New Mexico Philharmonic Program Book • 2021/22 Season • Volume 10 • No. 4 by New Mexico Philharmonic

21/22 VOLUME 10 / NO. 4

FEB

2021/22 SEASON

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STRATEGIES FOR

WISE GIVING The New Mexico Philharmonic Foundation has passed a milestone by achieving about $2 million in assets.

Please be a part of our success and join the McKinnon Family Foundation $250,000 community call-to-match. New Mexico Philharmonic Foundation Inc. PO Box 16422 Albuquerque, NM 87191

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There are many ways to support the New Mexico Philharmonic and the New Mexico Philharmonic Foundation. We thank our members, donors, volunteers, sponsors, and advertisers for their loyalty and enthusiasm and their help in ensuring the future of symphonic music in New Mexico for years to come. LOOKING TO MAKE SMART DONATIONS? Based on presentations by professional financial advisors, here are some strategies for giving wisely, following recent changes in the tax law. The advisors identified five strategies that make great sense. Here they are in brief: GIVE CASH Whether you itemize deductions or not, it still works well. GIVE APPRECIATED ASSETS This helps you avoid capital gains taxes, will give you a potentially more significant deduction if you itemize, and can reduce concentrated positions in a single company.

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BUNCH GIVING Give double your normal amount every other year to maximize deductions. QUALIFIED CHARITABLE DISTRIBUTION/ REQUIRED MINIMUM DISTRIBUTION If you are required to take an IRA distribution, don’t need the cash, and don’t want the increased taxes, have the distribution sent directly to a qualified charity. HIGH-INCOME YEARS If you are going to have high-income years (for any number of reasons), accelerate your deductions, avoid capital gains, and spread out gifts through a Donor-Advised Fund. BE PROACTIVE! Consult your own financial advisor to help you implement any of these. Please consider applying one or more of these strategies for your extra giving to the NMPhil. PLAN A WISE GIVING STRATEGY

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WELCOME LETTER FROM THE

MUSIC DIRECTOR As our season progresses and wonderful performances go by, I often wonder which was the best. And then I’m often surprised that the next one becomes my new favorite. How privileged I feel to bring you, together with our great musicians and guest artists, a great variety of concerts, each one quite unique and memorable. And then I immediately get to look ahead to what may become my newest cherished performance. How fortunate I am! Thank you for attending our concerts and for such a joyful response. Enjoy the show!

Roberto Minczuk Music Director

NMPHIL . TABLE OF CONTENTS PROGRAMS

February 6, 2022 Program February 11, 2022 Program February 20, 2022 Program February 26, 2022 Program Program Notes

5 7 9 11 16

ARTISTS

Roberto Minczuk Yoonshin Song Steven Smith Gabriel Ingliss Lorenzo Gallegos Alexander Gavrylyuk

12 13 13 14 14 15

YOUR NMPHIL

In 2017, GRAMMY® Award-winning conductor Roberto Minczuk was appointed Music Director of the New Mexico Philharmonic and of the Theatro Municipal Orchestra of São Paulo. He is also Music Director Laureate of the Calgary Philharmonic Orchestra (Canada) and Conductor Emeritus of the Orquestra Sinfônica Brasileira (Rio de Janeiro). In Calgary, he recently completed a 10-year tenure as Music Director, becoming the longest-running Music Director in the orchestra’s history. ● read full bio on page 12

Foundation Match Challenge Sponsor a Musician Strategies for Wise Giving Letter from the Music Director Steinway Society Orchestra, Staff Board of Directors Advisory Board Board of the Future Donor Circles Thank You Legacy Society NMPhil Foundation Donors & Trustees Concert Schedule Sponsors

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The New Mexico Philharmonic

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Now accepting applications for 2022-2023 Fenton Ranch · Learning Lab Community Service Projects · Bus Service · Nonproﬁt Core Values

We are the only Albuquerque elementary school accredited by the Independent Schools Association of the Southwest.

1801 Central Avenue NW 505.243.6659 www.manzanodayschool.org

Financial Aid Available

CONCERT PROGRAM .

AFTERNOON CLASSICS

Song Plays Piazzolla’s Seasons Sunday, February 6, 2022, 3:00 p.m.

FEB

Immanuel Presbyterian Church

Yoonshin Song violin Roberto Minczuk Music Director

The Four Seasons of Buenos Aires I. Otoño Porteño (Buenos Aires Autumn) II. Invierno Porteño (Buenos Aires Winter) III. Primavera Porteña (Buenos Aires Spring) IV. Verano Porteño (Buenos Aires Summer)

Astor Piazzolla (1921–1992) arr. Desyatnikov

MAKING A DIFFERENCE

This performance is made possible by: Meredith Foundation

Yoonshin Song violin

I N T E R M I S S I O N

Symphony No. 5 in B-flat Major, D. 485 I. Allegro II. Andante con moto III. Menuetto. Allegro molto IV. Allegro vivace

The New Mexico Philharmonic

Franz Schubert (1797–1828)

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N E W

P R O U D T O B E S U P P O R T I N G T H E M E X I C O P H I L H A R M O N I C

Reserve your table now to receive CHEF MARC’S SPICE RUB!

S C A L O I T A L I A N R E S T A U R A N T 3 5 0 0 C E N T R A L A V E S E A L B U Q U E R Q U E N M 8 7 1 0 6 S C A L O A B Q . C O M

CONCERT PROGRAM .

COFFEE CONCERT

Haydn & Saint-Georges

FEB

Friday, February 11, 2022, 10:45 a.m.

Immanuel Presbyterian Church

Steven Smith conductor

Symphony No. 82 in C Major, “The Bear,” Hob. 1:82 I. Vivace assai II. Allegretto III. Menuet e Trio IV. Finale: Vivace

Symphony No. 1 in G Major, Op. 11 I. Allegro II. Andante III. Allegro assai

Joseph Haydn (1732–1809)

MAKING A DIFFERENCE

This performance is made possible by: Albuquerque Community Foundation

Joseph Bologne, Chevalier de Saint-Georges (1745–1799)

I N T E R M I S S I O N

Lyric for Strings

Dances of Galánta

The New Mexico Philharmonic

George Walker (1922–2018)

Zoltán Kodály (1882–1967)

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Saturday March 19, 2022 5:30 p.m. ALBUQUERQUE GARDEN CENTER 10120 Lomas Blvd. NE Albuquerque, NM 87112 DINNER • WINE COCKTAIL HOUR LIVE & SILENT AUCTION MUSIC BY BOBCAT QUARTET & NMPHIL STRING QUARTET $175/person ($50 fair market value)

rsvp t oday (505) 323-4343 nmphil.org

For the love of music, the Music Guild of New Mexico supports, promotes, and encourages nonprofit musical organizations that will educate, enhance, engage, and enrich the quality of our New Mexico community, especially its youth. musicguildofnewmexico.org

CONCERT PROGRAM .

AFTERNOON CLASSICS

Jackie McGehee Young Artist Winners!

FEB

20 Immanuel Presbyterian Church

Sunday, February 20, 2022, 3:00 p.m. Gabriel Ingliss piano Lorenzo Gallegos violin Roberto Minczuk Music Director

Piano Concerto No. 1 in C Major, Op. 15 I. Allegro con brio

Ludwig van Beethoven (1770–1827)

Gabriel Ingliss piano

Violin Concerto in D Major, Op. 35 I. Allegro moderato

Peter Ilyich Tchaikovsky (1840–1893)

MAKING A DIFFERENCE

This performance is made possible by: Music Guild of New Mexico Additional support is provided by: The Honorable & Mrs. James A. Parker

Lorenzo Gallegos violin

I N T E R M I S S I O N

Symphony No. 5 in D Major, “Reformation,” Op. 107 I. Andante—Allegro con fuoco II. Allegro vivace III. Andante IV. Andante con moto—Allegro vivace—Allegro maestoso

The New Mexico Philharmonic

Felix Mendelssohn (1809–1847)

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CONCERT PROGRAM .

POPEJOY CLASSICS

Gavrylyuk Plays Rach 2

FEB

Saturday, February 26, 2022, 6:00 p.m. 5:00 p.m. Pre-Concert Talk

Popejoy Hall

Alexander Gavrylyuk piano Roberto Minczuk Music Director

Piano Concerto No. 2 in c minor, Op. 18 I. Moderato II. Adagio sostenuto—Più animato—Tempo I III. Allegro scherzando

Sergei Rachmaninoff (1873–1943)

MAKING A DIFFERENCE

This performance is made possible by: Cynthia Phillips & Thomas Martin

Alexander Gavrylyuk piano PRE-CONCERT TALK

Sponsored by: Menicucci Insurance Agency

I N T E R M I S S I O N

Hosted by KHFM’s Alexis Corbin Symphony No. 10 in e minor, Op. 93 I. Moderato II. Allegro III. Allegretto—Largo—Più mosso IV. Andante—Allegro—L’istesso tempo

The New Mexico Philharmonic

Dmitri Shostakovich (1906–1975)

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ARTISTS .

Roberto Minczuk Music Director In 2017, GRAMMY® Award-winning conductor Roberto Minczuk was appointed Music Director of the New Mexico Philharmonic and of the Theatro Municipal Orchestra of São Paulo. He is also Music Director Laureate of the Calgary Philharmonic Orchestra (Canada) and Conductor Emeritus of the Orquestra Sinfônica Brasileira (Rio de Janeiro). In Calgary, he recently completed a 10-year tenure as Music Director, becoming the longest-running Music Director in the orchestra’s history. Highlights of Minczuk’s recent seasons include the complete Mahler Symphony Cycle with the Calgary Philharmonic Orchestra; Bach’s St. John Passion, Bruckner’s Symphony No. 7, Beethoven’s Fidelio, Berlioz’s The Damnation of Faust, Mozart’s The Magic Flute, Verdi’s La traviata, Bernstein’s Mass, and Strauss’s Der Rosenkavalier with the Theatro Municipal Orchestra of São Paulo; debuts with the Cincinnati Opera (Mozart’s Don Giovanni), the Tokyo Metropolitan Symphony Orchestra, and Daejeon Philharmonic in South Korea; and return engagements with the Orchestra National de Lille and the New York City Ballet. In the 2016/2017 season, he made return visits to the Israel Symphony Orchestra, as well as the Teatro Colón Philharmonic and Orchestra Estable of Buenos Aires. A protégé and close colleague of the late Kurt Masur, Minczuk debuted with the New York Philharmonic in 1998, and by 2002 was Associate Conductor, having worked

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closely with both Kurt Masur and Lorin Maazel. He has since conducted more than 100 orchestras worldwide, including the New York, Los Angeles, Israel, London, Tokyo, Oslo, and Helsinki Philharmonic Orchestras; the London, San Francisco, Dallas, and Atlanta Symphony Orchestras; and the National Radio (France), Philadelphia, and Cleveland Orchestras, among many others. In March 2006, he led the London Philharmonic Orchestra’s U.S. tour, winning accolades for his leadership of the orchestra in New York, Los Angeles, and San Francisco. Until 2010, Minczuk held the post of Music Director and Artistic Director of the Opera and Orchestra of the Theatro Municipal Rio de Janeiro, and, until 2005, he served as Principal Guest Conductor of the São Paulo State Symphony Orchestra, where he previously held the position of Co-Artistic Director. Other previous posts include Artistic Director and Principal Conductor of the Ribeirão Preto Symphony, Principal Conductor of the Brasília University Symphony, and a six-year tenure as Artistic Director of the Campos do Jordão International Winter Festival. Minczuk’s recording of the complete Bachianas Brasileiras of Hector VillaLobos with the São Paulo State Symphony Orchestra (BIS label) won the Gramophone Award of Excellence in 2012 for best recording of this repertoire. His other recordings include Danzas Brasileiras, which features rare works by Brazilian composers of the 20th century, and the Complete Symphonic Works of Antonio Carlos Jobim, which won a Latin GRAMMY in 2004 and was nominated for an American GRAMMY in 2006. His three recordings with the Calgary Philharmonic Orchestra include Rhapsody in Blue: The Best of George Gershwin and Beethoven Symphonies 1, 3, 5, and 8. Other recordings include works by Ravel, Piazzolla, Martin, and Tomasi with the London Philharmonic (released by Naxos), and four recordings with the Academic Orchestra of the Campos do Jordão International Winter Festival, including works by Dvořák, Mussorgsky, and Tchaikovsky. Other projects include a 2010 DVD recording with the Chamber

Orchestra of Philadelphia, featuring the premiere of Hope: An Oratorio, composed by Jonathan Leshnoff; a 2011 recording with the Odense Symphony of Poul Ruders’s Symphony No. 4, which was featured as a Gramophone Choice in March 2012; and a recording of Tchaikovsky’s Italian Capriccio with the BBC National Orchestra of Wales, which accompanied the June 2010 edition of BBC Music Magazine. The Academic Orchestra of the Campos do Jordão Festival was the Carlos Gomes prizewinner for its recording from the 2005 Festival, which also garnered the TIM Award for best classical album. Roberto Minczuk has received numerous awards, including a 2004 Emmy for the program New York City Ballet—Lincoln Center Celebrates Balanchine 100; a 2001 Martin E. Segal Award that recognizes Lincoln Center’s most promising young artists; and several honors in his native country of Brazil, including two best conductor awards from the São Paulo Association of Art Critics and the coveted title of Cultural Personality of the Year. In 2009, he was awarded the Medal Pedro Ernesto, the highest commendation of the City of Rio de Janeiro, and in 2010, he received the Order of the Ipiranga State Government of São Paulo. In 2017, Minczuk received the Medal of Commander of Arts and Culture from the Brazilian government. A child prodigy, Minczuk was a professional musician by the age of 13. He was admitted into the prestigious Juilliard School at 14 and by the age of 16, he had joined the Orchestra Municipal de São Paulo as solo horn. During his Juilliard years, he appeared as soloist with the New York Youth Symphony at Carnegie Hall and the New York Philharmonic Young People’s Concerts series. Upon his graduation in 1987, he became a member of the Leipzig Gewandhaus Orchestra at the invitation of Kurt Masur. Returning to Brazil in 1989, he studied conducting with Eleazar de Carvalho and John Neschling. He won several awards as a young horn player, including the Mill Santista Youth Award in 1991 and I Eldorado Music. ●

ARTISTS .

Yoonshin Song violin Acclaimed as “a wonderfully talented violinist … whose sound and technique go well beyond her years,” Yoonshin Song was born in South Korea, where she began her musical studies at age 5. Making her solo debut with the Seoul Philharmonic at age 11, she has since built a successful performing career internationally. Yoonshin was appointed as Concertmaster of the Houston Symphony in August 2019. Prior to that, she held the same position with the Detroit Symphony Orchestra for seven seasons. Yoonshin has also served as guest concertmaster of the Budapest Festival Orchestra under Iván Fischer. Beyond her first-chair duties, Yoonshin has performed as a soloist with many orchestras around the world, including the Houston Symphony, the Detroit Symphony Orchestra, the Utah Symphony, the New Mexico Philharmonic Orchestra, the Bayreuth Festival Orchestra, the Paul Constantinescu Philharmonic Orchestra, the Seoul Philharmonic Orchestra, and the KBS Philharmonic Orchestra, among many others. The highlights of her 2020/2021 season as a soloist included concertos with the Budapest Festival Orchestra, the Houston Symphony, and the New Mexico Philharmonic Orchestra. She has also participated as a soloist and chamber musician in numerous leading music festivals, including the Marlboro, Deer Valley, Great Lakes, and Aspen Music Festivals in the United

States; the Miyazaki Chamber Music Festival in Japan; and the Verbier, Lucerne, and Bayreuth Festivals in Europe. Yoonshin has earned many prestigious prizes throughout her career, including top-prize awards in the Lipizer International Violin Competition in Italy; the Lipiński and Wieniawski International Violin Competition in Poland; the Henry Marteau International Violin Competition in Germany; and first prize at the Stradivarius International Competition in the United States. She studied under the tutelage of Donald Weilerstein at the New England Conservatory and continued her studies with Robert Mann and Glenn Dicterow at the Manhattan School of Music. ●

Steven Smith conductor Steven Smith served as Music Director of Virginia’s Richmond Symphony from 2010, launching his tenure with a gala concert featuring violinist Gil Shaham, to 2019, with a finale of Carmen in concert starring Denyce Graves. During that time, the Richmond Symphony performed a significantly wider repertoire representative of our global community, embracing music by living composers, with particular focus on cultural and gender diversity and commissioning new works. During his tenure, the RSO weathered and recovered from the recession, had its budget climb more than 30 percent, posted steadily increasing ticket sales (with the 2017/18 and 2018/19 seasons setting records of more than $1 million in sales), and accomplished the first expansion of the

core orchestra in more than 20 years. In addition, Smith has conceived and presented new concert series such as “Casual Fridays,” hourlong explorations (combining discussion with complete performances) of core repertoire with the full orchestra, and “Rush Hour,” a chamber orchestra series held in the barrel room at the popular Hardywood Park Craft Brewery. An active speaker, he delivered the keynote address for the Southern Newspaper Publishers Association and has appeared twice on the acclaimed speaker series “Eyes on Richmond.” August 2019 brought the release of the Richmond Symphony’s first commercial recording, on the highly respected Reference Recordings label. The recording pairs the world premiere of Mason Bates’s Children of Adam (commissioned by the Richmond Symphony for its 60th anniversary) and Vaughan Williams’s Dona Nobis Pacem. Both works utilize poetry of Walt Whitman (among others) and also feature the Richmond Symphony Chorus. In 2013, Steven Smith completed a 14-year tenure as Music Director of the Santa Fe Symphony & Chorus, a period during which the orchestra achieved numerous goals: recognized artistic growth, financial stability, and enthusiastic community support. He also serves as Music Director of the GRAMMY Awardwinning Cleveland Chamber Symphony, an ensemble devoted to the performance of contemporary music. Each spring, CCS presents the annual NEOSonicFest, a festival of new music and dance performances of which he serves as Artistic Director. From 2016–2019, he also served as an Affiliate Faculty member at Virginia Commonwealth University. From 1997 to 2003, Steven Smith served as the Assistant Conductor of the Cleveland Orchestra, conducting subscription concerts, summer concerts at the Blossom Music Festival, and holiday programs. Particularly interested in the role of orchestras in arts education, he assisted in the planning and conducting of the Cleveland Orchestra’s educational and family concerts and hosted the orchestra’s annual broadcast videoconference, which won an Emmy Award in 2001. For continued on 14

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ARTISTS . continued from 13

five seasons he also served as Music Director of the Cleveland Orchestra Youth Orchestra. During his tenure, they were invited by Carnegie Hall to perform in that institution’s famed Isaac Stern Auditorium, an appearance that took place in March 2000. During 2002 to 2005, he also served on the faculty of the Oberlin Conservatory, leading both orchestral and operatic performances. Steven Smith is also an active ASCAP award-winning composer. He was named 2008 Ohio Composer of the Year and with that honor received a commission for a new string quartet that premiered in November 2008. His newest orchestral works are Chromo-Synchrony, premiered by the Cleveland Chamber Symphony in March 2015, and Kataklysmos, premiered by the Santa Fe Symphony in May 2010. The Cleveland Orchestra has performed his La Chasse at the Blossom Festival under the direction of Jahja Ling, and his One to One A Round for educational concerts at Severance Hall. His work Tane Mahuta was commissioned to celebrate the 20th anniversary of the Cleveland Orchestra Youth Orchestra and was premiered in April 2006. He has received commissions from the Cleveland Orchestra, Grand Rapids Symphony, Eugene Youth Symphony, as well as solo artists, and has had performances of his works by the Chautauqua Symphony, Colorado Springs Symphony, Eugene Symphony, Grand Rapids Symphony, Kansas City Symphony, Richmond Symphony, Cleveland Orchestra Youth Orchestra, Eugene Youth Symphony, and Colorado Springs Youth Symphony. A native of Toledo, Ohio, Steven Smith earned Master’s degrees from the Eastman School of Music and the Cleveland Institute of Music. Mr. Smith is the recipient of the CIM Alumni Association 1999 Alumni Achievement Award. ●

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on the New Jersey Symphony’s website last year, performing the Sonate for Oboe and Piano, Op. 166, by Camille Saint-Saëns alongside his father, Robert. Gabe has had the opportunity to play for such piano luminaries as Olga Kern, Anne-Marie McDermott, Marc Neikrug, and Lois Shapiro. Gabriel’s musical studies began at age 4 on the violin with his mother, Yuko Shimokawa, and he is now a pupil of the renowned violist Toby Appel. He is presently a scholarship student in the 8th grade at the Santa Fe Preparatory School. ● Gabriel Ingliss piano Gabriel Ingliss started the piano eight years ago at the age of 5, and two years later was playing the complete Bach Inventions from memory, in addition to several of that composer’s Sinfonias for solo keyboard. He has been studying with Prof. Falko Steinbach of the University of New Mexico since 2016, and since then has appeared on almost all piano recitals at Keller Hall, performing works by Bartók, Beethoven, Chopin, Debussy, Haydn, and Mozart. Prof. Steinbach invited him to play at the 2018 Lindlar Piano Festival, where he performed Haydn’s Piano Concerto in D Major with the Symphony Orchestra of the Oberbergischer Kreis, and he returned the next year as a scholarship student to play on six concerts, presenting a Beethoven sonata, two concerti by Mozart, and other works including “Moving,” Falko Steinbach’s second book of etudes. He subsequently recorded those etudes on video at Keller Hall under the composer’s supervision, having already recorded the first book of etudes, “Finger Paintings,” the previous year. In September 2019, Gabriel inaugurated Chatter ABQ’s Beethoven commemoration with a performance of the Piano Sonata No. 5 in c minor, Op. 10, No. 1, and has been asked to return. In December 2019, he entertained several of KHFM’s donors with a rendition of Beethoven’s Piano Sonata No. 12 in A-flat Major, Op. 26. A video of that presentation was featured on KHFM’s Facebook page. He appeared

Lorenzo Gallegos violin Lorenzo Gallegos is a violinist from Albuquerque, New Mexico. He is 19 years old and began studying violin in middle school. He is currently studying violin performance at Boston University with Peter Zazofsky. Lorenzo studied with the late Lenny Felberg and with David Felberg in high school. He also participated in the UNM Summer Strings Institute for three years; NM All-State for all three years (first in state in 2019, 2020); won 3rd, 2nd, and 1st place in the Jackie McGehee Young Artists’ Competition; played with the UNM Symphony Orchestra for three years; performed with many chamber ensembles, several Musicians for Musicians concerts, masterclasses, Opera Southwest, Texas Strings Camp in Austin, and had the honor of attending Boston University of Tanglewood Institute in the summer of 2019, which was life-changing. ●

ARTISTS .

Alexander Gavrylyuk piano The Ukrainian pianist Alexander Gavrylyuk began his piano studies at the age of 7. He gave his first concerto performance when he was 9 years old. In 1996, he was a prizewinner in Senigallia, Italy, and in 1997 was a Second-Prize winner at the Second Horowitz International Piano Competition in Kiev. The next big step for Alexander was going back to compete at the 3rd Horowitz International Piano Competition and winning the coveted First Prize and Gold Medal in 1999. He was proclaimed “the best sixteen-year-old pianist of the late twentieth century” by critics in Japan in November 2000 after winning First Prize in the prestigious 4th Hamamatsu International Piano Competition in Japan. He was 16 years old in a field of competitors ranging in age from 16 to 32. Alexander returns regularly, touring Japan and performing to a full house in Suntory Hall and Tokyo Opera City Hall. He recorded his first two CDs in Japan. Alexander Gavrylyuk lived in Sydney, Australia, from 1998 to 2006. His Australian performances include the “Stars of the Future” series at Government House in 1998, Proms Concert for the Festival of Sydney (1999), and the Sergei Rachmaninov and Prokofiev Festivals of Piano Concertos (1998, 1999). He has numerously performed for both radio (ABC Classic FM) and television (ABC and SBS). His Australian concert activities in more recent years include recitals at the Sydney Opera House and City Recital Hall

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in Sydney, as well as performances with the Melbourne Symphony and the West Australian Symphony Orchestras in 2006. In April 2005, Alexander Gavrylyuk won the First Prize, Gold Medal, and Best Performance of a Classical Concerto in the internationally renowned 11th Arthur Rubinstein International Piano Masters Competition. That year, Video Artists International (VAI) recorded his live performance at the Miami Piano Discoveries Festival, USA, for international DVD release, which went on to receive four- and five-star ratings in the international press. Alexander Gavrylyuk has performed with the Russian National Orchestra, Israel Philharmonic Orchestra, Tokyo Symphony Orchestra, Osaka Philharmonic, Warsaw Philharmonic Orchestra, the Israeli Chamber Orchestra, the Kiev Philharmonic Orchestra, Melbourne Symphony, and Western Australia Symphony. He has performed with conductors Vladimir Spivakov, Leif Segerstam, Vladimir Fedoseyev, Igor Gruppman, and Dan Ettinger. In January 2007, Alexander Gavrylyuk had his solo debut recital at the Great Hall of the Moscow Conservatorium at the invitation of Nikolay Petrov. Currently based in Moscow, he has also performed a solo recital at the Kremlin. This year, Alexander is scheduled to appear in Australia, Canada, Israel, Italy, Japan, Mexico, Poland, Portugal, Russia, Taipei, and the USA. In May, he will record his second DVD with VAI in Miami. ●

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PROGRAM NOTES .

Program Notes DAVID B. LEVY

Astor Piazzolla arr. Leonid Desyatnikov

The Four Seasons of Buenos Aires (Las Quatros Estaciones Porteñas) (1965/1970; arr. 1996–1998) The Argentinean composer Astor Piazzolla was born on March 11, 1921, in Mar del Plata and died on July 5, 1992, in Buenos Aires. He was a noted bandleader and performer on the bandoneón, a squareshaped, button-operated accordion associated with folk idioms of Argentina, especially the tango. Piazzolla, more than any other composer and performer, was responsible for international interest in the tango as a dance and art form. He is credited with creating his own distinctive kind of tango, known as “nuevo tango,” a style that fused the traditional dance with modern compositional techniques, including jazz. His Four Seasons of Buenos Aires were composed in 1965 and 1970 for a quintet of instruments led by the bandoneón. The works were later arranged and transcribed for solo violin and string orchestra by the Kharkiv-born and Leningrad-trained composer Leonid Desyatnikov (b. 1955). Los porteños (“the people of the port”) is a name associated with the workingclass society of Buenos Aires. It is this stratum of Argentinean society from which Piazzolla and his “new tango” arises. In 1965, the composer wrote music for a play by Alberto Rodriguez Muñoz entitled Melenita de oro using the instrumentation of his Quinteto Nuevo Tango, which included bandoneón, violin, electric guitar, piano, and string bass. Among the music for this play was a piece called “Verano Porteño,” which represented summer in Buenos Aires. Later, in 1970, Piazzolla decided to write pieces to represent the other seasons.

2021/22 Season / Volume 10 / No. 4

Unlike Vivaldi, Piazzolla’s original intention, as can be seen, was not to write a coherent set of pieces. Indeed, the works had nothing whatsoever to do with Vivaldi until the Russian composer Leonid Desyatnikov made an arrangement of the four works for solo violin and strings that inserted clever references to Vivaldi’s concerto set. Interestingly, Desyatnikov went on to compose his own Russian Seasons for violin, solo voice, and string orchestra. Taken together with Vivaldi’s concertos, the Piazzolla/Desyatnikov works are set in a fascinating context—Baroque Venice meets Buenos Aires tango. ●

Franz Schubert

Symphony No. 5 in B-flat Major, D. 485 (1816) Franz Peter Schubert was born in Vienna on January 21, 1797, and died there on November 19, 1828. He composed a wide variety of music, but his most enduring contributions were to the repertory of song for voice and piano. As best as can be determined, Schubert composed more than six hundred accompanied songs in his brief life, as well as a large number of solo piano compositions, operas, sacred vocal works, and chamber music. His gift as a lyrical composer may also be heard in his purely instrumental music, including this, his Symphony No. 5, composed in 1816. It is scored for flute, 2 oboes, 2 bassoons, 2 horns, and strings. The British conductor and analyst Donald Francis Tovey dubbed Schubert’s Symphony No. 5 a “very perfect little work.” Composed between September and October 3, 1816, the piece was first performed by a small group of friends and family at the home of Otto Hatwig, the friend who led the performance. Schubert was not well known as a composer outside of his circle of acquaintances, and his early symphonies are exemplars of the kind of intimate Hausmusik that was not intended for large public audiences or spaces. This, of course, was a far cry from the public presence of Ludwig van Beethoven, who by this time had already

composed, and supervised performances of, his first eight symphonies. The rather modest orchestration, indeed, harkens back to the original instrumentation of Mozart’s Symphony in g minor, K. 550 (No. 40, for which Mozart later added clarinets). Whenever Schubert’s earlier symphonies were performed, he played the viola part. As far as we can tell, the first public performance of Schubert’s Fifth Symphony did not take place until 1873 and was not published until 1885. Schubert found himself at a crossroads in his own life, now still at the tender age of 19, when he composed this symphony. For years, he had been a frustrated assistant schoolmaster at his father’s institution. He now was determined to abandon this modest, if comfortable, position to pursue his true passion— music—on a full-time basis. From this perspective, we should view the work as the pinnacle of his early maturity. Each movement of Schubert’s Symphony No. 5 is a masterpiece of structure and, of course, his innate lyrical gift so amply evident in his songs for voice and piano. Schubert was incapable of writing a bad tune, and this symphony is filled with some of his best, most notably in the Andante con moto second movement. An unusual feature of the work’s third movement, Menuetto, is the composer’s deviation from the home key of B-flat Major to the more dramatic key of g minor—the same key as the aforementioned symphony by Mozart. The central section of the movement (Trio) is a pure ray of sunshine, as is the energetic finale, Allegro vivace, despite its occasional dramatic outbursts. ●

Joseph Haydn

Symphony No. 82 in C Major, “The Bear,” Hob. I:82 (1786) [Franz] Joseph Haydn was born in Rohrau, Lower Austria, on March 31, 1732, and died in Vienna on May 31, 1809. His long and productive career spanned the end of the Baroque Era to the onset of the Romantic. Famed for his incomparable

PROGRAM NOTES .

contribution to the development of the symphony and string quartet, Haydn composed an enormous amount of music in other genres, including sacred choral music. His Symphony No. 82 in C Major stems from the mid-1780s and is among the six symphonies known as the “Paris” Symphonies, composed on commission from the Masonic organization the Loge Olympique. Its subtitle, “The Bear” (“L’Ours”), was not given by the composer. It is scored for flute, 2 oboes, 2 bassoons, 2 horns (or 2 clarini [trumpets]), timpani, and strings. Joseph Haydn was one of the most fortunate composers of the late eighteenth and early nineteenth centuries in that, starting in 1761, he enjoyed the steady patronage of the wealthy and powerful Esterhazy family of Hungarian Princes, for whom he composed an astonishing large number of compositions. It mattered little to the younger Haydn that his workload was exceedingly heavy and that his compositions were the sole property of his employer. Greater artistic freedom would come his way, and he eventually found his music being performed and published throughout Europe, always with the permission of the Esterhazy prince. As a result, Haydn became one of Europe’s most celebrated composers, whose music, to paraphrase the master himself, was “understood by everyone.” It is not easy to separate Haydn’s popularity in Paris with the political tenor of the times. The Habsburg Emperor, Joseph II, ruled the Austro-Hungarian empire, at first alongside his mother, Maria Theresia, and alone after her death in 1780. His sister, Marie Antoinette, was betrothed to the dauphin of France, who became King Louis XVI. It was in this fashion that the Habsburgs retained and expanded their power and influence throughout the continent. The fact that two of its musical sons, Haydn and Mozart, represented excellence in musical achievement only added further luster to Austria’s cultural reputation. It was into this environment that the young French military officer and adjunct postal director of the realm, ClaudeFrançois-Marie Rigoley, comte d’Ogny,

“[Saint-Georges is] the most accomplished man in Europe in riding, shooting, dancing, fencing, and music.” —John Adams and Joseph Bologne, Chevalier de Saint-Georges decided to commission Haydn for six new symphonies. These were the Symphonies Nos. 82-87, whose excellence nowadays is overshadowed somewhat by the last twelve symphonies Haydn composed for London. ●

Joseph Bologne, Chevalier de Saint-Georges

Symphony No. 1 in G Major, Op. 11 (Pub. 1779)

Composer and violinist Joseph Bologne, Chevalier de Saint-Georges was born in Baillif, Guadeloupe, on December 25, 1745, and died in Paris, June 9, 1799. He is one of 18th-century music history’s most intriguing figures, long known mainly to music historians but relatively unknown to audiences until recently. Interest in composers of color has led to worldwide renewed interest in his life and music, both of which have allowed his music to emerge from relative, and undeserved, obscurity. As a result, audiences are discovering not only a fresh musical voice from the past, but have restored Bologne’s reputation as a master of many skills, including his fame as a champion fencing master. He wrote two sparkling symphonies, one in G Major and one in D Major. Both are scored for 2 oboes, 2 horns, and strings. As a graduate student in musicology, the name of Joseph Bologne, Chevalier de Saint-Georges was brought to my attention by Professor Barry Brook of the Graduate Center of the City University of New York. Brook, whose expertise was in 18th-century music, shared with

me and my fellow aspiring musicologists the importance of this composer in the development of the genre known as the symphonie concertante; a cross between symphony and concerto for two or more instruments. This type of composition was especially popular in Paris, but fine examples stemmed from the pens of Haydn, Mozart, and others. Bologne was the son of a white planter, George Bologne, and his African slave Nanon. The title Chevalier de Saint-Georges became official when his father acquired the title of Gentilhomme ordinaire de la Chambre du roi. The family resettled in France in 1753, after which Joseph began his tutelage as a champion swordsman, leading eventually to his earning the title of Gendarme de la Garde du Roi as well as the title of Chevalier. After George Bologne returned to Guadeloupe, Joseph, who became the beneficiary of an annuity created by his father, remained in France, becoming the darling of the elite, partly based on his expertise as a fencing master. None other than John Adams dubbed him as “the most accomplished man in Europe in riding, shooting, dancing, fencing, and music.” Much less is known of his early musical training, although evidence suggests he was already known in musical circles as early as 1764, based largely on his skill as a violinist and composer. He soon became the leader (concertmaster) of a new orchestra, the Concerts des Amateurs. This opportunity led to his composition of two concertos for violin that demonstrated his extraordinary skills as a virtuoso. Under his guidance, the orchestra of the Amateurs became one of Europe’s leading ensembles. continued on 18

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PROGRAM NOTES . continued from 17

His success led in 1776 to a proposal that Joseph be named director of the Paris Opéra, but racism reared its ugly head as a faction petitioned Queen Marie Antionette refused to be governed by a person of mixed race. Louis XVI decided to nationalize the institution, thus blunting Saint-Georges’s critics. As a result, the composer turned his attention increasingly toward the composition of operas. But by the 1780s, he again took up the mantle of orchestra leader and founded the Concert de la Loge Olympique, the organization that commissioned none other than the illustrious Joseph Haydn to compose his six “Paris” Symphonies (Nos. 82-87). While music, opera, and fencing remained central to Saint-Georges’s life, he also became a strong advocate for equality for Black people in France and England. He thus was, and once again has become, a symbol for racial equality. A man of myriad talents is finally receiving richly deserved recognition as an important cultural figure. His Symphony No. 1 is a cheerful work in three movements. The outer movements are exuberant representatives of the popular galant style of the Classical era. The second movement Andante, cast in D Major, is amiable and features gentle dotted rhythms and plenty of sighing appoggiatura that are so characteristic of the style. ●

George Walker

Lyric for Strings (1946) American composer, pianist, and organist, George Theophilus Walker was born in Washington, D.C., on June 27, 1922, and died in Montclair, New Jersey, on August 23, 2018. A graduate of Oberlin College Conservatory, the Eastman School of Music, and the Curtis Institute of Music, Walker achieved many firsts as an AfricanAmerican composer and performer. He had further studies at the American Conservatory in Fontainebleau, where his teachers included, among others, Nadia Boulanger. Walker also was the winner of several distinguished awards, including a Fulbright, Whitney, Guggenheim, Rockefeller, and MacDowell fellowship. He received the Pulitzer Prize in music in 1996 for his vocal/orchestral setting of Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d.” Walker also taught at many prestigious colleges and universities. His Lyric for Strings, originally entitled “Lament,” was composed in 1946 and was conceived as a middle movement for a string quartet. Although not a performer on any string instrument, George Walker had a fine sense of how to write beautifully for string ensemble. Inspired in some respects by the famous Adagio for Strings (1936) by

“There’s no way I can conceal my identity as a Black composer. I have a very strong feeling for the Negro spiritual and have also drawn from American folk songs, and popular and patriotic tunes, which I believe merit inclusion in serious compositions.” —George Walker

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Samuel Barber, the composition of Lyric for Strings overlapped with news of the death of Walker’s grandmother, thus becoming a memorial in her honor. As is the case with so much other music of its kind, it is a work of profound personal expression. As an African-American, Walker did not try to hide his identity. As documented in an interview with The New York Times in 1982, Walker remarked, “There’s no way I can conceal my identity as a Black composer. I have a very strong feeling for the Negro spiritual and have also drawn from American folk songs, and popular and patriotic tunes, which I believe merit inclusion in serious compositions.” In this way Walker represented, along with other African-American composers such as William Grant Still and Florence Price, the fulfillment of the promise of American music predicted and advocated by Antonín Dvořák toward the beginning of the 20th century. ●

Zoltán Kodály

Dances of Galánta (Galántai táncok) (1933) Hungarian composer and educator Zoltán Kodály was born in Kecskemét on December 16, 1882, and died on March 6, 1967, in Budapest. He, along with his fellow Hungarians, Béla Bártok and Ernő [von] Dohnányi, was instrumental in uncovering authentic Hungarian (Magyar) melodies and dance rhythms that informed his own compositional style. His bestknown composition is the Suite derived from his Singspiel Háry János, composed in 1926–1927. His Dances of Galánta, composed on commission in 1933 to celebrate the eightieth anniversary of the Budapest Philharmonic, received its first performance by the Philharmonic Society Orchestra, conducted by Dohnányi in Budapest on October 23, 1933. The approximately 15-minute work is scored for 2 flutes, piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, percussion, and strings. Galánta, now part of Slovakia, was the region that belonged to Hungary (still part of the Austro-Hungarian Empire) during

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Kodály’s youth. The composer’s famous Hungarian colleague Béla Bartók paid tribute to him in 1921, writing: Kodály’s compositions are characterized in the main by rich melodic invention, a perfect sense of form, a certain predilection for melancholy and uncertainty. He does not seek Dionysian intoxication—he strives for inner contemplation … His music is not of the kind described nowadays as modern. It has nothing to do with the new atonal, bitonal, and polytonal music—everything in it is based on the principle of tonal balance. His idiom is nevertheless new; he says things that have never been uttered before and demonstrates thereby that the tonal principle has not lost its raison d’être as yet. In 1928, Bartók further wrote: If I were to name the composer whose works are the most perfect embodiment of the Hungarian spirit, I would answer, Kodály. His work proves his faith in the Hungarian spirit. The obvious explanation is that all Kodály’s composing activity is rooted only in Hungarian soil, but the deep inner reason is his unshakable faith and trust in the constructive power and future of his people. (Grove Music Online) Dances of Galánta may be characterized as a five-part symphonic poem in rondo form, whose thematic material is in the style of verbunkos music, derived from collections of Hungarian dances published in Vienna around 1800 that included “Gypsy” tunes from the Galánta region. The composer himself thought of it as a companion to his piano suite Dances of Marosszék (1927, orchestrated by him in 1930). The brilliant orchestration of Dances of Galánta may be attributed in part to the composer’s familiarity with the orchestral works of the Frenchman Claude Debussy. The work’s dramatic introduction alternates declarative statements followed each time by colorful flourishes, leading to an extended cadenza and solo for the clarinet. The clarinet, which is featured prominently throughout the piece, evokes the tárogató, a traditional folk instrument originally from Turkey that became

If I were to name the composer whose works are the most perfect embodiment of the Hungarian spirit, I would answer, Kodály.” — Béla Bartók associated with Hungarian and Romanian music. Audiences familiar with the two brilliant Romanian Rhapsodies of George Enescu will find a strong kinship with its Hungarian cousin. ●

Felix Mendelssohn-Bartholdy

Symphony No. 5 in d minor, “Reformation,” Op. 107 (1829–1830; rev. 1832) (Jacob Ludwig) Felix Mendelssohn (Bartholdy) was born, February 3, 1809, in Hamburg and died November 4, 1847, in Leipzig. Mendelssohn was an important composer of the Romantic generation and one of history’s first major orchestral conductors. The “Reformation” Symphony originally dates from 1829-30 and was intended to commemorate the tercentennial of the Augsburg Confession. Mendelssohn revised the piece, and it was not performed until 1832 and only published in 1868. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba (originally “serpente”) timpani, and strings. Mendelssohn’s d minor Symphony (“Reformation”) was actually the second of his symphonies for full orchestra, whose proper numbering ought to be, respectively, Nos. 1 (c minor), 5, 4 (“Italian”), 2 (“Lobgesang), and 3 (“Scottish”). The “Reformation” Symphony was composed in 1829-30 in Berlin to commemorate the tercentenary of the Diet of Augsburg (1530), the conference that established the basic tenets of the Lutheran faith (Augsburg Confession). Its

first performance, however, did not take place until 1832. Recent scholarly thought on the “Reformation” Symphony, especially that of Judith Silber Ballan and Mark Evan Bonds, sees it as Mendelssohn’s closest engagement with issues raised by Beethoven’s Ninth Symphony (“Choral”), works that were written, not coincidentally, in the same key. The narrative idea of victory through struggle (Per aspera ad astra) are evident in both works. Where Beethoven engages the actual human voice, Mendelssohn infers it through the quotation of the Catholic “Dresden Amen” in the first movement’s introduction, and the Lutheran hymn “A Mighty Fortress Is Our God” (“Ein feste Burg ist unser Gott”) presented in the finale. Indeed, as Ballan points out, the triumph of the “A Mighty Fortress,” known as the battle hymn of the Reformation, could be seen as symbolic of the victory of Martin Luther and his movement over the Catholic Church. Bonds, a musicologist on the faculty of the University of North Carolina, Chapel Hill, proposes that the “Reformation” Symphony, along with Mendelssohn’s choral “Lobgesang” represent a selfconscious history of German music. If Ballan and Bonds are correct in these readings of the “Reformation” Symphony, then the work must take its place alongside other narrative, programmatic symphonies of the nineteenth century, such as Berlioz’s Symphonie fantastique. Even taken as “pure” or “absolute” music, however, the piece is one of the landmarks of the romantic symphony. ●

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Sergei Rachmaninoff

Concerto No. 2 in c minor for Piano and Orchestra, Op. 18 (1900–1901) Sergei Vassilevich Rachmaninoff was born in Oneg, Novgorod, on March 20/ April 1, 1873, and died in Beverly Hills, California, on March 28, 1943.* Famed as both pianist and composer, Rachmaninoff left Russia after the Revolution of 1917, eventually taking up residence in the United States. His Piano Concerto No. 2 was composed in 1900–01 and received the first performance of its last two movements in Moscow on December 2/15, 1900, in Moscow. The first performance of the entire piece took place on October 27/ November 9, 1901.* On both occasions the composer himself was the soloist, with Alexander Siloti conducting the Moscow Philharmonic. The Concerto No. 2 is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, and strings. [*NB: The variation of dates reflects the difference between the Julian and Gregorian calendars.] The Russian-born pianist and composer Rachmaninoff falls into the tradition of the great performer-composers of the Romantic style that included figures such as Niccolo Paganini and Franz Liszt. Like his great predecessors at their best, his music avoids the self-indulgent kind of virtuosity-for-its-own-sake practiced by less gifted musicians. His music often is quite sentimental, but his melodic gifts were more than sufficient to prevent it from becoming maudlin. Although Rachmaninoff

composed a wide variety of music, he is best known for his works for the piano, and his Concerto No. 2 is by far the most frequently performed of the four that he composed. His Rhapsody on a Theme of Paganini is also a popular favorite. After the failure of his First Symphony in St. Petersburg, Rachmaninoff recorded in his Recollections that he lost all hope for any future success. In 1900, he sought psychiatric assistance from Dr. Nikolai Dahl, who, according to the composer, hypnotically persuaded him to continue work on a new piano concerto. Dr. Dahl’s positive approach seems to have worked, and he became the recipient of the dedication of the Piano Concerto No. 2. The work received its first performance in 1901 in Moscow, and it was greeted with both critical and popular acclaim. The work is in three broad movements. The first of these, Allegro moderato, begins quietly with chords solemnly played by the unaccompanied soloist. These grow in intensity, ushering in the lush first theme in the strings. A lyrical second theme emerges from the soloist, followed by a proper development section and a stirring recapitulation in martial style. The Adagio sostenuto is a movement of great beauty and tunefulness, whose serenity is only briefly interrupted by an animated middle section that calls for considerable dexterity. The last movement is marked Allegro scherzando, and it plays dramatically between the major and minor mode. As in the first movement, the finale’s second subject is highly lyrical. Following the lead of Tchaikovsky’s Piano Concerto No. 1, which seems to have served as a model for this piece, Rachmaninoff demarcates the climax of

Shostakovich’s personality is etched on this symphony by means of a Schumannesque device—a musical anagram based on the composer’s name. 20

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the movement with a tutti statement of the lyrical theme. This produces a triumphant effect, making for a stirring conclusion to the romantic masterpiece. ●

Dmitri Shostakovich

Symphony No. 10 in e minor, Op. 93 (Prem. 1953) Dmitri Dmitriyevich Shostakovich, one of the Soviet Union’s greatest composers, was born in Saint Petersburg on September 12, 1906, and died in Moscow on August 9, 1975. Although he composed in a wide variety of genres, he is best known for his 15 symphonies, works that stand among the finest examples of the genre from the mid-twentieth century. His Tenth Symphony was first performed by the Leningrad Philharmonic (now Saint Petersburg) on December 17, 1953. It is scored for 2 flutes (second doubling piccolo), piccolo, 2 oboes, English horn, 2 clarinets, E-flat clarinet (doubling 3rd clarinet), 2 bassoons, contrabassoon (doubling 3rd bassoon), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (triangle, snare drum, cymbals, bass drum, tam-tam, bells, xylophone), and strings. A play by David Pownall entitled Master Class depicts Joseph Stalin and Marshall Zhdanov giving a music “lesson” to Prokofiev and Shostakovich, two masters of the 20th century who, at one point or another, had strayed from the true faith of socialist realism in their music. As the play progresses, all four individuals come to the realization that music, especially untexted (i.e., instrumental) music, refuses to conform to any political ideology. History has shown, however, that tyrants and censors never seem to learn this lesson, and composers like Shostakovich who must labor under the yoke of totalitarianism are the ones who have paid the heaviest price. His symphonies (especially Nos. 5 through 15) and chamber music (especially the Eighth String Quartet) bear eloquent witness to his pain.

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It was texted music—an opera entitled Lady Macbeth of the Mtsensk District— that got Shostakovich into the deepest hot water. Mercilessly attacked in Pravda in 1936, Shostakovich again incurred the wrath of the Communist Party Central Committee in 1948. Perhaps the Party continued to bear a grudge against the composer for failing to immortalize Chairman Stalin’s leadership in defeating the Nazi fascists with a triumphant and celebratory Ninth Symphony. Instead of invoking the grandeur and glory of Beethoven’s Ninth, Shostakovich produced instead a terse burlesque. For several years thereafter the composer withheld his music from public performance. Only after Stalin’s death in 1953, a slight liberality ensued and Shostakovich’s Tenth Symphony saw the light of a somewhat less gloomy day. Shostakovich’s personality is etched on this symphony by means of a Schumannesque device—a musical anagram based on the composer’s name: (D[mitri] SCH[ostakovich] that translates into the pitches D, E-flat, C, and B). Shostakovich had used this device twice before—in his Violin Concerto No. 1 and String Quartet No. 5. The quotations in the Tenth Symphony appear in the third and fourth movements. He used the motif again very effectively in his Eighth String Quartet, the Cello Concerto No. 1, and the Fifteenth Symphony. (1) Moderato. A brooding mood permeates this opening movement. After a winding line in the strings, the clarinet intones a more clearly identifiable melody. Some analysts have noted that this tune bears a striking resemblance to a passage from the contralto solo “Urlicht” movement of Gustav Mahler’s Symphony No. 2 (“Resurrection”). The words from the folkish anthology Des Knaben Wunderhorn (The Youth’s Magic Horn) that Mahler set translate as follows: “Man lies in direst need! Man lies in the greatest pain!” Shostakovich’s admiration of Mahler is a well-known fact, and if he was, indeed, quoting Mahler, this citation may shed further light on a “program” for his Tenth Symphony, although the composer denied that he had any such intention.

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A second subject is brought forth by the flute over a pizzicato accompaniment. Especially memorable is the haunting and subdued end of the movement with its hollow intertwining piccolo solos. (2) Allegro. The first movement’s melancholy now yields to savage anger. Brass and percussion punctuate a perpetual motion machine that unleashes the previous movement’s potential energy. The music maintains a loud dynamic level throughout. Here we encounter unbridled fury. Some writers have speculated that this movement is a grimly-etched portrait of Stalin. (3) Allegretto. What begins as a sardonic scherzo becomes a grim warning from the composer, now using the DSCH cipher. Hints of the motto in the flute, and then in the plucked cellos and basses, prefigure a poignant signpost in the solo horn. This is answered by a quotation of the melancholy opening phrase from the first movement. The horn call returns, now punctuated by austere responses by the piccolo and flute, tam-tam, and plucked strings. The lighter mood returns, but the tension soon increases. Now four horns, fortissimo, issue another warning. A solo violin, followed by flutes and piccolo, close the movement with final references to the DSCH motto. (4) Andante-Allegro. The introduction dispels the mood of the third movement with a gloomy gesture that eventually yields to a surprisingly optimistic Allegro. But after so much gloom, can all be right with the world? The spirit of the second movement intrudes, culminating with the DSCH motto bringing the music to a brief halt. The bassoons will have none of it, however, and the merry romp resumes. The motto, uttered now by the horns and timpani, is absorbed into the optimistic spirit of the finale, bringing the symphony to its triumphant close. ●

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Steinway Society

HOROWITZ LEVEL Donation of $20,000–$50,000 Charles & Eugenia Eberle

Piano Fund Steinway Society members make dedicated donations for current and future purchases and maintenance of our Steinway & Sons Grand Piano Model D. Since the New Mexico Philharmonic’s birth in 2011, we have had to rely on rented pianos. They have been inconsistent and at the end of the 2018/19 season, it was clear that the NMPhil needed a new, reliable piano to feature great pianists. We were able to fulfill this dream recently when we received a very generous low-interest loan to purchase the piano. Thanks to donations already received from Steinway Society members, the amount that the NMPhil now owes is less than half of the loan. Please consider joining the Steinway Society at the donor level that is best for you and be part of your New Mexico Philharmonic by helping us to produce excellence through our music. HOROWITZ LEVEL

$20,000–$50,000

• • • • • • •

Special short video presented before one concert at Popejoy Hall Two annual private dinners with artist(s) of choice Donor Lounge access One annual private dinner with Roberto Minczuk, Olga Kern, or other pianists Special mention in the Program Book Steinway Society section Special annual reception for all Steinway Society donors Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc. WHITE KEYS LEVEL

$6000–$19,999

• • • • •

Donor Lounge access One annual private dinner with Roberto Minczuk, Olga Kern, or other pianists Special mention in the Program Book Steinway Society section Special annual reception for all Steinway Society donors Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc. BLACK KEYS LEVEL

$2000–$5999

• Invitation to three Donor Lounge receptions during concerts • One private dinner every other year with Roberto Minczuk, Olga Kern, or other pianists • Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors • Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc. PEDAL LEVEL

$500–$1999

• Invitation to one Donor Lounge reception during a concert • Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors PIANO FRIENDS LEVEL

• Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors

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Roland Gerencer, MD

WHITE KEYS LEVEL Donation of $6000–$19,999 Cliff & Nancy Blaugrund Lee Blaugrund Dal & Pat Jensen

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PEDAL LEVEL Donation of $500–$1999 Meg Aldridge Michael & Cheryl Bustamante, in memory of Cheryl B. Hall Richard & Peg Cronin Mr. & Mrs. Robert Duff Custer David Foster Peter Gould Robert & Toni Kingsley Dr. Herb & Shelley Koffler Tyler M. Mason Jon McCorkell & Dianne Cress Bob & Susan McGuire

David & Audrey Northrop James P. O’Neill & Ellen Bayard Gary & Carol Overturf Ruth Ronan Ed Rose Marian & Howard Schreyer Bruce & Sandra Seligman Frederick & Susan Sherman David & Heather Spader Al & Melissa Stotts

PIANO FRIENDS LEVEL Donation of $50–$499 Fran A’Hern-Smith Joe Alcorn & Sylvia Wittels Anonymous Karen Bielinski-Richardson David & Sheila Bogost Robert Bower & Kathryn Fry Dante & Judie Cantrill Camille Carstens Olinda Chavez Beth L. Clark Henry & Ettajane Conant John & Katie Cunningham Marjorie Cypress & Philip Jameson Thomas & Martha Domme Martin J. Doviak David Fillmore Blake & Liz Forbes George & Karen Gibbs Ginger Grossetete Elene & Robert Gusch Kerry L. Harmon Jo Ellen Head Heidi Hilland Glenn & Susan Hinchcliffe B. Lance & Debrah Hurt Nancy Joste Julia Kavet Ralph & Heather Kiuttu Larry W. Langford Susan Lentz

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NMPHIL .

BOARD OF DIRECTORS Maureen Baca

New Mexico Philharmonic The Musicians

President

FIRST VIOLIN Krzysztof Zimowski Karen McKinnon Concertmaster Chair

David Felberg +

Associate Concertmaster

Ana María Quintero Muñoz ++

Associate Concertmaster

Sarah Tasker

Assistant Concertmaster

Laura Steiner Joan Wang Juliana Huestis Steve Ognacevic Kerri Lay + Brad Richards Barbara Barber ++ Barbara Rivers Nicolle Maniaci Barbara Scalf Morris SECOND VIOLIN Gabriela Fogo •+ Rafael Marzagão •++ Carol Swift •• Julanie Lee Anthony Templeton Liana Austin Eric Sewell Lidija Peno-Kelly Sheila McLay Heather MacArthur VIOLA Laura Chang • Kimberly Fredenburgh •• Allegra Askew Christine Rancier Virginia Lawrence Willy Sucre + Joan Hinterbichler Lisa DiCarlo

CELLO Amy Huzjak • Jonathan Flaksman ••++ Carla Lehmeier-Tatum Dana Winograd David Schepps Lisa Collins BASS Jean-Luc Matton • Mark Tatum •• Katherine Olszowka Terry Pruitt Frank Murry FLUTE Valerie Potter • Sara Tutland Jiyoun Hur ••• PICCOLO Sara Tutland OBOE Kevin Vigneau • Amanda Talley ENGLISH HORN Melissa Peña ••• CLARINET Marianne Shifrin • Lori Lovato •• Timothy Skinner

HORN Peter Erb • Allison Tutton Katelyn Lewis •••

Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One-year position ++

TRUMPET John Marchiando • Brynn Marchiando ••• Tristan Frank

Al Stotts

Vice President

David Peterson Secretary

Kory Hoggan Treasurer

Joel Baca Ruth Bitsui Thomas Domme Fritz Eberle Jeffrey Romero Edward Rose, MD Terrence Sloan Rachael Speegle Marian Tanau Michael Wallace

TROMBONE Aaron Zalkind • Byron Herrington BASS TROMBONE David Tall

ADVISORY BOARD Thomas C. Bird Lee Blaugrund Clarke Cagle Roland Gerencer, MD Heinz Schmitt William Wiley

TUBA Richard White •+ Justin Gruber •++ TIMPANI Micah Harrow • PERCUSSION Jeff Cornelius • Kenneth Dean Emily Cornelius

BOARD OF THE FUTURE Dr. James Botros Levi Bowman Sandy Buffet Nina Chavez Lauren Neeley

HARP Matthew Tutsky •

E-FLAT CLARINET Lori Lovato BASS CLARINET Timothy Skinner BASSOON Stefanie Przybylska • Denise Turner

STAFF Marian Tanau

Executive Director

Shea Perry

Roberto Minczuk

Personnel & Operations Manager

Christine Rancier

Principal Librarian

Music Director

Allison Tutton

Director of Business Management

Jeremiah Fernandez

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Nancy PressleyNaimark

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Director of Community, Relations & Office Manager

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Donor Circles Thank You for Joining a Circle BENEFACTOR CIRCLE Donation of $50,000 + Albuquerque Community Foundation Anonymous Lee Blaugrund Marian Ausherman Chavez Trust City of Albuquerque The Karen McKinnon Fund The McKinnon Family Foundation The Meredith Foundation

BEETHOVEN CIRCLE Donation of $25,000–$49,999 The Computing Center Inc., Maureen & Stephen Baca Bob & Greta Dean Eugenia & Charles Eberle NM Philharmonic Foundation Cynthia Phillips & Thomas Martin

MOZART CIRCLE Donation of $10,000–$24,999 Albuquerque Community Foundation, E. Blaugrund Family Fund Anonymous Anonymous Anonymous, in honor of Roberto Minczuk Bernalillo County Commission Deborah Borders Art Gardenswartz & Sonya Priestly Keith Gilbert Mary Herring Holmans USA, LLC, Anthony D. Trujillo Dal & Pat Jensen Walter & Allene Kleweno Dwayne & Marjorie Longenbaugh Music Guild of New Mexico & Jackie McGehee Young Artists’ Competition for Piano & Strings New Mexico Gas Company Bob & Bonnie Paine The Honorable & Mrs. James A. Parker Real Time Solutions, Inc Bradford Richards Rio Rancho Kiwanis Foundation Sandia Foundation, Hugh & Helen Woodward Fund Terrence Sloan, in honor of Ronald Bronitsky’s Grandfather United Way Community Fund Dr. Dean Yannias

BRAHMS CIRCLE Donation of $5000–$9999 Albuquerque Community Foundation, The Ties Fund Carl & Linda Alongi George & Sibilla Boerigter Paula & William Bradley Bob & Fran Fosnaugh Ron Franklin, in memory of Karen McKinnon David Gay Hancock Family Foundation Ken & Kathy Hao, in memory of Karen McKinnon William H. & Mattie Wattis Harris Foundation Jonathan & Ellin Hewes Robert & Elisa Hufnagel Hunt Family Foundation Chris & Karen Jones Christine Kilroy Harry & Betsey Linneman Julianne Lockwood Marcia Lubar, in memory of Larry Lubar Myra & Richard Lynch Bob & Susan McGuire Menicucci Insurance Agency Barbara Morris Karl & Marion Mueller Ruth & Charles Needham New Mexico Arts George & Mary Novotny Scott Obenshain Del Packwood & Barbara Reeback Sandia Laboratory Federal Credit Union Melissa & Al Stotts The Swalin Family Marian & Jennifer Tanau George Thomas, in memory of Patricia Thomas Tamara Tomasson Richard Vandongen The Verdes Foundation Kathleen & David Waymire Diane Chalmers Wiley & William Wiley Lance Woodworth John Wronosky & Lynn Asbury X-Ray Associates of New Mexico, P.C. Janet Youngberg

CHOPIN CIRCLE Donation of $3500–$4999 Anonymous Anonymous Anonymous Mary Baca Nancy M. Berg Nancy & Cliff Blaugrund The Cates Team/RBC Wealth Management David & Mary Colton Richard & Margaret Cronin David & Ellen Evans Exxon Mobil Foundation French Funerals & Cremations

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Gerald Gold Madeleine Grigg-Damberger & Stan Damberger Bill & Carolyn Hallett Margaret Harvey & Mark Kilburn National Christian Foundation Southwest Steve Ridlon, in memory of Casey Scott Robertson & Sons Violin Shop Edward Rose

GRACE THOMPSON CIRCLE Donation of $1933–$3499 Albuquerque Community Foundation, NDB & CEB Fund Meg Aldridge Marie Jo Anderson & Carl C. Anderson, Sr. Charitable Foundation Anonymous Joel & Sandra Baca Thomas Bird & Brooke Tully Ann Boland, in memory of Dr. W. Robert Boland Ronald Bronitsky, MD, in honor of Anastasiya Naplekova, Hedwig Bronitsky, & Robert Alexander Clarke & Mary Cagle Douglas Cardwell Edwin Case, in memory of Deborah Case Century Bank Daniel & Brigid Conklin, in memory of Dr. C.B. Conklin Marjorie Cypress & Philip Jameson D’Addario Foundation Thomas & Martha Domme Fritz Eberle & Lynn Johnson Firestone Family Foundation First United Methodist Church, Kaemper Music Series Frank & Christine Fredenburgh Gertrude Frishmuth Cynthia & Thomas Gaiser Ann Gebhart Charles & Judith Gibbon A. Elizabeth Gordon Jean & Bob Gough Helen Grevey Stephen & Aida Ramos Heath Rosalyn Hurley Sue Johnson & Jim Zabilski Bonnie & Hank Kelly Bruce A. Larson, in memory of The Rev. Samuel L. Hall Michael & Roberta Lavin Kathleen D. Lebeck Virginia LeRoy Tyler M. Mason Edel & Thomas Mayer Foundation

Robert Milne & Ann DeHart, in memory of Clare Dreyer Jan Mitchell Ruth Mondlick, in memory of Martin I. Mondlick Robert & Claudia Moraga Moss-Adams LLP David & Audrey Northrop Tom & Lili O’Malley, in memory of Karen McKinnon Gary & Carol Overturf Jerald & Cindi Parker Dick & Marythelma Ransom Sandra P. & AFLt/Col (r.) Clifford E. Richardson III, in loving memory of Priscilla L. & Clifford E. Richardson Jr. & Josephine A. & Angelo “A.J.” Asciolla Deborah Ridley & Richard S. Nenoff Aaron & Elizabeth Robertson Jacquelyn Robins Jay Rodman & Wendy Wilkins Ellen Ann Ryan Scott & Carol Schaffer Howard & Marian Schreyer Albert Seargeant Vernon & Susannah Smith Betsey Swan & Christopher Calder Spencer & Sarah Tasker Verdes Farm LLC

BACH CIRCLE Donation of $1000–$1932 Kathleen Adam Leah Albers & Thomas Roberts Albuquerque Community Foundation, Peggy CavettWalden & Professor Jerrold Walden Fund for Art & Music Grant Robert Anderson Anonymous Anonymous Anonymous Anonymous Anonymous Christopher Apblett Teresa Apple & Richard Zabell Jonathan & Deborah Armerding Robert Baca Douglas Bailey Bank of America Charitable Foundation Patricia Barron Steven Berger, in memory of Karen McKinnon Gay & Stan Betzer Lawrence & Deborah Blank James Botros & Jeremy Wirths Robert Bower & Kathryn Fry Stephen Brittenham Michael & Cheryl Bustamante, in memory of Cheryl B. Hall

Drs. Kathleen L. Butler & M. Steven Shackley Joseph & Dawn Calek Christine Chao, in memory of Karen McKinnon Michael & Wendy Cieslak Mark & Susan Conradi The Coracle Fund John Crawford & Carolyn Quinn Phil & Krys Custer Robert & Mary Custer Leonard & Patricia Duda James & Teresa Edens Anne Eisfeller & Roger Thomas Susan Evatt, in memory of R. Nim Evatt Richard & Virginia Feddersen Dean Flanagan, in memory of Karen McKinnon Denise Fligner & Terry Edwards Helen Fuller Roland Gerencer, MD George F. Gibbs Dennis & Opal Lee Gill Laurence Golden Peter Gould Steve Hamm & Mary Kurkjian Roger & Katherine Hammond Harris Jewelers Harris Hartz, in memory of Dr. Larry Lubar Donna Hill Jim & Sandra Hoge Dr. Carlton Holte & Sheryl Guterl Martha S. Hoyt Hal Hudson, in memory of Carolyn Hudson Patricia Johnson, in memory of Karen McKinnon Stephanie & David Kauffman Julia Kavet, in memory of Janie Mossman Steve & Elisa Kephart, in honor of Richard White & the Low Brass Ann King Virginia Lawrence, in memory of Jean Sharp The Liow Family, in memory of Karen McKinnon Dr. Ronald & Ellen Loehman Linda S. Marshall William & Jean Mason Kathy & John Matter Brian McDonald C. Everett & Jackie McGehee Ina S. Miller Martha Miller Ranne B. Miller & Margo J. McCormick Miller Stratvert, P.A. Mark Moll David & Alice Monet Dorothy White Morse Ed & Nancy Naimark Daniel & Elizabeth Neal Tom & Gretchen Obenauf James O’Neill & Ellen Bayard

DONOR CIRCLES .

Stuart & Janice Paster David & Melanie Peterson Douglas Peterson, in memory of Karen McKinnon Mary Raje Dr. Barry & Roberta Ramo Stephen Rehnberg & Mary Burgener Patricia Cazier Renken Joan Robins & Denise Wheeler, in memory of Sue & Mel Robins Dr. Harvey Ruskin Richard & Pamela Salmon Scott & Margaret Sanders Nancy Scheer John & Karen Schlue Paul C. Schorr IV, in memory of Karen McKinnon Bruce & Sandra Seligman Barbara Servis Janet & Michael Sjulin David & Heather Spader Paula M. Steinberg Mark & Maria Stevens Sarah Stevens-Miles David E. Stinchcomb, in memory of Ann Stinchcomb Jane & Doug Swift Fund for Art & Education Total Wine William Vance Ross & Jean Van Dusen Rita Villa Margaret Vining Betty & Luke Vortman Endowment Michael Wallace Eugene & Barbara Wasylenki Peter & Judy Basen Weinreb Tad & Kay West Robert & Trudie White Bill & Janislee Wiese Alice Wolfsberg Robert & Judith Woods, in memory of Dale Kempter Dot Wortman Dolly Yoder Carol Zulauf

CONCERTMASTER CIRCLE Donation of $500–$999 Jo Anne Altrichter & Robin Tawney Anonymous Anonymous Anonymous, in memory of Robert Fleming John & Polly Arango Joseph Archbold Richard & Linda Avery Marguerite Baca Tonianne Baca-Green Daniel Balik Elizabeth Bayne David & Judith Bennahum Barry Berkson Richard & Maria Berry Monica Boehmer, in memory of Leonie Boehmer Rod & Genelia Boenig

Henry & Jennifer Bohnhoff Janet Brierley Patricia Broyles Butterfield’s Jewelers Bill Byers Carol Callaway David & Shelly Campbell CarMax Ann Carson Camille Carstens Edith Cherry & Jim See Beth Clark Susan Clark Michael Dexter Thomas Dyble Mary Lou Edward Martha Egan The Eichel Family Charitable Fund Jackie Ericksen Eve Espy Jane & Michael Flax David Foster Peter Freer, in memory of Karen McKinnon Howard & Debra Friedman Clarice Getz Drs. Robert & Maria Goldstein Mark Goodman Yvonne Gorbett Marcia Gordon Berto & Barbara Gorham Stanley & Sara Griffith Tom & Rebecca Grissom Sharon Gross Lauro Guaderrama Ron & Nancy Halbgewachs Kathleen Hammar John & Diane Hawley Noelle Holzworth John Homko William B. Hughes Tatiana Hunter Gwenellen Janov Carol Kaemper John & Mechthild Kahrs Suzanne Kelsey, in memory of Bill Sullivan Steve Kemp Herbert & Shelley Koffler Noel & Meredith Kopald Woody & Nandini Kuehn Stephanie & Kenneth Kuzio Mildred Langston Rebecca Lee & Daniel Rader Donald & Margaret Lenk Judith Levey Thomas & Donna Lockner Carol Lovato Joanne E. Magalis David & Julie Martinez Jon McCorkell & Dianne Cress Michael McGinley Angie Lee McLaughlin John & Kathleen Mezoff Christine & Russell Mink John & Judy Minks Phillip Mitchell, in memory of Beatriz Mitchell Claude Morelli & Sharon Nepstad

Mardelle Morrow Ted & Mary Morse Kay Moses Lynne Mostoller & Kathryn McKnight, in honor of Richard White Deborah Muldawer Michael & Judy Muldawer Mark Napolin Elias Nasr Lynne Newton Rebecca Okun Bethe Orrell Richard & Susan Perry PNM Resources Rada Potts Nancy Pressley-Naimark, in memory of William Albert John Provine Jerry & Christine Rancier T.D. Raymond Ray Reeder Barbara Rivers Patrica Rodgers & Harry Stumpf, in memory of Blossom Kite Elizabeth Roll, in memory of Ruth Bader Ginsberg Ruth Ronan Carole Ross Dick & Mary Ruddy Mary Ann Sampson Christine Sauer Anjella Schick Chris Schroeder Mary Kathleen Schwarting Gretchen Seelinger Frederick & Susan Sherman Camille Sherwood Beverly Simmons Robert Simon Rich & Eileen Simpson Walt & Beth Simpson Gary Singer, in memory of Kathleen Singer George & Vivian Skadron William E. Snead Stan & Marilyn Stark Luis & Patricia Stelzner Dorothy Stermer Charles Stillwell Nancy Stratton Sally Schwartz Phyllis Taylor & Bruce Thomson Gary & Nina Thayer Jeffrey & Elizabeth Thomsen Liz Titus Chuck & Jean Villamarin Marianne Walck Robert & Patricia Weiler Carl G. & Janet V. Weis Lawrence Wells Jeffrey West Helen M. Whitesides John & Elizabeth Wilson Kathryn Wissell & Robert Goodkind David & Evy Worledge Diana Zavitz, in memory of Pat & Ray Harwick

PRINCIPALS CIRCLE Donation of $125–$499 James & Allison Abraham Harro & Nancy Ackermann Wanda Adlesperger Dr. Fran A’Hern-Smith Albuquerque Community Foundation, Maisel/ Goodman Charitable Endowment Fund Albuquerque Museum Joe Alcorn & Sylvia Wittels Dennis Alexander Gerald Alldredge Amazon Smile Jerry & Jo Marie Anderson Anderson Organizing Systems Judy Andrews Anonymous Anonymous Jean Aragon Leonard & Stephanie Armstrong Janice J. Arrott David Baca Jackie Baca & Ken Genco Renee Baca Sally Bachofer Genevieve Baker Jan Bandrofchak & Cleveland Sharp Graham Bartlett Harold & Patricia Baskin Steve & Nancy Bassett Ellen Bayard Edie Beck Hugh & Margaret Bell, in memory of Joan Allen Jennifer & Mike Benson Mark Berger Marianne Berwick Lorraine Beverley Judith Binder Black Dog Printing Michael Blackledge, in memory of our colleague Robert O. Woods, from the Last Thursday Book Club of Albuquerque Elaine Bleiweis & Karen Hudson, in memory of Blossom Kite James & Ann Bresson Ronald Bronitsky, MD, in honor of Maureen & Steve Baca Douglas Brosveen Carolyn Brown Douglas Brown, in memory of Karen McKinnon James & Elizabeth Brown Terry Brownell & Alpha Russell Marie Brown-Wagner Nancy Brunson Marcia Bumkens Lee Calderwood Caliber’s Safe Store Dante & Judith Cantrill Paty Carreon Robert E. & Shirley Case

Robert & Sharon Chamberlin Roscoe Champion Olinda Chavez David & Alexis Chene Lance & Kathy Chilton Thomas & Judith Christopher Paul & Linda Cochran James & Joan Cole Jane & Kenneth Cole Donna Collins Lloyd Colson III Henry & Ettajane Conant Marcia Congdon James Connell Cathy Conrad Susan Conway Hovey & Alexis Corbin Miguel Corona Jeremy & Jamie Cox Stephanie Coxe Bob Crain Jasha Cultreri Edward Curtis & Alfred Papillon Stephen & Stefani Czuchlewski Paul & Kathleen Deblassie John & Mary Jo Desautels Ronald & Faye Detry Jacob Dewitte Jerry & Susan Dickinson Raymond & Anne Doberneck Stephen R. Donaldson Carl & Joanne Donsbach Janice Dosch Martin J. Doviak Jeff & Karen Duray Dariel Durrett Reverend Suzanne & Bill Ebel Gary Echert Kathleen Economy Arthur & Lindsay Edelhoff Michael & Laurel Edenburn Jeffrey Edgar Etta Eggleston, in memory of Bill Albert Paul & Cathrine Eichel Richard & Mildred Elrick Jay Ven Eman Robert & Dolores Engstrom Darlene Evers David & Frankie Ewing Peggy Favour Helen Feinberg Howard & Deonne Finkelstein Teresa Fitzgobbon & Harrison Schmitt Heidi Fleischmann & James Scott William & Cheryl Foote Janine Ford Bruce & April Lee Forman J. Arthur Freed Joseph Freedman & Susan Timmons Martin & Ursula Frick Maureen Fry Eric & Cristi Furman Jonathan & Julia Gallegos Jesus Galvan Mary Day Gauer Ilse Gay

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DONOR CIRCLES . continued from 25 Allison Gentile Paul Getz & Audrey Martinez Joan Gibson Golftec Janice K. Goodman Thomas & Linda Grace Brad Gravelle Paul & Marcia Greenbaum Peter Gregory Justin M. & Blanche G. Griffin Ginger Grossetete Mina Jane Grothey Livonna Gunn Robert & Elene Gusch Kenneth Guthrie & Doni Lazar Ruth Haas Fletcher & Laura Hahn Lee & Thais Haines Leila Hall, in memory of Samuel Hall Debbie Hammack Bennett A. Hammer Frank Hardesty William & Janet Harrington Joan Harris Gloria B. Hawk Darren Hayden Dennis & Jan Hayes Jason & Susan Heath Rogene Henderson Patricia Henning & Anthony Lazzaro Douglas & Joyce Hilchie Beate Hitzler Nina Hobbs Laura Hoberg Toppin & Robert Hodge Ulton & Jean Hodgin Kiernan Holliday Melissa Holt Bernhard E. Holzapfel Elizabeth Hoobler Nancy Kay Horton Gina Hughes Janet Humann Bryan “Lance” & Debrah Hurt Paul Isaacson Jerry & Diane Janicke John & Clarice Jenkins Judith Jilek Christopher & Venessa Johnson Lawrence & Anne Jones Nancy Joste Robert & Mary Julyan Jupiter Photography, Angel Chabai Norty & Summers Kalishman Sheri & Ira Karmiol, in memory of Larry Lubar Carl & Jeanette Keim Thomas & Greta Keleher Robert & Toni Kingsley Marlin Kipp Gerald Kiuttu & Candace Brower June Knight James & Helen Knoll Nancy Koenigsberg, in memory of Beatriz Mitchell Bernadette Koh Maria & Asja Kornfeld

Tom & Kathy Korte Phil Krehbiel Jennifer C. Kruger Denise Krupka-Andersen Karen Kupper Jeffery & Jane Lawrence Wes & Dawn Leach Mary E. Lebeck Jae-Won & Juliane Lee LeRoy Lehr & Veronica Reed Matthew Lemelin Susan Lentz Joe & Pam Limke John Linder & Margaret Chaffey Robert Lindeman & Judith Brown Lindeman Claire Lissance William & Norma Lock Dale & Linda Lockett Betty Logan Karen Long Daniel Lopez & Linda Vigil Lopez Joel Lorimer Bruce & Leslie Loughridge Frank & Judy Love Suzanne Lubar & Marcos Gonzales, in memory of Larry B. Lubar Joan M. Lucas Sam Lucero & Ron Lahti Ruth Luckasson & Dr. Larry Davis, in memory of Dr. Alfred Watts Robert Lynn & Janet Braziel Morgan MacFadden Bruce F. Malott Robert & Linda Malseed The Man’s Hat Shop Jim & Helen Marquez Maria Teresa Marquez Jeffrey Marr Carolyn Martinez Janet Matwiyoff Sallie McCarthy Roger & Kathleen McClellan Charles McCormack Fred & Karin McDowell Jane McGuigan Don McGuire Anne McKinney John McNeil Albert & Linda McNiel Donald McQuarie Judith W. Mead Bernard & Mary Metzgar Kristin Middleton Kevin Miglio Bruce Miller Kathleen Miller Jim Mills & Peggy Sanchez Mills Brian & Patricia Miscall Louis & Deborah Moench Rosemary Monte Robert & Phyllis Moore Jim & Penny Morris Shirley Morrison & Cornelis Klein Baker H. Morrow & Joann Strathman

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Cary & Eve Morrow Eugene & Janel Moya Sharon Moynahan & Gerald Moore Nancy Murray Charles Myers Albert & Shanna Narath Bruce & Ruth Nelson Joshua Neustadter New Mexico School of Music, Tatiana Vetrinskaya Betsy Nichols Jan Nichols Candace & Frank Norris Donald & Carol Norton Maureen Oakes Charles Oelsner Joan Olkowski John & MacKenzie Ordorica Pete & Carol Ormson Patrick Ortiz, in memory of Karen McKinnon Daniel O’Shea Joyce & Pierce Ostrander Erma Pacheco Lawrence Pearsall Michelle Pent Maria Pereyra & Timothy Berkopec Elizabeth Perkett Shea Perry Lang Ha Pham & Hy Tran Judi Pitch Placitas Artists Series Karla Puariea Regina & Daniel Puccetti Caroline Pultz Dan & Billie Pyzel Therese Quinn Jane Rael Colby Reddoch Robert Reinke Lilith Ren Carol Renfro Tim Renk Lee Reynis & David Stryker Kay Richards Johanna Rijken Erika Rimson & David Bernstein John Robbenhaar Shelley Roberts & Dewey Moore Justin Robertson Peggy Rodriguez Joseph Roesch Justin & Erica Roesch, in honor of Steve & Maureen Baca John & Faye Rogers Catalin Roman Jeffrey Romero Glenn & Amy Rosenbaum Jeffery & Cynthia Ross Sofya Rubinchik John Salas Randy & Carla Salazar Renee Sandoval Sarafian’s Oriental Rugs Laura Scholfield Leigh Schultzberger Kathleen Schulz Timothy Schuster

Marc Scudamore & Brigitte Schimek Thomas Seamon Meryl & Ron Segel, in honor of Joan Zucker’s retirement Daniel & Barbara Shapiro Joe Shepherd Ronald & Lisa Shibata Beverly Simmons Carolyn Simon R.J. & Katherine Simonson Amanda Smith Carl & Marilyn Smith Carol Smith Katherine Smith, in memory of Craig Smith Smith Engineering, in memory of Linda Bolvin Steven & Keri Sobolik Olga Spahn Thor Spangler Linda Srote, in memory of Karen McKinnon Jennifer Starr & Eugene Lesser Brent & Maria Stevens Nancy Stevens John & Patricia Stover Lawrence & Carmen Straus Kevin & Judy Taira David & Jane Tallant Tanoan Country Club Rogan & Laurie Thompson Sue Ann Thompson Natalia Tikhovidova Marvin & Patricia Tillery Barbara Timmcke Laurence Titman Valerie Tomberlin John Tondl Gehron & Michelle Treme John Trotter Leonard & Mary Joan Truesdell Nathaniel Tully Sean Umstead Arthur Vall-Spinosa & Sandra Louise Nunn Vara Winery & Distillery VinGuard Valise John Vittal & Deborah Ham John & Karin Waldrop William & Cynthia Warren Wolfgang & Carol Wawersik Deborah Webster, in memory of Scott Browne Kevin & Laurel Welch Jamie Welles Margaret Wente Jeremy Weserich Leslie White Marybeth White Ellen Whitman Bronwyn Willis Phyllis Wilson Marla Wood Peng Yu, in honor of Steve & Maureen Baca Rebecca Zerger & Timothy Peterson Linda R. Zipp, MD Vita Zodin

FRIENDS OF THE PHILHARMONIC Donation of $25–$124 ABQ Memory Movers LLC, Barbara & James Thomte Fay Abrams, in honor of Peg Cronin David & Elizabeth Adams Jack Aderhold Natalie Adolphi & Andrew McDowell Howard & Phyllis Albert, in memory of William Albert Albuquerque Museum Foundation Kelly Aldridge Jeffrey Allen Mel & Hilaria Alper Freda Anderson Judith Anderson Anonymous Robert J. & Marilyn R. Antinone Allen & Ruth Archambault Mary Archbold Janice Arrott Thomas J. & Helen K. Baca Thomas Bail Olive Baker-Brown Pedro & Yvonne Baldonado Fred & Jan Bales Adam Banks Sarah Barlow Ron Barnes Susan Beard Fred L. Beavers Michael Beerman David & Betty Begeal Michael Bencoe Benevity Fund Kirk & Debra Benton Dorothy & Melbourne Bernstein Karen Bielinski-Richardson Ursula Biggers, in memory of Rachel Jo Colvard Kay Bird Amy Gayle Black, in memory of William Albert Christine Blaser & Constantine Stewart Thomas & Suzanne Blazier Dusty & Gay Blech William Blumenthal Peter Bochert Paula Boggs David & Sheila Bogost Bette Bolton Ross & Kristi Boom Henry Botts Tim & Jackie Bowen J.M. Bowers & B.J. Fisher Levi Bowman Marilyn Bowman Richard & Iris Brackett Christopher Bradley Samuel Brandt Katy Braziel & Elizabeth Doak John Brooks Dana Brown, in memory of Karen McKinnon Fred Bunch & Betty Tichich

DONOR CIRCLES .

Elaine Burgess Hank & Miriam Burhans Elizabeth Burki Robert & Marylyn Burridge Douglas & Ann Calderwood Louise Campbell Zachary & Judy Cannon Deirdre Caparoso Luana Carey, in honor of Carolyn Quinn & John Crawford David & Laura Carlson James Carroll Joseph Cella Thomas Chacon Dennis Chavez Development Corporation Nina Chavez Cheesecake Factory Douglas Cheney Barry Clark James & Pauline Clements Tammy Cobb Randall & Valerie Cole Lora Contreras Sierra Corrin Amy Couch Briana Cristo John & Katherine Cunningham Mark A. Curtis Jonathan & Joyce Custer Henry Daise III Rosalie D’Angelo Ashlee Dauenhauer Leslie Davidson William Davidson Hubert Davis Marsha Dean, in memory of Carolyn H. Dean Merrick & Leigh Ann Dean Kurt & Yvonne Deshayes Winnie Devore John & Helene Dickel Carol Diggelman Mary Lou Dobbs Thomas & Elizabeth Dodson Marcy Dorchester, in memory of Mom Gregory Doudnikoff James & Julie Drennan Barbara Druxman, in memory of Dr. Larry Lubar Michael & Jana Druxman Elizabeth Dwyer Linda Eaton Helene Eckrich Lester & Eleanor Einhorn Scott Elder, in memory of Karen McKinnon Bradley Ellingboe Maya Elrick Roger C. Entringer Jane Farris, in honor of Brent & Maria Stevens John Adam Farris Howard Fegan Helene Fellen, in honor of Larry Lubar Ella J. Fenoglio Irene Fertik John Fielder

David Fillmore Mary Filosi Alan & B.J. Firestone Joy Fishel-Eaton James Fisk Diane Fleming Rabbi Arthur Flicker Blake & Liz Forbes Walter & Beverly Forman Chris Foster Margie Frey David Friede, in memory of Karen McKinnon Ron Friederich Greg & Jeanne Frye-Mason Liam Frye-Mason Anne Galer Adele Galuhn Barbara Garcia, in memory of Janie Mossman Carolyn Garcia Yolanda Garcia W. Michael Garrett, MD Walter Gerstle Lawrence Jay Gibel, MD Carole Glade S. Jill Glass Ronald Goldsmith Ramon Gomez Jim Gonzales Lois Gonzales Stephen Ray Goode Great Harvest Bakery Alfred & Patricia Green Paul & Nancy Greenberg Rand & Teresita Greenfield Erna Sue Greening Kevin & Teresa Grunewald Kirk & Jan Gulledge Charles & Betsy Gunter Birgitta Gustafson, in honor of Richard White J. Michele Guttmann Herman Haase Geoff Habiger Helen Hale Anne Hallett Michele Handschuh, in memory of Linda Bolvin Paul Hanneman Lorna Hansen Kerry L. Harmon Thomas Harmon & Sara Keeney Noah Harris Pamela Harris Bhanu Joy Harrison Fred & Joan Hart Marilyn Hartig Ed Haskin Jo Ellen Head Sharon Head, in memory of Dr. Alfred Chapman Watts Mary Hershberger, in memory of Dr. Alfred Chapman Watts Nancy Hill Heidi Hilland Pamelia Hilty (Snow Blossom Gift Fund) Glenn & Susan Hinchcliffe Fred Hindel

Margaret Hoemeke Nancy Hoffman Kory I. Hoggan, CPA Diane Holdridge Thomas & Linda Holley Steven Homer Theresa Homisak Thomas & Mary Ann Horan Stanley & Helen Hordes Virginia Horner Adelia Humme Anthony & Susan Hunt Ralph & Gay Nell Huybrechts Constance Hyde & James Houle Claudia Isaac James & Kristin Jackson Linda James, in memory of Salley Shaffer Mullis Michael & Sandra Jerome John P. Johnson Lori Johnson Daniel & Carol Jones Elena Kalinina John & Julie Kaltenbach Paul Karavas Joyce Kaser Grace Keenan Janet & Michael Keller, in memory of Blossom Kite Margaret Keller Nancy Kelley Jamie Kerestes, in memory of Bruce Allyn Wicklund Todd Kersting Robert Key Chris Killion Sandra King Barbara Kite, in memory of Blossom Kite Ralph & Heather Kiuttu Barbara Kleinfeld, in memory of Karen McKinnon Charles Knoblauch Karen Knoll Gerald Knorovsky Philip Kolehmainen Katherine Kraus Deborah Krichels John & Gretchen Kryda Mark Kunzman Nick & Susan Landers Janice Langdale Larry W. Langford Molly Lannon Susan Larsen Rita Leard Daniel Lee Norma Leeper, in memory of Karen McKinnon Roger & Bonnie Leib, in honor of Dr. Thomas Martin Stephen & Katelyn Lewis Margaret Lieberman Marc Limmany Byron Linsey Carl & Sheila Litsinger Laurence & Patricia McMananman Loucks Betty Louise Lovering Richard & Mary Loyd Cheryl Lucero

Roger Lucero Bob & Maureen Luna, in memory of Robert O. Woods Carol Madden Douglas & Willie Madison J.W. Madison Frank Maher Ronald & Monica Manginell Nicolle Maniaci & John Witiuk Frederic & Joan March Martha Marchand Shila Marek Walton Marshall Salvatore T. Martino John & Alice Massey Jennifer Mastripolito Stephen & Janice Matthews Lynne Anne Maxwell William & Claire Maxwell Marcia McCleary Monica McComas Margaret McDonald Thomas McEnnerney David & Jane McGuire Eugene McGuire & Rosemary Hunter Jason & Tracy Mechenbier Joyce Mendel, in memory of Robert O. Woods Shannon Merewether Tony Mergist Thomas Merlan & Frances Levine Sterrett & Lynette Metheny Patricia Meyer Mary Louise Miller Natalie Miller Robert F. Miller Carol Mills Barbara Mitchell, in memory of Karen McKinnon Beatriz Mitchell Bryant & Carole Mitchell Germaine Mitchell Paul Mitchell Dr. William Moffatt Roy Morgan Letitia Morris John Morrow & Harriette Monroe Marilyn Morton Karen Mosier & Phillip Freeman John & Patsy Mosman Peter Mostachetti Elisabeth Mulkern Brian Mulrey Scott Murry Nambé David & Cynthia Nartonis Copeland & Lauren Neeley Don & Evelyn Neil Michelle NeillTange Justin Nelson, in memory of Karen McKinnon Melissa Nelson New Mexico Japanese American Citizens League Geri Newton NM Escape Room Bruce Noll

Jennifer Nuanez Richard & Marian Nygren Ruth Okeefe Joseph Opuszenski Ray & Wendy Orley Ricardo Ortega Mary Ann Osley Randolph Ott & Katherine Ott-Warner Melinne Owen William Owen Eric Parker Mark & Diane Parshall Howard Paul Honorine Payne PayPal Giving Fund Deborah Peacock & Nathan Korn Jennifer Pedneau Brian Pendley Mike Peterson Gail Philippi Barbara Pierce Martin & Cathryn Pokorny Helen Priest Mary Ramsey Russell & Elizabeth Raskob Henry Rau David & Tracey Raymo The Remedy Day Spa Kerry Renshaw Diane Reuler Kevin & Jacqueline Reynolds Judith Ribble & Clark Bussey George & Sheila Richmond Herbert Richter Margaret Roberts Matthew Roberts Gerald & Gloria Robinson Gwenn Robinson, MD & Dwight Burney III, MD April Rodas Judith Roderick Dawn Rodriguez Susan Romano, in memory of Karen McKinnon Jorge & Amy Romero, in memory of Karen McKinnon Kletus & Lois Rood Christopher Rosol Michael & Joan Rueckhaus Nancy Ruggles, in memory of Jean Bridgers Charles Rundles Robert & Mary Sabatini Kathleen Sacoman Carey Salaz John Sale & Deborah Dobransky Evelyn E. & Gerhard L. Salinger Anne Salopek Katherine Saltzstein Cindy Salvon-Harman Katherine Sanchez Oscar & Janet Sander Andres Sandoval III Steve & Cristella SandovalMartinez Warren Saur Peggy Schey David & Marian Schifani

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DONOR CIRCLES . continued from 27 James & Janet Schippers Sherry Schwitz Justine Scott Laurel Sharp & David Smukler Edith Sheets Arthur & Colleen Sheinberg Ray Shoemaker Silk Road Connection Toby & Elisa Simon Rae Siporin Norbert F. Siska Matthew & Diane Sloves Joseph Smith Kirk Smith Smith’s Community Rewards Catherine Smith-artwig Chandler Smith-Stetson, in memory of Lynn Harrel Karen Smoot Lillian Snyder Cynthia Sontag Karen Soutar Allen & Jean Ann Spalt Judy Spear, in memory of Jeff Bourguet Gwyneth & Tracy Sprouls David & Laurel Srite Walter & Eloise Stanley Bill Stanton Philip & Lois Ann Stanton Lauren Starosta Ronald & Patricia Stauber Charlie & Alexandera Steen Theodore & Imogen Stein Frances Steinbach Elizabeth C. Stevens Joel & Kari Stevenson Stone Age Climbing Gym Rea & Val Stover, in memory of Jean Bridgers Janice Strand Kathleen Stratmoen Arthur Stuart Mary Stumph Michael & Virginia Sullivan Gary & Rosalie Swanson William Swift Peter & Mary Tannen Herbert & Ingeborg Farny Taylor, in honor of Julie Kavet Jeffrey & Georgeann Taylor John Taylor Ronald Taylor Roy & Enid Tidwell Julie Tierney John Tischhauser Sue Toigo, in memory of Karen McKinnon Dr. Steven Tolber & Louise Campbell-Tolber Jacqueline Tommelein Dean Tooley John Torczynski Marian Towne Trader Joe’s John & Karen Trever Mary Trimbell Linda Trowbridge Frank & Claire Trujillo Theodoro Trujillo & Sue Bradigan-Trujillo

Doug Van Loan Yvonne Venti Kathleen Verhage Wolfgang & Patricia Vogt Robert Walston Jerre Walterscheid Caren Waters Anna Watkins Elaine Watson Dale A. Webster Richard Weiner Barry & Cynthia Weiss Mary Westpfahl, in memory of Karen McKinnon Wendy Weygandt, in memory of John Emerson Dixon Charles & Linda White Patricia White, in honor of Tom Shoebotham Wendy White Robert & Maegaret Whittaker Roland & Wendy Wiele Robert & Amy Wilkins Kathleen Wilson David Winter & Abagail Stewart Margaret Wolak & Angelo Tomedi Dan Wollen Deirdre Wolohan Michael Wong Richard Wood, in memory of Jan Mathison Valerie & Marc Woodward Katherine Wray Daniel & Jane Wright Kenneth Wright Nira Wright Judith A. Yandoh Geraldine Yarne Sean Yen Kari Young Teresa Zanetti Kenneth & Barbara Zaslow Andrew & Lisa Zawadzki Michael & Jeanine Zenge Alvin Zuckert & Louise Martin, in memory of Sam & Mimi Zuckert Michael & Anne Zwolinski 1/14/2022

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2021/22 Season / Volume 10 / No. 4

Legacy Society Giving for the future Your continued support makes this possible. The Legacy Society represents people who have provided long-lasting support to the New Mexico Philharmonic through wills, retirement plans, estates, and life income plans. If you included the NMPhil in your planned giving and your name is not listed, please contact (505) 323-4343 to let us know to include you. Jo Anne Altrichter & Robin Tawney Maureen & Stephen Baca Evelyn Patricia Barbier Nancy Berg Sally A. Berg Thomas C. Bird & Brooke E. Tully Edison & Ruth Bitsui Eugenia & Charles Eberle Bob & Jean Gough Peter Gregory Ruth B. Haas Howard A. Jenkins Walter & Allene Kleweno Louise Laval Julianne Louise Lockwood Dr. & Mrs. Larry Lubar Joann & Scott MacKenzie Thomas J. Mahler Cynthia Phillips & Thomas Martin George Richmond Eugene Rinchik Barbara Rivers Terrance Sloan Jeanne & Sid Steinberg William Sullivan Dean Tooley Betty Vortman Maryann Wasiolek William A. Wiley Dot & Don Wortman 1/14/2022

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Thank You for Your Generous Support Volunteers, Expertise, Services, & Equipment The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment. CITY & COUNTY APPRECIATION Mayor Tim Keller & the City of Albuquerque Trudy Jones & the Albuquerque City Council The Bernalillo County Board of Commissioners Dr. Shelle Sanchez & the Albuquerque Cultural Services Department Hakim Bellamy & the Albuquerque Cultural Services Department Amanda Colburn & the Bernalillo County Special Projects

BUSINESS & ORGANIZATION APPRECIATION Immanuel Presbyterian Church The New Mexico Philharmonic Foundation The Albuquerque Community Foundation

INDIVIDUAL APPRECIATION Lee Blaugrund & Tanager Properties Management Ian McKinnon & The McKinnon Family Foundation Billy Brown Anne Eisfeller Emily Steinbach Chris Kershner Jim Key Jackie McGehee Barbara Rivers Brad Richards Brent Stevens

VOLUNTEERS HOSTING VISITING MUSICIANS Don & Cheryl Barker Mike & Blanche Griffin Graham Bartlett Ron Moya Steve Sandager 1/14/2022

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DONOR CIRCLES .

New Mexico Philharmonic Foundation DONORS & TRUSTEES The McKinnon Family Foundation Lee Blaugrund Charles, Trustee & Eugenia Eberle Barbara Rivers, Trustee Robert & Frances Fosnaugh Thomas Martin, Trustee & Cynthia Phillips Stephen & Maureen Baca, Trustees Estate of Marian Ausherman Chavez Dr. Dean Yannias William E. Cates Mary Baca (aka Betty) Christine Kilroy Keith Gilbert Ann & Robert Boland Thomas & Edel Mayer Robert Milne David Northrop John & Karen Schlue Susan Spaven Tyler M. Mason Jerald Parker Richard VanDongen Roland Gerencer Jonathan Hewes George Thomas Richard Zabell & Teresa Apple Scott Obenshain Sydney (Al) & Melissa Stotts Marian & Jennifer Tanau Charles & Judith Gibbon Alice J. Wolfsberg Scott & Carol Schaffer Joel & Sandra Baca Dorothy M. Barbo Henry & Jennifer Bohnhoff Clarke & Mary Cagle Kenneth Conwell II Bob & Greta Dean Howard & Debra Friedman Robert & Jean Gough Justin Griffin Mike & Blanche Griffin Mary Herring Elisa Kephart Alan Lebeck Sonnet & Ian McKinnon James O’Neill W. Pierce & Joyce Ostrander Clifford Richardson III Jacquelyn Robins Jay Rodman & Wendy Wilkins John Rogers Heinz & Barbara Schmitt Michael & Janet Sjulin Peter & Judy Weinreb Jim Zabilski & Sue Johnson Marlin E. Kipp Thomas & Greta Keleher Susanne Brown

Michael Dexter Thomas M. Domme Martha Egan David Espey John Homko Frances Koenig Letitia Morris Michael & Judy Muldawer Ken & Diane Reese Jeff Romero Nancy Scheer Neda Turner Michael Wallace Thomas & Ann Wood Anonymous Maria Stevens John & Julie Kallenbach Kay F. Richards Stan & Gay Betzer Kenneth & Jane Cole Leonard Duda Mary E. Lebeck Robert & Judy Lindeman Martha A. Miller Betsy Nichols Lee Reynis Warren & Rosemary Saur John & Patricia Stover Leonard & Stephanie Armstrong Robert Bower & Kathryn Fry Christopher Calder & Betsey Swan Judith & Thomas Christopher Fran DiMarco Dr. Lauro G. Guaderrama Lawrence & Anne Jones Karen Lanin Geri Newton Edward Rose Christine Sauer James Sharp & Janice Bandrofchak Rae Lee Siporin Bruce Thompson & Phyllis Taylor Lawrence & Katherine Anderson Douglas & Dianne Bailey Edie Beck Jeffrey Bridges A.J. Carson Thomas & Elizabeth Dodson Harry & June Ettinger Helen Feinberg Carl Glenn Guist Fletcher & Laura Hahn Robert & Linda Malseed Robert & Rebecca Parker Elizabeth Perkett Shelley Roberts Thomas Roberts & Leah Albers Gruia-Catalin Roman Donald & Carol Tallman Peter & Mary Tannen Rosario Fiallos James & Ann Breeson Carl & Jeannette Keim Andrea Kilbury Linda McNiel Albert & Shanna Narath

The New Mexico Philharmonic

David & Cynthia Nartonis Ray Reeder Charles & Ruth Snell Henry & Ettajane Conant Nancy Hill Daniel T. O’Shea Charles & Linda White Dal Jensen Charlotte McLeod David Peterson 505 Southwest Auto Ninon Adams David Baca Mark & Beth Berger Charleen Bishop John Bowers & B.J. Fisher Eric R. Brock & Mae S. Yee Camille Carstens Joseph Cella Robert Chamberlin Dennis Chavez Development Corp Olinda Chavez Helene Chenier Hugh & Kathleen Church James Cole Barbara L. Daniels Drina Denham Jerry & Susan Dickinson Vicky Estrada-Bustillo Alfred & Patricia Green Peter Gregory Karen Halderson Samuel & Laila Hall Herman Haase Jo Ellen Head Kiernan Holliday Michael & Sandra Jerome Robert H. & Mary D. Julyan Julia Kavet Henry Kelly Robert & Toni Kingsley Walter & Allene Kleweno, in memory of Pegg Macy Gerald Knorovsky L.D. & Karen Linford Betty Max Logan Douglas Madison Elizabeth Davis Marra Salvatore Martino Donald McQuarie Dr. William Moffatt James B. & Mary Ann Moreno Cary & Evelyn Morrow Karen Mosier David & Marilyn Novat Richard & Dolly O’Leary Maureen Oakes Eric P. Parker Michael Pierson & Jane Ferris Karla Puariea Russell & Elizabeth Raskob George & Sheila Richmond Margaret E. Roberts Matthew Roberts Judith Roderick Marian Schreyer Drs M. Steven Shackley & Kathleen L. Butler Joseph Shepherd & Julie Dunleavy Lillian Snyder

Julianne Stangel Ronald T. Taylor Marta Terlecki Betty Tichich Marvin & Patricia Tillery Robert Tillotson Jorge Tristani (President, Denis Chavez Development) Harold & Darlene Van Winkle Lana Wagner Dale Webster Kevin & Laurel Welch Liza White Marc & Valerie Woodward Diana Zavitz Michael & Jeanine Zenge Linda R. Zipp MD Jeffrey G. Allen Marilyn Bowman Stephen & Merilyn Fish Lorraine B. Gordon Hareendra & Sanjani Kulasinghe David C. McGuire Jr. William & Cynthia Warren John Vittal Margaret Lieberman Judith Anderson Marcia Congdon Genevieve Davidge Winnie Devore Karen Duray Jackie Ericksen John & Nancy Garth Allison Gentile Andrea Granger Fred & Joan Hart Edgarton (E.R.) Haskin, Jr. Theresa Homisak Stephanie Kauffman Basil Korin Frederic & Joan March Cristina Pereyra Luana Ramsey J. Sapon & Allison Gentile Michael & Lisa Scherlacher John & Sherry Schwitz Beverly Simmons Alexandra Steen Kathleen Stratmoen Dean Tooley Kenneth Wright Kenneth & Barbara Zaslow Andrew & Lisa Zawadzki Peter & Ann Ziegler Mary J. Zimmerman Alvin Zuckert Dante & Judie Cantrill Lori Johnson Douglas Cheney Martha Corley Barbara Killian Gary Mazaroff Theodore & Sue BradiganTrujillo Christopher Behl Mary Compton Henry Daise Arthur Flicker Andrew McDowell & Natalie Adolphi Claude Morelli

Noel Pugach Bonnie Renfro Elizabeth Stevens Arthur Alpert Stanley & Helen Hordes Edward & Carol Ann Dzienis Bob Crain Denise Fligner & Terry Edwards Stephen Schoderbek Krys & Phil Custer Deborah Peacock & Nathan Korn Rita Leard Carol Diggelman Paul Isaacson Sarah Barlow Martin & Ursula Frick Robert & Phyllis Moore Gary & Nina Thayer Sharon Moynahan & Gerald Moore Jeffrey West Ina Miller Bruce Miller Julie Kaved Jeffery & Jane Lawrence Dolores Teubner Ronald & Sara Friederich Elen Feinberg Volti Subito Productions Melbourn & Dorothy Bernstein 1/14/2022

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MARCH 12, 2022, 8:00 PM

MARCH 18, 2022,10:45 AM

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2021/22 Season / Volume 10 / No. 4

APRIL 3, 2022, 3:00 PM

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The concerts of the New Mexico Philharmonic are supported in part by the City of Albuquerque Department of Cultural Services, the Bernalillo County, and the Albuquerque Community Foundation.

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Hotel Andaluz hotelandaluz.com

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Century Bank mycenturybank.com

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Computing Center Inc. cciofabq.com

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French Funerals & Cremations frenchfunerals.com

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John Moore Associates johnmoore.com

Keleher & McLeod keleher-law.com

Menicucci Insurance Agency mianm.com

Meredith Foundation

Moss Adams mossadams.com

Music Guild of New Mexico musicguildofnewmexico.org

New Mexico Arts nmarts.org

New Mexico Gas Company nmgco.com

Olga Kern International Piano Competition olgakerncompetition.org

RBC Wealth Management rbcwealthmanagement.com

Sandia Foundation sandiafoundation.org

Sandia Laboratory Federal Credit Union slfcu.org

Scalo Italian Restaurant scaloabq.com

United Way of Central New Mexico uwcnm.org

Urban Enhancement Trust Fund cabq.gov/uetf

The Verdes Foundation verdesfoundation.org

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New Mexico Philharmonic Program Book • 2021/22 Season • Volume 10 • No. 4

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Steinway Society

Program Notes

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