Portfolio +Resume-Concised Version by Nithya Subramaniam

Portfolio 2009-2017

PORTFOLIO Selected Works 2009-2017

Nithya Subramaniam Portfolio of Selected Works

Nithya Subramaniam

ACADEMIC EX PERIENCE

RES UME

_Nithya Subramaniam dob: contact: email: address: media:

Fall 2016_

02-13-1991 929-293-9769 nithyags13@gmail.com 300 S. Santa Fe Avenue, Los Angeles, CA 90013 arktalk.wordpress.com

Jun 2014 - Sept 2014_

Pita & Bloom

Intern, Los Angeles, CA

. 2016 Venice Biennale | 3D Modelling, Rendering (Maya), Diagrams . Reference: Florencia Pita Feb 2015 - Jun 2015_

Stand Design Studio

Vibrant Bull

Sujit Nair Design Group

Shirpur, India

2016_

Intern Research Project Symposium

Gensler, Los Angeles, CA

. Designed a DTLA Tourist Gaming App called ‘stumble’ . Team of 4 . Reference: Young Seop, Adam Rude 2015_

Kalaghoda Association (Art Festival) ‘Branched’ Mumbai, India . Showcased a 1:1 part installation of the Thesis Project -Civic Mutations

Kalaghoda Association (Art Festival) ‘The Recycle’

Mumbai, India

‘Rethinking Cities’: Framing the future

Barcelona, Spain

Our very own city Mumbai displayed at the Sixth International Research and Knowledge Symposium 2010_

The Corridor: Design workshop BSSA Exhibition, Mumbai, India . Designed and led a team to build a 1:1 installation/bookshelf based on glow worms

2009_

Intern Architect, Bangalore, India

Networking workshop

BSSA Exhibition, Mumbai, India . Designed an installation based on root networks and Made a movie reflecting the networks in a city Fishing and different ways of transporting and delivering the fish within Mumbai

S K ILL S ETS Digital Drawing and Coordinates AutoCad, Revit, Corel Draw, Adobe Suite (Photoshop, Illustrator, InDesign), MS Office

(SCI-Arc) Los Angeles, CA

Masters of Architecture Candidate GPA 3.85

Digital Modelling and Rendering 3DS Max, Maya, Keyshot, VRay, Rhinoceros, Google SketchUp, Grasshopper

Balwant Sheth School of Architecture

(BSSA) Mumbai, India

GPA 3.92

ACAD EMIC H O NO R S & OTHE R ACHIE V E M E NTS 2017, 2016_

Projects Displayed in Spring Shows

SCI- Arc, Los Angeles, CA

2017, 2016_

Continuing Education Scholarships

SCI- Arc, Los Angeles, CA

Film and Animation Adobe Aftereffects, Adobe Premier, Corel Video Studio, UnReal Engine

Programming Languages Processing, C++ , Java Script, Python Scripting

Visualization Media Model Construction, Photography, Sketching

2016_

Projects Published in ONRAMP

2016_

Winner of G-Wall Competition (With Aman Sheth)

2013 - 2014_

Rural Design Studio

DES IG N EX PERIENCE & EX HIBITIONS

Intern Architect, Tenerife, Spain

Southern California Institute of Architecture

Bachelor of Architecture

IAAC, Barcelona, Spain; BSSA, Mumbai, India

. My Very Own City- Mobility within the city | As part of the Design Research Publication at BSSA

ED UCAT IO N CREDE NTIAL S

2009 - 2014_

Global Summer School: Productive Cities

. Documented, researched and analysed the social, cultural,religious and economic context of villages to come up with a design proposal for building local homes

Oct 2012_

. Residential Single Family Home | 3D Modelling, Rendering, Planning, Design . Commercial, Restaurant projects | Planning & Design, Project pitch and presentation . Interior Design Projects | Drawings, 3D Modelling . Reference: Sujit Nair, Satyanand Mantravadi

2015 - 2017_

History Studio

. Showcased a furniture piece built in cane (group of 10)

. Puertito Adeje Apart Hotel Competition (Winner) | 3D Modelling, Rendering, Planning, Design . Residential home China | Planning and Design, Project pitch and presentation . Reference: Fernando Menis Feb 2014 - May 2014_

Dec 2012_

2013_

Fernando Menis Architects

Yale, Roman Architecture

. Redesigned residential blocks as an energy efficient system for suburbs of Mumbai

Graphic Designer, Mumbai, India

. Fropcorn PVT LTD | Social media marketing, branding . Reference: Vaibhav Bhanot Sept 2014 - Dec 2014_

June 2013_

Architect, Mumbai, India

. Restaurant, Mumbai | Design development, drawings, 3D Modelling, Rendering . Furniture Design | 3D Modelling, Rendering . Reference: Nikita D’silva, Siddhant Tikkoo Feb 2015 - Apr 2015_

Design Studio, First Year, BSSA, Mumbai, India

. Online Accredited Course (certified)

Intern Architect, Sports Studio, Los Angeles, CA

. Banc of California Stadium | Construction Documentation, Locker Room Schematic Design . Confidential NFL Stadium | Conceptual Design, 3D Modelling for 3D Prints . Soccer City SD- MLS Stadium | Conceptual Design, Marketing Pitch . Baseball Master Plan | Conceptual Design, Marketing Pitch . Chase Center Arena | Design Development . San Jose State University Student Recreation and Aquatics Center | Presentation and renders . Alliance School Design Charrette | Refurbishment of the organization’s existing office space . G-Wall Competition | Façade Design Competition for the Jonathan Club (winner) . Reference: Alex Phi, Corey Schurr, Joel Spearman Dec 2015 - Jan 2016_

Teaching Assistant

. Design Studio Teaching Assistant to Dipal Chhaya . Workshop conducted for First year freshman students . Reference: T M Chhaya, Atrey Chhaya, Dipal Chhaya Fall 2014_

Gensler

Practice Environments, AS3GB, SCI- Arc

. Class diligence/attendence report . Project / Paper Assessment . Reference: Michael Folonis

P RO F ES S IO NAL EXPE R IE NCE Jun 2016 - Sept 2016_

Graduate Teaching Assistant

SCI- Arc, Los Angeles, CA Gensler, Jonathan Club, LA, CA

Thesis Dissertation: Civic Mutations (top five selected projects) BSSA, Mumbai , India

//2gax group project Elevation

Table of Contents

Graduate Studies Southern California Institute of Architecture Academic Projects

Competition Entry

Summer 2016

Gensler, Los Angeles, California Work Experience

Summer Intern

Gensler, Los Angeles, California

Work Experience

Internship 2014 SDEG, India

Work Experience

Internship 2014

Menis Arquitectos, Tenerife

Complex Morphologies Design Studio, SCI_Arc 2GAX Fall 2015

Public Appearances Design Studio, SCI_Arc 2GBX Spring 2016

Seven Sisters: Memoir Design Studio, SCI_Arc 3GAX Fall 2016

SoCal Design Development Studio, SCI_Arc 3GAX Fall 2016

Urban Factory Design Studio, SCI_Arc 3GBX Spring 2017

Ebb and Flow: Winning Project Summer Intern Design Competition

NFL Stadium

32 36

Warriors Campus

Residential Home Completed Project

Residential Villas : China

// Modeled and Rendered in Maya Mental Ray

â&#x20AC;&#x2DC;Complex Morphologiesâ&#x20AC;&#x2122;

Design Studio, SCI-Arc Graduate Studies 2GAX Fall Semester, Year 1, 2015 Group (3) Academic project Claudia Wainer, Hyosean Park, Nithya Subramaniam Design Guides// Florencia Pita // florencia@pita-bloom.com Keywords// striations linear pixelation pixel blending

// Mass generated from 3d coat using alpha images of the surrounding site. These images are post processed using processing to create a series of interesting massing

Proposed Site// Paris Scale// Media Archive Project Brief // Paris is structured in a clear organizational and formal delineation, and at certain moments can appear visually monochromatic and formally repetitive. This project explores novel methods of addressing context as well as the integration of found forms (like the candy jar profile) to design conditions such as the architectural corner, geometry and color. The building unites and at the same time, breaks away with the adjacent buildings, creating a new icon to the surrounding context that maintains a subtle familiarity to its neighbors. Frayed edges produce the effect of transparency while graphic and tectonic seams provide a visual continuity from the interior to the exterior. By doing so it creates a dialogue with the adjacent buildings and the street. These striations that are projected from the surrounding context also help negotiate the vertical nature of the design and maintains a symbiotic nature between them.

Video Link// https://vimeo.com/152964289

// Alphas for 3DCoat

// Modeled and Rendered in Maya Mental Ray

// Using a similar process of manipulation, photographs of the surrounding context and color are used to create texture. It is used to further exaggerate the striations running through the mass and is enhanced by the deformation of these visual cues. Textures come from the process of image manipulation and pixel sampling. Grain and verticality are produced through the stretching of pixel and at times these pixels are maintained as clear graphic. The textures expose foreign and contextual data, and the combination provides a pattern the is subtle and stands out from the context. The pattern acquires a unique materiality that does not belong to traditional materials such as stone and glass, but exists as a graphic material mixer.

// The figure is derived from the combination of curvilinear profiles of a jar with the architectural features that are extrapolated from the context. Both techniques provide a loose connection with each other and therefore is perceived as being unrelated and yet integrated into local paradigms.

// Modeled and Rendered in Maya Mental Ray

// With our play in material transparency we are trying to strip away the ‘black’ cloak of mystery that usually tends to be associated with the aesthetics of a courthouse.

// Primitive shapes develop into buildings taking cues from verbs. Shift, distort, cut, the verbs that one can associate with justice and its likes, have found their way into the massing.

‘Public Appearances’

This transparency is orchestrated through both materials and actions. The facade colors inspired from LA skyline photographs, merge, stand out, fade in the ever changing cityscape.

Design Studio, SCI-Arc Graduate Studies 2GBX Fall Semester, Year 1, 2016 Group (2) Academic project Meenakshi Dravid, Nithya Subramaniam Design Guides// Elena Manfredini, AT- Shawn Rasekh // manferdini@ateliermanferdini.com Keywords// shift, distort, cut transparency louvers reflections Proposed Site// Los Angeles Scale// Court House (24 Court rooms) Project Brief // The courthouse has great significance as a public building, often shrouded in opaque monumental forms, that signify dominance. Our version of the courthouse intends to take away the opacity while retaining the monumental splendour. Law has always had a broad scope of understanding and prescribes to different sensibilities of different people. Architecture and architectural forms however consistently have some connotations that adhere to understanding of spaces and programs. Architecture through its form and shape can create various expected or unexpected moments, that are orchestrated, in this case with the employ of materials, tectonics and program. For justice to exist, as an architectural element of democratic society, the form could very well be the exaggeration of growth, solidity and progress. The city skyline, often dominated by tall solid figures of commercial milestones, the justice seems to be small stubby remnant of the Greek era, with not much to offer to the 21st century idea of armchair justice with trails that face the scrutiny of media.

Shape Development

1_mass

2_mass

3_mass

4_mass

5_mass

Iteration 1 _ Cut

Iteration 2 / Shift

Iteration 3 || Conflate

Video Link// https://vimeo.com/164778595

//Massing on site. Rendered in Key Shot. Simple massing developed using shifts, distrotions and cuts, terms likely to be used in the judiciary system as well.

// Our version of the courthouse tells its story, quite frankly, with colors, opacity, reflections, often distorted giving a fair idea of where the action takes place, while hiding the actual proceedings.

Isometric View Federal Courthouse, Los Angeles

// The program is arranged such that it keeps considerable distance from the envelope, doing this enables the segregation of the skin and their program pronounced, helping in understanding the machinations of the courthouse. Shifting atriums allow visual connectivity, in an otherwise opaque program.

Federal Courthouse, Los Angeles

Library + References

The courthouse has rarely considered for the welfare of the civil officials working within. By creating open floor offices that are segregated from any other non personnel interference, helps the officials to have a better working environment. The courthouse, now, is a building for the people beyond it and the ones within.

Transverse Section

Private libraries for judges and law clerks are located in the tallest building, without public access. It is served by a private elevator.

+ 450.0 ft Last Floor

Judgeâ&#x20AC;&#x2122;s Suite Ancillary programs are re-oriented at the second level for multi-defendants court. These include judgeâ&#x20AC;&#x2122;s chambers, offices, holding cells, attorney offices amongst others.

Multi-defendent Courtroom Special proceeding courtroom housing multi-defendant trials have larger areas for public to watch proceedings. The public entries are segregated from law personnel entry.

+ 330.0 ft Elevated Ground

En Banc Courtroom Courtrooms do not follow the typical plan at the multi-defendant courtroom level. Smaller En Banc courtrooms populate the floor in case of these levels.

Public Lobby Public lobbies are stacked on top of each other, and have limited access to programs within. To ensure that the space and access is perceived larger than given, the walls of courtrooms are mirrored and the offices have a high gloss finish.

+ 157.0 ft Mezzanine for Defendent 7th Floor

+ 145.0 ft 6th Floor

+ 45.0 ft Lobby Level

+ 0.0 ft Entry Level

Multiple Entries Different entries are provided for all kinds of program users. Judges and defendants enter directly through their designated parking, whereas the jury enters through a separate entrance from the street level.

// The building is framed within the site with the help of its context has brought about decisions of material finish, accesses, and even program orientation. The built form acts as an object and a public building. Our design process entailed controlling and balancing its object like features with actual mandatory requirements. This can be seen through the program planning, the choice of material finishes, the placement of tectonic elements.

// The material, both mesh and glass are layered such that there are varying degrees of transparency.The view from the outside of the inside is distorted broken, fragmented giving it the much needed privacy, yet not completely blocking the visual continuity, giving it semblance of openness. The views from the inside, however are contiguous, and complete.

// Model designed using printed patterned acrylic and dichoric films to create the same illusions the project creates. Keeping the material layering in mind it is manipulated and executed to fit the physical model as well

Typical Floor Plan Federal Courthouse, Los Angeles

4 7

Tell Tale Facade The louvred facade changes colour through the day. The movement of the louvres indicate whether the court is in session.

Jury

Emergency Stretcher

Segregated Circulation

The public circulation is restricted to a singular tower. The access is limited to only a certain courts, that allows for audience during proceedings.

// The entries for the courthouse are separate for each user group, as required by the program, whereas the material finished for the same are derived through the logic of shadows that fall on the site. // Despite the apparent transparency, the secure programs stay within the core, giving just glimpses of what usually stays hidden. With the public at the periphery, the building screens itself with the people it serves. The courthouse interacts with the city, through its tectonic systems, indicating its hours of work. 12

Public Public Public

Receding Slabs

The receding slabs allow for visual continuity. This also ambiently lights all floors by creating an atrium like effect.

Defendent Judge

Jury

1 2 3 4 5 6 7 8 9

Courtroom En Banc Courtroom Judgeâ&#x20AC;&#x2122;s Chamber Jury Suite USMS Offices Public Lobby Law Clerk Offices Holding Cell Open Administration Offices

100 ft

â&#x20AC;&#x2DC; Seven Sistersâ&#x20AC;&#x2DC; Memoir

//View of the boulevard. Rendered in Key Shot. and illustrated in Photoshop Boulevard developed using the overall idea of the old russia seven sisters and how these building were connected to each other. The high cieling is also developed based on the inthe roof profiles seen in the seven sister buildings

// The geometry of the building and how the grids and site boundaries are used to achieve the same.

9 7 8

While one grid faces the old Moscow city the other faces the new Moscow city.

Vertical Design Studio, SCI-Arc Graduate Studies 3GAX Fall Semester, Year 2, 2016 Group Academic project Pinar Seven, Nithya Subramaniam Design Guides// Eric Owen Moss Keywords// wintergardens roof profiles boulevard striations extentions old and new moscow grids

Form / Grid layout

Proposed Site// New Moscow, Russia Scale// 131,000 sqm, New Sberbank

Massing Strategy

Project Brief // The Seven Sisters are a group of seven skyscrapers in Moscow designed in the stalinist style of architecture According the history there were originally 10 of these stylized buildings to be built and the last three of this set failed ot be realized. The rules that these were based off were the idea of all the entries facing the Red Square, each building was designed such that they would be inclear sight of eachother, public and private programs are housed separately and the public ones encase the courtyard. Maintaining these qualities was essential, therefore we used these elements and wualities to cater to the needs of our project.

Grid along New Moscow

Ground Strategy / Layout

Detail Axonometric Roof NTS

Using the roof profiles from the seven sisters we generated a new roof- lining the old to the new. The grid adopted pays homage to the buildings htat were never realized. Boulevard acts as a spine of the bank, functioning as major circulation. Roof continues to change as you proceed down the boulevard. The programs are distributed to create an experience for every user of the building.

// The view below shows the rise and fall of the roof and how it peels off the ground appearing one with its surroundings. The striations seen are public spaces for people to meet. They continue on the roof to let in light and forn winter gardens within the building. Designed and modelled in Rhino and rendered in Maya and photoshop.

Detail Axonometric View NTS

Detail Axonometric Roof NTS ld Moscow

Grid along Old Moscow

// Model designed using 3D printed concrete roof, and etched acrylic used to represent the surrounding facade. The roof openings are created in locations where the conference hanging slabs are located to let in light.

//The three peaks seen in the roof structure immitate the 3 buildings that were not realized during stalins reign. The primary ribs of the roof and the secondary structure between it running in two directions work together to create a framework and an overall finned structure below the roof.

// The elevation view of the chunk model shows the split levels and its relations with the roof profiles. The view below shows the relations of the hanging slab to the roof and how its open plan nature canbe occupied by users.

// This section above through the cross section shows the glass wall detail that lines the boulevard on either side.

It also shows the slab detials and finned roof structure experienced from inside the building in contrast to what is seen from the outside.

30 M

25 M

13 M

2 4

7 1

6 0M

3 -4 M

// Architecture helps cope with formal irregularity in the site boundary. The grid lines are used as a guideline for the roof structure and the columns for the building. The rise and fall of the concrete roof structure is used to generate a senario similar to the one seen around the red square buildings.

Detail Section Scale 1:200

1. 2. 3. 4. 5. 6.

Boulevard Cafe / Restaurant Central Hub - Conference Space Offices - Share Space Conference Rooms Courtyards

7. 8. 9. 10. 11. 12. 13.

Glass Zones From the Roof Retail Zones Business Incubators Private Workspace Canteen Sports Facilities Cloak Rook and others

// This chunk model attempts to expose the kind of structure that is designed to hold up the roof and the hanging slabs from the roof within the building. 3D printed in parts in an attempt to expose this form. The Chunk is also picked to show maximum details adopted by the building to meet the conceptual and structural standards for this form. 3

4 3

// The program is arranged such that it keeps all its view into the boulevard or towards the outside at all times. Doing this enables the segregation of the skin and their program pronounced, helping in understanding the planning of a bank. Shifting ramps along the boulevard spine allows visual connectivity, in an otherwise opaque program.

Detail First Level Plan

Detail Ground Plan Scale 1:200

Scale 1:200

1. 2. 3. 4. 5. 6.

Boulevard Cafe / Restaurant Central Hub - Conference Space Offices - Share Space Conference Rooms Courtyards

// The building is framed within the site with the help of its context has brought about decisions of th egrid layout, and even program orientation. The built form acts as an object and a public building.

Boulevard Cafe / Restaurant Central Hub - Conference Space Offices - Share Space Conference Rooms Courtyards

// In this plan level the open layout can be seen. This caters to the flexible requirements of Sberbank.

Our design process entailed controlling and balancing its object like features with actual mandatory requirements. This can be seen through the program planning, the choice of material finishes which pays homage to the old seven sisters in a way, the placement of tectonic elements.

By creating open floor offices that are segregated from any other non personnel interference, helps the officials working in a bank of this kind have a better working environment. The model pictures alongside show the main features in the chunk model of the entire building.

40 M

33 M

25 M

13 M

Long Section

Boulevard Cafe / Restaurant Central Hub - Conference Space Offices - Share Space Conference Rooms Courtyards

Detail Section

Scale 1:500

1. 2. 3. 4. 5. 6.

7. 8. 9. 10. 11. 12. 13.

Glass Zones From the Roof Retail Zones Business Incubators Private Workspace Canteen Sports Facilities Cloak Rook and others

// The material layering within the building is specifically seen in the roof and the slab elements. This open section is cut trhough the boulevard. It helps reveal the splitting slabs, hanging slabs from the roof, ramps and circulation and the curved walls used to divided spaces. The contoured roofs creates irregular peaks each from which the new or the old city can be viewed. It gives the same impression the seven sisters gives.

8 3

0M -4 M

// Megachunk to show all the structural systems adopted by this builidng and the facade systems.

‘ SoCal ‘

1-3/4” STONE PANELS

ROOF TRUSS SYSTEM SUPPORTS THE STONE TILED SLOPED ROOF

A7.2

1 A7.1

Design Documentation, SCI-Arc- Graduate Studies 3GAX Fall Semester, Year 2, 2016 Group Academic project Claudia Wainer, Mohammad Soleimanifeijani, Hyoseon Park, Connor Sullivan, Nithya Subramaniam

STEEL FRAME WORK TO SUPPORT Z CLIPS FOR THE TILES

CUSTOM PERFORATED & STAMPED METAL PANEL

3’X1’ EDGE BEAM, PRIMARY STRUCTURE

Design Guides// Herwig Baumgartner, Brian Zamoro, Mathew Melnyk, Jamey Lyzun Keywords// facade details custom extruded mullions bridge structure design element two way facade system

1 A7.0

2 A6.0

CUSTOM STEEL EXTRUSION FOR, PRIMARY FACADE STRUCTURE CUSTOM STEEL EXTRUSION FOR FACADE MULLIONS 1 A1.2

CUSTOM ORANGE DOUBLE GLAZED CASTED GLASS METAL GUARD RAIL

Scale// Courthouse design (24 courtrooms) Project Brief // The project involves designing a structural system for a courthouse housing 24 courtrooms. The building is designed with three structural systems. Each system is idependent of the other.

W16 I BEAM STRUCTURE FOR SLABS

METAL DECKING

DROP CEILING TIE BACKS

The truss system is designed as a bridge and the core is supported through braced frame and the slabs are hung from this and supported by the steel beams, columns and edge beams around the slabs. The flat slab structure is a simple post and beam one with least load subjected to it. Lastly, the building with the concrete core supports the slabs and has a primary and secondary steel structure which includes edge beams deep enough to counter the load it is subjected to. The MEP for the building is also designed in three parts. The details are designed keeping in mind the custom extruded glass and the effect needed to be achieved. The mullions, glass, structure in portions and mesh wall detail is customized for this building. The facade portion clad in stone tiles and the mesh between glass detail is cutomized to create the required effect and at the same time be structurally sound to hold itself up against all the support below.

3’X1’ EDGE BEAM, PRIMARY STRUCTURE CUSTOM PINK DOUBLE GLAZED CASTED GLASS CUSTOM STEEL EXTRUSION FOR, PRIMARY FACADE STRUCTURE

GYPSUM PANELLED CEILING

CUSTOM PINK AND ORANGE DOUBLE GLAZED CASTED GLASS BRACED FRAME STRUCTURE

3’X1’ EDGE BEAM, PRIMARY STRUCTURE

8” POURED CONCRETE FLAT SLAB CHROME FLOOR CAP

MEGA TRUSS SYSTEM

CONCRETE DOUBLE WALL 5 FT THICK

A0.0

MEGACHUNK NTS

T.O.ROOF 458'-1" CUSTOM PINK AND ORANGE DOUBLE GLAZED CASTED GLASS

2 A6.0

CUSTOM EXTRUDED STEEL MULLION 2

So Cal

A6.0

CUSTOM CORNER STEEL DETAIL

CUSTOM STEEL SSG RING BEAM

DESIGN

Design, Development, and Documentation CUSTOM STEEL SSG RING BEAM

DESIGN

Design, Development, and Documenta�on

Sixteenth Floor 364'-4"

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

Fourteenth Floor 325'-6"

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

CUSTOM DOUBLE LAYER CASTED GLASS, 1 LAYER COLORED GLASS, 1 LAYER LOW E GLASS

STEEL PLATE WELDED TO BEAM

CUSTOM STEEL SSG RING BEAM

T.O.ROOF Twelfth Floor 286'-5" 458'-1"

DATE :

Eleventh Floor 266'-9"

Claudia Wainer

A1.2

3D FACADE SYSTEM AT GLASS CORNER NTS

Sixth Floor 169'-0"

Fifth Floor 151'-11"

SCALE :

NTS

1/128 and 1/32

METAL GUARDRAIL

1 A6.0

CUSTOM STEEL SSG RING BEAM

Nithya Subramaniam

DRAWN BY : Hyoseon Park SCALE :

PERFORATED & STAMPED METAL PANELS BETWEEN LOW E & COLORED GLASS PANELS

CUSTOM EXTRUDED STEEL PRIMARY FACADE STRUCTURE

December 05, 2016

TIE BACK FROM SLAB TO FACADE 1FT BY 1.5 FT CROSS SECTION ON ALT LVL’S BOLTED STEEL CONNECTION TO SUPPORT FACADE

8” POURED CONCRETE FLATSLAB

REFERENCE: CHROME FLOOR CAP GYPSUM HANGING CEILING

REFERENCE:

C SECTION DROP CIELING TIEBACKS

DETAIL AT FLOOR AND FACADE CONNECTION SCALE 1:32

T.O.ROOF 458'-1"

SoCal So Cal D E SD IEGS ING N 5 GROUPGROUP 5 Claudia Wainer Claudia Wainer Nithya Subramaniam Nithya Subramaniam Hyoseon Park Hyoseon Park Connor Sullivan Connr Sulliva Soleimanifeijani MohammadMohammad Soleijamanifeijani

Sixteenth Floor 364'-4"

CUSTOM PINK AND ORANGE GLASS

Fifteenth Floor 344'-10"

CUSTOM CORNER STEEL DETAIL

Fourteenth Floor 325'-6" Thirteenth Floor 305'-11" Twelfth Floor 286'-5" Eleventh Floor 266'-9" Tenth Floor 247'-5" Ninth Floor 229'-11" Eighth Floor 210'-5"

DRAWING TITLE :

Seventh Floor 188'-9" Sixth Floor 169'-0" Fifth Floor 151'-11" Fourth Floor 130'-3"

CUSTOM EXTRUDED STEEL MULLION

Third Floor 110'-9" Second Floor 91’-2"

3D FACADE SYSTEM CUSTOM EXTRUDED STEEL MULLION

METAL GUARDRAIL CHROME FLOOR CAP C SECTION DROP CIELING TIEBACKS GYPSUM HANGING CEILING

DRAWN DRAWN BY : BY : NTS SCALE SCALE : 1/32”: - 1’-0”

REFERENCE:

First Floor 10'-6" Ground 0'-0" First Basement 12'-3" Second Basement 24'-10"

CUSTOM STEEL SSG RING BEAM

CONTENTS :

CONTENTS : SECTION B

A3.1

0 5' 10'

20'

40'

DRAWING NO :

drawings showing how the custom WALLdetail SECTION extruded primary and secondary mulions

// Slant wall Facade chuck 3d and 2d

DETAIL AT CORNER OF ROOF

A-3.1 A-3.1 DRAWING NO :

SECTION B

DRAWING TITLE :

DRAWING TITLE : CONTENTS : DRAWING 01 SECTION

GLASS FACADE

A-1.2

DRAWING TITLE : BUILDING SECTION B

DRAWING NO :

CHUNK AT CORNER 8” POURED CONCRETE FLATSLAB

SCI-Arc SCI-Arc 960 E 3rd 960 E 3rd St,St, Los Angeles, CA 90013 Los Angeles, CA 90013 November 14, 2016 : 2016 DATE : DATE Nov 14,

Los Angeles Los Angeles Courthouse Courthouse

1 A6.0

Eighth Floor 210'-5" Sixteenth Floor Seventh Floor 364'-4" T.O.ROOF 188'-9" 458'-1" Floor Fifteenth Sixth Floor 344'-10" 169'-0" Fourteenth Floor Fifth Floor 325'-6" 151'-11" Thirteenth Floor Fourth Floor 305'-11" 130'-3" Twelfth Floor Third Floor 286'-5" 110'-9" Eleventh Floor Second Sixteenth Floor 266'-9" Floor 91’-2” 364'-4" Tenth Floor Fifteenth 247'-5" Floor 344'-10" Ninth Floor Fourteenth 229'-11" Floor 325'-6" Eighth Floor Thirteenth Floor 210'-5" First Floor 305'-11" 10'-6" Seventh Floor Twelfth 188'-9" Floor Ground 286'-5" 0'-0" Sixth Floor Eleventh 169'-0" Floor First Basement 266'-9" - Fifth 12'-3"Floor Tenth Floor 151'-11" 247'-5" Basement Second - Fourth 24'-10" Floor Ninth 130'-3"Floor 229'-11" Third Floor Eighth 110'-9"Floor 210'-5" Second Floor Seventh 91’-2” Floor 188'-9"

PERFORATED METAL PANELS BETWEEN LOW E GLASS SHEETS

Los Angeles Courthouse

Ninth Floor 229'-11"

DATE :

December 5, 2016

DRAWN BY : Mohammad S.

Tenth Floor 247'-5"

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

Los Angeles Courthouse

Thirteenth Floor 305'-11"

GROUP 5 Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

GROUP 5

Fifteenth Floor 344'-10"

So Cal

run along hte facade. The facade is also tied back to the slabs CONTENTS : using tube sections. The Main ring beam is also desgined as main primary struture and then there WALLtheSECTION ENVELOPE is a sub primary structure that emerges DETAILS from this.

SCALE 1:32

DRAWING NO :

5 6

A7.1

1 A7.1

2” X2” ALUMINIUM L CHANNEL

December 05, 2016

Claudia Wainer Nithya Subramaniam

DRAWN BY :

SCALE :

TIE MEMBER

1” = 1’ 0”

SCALE :

L SECTION METAL PLATE CEILING FRAME GYPSUM DROP CIELING

REFERENCE:

DETAIL LEGEND

DETAIL LEGEND 16

T.O.ROOF 458'-1"

Thirteenth Floor 305'-11"

D E SD IEGS ING N

Claudia Wainer Nithya Subramaniam Hyoseon Park Connr Sulliva Mohammad Soleijamanifeijani

Fifteenth Floor 344'-10" Fourteenth Floor 325'-6"

1. METAL FLASHING

So So

WATER PROOFING MEMBRANE DETAIL LEGEND2. 3. SPACERS

So So GROUP 5

Sixteenth Floor 364'-4"

T.O.ROOF

Twelfth Floor 286'-5" Eleventh Floor 266'-9" Tenth Floor 247'-5"

D E SD IEGS ING N

458'-1"

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013 DATE : Nov 14, 2016 DRAWN BY : SCALE : 1/32” - 1’-0”

Ninth Floor 229'-11"

1. METAL FLASHING 4. ALUMINUM MATTE FINISH CAP 1. METAL FLASHING 5. SUPPORT FOR GUTTER CAP 2. WATER PROOFING MEMBRANE 2. WATER PROOFING6.MEMBRANE STEEL PLATE AND BOLT ATTACHED TO 3. SPACERS 3. SPACERS PRIMARY FACADE STRUCTURE 4. ALUMINUM MATTE7.FINISH CAP GUTTER DRAIN & LINER 4. ALUMINUM MATTE FINISH CAP A-3.1 A-3.1 5. SUPPORT FOR GUTTER CAP CURTAIN WALL EXTRUSION ATTACHED TO EDGE BEAM; REFER TO 8. CUSTOM 6. STEEL PLATE AND BOLT ATTACHED 5. SUPPORT FOR GUTTER CAP DETAIL AT A 7.4.TO PRIMARY FACADE STRUCTURE 9. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 6. STEEL PLATE ANDTITLE BOLT ATTACHED TO DRAWING :A-3.1 7. GUTTER DRAIN & LINER 10. LOW E LAMINATED GLASS A-3.1 8. CUSTOM CURTAIN11. WALL EXTRUSION ATTACHED TO EDGE BEAM; REFER TO CUSTOM PINK COLORED GLASS PRIMARY FACADE STRUCTURE DETAIL AT A 7.4. 12. CUSTOM PERFORATED & STAMPED METAL PANEL DETAILS 9. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE EMBEDED WITHIN DOUBLE LAYERED GLASS. REFER TO DETAIL 7. GUTTER FACADE DRAIN & LINER DRAWING TITLE : AT A 7.2. 10. LOW E LAMINATED GLASS 13. CUSTOM STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 8. CUSTOM CURTAIN WALL EXTRUSION ATTACHED TO EDGE BEAM; REFER TO 11. CUSTOM PINK COLORED GLASS 12. CUSTOM PERFORATED & STAMPED METAL PANEL CONTENTS : DETAIL AT A 7.4. FACADE DETAILS EMBEDED WITHIN DOUBLE LAYERED GLASS. REFER TO DETAIL AT A 7.2. 9. 3’X1’ EDGE BEAM, PRIMARY DETAIL AT GLASS ROOF STRUCTURE 13. CUSTOM STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 10. LOW E :LAMINATED GLASS CONTENTS GUTTER 11. CUSTOM PINK COLORED GLASS DETAIL AT GLASS ROOF 12. CUSTOM PERFORATED & STAMPED METAL PANEL SCALE 1:32 DRAWING NO : EMBEDED WITHIN DOUBLE LAYERED GLASS. REFER TO DETAIL GUTTER AT A 7.2. 13. CUSTOM EXTRUSION, PRIMARY FACADE STRUCTURE. DRAWING NOSTEEL : Eighth Floor 210'-5"

GROUP 5

Seventh Floor 188'-9"

Claudia Wainer Nithya Subramaniam Hyoseon Park Connr Sulliva Mohammad Soleijamanifeijani

Sixth Floor 169'-0" Fifth Floor 151'-11"

Sixteenth Floor 364'-4"

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

Fifteenth Floor 344'-10"

Fourteenth Floor 325'-6"

Thirteenth Floor 305'-11"

Fourth Floor 130'-3" Third Floor 110'-9"

Second Floor 91’-2"

DATE : Nov 14, 2016

Twelfth Floor 286'-5"

DRAWN BY :

Eleventh Floor 266'-9"

SCALE : 1/32” - 1’-0”

Tenth Floor 247'-5"

First Floor 10'-6" Ground 0'-0"

Ninth Floor 229'-11"

First Basement 12'-3"

Eighth Floor 210'-5"

Second Basement 24'-10"

Seventh Floor 188'-9" Sixth Floor 169'-0"

DRAWING TITLE :

BUILDING SECTION B

CONTENTS :

Fifth Floor 151'-11"

Fourth Floor 130'-3" Third Floor 110'-9"

A3.1

DRAWING NO :

Second Floor 91’-2"

SECTION B

0 5' 10'

20'

40'

First Floor 10'-6" Ground 0'-0"

First Basement 12'-3"

Second Basement 24'-10"

DRAWING TITLE :

BUILDING SECTION B

CONTENTS :

A3.1

GYPSUM WALL

TUBE STEEL STRUCTURE 12”X6” CROSS SECTION 13

CUSTOM EXTRUDED CURVED STEEL BEAM

A5.1

DETAIL AT GLASS ROOF GUTTER 1” = 1’ 0”

DETAIL AT GLASS ROOF GUTTER

DRAWING NO :

SECTION B

0 5' 10'

20'

40'

DETAIL AT CORNER OF ROOF

A-5.1 A-5.1

1” = 1’ 0”

Nithya Subramaniam

A3.1

05 06 07 08

1/128 and 1/8

REFERENCE:

STEEL Z CLIPS TO HOLD/TIE BACK STONE FACADE

December 05, 2016

DRAWN BY : Hyoseon Park

Claudia Wainer

December 05, 2016

Nithya Subramaniam DRAWN BY :SCALE : 1” = 1’ 0”

SECTION B

0 5' 10'

20'

40'

DRAWING TITLE :

A7.1

3D GLASS & GUTTER TRANSITION DETAIL

Sixteenth Floor 364'-4" Fifteenth Floor 344'-10"

Fourteenth Floor 325'-6"

Twelfth Floor 286'-5"

Eleventh Floor 266'-9" Tenth Floor 247'-5"

Fourth Floor 130'-3"

Second Floor 91’-2"

Ground 0'-0"

First Basement 12'-3"

Second Basement 24'-10"

DRAWING TITLE : BUILDING SECTION B

CONTENTS :

DRAWING NO :

A-3.1 A-3.1

04 05

A7.1 11

T.O.ROOF 458'-1"

09 3D GLASS & GUTTER TRANSITION DETAIL

Fifteenth Floor 344'-10" Fourteenth Floor 325'-6"

Twelfth Floor 286'-5" Eleventh Floor 266'-9" Tenth Floor 247'-5"

NTS

SoCal So Cal

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

DRAWN DRAWN BY : BY : NTS SCALE SCALE : 1/32”: - 1’-0”

Seventh Floor 188'-9" Sixth Floor 169'-0"

A-5.1

November 14, 2016 : 2016 DATE : DATE Nov 14,

Los Angeles Los Angeles Courthouse Courthouse

DRAWING NO :

SCI-Arc SCI-Arc 960 E 3rd 960 E 3rd St,St, Los Angeles, CA 90013 Los Angeles, CA 90013

Eighth Floor 210'-5"

Fifth Floor 151'-11" Fourth Floor 130'-3" Third Floor 110'-9" Second Floor 91’-2"

REFERENCE:

First Floor 10'-6" Ground 0'-0" First Basement 12'-3" Second Basement 24'-10"

DRAWING TITLE : BUILDING SECTION B

DRAWING TITLE : CONTENTS : DRAWING 01 SECTION

CONTENTS : SECTION B

DRAWING NO :

A-3.1 A-3.1 DRAWING NO :

SECTION B

20'

GROUP 5

D E SD IEGS ING N

Ninth Floor 229'-11"

0 5' 10'

5 GROUPGROUP 5

Thirteenth Floor 305'-11"

A3.1

40'

09 10

DETAIL LEGEND

1. 1-3/4” STONE PANELS 2. Z CLIPS ATTACHED TO STONE PANELS 3. C CHANNELS SUPPORT FOR Z CLIPS 4. 1” METAL SUBSTRATE 5. PRIMARY FACADE STRUCTURE 6. FIRE RATED GYP BOARD 7. FIRE RATED GYP BOARD 8. 8” C CHANNELS SUPPORT FINISHING WALL 9. STEEL L CHANNEL, WITH WEEP HOLES 10. CUSTOM STEEL MULLION PROFILE 11. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 12. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 13. CUSTOM ORANGE COLORED GLASS 14. LOW E LAMINATED GLASS

DATE :

STEEL GUSSET PLATE TO MOUNT TIEBACKS STEEL PIPES HOLDING FACADE

METAL FLAT PLATE CUSTOM STEEL EXTRUSION FOR, PRIMARY FACADE STRUCTURE

WALL SECTION

A7.0

SCALE :

STRUCTURAL W15 I BEAM SECTION

CHROME FLOOR CAP

CONTENTS :

WALL SECTION ENVELOPE DETAILS

02 03

CUSTOM PINK AND ORANGE DOUBLE GLAZED CASTED GLASS

DETAIL AT GLASS & RING BEAM SCALE 1:32

A7.0

3D GLASS & GUTTER TRANSITION DETAIL NTS

D E S IREFERENCE: GN

DETAIL LEGEND 1. 1-3/4” STONE PANELS 2. Z CLIPS ATTACHED TO STONE PANELS 3.A7.1 C1 CHANNELS SUPPORT FOR Z CLIPS 4. 1” METAL SUBSTRATE 5. PRIMARY FACADE STRUCTURE DRAWING TITLE : 6. FIRE RATED GYP BOARD 7. FIRE RATED GYP BOARD 3D FACADE DETAILS 8. 8” C CHANNELS SUPPORT FINISHING WALL 9. STEEL L CHANNEL, WITH WEEP HOLES CONTENTS : 10. CUSTOM STEEL MULLION PROFILE DETAIL AT GLASS & RING 11. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 12. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY BEAM FACADE STRUCTURE. 13. CUSTOM ORANGE COLORED GLASS DRAWING NO : 14. LOW E LAMINATED GLASS A7.0

06 07 08 09 DETAIL AT GLASS & RING BEAM NTS

GROUP 5

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

REFERENCE:

13 14

Design, Development, and Documenta�on

A-6.1

The custom ring beam and the custom mullion is also seen in the detail and the 3D detail shown alongside.

A7.1

DRAWING NO :

// 2D details from the wall section. These detials show the meeting for the two main materials in the building facadestone and curved finned glass.

DETAIL AT GLASS & RING BEAM NTS

BOXED RING BEAM 3FTX 2 FT CROSS SECTION

NTS

So Ca

Claudia Wainer

A7.0

BOLTED STEEL CONNECTION

3’X1’ EDGE BEAM, PRIMARY STRUCTURE

December 05, 2016

DRAWN BY :

DRAWING TITLE :

1-1/2” 25 STEEL COMPOSITE METAL DECKING

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

FINISHED FLOOR LEVEL 6-1/2” POURED CONCRETE SLAB

SCI-Arc 960 E 3rd St, Los Angeles, CA 9001 DES

So Cal A-7.1

GUTTER

A7.0

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

1. METAL FLASHING Design, D 2. SPACERS 3. CUSTOM MULLION EXTRUSION ATTACHED TO EDGE BEAM G Cla 4. ALUMINUM MATTE FINISH CAP Ni Hy 5. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE Co Mo December 05, 2016 DATE : 01 DRAWING TITLE : 6. SUPPORT FOR GUTTER CAP 1 7. WATERA7.1PROOFING MEMBRANE 02 SC 3D FACADE DETAILS DETAIL LEGEND 8. GUTTER DRAIN & LINE 96 03 DRAWN BY : Claudia WainerLo 1. 1-3/4” STONE PANELS 9. INSULATION 2. Z CLIPS ATTACHED TO STONE PANELS 3. C CHANNELS SUPPORT FOR Z CLIPS CONTENTS : 04 10. STEEL PLATE AND BOLT ATTACHED TO 4. 1” METAL SUBSTRATE 5. PRIMARY FACADE STRUCTURE 05 DA PRIMARY FACADE STRUCTURE 6. FIRE RATED GYP BOARD 7. FIRE RATED GYP BOARD : DETAIL AT GLASS GUTTER NTS SCALE 11. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY 06 8. 8” C CHANNELS SUPPORT FINISHING WALL DR 9. STEEL L CHANNEL, WITH WEEP HOLES 07 10. CUSTOM STEEL MULLION PROFILE FACADE STRUCTURE. 11. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 08 SC 12. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY 12. CUSTOM PINK COLORED GLASS 09 FACADE STRUCTURE. 13. CUSTOM ORANGE COLORED GLASS 13. CUSTOM PERFORATED & STAMPED METAL PANEL 14. LOW E LAMINATED GLASS DRAWING NO : 10 DESIGN EMBEDD WITHIN DOUBLE LAYERED GLASS. Development, and Documenta�on 14. LOW E LAMINATED GLASS10. LOW E LAMINATEDDesign, GLASS

Third Floor 110'-9"

First Floor 10'-6"

Sixteenth Floor 364'-4"

GROUP 5

DETAIL LEGEND

Fifth Floor 151'-11"

DRAW

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

DRAWN BY : SCALE : 1/32” - 1’-0”

Sixth Floor 169'-0"

Design, Development, and Documenta�

DATE : Nov 14, 2016

Seventh Floor 188'-9"

DETA

DESIGN

REFERENCE:

Eighth Floor 210'-5"

CONT

Claudia Wainer Nithya Subramaniam Hyoseon Park Connr Sulliva Mohammad Soleijamanifeijani

Ninth Floor 229'-11"

3D FA

GROUP 5

Claudia Wainer Claudia Wainer Nithya Subramaniam Nithya Subramaniam Hyoseon Park Hyoseon Park Connor Sullivan Connr Sulliva Soleimanifeijani MohammadMohammad Soleijamanifeijani

METAL GUARDRAIL

So Ca

DRAW

1 A7.1

Claudia Wainer

NTS

D E SD IEGS ING N

Thirteenth Floor 305'-11"

DETAIL AT GLASS ROOF C

SCALE :

NTS

December 05, 2016

DRAWN BY :

So So

T.O.ROOF

458'-1"

CONTENTS : B

DATE :

REFERENCE: A

1. METAL FLASHING 2. SPACERS 3. CUSTOM MULLION EXTRUSION ATTACHED TO EDGE BEAM 4. ALUMINUM MATTE FINISH CAP 5. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 6. SUPPORT FOR GUTTER CAP 7. WATER PROOFING MEMBRANE 8. GUTTER DRAIN & LINE 9. INSULATION 10. STEEL PLATE AND BOLT ATTACHED TO PRIMARY FACADE STRUCTURE 11. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 12. CUSTOM PINK COLORED GLASS 13. CUSTOM PERFORATED & STAMPED METAL PANEL EMBEDD WITHIN DOUBLE LAYERED GLASS. 14. LOW E LAMINATED GLASS10. LOW E LAMINATED GLASS

FACADE DETAILS

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

DETAIL LEGEND

Los Angeles Courthouse

WELDED STEEL PIPE CONNECTION TO HOLD INSULATION LAYER TIGHT

A-7.0

SCI-Arc 960 E 3rd St, Los DRAWING Angeles, TITLE CA 90013 : 3D FACADE DETAILS

DATE :

December 05, 2016

CONTENTS :

DRAWN BY :

Claudia Wainer

DETAIL AT GLASS GUTT

SCALE :

NTS

DRAWING NO :

es e

DATE :

7 8

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

Los Angeles Courthouse

GROUP 5

Los Angeles Courthouse

Design, Development, and Documenta�on 12

Courthouse

DATE :

TRUSS SYSTEM LIKE SEEN IN BRIDGES

DATE :

Los Angeles Courthouse Los Angeles Courthouse

4 5

DESIGN

REFE

Los Angeles Los Angeles Courthouse

SCI-Arc = 1’ 0” SCALE : 1”E 960 3rd St, Los Angeles, CA 90013

SCI-Arc 960 E 3rd St, SCI-Arc Los Angeles, CA 90013 960 E 3rd St, Los Angeles, CA 90013

Mohammad Soleimanifeijani

9 1

13. CUSTOM PERFORATED & STAMPED METAL PANEL EMBEDD WITHIN DOUBLE LAYERED GLASS. 14. LOW E LAMINATED GLASS10. LOW E LAMINATED GLASS

Claudia Wainer Nithya Subramaniam

DRAWN BY :

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

So Cal

SIGN //D2DE detail fo the corner gutter DESIGN supported by custom extruded mullion GROUP 5 shown with the mesh and ring beam GROUP 5 facade where the mesh is stick glaxed Claudia Wainer Nithya Subramaniam Hyoseon Park between glass Connor Sullivan

Mohammad Soleimanifeijani December 05, 2016

DATE :

SoSo CalCal

13 14 15

2 3

4 6

So Cal

5 6

DESIGN

So Cal

10 11

6 7

GROUP 5

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

17 18

December 05, 2016

SCALE :

3/4” = 1’ 0”

21 A7.2

A7.2

DETAIL LEGEND

Los Angeles Courthouse

3D FA

CONT

GUTT

SCI-Arc 960 E 3rd St, A7.2 DETAIL AT STONE ROOF GUTTER Los Angeles, CA 90013

DATE :

3/4” = 1’ 0”

T.O.ROOF 458'-1"

Sixteenth Floor 364'-4" Fifteenth Floor 344'-10" Fourteenth Floor 325'-6" Thirteenth Floor 305'-11" Twelfth Floor 286'-5"

Eleventh Floor 266'-9" Tenth Floor 247'-5" Ninth Floor 229'-11"

Eighth Floor 210'-5"

Seventh Floor 188'-9" Sixth Floor 169'-0" Fifth Floor 151'-11"

06 07 08 09

10 11 12

Fourth Floor 130'-3"

1. 1-3/4” STONE PANELS 2. T CLIPS ATTACHED TO STON 3. BOLT ATTACHING STONE CL 104. LOW E LAMINATED GLASS 115. CUSTOM PERFORATED & STA 6. WATER PROOFING MEMBRA 7. RIGID INSULATION 128. CONCRETE SLAB 139. METAL DECKING 10. METAL FLASHING 1411. CUSTOM ORANGE COLORE 12. SPACER FOR FLASHING 1513. CUSTOM MULLION EXTRUS 14. METAL FLASHING 15. PLATE AND BOLT ATTACHIN 16. CUSTOM TAPERED STEEL E FACADE STRUCTURE. 17. TRUSS PRIMARY STRUCTUR 1618. 3’X1’ EDGE BEAM, PRIMARY

17 18

Third Floor 110'-9"

Second Floor 91’-2"

First Floor 10'-6" Ground 0'-0"

First Basement 12'-3"

Second Basement 24'-10"

REFERENCE:

SECTION B

0 5' 10'

20'

40'

T.O.ROOF 458'-1"

Sixteenth Floor 364'-4" Fifteenth Floor 344'-10" Fourteenth Floor 325'-6" Thirteenth Floor 305'-11" Twelfth Floor 286'-5" Eleventh Floor 266'-9"

Tenth Floor 247'-5" Ninth Floor 229'-11" Eighth Floor 210'-5" Seventh Floor 188'-9"

Sixth Floor 169'-0" Fifth Floor 151'-11"

Fourth Floor 130'-3"

T.O.ROOF

Third Floor 110'-9"

458'-1"

Second Floor 91’-2"

First Floor 10'-6"

Sixteenth Floor 364'-4"

Ground 0'-0"

Fifteenth Floor 344'-10"

First Basement 12'-3"

Fourteenth Floor 325'-6"

Second Basement 24'-10"

Thirteenth Floor 305'-11" Twelfth Floor 286'-5"

Eleventh Floor 266'-9" Tenth Floor 247'-5" Ninth Floor 229'-11"

A3.1

Seventh Floor 188'-9" Sixth Floor 169'-0"

SECTION B 0 5' 10'

20'

40'

Fifth Floor 151'-11"

Design, Development, and Documenta�on

Fourth Floor 130'-3" Third Floor 110'-9"

Second Floor 91’-2"

DRAWING NO : 11. METAL FLASHING 12. GUTTER DRAIN & LINER 13. CUSTOM STEEL EDGE MULLION A3.1 14. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 15. LOW E LAMINATED GLASS 16. CUSTOM PERFORATED & STAMPED METAL PANEL EMBEDD DRAWING TITLEWITHIN : DOUBLE LAYERED GLASS. REFER TO DETAIL AT A 7.2. 17. CUSTOM ORANGE COLORED GLASS 18. CUSTOM CURTAIN WALL EXTRUSION ATTACHED TO EDGE BEAM; REFER TO FACADE DETAILS DETAIL AT A 7.4. 19. CUSTOM STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 20. C CHANNELS CONTENTS : 21. FIRE RATED GYP BOARD 22. DROP CEILING SYSTEM 23.STONE FIRE RATED GYP BOARD DETAIL AT ROOF

So Cal DESIGN

Eighth Floor 210'-5"

Claudia Wainer Nithya Subramaniam

REFERENCE:

1. 1-3/4” STONE PANELS 2. T CLIP SPACERS 3. BOLT ATTACHING STONE CLIPS TO STRUCTURE 4. WATER PROOFING MEMBRANE 5. RIGID INSULATION 6. CONCRETE SLAB 7. METAL DECKING A3.1 8. TRUSS PRIMARY STRUCTURE 9. PLATE AND BOLT ATTACHING ROOF DRAING TO STRUCTURE 10. SPACER FOR FLASHING 11. METAL FLASHING 12. GUTTER DRAIN & LINER DETAIL LEGENDDRAWING TITLE : 13. CUSTOM STEEL EDGE MULLION 14. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE FACADE DETAILS 1. 1-3/4” STONE PANELS 15. LOW E LAMINATED GLASS 16. CUSTOM PERFORATED & STAMPED METAL PANEL 2. T CLIP SPACERS EMBEDD WITHIN DOUBLE LAYERED GLASS. REFER TO DETAIL 3. BOLT ATTACHING STONE CLIPS TO STRUCTURE AT A 7.2. 4. WATER PROOFINGCONTENTS MEMBRANE: DETAIL LEGEND 17. CUSTOM ORANGE COLORED GLASS 22 5. RIGID 18. CUSTOM CURTAIN WALL EXTRUSION ATTACHED TO EDGE BEAM; REFERINSULATION TO 6. CONCRETE SLAB DETAIL AT STONE ROOF DETAIL AT A 7.4. 1. 1-3/4” STONE PANELS 19. CUSTOM STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 7. METAL DECKING 2. T CLIP SPACERS 20. C CHANNELS 8. TRUSS PRIMARY STRUCTURE 3. BOLT ATTACHING STONE CLIPS TO STRUCTURE GUTTER 21. FIRE RATED GYP BOARD 9. PLATE AND BOLT ATTACHING ROOF DRAING TO STRUCTURE 23 22. DROP CEILING SYSTEM 4. WATER PROOFING MEMBRANE 10. SPACER FOR FLASHING 23. FIRE RATED GYP BOARD 5. RIGID INSULATION 16

DRAW

December 05, 2016

SCALE :

REFERENCE:

DETA

DETAIL LEGEND

DRAW

Claudia Wainer Nithya Subramaniam

DRAWN BY :

Los Angeles Courthouse

DATE :

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

Claudia Wainer

NTS

December 05, 2016

DESIGN GROUP 5

DRAWN BY : Nithya Subramaniam SCI-Arc 15 960 E 3rd St, SCALE : 3/4” = 1’ 0” Los Angeles, CA 90013 16

REFE

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

DATE :

A7.2

Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

DESIGN

GROUP 5

So Cal

Los Angeles Courthouse

// 2D detail of the slant roof and gutter to show the change in material and hwo the gutter helps resolve ot. The truss system below helps prop and support the stone rooffing laid out on top. The custome mullions are seee supporting the mesh wall as well. The 3D detial shows the different elements coming together.

First Floor 10'-6" Ground 0'-0"

A5.2

DETAIL AT STONE ROOF GUTTER 3/4” = 1’ 0”

A5.2 26

DETAIL AT STONE ROOF GUTTER 3/4” = 1’ 0”

6. CONCRETE SLAB 7. METAL DECKING 8. TRUSS PRIMARY STRUCTURE 9. PLATE AND BOLT ATTACHING ROOF DRAING TO STRUCTURE 10. SPACER FOR FLASHING 11. METAL FLASHING 12. GUTTER DRAIN & LINER 13. CUSTOM STEEL EDGE MULLION 14. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE 15. LOW E LAMINATED GLASS 16. CUSTOM PERFORATED & STAMPED METAL PANEL EMBEDD WITHIN DOUBLE LAYERED GLASS. REFER TO DETAIL AT A 7.2. 17. CUSTOM ORANGE COLORED GLASS 18. CUSTOM CURTAIN WALL EXTRUSION ATTACHED TO EDGE BEAM; REFER TO DETAIL AT A 7.4. 19. CUSTOM STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 20. C CHANNELS 21. FIRE RATED GYP BOARD 22. DROP CEILING SYSTEM 23. FIRE RATED GYP BOARD

First Basement 12'-3"

A-5.2 Second Basement 24'-10"

SECTION B

0 5' 10'

20'

40'

GUTTER

DRAWING NO :

A7.2

DETAIL AT STONE ROOF GUTTER NTS

DRAWING TITLE : FACADE DETAILS

DETAIL LEGEND 04

CONTENTS :

DETAIL AT STONE ROOF

06 07

GUTTER

DRAWING NO :

A-5.2

08 09

10 11 12

1. 1-3/4” STONE PANELS 2. T CLIPS ATTACHED TO STONE PANELS 3. BOLT ATTACHING STONE CLIPS TO STRUCTURE 4. LOW E LAMINATED GLASS 5. CUSTOM PERFORATED & STAMPED METAL PANEL 6. WATER PROOFING MEMBRANE 7. RIGID INSULATION 8. CONCRETE SLAB 9. METAL DECKING 10. METAL FLASHING 11. CUSTOM ORANGE COLORED GLASS 12. SPACER FOR FLASHING 13. CUSTOM MULLION EXTRUSION ATTACHED TO EDGE BEAM 14. METAL FLASHING 15. PLATE AND BOLT ATTACHING ROOF DRAING TO STRUCTURE 16. CUSTOM TAPERED STEEL EXTRUSION, PRIMARY FACADE STRUCTURE. 17. TRUSS PRIMARY STRUCTURE 18. 3’X1’ EDGE BEAM, PRIMARY STRUCTURE

GROUP 5 Claudia Wainer Nithya Subramaniam Hyoseon Park Connor Sullivan Mohammad Soleimanifeijani

1 A7.2

SCI-Arc 960 E 3rd St, Los Angeles, CA 90013

DATE :

November 21, 2016

DRAWN BY : SCALE :

NTS

Claudia Wainer

Civilians- The aim is to envision a streetscape in a neighborhood, seek a sense of abundance, avoid decay and coexist to survive.

â&#x20AC;&#x2DC;Urban Factory â&#x20AC;&#x2DC;

Vertical Design Studio, SCI-Arc- Graduate Studies 3GBX Spring Semester, Year 2, 2016 Individual Academic project Design Guides// David Ruy, AT- Paul Krist, Mathew Lopez Keywords// Game to re design urban planning war game stratedgy activating the Z axis Scale// Hypothetical urban scenario Project Brief // The banal object that i studied was a vending machine. The research looked into the functioning and the evolution of a vending machine and how products were delivered, stacked and stored in each of them. These objects exist within our urban landscape, some of which work better than the others in different conditions. The conditions within the research game allow for simple re implementation and randomization which helps create different scenarios and machines, each of which can be reimplemented and revitalized. The urban landscapes can be created using war game strategies and implemented rules, outcomes can be developed to challenge and improve environments to make them far more workable.The extent of how efficient, safe, sound, rich or poor a place is can be concluded through this process. By setting up permutations of how the urban landscape of a street can transform just by a process of repurposing and rearranging, qualities of those urban objects will be affected by a simple randomization of inputted information, the perception of the built environment can then be challenged and changed. Motive of the game is to strive for best solutions while you have the opportunity to mix and match your existing and additional urban objects that you introduce based on the character you have adopted. It keeps in mind that urban plans in general allow for different kinds of inhabitants including people (characters depending on the kind of zones that get created along these streets. The project reconsiders urban planning in architecture inside, outside, between and beyond all monotonous rectangular building blocks seen in most city skylines and offers an urban landscape littered with surrealistic architecture in jarring environments while activating the Z Axis providing efficiency to urban sociology by gamifying the experience to urban plan. 28

Supervisors / Policing- The aim to to maintain public safety and pedestrian expenditure like comfort, health of local businesses, transportation habits such as traffic signals and signages, and local real estate value. Defiants - (homeless, thieves) The aim is to create wrecked environements while sabotaging the civilians and supervisors while they create dark alley ways, vandalise, dezone, destroy and disrupt the existing environment.

“Ebb n’ flow”- Winning Project

Gensler, Los Angeles, California June 2016- September 2016 The Great WAll on FIG 2016 SUMMER INTERN DESIGN COMPETITION - JONATHAN CLUB PARKING GARAGE FACADE Team//interns (2) Aman Sheth , Nithya Subramaniam Position// Intern Architect Work// 3D Modelling Project Pitch and Concept Photo Montage Material Study Scale// Facade Design Vision// PRESTIGE TIMELESS RELEVANCE The Jonathan Club is a monument of success, layered with history and relevance. A club that is prestigious, but does not wish to advertise itself in ways that could bring unwanted attention. That being said, the facade of a building is an image. In turn, this image becomes the branding of its inhabitants, a representation of that organization’s mission and characteristics. What will this image tell the world about the Jonathan club? The Jonathan club has transcended many generations, its roots run deep, it is layered with moments of history, in stories as well as in architecture. This is part of the reason we did notwant to conceal the historic facade of the jonathan club, but instead add another layer of history to it.

PRESTIGE TIMELESS RELEVANCE The Jonathan Club is a monument of success, layered with history and relevance. A club that is prestigious, but does not wish to advertise itself in ways that could bring unwanted attention. That being said, the facade of a building is an image. In turn, this image becomes the branding of its inhabitants, representation of monumental that organization’s mission and characteristics. // The copper afacade system frames the entry, and plays homage to its

What will this image tell the world about the Jonathan club?

neighboring brick. The perforated pattern is derived from the existing brick pattern. As the pattern traverses the facade, it trails off, highlighting the unity of the old and The Jonathan club has transcended many generations, its roots run deep, it is layered with moments ofthe history, stories as wellthe as progressive in architecture. is part of the reason we did not new, butinalso acknowledging nature of This the organization. want to conceal the historic facade of the jonathan club, but instead add another layer of history to it. The use of copper in paring with the existing white stone creates a sense of timelessness. As the building ages itiswill continuefrom to naturally gain more brick layers, the The copper facade system frames the monumental entry, and plays homage to its neighboring brick. The perforated pattern derived the existing pattern. As the copper will oxidize and the vertical garden with flourish, solidifying its position as a progressive pattern traverses the facade, it trails off, highlighting the unity of the old and the new, but also acknowledging landmark inthe downtown Los Angeles. nature of the organization. The use of copper in paring with the existing white stone creates a sense of timelessness. As the building ages it willofcontinue to naturally layers, The monolithic presence the new metal facade paredgain with more the verticality of the copper will oxidize the existing facade, demands respect and attention, the facade itself becomes a and the vertical garden with flourish, solidifying its position as a landmark in downtown Los Angeles. destination in addition to the club.

30 PRESTIGE TIMELESS RELEVANCE

The monolithic presence of the new metal facade pared with the verticality of the existing facade, demands respect and attention, the facade itself becomes a destination in addition to the club.

The Jonathan Club is a monument of success, layered with history and relevance. A club that is prestigious, but does not wish to advertise itself in ways that could bring unwanted attention.

PRESTIGE

TIMELESS

RELEVANCE

NFL Stadium

Gensler, Sports, Los Angeles, California June 2016- September 2016 Architects//Team Jonathan Emmett, Alex Phi, Joel Spearman, Kirk Funkhouser Position// Intern Architect Work// 3D Modelling 3D Print Preparation Schematic Plans and Sections Scale// NFL Stadium Project Proposal Vision// Proposal designed for two possible sites with other programs to cater to the Stadium like hotels, parking, shops and a convention center. The premium spaces, multipurpoase features, branding and high end technology provides multiple revenue opportunities. Site Plan Organisation

Long Section

Short Part Section

// 3D Print model

Above, some of the Schematic drawings (plans and sections)

Stadium view //Part modelling //Render not by author

RIVIERA | NORTH PLAZA Stadium View //Part modelling //Render not by author

Seating bowl layouts- lower bowl, lower mid bowl, mid bowl, upper bowl

Warriors Campus

View of the lounge and bar //Render not by author

Gensler, Sports, Los Angeles, California June 2016- September 2016 Architects//Team Edith Ponciano, Kirk Funkhouser Position// Intern Architect Work// Design Developement- phase Rendering Plans Revit- Layouts Scale// Warriors Campus Vision// Inspiration for this project was drawn from natural, industrial, the bay area, technology and Lab like influences.

View of the Dinning Area //Render not by author

// Revit- Furniture Layout within the lounge, bar, suites //photoshop/ illustrator- material swatches

SKYBAR LAYOUT // Revit- Layout within the Skybar //photoshop/ illustrator- material swatches

COURTSIDE LOUNGES // Revit- Layout within the Court Side Lounge //photoshop/ illustrator- material swatches

THEATRE BOXES // Revit- Layout within the Theatre Boxes //photoshop/ illustrator- material swatches

Suite Type C

Suite Type A

// Revit- Layout within the Suite //photoshop/ illustrator- material swatches

Residential home: Completed

Gurva Reddy Residence Sujit Nair Design Group , February-May 2014 Principle Architect//Team leader Sujit Nair//reachus@sdeg.com

Position// Intern Architect Keywords// subtractions facade detailing creating levels Client // Gurva Reddy Proposed Site// Bangalore, India Scale// Residential house Scope of Work // Design Conceptualization, Physical Modelling with design investigation and Working Drawings to be sent to site. Vision// Split the house for two families, where the first two levels are one house and the next two are the other, keeping th eterrace level common for both homes. Aim is also to provide multiple outdoor extensions at each level.

// Metal Grill work on the extrusions on the facades facing the street front.Design feature that in turn highlights the scoop out on the corner of the building .

Residential Villas : Private club, Three villas Menis Arquitectos , October 2014 -December 2014 Principle Architect//Team leader Fernado Menis//info@menis.es Position// Intern Architect

//Plan 0

//Plan 1

//Plan 0

//Plan 1

Keywords// Intergrating the landscape Living within the elements Water, Tree, Hill Client // Shan Shui Chen Development Ltd Proposed Site// Lijiang, China

// Section

Scale// Three Villas Project Brief // Design Conceptualization, rendering of drawings and view, concept diagrams, schematic design

// Elevation

Vision// The terrain is molded to provide privacy to the three villas. The exterior and the interior space is merged, blurring the distinct edge between them. While everything appears connected on site, the entrances to each house is independent by design.

// Elevation

// Section

Physical Model

Water Villa

Tree Villa

// The volume of the house is designed as two entities- one big one small and both are connected by a staircase enclosed in glass so you can see the rocks and water below the slab. The steps and slab are made in glass and visually connects nature and water with the rocks outside. This allows you to see through the entire volume.

// The vision of living within the trees is a concept kept in mind while designing the tree villa. The three volumes in the tree villa are designed keeping privace in mind and at the same time open and one with nature. This is seen in the bedrooms in this villa where they are closed towards the interior but open towards the exteirior.

// The villa is designed as two diatinct objects. The living spaces and the meeting space is designed as open spaces while the other holds a more neutral and private karaoke room and a room for the assistant.

// Section

Hill Villa // The design of this villa is based on the thousand Turtle Mountains which bear huge cracks with the vegetation growing within them. The Villa itself emulates thisquality through four volumes where each volume bears cracks in the form of windows where vegetation is seen growing. In this way the villa imitates qualitiesof the mountain itself. The entrance to the villa itself is hidden and appears as though it is sinking into the landscape.

Selected Works 2009-2017

Nithya Subramaniam dob: 02-13-1991 contact: 929-293-9769 email: nithyags13@gmail.com address: 300 S. Santa Fe Avenue, Los Angeles, CA 90013