for a broader audience. By Kriston Capps

70 CAPITOLFILE-MAGAZINE.COM

Photography by Shane McCauley

HAIR BY PEGGY IOAKIM; MAKEUP BY KARI ELLEN

Fresh Expression

aggie Michael can hear the street from her studio. She is working in a new second-floor space in one of the few light-industrial zones left in Washington, DC, a warehouse district that people used to call the Capital City Market. There are Asian, Latino, and Italian wholesalers spread over several blocks of warehouses, selling fruits and meats to ethnic restaurants or provisioning Obama tchotchkes in bulk. Nowadays people call this place Union Market, named for the transformative, block-long market that opened here in 2012. The revamped warehouse and its dozens of upscale retail vendors set the high-water mark for hip commercial development in DC. For Michael, 40, it’s a radical change of scenery from her last space, on tony Capitol Hill, just a block from the Hart Senate Office Building. “My other studio was in a carriage house in an alley. It was very quiet,” she says. “Here I hear everything. I hear people talking. I hear people picking up their cabbage in the morning.” Michael is grateful to be here. She and her husband, Dan Steinhilber—a sculptor who shares studio space in the ground-level floor of the building where she works—have cycled between 11 different studios over the 15 years they’ve lived in DC. Michael hopes this studio will be her last—but knows it won’t be. The city should consider itself lucky she hasn’t left yet. Over the course of her career, Michael has established herself as arguably the District’s greatest young painter. Bar none, she has produced more and more consistent shows, landing her work in the collections of the Hirshhorn Museum and Sculpture Garden, the Smithsonian American Art Museum, and even the Wilson Building, the seat of city government. She hasn’t come by her success easy. Part of the challenge of working as an artist in DC, even as a high-profile painter, is keeping up in a city that’s quaking with change. The gelato factory for Dolcezza, a fashionable local chain, and the meat-processing plant for Red Apron Butchery, an upscale DC butcher, both recently set up shop just behind Union Market, at 550 Penn Street NE. Edens—the developer behind both of those new buildings—also owns the dilapidated office space two blocks away where Michael and Steinhilber keep their studios. Thanks to Edens, the artists will have their studios for at least one year. But

the writing’s on the wall for ramshackle buildings in the District. Still, better Union Market than Capitol Hill. “The Hill is kind of sleepy,” Michael says. “It always made me laugh when I would go outside and I would see politicians. That’s right! They work here. They’re always wearing their business suits, and skirts with tights—it was a whole scene. This place feels much better to me.” MICHAEL kEEPS ONE CORNER of her studio clear for visitors. Near a window looking out over busy Florida Avenue NE, she’s set a leather chair, a vinyl chair, an arm table, and a giant bell—this piece an artifact from her 2010 show at George Mason University, “Tattoos of Ships.” There’s also a mirror set in a painted horse collar, with the words you are a moving image painted over it—one of her rare works of sculpture. Everywhere else is paintings. Canvases over stretcher bars line every wall. A long flat-file rack built for art storage couldn’t dream of containing it all. With so many dozens of paintings in her studio, it’s hard at first glance to figure out where she paints. “I’ve always been a very prolific artist,” Michael says. “That’s partly because I work on more than one painting at a time. I moved here three weeks ago, and I lost a lot of time just moving. But in the last week and a half, I’ve done these paintings,” Perfect X Series: motioning to a set of four works in progress on the Undoing III by Maggie Michael, 2015. floor. “I had to stop unpacking at a certain point. I could unpack forever. I could organize forever.” Given the way that Michael works, putting her house in order would seem to be a simple task. She’s established several discrete painting series over the years, which come with titles like “Clones,” “Icons,” and “Perfect Xs.” She refers to her paintings, at least the finished ones, with this scheme in mind: This piece is a River painting; that one is an Explosion. With every series, Michael wrestles with a different formal innovation. For “Clones,” for example (the first series she showed in DC back in 2002), Michael poured two puddles of latex paint onto a support that she then manipulated, by moving and turning it, in order to arrive at paintings that look twinned precisely. Her vertical “Icons” are her most figurative paintings— although these abstractions only loosely suggest thighs, hips, and other body parts. She distinguishes one series from the next by her sense of repetition. Taken

Over the course of her career, Michael has established herself as arguably the District’s greatest young painter.

The artist in her Union Market studio.

together, the small, gray “Perfect Xs” paintings look like Stations of the Cross: dense, devotional variations on a highly personal theme. The viscous “Clones” paintings are rooted firmly in earth tones and biomorphic forms. These could be meditations on the four humors (sanguine, phlegmatic, melancholic, choleric). That’s not to say that she is depicting the humors specifically or even deliberately; but rather, like the ancient Greeks, she is exploring the elements, tracing the celestial sphere, and examining the realm between phenomena and noumena. Michael’s series are never truly complete. New series emerge by the blending of old ones. In “Colored Grounds and Perfect Xs”—her latest show at G Fine Art, the gallery that has represented her work since 2002—one new painting took the form of her older “Clones” series. Yet it also adopted the abrasive, gray, thick palette of her newer “Perfect Xs.” Her paintings take a long time to settle. She finished one painting recently that she hasn’t touched since she was in her last studio, she says. “I feel like I worked on that painting for nine months, but it only took really two weeks to make,” Michael says. “I had to think about it long enough to say that it was done.”

show. “I want to show the ideas that are at play, the kind of formal strategies she’s dealing with, and the background soup of ideas she’s working through.” In one sense, she says, Newman associates Michael’s work with singular midcentury Abstract Expressionist artists. Of course, painters like Joan Mitchell, Lee Krasner, and Jackson Pollock are hard to avoid in any discussion of Michael’s paintings. Yet the “indexicality” of her paintings—the tactics and texture she introduces through lines of text, prints of leaves, and stencils of player-piano rolls—are a more direct form of narrative communication that summons, say, Louise Bourgeois. “I think about [Michael’s] work as communication,” Newman says. “Sometimes it’s an utterance. Sometimes it’s this incredibly layered babble, almost, and you can see the urgency, but it’s clouded in this complex, torturous form. And then sometimes, you get beacons.” For her part, Michael is already thinking ahead. Her next goal is to find gallery representation in LA or San Francisco; the West Coast, she says, is a good fit for her work, but she has no plans to leave DC. But she’s forever mindful that here, the next studio is just a notice away, no matter how supportive the developer or owner. “Artists are always looking for other studios,” Michael says. “If we have an eye for anything, it’s not necessarily for art—it’s for finding another building.” Ideally, she says, she’d be living in a church and painting in a fire station. She is content with a space that has the essentials—electricity and water, that’s really it— and thrilled that she is working in a studio that is larger than her home. And she’s excited that her studio is where it is. Artist studios are often the canary in the coal mine—the sign that an area is on the cusp; but Michael sees her studio (and her husband’s studio) as adding to the neighborhood’s vibrancy, not anticipating it. “We don’t have such a consumable product,” she says. “But we’re certainly part of the spirit of the place.” CF

Part of the challenge of working as an artist in DC is keeping up in a city that’s quaking with change.

WHEN I MEET WITH MICHAEL, she is preparing for a visit of some 30 donors and collectors associated with the San Francisco Museum of Modern Art. She also has an informal show in the lobby of the local office for Gensler, a global architecture firm, thanks to a new collector who works there (and bought a painting from her last show). Her biggest show yet is on the horizon: a midcareer survey that will occupy the entire third floor of the American University Museum at the Katzen Arts Center. “I want to tell a story through each series,” says Sarah Newman, consulting curator for modern art at the National Gallery of Art, and the curator for Michael’s

CAPITOLFILE-MAGAZINE.COM

Colored Ground Series: Grey Crosscutting Silver (Delta) by Maggie Michael, 2014.

DC’S GALLERY SCENE COMES ALIVE WITH FOUR SHOWS THIS SEASON.

RACHEL SCHMIDT Schmidt imagines cities after some unknown future apocalyptic event; although the people are mostly gone, her dense downtowns—part sculpture, part photography, part collage—are far from uninhabited. June 5–July 2, Flashpoint Gallery, 916 G St. NW, 202-315-1305; culturaldc.org

RACHEL FARBIARZ, DEB SOKOLOW, LAVAR MUNROE This group show runs the gamut of draftsmanship, featuring works by Farbiarz (known for large-scale installations, sculpture, and text-based collages), Munroe (a painter of rich canvases and installations), and Sokolow (whose works feature handdrawn text and comic illustration). June 6–July 13, G Fine Art, 4718 14th St. NW, 202-462-1601; gﬁneartdc.com

WILLIAM CHRISTENBERRY Christenberry has captured homes and retailers that have fallen into disrepair in his native Hale County, Alabama. More recently, he has turned to sculpture, paintings, and prints to depict a Southern gothic that is giving way to the creep of kudzu and memory. June 10–August 1, Hemphill Fine Arts, 1515 14th St. NW, Ste. 300, 202 234-5601; hemphillﬁnearts.com

ALLISON SPENCE, LISA DILLIN Spence’s “mass” paintings borrow the comic sensibility and painterly texture of artists like George Condo. Dillin’s sculptures invoke everyday circumstances in which humans act just a little more like animals than they normally do. This show promises a light touch. June 27–August 1, Hamiltonian Gallery, 1353 U St. NW, Ste. 101, 202-332-1116; hamiltoniangallery.com

CAPITOLFILE-MAGAZINE.COM

Adamson Gallery shows nationally acclaimed artists such as Chuck Close and Robert Longo, whose Fair Mount Forest is pictured here. TOP LEFT: whatisaspiralbutareminderthatwecanneverbesocompact by Allison Spence, 2015.

STATE OF THE ART

THE DISTRICT’S ART SCENE HAS BEEN IN FLUX FOR THE PAST DECADE—BUT IT’S READYING FOR AN UPSWING. BY KRISTON CAPPS

Any major city looking to cultivate a thriving art scene needs two things: artists and buyers. In Los Angeles, it’s the Hollywood juggernaut that creates the collector base for LA artists and galleries. In New York, the real estate and finance sectors are where you’ll find the city’s art collectors. Tech czars amassing their wealth in Silicon Valley don’t spend much of it on art in San Francisco, but the hope there is that they’ll come around. In one respect, today’s gallery scene in Washington, DC, is standing strong: Its artists produce work worthy of any second city in the nation. But political gridlock in the nation’s capital, coupled with the fallout from the 2010 burst of the law-school bubble, has hemmed in the market for fine art in the District at a time of unprecedented growth for the city.

At one point, galleries were ready to ride the wave. In 2003, when the city’s explosive growth was just beginning to surge, several art dealers moved from the safe enclaves of Georgetown and Dupont Circle to 14th Street NW, which was then a former automotive showcase corridor marked by burned-out buildings and boarded-up windows—the legacy of the riots still very much visible. Storefront galleries and white-cube spaces—namely Fusebox, Transformer, G Fine Art, Adamson Gallery, Hemphill Fine Arts, and Curator’s Office—turned 14th Street into the heart of the visual art scene. Each gallery played a different vital role. Transformer, a nonprofit incubator, held true to the city’s punk and hard-core music roots, hosting shows by young and untested artists in a microgallery setting. Andrea Pollan and George Hemphill, art dealers behind Curator’s Office and Hemphill Fine Arts, respectively, built spaces to host their strong stables of local and national artists. Annie Gawlak—who joined Pollan, Hemphill, and Laurie Adamson in a gallery building at 1515 14th Street—

PhotograPhy courtesy of hamiltonian gallery (whatisaspiral); adamson gallery (fair mount forest)

represented some of the finest artists working in DC. More and more people arrived to the city over the 2000s, many of them buyers flooding a housing market marked by depressed prices and deep supply constraints. (Which adds up to steeply rising prices.) Even through the 2008 housing crash and the ongoing recovery, the local economy in DC stayed afloat. The condos kept coming, and rents kept rising, on 14th Street and several other commercial corridors that had been vacant for years and years. Yet the collapse in the legal job market has had a lasting impact on the city’s art scene. Art dealers say that they cherish their returning clients, lawyers and firms alike; but the number of galleries that have closed, downsized, or otherwise adjusted their programs speaks to the fact that the legal industry has yet to regain its pre-2008 form. And so, 14th Street is changing again. High-end restaurants and luxe-design retailers have popped up all over the thoroughfare, unfazed. While Hemphill and Transformer are still there today, most of their peers were forced to move elsewhere (or move on). G Fine Art and another gallery, Civilian Art Projects, share a space in a neighborhood called 16th Street Heights, alternating shows from month to month. Pollan shuttered her physical gallery space to focus on a floating model for Curator’s Office. Irvine Contemporary, Project 4, and other galleries closed with no immediate plans to reopen. Despite the tidal changes, DC is still a vital hot spot for art—and stronger in many respects for having evolved. Quota, an independent project by Dawne Langford, a filmmaker, and Avi Gupta, a photographer, is one welcome newcomer: It’s a roving curatorial program that showcases work by artists of color (in particular artists who aren’t making work about color). All around the city, curators are proving nimble adapting to a market that emphasizes brick-and-mortar spaces less and less. Pleasant Plains Workshop and the Wild Hand Workspace are newer shops that follow different models for supporting artists; local DIY house spaces such as Hole in the Sky are too numerous to count and even harder to find. This fall, the Washington Project for the Arts, one of the longest-running arts organizations in the District, aims to open its new headquarters in the U Street corridor. In addition to offices, the membership organization’s new home—in a flashy mixed-use building at Eighth and V Streets NW—will include dedicated gallery space and a flexible meeting area. Established by arts doyenne Alice Denney in 1975, it’s been rootless for nearly 20 years; with any luck (and a lease that extends through 2022), the WPA can be a source for continuity in a changing DC as well as a true resource center for its hundreds of member artists. The District has always been unique among cities—it may be the nation’s capital, but it’s just one of a number of municipalities in the region: a tiny diamond carved out into the border between northern Virginia and southern Maryland. Arts organizations draw funding from all these different areas, meaning there is no central well for art but a ring of them, including the Arlington

Arts Center, the McLean Project for the Arts, the Greater Reston Arts Center, the Bethesda Urban Partnership, and so on. They’ve helped the area to develop a talented group of curators and leaders beyond the museums of the National Mall, each one focusing on a particular niche. Consider the “Strictly Painting” series at the McLean Project for the Arts (which runs through August 1) or the Spring and Fall Solos exhibitions at the Arlington Arts Center (next up in October). The District isn’t New York or Los Angeles or San Francisco—although rents around the city are trending just as high here. As the city continues to evolve owing to demographic and economic changes, it will lose some of its defining features while gaining other qualities. The same could be said for the District art scene—whose artists, curators, and dealers are still navigating the new terrain. Today, the art scene is fresher, more agile, and less reliant on established legacies, and more willing to experiment with form and format. cf

These five spaCes Give ConTemporary arT a home in The DisTriCT.

DCaC For more than 25 years, the District of Columbia Arts Center has anchored the Adams Morgan corridor. A theater, a venue, and a gallery, it remains critical as a site where new artists—and perhaps more importantly, new curators— can test run emerging work. No other DC gallery can boast keeping the same address so long. 2438 18th St. NW, 202-462-7833; dcartscenter.org

aDamson Gallery Adamson features prints, photographs, editions, and holograms—yes, that’s right—by David Adamson, a Tamarindcertifed master printer. While the gallery holds fewer exhibitions than others, it typically features frst-run works by frstrate artists, from Renate Aller to Chuck Close. 1515 14th St. NW, Ste. 301, 202232-0707; adamsongallery.com

Transformer Victoria Reis runs one of the last true punk holdouts in the District, an incubator that occupies a former alleyway in an area that’s now among the toniest neighborhoods in the city. Despite its small stature, Transformer punches up, through collaborations with cultural organizations like the Mexican Cultural Institute. 1404 P St. NW, 202-4831102; transformerdc.org

Civilian arT projeCTs A gallery that’s had more addresses than most in DC, Civilian now alternates shows in a shared space with G Fine Art. Civilian director Jayme McLellan often draws on music and human-rights spheres for her activistoriented programming. 4718 14th St. NW, 202-607-3804; civilianart projects.com

The friDGe DC

from top:

With I Hope You’re Happy (2013–2014) at Civilian Art Projects, Dan Tague says he has visualized the 800-pound gorilla in the room when discussing the fate of displaced Hurricane Katrina victims; a recent Transformer show included Rachel Schmidt’s The Deadliest Catch (2014).

One of the funkier performance spaces in the city, The Fridge is the beating heart of the city’s alternative-art scene, from street art and illustration to populist low-brow and no-brow art. 516 ½ Eighth St. SE, rear alley, 202-664-4151; thefridgedc.com

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Nardus ENgElbrEcht/gallo ImagEs/gEtty ImagEs

sonic Boom

The Foo Fighters (shown here performing in 2014) take over RFK Stadium for an Independence Day blowout.

To celebraTe Their 20Th anniversary, The Foo FighTers roll inTo rFK sTadium on The FourTh oF July wiTh an all-sTar rosTer oF guesTs To KicK oFF The norTh american leg oF Their sonic highways Tour. For The band, iT’s a milesTone, and For dave grohl, iT’s a homecoming. By DeBorah L. Martin

In the Foo FIghters’ world there Is much to celebrate. There’s the 20th anniversary of their self-titled first album,

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from above: Dave

Grohl reflects on his rock roots while filming episode two of Sonic Highways in Northern Virginia; another show comes to a close, earlier this year; the much younger Foos take the stage in 2000.

opposite page: “After

20 years, we’re like family,” Grohl says of his bandmates (from left to right) Pat Smear, Nate Mendel, Grohl, Taylor Hawkins, and Chris Shiflett.

“The experiences i’ve had in [dc] seT The foundaTion for The resT of my life as a musician.” —DAVE GROHL

photography by roswell Films (top); stephen albanese/michael ochs archives/getty images (bottom); ringo starr (opposite, portrait)

released on July 4, 1995. There’s the continued success of their current effort, Sonic Highways, which started at number two on Billboard’s Top 200 and quickly rose to number one on the Billboard Top Rock Albums chart upon its release last November. (The album sold a substantial 190,000 copies in its first week.) There’s the critical and commercial success of the companion eight-part documentary directed by front man and newly minted rock historian Dave Grohl. There’s the fact that none other than David Letterman counts the Foos as his favorite band and invited the group to be the last musical guest on his final show in May. And wherever they go, rock ’n’ roll’s best and brightest want to get on board. When the band rolls into DC in July, it will be accompanied by many of the musicians featured on Sonic Highways, including Buddy Guy, Gary Clark Jr., Joan Jett & the Blackhearts, and LL Cool J, among others. At 46 years old, Grohl is the longhaired, hard-rocking, and passionately talkative nice guy of the music world. The band is as busy as ever—we scheduled our phone interviews around the European leg of their tour—but Grohl is eager to discuss the Sonic Highways project and the way it pays homage to the history that created him. The founder of the Foo Fighters has never lost his appreciation for the business that made him an icon among wildly disparate groups that range from grunge-rock kids to 40-something moms and dads. But he is quick to point out that he is surrounded by guys who also know their stuff. “Our band is kind of a group of musicologists,” says Grohl. “Chris [Shiflett] knows a lot about country. Nate [Mendel] and I know a lot about the underground scene. Pat [Smear] and Taylor [Hawkins] know a ton about classic rock. And so when we stared choosing the cities [for Sonic Highways], people would say, ‘Oh what about this guy? What about this club? What about this studio?’” The complicated project took years to produce, with Grohl interviewing music influencers in each of the eight cities the band visited, and then writing lyrics to new songs, weaving phrases and references from the interviews into each to place the song firmly in the city in which it was recorded. Each song was recorded in a studio that helped shape the music of the city. When Grohl explained the sequence to the band, they got on board immediately. Says drummer Taylor Hawkins, “Dave says, ‘I’m going take sentences from the interviews and write a song.’ And I thought, That seems really difficult. But it’s given him a whole new way of writing lyrics.” Sonic Highways is the Foos’ eighth studio album, and after 20 years together the band members wanted to shake things up. “It used to be that just throwing your gear in a van was an adventure,” Grohl says, “but after 20 years, you look for ways to change the process and make it more of a challenge.” The concept came about, according to Grohl, after making his directorial debut with the documentary Sound City, about the studio outside Los Angeles where Nirvana recorded Nevermind in 1991. He was inspired to make the film when he purchased the Neve 8028 analog mixing console (one of only four made) from the legendary studio, which was closing its doors in 2011. Some of the musicians who had recorded there, including Tom Petty, Trent Reznor of Nine Inch Nails, and John Fogerty of Creedence Clearwater Revival, participated and wrote songs specifically for the film and recorded on the rare console in a 24-hour period. It was

music-tech-geek heaven. And from that project the framework of what would become Sonic Highways was laid. Chris Shiflett, the band’s lead guitarist, says, “Sonic Highways became a way to show our love and passion for what we do and for music history.” Grohl continues, “The whole concept really came out of trying to explain how these cities seem connected somehow. Whether it begins with Robert Johnson or ends with Lady Gaga, it’s all connected by something. If you think of it, it’s the sonic highways that connect all of these people and places together.” The cities they chose were relevant not only to the band members themselves, but to music history as a whole. Of course, Washington, DC, was a natural choice for Grohl, who grew up in Northern Virginia. Grohl began his music career in the nation’s capital, drumming for hardcore punk bands like Dain Bramage and Scream. Says Grohl in episode two of the series, filmed at Arlington, Virginia’s Inner Ear Studio, “The experiences I’ve had in this city, from the age of 14, set the foundation for the rest of my life as a musician. The community, the support, the love that was here in the DC music scene has carried over into what I do now.” The musician continues, “The way that the Foo Fighters work now, we’re like family, and we try to treat everyone that way.” The result of the Inner Ear recordings, “The Feast and the Famine,” is perhaps the most evocative of the songs in the series, due in no small part to the fact that Grohl is writing about his own musical history. The first few lines include references to the 1968 Chocolate City riots, which followed the assassination of Dr. Martin Luther King Jr. and began at the intersection of 14th and U Streets; the Bad Brains and the hard-core punk scene; and

Trouble Funk, a local R&B band that popularized the go-go style that not only influenced Grohl’s own style of drumming, but also that of artists like Pharrell Williams, who grew up in the Virginia Beach area. Sonic Highways represents the Foo Fighters’ most ambitious project to date. The tour, which began in December 2014 and stretches into November, is its longest so far, and as soon as new dates are announced, they sell out. In true Foo Fighters fashion, in certain markets the band instituted a “Beat the Bots” system, where tickets are made available first at the box office in part to prevent scalpers from buying up all the good seats, but mostly because Grohl wanted kids to experience the fun of buying concert tickets the old-school way. The program has had varying degrees of success, and tickets still wind up in the hands of scalpers and agents, but you have to admire his style. Though many people connect him with Seattle because of his history with Nirvana, Grohl still refers to himself as a DC-area musician. Two of the Foo Fighters’ albums were recorded locally, and episode two of the series is a love letter to that history. It is no coincidence that the show at RFK coincides with the exact date of the 20th anniversary of the release of the Foo Fighters’ debut album. Grohl muses, “There really weren’t too many musicians or bands that imagined life outside of the Washington, DC, music community. There was no music industry, there was just this sense of camaraderie; everyone knew each other.” The Foo Fighters play RFK Stadium, located at 2400 East Capitol St. SE, on July 4 at 2 pm. For tickets, call 202-397-7328, or visit ticketmaster.com. cf

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Printed silk dress, Roberto Cavalli (price on request). Neiman Marcus, Mazza Gallerie, 202-966-9700; neimanmarcus.com. Quadruple V bracelet, K/ller Collection ($529). Redeem, 1810 14th St. NW, 202-332-7447; redeemus.com. Moray sandal, Jimmy Choo ($950). The Collection at Chevy Chase, 240-223-1102; jimmychoo.com Location is courtesy of Baha Mar, the new Bahamian Riviera, set on 3,000 feet of pristine beachfront in Nassau. The highly anticipated 2,200-room, $3.5 billion luxury lifestyle resort reflects the vision of its CEO and chairman, Sarkis Izmirlian. Architect Mike Hong master-planned and designed the 1,000-acre destination, while interior designer Dianna Wong translated the ocean, people, art, and glamorous history of the Bahamas’ 700 islands into a resort that celebrates them all. Baha Mar features four hotels; a luxury villa designed by Grammy Award–winning musician Lenny Kravitz; private residences; a world-class, Jack Nicklaus–designed 18-hole golf course and clubhouse; multiple restaurants and retailers; a nightclub; a lavish 30,000-square-foot spa; three 14-foot-deep blue-hole pools; and the Baha Mar Casino—the crown jewel of the resort, featuring 100,000 square feet of gaming and rivaling the best casinos in the world. For reservations or information, call 844-800-BAHA or visit bahamar.com.

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Paradise Found

InspIred by the CarIbbean getaway baha Mar, washIngton woMen are eMbraCIng the heat thIs suMMer wIth tropICal prInts and flowIng sIlhouettes. photography by randall slavin

styling by brendan cannon

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Swimsuit, Eres ($490). Barneys New York, 3040 M St. NW, 202-350-5832; barneys.com. Coconut necklace, Holst + Lee ($255). Saks Fifth Avenue, 5555 Wisconsin Ave., 301-657-9000; saks.com opposite page: Dahlia

embroidered dress, Salvatore Ferragamo ($4,450). CityCenterDC, 202-289-6610; ferragamo.com. Chainlink cuff, Jennifer Fisher ($930). Barneys New York, 3040 M St. NW, 202-350-5832; barneys.com. Moray sandal, Jimmy Choo ($950). The Collection at Chevy Chase, 240-223-1102; jimmychoo.com

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Embroidered gown, Gucci ($5,700). The Collection at Chevy Chase, 301-986-8902; gucci.com. Lauren bracelet, Jason Wu for Pluma ($210). Neiman Marcus, Mazza Gallerie, 202-966-9700; neimanmarcus.com opposite page: Yves Klein

cascade dress, Adeam ($2,100). Saks Fifth Avenue, 5555 Wisconsin Ave., 301-657-9000; saks.com. Single bar cuff, Jennifer Fisher ($497). Barneys New York, 3040 M St. NW, 202-350-5832; barneys.com

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PhotograPhy assistance and video by noah schutz; styling assistance by izzy ruiz; hair and makeuP by craig honeycutt/utoPia; model: Pernilla/Q models; sPecial thanks to valentino lloyd, eureka smith, and karlyle harris; shot on location at baha mar casino & hotel, nassau, bahamas

Bodysuit ($895), tulle skirt ($5,995), and Blasia sandal ($550), Ralph Lauren Collection. 1245 Wisconsin Ave. NW, 202-965-0905; ralphlauren.com. Viti tube cuff, Pluma ($402). Neiman Marcus, Mazza Gallerie, 202-966-9700; neimanmarcus.com opposite page: Mist embroidered dress, Bottega Veneta ($6,800). Tysons Galleria, 703-442-3138; bottegaveneta.com. Kona fringe bracelet, Holst + Lee ($165). Saks Fifth Avenue, 5555 Wisconsin Ave., 301-657-9000; saks.com beautĂŠ: Giorgio Armani Luminous Silk Foundation in #4 ($62). Neiman Marcus, 5300 Wisconsin Ave. NW, 202-966-9700; neimanmarcus.com. Bobbi Brown Long-Wear Cream Shadow in Heather ($26). Sephora, 3065 M St., 202-338-5644; sephora.com. Nars Eyeliner Pencil in Mambo ($23). Sephora, see above. Tom Ford Lip Color in Sable Smoke ($50). Neiman Marcus, see above. Oribe AprĂ¨s Beach Wave and Shine Spray ($39), Thick Dry Finishing Spray ($39). Neiman Marcus, see above

Big Fish

The shuckers, anglers, Trawlers, and vendors of Main avenue fish MarkeT have weaThered The sTorMs for 200 years To Make iT an essenTial parT of dcâ&#x20AC;&#x2122;s landscape. by amy moeller photography by melissa golden

Clarence Goodman, 60, of Jessie Taylor Seafood, has been selling blue crabs at the Maine Avenue Fish Market for more than 40 years. opposite page, clockwise from top left: Live crabs,

caught locally, are a market mainstay; Patrick Donahue, who started at the market in 1988, left for a few years— “It’s hell on the family life,” he says—before ultimately deciding the work made him happy; crawfish shipped in from Florida and Louisiana; Darius Ethridge joined the Captain White Seafood City team in the spring.

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Raw oysters are shucked on site. left: Christine Givens has been a cashier with Captain White for 10 years. opposite page, from left: Kenyon “Kenny” Brown, who mans the snow crab legs, lives in Salisbury, but has been making the weekly commute to Jessie Taylor Seafood for four years; the market stocks everything from whole fish to fish fillets, including fish heads.

It’s 6 am and as the rest of the city sleeps, shuffles their kids to school, or clocks their gym time, the men at Jessie Taylor Seafood stir in the small sleeping quarters behind the storefront barge. By 7 am, the market is abuzz with workers preparing for the day ahead. They fill the display cases with bucket-upon-bucket of ice and the first trucks roll in for the day’s delivery. The dozen or so men on this shift perform the same ritualistic duties for seven straight days, 14 hours a day. Each man has his charge: fish, crabs, oysters, etc. And each falls in every morning like clockwork. Then they get a seven-day break—seven on, seven off. On Monday night, those who live locally will head home for a weeklong retreat—though many do their own fishing and crabbing or other odd jobs on the side—but most will pile in vans and head to their families in Salisbury and beyond. The business was born on Smith Island, nestled across the Chesapeake Bay from the mouth of the Potomac, but today, most live on the Eastern Shore. Donning a long, grayish blond braid and colorful bandana reminiscent of Willie Nelson, Clarence Goodman, 60, is a fixture at the market. He now owns a home in Springfield, Virginia, but he was raised on Smith Island and recruited to work at the market years before he could drive. “Since I was 12 or 13, I was crabbing and making maybe $35 a day—getting up 3:30 or 4 o’clock in the morning,” he recalls. He’d quit school to help support his family, and one afternoon just days before Fourth of July weekend, he was fixing his bicycle in the driveway when Fil Evans stopped by and asked if he wanted to help out for the weekend. “My mom said, ‘Okay,’ and that was the start of a long, long journey,” he says. At the time, brothers Raymond Stanley Evans and Filmore Evans were running Jessie Taylor Seafood alongside half a dozen other vendors, and Goodman wasn’t sure how long he’d stay. Over the years, he earned his GED and even toyed with the idea of going to an Iowa college that practices transcendental meditation. In a 1987 Washington Post article, he called the Fish Market gig a stepping stone “to being something…to being able to retire and to living good while I got the life.” But something about the routine, the culture, and the way of life had stolen a place in his heart. “I fell in love with the public,” he says. “One minute

you’re waiting on somebody very, very nice. The next minute you’re waiting on somebody who’s having a rough day. One minute you’re waiting on somebody who’s got a [lot of money]; the next minute you’ve got somebody who wants something that they can’t really afford. I try to put myself in their shoes, even for a few moments, until that sale’s over. That way my personality kicks in instead of an attitude.” Nearly half a century later visitors ask for Goodman by name, and the business belongs to Stan and Fil’s four sons, with a roster of employees generations deep. When asked if most of the crew is related, Goodman’s reply is simple: “Well, we’re all family.” By 9:30 am the stalls are set, and breakfast is served. An on-site cook passes around individually plated Styrofoam containers of hearty meals easily consumed on-the-go, such as bacon, egg, and cheese sandwiches. This morning at Jessie Taylor’s, it’s eggs and toast with a patty of corned beef. Goodman recalls when French toast and waffles were on the morning menu. With full bellies and an even fuller day ahead, everyone prepares for the first real wave of customers and the rest of the deliveries. The oldest open-air fish market in the country, this iconic venue began operation more than 200 years ago as a row of seafood and produce vendors along the shores of the Potomac. Over two centuries, it was reincarnated a few times: A new indoor market was unveiled in 1916, but it was demolished some 40 years later as part of a neighborhood renovation. But with each changing of the tide, the vendors fought to stay put. Ultimately, in the early 1960s, the city built the concrete pier under the I-395 overpass that still anchors the market today. In the earliest days of the concrete pier, the “storefronts” were buy boats—vessels that played middleman between the docks and the fishing boats in the more bountiful Chesapeake Bay tributaries along the Eastern Shore. For decades, the waterways provided the only access between the Eastern Shore and DC—the first span of the Chesapeake Bay Bridge didn’t open until 1952 (the second, in 1973). But as travel to DC by land became more efficient, the boats were phased out,

Over the years, there have been a lot of changes to the fish market, but the families at Jessie Taylor and Captain White Seafood City have kept their deeply planted roots intact. semi-permanent barges moved in, and the goods began arriving by truck. Thanks to the expansion and development of highways and bridges, and advances in mobile refrigeration, the shipment by truck has actually narrowed the time between when the catch is pulled from the water and when it’s put on the market. Midmorning another shipment arrives with two dozen bushels of crabs from Delaware for Taylor’s team. Stan Kiser and Ryan Evans, whose family owns the business, help unload the truck and chat with supplier Greg James about the vendors that used to occupy the market. Jimmy’s Grill, the ready-made-lunch stand across the way, James says, is still there but the Evans brothers now own it. Captain Red’s and a few others are long gone. One half of the Tilghman Island-based husband-and-wife team at Choptank River Seafood, James has been delivering to Maine Avenue since 1984. “From one family to another,” Kiser says, then looks to the bushel baskets. “We could go through these in four or five hours.” Decades ago, the market offerings were limited to local crabs, fish, shellfish, and produce. Today, a lot of the goods are still caught locally, though some are shipped in from North Carolina or Louisiana when they’re not in season here, or to keep up with demand. More exotic items are brought in from around the world. As Washingtonians’ tastes have expanded, so have the offerings on Maine Avenue. Chilean sea bass, whole octopus from China, and two particularly popular species of shrimp that are native to the Gulf and Ghana are regularly available. Almost anything you can imagine can be found at the market or acquired upon request. “We can pretty much get our hands on anything,” Kiser says. By lunchtime, visitors are arriving in droves. An eager crowd gathers in front of the raw

oysters. Sam Fisher grabs one off the ice, dips it in water, pries it open, and arranges it on a Styrofoam plate. The movements are second nature to him. One, two, three, four, five, six oysters hit the plate and are topped with a lemon wedge. If you blink, you’ll miss it. “They call me ‘Sam, Sam, the Shuckin’ Man,’” Fisher says with a smile. He’s been shucking oysters for 41 years, and his son does it, too. The pair did a long stint in Ocean City, but Sam has spent the last seven years on Maine Avenue. He’s collected 70 to 80 pearls shucking oysters—“maybe 10 really good ones,” he says—but now that he does most of his shucking directly for the consumer, some lucky ones walk away with more than a delicious lunch. Hint: He says the prettier pearls actually come from the clams, not the oysters. Fortunately, he’s got those, too. Virgo Fish House, the independent fish cleaning station nearby, is grappling with its own lunch-hour rush as a line forms out the door. “I’m the only minority owner on the wharf,” says Virgo owner Darryl Jones. He came into the business more than 20 years ago, encouraged by his former business partner—“not by birth, but like a dad”—who opened the Fish House in 1960. His business partner died a few years ago, but under Jones’s direction, the shop lives on. Over the years, there have been a lot of changes to the fish market, but the families at Jessie Taylor and Captain White Seafood City have kept their deeply planted roots intact. The two businesses are technically three: Fil and Stan Evans each had two sons, and the two sets of sons split the Jessie Taylor Seafood business into two identical but independently functioning entities a few years ago. (Fil’s sons own one seven-day shift, Stan’s sons the other.) At Captain White’s, most employees are local, and the shifts are flexible. Jessie Taylor and Captain White are the last remaining outfits on the barge, each having slowly acquired the abandoned space as fellow businesses have bowed out, relocated, or retired.

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By 11 am a lunch crowd starts to form at the market for ready-made options such as soup and steamed shrimp. right: Darryl Jones first came to DC in the ’70s to manage the Eastern Market on Capitol Hill, but joined Virgo Fish House in 1990. opposite page: Stan Kiser, whose uncles own Jessie Taylor Seafood, makes the trip to Southwest DC every other week for his seven-day shift.

On the far end of the pier, it’s Billy and his wife, Penny—“Miss Penny,” they call her—running the show at Captain White’s today. While Billy hustles around the market to prepare for the weekend ahead, Penny shares a few moments to talk about the business. “When Billy was 15 years old, he started on a picnic table right here,” she says. “Fourteen or 15 hours a day, five to seven days a week.” She beams with pride as she describes her husband’s commitment to DC and to the market that has become a local treasure. Both are from the Eastern Shore, and both of their families have been in the seafood business for generations. It’s what brought them together—they first met more than 30 years ago when Billy bought crabs from Penny’s father to sell at this very market. Today, Billy and his brother Sunny—their father founded Captain White’s—co-own half of the real estate. “We’ve always been about serving the city, and I think we’ve done that,” Penny says. “It’s been a ride.” By 4 pm, the crew’s lunch of sandwiches and the like is over, and DC’s early risers are trickling out of the office and lining up at the market. A dozen large male crabs are tossed into a paper bag; Kiser directs a new customer to a steaming station nearby. A few feet down, a gentleman behind the counter helps a woman select a fish. One couple orders homemade lobster bisque from Captain White’s. The history of the place is rich, but largely undocumented. Relatively little has been written about the market’s two centuries, and instead, tales have been passed down orally, generation to generation. As it goes, myths have swirled among the city that surrounds it. The origin of the Jessie Taylor name generates several theories. (Truth: Jessie Taylor isn’t in the lineage—it’s the name of the Evans’ original buy boat.) Some online reviewers gossip that one family secretly owns the entire market and deceives the rest of the city into thinking it’s a group of separately owned small businesses. (Truth: two families, three businesses, plus the Fish House.) That two different, unrelated Evans families have at one time or another owned a spot on the barge only perpetuates the tale. (An Evans family unrelated

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to that of Jessie Taylor did a stint as owner of Pruitt Seafood, but the space has since been sold to Captain White’s.) Rumors of celebrity sightings swirl, too. Rapper DMX and pop star-turned-The Voice coach Christina Aguilera have supposedly been spotted. Kevin Durant, Delonte West, and Jerry Stackhouse are said to love the market. There’s a dollar bill floating around somewhere that Norv Turner signed. According to market lore, Loretta Lynn’s people popped in every time her tour brought her to the District. Today, tourists, politicians, local residents, and restaurateurs (El Rinconcito Café’s Mauricio Arias is a regular) all frequent the landmark—but you’d be hard-pressed to dig up more details. Most on duty are much more concerned with what’s being served than who’s being served. Regulars are known by face, first name, and order—not status or profession. As the tide has risen, so have the stalls. Damp with flecks of dirt from the water below, Ryan Evans asks a member of the crew to wipe down the newly exposed stall fronts. The Maine Avenue Fish Market (The Municipal Fish Market circa 1918), was casually called “The Wharf,” but after the official adoption of that name by the $2 billion, 27-acre redevelopment of the land next door, those on Maine Avenue have re-embraced the more explicit “fish market.” Despite some underlying fear of what could happen in the future when the neighboring development opens, the tone overall seems optimistic. If it doesn’t edge them out—and there are still about 15 years left on the market’s lease—the influx of new residents and visitors could prove good for the historic business. (Another rumor says that with The Wharf’s completion, the fish market will move back indoors. No one at the market has heard that one.) “We don’t know what the future holds,” says Sunny White. “But things like this have a way of working themselves out.” Jones, whose Fish House will move to the other side of the market once The Wharf is complete, is excited. “We’re due for a change.” cf

Know Before You Go

How to navigate the Main Avenue Fish Market like a pro.

the basics location: 1100 Main Ave. SW hours: 7 am to 9 pm in summer; closes at 8 pm in winter. beat the crowds: While there’s no bad time to go, there’s a calm at 11 am before the lunch rush, and at 3 pm before the after-work crowd gathers. teachable moments: Don’t be afraid to ask questions. The men and women on the barge are incredibly knowledgeable when it comes to their posts. They can tell you everything from what to look for when it comes to freshness to how to distinguish the male crabs from the females—there are more ways than you think!

inside captain White seafood city ready-made musts: Captain White’s seafood gumbo is probably the most seafoodrich soup on the dock, but the lobster bisque won our taste test. backroom secret: If there’s something you don’t see upfront, such as wild salmon, just ask. It’s probably in the back. nosh with a view: There’s a small, covered barge around the corner from the main dock that has become something of a makeshift countertop for Captain White’s customers to take their lunch. It’s not Le Diplomate, but it has its own charm.

noW getting t Jessie taylor seafood

The history of the place is rich, but largely undocumented. Relatively little has been written about the market’s two centuries, and instead, tales have been passed down orally, generation to generation.

eat like the crew: The Jessie Taylor team has a particular way they like their soup. It’s one part clam chowder, one part Maryland crab, and 100 percent delicious. If you ask, they’ll make it for you. pause to appreciate: Sam Fisher has created a unique oyster-shucking technique that he wouldn’t let us videotape. It’s transfxing. don’t leave without… A hushpuppy from Evans Brothers Seafood. It pairs perfectly with the fresh strawberry lemonade.

Your Home is One-of-a-Kind—Your REALTOR® Should be Too.

Washington, D.C.

$1,889,000

Incredible custom renovation by Jim Gibson, decorated by Anthony Childs and Faux work by Lenore Winters, with further renovations by owner including a spectacular third foor suite. This very handsome home has a total of 5 or 6 bedrooms, 5 full and 2 half bathrooms, a center island kitchen, opening to a casual dining area and family room. Truly must see! Ben Tessler 202.494.3111/ 202.362.1300 (O) btessler@msn.com

Potomac, Maryland

$2,250,000

Washington, D.C.

$1,695,000

This stately diplomatic residence is elegantly sited on a 9,800 sq. ft. lot in sought-after Berkley/Wesley Heights neighborhood. The light-flled Colonial features 6 bedrooms, 4 fnished levels, 3 full baths and 2 half baths. Large-scale entertaining indoors and out is a breeze with the fow of this property! Susan Jaquet 202.365.8118 / susanjaquet@aol.com Peter Sarro 703.625.3028 / 301.229.4000 (O) psarro@LNF.com

Alexandria, Virginia

$1,750,000

Elegant Avenel home, completely renovated in 2000. Home features 4 bedrooms and 4.5 bath with high ceilings and hardwood foors throughout. Premium lot overlooks Avenel golf course and lake. Walls of windows in family room and unique sunroom, open kitchen and breakfast area. Huge back yard with multi-level deck and beautifully landscaped yard. Eric W. Brooks 703.622.2001/ 240.497.1700 (O) ewbrooks@gmail.com

Gracious and elegant, this fne home was built by Cullinane, one of Washington’s premier builders. Generously sized rooms, renovated kitchen and baths, beautiful dining room with Palladian windows and French doors overlooking expansive green areas. Paved courtyard with sitting area and koi pond. Moments to King Street Metro, Old Town, Del Ray, GW Parkway and Reagan National Airport. Donnetta Duncan 703.905.7264/ 703.905.7264 (O) Donnetta@LNF.com

Fairfax Station, Virginia

Great Falls, Virginia

$1,595,000

Stunning brick 6 bedroom home on 5 acres. This equestrian estate features a bright open foor plan, 4 baths, 3 half baths, 3-car garage, wine cellar, stable, riding ring, solar heated in-ground pool and separate hot tub. Stable is surrounded by 3 acres of groomed pasture and features a tack room, hay loft and 5 stalls. Lisa Clayborne 703.675.5461/ 703.502.8145 (O) claybornelisa@aol.com

$1,599,000

Majestic brick and stone home with public water and sewer conveniently located between 2 Silver Line Metro stops. Meticulously maintained and too many upgrades to list. This home has close to 8,000 fnished sq. ft. on 3 levels, 6 bedrooms (5 on upper level), 5 full baths, 2 half baths, catering kitchen, screened porch, 3-car garage, circular drive and backs to Difcult Run Park. Brenda Davis 703.966.3210/ 703.938.4200 (O) BDavis4114@gmail.com

Find your agent at LongandFoster.com 866.677.6937

THE WORLD’S MOST DESIRED HOMES — BROUGHT TO YOU BY LONG & FOSTER AND CHRISTIE’S.

FESSENDEN HOUSE WASHINGTON, D.C.

A Rare Tribute to the Classical Order One of Washington, D.C.’s great estates, Fessenden House is an exquisite example of Neoclassical Architecture Designed by Leon Chatelain of Chatelain Architects in collaboration with Interior Designer Antony Childs, the construction of Fessenden House incorporates the highest quality in residential home building. Gibson Builders under the supervision of Jim Gibson, Buddy Zeigler and Harold White undertook the task of executing to exacting detail the construction of the home. The grounds were artfully designed by award winning landscape architect James Urban (ASLA Medal of Excellence), allowing the home to be enveloped by the beauty and splendor of both formal and informal English gardens. Additionally, the residence incorporates terraces and a sweeping curved staircase to overlook a swimming pool, pool house, and loggia with stunning views of acres of parkland. The result is a refned and outstanding estate home, a verdant retreat in the sought after Forest Hills neighborhood of Washington, D.C. Located just a few blocks from Marjorie Merriweather Post’s famed Hillwood Estate, east of Connecticut Avenue, Fessenden House is less than ffteen minutes from downtown Washington, D.C. and the White House.

Offered at $22 million Nancy Itteilag 202.372.5391 | itteilag@gmail.com Foxhall Offce 202.363.1800 Offered by Long & Foster Real Estate, Inc.

Coldwell Banker Residential Brokerage

ARNOLD, MARYLAND Extraordinary craftsmanship and architecture distinguish this restored 10,000 square-foot home on three acres along the Severn River. Amenities include pool and private pier. $6,499,000

ANNAPOLIS, MARYLAND This English Tudor estate on 20 acres on Chesapeake Bay offers inviting interiors underscored by fne woodwork. A waterfront guest cottage, patio, and pier enjoy waterside privacy. $3,995,000

ALEXANDRIA, VIRGINIA Rich in architectural detail, this stately 4BR/3.5BA Federal residence, circa 1782, is one of the fnest properties in Old Town. $3,350,000

Represented by: Day Weitzman Offce: 410.263.8686/Direct: 410.353.0721

Represented by: Donnan C. Wintermute Offce: 703.518.8300/Direct: 703.608.6868

ANNAPOLIS, MARYLAND A luxurious lifestyle awaits you in this 5BR/4+BA waterfront home designed to take advantage of the water views. The protected waterfront is only minutes to the Chesapeake Bay. $2,999,750

ALEXANDRIA, VIRGINIA Former model home offers fne craftsmanship and luxury amenities, conveniently located near Metro, DC and Old Town. 6BR/6+BA, 4 freplaces, 9 years old. $2,290,000

WASHINGTON, D.C. Forest Hills home with 4 bedrooms, 3 baths and 2 half baths. Great room, sun room, and a Chef’s kitchen with eat-in pantry. Spectacular indoor pool with showers. Private garden. $2,250,000

Represented by: Brent Allen Offce: 410.263.8686/Direct: 410.349.7764

Represented by: Susan Gray Chambers Offce: 703.518.8300/Direct: 703.203.9900

Represented by: Erich Cabe 202.387.6180/Direct: 202.320.6469

ARLINGTON, VIRGINIA Stunning 1800+ sq.ft. 2BR/2.5BA condo with 2 Italian-tiled terraces, East-facing windows and custom hardwoods foors. 5-star amenities include valet parking and full concierge. $1,499,000

RESTON, VIRGINIA Waterfront contemporary home on Lake Thoreau. Master suite on main level. Updated kitchen. Dining/living room lead to large deck with lake views. Three gas freplaces. Private dock. Pontoon boat conveys. $1,250,000

CHANTILLY, VIRGINIA Elegant home on 3-acres features 6BR/6.5BA, exotic hardwoods, dual sunrooms, veranda off master, kitchen with oversized island and glazed cabinets. $1,169,000

Represented by: Michael Schaeffer Offce: 202.387.6180/Direct: 202.491.5910

Represented by: Sam and Kathy Scoggin, The Scoggin Home Team Offce: 703.620.1668/Direct: 703.898.3903

Represented by: Traci Oliver Offce: 703.691.1400/Direct: 703.505.7614

CBMOVE.COM | COLDWELLBANKERPREVIEWS.COM Africa North America Central America South America Asia Australia Caribbean Europe Middle East © 2015 Coldwell Banker Real Estate LLC. All Rights Reserved. Coldwell Banker Real Estate LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Operated by a subsidiary of NRT LLC. Coldwell Banker, the Coldwell Banker Logo, Coldwell Banker Previews International, the Previews International logo and “Dedicated to Luxury Real Estate” are registered and unregistered service marks owned by Coldwell Banker Real Estate LLC. The property information herein is derived from various sources that may include, but not be limited to, county records and the Multiple Listing Service and it may include approximations. Although the information is believed to be accurate, it is not warranted and you should not rely upon it without personal verifcation. Any affliation by you with the Company is intended to be that of an independent contractor licensed real estate sales associate.

Haute ProPerty News, Stars, and trends in real estate Interior designer Erica Burns uses patterns—like the pomegranate motif on these dining room chairs—to keep neutral spaces interesting.

The New NeuTral

photography by anna routh photography

Forgoing typical pops oF color, a potomac home gets prepped For summer with sophisticated splashes oF Fresh pattern and modern texture. by charlotte safavi It’s hard to imagine this neutral home in Potomac Falls, Maryland, furnished in pastel yellow and sage green, but that is exactly how Bethesda-based interior designer Erica Burns first found it. “The color scheme was rather dated,” says Burns. With three kids, the home “was really worn out. It didn’t feel cheery or bright, but dark and tired.” Burns set about establishing a palette, but found there were no colors that both the husband and wife loved. The only agreement was a disinterest in bright hues, and in the end, the decision to go completely neutral prevailed. “We settled on greige and ivory and pops of chocolate brown,” says Burns. “Greige is a great neutral. It doesn’t read yellow and beige, like a tan,

or go too blue or cool, like a true gray.” With a timeless, neutral palette in play, Burns looked to the current wealth of patterns, textures, and finishes to create interest, add detail, and ensure spaces never get dull. The key, she says, is in the mix. “A lot of people get tired of color,” Burns says. “Neutrals are always on trend. But in this home, we achieved a fresh crispness through high contrast; instead of traditional black and white, we used chocolate and ivory for a warmer look.” Burns removed the old sectional squeezed into a family room corner continued on page 98

capitolfile-magazine.com 97

haute property

“I’m seeIng a lot of fresh takes on tradItIonal patterns, whIch promIse to become new classIcs.” —erica burns and brought in an English rolledarm sofa in chocolate brown, as well as double armchairs in a windowpane-checked print and a pair of quatrefoil-and-dot-patterned ottomans, with a nubby texture. “I used the sofa to define the layout and add balance, so I picked a darker color for it to contrast against the off-white paint,” says Burns. “I also added tape trim, with nailhead, along its base for interest.” Adding trim or piping to the edge or silhouette of furnishings has made a strong resurgence. In the living room Burns designed, ivory piping outlines the greige velvet of reupholstered sofas, and in the dining room, chocolate brown trim on curtains

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makes their geometric pattern stand out on a cream background. “I wanted to create an interior that was crisp and clean-lined, yet interesting,” says Burns. “Since I wasn’t using a lot of color, I had to focus on the details, as well as layer in patterns, finishes, and textures.” Reclaimed wood side tables in the family room repeat the ottomans’ quatrefoil pattern in their shapely tops; the square coffee table in the same space is lacquered white, with a textured raffia inset. “Lacquer is popular now, partly because it’s a safe way to do a trend,” adds Burns. “You can take a traditional piece of furniture and refresh it with shine.” Burns further enlivens the neutral

home with varied materials. She pairs porcelain, metallic, wood, and mercury-glass lamp bases with ivory lampshades. Her occasional table selection runs the gamut, including one of Lucite and another of stone and iron, both in the living room. But perhaps the biggest strength in the home’s design comes from the effortless blending of contemporary patterns, playing with their different forms and scales, all while only working with neutral hues. “I’m seeing a lot of fresh takes on traditional patterns, which promise to become new classics,” says Burns, who uses linear plaids, over-scale checks, and playful geometrics throughout the home. “Just because a pattern is neutral doesn’t mean it has to be boring or lack depth. It can pack as much punch as a bold color,” she adds. The dining room began afresh in a textured Phillip Jeffries grasscloth wall covering. Although existing host-and-hostess chairs got reupholstered in petite houndstooth, the dining chairs are the real design stars. “I found this crisp, large-scale pomegranate pattern,” says Burns. After the fabric was applied to their backs, the chairs were given chocolate brown velvet seats. To balance the strong botanical, the curtains have a smaller geometric fretwork and dot pattern. “The homeowners wanted timeless pieces, but nothing oldfashioned. They wanted a casual feel, nothing stuffy or formal. Everything I chose, whether fabric or furnishings, was classic with an updated look,” adds Burns. To achieve the right balance in the dining room, Burns removed the fussy top off an existing hutch and created a useful buffet. Instead of a customary chandelier, she hung double whitewashed lanterns. “From the beginning, to keep this home from becoming overwhelmingly neutral, I wanted to have pops of interest. This is something ordinarily done through a bright and contrasting color, but here we did it with patterns and materials—and sometimes, the unexpected.” erica burns, 202-2625212; ericaburns.com CF

stay neutral two local real estate experts weigh in on the value of a subdued palette. While homeowners often don’t consider resale when thinking of interior design, the trend for updated neutrals and the sophisticated juxtaposition of patterns has the added beneft of being market friendly, two local realtors say. “It’s easier to imagine your family in a space with neutral, inviting colors,” says Hans Wydler of Wydler Brothers (202-600-2727; wydlerbrothers.com). “[Potential buyers] have a lot less imagining to do when they’re not worrying about how their furniture will work in a bright orange living room or a dark, ornately decorated dining room.” Variations on the “greige” trend seem to be quite popular with today’s buyers, he adds. “The silvers, grays, beiges, and soft blues mimic the natural tones found in the sand, waves, and sun...While this used to be considered more of a ‘West Coast’ look, it’s not unusual to walk into a colonial in Chevy Chase or a Georgetown row home these days and fnd some ‘California chic’ going on,” he says. “It has a broad appeal: many more interested buyers, with a whole lot less staging, less repainting, less new furniture, and less upfront time and expenses to prepare a house for sale—which result in a better price for the owner and less on the to-do list for the buyer.” Ross McWilliams of McWilliams/ Ballard (202-337-7222, 1416 P St. NW; mcwilliamsballard.com) agrees, citing the recent shift to a “cool and modern background for tone-on-tone interiors” that prove lucrative in resale. “When placing a home on the market,” says McWilliams, “a well-designed interior with clean, neutral furnishings will decrease the number of days a home sits on the market and help the seller realize his maximum selling price.”

photography by anna routh photography

A plaid wingback chair rests upon a flokati rug for a contemporary look.

The Fleisher Group w/Long &

FosTer reaL esTaTe, Inc.

Heart of edgemoor

S pectacular e xpanSion & c omplete r enovation cuStom-built by & for acclaimed builder Jim gibSon deSigned by gtm arcHitectS & Sroka deSign Bethesda. This truly spectacular home features four fnished levels of unparalleled design and workmanship. A dramatic center hall foyer introduces formal rooms with transitional detailing as well as a sensational gourmet chef’s kitchen with expansive adjoining family room fooded with sunlight. The second foor contains a deluxe master bedroom suite complete with sitting area and absolutely gorgeous bath plus three additional bedrooms, one of which is currently utilized as a convenient exercise room. In addition, the third foor features a unique teen suite with separate sitting room and beautiful bath. Further enhancing the home’s broad appeal is a wonderful lower level featuring an expansive recreation/game room, a comfortable and informal media room, as well as a complete guest suite and full bath. The breathtaking backyard with southern exposure is highlighted with heated swimming pool, privacy screen with mature evergreens, and includes a custom-built and designed covered porch perfect for outdoor entertaining. Offered at $5,650,000.

thef leishergroup

Marc Fleisher www.thefleishergroup.com 202.364.5200 x 2927(O)  202.438.4880(C)

HAUTE PROPERTY Real Estate Roundtable The sweltering heat of the summer has arrived. To find out how to make outdoor spaces more enjoyable in the midst of the dog days, Capitol File assembled a panel of experts—real estate agents Rick Hoffman of Coldwell Banker and Piper Gioia of TTR Sotheby’s and Phil Kelly, chief operating officer of McHale Landscape Design—at the Washington Design Center’s rooftop lounge to talk about trends in outdoor entertaining, and the return on investment.

Alfresco UpgrAdes

LocaL experts discuss how outdoor sanctuaries provide owners with peace of mind—and a smart investment. by amy moeller

What’s the new perfect outdoor space? Piper Gioia: People are making their backyards more of a vacation spot—a destination for entertaining. Phil Kelly: Moving the inside out in a big way. We’ve been doing a lot of projects where we’re exceeding the cost of the house, outside—pool houses, swimming pools, outdoor kitchens. It’s a lifestyle. What are some of the more popular trends in outdoor living? Rick Hoffman: Fire pits—that’s big all of the sudden. It used to be chimineas. They’re out. It’s fire pits and outdoor kitchens—really creating a living room environment. In landscaping, people want easy maintenance…. [Fewer] annuals…more sculpted evergreen and perennials. PK: Free-form swimming pools with waterfalls—that’s a trend that’s really gone to the wayside. Now we’re doing rectangular pools with automatic pool covers and really crisp lines. [Also popular are] cocktail or

plunge pools—small pools, three feet deep, for just plunging and having cocktails. We’re doing sun shelves quite frequently…. a shelf in the pool that’s only six or 10 inches deep, so you have an umbrella, and then chaise lounges or Adirondack chairs. It’s fantastic. Deck jets are very popular right now. RH: I love the deck jets. In Georgetown, everyone has some water feature in the backyard. For DC’s hot summers, just the sound of water makes your backyard feel cooler. My neighbors have a consistently flowing fountain, and I can hear it when my windows are open. It’s such a nice sound. PK: Acoustical therapy. Are pools and water features added value for resale? PG: A safer bet is a smaller water feature, fire pit, outdoor living space, or kitchen, because [pools] seems to be about fifty-fifty. Either [buyers] want it or they don’t. It doesn’t necessarily add the value the other things do. RH: Personally, I love a pool. [But] in the city even, sometimes people will fill them in. And [in the suburbs], often people are worried about their safety. PG: The safety...the maintenance. But it’s funny—people will ask, “Is there room for a pool?” And I’ll say, “Yes! Do you want one?” And they’ll say, “No.” They want to know there’s room for it. What other cooling elements can homeowners implement? PK: Pavilion structures with paddle fans.

photography by Dominique Fierro (hoFFman); hometrack (pool)

Fireplaces (right) and minimally designed pools are among today’s most popular outdoor amenities. top: Brokers Rick Hoffman and Piper Gioia catch up at the Washington Design Center’s rooftop lounge.

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“PeoPle are making their backyards more of a vacation sPot—a destination for entertaining.” —piper gioia

photography by Dominique Fierro (gioia, kelly)

Rick Hoffman, Piper Gioia, and Phil Kelly brave the early-summer heat to discuss trends in outdoor spaces. above: A shaded kitchen, complete with custom cabinetry and a wraparound bar, makes outdoor entertaining a breeze.

We’re doing a lot of [patio] misters. RH: I saw misters for the first time in Europe, and I thought it was brilliant. Now it’s much more common. PK: You’d be amazed at how quickly that brings 90 degrees down. Retractable awnings—also very popular now—are built into a pergola structure for that added shade, but also a decorative element as well. The architectural umbrellas…. It’s unbeliev-

able how far those have come. How important is an outdoor space to buyers? PG: I just had [two] houses in a neighborhood, and one of the houses had very little outdoor space—a slate patio. The other had a magnificent outdoor space. The one with the outdoor space sold right away, even though the price points were such that you could put the outdoor space in the first home and still be comparable. [The buyers]

fell in love with the fact that it was all done—it was matured, it was ready. RH: Sometimes people say, “Oh I could do it myself,” but don’t have a vision. That’s why we stage houses. In New York, sometimes we’d have an outdoor space that was somewhat raw, and we’d bring in a landscape designer to do a design and put it in the house when we were selling it, so people could envision it. PG: I find with new construction, if I don’t have a landscape plan or something…it’s a huge obstacle. It used to be that [outdoor space] was customized to the buyer, and builders tried to stay away from it. RH: Remember when people wanted a project? It’s just not the case anymore. Also, think about years ago when people would accept backyards where you saw your neighbors. Now privacy is a really big issue with outdoor space, from a design standpoint. PK: There used to be trees six or 10 feet tall. Now we’re planting trees that are 20 feet tall, and they’re smacked together. The neighbors disappear. How can homeowners prepare their outdoor spaces for the market? RH: For properties with bigger yards, make sure your yard is as well kept as you can get it. Mulch… put some color in the yard. With an urban property, it’s privacy. If you can, create some sense of it in a small way…even planters with something tall in them. PG: If there’s a privacy issue, it’s worth putting in some mature trees…doing some sort of shading. Because people will walk right in and right out. But if it’s not a privacy issue, I would recommend just cleaning up whatever’s there…. If you start to [do more with] customization and investment without a long-term plan, usually it’s money not well spent. Piper Gioia, TTR Sotheby’s International Realty, 703-963-1363; pipergioia.ttrsir.com; Rick Hoffman, Coldwell Banker, 516-702-6554; rickhoffman@ cbmove.com; Phil Kelly, McHale Landscape Design, 301-599-8300; mchalelandscape.com cf

capitolfile-magazine.com 101

LANDMARK LIVING

On View

Discovering the Impressionists: Paul Durand-Ruel and the New Painting Through September 13

Coming Soon Delivery Fall 2015 Upon completion of its two year renovation project, this notable apartment community will offer the best combination of historic architecture and modern conveniences. All-new unit interiors ◊ Full size washer/dryer Stainless steel appliances ◊ Unique, spacious layouts Fitness center with yoga space ◊ 20 yard outdoor lap pool Outdoor lounge ◊ Dog run and grooming station

SouthCathedralMansions.com 202.838.3280 The Wrath of the Gods: Masterpieces by Michelangelo, Titian, and Rubens September 12 – December 6

Open until 8:45 p.m. every Wednesday and Friday Wednesdays after 5:00 p.m. and frst Sundays are Pay What You Wish general admission

philamuseum.org

For a complete schedule of exhibitions and evening programming, including funding credits listing our many generous donors, visit www.philamuseum.org. Dance at Bougival (detail), 1883, by Pierre-Auguste Renoir (Museum of Fine Arts, Boston: Picture Fund) Courtesy Museum of Fine Arts, Boston; Prometheus Bound, begun c. 1611–12, completed by 1618, by Peter Paul Rubens and Frans Snyders (Philadelphia Museum of Art: Purchased with the W. P. Wilstach Fund, W1950-3-1)

Haute ProPerty Long Weekend

Well Away

Three reTreaTs provide The perfecT respiTe from The din of The disTricT. by elizabeth thorp and amy moeller The slower-paced summer months are upon us, and there’s never been a better time to take a health and wellness break, whether you seek a weight-loss and fitness retreat, a day spa haven, or a pampering luxury escape.... Climb every mountain

Tucked in the woods of Pennsylvania’s Pocono Mountains, Deerfield Health Retreat and Spa, the only health retreat within driving distance of the DC area, favors health over hype and laughs over luxe. The spa’s charming

accommodations are appointed with cozy linens and sunny décor, and the daily schedule offers more than 15 classes, from Pilates to kickboxing. The simple, delicious meals keep your calorie intake around 1,600 a day. There are two state-of-the-art gyms, a heated outdoor pool, a gazebo-enclosed hot tub, and a full-service spa that does terrific facials. It’s the perfect place to get bikiniready or just escape the stress of life inside the Beltway. Three-night weekend rates start at

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$935 for single occupancy, and include accommodations, meals, fitness classes, Deerfield’s celebrated hiking program, lifestyle education lectures, and more. 650 Resica Falls Road, East Stroudsburg, PA, 800-852-4494; deerfieldspa.com la e effeCt

Just about 30 miles northeast of the city in Columbia, Still Point Spa’s mind-body-wellness retreat Haven on the Lake on Lake Kittamaqundi combines lakefront luxury with suburban convenience.

Its central location allows visitors to enjoy a little shopping at the Columbia Mall or a meal at one of the many restaurants nearby before taking a break from the day’s errands for a custom massage and rejuvenating facial at Still Point Spa’s newest location. (Guests can even get their grocery shopping completed at the Whole Foods above the spa.) The retreat’s brand new facility also offers more than 16 yoga, Pilates, and barre classes featuring floor-to-ceiling views of the water, an expansive space for lounging by the pool, and on-site child care to ensure your little ones stay occupied just a few doors away. 10275 Little Patuxent Pkwy., Columbia, 410-715-3020; havenonthelake.org

Gilt Getaway

Scheduled to open this summer, The Ivy is an 18-room luxury boutique hotel with on-site spa in the historic Mount Vernon neighborhood. The threeperson development team—including David Garrett, who is known for super-luxe retreats such as The Point Resort on Saranac Lake and Twin Farms in Vermont—has reimagined this Gilded Age beauty, which was built as a private home in 1889. With afternoon tea served by the fire and cocktails poured every evening at 6 pm, guests at The Ivy will feel like they’re staying at the home of a posh and generous friend. Room rates start at $475. 205 E. Biddle St., Baltimore, 443-5034501; theivybaltimore.com cf

photography courtesy of DeerfielD spa (DeerfielD health retreat); © KinDra clineff (the ivy); by haven on the laKe (hot tub)

clockwise from far left: Deerfield Health Retreat and Spa is nestled in 14 rolling acres in the Poconos; The Ivy offers luxe relaxation spaces in a boutique setting; and Haven on the Lake, with its brand new facility, teems with ways to unwind, such as the waterfall hot tub.

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Enjoy the newest addition to the Mastro’s Restaurants collection of upscale dining in the heart of Washington D.C. Mastro’s offers an unparalleled dining experience for you by combining the highest quality steaks and seafood with exceptional service. Experience the good life in an elegant and energetic atmosphere.

Join us at the DMV’s premier PGA TOUR event at the Quicken Loans National, July 28-Aug. 2, at Robert Trent Jones Golf Club in Prince William County, Va. Whether you want to follow your favorite player or relax with friends in a private cabana, we have a little something for everyone. With Lake Manassas as the quintessential backdrop, you’re bound to have the ultimate fan experience.

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SYZYGY EVENTS

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Since 2005, Syzygy Events International has been a luxury production company specializing in unique event experiences. The team at Syzygy is passionately committed to creative event design and unparalleled execution.

Greenworks Florist is DC’s premiere source of exquisite floral creations for the Washington, DC social, corporate, and wedding scene for the past 25 years. From small, intimate dinners to large galas and balls we’ll create custom floral designs for each unique occasion while providing dependable service and quality products.

Landmark Music Festival 2015 is happening September 26-27 in West Potomac Park. Experience five stages and over 40 artists, including Drake, The Strokes, Alt J, Chvrches, Ben Howard, Chromeo, and many more. And it’s all for a cause to restore our nation’s common ground, The National Mall.

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Buy tickets and see the full lineup at LandmarkFestival.org.

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Vintage made modern.

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INVITED

Nobuko Sasae and Amb. Kenichiro Sasae chat with Sen. Kirsten Gillibrand.

Vice President Biden speaks against domestic abuse.

Nick Schmit and Jenny Brody

Michael Pickrum and Hunter Biden

VOICES AGAINST VIOLENCE THE DC VOLUNTEERS Lawyers Project honored Senator Kirsten Gillibrand at its annual Voices Against Violence awards ceremony at the residence of the Japanese Ambassador. During the event, Gillibrand received the Champion of Justice Award for her leadership in the Senate to end violence against women. Mike and Tisha Hyter with Sandi McCoy

Nicole Preston and Tamara Tunie Irene Roth and Jenny Bilfield

Reginald Van Lee and Fabien Barnes

WASHINGTON PERFORMING ARTS GALA WASHINGTON PERFORMING ARTS

hosted its annual gala and auction, celebrating the 40th anniversary of its Embassy Adoption Program, at the Marriott Marquis with gala chair Reginald Van Lee and honoree Kaya

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Henderson, chancellor of DC Public Schools. Guests enjoyed performances by several Washington Performing Arts-supported groups, followed by dinner and dancing with live music by The Hot Sardines.

Guests toast WPA at the Marriott Marquis.

THIS PAGE: PHOTOGRAPHY BY TONY BROWN/IMIJINATION PHOTOGRAPHY (VOICES); JOY ASICO (WPA).OPPOSITE PAGE: PHOTOGRAPHY BY GETTY/PAUL MORIGI (KELLEY PAUL); JOY ASICO (MAXALTO)

Dr. Frank Lowe and Amb. Anne Anderson with Madeleine and Bjorn Lyrvall

Karen Marcou and Victoria Nourse

Suzanne and Glenn Youngkin with former Sec. of Labor Elaine Chao

Sen. Roy and Abigail Blunt

Samah and Grover Norquist with Sen. Rand Paul Kelley Paul signs her book for Wolf Blitzer.

Pamela Sorensen and Liliana Baldassari Guests filled ENO Wine Bar for the book signing.

KELLEY PAUL’S BOOK SIGNING GUESTS OF CAPITOL FILE and Kelley Paul

gathered at Eno Wine Bar in Georgetown for a signing of Paul’s latest book, True and Constant Friends: Love and Inspiration from our Grandmothers, Mothers, Sisters, and Friends. Husband and presidential-hopeful Senator Rand Paul, CNN’s Wolf Blitzer, Grover Norquist, and Senator Roy Blunt were among those in attendance to celebrate the book’s release.

Moriah O’Brien and Brian Fell

Sherry Moeller and Alberto DeMarco

Valentina Troisi and Allix Wright

The Maxalto showroom on M Street NW

MAXALTO

Diana Oradei and Andrea Gomirato

GUESTS WELCOMED the arrival

of the B&B Italia collection to the Maxalto showroom at the M Street location in Georgetown. Real estate agents, architects, interior designers, and embassy representatives enjoyed light hors d’oeuvres and wine while browsing the new collection at the Georgetown studio. Rosita Calabrese and Michele Giacolone

Quinn Murph and Ray Nguyen

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INVITED

Fletcher and Lindsay Gill

Christina Kra and Bryan Nicholson

Valerie and Matt McMurrough

LUKE’S WINGS HEROES GALA LUKE’S WINGS HOSTED its annual Heroes Gala at The Ritz-Carlton, Washington, DC, honoring 2015 Hero Award recipient Corporal Ryan Wightman and 2015 Community Impact Award

recipient Delta Air Lines. Presented by Lockheed Martin, the event was emceed by Shannon Bream of Fox News and included special musical guest Staff Sergeant Nathan Fair of the United States Army.

Marcus Truelove and Janet Schlueb with Andrea and Nathan Fair

THIS PAGE AND OPPOSITE: PHOTOGRAPHY BY TONY BROWN

Cameron Stanley, Brandon Diaz, Javier Herrera, and Armando Nunez

Pamela Sorensen and Michael Sapienza Jackie Allder, Duane Giglia, and Anne Polk

Eddie V’s seafood tower

Cary Pollak and Barbara Hawthorn

EDDIE V’S GRAND OPENING CAPITOL FILE CELEBRATED the grand opening of the new

Tysons Corner dining hot spot Eddie V’s Prime Seafood with a festive cocktail reception in The V Lounge and Austin Room. Guests noshed on a selection of the restaurant’s signature seafood including crab cakes and shrimp cocktails, along with perfectly roasted beef tenderloin and Scottish salmon. A live jazz trio set the mood for the evening as guests mixed and mingled amidst the skyline view revealed by the beautiful floor-to-ceiling windows. Laura Deming and Todd Galaida

Rhodalyn Mills and Paul Juergensen

freely speaking summer 2015

An Artful turnAround

DC’s vibrant Cultural sCene is inspiring a new generation of art lovers. By Stephanie Cutter

Committee on the Arts and Humanities, I’ve also learned that DC’s arts scene is not just in Georgetown or on H Street. It’s across the bridge in Anacostia, and it’s changing kids’ lives. One of our flagship programs, Turnaround Arts, has exposed the students of Savoy Elementary School, once one of the District’s lowest performing schools, to intensive arts education resources that have improved its academics, increased attendance, and reduced its discipline referrals. Turnaround Arts helped students like Kechelle, who used to be a withdrawn and sullen third grader struggling academically, to join the Savoy Players, the school’s first performing group, which requires high grades and good behavior. She excelled at dancing, and in less than a year, became an engaged student and class leader. She now attends the Washington Ballet school—an unlikely dream just a few years ago. While I was originally drawn to Washington by its political allure, it’s the city’s lively and diverse character that’s made me stay. When it comes to the arts, DC has more than what meets the eye. I encourage my fellow Washingtonians to look beyond the marble and appreciate the scene—if only for a moment. cf

illustration by daniel o’leary

We all know DC’s reputation as a buttonedup power center whose denizens would rather stare at their iPhones than appreciate the city’s natural and architectural beauty. Granted, the District may not be the nation’s “fine arts” capital. But for those who know where to look, the arts scene here is actually quite vibrant—and it’s been flourishing of late. For two decades, I moved back and forth from political campaigns to the White House and the Senate without paying much attention to the city around me. Now that I’m off campaigns, I’ve finally had a chance to soak in the scene—and I’ve been astounded by how much the arts have energized the capital. From the edgy art galleries on Ninth Street to the rocking throwback summer concerts behind Nationals Park on Friday nights, DC today is a far cry from its stereotype. Recently, I’ve been taking my young son to the Atlas Performing Arts Center on H Street, where we watched two very silly clowns recreate the charm of the golden age of the French circus in Pinot & Augustine. And 20 years after my first DC concerts, the Black Cat and the 9:30 Club are still some of the best music venues around to catch a live show. As a member of President Obama’s

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WE ARE PROUD TO WELCOME JEFF WILSON & DANIEL HEIDER

WILSON & HEIDER I +1 202 333 8410 I +1 202 333 1212 I TTRSIR.COM GEORGETOWN I DOWNTOWN I CHEVY CHASE I MCLEAN I ALEXANDRIA

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