Hella

HELLA

N U M1 . 1

HELLA MA GA ZINE

S K AT E , S U R F & S N O W B O A R D M A G A Z I N E

BOTH SIDES OF THE LENSE

Sean K. Sullivan / Sally Fitzgibbons Ringit / Sam Giles Strap in For life / Grace & Power / Surfer Journals / Postlands

C O N T E N T S

9

25 OUTERWEAR

20 GALLERY

5 3 5 S A L LY F I T Z G I B B O N S

30 NIKE 6.0 WSM

26 TIME FLIES

19 TRICK & TIPS

18 SPRING BREACK

9 NEW ZELAND

6 ASHBURY

3 POSTLAND

2 CONTENTS

T H E C I R C L E O F T R U S T

29

S T R A P I N F O R L I F E G R A C E P O W E R

A two year voyage in search for answers.

The surfer tearing up the rule book.

&

33

36

57 NEW THIS SEASON

52 FRIEND & FOE

50 CAMERON CARD

I S S U E

# 1

4 8 J O R DA N T R A H A N

45 KODY NOBLE

40 FROM THE EDITOR

38 SURFER JOURNALS

HELLA MA GA ZINE

43

52

A N S O L U T E G I A N T S

L A U R I E T O W N E R

J O E A T K I N S O N

S A M G I L E S

Battles worth fighting?

You might as well do what you love and be happy.

Why bother with a levels?

Quizzing skate royalty.

EDITORS Editor-in-Chief Nicolas Farina Editor At Large Rick Baker Fashion Editor Jana Bartolo

CONTRIBUTORS Steele Saunders, Jan Snarski and Tim Fisher SPECIAL THANKS Dan Himbrechts, Steve Gourlay and Andrew Shields for their work in the photography article

Email: nick.ro@lifeloungegroup.com Phone: (02) 9037 0402

COVER AND MASTHEAD DESIGN Luke Lucas

PHOTOGRAPHY Jason Henley, Julius Kellar, Cole Barash, Joe Hammeke, Andy Mueller, Lifewithoutandy

S T A F F COVER Kevin Pearce Photography: Cole Barash Location:Vermont Camera: Canon 5D Lens: 50mm Exposure: 1/100 @ “Kev’s energy, passion, determination, and kindess inspire me everytime I kick it with him. There is no doubt in my mind we will continue to see amazing things from this guy- on and off the snow.”

- Cole Barash

LAYOUT DESIGN Ricky Synot and Luke Lucas from Lifelounge

SALES MANAGER Sales Manager Nicholas Robson

COMPANY Hella Magazine Pty. Ltd. 285 St Kilda Rd St. Kilda, Victoria, 3182, Australia Phone: (03) 9008 5818 Email: hithere@popmag.com.au Web: popmag.com.au PRINTERS Printgraphics Pty. Ltd Phone: (03) 9562 9600 Web: www.printgraphics.com.au

3

9

SNOW BOA RD

W

R

I

T

T

E

N

B Y

J

A

K

E

B

L A

C

K

T H E

C I

O F

T R

U

S

T

HELLA MA GA ZINE

R C L E

Z A C H H O O P E R Every month you eagerly swing by your favorite snow shop or ritually check the mail waiting, needing the month’s new magazine. Craving the opportunity to dive into that two-dimensional marriage of ink and paper that continually delivers your fix of wintry euphoria.

10

11

SNOW BOA RD

Z A C K

R E L T S B E T R I D E

H O O P E R

A I O N H I P W E E N R & P H O T O G R A P H E R

E

ach page filled with words bursting with the adventures of those who dare dream, to fail and to succeed. In an intricate dance with the words are photographs documenting the moments, the split seconds, freezing time itself to pull you into the essence of the experience. What you see in the mags isn’t a mere coincidence, it’s the fermentation of the photographer and the rider’s shared vision of what can be created through an abundance of talent, on both sides of the lens. The addictive content you seek in each issue is a byproduct of the “circle of trust,” the result of a seasoned relationship between photographer and rider. Your favorite photo begins with an idea which stirs within the imagination of both the rider and the photographer. Next they brainstorm together, contemplating on how to best use the mountain, street or park. Whether funded for an ad campaign or fueled by pure passion and love for the sport, the idea of the desired outcome is the foundation of this circle of trust.

Searching endlessly for the right feature, the right angle and the right light to capture the moment is driven by the desire to push the limits of creativity. The circle

HELLA MA GA ZINE

P H .

of trust is a team effort, in order to create that trust both parties must work together to a near fanatical degree. Agree, disagree, agreeing to disagree, arguing, the foundation of partnership, but only as long as each party stays true to the shared ideal. There is always give and take depending on the situation at hand, but to keep within the circle of trust you must be willing to compromise and collaborate.

The rider works with the canvas provided by the mountains while the photographer works within the confines of the camera frame, both are determined to push their boundaries and test their comfort levels, because anything short of results are mediocre photographs. In some cases the photographer takes the lead role, this is possible due to the majority of photographers with backgrounds based within snowboarding, and not solely within photography. This causes them to eat, sleep, and dream snow just like the riders, only from a different angle. A change in perspective can vastly help keep the circle in check. Like a game of pool, you’re more likely to sink the ball if you can

F O R E S T

B A I L E Y

see the shot from two different angles, the same rules apply to capturing great snowboarding. The photographer, understanding both sides of the equation, strives to accentuate and elaborate the scene, the action and the feeling.

Other times the rider takes the lead, constantly eyeing out spots to get down, fantasizing their favorite tricks over and over again, or dreaming of something new to learn, the rider fueled by adrenaline and ambition brings creativity and physical ability to the table.

The world is literally their playground. Often imagining the photo they wish to create, the rider can add a second opinion to the composition and style of the photograph.

The circle of trust involves many inherent risks in capturing that moment in time; the rider must put their faith in the photographer and their own ability, lithe rider is in over their head and is caught in an avalanche, who would be first on site? If the rider slams into a rail, the ground, or anything else, who would be the first to re-

12

13

SNOW BOA RD

Z A C H

H O O P E R

My name is Zach Hooper, and for as long as I can remember I have been addicted to snow.

Being a transplant at age two from Southern California to Southern Colorado is what would change my life forever. My father ended up running Purgatory ski resort, which made nice for spending the majority of my childhood in an epic winter wonder land.

At the beginning of my teenage delinquent years my family moved back to Newport Beach California and at that exact moment snowboarding was taking off like wild fire all across the country. God I have to get back to the mountains.

After high school I ran back to Colorado as fast as I could. Working for various snowboard shops I eventually ran into Ryan Lougee who had a completely different perspective on the game of Snowboarding. Red Mountain pass and pre Silverton mountain sessions were born. Big ups to the original Cory Smith!

Durango Colorado just isn’t the illest spot to be if your trying get your shred on. So I decided to try Whistler and surrounding areas out for a couple of years. For all of you that haven’t been, and think that maybe it’s all a bunch of hype, lets just say you better bring you’re A game. Big ups to the Timber Ridge posse!

My lil bro Aaron had been posted up in Aspen all this time with Lougee getting their film on and had invited me down for a visit. Once I landed and walked out of the plane, I knew that I was not leaving anytime soon. Four banger mountains, back country galore, the X Games, lots of good people to shred with, and an actual mountain town where you can make a living.

Six years later and I’m still here in Aspen gearing up for this year’s season while my brother and others are enjoying the winter down in New Zealand, and South America. God I need to go snowboarding!

D O R A N

P H . J E F F

P A T T O

L A Y B O U R N

HELLA MA GA ZINE

act? If the rider’s frustration gets the best of them, who would be there to help? The photographer is almost always going to be the first to respond to any of these situations. The rider must have faith that the photographer will be ready to go above and beyond the lens. On the same note the rider must have faith that the photographer is on the same wavelength to correlate the idea into motion. The photographer depends on the rider just as much in these situations. Having faith that the rider will perform at a high enough caliber to create the best photograph possible. They depend on the rider to understand how they are shooting the photo in order to work within the limitations of the camera.

Sometimes when the rider and the photographer set up, time and attempts are limited and the rider can only hit a fresh backcountry jump so many times before the landing becomes a mogul field. Or the opportunity to session a rail for so long until the COPS bust the party.

This can ruin motivation and the overall appeal of the photo itself. These photographs is to create some form of perfection in motion from corner o corner of the frame and a tracked out. The idea of huge damper on things. Some situations, both rider and photographer are only given one chance to get the shot, so they must have faith in each other to get the image right the first time. Emotions can run high when one side of the circle isn’t holding up their end up the bargain. The idea is to feed off of each other, to create something bigger, to inspire each other, to both make a living doing what they love to do. Even after the picture is taken, the game is not over. The photographer is weighted with the responsibility to represent the rider and portray their style, so the rider must trust that the photogra-

pher will represent them in a manner they feel is appropriate. Style can make or break a photo. It seems today, that in contests, style is relevant, but can be easily overlooked. For example, a missed grab here, a slide of hand there isn’t a deal breaker. However in photographs style is everything, and the smallest details matter.

The focus, exposure, shadows, depth of field, way the grab looks, tweak of the board, facial expression, posture and arm position are all under surveillance when critiquing photographs. Some form of perfection is expected on both parties, and the ability to adjust and adapt to ever so slight changes in riding and shooting can make a world of difference when trying to capture the moment in its finest form. The photographer has to expect and trust the rider’s style to help accentuate the photograph. With the number o photographers and riders today to create something that will stand out he circle must strive for perfection. Every time, they must strive to achieve something different, yet captivating beyond the realm of the previous image, the previous adventure.

Overall, the relationship, the circle of trust is a bond of friendship. “ you watch m back and I’ll watch yours.”

It’s about the positivity and the good vibes. Hooting and hollering happens, a lot. High fives y. Hugs. Homies.

Pure Stoke. It’s all about working together to create some smiles. It’s overcoming the struggles of life with a friend.

Photographers never wish to be under prepared for any mission, so they pack heavy. Often photographers have two, maybe even three packs of equipment to lug around into the battlefield we call the mountains, but

“FEW THINGS WILL LAST FOREVER IN THIS LIFE, SNOWBOARDS BREAK, CAMERAS OUTDATE THEMSELVES, BUT PICTURES CAN CREATE THE KEYS TO REIGNITING OUR MINDS, OUR MEMORIES THAT CAN LAST FOREVER. MEMORIES ARE MADE WITH FRIENDS, GOOD TIMES, AND GOOD PEOPLE.

14

15

SNOW BOA RD

»THE GRAND PRIX (THE FIRST MAJOR HALFPIPE COMPETITION OF THE SEASON) IS HELD IN “THE VEIN,” AND IT’S A SURE WAY TO GET UP CLOSE AND PERSONAL WITH YOUR FAVORITE PIPE-JOCKS AS THEY SLAY THE WEEKEND AWAY WITH DARING DOUBLE-CORKS, MEGA MCTWISTS, AND WHATEVER OTHER TERMS OF PIPE-POUNDING ALLITERATION ARE ON THEIR AGENDA.

HELLA MA GA ZINE

N I C K

L A R S O N

P H .

T E R R Y

R A T Z L A F F

16

17

SNOW BOA RD

the rider is there to cover the photographers back and keep the good times rolling. So they lend a hand, they grab a bag or two and start trucking into the zone of choice. Half the time the photographer doesn’t even get a chance to ride, but that can’t keep them down because they were there, they lived it, they created that moment, they shared the memory. The photograph is such a small piece of the puzzle. Only a taste of what happened, a taste of the tale.

You can ask around, talk with the riders, talk with the photographers, and they will tell you what happened.

How cold it was that day, how much it was puking snow that day, how the session never ended that day, how pumped they were to be there at that time. But even the story can rarely even touch the surface of that moment. That day. That adventure.

In the end, we create these images to share our stories with the world, to put out the good word that you can have your cake and eat it too. Nothing is beyond reach if you put your mind to it. Imagination is the key to living. Great minds think alike, and if you combine forces with a photographer and a rider, dreams can

come true. It’s about trial and error and about getting up when you fall. It’s about experimenting. It’s about surprising yourself. It’s about using the world around you to capture something special. These images are the best way to express the rider and the photographer.

These stories last forever in the blood of the page— within the unspoken words, within the vibrancy of the colors, and within the fibers of the paper.

In life we all reminisce, we all share our memories, we all share our stories, and we share our hearts throught this photographs. We all go about our demeanor differently, and in this case we strive to create art—creativity doesn’t have to be determined by yourself.

Sometime just you need a little help from your friends.

If the pictures seen on these pages inspire you, then the photographer and the rider have achieved their goal. To share just a fraction of their story, to expose a little something, to inspire someone they may never know is the greatest reward of all. These stories create the bond, inspire the relationship, and build priceless friendships between the rider and the photographer.

Creating art to pave the way for an unforgettable life, that is the goal of the circle of trust.

“THE IDEA OF THESE PHOTOGRAPHS IS TO CREATE SOME FORM OF PERFECTION IN MOTION FROM CORNER O CORNER OF THE FRAME; AND A TRACKED OUT LANDING OR A SHUT DOWN SESSION CAN PUT A HUGE DUMPER ON THINGS.”

V A N E S A

L E W I S

HELLA MA GA ZINE

T H O M A S

18

F I N S T E R B U S C H

T H E THIS ARE A FEW OF THE BEST PHOTOGRAPHER WHEN IT COME TO SNOWBOARD AND EXTREME SPORTS, YOU CAN ALSO FIND THEM ON INSTAGRAM.

P H O T O G R A P H E R S

K E V I N

P E A R C E

A G U S T I N A

F E R R A R I

C O D Y

L E E

33

SURF

A B S O L U T E

G

I A

N

T S

“CALLING OUR BLUE PLANET ‘EARTH’ IS A BIT OF A JOKE, REALLY.” SEBASTIAN STEUDTNER IS ONE OF THE BEST-KNOWN GERMAN SURFERS AND AS AN INTERNATIONALLY SUCCESSFUL BIG-WAVE SURFER. W R I T T E N

B Y

J U L I E T

E L L I O T T

Sebastian, how would you describe the German surfing scene?

People are increasinily rescihated by waves and water: those who used to go to the mountains for recreation are now travelling abroad to surf. But there will always be few people like Marlon Li pke, Nic von Rupp or myself. The heart of surfing culture and the surfing VIPs are still from the United States, and I’m sure it will stay that way. They simply have the highest level there.

In 2010 were the first European to win the “Biggest Wave” at the Billabon XXL Global Bi: Wave Awards.

What were the reactions to this?

When I won the title, no one in Germany really knew what big-wave surfing actually is. I had to explain and justify my-self and my sport at first. I was labelled as an adrenaline junkie. It was almost like meeting Reinhold Messner with-out knowing what mountaineering is. You just see how high the mountain is that he has climbed and think: that guy is completely crazy. Luckily, a lot happened during the last season. In 2011, the first world record was set in Nazare in Portugal—that was when big-wave surfing was in all the media for the first time.

We saw the biggest storms of all ‘mes—not just one, but four!

Your mother is Austrian and your father German. How did you become a surfer?

I’ve always felt drawn to water. When I was just able to walk, one of the first things I did was jump into a pool.

I just loved it. When I was nine years old, I was by the sea for the first time, and my mother gave me a boogie board. From that moment, I was hooked. When I was sixteen, I moved to Hawaii. The surfing legend Nelson

Armitage Senior took me in, let me stay with his family and taught me how to wind-surf. I stayed in Hawaii, and eight months later I qualified for the World Cup. But I wanted to learn more. On Maui, I saw the huge laws (Pe’ahi) wave break. The Hawaiian ex-champion Dane Kealoha taught me big-wave surfing.

What does the perfect wave look life you?

For me, the wave has to be as difficult to ride as possible. It has to move quickly, form a tube and break as cleanly as possible. You try to surf in the tube as long as possible and to find the best line on the wave. I always have a clear idea of how I want to surf the wave.

I have to make 1,000 deci-sions in 20 seconds. That doesn’t work in my head, it’s just instinct. I always have to know what I’m doing and what the wave is doing.

So the “hippie” saying about “becoming one with the wave” is actually true.

What are you new projects?

I still have lots of plans—big-wave surfing is only just arriv-ing in Europe. Nazare is also an important sign for the inter-national big-wave scene. I personally want to continue improving and to use my full potential. Nazare certainly is an important project for me. I want to set the world record there in the next season. But that is only the start: now the plan is to discover new waves.

That is why I’m travelling all over Europe all the time— to find the next big wave!

43

SKATE

T H E E N D L E S S T R A V E L S O F J O E A T K I N S T O N In the space of three years, Joe Atkinson has become an internationally-recognised figure in the roller-blading community by taking first place at major competitions on both sides of the Atlantic and gaining sponsorship from USD, Loco Skates and Eulogy Wheels. The little man with the big personality is on one hell of a winning streak at the moment, and it doesn’t look like it’s going to end any time soon.

HELLA MA GA ZINE

I

n 2009 and 2010, Joe took first place at seminal skate event Slamm Jamm at Rampworx in Liverpool and won the Richard Taylor Me-morial Scholarship as well. For most people, winning the longest-running rollerblading competition in the UK two years in a row would be enough to satisfy even the most competitive nature, but when Joe travelled to the AIL World Championships in 2010, thanks to the afore-mentioned scholarship, he fought off some of the best amateur rollerbladers in the world and took home first place, much to his own disbelief.

“I was stoked,” says Joe. “I arrived hangover like a motherfucker from partying with the Intuition boys the night before. There were Japanese kids doing star jumps and skaters going all out. I thought I had no chance but I pulled through and landed everything. Thanks to Rob and Gaynor Taylor - that wouldn’t have been possible with-out those guys. Rest in peace, Richard Taylor.” In addition to proving himself to be one of the most consistent com-petition skaters the UK has to offer, Joe has been travelling up and down the country on a one-man mission to form friendships with skaters in every major city. The eighteen-year-old has roamed from city to city relentlessly and proved that he is an extremely versatile street skater by holding his own against some of the most respected professionals in the UK. Along the way, he has been lacing awe-inspiring tricks and building up his reputation as one of the most ex-citing street skaters in the country. He refers to these excursions of his as “Lads on Tour”, seemingly oblivious to the fact that he visits most of these places on his own. “Lads on

Tour” has taken Joe as far north as Glasgow and as far south as Brighton, with numerous stops in between that have resulted in late night drunken adventures, hilarious situations that only someone with Joe’s infectious personality can get tangled up in and the annihilation of any obstacle that gets in his way. When asked to recount some tales of debauchery from his travels, Joe responds: “There have been too many to say, from crashing Patrick Schwarzenegger’s Halloween party to shining myself in Primark. I think most are best kept a secret.” Are either of these stories true? You will need to ask Joe in person to find out. It is not just Joe’s skating ability that is winning the respect of fellow skaters and company owners all over the world: The cheeky little loud mouth from Yorkshire has an excitable, self-deprecating charm that is impossible to resist and he will do everything in his power to get a laugh out of you. Perhaps that is why he has formed such a close friendship with Scottish street skating icon and notorious party monster Keir Lindsay, who Joe is rumoured to be getting a flat with when he sets up home in Scotland later this year. “It’s going to be a jam packed year for me,” says Joe. “I’m mov-ing to Glasgow soon and hopefully going back to Cali.” Unless you have ever witnessed Keir and Joe partying together, you will never fully understand just how terrifying this prospect is. When these two get together, you could be fooled into thinking that you are watch-ing a pair of attention deficit disorder sufferers that have replaced Ritalin with Red Bull.

Over the past two years, Joe has spent every penny he owns on travelling, cheap booze and tobacco, so if there is anyone that knows where the best skate scene in the country is at this moment in time, it is him.

“It’s hard to say,” concedes Joe with some hesi-tation.

“Manchester has a strong scene but so does London and Ireland?

This nomadic lifestyle has helped Joe connect with so many skaters all over the country and he can now safely say that he has a floor to sleep on no matter where he goes, but there are certain places that he prefers to stay over others. “Blake Bird and his nan Joyce always look after me when I am in London and skint,” says Joe. “Keir Lind-say is a good one to visit in Glasgow - going for Spars, hitting the karaoke bars and living like rock stars. Erin Orbach showed me an amazing time in the US, picking me up every day to hang out in LA and see the sights.” This year looks set to be Joe’s biggest yet. He will be competing at the 2011 Slamm Jamm, hoping to take home top honours for the third year in a row. He is also collecting clips for his first ever video part. “I am filming for the Rollcam video,” advises Joe. “That will be coming out early 2012.”

One of the first things you will notice about Joe upon meeting him is that he is very opinionated and will be more than happy to let you know if he is not happy with something. It comes as quite a surprise to find that he is quite optimistic about where the industry is going, especially as it seems that everyone else that rollerblades appears to be of the opinion that things are going from bad to worse. “It’s going really well.”

44

57

NEW THIS SEA SON

THE START OF THE WINTER SEASON IS ALMOST A NATIONAL HOLIDAY. EVENTS ARE AT THE DOOR , CONTESTS ARE PREPARED AND THE TEST DAYS ARE AT HAND. WHEN THERE IS SOMETHING TO DO?

GHANDA GIRLS TRAINING DAY

N E W O C T O B E R

15-10 Skidême Rucphen , test day K2 , Ride, Jones, Nidecker , Yes, Slash , Salomon, Arbor, Flow, Libtech , Gnu , Nikita, Roxy 18 -10 Skidame Terneuzen, Flow test day 18 -10 Snow World Zoetermeer, Bataleon test day , Arbor , Flow 19 -10 Railbattle Antwerp , Antwerp Park 22 -10 Skidame Terneuzen, test - day Jones, Nidecker, Slash , Yes , Salomon, Arbor, Flow 25 -10 Snowpianet Spaarn - woude , test day K2 and Ride 25 -10 Snow World Zoetermeer, test day Salomon, Arbor, Libtech , Gnu , Nikita, Roxy 29 -10 Skidême Rucphen, test day Salomon, Arbor, Flow 30 -10 SnowPlanet Spaarn - woude , Salomon test day

N O V E M B R E R

WAHU SURFER GROMS COMPS 2014/15 Iconic Australian beach brand Wahu in partnership with Surfing Australia will be changing the colour of the approaching summer, with the dates for the acclaimed Wahu Surfer Groms Comps released.

In 2014/2015 the ten event series will hit the shores of every State Australia wide (NSW, QLD, VIC WA, SA, TAS) and will once again deliver action packed surfing and good times.

Groms Comp this season!

Surfing Australia invites aspiring groms of any level to come along and have a go via entering online through our State.

Aimed at the female competitive surfer, the Ghanda Girls Training Day is a coaching day for girls looking to take their surfing to the next level.

To be held on the 29th November at Ocean Grove, the Ghanda Girls Training Day will feature coaching from current world number 23, Georgia Fish and former Australian Champion India Payne.

D E C E M B E R

11-01 FIS European bigair , Finland , men 13-01 TTR 6Star slopestyle and halfpipe, Burton European Open , Laax , Switzerland 14-01 worldcup Start FIS halfpipe , slopestyle and bigair , Canada , qualifications and finals 17-01 FIS European Cup halfpipe , Switzerland 18-01 Swatch Freeride World Tour Courmayeur -Mont- Blanc by The North Face 25-01 Swatch Freeride World Tour Chamonix -Mont -Blanc by The North Face

J A N U A R Y

T H I S S 06-02 OLYMPIC WINTER GAMES In Russian Sochi let be 7 to February 23, 2014 the 22th Olympic Winter Games were held . The eleventh edition of the Paralympic Winter Games will take place from 7 to 16 March 2014. Who come so far for our country ? Dimi de Jong ( halfpipe) , Bell Berghuis ( snow- board cross ) , Nicolien Sauerbreij ( slalom ) , Cheryl Maas ( slopestyle )

28-02 DUTCH FREERIDE CONTEST For the first time in history , a Dutch freeride contest organized , namely by Powder Baas . On the weekend of February 28 t / m March 2, 2014 they hit the base camp in the ski resort of Doldeck (Austria). Anyone who has experience with off -piste skiing / snowboarding can join in principle. In the days prior to the game also are some clinics with some tips for the contest.

HELLA MA GA ZINE

The FBC features competitive skateboarding in the best skateparks throughout Florida and focuses on competition in concrete flow courses and pools.

The competition features Pro, Masters, Open Amateur, Ladies and Groms (kids) events. The series is 3 events long - March 19th-21st, 2010, at three locations:

30-11 SNOW PLANET We know that it might still take two months before you are on your snowboard again . But why wait , when you once the slopes can scrape ? To your tricks or technique in Netherlands For example, he SnowPlanet , near Amsterdam. That is every day of the year a good layer of snow and quite a fun park. Just check the website to learn more about the setup of the park.

07-12 OPENJAM 20TH EDITION , LES DEUX ALPES From 7 to December 11 , via www.opvakantie.nl Alpes you , just before the Christmas rush erupts, the season opening in Les Deux . There is a big chance that a pack of fresh snow has fallen and the village is awakened from his hibernation. During this week there are many brands of test boards and present you with ex -perts lessons and clinics.

W I N T E R

FLORIDA BOWL RIDERS CUP

Fri - NSB Skatepark, New Smyrna Beach, FL Sat - Secret Backyard Bowl, Jacksonville, FL Sun - Kona Kidney Pool, Jacksonville, FL

F E B R U A R Y

2 O 1 5

E A S O N M A R C H 01- 03 Swatch Freeride World Tour Kirkwood by The North Face 03-03 TTR 6Star slopestyle and halfpipe, Burton US Open , Colorado, USA 07-03 FIS Worldcup slopestyle , Austria , final 11- 03 FIS European Cup slopestyle Bulgaria 22-03 Swatch Verbier Xtreme by The North Face 23-03 Snow World Zoetermeer, test day Salomon combination ChickyClinics

A P R I L 26-04 Start Dutchweek , Val Thorens , several test days

58

TIPOGRAFIA II C AT E D R A C O S G AYA TP 7 2014 N I C O L A S FA R I N A JUAN GALLELLI, FLORENCIA DESALVO Y JUAQUIN LLUIS

TIPOGRAFIAS UTILIZADAS: FUTURA / SIMPLE / GOTHAM / GILL SANS