Arts Education Data Project Accelerates from Partnerships with CMA Foundation and The Music Man Foundation Warren, N.J. (February 13, 2020)—The CMA Foundation, the philanthropic arm of the Country Music Association, and The Music Man Foundation have added their voices and financial resources to the Arts Education Data Project (www.artseddata.org) — an ambitious research campaign that’s revolutionizing the understanding of, and increasing participation in, arts education in the United States. A joint effort between State Education Agency Directors of Arts Education (SEADAE) and Quadrant Research, the project is a systemic, data-driven approach to charting the current status of arts education in the United States. By providing valuable insights about arts education’s future direction, the project ultimately serves to increase student participation in all schools across the country. Grants from the CMA Foundation and The Music Man Foundation combine with support from other longtime partners including the William and Flora Hewlett Foundation, NAMM Foundation, Ohio Arts Council, and Little Kids Rock. This new round of funding will help the AEDP scale nationally, so that states will, for the first time, be able to move the conversation about the status and condition of arts education from opinion to factual evidence, while empowering arts educators and supporters to better support their programs. Led by longtime arts advocate and researcher Robert Morrison, Quadrant Research, in partnership with SEADAE, undertook the Arts Education Data Project to reveal the true status and condition of arts education in the more than 100,000 schools serving more than 50 million students across the country. This initiative is accomplished by taking data gathered by each state department of education, standardizing the data and then transforming it into a publicly available interactive dashboard, updated annually to reflect the true status of arts education in every school, at every grade level for every student. Unlike programs where data is gathered for its own sake, the project uses the information as a launchpad for understanding how specific communities and demographic groups access arts instruction in schools. It’s fundamentally changing the way educators see their programs — and the way funds are reaching classrooms. “Arts education, especially music, continues to be a driving factor in student success both at school and in their communities, helping to shape our next generation to be collaborative, forward-thinking leaders,” said Tiffany Kerns, executive director, CMA Foundation. “It is critical that arts education be included in curriculum as we believe it is vital to a well-rounded education for students today and in the future. By investing in the Arts Education Data Project, we are able to gain insight and intel that can be utilized throughout the country to move the needle in access and equity for all students. Through this partnership we will continue to evaluate promising practices across each state, and in different regions, to better create a model that can be implemented and tracked for success.” “Too often, the children who need arts education the most have the fewest opportunities to access it. In California, the Arts Education Data Project illuminated this shortfall and we have marveled at how various partners have been able to triage the situation,” says Sarah Lyding, executive director, The Music Man Foundation. “As the Foundation aims to support programs that use music to improve children’s lives, we appreciate how the Data Project allows us to easily identify the schools and districts where our partners can fill a void. As the Project rolls out across the country, our hope is that stakeholders in every state will be empowered with data to make more equitable decisions for students.” TEMPO
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APRIL 2020