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Andreas Jonathan Underlying Systems M. Arch I Portfolio


My path through art and architectural education has been an exploration of underlying systems

Each project is paired with an underlying formal or conceptual relationship


1

Memory/Terrain Title:Topo Year:2013 Course:Intermediate Sculpture

This assignment asked for a welded volumetric structure that would be illuminated from within. I selected contour lines from different places I have lived and overlayed them to form the following object.


Surface/Volume Material:Welded Iron Polyurethane Rice Paper

Topography lines are extracted and overlayed 6 Memory/Terrain


Light/Memory Material:Welded Iron Polyurethane Rice Paper

A psychogeography that destabilizes “where� I have been. 8 Memory/Terrain


2

Projection/ Expansion

Title:Where is Art? Year:2013 Course:Intermediate Sculpture

This sculpture began as a speculative proposition, intended to be not quite an art object and not quite an architecture.It became a study on material and projection. The realized piece is an object of uncertain boundaries, where exhibition and the object itself work in conjunction as a complete artwork.


Rigid/Organic Materials:1/4� Steel Rods Wire Mesh

Blue Light Projection

Steel rod interacts with wire mesh 12 Projection/Expansion


Light is projected from two directions.

Red Light Projection

Light/Shadow 14 Projection/Expansion


Mixed Light Projection

A work with uncertain boundaries 16 Projection/Expansion


3

Material/ Communication

Title:Operable Diagrams Year:Summer 2013 Course:GSAPP Introduction to Architecture

This project explored the material properties of piano wire, latex, and rockite. Students took part in a derive, observed people, and diagrammed qualities of their movement. Translating that information through different materials changed the inital inputs and created room for new programs.


Travel routes are translated into a three-dimensional diagram

Wire Model

Mapping/Diagramming Materials: Piano Wire

20 Material/Communication


Articulating surface with latex reveals inherent voids.

Latex Model

Skin/Surface Materials: Piano Wire Latex

22 Material/Communication


Rockite Model

Volume/Form Materials: Piano Wire Latex Rockite 24 Material/Communication

Introducing rockite reveals material relationships and programatic possibilities


4

Pattern/ Geometry

Title:Inlet Walkway Year:2012 Course:Architectural Studio I

The project asked us to select an object from “nature�. A small rock was made the subject of study. Underlynig geometries of the crystal formations within the rock became points of departure for the design of a pedestrian walkway that moves from enclosed, to porous and semi-open.


Site/Program

Site Plan: Warinanco Park, Roselle,NJ

Point of Intervention

A site of our own creation or choosing. 28 Pattern/Geometry


Circulation that moves from enclosed to semi-open, tense to free.

Photograph of Model

Geometry/Tension Materials:Basswood Chipboard

Plan Drawing 30 Pattern/Geometry


5

Poetics/ Experience

Title:Passage House Year:2013 Course:Architectural Studio II

The project first asked us to research a house well known in architectural history. Examining the history of Wall House 2 designed by John Hejduk revealed literary and coneptual poetics that evolved into a design for an architectural observatory that would exist on the Wall House’s site.


Site/Program

Site Plan: Wall House 2, Groningen, The Netherlands

Point of Intervention

“The Wall,� a brief moment of amplified experience 34 Poetics/Experience


Traversing the space becomes the mode of observing the prolonge experience of time.

Section Collage

Movement/Observation 36 Poetics/Experience


Concise Resume_ Education: Ithaca College_Architecural Studies BA_2010-2014 Columbia University_Introduction to Architecture_Summer 2013 Internships/Experiences: Institute for Urban Design_ New York,NY_Summer of 2012 Art History Research Assistant_ Ithaca, NY_Summer of 2013 Visual Resource Collection Assistant_Ithaca, NY_Fall 2011-Present Skills: AutoCAD Sketch Up Adobe Photoshop Adobe InDesign

Thank you for your consideration.


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