Selected Works
NISHIKI VARMA
Undergraduate Portfolio
Courses
Education 2016 Present
2014 2016 2004 2014
Bachelor Of Architecture Balwant Sheth School Of Architecture NMIMS, Mumbai Grade 11-12 SVKM International School - IBDP SVKM, Mumbai Grade 1-10 Chatrabhuj Narsee Memorial School - ICSE SVKM, Mumbai
2020
Workshop on Tropical High-rises for CTBUH
2019
Lions Quest Teachers Training Workshop (TTW)- June 2019
2018 2016
“The Lions Academy Of Excellence” - Leadership Training Programmes at SPJMR Sept 2nd 2018- June 9th 2019 Sept 6th 2015- May 8th 2016 Certified Interior Designer - Vskills The Architectural Imagination - Harvard
(India)
Achievements 2020
In Top 50, Unschool Copenhagen Competition
2019
In Top 28, Extreme Habitat Challenge - Arctic Lion Of The Year Award, Lions Club of Mumbai Beach Heaven, for Lionistic Year 2018 - 2019
Competitions 2020
Name: Nishiki Varma www.nishikivarma.com DOB: 07.07.1998 Email id: nishiki.varma@gmail.com Mob. No.: 9867373619
Professional Experience - Teaching Assistant in BSSA for two subjects (2020): 1. Quantity Surveying - 3rd year- Prof. Nilambaree Vaidya, Prof. Tanima Shrivastava, Prof. Ajit Prabhu 2. Digital Design - 2nd year - Prof. Taiyeb Rangwala, Prof. Prachi Donde, Prof. Sandeep Pathak
Render Battle The Charette
MJF Shield and Title, for donating $1000 to LCIF, 2018
Social Work
Brightness Illustration Award Brightness
Raised ₹ 1,17,200 in 2018 and ₹ 1,52,471 in 2019 for TMM Fundraising
Colab 2019 - Long Span Competition Architecture and Engineering Collaboration Competition, by BSSA and MPSTME
Sponsored Training (TTW) of 10 school teachers
Unschool Copenhagen The Switch
This protfolio is a summarisation of my academic, personal and social Journey from 2016-2020. The selected projects vary from exporations to experiments in both small scale projects as well as large scale urban and ecological inserts.
2018
Tropical Highrises CTBUH
2019
Extreme Habitat Challenge - Arctic Uni.xyz
2018
Esquisse Intra-class Urban Design Competition at NMIMS, BSSA
Sponsored 400 Lions Quest books in Versova Welfare school & Eklavya Balwadi for std V & VI students Donated Sanitary Pad Vending Machine & Incinerator at Versova Welfare School in 2019 Donated 2 Baby Warmers at Cooper Hospital (2016, 2017) Sponsoring the Education of a child since last 3 years Helped in the making of 500 face sheilds for our corona warriers
Digital Skills Mac - OS
Adobe
Mc Neel
Adobe
Illustrator
Rhinoceros
Photoshop
Adobe
Autodesk
Unreal Engine
Ms OďŹƒce
InDesign
3ds Max
Twinmotion
Autodesk
Autodesk
Revit
Maya
CorelDraw
iMovie
Lumion
Cinema 4D
Painting
Printmaking
Cane work
3D Printing
Windows - OS
Autodesk
AutoCAD
Blender 3D Adobe
After eects
Autodesk
Vray
Sketchbook Analogue Skills
Sketching
Hand Drafting
Model Making Fabrication Skills
Laser cutting
MS welding
Wood work Passions | Interests
Digital
Art|Illustration
Exploring
Graphic Design
Dance
Craft | Origami
New Softwares
6 - 13 14 - 21 22 - 27 28 - 33 34 - 37 38 - 41
3D Porosity
The Subterranean
Ecological Design
Sculpting Experiences
Urban Design
Public-Private Integration
Mass Housing
01 02 03 04 05 06 07 0
42 - 45 46 -
- 47 48 - 49 50 - 55 56 57 58 - 61
14
62
Website
13
Artsy Envy
12
Photography
11
TMM Fundraising
Lions Club
Competitions
Installation
Working Drawing
08 09 10 15
63
2020
H
Mass
ARCH.
DESIGN
2019
ousing
Type: Cluster Redevelopment Location: Gandhinagar, Bandra East, Mumbai Mentor: Prof. Aparna Surve and Prof. Shriya Bhatia Year: 4 Semester: 2
Brief - To Re-imagine Mass Housing Concept - A lack of different scales of gathering spaces without visual connect between them along with the major amenities and public spaces on the outskirts resulted in the inner spaces becoming dead with no chances of interaction. Hence, the idea was to Re-imagine these spaces with more integrated gathering spaces. A Hierarchy of different scales of gathering spaces for the community along with various activities and amenities available at short walking distances to create more chances of interation.
ACCUMULATION OR ANCHOR POINT FOR PUBLIC GATHERING
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
COMMERCIAL
COMMERCIAL
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
EDUCATIONAL
EDUCATIONAL
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
COMMUNITY SPACES
COMMUNITY SPACES
UTILITIES
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
UTILITIES
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
PUBLIC SPACES AS NODES FOR CHANCE OF INTERACTION
Exploded Axonometric View Of The Massing On Site Showing Programme Distribution in different Zones of the Site and the Section of the Design
Community InterfaceCommunity Gathering areas, Multipurpose areas for Community activities, Recreational areas, Open Terraces for Gatherings, functions and relaxing
AXONOMETRIC VIEW Of 1 Unit 48 sq.m. with their Own Private Gathering Space
AXONOMETRIC VIEW Of 1 Unit DIVIDED into 2 Units of 24 sq.m. each with their Own Private Gathering Spaces
Residential Area Residential Blocks, different scales and hierarchy of Gathering Spaces and Viewing Decks
AXONOMETRIC VIEW Of 2 Units of 48 sq.m. each with their Own Private Gathering Spaces
AXONOMETRIC VIEW Of 2 Units DIVIDED into 1.5:0.5 ratio Area 1 - 72 sq.m. || Area 2 - 24 sq.m. with their Own Private Gathering Spaces Public Interface Commercial, Markets, Workshops, Recreational areas, Large grounds, Community and public gathering areas
AXONOMETRIC VIEW Of 2 Units COMBINED of 96 sq.m. with their Own Private Gathering Space
Commercial Mixed market for Informal and Formal Stalls and shops Mixed Workshops for Community Educational Centres for Formal and Informal Learning Residential Community Gathering Spaces (Common) Viewing Decks Multipurpose Area Circulationa and Service Blocks Community Gathering Areas (Community Centre, Library, etc.) Recreational Area
AXONOMETRIC VIEW Of 1 floor of a Cluster with 10 units with their Own Private Gathering Spaces
AXONOMETRIC VIEW Of 1 Cluster
CUT AXONOMETRIC SERIES Of 1 Cluster
2020
I
P
ublic rivate
ARCH.
DESIGN
2019
ntegration
Type: Transit Oriented Development Location: Next to Bandra Station, Bandra West, Mumbai Mentor: Prof. Tapan Mittal Deshpande Year: 4 Semester: 1
Concept - Understandi
current situation? It is t as well as the private ow orative approach as in o MMRDA etc.) and the pri all stakeholders involve
Brief - To Re-imagine Mixed-Use Transit Oriented Development
ing PUBLIC PRIVATE COHERENT INTEGRATION: When it comes to Transit Oriented Development what has mainly dominated the that the government authorities decide and design public services for an area, catering to the public moving through that area wners of that area. But they do not involve the public of that area in the designing process. Understanding the idea of a collabone of the articles I had read, it is when there is a Transit Oriented Development in an area, the Government (Public Bodies like ivate owners work together in the designing and developing that area. Resulting in a more holistic development with inputs from ed in the process. The main idea is the working of the public and private coherently in the design considerations and decisions.
M O D U L E D E R I V A T I O N
5M 5M
Different screens deifining spaces inside Aligned to the Grid - trees and columns define spaces outside along curved paths directing and carving people movement through the spaces
Comibnation of Screens and Walls creating Transition spaces between Semi-private and Private spaces along with small pockets for gathering
Walls creating transition spaces Between either 2 Private Spaces Or A Public and a Private Space
Screens creating transition spaces Between 2 Public Spaces
6TH FLOOR CULTURAL SPACE
UP
OUTDOOR GALLERY DISPLAY SPILL OUT
CULTURAL SPACE
OUTDOOR SEATING INFORMAL GATHERING SPACE
GALLERY CAFE LVL +1.20M
5TH FLOOR TRANSITION SPACE
UP
WORKSHOP
UP
POP - UP MARKET LVL +1.20M
UP
OUTDOOR STALLS LIFT
LIFT
OUTDOOR GALLERY DISPLAY SPILL OUT OUTDOOR SEATING INFORMAL GATHERING SPACE
LIBRARY LVL +1.20M
OUTDOOR READING AREA
GALLERY OUTDOOR INFORMAL MEETING AREA
CAFE LVL +1.20M
OUTDOOR READING POCKET IN TREES
FARM AREA LVL +2.25M
LIFT
4TH FLOOR
MEETING AREA LVL +1.20M
LIFT UP
TRANSITION SPACE
UP
COMMERCIAL SHOPS FORMAL MARKET TRANSITION SPACE UP
WORKSHOP
POP - UP MARKET LVL +1.20M
INFORMAL GATHERING SPACE FORMED BY TREE POCKET
LIFT
LIFT
UP
UP
LIFT
INFORMAL MEETING AREA
INFORMAL MEETING AREA FOR COMMERCIAL SPACES (BOTH REHAB AND PROPOSED) LVL +1.20M
OUTDOOR STALLS LIFT
3RD FLOOR UP
LIBRARY LVL +1.20M
OUTDOOR READING AREA
LOBBY AREA LVL +1.20M
INFORMAL GATHERING SPACE
DINING
DOUBLE HEIGHT SEATING LVL +1.20M
OUTDOOR SEATING
OUTDOOR INFORMAL MEETING AREA
LVL +1.05M
OUTDOOR READING POCKET IN TREES
FARM AREA LVL +2.25M
LVL +0.00M
UP
UP
LIFT
HIGHLIGHTING ZONING OF THE SPACES
MEETING AREA LVL +1.20M
LIFT UP
COMMERCIAL SHOPS FORMAL MARKET
2ND FLOOR
TRANSITION SPACE UP
CULTURAL SPACE
UP
MALE WASHROOM OUTDOOR GALLERY DISPLAY SPILL OUT OUTDOOR SEATING
FEMALE WASHROOM
INFORMAL GATHERING SPACE
INFORMAL GATHERING SPACE FORMED BY TREE POCKET
LIFT
LIFT
GALLERY CAFE LVL +1.20M
TRANSITION SPACE
UP
WORKSHOP
UP
INFORMAL MEETING AREA
INFORMAL MEETING AREA FOR COMMERCIAL SPACES (BOTH REHAB AND PROPOSED) LVL +1.20M
1ST FLOOR
POP - UP MARKET LVL +1.20M
UP
OUTDOOR STALLS LIFT
LIFT
LIBRARY LVL +1.20M
OUTDOOR READING AREA
MALE WASHROOM OUTDOOR INFORMAL MEETING AREA OUTDOOR READING POCKET IN TREES
FEMALE WASHROOM
FARM AREA LVL +2.25M
LIFT
MEETING AREA LVL +1.20M
LIFT UP
UP COMMERCIAL SHOPS FORMAL MARKET TRANSITION SPACE UP
GROUND FLOOR INFORMAL GATHERING SPACE
LOBBY AREA LVL +1.20M
DOUBLE HEIGHT SEATING LVL +1.20M
DINING
INFORMAL GATHERING SPACE FORMED BY TREE POCKET
LIFT
LIFT
UP
INFORMAL MEETING AREA
INFORMAL MEETING AREA FOR COMMERCIAL SPACES (BOTH REHAB AND PROPOSED) LVL +1.20M
OUTDOOR SEATING
UP
LVL +1.05M
INFORMAL GATHERING SPACE
LVL +0.00M
LOBBY AREA LVL +1.20M
DINING
DOUBLE HEIGHT SEATING LVL +1.20M
OUTDOOR SEATING
UP
LVL +1.05M
UP
SITE CONTOUR
LVL +0.00M
N
UP
Exploded Axonometric View of Massing on Site
UP
m 0
5
10
15
GROUND FLOOR PLAN
HIGHLIGHTING OPEN SPACES AND TRANSITION SPACES
SCALE 1:200
E E
X X
P P
L L
O O
D D
E E
D D
A A
X X
O O
N N
BANDRA TALAO
BANDRA METRO STATION
E X P L O D E D
A X O N
N N
O O
M M
E E
T T
R R
I I
C C
N O M E T R I C
V V
I I
E E
W W
V I E W
U D rban
esign
2020
2019
Type: Large scale Urban Intervention Location: Next to Andheri Station, Mumbai Team: Nishiki Varma, Dimple Bhadra, Janvi Paun, Arya Gupta, Hormuzd Katrak, Varun Vashi Mentor: Prof. Atrey Chhaya, Prof. Ritu Mohanty, Prof. Prachi Donde, Prof. Prakriti Mehta, Prof. Janki Shah Year: 4 Semester: 2
Brief - To Re-imagine the future of Market Typology. Concept - Future of Market Typology- Upcycling and Mass Customization Markets as an entity of Urban Design play a vital role in the enhancement of public spaces and the fabric of the city in general. They not only function as platforms for vendors to earn their livelihood, but also as spaces of public interaction and exchange. The City of Mumbai itself is known for the Crawford Market, Dadar Flower Market as well as APMC which is one of the largest planned wholesale markets in the city. Therefore, the entire concept of markets is essential, not only to sustain the commercial aspect of a city, but also its public life. The market typology which is being designed, primarily focusses on the manufacturing, mass customization and upcycling of products which are discarded or considered to be waste. The primary material components which shall be the source of sale in this market will be in the form of by-products of wood, plastic, glass, paper and organic wet waste. The aforementioned materials get discarded by their respective industries as there is no definitive use for them, therefore leading to enormous wastage of resources, with these materials, ultimately ending up at landfills, where they remain stagnant. Therefore, the aim of this market typology, is to not only to reuse and recycle waste materials, but via upcycling, to also increase the value of these commodities by transforming them into products that cater to the daily consumer’s needs. By having the manufacture and the sale of a product in the same location, the consumers themselves can participate in the manufacturing process of the commodity by specifying the particular type of product they need, thereby catering to the mass customization aspect of this market typology, and making every product specific and suitable to its consumers’ needs rather than creating a standardised product that may not cater to everyone’s needs. Given the location of the site is on the west of the Andheri station: a central transit point for a large number of people, it is also in close proximity to many wood workshops and stores, scrap collecting shops, eateries that have high amount of organic waste and glass workshops, which serve as the source for raw material in manufacturing upcycled and recycled products. With the site being a junction of the metro, as well as the local train station, it even facilitates the influx of people, as well as the goods while serving as a transition space between the two transit points. This market typology is essential for the future, as it can reuse resources which have been discarded, thereby prolonging its use, and preventing wastage as well as unnecessary usage of any newer materials. This typology can be a sustainable solution to the issues regarding the generation of waste and its lack of recycling thereof, it will even cut down the carbon footprint that is created by vehicles in transferring goods from manufacturing points to the selling areas, and it will also establish a new minimalist paradigm by reducing the middlemen in the manufacturer-consumer chain, that exists today.
Waiting area for daily wage workers
Garden/ Landscaped Area
Amphitheatre
UP
UP
ED
DN UP
FD
Workshop Area + Upcycling Area
LIFT LOBBY 3.11X8.2 1
JANITOR'S ROOM
TOILET DUCT
LIFT
2.240X2.505
LIFT
2.240X2.505
LIFT
Sale component Mall typology
Sale component NADCO
Workshop Area + Upcycling Area
Sale component NADCO
Plaza
UP
Temporal stall type sales
UP
Connec
tion to
round
subway
underg
Bus Depot
Sale typology (small retail shops)
Restaurant Sit out spaces
Eateries
Restaurant Food Court
FD ED
UP
DN
Food Stall
LIFT
LIFT LOBB 3.11X 8.21 Y LIFT
2.240X2. 505
2.240X2.5
UP
LIFT
TOILE DUC T T
JANITOR ROOM 'S
05
UP
Auto Stand
Retail shops
Goods elevators
Storage of recycled materials
Plastic machinery
f1 * f1
* *
f1
*
Office areas for manufacturing departmens
f1
f1
* f1
* f1
*
*
f1 f1
*
*
f1
Eateries (bakery/restaurants) *
*
f1
f1
f1
LIFT LOBBY 3.11X8.21
LIFT
LIFT
LIFT
2.240X2.505
2.240X2.505
Storage rooms
*
Pantry
f1
* *
f1
*
UP
ED
f1
DN
FD
Storage rooms
Storage rooms Collection Area
Storage rooms Storage rooms
UP Temporary residence for workers
Temporary residence for workers
Loading/Unloading area
Pick up and drop off for other vehicles/ waiting area
Coaching Class
Cycle stand and Area allocated for dabbawalas
Exisisting School to be retained
Open Ground
Landscaped area/ roof garden area coming down on vertical surfaces
N m 0
5
10
15
Ground Level Plan
Type: Natural Sciences Institute Location: Bhavans College Campus, Azad Nagar, Mumbai Mentor: Prof. Atrey Chhaya Year: 3 Semester: 2
2019
culpting
E
S
ARCH.
DESIGN
2018
xperiences
BRIEF – To Design a Natural Sciences University based on observation from the visited universities (case studies). Concept – The proportion and placement of voids in a structure affect the user by creating a ariety of spaces and volumes to experience and interact. The amount of mass pushed in or pulled out determines the type, scale and character of usage and interaction in that space. These gestures pull in a user along with the surrounding site conditions and context, thereby, creating a fluid transition of spaces piercing through the standard geometry of structures.
CAFE
m
PLAN AT 2.7M
0
1.5
3
4.5
N
1 2
G
Axonometric View o
of All Floor Levels
4
3
5
cological
D
esign
2020
E
2019
Type: Large scale Ecological Intervention Location: Sanjay Gandhi National Park, Mumbai Team: Nishiki Varma, Aashita Jain, Urmi Nandu Mentor: Prof. Dhanashri Sawant Year: 4 Semester: 1
Brief: To study, observe and identify existing ecological problems in the site and propose small but sensitive solutions Concept: From the site study and SWOT analysis of the site, it is realised that there is a great need for river water management along with preservation of the ecology in the public part of the Park. River Water Management
N
m 0
5
10
15
m 0
5
10
15
Plant Museum
N
m 0
5
10
15
Flood Management
Type: Institute to learn the Art of Combat Location: Galle Fort, Galle, Sri Lanka Mentor: Prof. Anjana Chhaya Year: 3 Semester: 1 Team: Nishiki Varma, Yaashvi Shah
he
2019
S
T
ARCH.
DESIGN
2018
ubterranean
Brief – To study and observe the architecture and landscape of Sri Lanka, keeping in mind its historical context and utilizing these to intuitively design for the site context and programme thus chosen. Concept – Studying the history of Sri Lanka and Galle fort and the idea of the fortification being a defense system‌ there are various native combat defense forms in the region out of which Angampora becomes the oldest form of combat and defense techniques in the Galle area. That being said, the ideas was to design an institute to teach this art of combat to students native to the area as well as students from outside Sri Lanka.
N
m 0
5
10
15
N
Type: Art Exhibition and Lodging Location: Kochi, Kerala Mentor: Prof. Atrey Chhaya Year: 2 Semester: 2
3D ARCH.
DESIGN
2018
P
2017
orosity
Brief – to design an art exhibition along with a lodging in Kochi based on observations made while in the city. Concept – Dynamic Volumes in a cluster. There is a change in the volumes in the voids in a cluster varying from its periphery to its core. This change results in a dynamic experience for the user as they move through the cluster. The voids in these clusters are sculpted by the changing volume of the masses and their proximity.
Working Drawing Mentor: Prof. Durvesh Mhatre
Bioluminescence - Dinoflagellate The Dinoflagellate is a marine unicellular micro-organism which glows in the dark. When there is a mechanical diturbance near the organism, it results in restricted deformation in the cell membrane thereby releasing neurotransmitters. These are then recieved by neuroreceptors near the vacuolar membrane which causes it to vibrate vigorously make that region an excited region. Due to the absence of cholestrol (which provides resistance to deformation in the cell membrane), the vacuolar membranee starts deforming mechanically causing the ion channels in it to rapidly open and close. These channels when open, they only open to a certain extent so as to only allow protons to pass through and push the rest of the molecules out. When the ion channels open and expand lattitudinally and contract longitudinally, and the vice versa takes place once the proton passes through the membrane into the vacuole where the bioluminescence reation takes place and light flashes out.
Location: BSSA, Mumbai Mentor: Prof. Atrey Chhaya, Prof. Disha Saigal,
Prof. Mahek Lalan Year: 2 Semester: 1 Team: Nishiki Varma, Dimple Bhadra, Ishita Patel, Aashita Jain, Richa Gupta
INTERACTIVE
INSTALLATION
UNSCHOOL COPENHAGEN In TOP 50
Design
Team - Nishiki Varma, Reine Fernandes Host - Switch Brief - The competition seeks the creation of a ‘school for the future’ (age group 5-12) that completely negates the regularized building typology of existing ones. The competition seeks to radicalize the school system through architecture not only in terms of improving the quality of study environment but revamping the system and breaking all the physical and metaphorical class divisions into an entirely new school system. The participants should devise new pedagogical systems that would negate the generic teaching strategies and give more importance to personal interests and aspirations of the students. The competition seeks ideas from participants to create a fun environment for a middle school that understands the individual needs of each child yet being very collaborative in nature.
C
ompetition
EXTREME HABITAT CHALLENGE - ARCTIC In TOP 28
Team - Nishiki Varma, Reine Fernandes Host - Uni.xyz Brief - Design a concept habitat of 1,000 people within area of 800 m x 800 m, which is able to develop itself to accommodate a population of in future 1,000,000 as desired by the population moving in to the place. The challenge invites ideas that push the boundaries of design using innovative habitat working models, materials, technology, close to zero land costs, a nomadic yet rooted lifestyle. When humans enter extreme habitat they not only respect nature or the forces of nature but they enter with responsibility. This design exercise can be considered similar to colonizing a new earth with technology of today taking into account the atrocities of extreme cold habitat and conditions required for a feasible living. The first 1,000 people prototype habitat will house all the three elements of human life in it - Live, Work and Play. This site peculiarly with a very less human population density is the test bench for designing a new habitat will inspire how life should be in similar environments while balancing itself harmoniously between forces of nature.
WATER PODS
RENDER BATTLE Host - The Charette
Brief - Create one rendering or graphic that conveys an architectural design in the most nuanced way possible. It may be of a new proposal, fictional design or an existing building. It can be located anywhere in the world and be at any scale. The rendering can take the form of a digital collage, sketch, perspective, illustration, drawing, realistic render, etc. It can be drawn by hand or on the computer using any software. This should be accompanied by a short description, in no more than 150 words.
Moonga Chattaan (Coral Reef) An Aquatic city inspired by Coral reefs. Embedded in the Seabed with various parts of the city growing from large base pods(Bed rock). The city pods stemming from chutes which are used as means of transportation of humans, goods and services for the various pods. The size of the pods differ based on their function(Residential, Commercial, Educational, Public Spaces, Healthcare, Institutional, Utilities etc.) with the base of each set being the infrastructure for that set(district). Each pod has multiple levels with continuous strip windows(at every level) offering a 360 view of the aquatic life around. The idea of having all forms of transportation and services through the larger base pods is to have an unrestricted view of the marine fabric. A cluster of these sets(Districts) along with large gathering spaces and city centers make one Moonga Chattaan (City). The render shows three such Moonga Chattaans within the marine fabric.
Lions Club of Juhu - Leo member from 2014-2016
L I O N S
Lions Club of Mumbai Beach Heaven (Home Club) Joined Lionism - 2017 Club Bulletin Editor - 2018-2019 Released 4 Bulletins Designed Invitations, Banners, Letterhead, Agendas etc. Awarded - LION OF THE YEAR Award 2018-2019 Board of Director and Lions Quest Chairperson - 2019-2020, 2020-Present Workshops & Programs attended: Lions Quest TTW- July 2019 “The Lions Academy Of Excellence” Leadership Training Programmes- 2 times From:Sept 6th 2015- May 8th 2016 Sept 2nd 2018- June 9th 2019 Sponsored Training (TTW)of 10 school teachers Sponsored 400 Lions Quest books in Versova Welfare school & Eklavya Balwadi for std V & VI students Donated Sanitary Pad Vending Machine & Incinerator at Versova Welfare School in 2019
C L
Donated 2 Baby Warmers at Cooper Hospital (2016, 2018) Sponsoring the Education of a child since last 3 years Helped in the making of 500 face sheilds for our corona warriers
U B
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䴀䨀䘀 䰀渀 䐀爀⸀ 䐀攀攀瀀愀欀 䌀栀愀甀搀栀愀爀礀 猀琀 嘀椀挀攀 䐀椀猀琀爀椀挀琀 ㈀渀搀 嘀椀挀攀 䐀椀猀琀爀椀挀琀 䜀漀瘀攀爀渀漀爀 䜀漀瘀攀爀渀漀爀 䰀渀 䐀爀 䄀樀攀攀琀 䨀愀椀渀 䰀渀 匀栀愀猀栀椀欀愀渀琀 䴀漀搀栀
愀渀搀 栀椀猀 䴀椀挀爀漀 吀攀愀洀 昀漀爀 䐀䜀ᤠ猀 漀昀昀椀挀椀愀氀 瘀椀猀椀琀 ☀ 䌀栀愀爀琀攀爀 一椀最栀琀 挀攀氀攀戀爀愀琀椀漀渀 漀渀 匀愀琀甀爀搀愀礀Ⰰ ㈀㌀爀搀 䴀愀爀挀栀Ⰰ ㈀ 㤀
䤀渀琀攀爀渀愀琀椀漀渀愀氀 䄀猀猀漀挀椀愀琀椀漀渀 漀昀 䰀椀漀渀猀 䌀氀甀戀 䐀椀猀琀爀椀挀琀 ㌀㈀㌀ 䄀㌀ 䴀甀洀戀愀椀Ⰰ 䤀渀搀椀愀 ㈀ 㤀ⴀ㈀ 刀攀最椀漀渀 ㌀ 簀 娀漀渀攀 㜀
䰀渀 唀爀猀栀攀攀氀愀 嘀愀爀洀愀Ⰰ 䴀䨀䘀 䌀栀愀椀爀瀀攀爀猀漀渀ⴀ 䌀栀椀氀搀 圀攀氀昀愀爀攀
椀渀瘀椀琀攀猀 夀伀唀 䘀伀刀 吀䠀䔀
挀愀爀攀攀爀 最甀椀搀愀渀挀攀 猀攀洀椀渀愀爀
嘀攀渀甀攀 䠀漀琀攀氀 匀甀戀愀 䤀渀琀攀爀渀愀琀椀漀渀愀氀Ⰰ 䌀栀愀欀愀氀愀 匀愀栀愀爀 刀漀愀搀Ⰰ 䄀渀搀栀攀爀椀 ⠀䔀愀猀琀⤀Ⰰ 䴀甀洀戀愀椀 ⴀ 㐀 㤀㤀 吀䤀䴀䔀㨀 㘀㨀 瀀洀 䘀漀氀氀漀眀攀搀 戀礀 䐀椀渀渀攀爀 吀䠀䔀䴀䔀 ⴀ 䠀伀䰀䤀 䐀刀䔀匀匀 䌀伀䐀䔀 䄀渀礀 瀀氀愀椀渀 挀漀氀漀甀爀攀搀 䐀爀攀猀猀 ⠀一漀 倀爀椀渀琀猀⤀ 刀匀嘀倀
䰀渀⸀ 匀愀爀氀愀 吀愀氀眀愀爀 ⴀ 匀攀挀爀攀琀愀爀礀 䴀漀戀⸀ 㤀㜀 ㈀ 㠀㠀㐀㔀㤀 䴀䨀䘀 䰀渀 䄀洀攀攀琀愀 䄀最愀爀眀愀氀 䴀漀戀⸀ 㤀㠀㈀ 㐀㠀㔀㤀㤀 䴀䨀䘀 䰀渀⸀ 匀栀愀欀甀渀琀愀氀愀 匀栀爀椀瘀愀猀琀愀瘀愀 䴀漀戀⸀ 㤀㠀㤀㌀㔀㈀㈀ 䔀䐀唀䌀䄀吀䤀一䜀 䄀一䐀 䔀䴀倀伀圀䔀刀䤀一䜀 吀䠀䔀 夀伀唀吀䠀 䘀伀刀 䄀 䌀䰀䔀䄀一 䄀一䐀 䜀刀䔀䔀一 䔀一嘀䤀刀伀一䴀䔀一吀
伀渀 吀栀甀爀猀愀礀 猀琀 䄀甀最甀猀琀Ⰰ㈀ 㤀 ⴀ ⸀ 愀洀
嘀攀渀甀攀 ⴀ 嘀攀爀猀漀瘀愀 圀攀氀昀愀爀攀 匀挀栀漀漀氀Ⰰ 匀攀瘀攀渀 䈀甀渀最愀氀漀眀猀Ⰰ 䄀渀搀栀攀爀椀⠀圀攀猀琀⤀Ⰰ 䴀甀洀戀愀椀 㐀 㘀⸀ 䔀䐀唀䌀䄀吀䤀一䜀 䄀一䐀 䔀䴀倀伀圀䔀刀䤀一䜀 吀䠀䔀 夀伀唀吀䠀 䘀伀刀 䄀 䌀䰀䔀䄀一 䄀一䐀 䜀刀䔀䔀一 䔀一嘀䤀刀伀一䴀䔀一吀
T M M
Tata Mumbai Marathon Through Family Planning Association of India 2018
Funds Raised: ₹1,17,200.00 Running for cause: Let’s Get Girls Back To School Title Recieved: Young Leader Fundraiser Gold
2019
F U N D R A I S I N G
Funds Raised: ₹1,52,471.00 Running for cause: Break the Silence Around Gender Based Violence (GBV) #StreeHinsaMuktBharatAbhiyaan Title Recieved: Change Runner/ Change Maker Fundraiser Platinum
Mesmerising View form the steps of Badami Caves, Hampi
This picture was take from the fourth cave, that is the Jain Cave, of the Badami caves., Hampi. It was the only cave from which this view could be captured in its majesty. The view is of the Agastya Lake. The Agastya Lake or “Agastya Theertha� is one of the important attractions of badami. This theerth (tank) will be filled by rain water and it will appear to be in green. This view specifically caught my eye due to the scale and density of the fabric, how the city , heritage and the natural fabric of Hampi come together and harmonize to form the unique character of the city.
Eastern Gate Gopuram of Lord Virupaksha Temple, Hampi
The Virupaksha Temple in Hampi is dedicated to Lord Shiva. The Gopuram on the Eastern Gate of the Lord Virupaksha Temple in Hampi nine-tiered and is the greatest of all the gateways. Admiring the amount of detailed carved into this monolith Gopuram, depicting the amount and level of skill in the artisans and craftmen of India. From delicate motif carvings to carving scenes in certain parts, is the reason why this architecture did not need any backgound or scenes to enhance it... It is a marvel in itself!
My Art Account Started Since January,2020 I love and enjoy learning and trying new forms of Art, be it Digital or Analogue. So, to share this with the Art Community, I started this Art Account on Instagram.
Website
Further information on projects iand more works including competitions like CTBUH and Colab 2019 along with Summer school 2019 and my personal explorations in various fields of art, softwares, origami etc. can be found on www.nishikivarma.com
NISHIKI VARMA www.nishikivarma.com Email id: nishiki.varma@gmail.com Mob. No.: 9867373619