UNDERGRADUATE PORTFOLIO
NICHOLas PURCELL Auburn University Bachelor of Architecture Bachelor of Interior Architecture 2008 – Present
The following is a collection of works representing my architectural endeavors while studying at Auburn University.
UNDERGRADUATE PORTFOLIO
NICHOLas PURCELL
CONTENTS
InterNet Transit Center
Civic Modularity at the Library
South Loop Children’s Hospital
Southside Sustainable Center
fall 2012 – present
summer 2012
fall 2011 – early spring 2012
fall 2010
Montgomery, Alabama
Montgomery, Alabama
Chicago, Illinois
Birmingham, Alabama
Conference Center
Additional Works
Ways of Seeing
spring 2012
fall 2009 – spring 2011
sketches, drawings, photography, explorations,
Chicago, Illinois
Lake Martin, Alabama
ceramics
Auburn, Alabama Rome, Italy
Resume
INTERNET TRANSIT CENTER Montgomery, Alabama fall 2012 – present / Professor Behzad Nakhjavan Professor Randal Vaughan
Architecture stands as the tangible reality of networks and is a palpable presence within the landscape. Marshal McLuhan elaborated on this subject by stating, “People say that the organizational man is alone, but even more alone is the man who is separated from this network.” Individuals have to reach out towards others and the built environment has to react to this condition by creating an architecture which enables community, change, and stability. Architecture responds accordingly, and in instances where the cultural fabric of a city has degraded—like the area encompassing Montgomery—design strategies for improvement must be proposed. In order to overcome the migrating population and disconnect that suburban growth is forcing on the urban core of Montgomery, an intervention—one of transit-centered objectives—should be considered. The InterNet, or Intermodal Transit Network is a solution to this dilemma. This proposed project is based on the premise of creating a central axis within the core of Montgomery where a series of nodes (each with their own specific interventions) will unite the various communities of the city. The central station will act as a hub for an interconnected network of transit and culturally-inclined points throughout the region. Each unit will be equipped with a similar program of regularities to create a physical network. No longer will the use of one building be limited to its isolated position. Instead, the program of the InterNet will spread across the cultural fabric and house unique nodes of connectivity within each station. This project will be the realization of a network in physical form. The design will mirror these themes and will act as a communication device for the city within the landscape to enhance to architectural character of Montgomery.
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INTERNET TRANSIT CENTER
The main intermodal station is only the beginning. The center acts a hub for an interconnected network of transit and culturallyinclined nodes throughout the cities of Montgomery and Prattville, Alabama. Each unit will be equipped within the gridded regularities of the network. However, the stations will carry a unique programmatic feature that will spread the use of the InterNet across the region. No longer will the use of a building be conďŹ ned to its solitary position.
Opposite: Initial explorations of the
Above: Existing site conditions and
intermodal center showcase the
analysis. The present situation of the
building’s ability to engage the site
historic train station is one within a
and act as a gateway between the river
vast, surface parking lot.
and city.
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The light rail transit system services the main communities of Montgomery. Following the existing routes of operating and/or derelict freight lines, the system provides an efďŹ cient means of transportation to the below stations. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Downtown Intermodal Center Maxwell-Gunter AF Base - Child Care Eastdale Mall - Library Shoppes at East Chase - Market Taylor - Play Space Montgomery Mall - Theatre Selma Highway - Museum Maxwell AF Base - Cafe Sheridan Heights Greek Park Prattville
INTERNET TRANSIT CENTER Right (Above): Hovering above the existing rail tracks, the waiting space and public forum will create a space for the passengers to view the river and passing cargo.
Right (Below): Section and Elevation of the proposed central station within downtown Montgomery.
The proposed site positions itself within the existing train station and connects the bus terminal with rail travel.
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INTERNET TRANSIT CENTER The proposal for a Montgomery transportation center is based on the notion that architecture is the physical manifestation of social and cultural networks and can, therefore, act as a catalyst for urban growth and connectivity within the building, city, and region. The InterNet : An Intermodal Solution for Engaging the Cultural and Architectural City Network.
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INTERNET TRANSIT CENTER The central waiting space levitates above the continually-moving train lines beneath. A light well and solar diffuser allow for the atmosphere to enter the space. The continual repetition of linear piers and the overlapping characteristics of the facade intersect the interior space to create a continual representation of material networking. The building will also communicate and represent time, current events, and other cultural happenings by the use of a kinetic/digital skin.
Below: Inuences are drawn from the urban and adaptable characteristics of Cedric Price and Buckminster Fuller’s work, along with modern projects such as the Atlanta BeltLine. A recent interpretation of the station’s facade is modeled below.
Opposite: The once-used rail network of Montgomery will no longer pass by the city in guise. The new intermodal center will equip commuters and travelers of the region to access the capital city with ease and network along its vibrant landscape.
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INTERNET TRANSIT CENTER
The project has begun to focus on the importance of creating a dynamic, civic space within the city. This room will operate at the hub for the center and act as a transition between the city and transit center. With the incorporation of various circulation ramps and intersecting volumes, the hall exempliďŹ es the architectural materialization of a physical network.
Above: Section, perspective, and oorplan of the main entry lobby. This space will house the main ticketing and waiting room. It is the threshold for the downtown of Montgomery.
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Right: The heightened aspect of the main atrium will create a soaring canopy within the structure and give grandeur to a building type that once was used to promote the importance of architecture within the culture.
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INTERNET TRANSIT CENTER
Rail will pass below the structure and divide the central station between two programmatic zones: one housing the waiting space and engaging the riverfront, while the other reacts towards the historic prominence of the existing urban conditions.
Left: The establishment of a modularity, repetition and order establish the foundation for an interconnected system which is inuenced by past projects and reected within the architectural realization of the InterNet station (right).
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CIVIC MODULARITY Rufus A. Lewis Library — Montgomery, AL summer 2012 / Professor Kevin Moore and Professor Robert Sproull
The modern library should act as a vessel for learning, informing, and engaging the community. It should be a place for knowledge and creativity; a cultural center that operates as a significant place in the public realm. This proposal for the Lewis branch is based on subdividing the traditional, symmetrical, and often grand center of civic buildings. By dispersing the ‘civic’ core into smaller, unique nodes, the library becomes more intimate and diverse. Each module gives significance to the spaces within the library’s main zones: circulation desk, children’s area, quiet study, and community rooms. Every modular addition can be seen as a prototype for creating a localized civic atmosphere through a unique tiled surface illuminated by natural light. The custom tile patterns intensify the play of light and tune the acoustics within each space.
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CIVIC MODULARITY
The proposed redesign would retain the building’s structure and main wall system. Partitions and other temporal structures would be disposed of in order to create a more modern library.
Above: The existing conditions of the Lewis Library were in disrepair. Foundation issues and a lack of circulation space left a building with no communal value besides its use as a library. Architecturally, it was in need of repurposement.
23 Below: Acoustical analysis with ceramic tile as wall surface. The dispersement of tiled modular coverings enhance the auditory capabilities of speciďŹ c spaces while dampening others. The relocation of civic space (Right) offers variety for the library’s patrons.
Above: Four main civic modules are divided to form speciďŹ c nodes within the library. The traditional symmetrical design of civic buildings has been repurposed to meet the needs of a more intimate, and modern library.
CIVIC MODULARITY
The modules also establish exterior rooms, courtyards, and playscapes while extending the library past its interior to engage the landscape. The façade of the library, for example, reaches into the site and acts as a public piazza for communal gatherings anchored by a soaring campanile. This modular method establishes a system that can be adapted for many libraries. It becomes a strategy for improving the civic, cultural and programmatic elements of the modern suburban library by creating a dispersed and intimate grandeur.
Rufus A. Lewis Library 1. Circulation Desk 2. Community Room / Cafe 3. Wi-Fi & Computer Lounge 4. References 5. Study 6. Periodicals & Reading 7. Children’s Library & Theatre 8. Administration / Offices
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CIVIC MODULARITY
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27 Left: Community Room and Cafe: This exible space can be adapted to meet any programmatic need. An operable wall, accessible storage and window seating insure that the room can be used for many tasks and events.
Below Left: Circulation Desk and Welcoming Center: The ceramic-tiled wall is illuminated by natural light and is the center of the library. The reading, reference, and computer zones radiate from this space.
Below Right: Material choices along with furniture selections were used to enhance the interior environment.
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CIVIC MODULARITY
Left: The four main civic modules are divided to form speciďŹ c nodes within the library. The traditional symmetrical design of civic buildings has been repurposed to meet the needs of a more intimate, and modern library.
29 Right: The ceramic tile-making process was explored through physical and two-dimensional means. The sculpted facets reect light and acoustics in various forms depending on their shape and coursing. The below images showcase each civicnode and the variety of every space. Light monitors promote a sense of prominence within the structure; they give hierarchy and provide natural light.
CIVIC MODULARITY
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31 Left: Children’s Library and Theatre: Readings, plays, and imaginative storytelling will take place in this sunlit space encased by sound-absorptive wooden tiles.
Below Left: Wi-Fi and Computer Lounge: With technology rapidly changing, this space will operate as a exible and centralized space for digital media.
Below Right: Cast ceramic tiles and Maharam textiles compliment the walnut/acajou wood paneling.
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SOUTH LOOP CHILDREN’S HOSPITAL Chicago, Illinois fall 2011 – early spring 2012 / Professor Kevin Moore
Drawing inspiration from the rich, urban context of the Printer’s Row district in Chicago, the South Loop Children’s Hospital is designed as a facility to meet the needs of modern medical practices while accommodating the patients, hospital staff, and public visitors in a meaningful way. Both the vernacular and environmental qualities of the city’s existing buildings are manifested in the design of the structure. The form responds to the various districts and zones throughout the city and becomes extensions of these urban conditions. In keeping with this strategy, the patient floors are elevated above the street and surrounding buildings. The patient, once admitted, is instantly engaged with the program. Spacious family rooms, outdoor dining terraces, and an auditorium are some of the amenities offered at the center. Views are continued throughout the building and focus on urban conditions surrounding the Loop and Printer’s Row districts. The canted formation of the bay windows creates specific zones for each patient and visitor. A sense of ownership is established for the room’s inhabitants. This principle, which is seen throughout the facility, is crucial for the encouragement of a patient’s comfort, happiness and health.
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SOUTH LOOP CHILDREN’S HOSPITAL
11
10 - 6
5 4 3 2 1
B
Inspired by the historic Chicago bay windows, the design focuses on engaging each patient with his/her view of the Printer’s Row neighborhood. Vistas are framed towards specific views down the street rather than across the block. The open views allow for ample observation of the surrounding urban atmosphere along this vibrant and historic corridor.
Opposite: The hospital in relation to the existing figure ground of Chicago. Photographs show the corner condition of the site.
Level 11: Doctor’s Offices, Administration Levels 6 - 10: Nursing Units Level 5: Dietary Services, Community Outreach Level 4: Pharmacy, Medical Records, Laboratory, Cardiovascular Surgery Level 3: Interventional/Diagnostic Cardiology, Central Sterile Level 2: Prep/Hold/Recover, Radiology, Intensive Care Level 1: Patient/Visitor Entrance, Emergency Room Level B: General Storage, Mechanical
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Bay windows are prevalent in the traditional skyscraper. They offer more light and ventilation. This method is implemented in the SLCH patient rooms.
Top: The canted patient windows would allow for ample views across the city and increase the presence of natural light in each room.
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SOUTH LOOP CHILDREN’S HOSPITAL
Top Left: Entrance and connection from S. Clark St. to the lobby. Center Left: The lobby would act as a welcoming environment for patients and visitors. Top Left: The patient rooms offer seating and accommodations to enhance the visitors experience. Right: Section of the patient rooms and bay windows.
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SOUTH LOOP CHILDREN’S HOSPITAL Left: The ground floor plan of the hospital (Level 1) accommodates
visitor, patient, and emergency room traffic. The lobby is situated on the Clark and Harrison Street intersection in order to obtain a presence on the corner. Two vertical egress arteries enable privacy for patients and medical staff while promoting efficiency in public circulation. Right: The arrangement of patient rooms and windows are reflections of the views towards the outside city. Each zone focuses on a different urban situation, whether it is a park or the undulating volumes of the Printer’s Row District. A family room is in the center of the plan and creates a node of peace and play for visiting guests. Overleaf: Longitudinal section facing eastward. Public space flows from the lobby on Level 1 to the auditorium, cafeteria, and community centers on Level 5. This scheme enables the surgical and patient levels to be divided programmatically by active, public space. Patient rooms look down upon these various spaces to view people lounging, dining, or socializing.
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SOUTH LOOP CHILDREN’S HOSPITAL
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SOUTH LOOP CHILDREN’S HOSPITAL
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43 Vertical Circulation
HVAC
Left: Transverse section facing southward. The lobby-atrium gradually moves upward to Level 5 and creates a clear connection with the public space of the street to the elevated terrace and cafeteria. Patient room windows are canted at different angles to create special and unique views for each guest.
Right: Diagrams showing various systems in the building.
Structure
SOUTH LOOP CHILDREN’S HOSPITAL
The hospital reacts to the existing spatial conditions and urban context of the city. The lower band relates to the street, while the upper zones (patient levels) setback, open up, and allow for sunlight and the vistas of the cityscape to interact with each guest’s experience during a stay.
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SOUTHSIDE SUSTAINABLE CENTER Birmingham, Alabama fall 2010 / Professor Scheri Schumacher
The Southside Sustainable Center is a commercial, residential, and hands-on educational building in the industrial/arts district of east Birmingham, Alabama. The center engages the community and acts as a resource of urban renewal with ecologically-geared initiatives. It houses two of the state’s largest environmentallyconscious organizations, along with a restaurant, organic grocery, bike share program, and a community kitchen. Inspired by the industrial nature of Birmingham and the nearby Sloss Furnace, the SSC echoes the characteristics of the existing urban fabric and embraces the past legacy of the city while showcasing the clean-industrial way of the future. The center links the surrounding neighborhood together and acts as a social forum for discussion, commerce, and living. A recycling center will reuse the food waste and packaging materials from the cafÊ, grocery, and kitchen into a compostable soil for an urban farm. The center would act as an example of sustainable methods for design, health, transportation, and everyday living. Architecturally, the structure engages the landscape around it. Acting upon the urban language of the industrial zone, the center emphasizes the importance of the land and integrates systems that harvest and reuse energy, water, ventilation, and food from its natural surroundings.
SOUTHSIDE SUSTAINABLE CENTER Below: Birmingham lies in the northcentral region of Alabama and the site is located southeast of the downtown district.
Right: Many of the adjacent buildings are warehouse or storage facilities. The district is heightening in popularity and quickly becoming an area for both the visual and culinary arts.
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Above: The SSC was a retrofit of an existing school in the warehouse district. Many of the materialswere salvaged and used for infill/ landscaping, along with construction purposes.
1: Bike Share Program
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2: Lobby/Vertical Circulation 3: Offices 4: Double-Height Corridor 5: Community Kitchen/Cafe 6: Green Grocery 7: Greenhouses 8: Residences
1 2
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4 Overleaf: Transverse section looking
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northward. The SSC houses an
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interactive retaining pond that is used to water the urban farm and sustain the center’s plumbing and irrigation needs. A screen shields the building from the elements while allowing for an operable exterior to passively cool the building.
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SOUTHSIDE SUSTAINABLE CENTER
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SOUTHSIDE SUSTAINABLE CENTER
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Left: The ground oor of
Above: Residences and
Below: Longitudinal section
the SSC houses several
additional ofďŹ ce/meeting
looking westward. The
programmatic elements
space compose the upper
canted rooftop is lined with
that have a connection with
level of the SCC. Exterior
solar-pv arrays and the
the exterior. The land and
windows offer cross-
thermal chimney act as
structure have a symbiotic
ventilation and increase the
ventilators for the interior
relationship. Crops are
presence of sunlight in the
structure.
planted, grown, cultivated,
interior.
and later sold on property.
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CONFERENCE CENTER Chicago, Illinois spring 2012 / Professor Kevin Moore
This adaptive-reuse of a Chicago, Illinois warehouse is focused on continuing the theme of community and engagement that is often characterized by meeting spaces. The design proposes the use of a circulation tower that centralizes the main egress of the structure while creating a series of collaborative nodes. Through openings and light shafts, visitors are able to glimpse into a variety of spaces and continually experience new views within a parallax procession. The circulation tower also positions the main entry on a highly-trafďŹ cked streetfront and displays the conference center’s program through a narrative journey that begins with the main level and moves upward. This center provides an array of spaces for engaging within a collaborative atmosphere.
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CONFERENCE CENTER
Located within the Printer’s Row District of Chicago, the Conference Center fronts the forboding wall of the nearby station and is void of the public interaction of Clark Street on the eastern facade. In order to overcome this dilemma, the main entrance was repositioned on Clark and service was kept back-of-house on S. LaSalle Street.
Above: The existing street conditions of LaSalle (below) are juxtaposed with the more active characteristics of Clark (above). The hospital in relation to the
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Level 7
Level 6
Level 5
Level 4
Level 3
Level 1
Level 2
Level 7: Rentable Office Space Level 5: Small and Large Meeting Level 3: Conference Offices; WiFi Cafe
Level 6: Rentable Office Space Level 4: Small Meeting; Executive Boardroom Level 2: Lecture Hall
Level 1: Parking; Multi-Purpose
Above: The repurposement of an existing service station was needed in order to position the main lobby and entry on Clark Street. A circulation tower connects the office/conference spaces with the entry hall.
CONFERENCE CENTER Right: Light shafts and various openings through the proposed structure allow visitors to gaze upon others within the meeting space. A sense of collaboration and discovery is implied by this action.
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Level 1
Level 2
Left: The first level houses the main exhibition hall and reception offices. As visitors progress up the circulation tower (Opposite)they are able to engage with other programmatic sections: the administration and leasable offices are on the lower-tier floors, while the conference rooms are on the top levels. This keeps activity heavy within the building and promotes
Level 3
the interaction between guest and worker.
Level 4
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CONFERENCE CENTER
Above: The entry hall (left)transitions
The lecture hall (right) provides a main
into the circulation tower with the
space for gathering.
procession of guests upwards towards the meeting center. Voids are formed in order to create views into the central room, along with the incorporation of nodes for casual conversation.
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Below: The section of the Conference Center display the circulation tower and its adjacency to the main entry hall. Guests move upwards and across the service street into their respective meeting rooms.
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ADDITIONAL WORKS
fall 2009 – spring 2011
Lake Martin, Alabama Auburn, Alabama Rome, Italy
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DAVIS ARBORETUM CENTER Auburn University, Alabama spring 2010 Prof. Justin Miller
The nature center is designed to promote interaction within the Davis Arboretum and the fields of inter-collegiate activities and exhibitions. Conceptually, the design for the structure is focused on the importance of connecting people and the facility with the environment. This is accomplished by the engagement of the ground plane with the lower level and
the incorporation of a green roof. The double-skin umbrella roof is located on the eastern side of the center and is used for thermal conditioning. Its cradling form engulfs the main building to mimic the canopy effect of flora and decrease thermal heat gain.
Opposite: An undulating umbrella roof and deep awning decreases the amount of heat gained by the building. The two-tiered landscape connects the lower level of the center with the upper lobby and educational rooms. The educational center is divided into three components: the inner core, educational wing and auditorium theatre.
Level 2 The auditorium spans outward into the arboretum to focus views on the surrounding landscape. Offices are housed on the upper level and the ground level is used for educational workshops and nature maintenance facilities. The center interacts with the landscapes and creates forms that encourage social events and ceremonies often held at the
Level 1
property.
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LAKEHOUSE Lake Martin, Alabama fall 2009 Prof. Robert Faust
Inspired by the masts and sails of ships, the Lakehouse adapts to the landscape and appears to cast off towards the lake’s vistas below. The interior of the home is based on a sequencing of spaces. One enters the house, and slowly progresses from the ground level to the public spaces on the lower tier of the building.
Nestled courtyards, overhanging decks, and dynamic volumes create interactive forms within the building. The home shelters its inhabitants while engaging the surrounding hillside and lakefront in order to create a close connection with the house and nature.
The home cradles the interior courtyard and creates a myriad of intriguing views on the western facade. Fins act as shading devices on the interior and cast a continual play of contrasting light and shadow. The Lakehouse is designed with the more intimate spaces on the top level, and subsequently, the public and entertaining spaces on the lower level.
The lake house is situated on a wooded lot between two previously built homes. The courtyard is on the eastern-front of the home and repeats the existing pattern of public space seen by the neighboring houses.
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LUDOTECA Trastevere, Rome, Italy spring 2011 Prof. Scott Finn
A Ludoteca is a children’s toy library and play-place. It is often used by European families who are eager to please their children through the act of play, but would rather do so as a collective. The sundry of toys are stored and shared, much like a modern library, and distributed throughout the center. This project focuses on integrating the action of ‘play’
while structuring the program to respond to the existing urban fabric. Trastevere, a district of Rome, is rich with baroque and medieval architecture. The Ludoteca is located adjacent to the historic cloister of Santa Cecilia.
Respectively, the program separates itself from the convent and focuses its attention towards an outward interaction with the streetscape. Operable windows cantilever into the medieval passageway and offer views towards the piazza, while interior playgrounds and a rooftop garden create interactive havens for visiting children. The center reacts to the surrounding architecture of Rome and adapts to meet the needs of its occupants while responding to the traditional program of the area.
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WAYS OF SEEING
Opelika Bookstore Facade fall 2009 This project was focused on creating a playful elevation that would interact with patrons of a local bookstore. Openings and enclosures cascade down the facade to meet the ground and create a portico effect.
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WAYS OF SEEING
Above: Tridente, Piazza del Popolo, Rome spring 2011 Left: Campidoglio, Rome
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Right: Villa Giulia, Rome
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WAYS OF SEEING
Above: Cupboard Child charcoal and ebony Opposite: Legislative Assembly, Chandigarh 2009 graphite
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WAYS OF SEEING
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Above: Lion and the Lamb 2013 ceramic Opposite: EMPAC, Troy 2009 graphite
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WAYS OF SEEING
Amsterdam
A collection of photographs that capture the spirit of each locale.
Paris
Lucca
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Venice
Chicago
Nicholas
purcell
114 Coyote Creek Rd. Meridianville, AL 35759 256.651.2363 nkp0001@auburn.edu
EDUCATION Auburn University — Auburn, AL School of Architecture: Bachelor of Architecture, Bachelor of Interior Architecture, expected May 2013 Tau Sigma Delta Honor Society in Architecture and Allied Arts Outstanding Interior Architecture Undergraduate Student Award College of Architecture, Design and Construction (CADC)Dean’s List Seay, Seay, & Litchfield Scholarship Roger W. Rindt Memorial Scholarship Blackwell Drawing Prize Alabama Architectural Foundation Scholarship Frank J. Sindelar Endowed Scholarship William T. Warren and William T. Warren, Jr. Endowed Scholarship Auburn University Leadership and Achievement Scholarship Academic Experience: American Institute of Architecture Students—Auburn Vice President College of Architecture, Design and Construction Student Ambassador Greeting Captain at Church of the Highlands—Auburn Auburn University CADC Student Council Association Vice President Student Intern at Church of the Highlands—Auburn Rome, Italy: Design Abroad Program Hazel Green High School — Hazel Green, AL Advanced Diploma with Honors, May 2008
2008 – Present
2013 2011 – 2012 2010 – 2012 2012 2012 2012 2011 2010 2009 2008 – 2012 2012 – Present 2010 – Present 2011 – Present 2012 2011 2011 2004 – 2008
EXPERIENCE City of Huntsville Department of Planning GIS — Huntsville, AL
05.2010 – 08.2010
Office and Field Intern As a full-time summer intern to perform clerical tasks throughout the office during regular workdays. Was shown by lead administrators through the planning and governmental tasks of managing a geographical database within a municipal setting. Partnered with a team to survey and record storm-water systems within city jurisdiction to update the logistical information for future planning projects using the ArcGIS software program. Matheny Goldmon Architects, LLC — Huntsville, AL
06.2008, 12.2008
Office Intern Performed as a full-time summer and December intern responsible for aiding the office administration with the daily tasks of maintaining the positive atmosphere of the work environment. Studied lead principles to understand the hierarchical strategies applied during a design project and observe the client-architect relationship during meetings. Construction-site visits were frequent while in the field along with the occasional reviewing of design plans and documents. Completed minor tasks with AutoCAD and Adobe Illustrator, and ran errands for the office to gather printed drawings from the press. Von Braun Center — Huntsville, AL 01.2006 – 08.2009 Concessions Employee Interacted with customers to fulfill refreshment orders during concerts, conventions, and additional events held at the civic center venue. Involved in the stocking, cleaning, cooking, and order-placement process of the department and warehouse. Worked as a team with other colleagues to achieve a well-maintained concession stand for various occasions within a variety of locations throughout the complex. Designed and produced graphic art displays for installation during an event conference.
SKILLS Digital
Proficient in AutoCAD, Google SketchUp, Google Docs, Adobe Creative Suite, Microsoft Office Suite. Familiar with Revit, Ecotect, Rhinoceros. General Design, Teaming, Research, Planning, Sketching, Drawing, Model Making, Administrating, and dancing the Thriller.
REFERENCES Robert Sproull, Visiting Assistant Professor / 113 Dudley Hall / Auburn, AL 36849 / RAS0022@auburn.edu / 334.844.4503 Christian Dagg, Associate Professor and Chair / 311 Dudley Hall / Auburn, AL 36830 / DaggChr@auburn.edu / 334.844.4519 Timothy Barnes, GIS Manager / 308 Fountain Circle An. Bldg / Huntsville, AL 35801 / Tim.Barnes@huntsvilleal.gov / 256.427.5100